├── README.md
├── convcompose.py
├── demo.gif
├── gencompose.py
├── karabiner-compose.png
├── mappings
    ├── README.md
    ├── common.yaml
    ├── emoji.yaml
    ├── lithuanian.yaml
    ├── readme.yaml
    ├── xcompose.compose
    └── xcompose.yaml
├── pyproject.toml
├── tests
    ├── __init__.py
    ├── test.compose
    └── test_convcompose.py
└── toXcompose.py


/README.md:
--------------------------------------------------------------------------------
  1 | # Compose Key On Macos
  2 | 
  3 | `gen-compose` - generates _compose key_ keybindings for macos.  
  4 | 
  5 | > A compose key (sometimes called multi key) is a key on a computer keyboard that indicates that the following (usually 2 or more) keystrokes trigger the insertion of an alternate character, typically a precomposed character or a symbol.
  6 | > https://en.wikipedia.org/wiki/Compose_key
  7 | 
  8 | Compose keys lets you insert complex character by entering multiple characters in a succession:
  9 | 
 10 | ![screencast demonstration of compose key](./demo.gif)
 11 | 
 12 | e.g. `<compose_key> + d + o + w + n` will insert `👇`
 13 | 
 14 | Mac os doesn't come with a compose key feature built-in. However there's a short hack to make it work:
 15 | 
 16 | 1. Keys can be rebound in mac via `~/Library/KeyBindings/DefaultKeyBinding.dict` dictionary file.
 17 | 2. The rebound keys can be chained like compose keys e.g. pressing `abcd` can be made to insert `AlphaBetaCharlieDad`
 18 | 3. Modifier keys cannot be rebound
 19 | 
 20 | With these three rules we can replicate compose key and even set it to work with a mod key!
 21 | 
 22 | ## Install
 23 | 
 24 | `gen-compose` can be installed via python manager with py3.6+ versions:
 25 | 
 26 | ```
 27 | $ pip3 install --user gen-compose
 28 | $ gen-compose --help
 29 | Usage: gen-compose [OPTIONS] [MAPPINGS]...
 30 | 
 31 |   Generate macos rebind file from compose json mapping
 32 | 
 33 | Options:
 34 |   --key TEXT  key to use as compose key  [default: §]
 35 |   -r, --raw   just keymap without prefix
 36 |   --help      Show this message and exit.
 37 | ```
 38 | 
 39 | ## Preconfig
 40 | 
 41 | 
 42 | 1. First lets fix modifier key issue by forcing modifier to be a character. For example to use `right_options` key we need to use [karabiner elements] and remap it to some unused key like `non_us_backslash`:
 43 | ![karabiner compose screenshot](./karabiner-compose.png)
 44 | 
 45 | 2. Now we have the compose key ready: if we click right_options it should insert `§` character  
 46 |     However we cannot compose anything yet as we have no compose mappings yet. For that we need to modify keybindings dictionary located in `~/Library/KeyBindings/DefaultKeyBinding.dict`.  
 47 |     It's written in some cryptic hard to edit format and here's where `gen-compose` comes in and lets you write `yaml` files instead!
 48 | 
 49 | ## Usage
 50 | 
 51 | 1. Create yaml mappings file (e.g. `mappings/readme.yaml`):
 52 |     ```yaml
 53 |     cat: "(^≗ω≗^)"
 54 |     "+1": 👍
 55 |     "-1": 👎
 56 |     ":(": "my face is sad"
 57 |     ```
 58 |    This map defines key combinations and texts that will be inserted, e.g. `<compose_key><plus><number 1>` will insert thumbs up.  
 59 |    _note: see [mappings](./mappings) directory for some built in mappings_
 60 | 2. Using `gen-compose` we generated `.dict` keybind file file from our yaml configuration:
 61 |     ```shell
 62 |     $ gen-compose mappings/readme.yaml
 63 |     {"§" = {
 64 |       "c" = {
 65 |         "a" = {
 66 |           "t" = ("insertText:", "(^≗ω≗^)");
 67 |         };
 68 |       };
 69 |       "+" = {
 70 |         "1" = ("insertText:", "👍");
 71 |       };
 72 |       "-" = {
 73 |         "1" = ("insertText:", "👎");
 74 |       };
 75 |       ":" = {
 76 |         "(" = ("insertText:", "my face is sad");
 77 |       };
 78 |     };}
 79 |     ```
 80 |    _note: multiple mappings can be used to generate a single keymap:_ `$ gen-compose map1.yaml map2.yaml`
 81 | 3. Now save it directly to keybinds file:
 82 |     ```shell
 83 |     $ gen-compose mappings/readme.yaml > ~/Library/KeyBindings/DefaultKeyBinding.dict
 84 |     ```
 85 | 4. Restart your programs and type `§+1` and you'll see `👍`!
 86 | 5. Customize your own mapping or see `/mappings` for some existing configurations and have fun!
 87 | 
 88 | 
 89 | _note: Some programs need a hard reboot to take in the map, like `kill -9` sort of reboot to start working._
 90 | 
 91 | ## Using XCompose Mappings
 92 | 
 93 | Linux's xcompose mappings are supported via experimental conversion:
 94 | 
 95 | ```
 96 | $ gen-compose-convert xcompose --help
 97 | Usage: gen-compose-convert xcompose [OPTIONS] [FILES]...
 98 | 
 99 |   Convert xcompose file, that follows format like: <Multi_key> <parenleft>
100 |   <period> <1> <parenright>: "⑴"
101 | 
102 | Options:
103 |   -c, --keep-comments  keep inline comments
104 |   --help               Show this message and exit.
105 | ```
106 | 
107 | For example:
108 | 
109 | ```
110 | $ head mappings/example.compose
111 | <Multi_key> <B> <bar> : "₿" U20BF  # BITCOIN SIGN
112 | ...
113 | $ gen-compose-convert xcompose mappings/xcompose.compose --keep-comments > example.yaml
114 | $ cat example.yaml
115 | "B|": "₿"  # BITCOIN SIGN
116 | ...
117 | ```
118 | 
119 | ## Exporting to XCompose
120 | 
121 | `gen-compose-export` command can be used export yaml configuration back to XCompose file:
122 | 
123 | ```shell
124 | $ gen-compose-export --help
125 | Usage: gen-compose-export [OPTIONS] YAMLFILE
126 | 
127 |   Export .yaml config file back to XCompose file i.e. this is reverse of
128 |   gen-compose-convert
129 | 
130 | Options:
131 |   --help  Show this message and exit.
132 | ```
133 | 
134 | For example:
135 | 
136 | ```python
137 | $ head mappings/xcompose.yaml 
138 | "..": "…"  # HORIZONTAL ELLIPSIS
139 | "v..": "⋮"  # VERTICAL ELLIPSIS
140 | ...
141 | $ gen-compose-export mappings/xcompose.yaml > xcompose.compose
142 | $ head xcompose.compose
143 | <Multi_key> <period><period>:"…"
144 | <Multi_key> <v><period><period>:"⋮"
145 | <Multi_key> <c><period><period>:"⋯"
146 | <Multi_key> <slash><period><period>:"⋰"
147 | <Multi_key> <period><backslash><period>:"⋱"
148 | <Multi_key> <2><period>:"‥"
149 | <Multi_key> <c><1><period>:"·"
150 | <Multi_key> <period><slash><period>:"⁒"
151 | <Multi_key> <ampersand><at>:"⅋"
152 | <Multi_key> <ampersand><7>:"⁊"
153 | ...
154 | ```
155 | 
156 | ## Notes and Issues
157 | 
158 | * There's no way to really debug this other than trial and error and making sure applications are restarted after every update.  
159 | * When multiple keymaps (eg `compose-gen map1.yaml map2.yal`) provided they will be joined and updated in order they are provided.
160 | * Keymap does not allow completely overlapping keys. e.g. `egg` and `eggplant` will break because it's impossible to map two overlapping values as keymap functionality has no timeout (i.e. break if nothing is typed after a second and insert `egg`, instead it will wait indefinitely for you to finish `eggplant`)  
161 |     If overlap happens `compose-gen` will choose the shorter form and discard the long one.  
162 |     To fix this add end terminator character such as space: `egg<space>` rather than `egg` in your mappings.
163 | * `DefaultKeyBinding.dict` map doesn't work in some popular programs:
164 |     - JetBrain editors such as PyCharm, see: https://youtrack.jetbrains.com/issue/IDEA-127470
165 |     - QT apps such as Qutebrowser, see (and vote): https://bugreports.qt.io/browse/QTBUG-393
166 | 
167 | 
168 | 
169 | #### Related Resources
170 | 
171 | https://github.com/gnarf/osx-compose-key  
172 | http://lolengine.net/blog/2012/06/17/compose-key-on-os-x  
173 | http://bob.cakebox.net/osxcompose.php  
174 | https://github.com/ttscoff/KeyBindings
175 | 
176 | [karabiner elements]: https://karabiner-elements.pqrs.org/
177 | 


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/convcompose.py:
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  1 | import click
  2 | import re
  3 | 
  4 | from click import echo
  5 | 
  6 | KEY_MAP = {
  7 |     'bracketleft': '[',
  8 |     'bracketright': ']',
  9 |     'parenleft': '(',
 10 |     'parenright': ')',
 11 |     'Multi_key': '',
 12 |     'period': '.',
 13 |     'minus': '-',
 14 |     'plus': '+',
 15 |     'dollar': '$',
 16 |     'at': '@',
 17 |     'exclam': '!',
 18 |     'less': '<',
 19 |     'greater': '>',
 20 |     'slash': '/',
 21 |     'backslash': '\\',
 22 |     'question': '?',
 23 |     'space': ' ',
 24 |     'equal': '=',
 25 |     'asciitilde': '~',
 26 |     'numbersign': '#',
 27 |     'asterisk': '*',
 28 |     'colon': ':',
 29 |     'semicolon': ';',
 30 |     'percent': '%',
 31 |     'underscore': '_',
 32 |     'asciicircum': '^',
 33 |     'comma': ',',
 34 |     'apostrophe': "'",
 35 |     'quotedbl': '"',
 36 |     'bar': "|",
 37 |     'grave': "`",
 38 |     'ampersand': "&",
 39 |     'braceright': "}",
 40 |     'braceleft': "{",
 41 |     'KP_Multiply': "*",
 42 |     'exclamdown': "¡",
 43 |     'questiondown': "¿",
 44 | }
 45 | 
 46 | 
 47 | def quote(char):
 48 |     """
 49 |     quote yaml key
 50 |     - replaces `\` to `\\`
 51 |     - replace `"` to `\"`
 52 |     """
 53 |     char = char.replace('\\', '\\\\')
 54 |     char = char.replace('"', '\\"')
 55 |     return char
 56 | 
 57 | 
 58 | def remap_keys(keys):
 59 |     """remap xcompose keys to unicode characters"""
 60 |     result = []
 61 |     for key in keys:
 62 |         key = key.strip('<>')
 63 |         if len(key) > 1:
 64 |             # convert unicode hexes to unicode characters
 65 |             # e.g. U220B == ∋
 66 |             if key.startswith('U') and any(c.isdigit() for c in key):
 67 |                 key = key.split('U', 1)[1]
 68 |                 key = chr(int(key, 16))
 69 |             elif key not in KEY_MAP:
 70 |                 raise ValueError(f'unsupported keymap: {key}')
 71 |         result.append(KEY_MAP.get(key, key))
 72 |     return result
 73 | 
 74 | 
 75 | @click.group()
 76 | def main():
 77 |     """convert alternative formats to yaml key: value format"""
 78 |     pass
 79 | 
 80 | 
 81 | @main.command()
 82 | @click.argument('files', type=click.File(), nargs=-1)
 83 | @click.option('-c', '--keep-comments', is_flag=True, help='keep inline comments')
 84 | def xcompose(files, keep_comments):
 85 |     """
 86 |     Convert xcompose file, that follows format like:
 87 |     <Multi_key> <parenleft> <period> <1> <parenright>: "⑴"
 88 |     """
 89 |     # e.g. < Multi_key > < parenleft > < period > < 1 > < parenright >: "⑴"
 90 |     for file in files:
 91 |         for row in file:
 92 |             row = row.strip()
 93 |             if not row:
 94 |                 continue
 95 |             if row.startswith('#') or row.startswith('include'):
 96 |                 continue
 97 |             if '#' in row:
 98 |                 row, comment = row.split('#', 1)
 99 |             else:
100 |                 comment = ''
101 |             try:
102 |                 from_, to = row.split(':', 1)
103 |             except ValueError:
104 |                 echo(f'malformed line:\n{row}', err=True)
105 |                 continue
106 |             from_ = re.split(r'\s+', from_)
107 |             try:
108 |                 from_ = ''.join(remap_keys(from_))
109 |             except ValueError as e:
110 |                 echo(f'{e}; skipping:\n  {row}', err=True)
111 |                 continue
112 |             to = to.split('"')[1]
113 |             value = f'"{quote(from_)}": "{quote(to)}"'
114 |             if keep_comments and comment:
115 |                 value += f'  #{comment}'
116 |             echo(value)
117 | 
118 | 
119 | if __name__ == '__main__':
120 |     main()
121 | 


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/demo.gif:
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https://raw.githubusercontent.com/Granitosaurus/macos-compose/0bdd7b6cc0713103b6726834d79e2ad3f9fc7143/demo.gif


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/gencompose.py:
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  1 | import json
  2 | import re
  3 | from collections.abc import MutableMapping
  4 | from copy import deepcopy
  5 | from typing import Union, Tuple, Callable, Type, Iterable, Dict
  6 | 
  7 | import click
  8 | import yaml
  9 | from click import echo
 10 | 
 11 | 
 12 | def key_nest(keys: Iterable) -> Dict:
 13 |     """
 14 |     creates key nest from provided values
 15 | 
 16 |     >>> key_nest('1234')
 17 |     {'1': {'2': {'3': '4'}}}
 18 |     """
 19 |     v = None
 20 |     for c in keys[::-1]:
 21 |         if not v:
 22 |             v = c
 23 |         else:
 24 |             v = {c: v}
 25 |     return v
 26 | 
 27 | 
 28 | def object_hook(dict_, func: Callable, types: Union[Tuple[Type], Type] = dict):
 29 |     """
 30 |     object hook for python dictionary - applies function to every object of type recursively
 31 |     note: dictionary keys are not considered to be objects and will be type matched,
 32 |     for processing dictionary keys you should process whole dict type.
 33 |     example:
 34 |     >>> object_hook({'foo': 'bar'}, str.upper, str)
 35 |     {'foo': 'BAR'}
 36 |     >>> object_hook({'foo': {'nested': 10}}, lambda v: v+1, int)
 37 |     {'foo': {'nested': 11}}
 38 |     """
 39 |     new = deepcopy(dict_)
 40 |     if isinstance(dict_, types):  # hook self as well
 41 |         new = func(new)
 42 | 
 43 |     if not isinstance(new, MutableMapping):
 44 |         return new
 45 | 
 46 |     for key in new:
 47 |         # recursive object_hook for dicts
 48 |         if isinstance(new[key], MutableMapping):
 49 |             new[key] = object_hook(new[key], func, types)
 50 |         # for lists either apply function if type matched or recursive object_hook if dict
 51 |         elif isinstance(new[key], (list, tuple)):
 52 |             new[key] = type(new[key])(
 53 |                 object_hook(v, func, types) if
 54 |                 isinstance(v, MutableMapping) else func(v)
 55 |                 if isinstance(v, types) else v
 56 |                 for v in new[key]
 57 |             )
 58 | 
 59 |         if isinstance(new[key], types):
 60 |             new[key] = func(new[key])
 61 | 
 62 |     return new
 63 | 
 64 | 
 65 | @click.command()
 66 | @click.argument('mappings', type=click.File(), nargs=-1)
 67 | @click.option('--key', default='§', show_default=True, help='key to use as compose key')
 68 | @click.option('-r', '--raw', is_flag=True, help='just keymap without prefix')
 69 | def main(mappings, raw, key):
 70 |     """Generate macos rebind file from compose json mapping"""
 71 |     all_maps = {}
 72 |     for mapping in mappings:
 73 |         yamldata = yaml.load(mapping.read(), Loader=yaml.Loader)
 74 |         all_maps.update(**{str(k): str(v) for k, v in yamldata.items()})
 75 |     all_maps = read_paths(all_maps)
 76 |     text = data_to_mac_dict(all_maps)
 77 |     if raw:
 78 |         echo(text)
 79 |     else:
 80 |         based = '{{"' + key + '" = {}}}'
 81 |         echo(based.format(text))
 82 | 
 83 | 
 84 | def merge(source, destination):
 85 |     """
 86 |     deepmerge dictionaries
 87 | 
 88 |     >>> a = { 'first' : { 'all_rows' : { 'pass' : 'dog', 'number' : '1' } } }
 89 |     >>> b = { 'first' : { 'all_rows' : { 'fail' : 'cat', 'number' : '5' } } }
 90 |     >>> merge(b, a) == { 'first' : { 'all_rows' : { 'pass' : 'dog', 'fail' : 'cat', 'number' : '5' } } }
 91 |     """
 92 |     if isinstance(destination, str):
 93 |         return source
 94 |     for key, value in source.items():
 95 |         if isinstance(value, dict):
 96 |             # get node or create one
 97 |             node = destination.setdefault(key, {})
 98 |             merge(value, node)
 99 |         else:
100 |             destination[key] = value
101 |     return destination
102 | 
103 | 
104 | def read_paths(data):
105 |     """
106 |     Unpack first key of a dictionary as nested dictionary path
107 | 
108 |     >>> read_paths({'cat': '>-.-<'})
109 |     {'c': {'a': {'t': '>-.-<'}}}
110 |     """
111 |     parsed = {}
112 |     for k, v in data.items():
113 |         parsed = merge(parsed, key_nest(list(k) + [v]))
114 |     return parsed
115 | 
116 | 
117 | def data_to_mac_dict(data):
118 |     """
119 |     converts dictionary data to macos keymap.dict format
120 | 
121 |     >>> data_to_mac_dict({'c': {'a': {'t': '(^≗ω≗^)'}}})
122 |     {
123 |       "c" = {
124 |         "a" = {
125 |           "t" = ("insertText:", "(^≗ω≗^)");
126 |         };
127 |       };
128 |     };
129 |     """
130 |     updated = object_hook(data, lambda value: f'INSERT:{value}', str)
131 |     text = json.dumps(updated, indent=2, ensure_ascii=False)
132 |     repl = lambda value: f'("insertText:", "{value.groups()[0]}");'
133 |     text = re.sub('"INSERT:(.+)",*', repl, text)
134 |     text = re.sub('},*(\n|$)', '};\n', text)
135 |     text = re.sub('": ', '" = ', text)
136 |     return text
137 | 
138 | 
139 | if __name__ == '__main__':
140 |     main()
141 | 


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/karabiner-compose.png:
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https://raw.githubusercontent.com/Granitosaurus/macos-compose/0bdd7b6cc0713103b6726834d79e2ad3f9fc7143/karabiner-compose.png


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/mappings/README.md:
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1 | # Example Mappings
2 | 
3 | Here are some example json mappings that can be used with `gen-compose`


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/mappings/common.yaml:
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 1 | # arrows
 2 | -^: ↑
 3 | -v: ↓
 4 | ->: →
 5 | <-: ←
 6 | <->: ↔
 7 | ^-v: ↕
 8 | ^\: ↖
 9 | \v: ↗
10 | v/: ↙
11 | \v: ↘
12 | # punctuation
13 | --: ‒
14 | # math
15 | +-: ±
16 | c/: ¢
17 | L-: £
18 | Y=: ¥
19 | ^1: ¹
20 | ^2: ²
21 | oo: °
22 | ..: ·
23 | # circles
24 | oc: ©
25 | or: ®
26 | 
27 | 


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/mappings/emoji.yaml:
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 1 | # faces
 2 | ": ": 😶
 3 | ":(": 🙁
 4 | ":)": 🙂
 5 | ";)": 😏
 6 | ":P": 😋
 7 | ":|": 😐
 8 | ":I": 😬
 9 | ":r": 🙄
10 | ":z": 🤐
11 | ":oo": 🥺
12 | "xxo": 😵
13 | ":f": 🤬
14 | ":<": 😤
15 | ssh: 🤫
16 | lol: 😂
17 | rofl: 🤣
18 | 0-0: 😎
19 | # symbols
20 | world: 🌏
21 | globe: 🌐
22 | compass: 🧭
23 | poo: 💩
24 | <3: ❤
25 | beach: 🏖
26 | mountain: ⛰
27 | splash: 💦
28 | /-/: ⚡
29 | fire: 🔥
30 | sun: ☀
31 | rain: 🌧
32 | moon: 🌕
33 | rainbow: 🌈
34 | medal: 🏅
35 | bball: 🏀
36 | game: 🎮
37 | "bell ": 🔔
38 | bell/: 🔕
39 | # body
40 | ok: 👌
41 | up: 👆
42 | down: 👇
43 | "+ ": 👍
44 | "- ": 👎
45 | wai: 🙏
46 | shake: 🤝
47 | horns: 🤟
48 | callme: 🤙
49 | win: ✌
50 | wave: 👋
51 | brain: 🧠
52 | eyes: 👀
53 | # people
54 | # animals
55 | rat: 🐀
56 | snek: 🐍
57 | sauro: 🦕
58 | trex: 🦖
59 | octo: 🐙
60 | whale: 🐳
61 | bug: 🐛
62 | bee: 🐝
63 | spider: 🕷
64 | shrimp: 🦐
65 | lobster: 🦞
66 | crab: 🦀
67 | squid: 🦑
68 | # plants 
69 | rose: 🌹
70 | sunflower: 🌻
71 | bouquet: 💐
72 | tree: 🌳
73 | gtree: 🌲
74 | cactus: 🌵
75 | peach: 🍑
76 | orange: 🍊
77 | apple: 🍎
78 | banana: 🍌
79 | eggplant: 🍆
80 | mushroom: 🍄
81 | chili: 🌶
82 | "egg ": 🥚
83 | # food
84 | cake: 🎂
85 | beer: 🍺
86 | wine: 🍷
87 | cheers: 🍻
88 | whiskey: 🥃
89 | mate: 🧉
90 | clink: 🥂
91 | ice: 🧊
92 | # transport
93 | bike: 🚲
94 | car: 🚗
95 | traffic: 🚥
96 | ufo: 🛸
97 | 


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/mappings/lithuanian.yaml:
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 1 | # These are bindings for Lithuanian special letters: ąčęėįšūųž
 2 | A,: Ą
 3 | a,: ą
 4 | C<: Č
 5 | c<: č
 6 | E,: Ę
 7 | E.: Ė
 8 | e,: ę
 9 | e.: ė
10 | I,: Į
11 | i,: į
12 | S<: Š
13 | s<: š
14 | U-: Ū
15 | U,: Ų
16 | u-: ū
17 | u,: ų
18 | Z<: Ž
19 | z<: ž
20 | 


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/mappings/readme.yaml:
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1 | # example used in macos-compose readme
2 | cat: "(^≗ω≗^)"
3 | "+1": 👍
4 | "-1": 👍
5 | ":(": "my face is sad"
6 | 


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/mappings/xcompose.compose:
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   1 | # for Emacs: -*- coding: utf-8 -*-
   2 | include "%L"
   3 | 
   4 | # def emit(keys, codepoint, word):
   5 | #     print ('<Multi_key> %s <period>\t: "%s"\tU%04X\t\t# CIRCLED DIGIT %s' % 
   6 | #            (keys, unichr(codepoint), codepoint, word)).encode('utf8')
   7 | # numbers = 'one two three four five six seven eight nine ten eleven twelve thirteen fourteen fifteen sixteen seventeen eighteen nineteen twenty'
   8 | # words = numbers.upper().split()
   9 | # emit('<0>', 0x24EA, "ZERO")
  10 | # for num, word in zip(range(1, 21), words):
  11 | #     emit(' '.join("<%s>" % char for char in str(num)), 0x245f + num, word)
  12 | 
  13 | # Custom additions: Typography
  14 | <Multi_key> <period> <period>		: "…"	U2026		# HORIZONTAL ELLIPSIS
  15 | <Multi_key> <v> <period> <period>	: "⋮"	U22EE		# VERTICAL ELLIPSIS
  16 | <Multi_key> <c> <period> <period>	: "⋯"	U22EF		# MIDLINE HORIZONTAL ELLIPSIS
  17 | <Multi_key> <slash> <period> <period>	: "⋰"	U22F0		# UP RIGHT DIAGONAL ELLIPSIS
  18 | # To avoid conflict with \. for combining dot above.
  19 | #<Multi_key> <backslash> <period> <period> : "⋱" U22F1		# DOWN RIGHT DIAGONAL ELLIPSIS
  20 | <Multi_key> <period> <backslash> <period> : "⋱" U22F1		# DOWN RIGHT DIAGONAL ELLIPSIS
  21 | # Will we someday regret this, wanting 2. for ⒉ ?
  22 | <Multi_key> <2> <period>	 	  : "‥"	U2025		# TWO DOT LEADER
  23 | # This should not be needed.
  24 | #<Multi_key> <1> <period>		  : "․"	U2024		# ONE DOT LEADER
  25 | <Multi_key> <c> <1> <period>		  : "·"	U00B7		# MIDDLE DOT (maybe I can remember the keystroke better?
  26 | <Multi_key> <period> <slash> <period>	: "⁒"	U2052		# COMMERCIAL MINUS SIGN
  27 | ### or && ?
  28 | <Multi_key> <ampersand> <at>    :   "⅋" U214B   # TURNED AMPERSAND
  29 | <Multi_key> <ampersand> <7>     :   "⁊" U204A   # TIRONIAN SIGN ET
  30 | # Printable sign for space.  But is \<space> too useful a key combo to use
  31 | # for this?
  32 | <Multi_key> <backslash> <space>		: "␣"	U2423		# OPEN BOX
  33 | # These two are already present for me:
  34 | # <Multi_key> <minus> <minus> <minus>	: "—"	U2014		# EM DASH
  35 | # <Multi_key> <minus> <minus> <period>	: "–"	U2013		# EN DASH
  36 | <Multi_key> <minus> <minus> <space>	: "– "			# EN DASH (followed by space)
  37 | <Multi_key> <minus> <asciitilde> <minus> : "―" U2015 # HORIZONTAL BAR
  38 | <Multi_key> <minus> <2> <M>	 	 : "⸺" U2E3A # TWO-EM DASH
  39 | <Multi_key> <minus> <3> <M>	 	 : "⸻" U2E3B # THREE-EM DASH
  40 | <Multi_key> <backslash> <minus>		: "­"	U00AD		# SOFT HYPHEN
  41 | # This is the recommended typographical practice for em dashes in English.
  42 | # Unfortunately, it doesn’t work out all that well in monospace fonts,
  43 | # where the thin spaces aren’t thin.  But I think this is okay.
  44 | # This conflicts with the default binding to “~”, which is potentially
  45 | # a problem for non-American keyboards.
  46 | <Multi_key> <space> <minus>             : " — "                 # EM DASH surrounded by THIN SPACEs.
  47 | 
  48 | 
  49 | # Quotation marks.
  50 | <Multi_key> <comma> <space>		: "‚"	U201A		# SINGLE LOW-9 QUOTATION MARK
  51 | <Multi_key> <comma> <comma>		: "„"	U201E		# DOUBLE LOW-9 QUOTATION MARK
  52 | <Multi_key> <less> <comma> <comma>	: "⹂"	U2E42		# DOUBLE LOW-REVERSED-9 QUOTATION MARK
  53 | <Multi_key> <apostrophe> <space>	: "’"	U2019		# RIGHT SINGLE QUOTATION MARK
  54 | <Multi_key> <apostrophe> <apostrophe>	: "”"	U201D		# RIGHT DOUBLE QUOTATION MARK
  55 | <Multi_key> <grave> <space>		: "‘"	U2018		# LEFT SINGLE QUOTATION MARK
  56 | <Multi_key> <grave> <grave>		: "“"	U201C		# LEFT DOUBLE QUOTATION MARK
  57 | <Multi_key> <6> <apostrophe>		: "‘"	U2018		# LEFT SINGLE QUOTATION MARK (high 6)
  58 | <Multi_key> <6> <quotedbl>		: "“"	U201C		# LEFT DOUBLE QUOTATION MARK (66)
  59 | <Multi_key> <9> <apostrophe>		: "’"	U2019		# RIGHT SINGLE QUOTATION MARK (high 9)
  60 | <Multi_key> <9> <quotedbl>		: "”"	U201D		# RIGHT DOUBLE QUOTATION MARK (99)
  61 | <Multi_key> <less> <9> <apostrophe>	: "‛"	U201B		# SINGLE HIGH-REVERSED-9 QUOTATION MARK
  62 | <Multi_key> <less> <9> <quotedbl>	: "‟"	U201F		# DOUBLE HIGH-REVERSED-9 QUOTATION MARK
  63 | <Multi_key> <comma> <apostrophe>	: "‚"	U201A		# SINGLE LOW-9 QUOTATION MARK (quote resembling a comma)
  64 | <Multi_key> <comma> <quotedbl>		: "„"	U201E		# DOUBLE LOW-9 QUOTATION MARK
  65 | 
  66 | # Convenience shortcuts for quotation marks.
  67 | <Multi_key> <space> <quotedbl>          : " “"                  # space followed by LEFT DOUBLE QUOTATION MARK
  68 | <Multi_key> <quotedbl> <space>          : "” "                  # RIGHT DOUBLE QUOTATION MARK followed by space
  69 | <Multi_key> <space> <apostrophe>        : " ‘"                # space followed by LEFT SINGLE QUOTATION MARK
  70 | # Unfortunately <apostrophe> <space> is, asymmetrically, just "’".  Whatever.
  71 | <Multi_key> <n> <t>                     : "n’t "              # Apostrophized English “not.”
  72 | # Some more English shortcuts:
  73 | <Multi_key> <space> <t>                 : " the "
  74 | <Multi_key> <space> <T>                 : "  The "
  75 | <Multi_key> <space> <a>                 : " and "
  76 | <Multi_key> <i> <m>                     : " I’m "
  77 | <Multi_key> <v> <e>                     : "’ve "
  78 | 
  79 | <Multi_key> <comma> <at>		: "⸲"	U2E32		# TURNED COMMA
  80 | # Conflicts with system def? (·)
  81 | <Multi_key> <period> <asciicircum>	: "⸳"	U2E33		# RAISED DOT
  82 | <Multi_key> <period> <asciitilde>	: "⸳"	U2E33		# RAISED DOT
  83 | <Multi_key> <comma> <asciicircum>	: "⸴"	U2E34		# RAISED COMMA
  84 | <Multi_key> <semicolon> <at>		: "⸵"	U2E35		# TURNED SEMICOLON
  85 | # Convlicts with system def? (⍭)
  86 | <Multi_key> <asciitilde> <bar>		: "ⸯ"	U2E2F		# VERTICAL TILDE
  87 | <Multi_key> <asciicircum> <bar>		: "ⸯ"	U2E2F		# VERTICAL TILDE
  88 | <Multi_key> <minus> <equal>		: "⹀"	U2E40		# DOUBLE HYPHEN
  89 | <Multi_key> <comma> <less>		: "⹁"	U2E41		# REVERSED COMMA
  90 | <Multi_key> <less> <bar>		: "↵"	U21B5		# DOWNWARDS ARROW WITH CORNER LEFTWARDS
  91 | # The bullet was <o> <period>, but it clashes with ꙭ
  92 | <Multi_key> <asterisk> <1>		: "•"	U2022		# BULLET
  93 | # By default <Multi_key> <period> <period> does this, but we broke that with the ... binding.
  94 | <Multi_key> <o> <underscore>		: "⁃"   U2043		# HYPHEN BULLET
  95 | <Multi_key> <o> <comma>			: "·"	periodcentered	# MIDDLE DOT
  96 | # I don’t use this nearly as often as the em-dash sequence I’ve remapped it to:
  97 | #<Multi_key> <space> <minus>		: "‑"	U2011		# NON-BREAKING HYPHEN
  98 | # Already present for me:
  99 | # <Multi_key> <space> <space>		: " "	U00A0		# NO-BREAK SPACE
 100 | # Narrow no-break space, needed for some Latin languages like French
 101 | <Multi_key> <space> <n>                 : " "   U202f # NARROW NO-BREAK SPACE
 102 | # Technically, NO-BREAK SPACE is not supposed to be fixed-width.  This is:
 103 | <Multi_key> <space> <numbersign> :   " "      U2007             # FIGURE SPACE
 104 | # We used to have THIN SPACE as <space> <apostrophe>, but now that’s remapped
 105 | # to " ‘", for conveniently enclosing things in proper single-quotes.
 106 | <Multi_key> <backslash> <comma>		: " "	U2009		# THIN SPACE
 107 | # (heh, heh... space bar)
 108 | <Multi_key> <space> <bar>               : " "   U200A           # HAIR SPACE
 109 | <Multi_key> <d> <a> <g>			: "†"	U2020		# DAGGER
 110 | <Multi_key> <d> <d> <a> <g>		: "‡"	U2021		# DOUBLE DAGGER
 111 | <Multi_key> <s> <e> <c> : "§"   U00A7   # SECTION SIGN
 112 | # It's in the Asian section, but it's a general-purpose punctuation:
 113 | <Multi_key> <quotedbl> <quotedbl>       : "〃"	U3003		# DITTO MARK
 114 | # Working with the pattern from FLOOR/CEILING
 115 | <Multi_key> <7> <asciicircum> <bracketleft>  : "⸢"  U2E22	# TOP LEFT HALF BRACKET
 116 | <Multi_key> <7> <asciicircum> <bracketright> : "⸣"  U2E23	# TOP RIGHT HALF BRACKET
 117 | <Multi_key> <L> <underscore> <bracketleft>   : "⸤"  U2E24	# BOTTOM LEFT HALF BRACKET
 118 | <Multi_key> <L> <underscore> <bracketright>  : "⸥"  U2E25	# BOTTOM RIGHT HALF BRACKET
 119 | # Consider <7> <less>/<greater> for ⸂⸃ maybe? <S> and <slash> for ⸉⸊⸌⸍ ...?
 120 | # I guess we can get by with sub/superset for ⸦⸧.
 121 | 
 122 | <Multi_key> <minus> <less>		: "←"	leftarrow	# LEFTWARDS ARROW
 123 | <Multi_key> <minus> <asciicircum>	: "↑"	uparrow		# UPWARDS ARROW
 124 | <Multi_key> <minus> <greater>		: "→"	rightarrow	# RIGHTWARDS ARROW
 125 | <Multi_key> <minus> <v>			: "↓"	downarrow	# DOWNWARDS ARROW
 126 | <Multi_key> <less> <minus> <greater>	: "↔"	U2194           # LEFT RIGHT ARROW (kragen's)
 127 | 
 128 | <Multi_key> <Left> <Left>		: "←"	leftarrow	# LEFTWARDS ARROW
 129 | <Multi_key> <Up> <Up>			: "↑"	uparrow		# UPWARDS ARROW
 130 | <Multi_key> <Right> <Right>		: "→"	rightarrow	# RIGHTWARDS ARROW
 131 | <Multi_key> <Down> <Down>		: "↓"	downarrow	# DOWNWARDS ARROW
 132 | <Multi_key> <Left> <Right>		: "↔"	U2194           # LEFT RIGHT ARROW (kragen's)
 133 | <Multi_key> <Right> <Left>		: "↔"	U2194           # LEFT RIGHT ARROW (kragen's)
 134 | <Multi_key> <Up> <Down>			: "↕"	U2195           # UP DOWN ARROW (kragen's)
 135 | <Multi_key> <Up> <ampersand> <Down>     : "⇵"	U21F5		# DOWNWARDS ARROW LEFTWARDS OF UPWARDS ARROW
 136 | <Multi_key> <Down> <Left>		: "↵"	U21B5		# DOWNWARDS ARROW WITH CORNER LEFTWARDS
 137 | <Multi_key> <Left> <o>			: "⟲"	U27F2		# ANTICLOCKWISE GAPPED CIRCLE ARROW
 138 | <Multi_key> <Right> <o>			: "⟳"	U27F3		# CLOCKWISE GAPPED CIRCLE ARROW
 139 | <Multi_key> <Left> <c>			: "↺"	U21BA		# ANTICLOCKWISE OPEN CIRCLE ARROW
 140 | <Multi_key> <Right> <c>			: "↻"	U21BB		# CLOCKWISE OPEN CIRCLE ARROW
 141 | <Multi_key> <Left> <asciitilde>		: "⇜"	U21DC		# LEFTWARDS SQUIGGLE ARROW
 142 | <Multi_key> <asciitilde> <Left> <asciitilde>    : "⬳"  U2B33    # LONG LEFTWARDS SQUIGGLE ARROW
 143 | <Multi_key> <Right> <asciitilde>	: "⇝"	U21DD		# RIGHTWARDS SQUIGGLE ARROW
 144 | <Multi_key> <asciitilde> <Right> <asciitilde>   : "⟿"  U27FF    # LONG RIGHTWARDS SQUIGGLE ARROW
 145 | <Multi_key> <Left> <bar>       		: "⇤"	U21E4		# LEFTWARDS ARROW TO BAR
 146 | <Multi_key> <Right> <bar>       	: "⇥"	U21E5		# RIGHTWARDS ARROW TO BAR
 147 | <Multi_key> <Left> <minus>     		: "⇠"	U21E0		# LEFTWARDS DASHED ARROW
 148 | <Multi_key> <Up> <minus>     		: "⇡"	U21E1		# UPWARDS DASHED ARROW
 149 | <Multi_key> <Right> <minus>     	: "⇢"	U21E2		# RIGHTWARDS DASHED ARROW
 150 | <Multi_key> <Down> <minus>      	: "⇣"	U21E3		# DOWNWARDS DASHED ARROW
 151 | <Multi_key> <z> <z> <greater>           : "↯"   U21AF           # DOWNWARDS ZIGZAG ARROW
 152 | 
 153 | # Arrow keys don't always work: some apps trap them for cursor control and
 154 | # other boring things.  The arrow symbols have alternate keystrokes.  Do
 155 | # we need others for these printer's fists?  If so, what?  The -= and =-
 156 | # we had before are not necessarily the best choices.
 157 | <Multi_key> <F> <Left>		: "☚"	U261A		# BLACK LEFT POINTING INDEX
 158 | <Multi_key> <F> <Right>		: "☛"	U261B		# BLACK RIGHT POINTING INDEX
 159 | <Multi_key> <f> <Left>		: "☜"	U261C		# WHITE LEFT POINTING INDEX
 160 | <Multi_key> <f> <Up>		: "☝"	U261D		# WHITE UP POINTING INDEX
 161 | <Multi_key> <f> <Right>		: "☞"	U261E		# WHITE RIGHT POINTING INDEX
 162 | <Multi_key> <f> <Down>		: "☟"	U261F		# WHITE DOWN POINTING INDEX
 163 | <Multi_key> <f> <v>   		: "✌"   U270C   	# VICTORY HAND
 164 | <Multi_key> <f> <w>   		: "✍"   U270D   	# WRITING HAND
 165 | <Multi_key> <f> <p> <Down>	: "✎"   U270E   	# LOWER RIGHT PENCIL
 166 | <Multi_key> <f> <p> <Right>	: "✏"   U270F   	# PENCIL
 167 | <Multi_key> <f> <p> <Up>	: "✐"   U2710   	# UPPER RIGHT PENCIL
 168 | 
 169 | # For some logical statements.  I prefer doubled arrows for implication.
 170 | <Multi_key> <equal> <greater>		: "⇒"	U21D2		# RIGHTWARDS DOUBLE ARROW
 171 | <Multi_key> <equal> <less>		: "⇐"	U21D0		# LEFTWARDS DOUBLE ARROW
 172 | <Multi_key> <less> <minus> <equal> <greater> : "⇔" U21D4 # LEFT RIGHT DOUBLE ARROW 
 173 | <Multi_key> <equal> <Right> <Right>	: "⇒"	U21D2		# RIGHTWARDS DOUBLE ARROW
 174 | <Multi_key> <equal> <Left> <Left>	: "⇐"	U21D0		# LEFTWARDS DOUBLE ARROW
 175 | <Multi_key> <equal> <Left> <Right>	: "⇔"	U21D4	# LEFT RIGHT DOUBLE ARROW
 176 | <Multi_key> <equal> <Right> <Left>	: "⇔"	U21D4	# LEFT RIGHT DOUBLE ARROW
 177 | <Multi_key> <equal> <Up> <Up>		: "⇑"	U21D1	# UPWARDS DOUBLE ARROW
 178 | <Multi_key> <equal> <Down> <Down>	: "⇓"	U21D3	# DOWNWARDS DOUBLE ARROW
 179 | <Multi_key> <equal> <Up> <Down>		: "⇕"	U21D5	# UP DOWN DOUBLE ARROW
 180 | <Multi_key> <equal> <Down> <Left>	: "⏎"	U23CE	# RETURN SYMBOL
 181 | # These are just too cool-looking not to have (if your font supports them)
 182 | <Multi_key> <equal> <period> <equal>	: "⸎"	U2E0E		# EDITORIAL CORONIS
 183 | <Multi_key> <Multi_key> <p> <a> <l> <m>	: "⸙"	U2E19		# PALM BRANCH
 184 | <Multi_key> <Multi_key> <b> <r> <a> <n> <c> <h>: "⸙"	U2E19		# PALM BRANCH
 185 | 
 186 | 
 187 | <Multi_key> <f> <f>		: "ff"	   UFB00   # LATIN SMALL LIGATURE FF
 188 | <Multi_key> <f> <i>		: "fi"	   UFB01   # LATIN SMALL LIGATURE FI
 189 | <Multi_key> <F> <i>		: "ffi"	   UFB03   # LATIN SMALL LIGATURE FFI
 190 | <Multi_key> <f> <l>		: "fl"	   UFB02   # LATIN SMALL LIGATURE FL
 191 | <Multi_key> <F> <l>		: "ffl"	   UFB04   # LATIN SMALL LIGATURE FFL
 192 | <Multi_key> <s> <t>		: "st"  UFB06	   # LATIN SMALL LIGATURE ST
 193 | <Multi_key> <f> <t>		: "ſt"  UFB05	   # LATIN SMALL LIGATURE LONG S T
 194 | # allow me still to use my ſ key, okay?
 195 | <Multi_key> <U017F> <t>		: "ſt"  UFB05	   # LATIN SMALL LIGATURE LONG S T
 196 | # ß is already available as <s><s> I think.  But now it comes in industrial size!
 197 | <Multi_key> <S> <S> 		: "ẞ"  U1E9E	   # LATIN CAPITAL LETTER SHARP S
 198 | 
 199 | # Eventually we'll have to look over the really crazy-cakes Latin letters 
 200 | # they're adding as "mediævalist extensions"
 201 | # ꜢꜣꜤꜥ for the Egyptologists, Ꝏꝏ because they're cꝏl...  Maybe some others.
 202 | # Can't do <o> <o> for ꝏ though, since that's already °.
 203 | # Epigraphics should not be missed:
 204 | <Multi_key> <F> <less>		: "ꟻ"	UA7FB	# LATIN EPIGRAPHIC LETTER REVERSED F
 205 | <Multi_key> <P> <less>		: "ꟼ"	UA7FC	# LATIN EPIGRAPHIC LETTER REVERSED P
 206 | <Multi_key> <F> <BackSpace>		: "ꟻ"	UA7FB	# LATIN EPIGRAPHIC LETTER REVERSED F
 207 | <Multi_key> <P> <BackSpace>		: "ꟼ"	UA7FC	# LATIN EPIGRAPHIC LETTER REVERSED P
 208 | <Multi_key> <F> <F>                     : "Ⅎ"   U2132    # TURNED CAPITAL F
 209 | <Multi_key> <F> <f>                     : "ⅎ"   U214E    # TURNED SMALL F
 210 | <Multi_key> <M> <W>		: "ꟽ"	UA7FD	# LATIN EPIGRAPHIC LETTER INVERTED M
 211 | <Multi_key> <M> <M>                 : "Ɯ"   U019C    # LATIN CAPITAL LETTER TURNED M
 212 | <Multi_key> <I> <bar>		: "ꟾ"	UA7FE	# LATIN EPIGRAPHIC LETTER I LONGA
 213 | <Multi_key> <M> <slash>		: "ꟿ"	UA7FF	# LATIN EPIGRAPHIC LETTER ARCHAIC M
 214 | <Multi_key> <2> <2>                 : "↊"   U218A    # TURNED DIGIT TWO
 215 | <Multi_key> <3> <3>                 : "↋"   U218B    # TURNED DIGIT THREE
 216 | # I'd been avoiding this because we already have ∃...
 217 | # Hey, these, being *letters* can be used as identifiers in some languages...
 218 | <Multi_key> <E> <less>	 	 : "Ǝ"	    U018E	# LATIN CAPITAL LETTER REVERSED E
 219 | <Multi_key> <E> <BackSpace>	 : "Ǝ"	    U018E	# LATIN CAPITAL LETTER REVERSED E
 220 | <Multi_key> <e> <less>		 : "ɘ"	    U0258	# LATIN SMALL LETTER REVERSED E
 221 | <Multi_key> <e> <BackSpace>	 : "ɘ"	    U0258	# LATIN SMALL LETTER REVERSED E
 222 | # Complete the set
 223 | <Multi_key> <A> <less>		 : "Ɐ"	    U2C6F	# LATIN CAPITAL LETTER TURNED A
 224 | # These seem too long as keystrokes; any suggestions?
 225 | # How about 2o?
 226 | <Multi_key> <o> <ampersand> <o>	: "ꝏ"	UA74F	# LATIN SMALL LETTER OO
 227 | <Multi_key> <O> <ampersand> <O> : "Ꝏ"	UA74E	# LATIN CAPITAL LETTER OO
 228 | <Multi_key> <2> <o>	: "ꝏ"	UA74F	# LATIN SMALL LETTER OO
 229 | <Multi_key> <2> <O> 	: "Ꝏ"	UA74E	# LATIN CAPITAL LETTER OO
 230 | # Latin-D chars I'm particularly thinking about:
 231 | # (side note: "I" has many referents in this file.)
 232 | # ꜲꜳꜴꜵꜶꜷꜸꜹꜼꜽꝒꝓꝔꝕꝚꝛꝜꝝꝠꝡꝪꝫꝸ
 233 | # The ligature pairs are so easy, might as well include them (probably
 234 | # using ampersand though).  P with flourish?  Squirrel tail?  How
 235 | # pretty!  I like the r and rum rotunda, and et actually has something
 236 | # close to usefulness (it was very common for abbreviations, and is the 
 237 | # source of the "z" in abbreviations like oz. and viz.)  Some others 
 238 | # are a little appealing too.
 239 | 
 240 | <Multi_key> <A> <ampersand> <A> :	"Ꜳ"	UA732		# LATIN CAPITAL LETTER AA
 241 | <Multi_key> <a> <ampersand> <a> :	"ꜳ"	UA733		# LATIN SMALL LETTER AA
 242 | <Multi_key> <2> <A> :	"Ꜳ"	UA732		# LATIN CAPITAL LETTER AA
 243 | <Multi_key> <2> <a> :	"ꜳ"	UA733		# LATIN SMALL LETTER AA
 244 | <Multi_key> <A> <ampersand> <O>	:	"Ꜵ"	UA734	# LATIN CAPITAL LETTER AO
 245 | <Multi_key> <a> <ampersand> <o>	:	"ꜵ"	UA735	# LATIN SMALL LETTER AO
 246 | <Multi_key> <A> <ampersand> <U>	:	"Ꜷ"	UA736	# LATIN CAPITAL LETTER AU
 247 | <Multi_key> <a> <ampersand> <u>	:	"ꜷ"	UA737	# LATIN SMALL LETTER AU
 248 | <Multi_key> <A> <ampersand> <V> :	"Ꜹ"	UA738	# LATIN CAPITAL LETTER AV
 249 | <Multi_key> <a> <ampersand> <v> :	"ꜹ"	UA739	# LATIN SMALL LETTER AV
 250 | <Multi_key> <A> <ampersand> <Y> :	"Ꜽ"	UA73C	# LATIN CAPITAL LETTER AY
 251 | <Multi_key> <a> <ampersand> <y> :	"ꜽ"	UA73D	# LATIN SMALL LETTER AY
 252 | <Multi_key> <slash> <ampersand> <L> :	"Ꝇ"	UA746	# LATIN CAPITAL LETTER BROKEN L
 253 | <Multi_key> <slash> <ampersand> <l> :	"ꝇ"	UA747	# LATIN SMALL LETTER BROKEN L
 254 | # (See above for reason behind keystrokes)
 255 | <Multi_key> <Z> <period>	:	"Ꝫ"	UA76A	# LATIN CAPITAL LETTER ET
 256 | <Multi_key> <z> <period>	:	"ꝫ"	UA76B	# LATIN SMALL LETTER ET
 257 | <Multi_key> <V> <ampersand> <Y>	:	"Ꝡ"	UA760	# LATIN CAPITAL LETTER VY
 258 | <Multi_key> <v> <ampersand> <y>	:	"ꝡ"	UA761	# LATIN SMALL LETTER VY
 259 | <Multi_key> <C> <Z>	    	:	"Ꝣ"	UA762	# LATIN CAPITAL LETTER VISIGOTHIC Z
 260 | <Multi_key> <c> <z>		:	"ꝣ"	UA763	# LATIN SMALL LETTER VISIGOTHIC Z
 261 | <Multi_key> <L> <ampersand> <L>	:	"Ỻ"	U1EFA	# LATIN CAPITAL LETTER MIDDLE-WELSH LL
 262 | <Multi_key> <l> <ampersand> <l>	:	"ỻ"	U1EFB	# LATIN SMALL LETTER MIDDLE-WELSH LL
 263 | <Multi_key> <V> <ampersand> <V>	:	"Ỽ"	U1EFC	# LATIN CAPITAL LETTER MIDDLE-WELSH V
 264 | <Multi_key> <v> <ampersand> <v>	:	"ỽ"	U1EFD	# LATIN SMALL LETTER MIDDLE-WELSH V
 265 | <Multi_key> <d> <ampersand> <b>	:	"ȸ"	U0238	# LATIN SMALL LETTER DB DIGRAPH
 266 | <Multi_key> <q> <ampersand> <p>	:	"ȹ"	U0239	# LATIN SMALL LETTER QP DIGRAPH
 267 | <Multi_key> <w> <y>	    	:	"ƿ"	U01BF	# LATIN LETTER WYNN
 268 | <Multi_key> <W> <Y>		:	"Ƿ"	U01F7	# LATIN CAPITAL LETTER WYNN
 269 | <Multi_key> <O> <U>		:	"Ȣ"	U0222	# LATIN CAPITAL LETTER OU
 270 | <Multi_key> <o> <u>		:	"ȣ"	U0223	# LATIN SMALL LETTER OU
 271 | <Multi_key> <y> <r>		:	"Ʀ"	U01A6	# LATIN LETTER YR
 272 | # <o><r> might almost make more sense, as it's used when r follows [opb].
 273 | # But it conflicts with system ®
 274 | <Multi_key> <r> <o>             :       "ꝛ"     UA75B   # LATIN SMALL LETTER R ROTUNDA
 275 | <Multi_key> <r> <0>             :       "ꝛ"     UA75B   # LATIN SMALL LETTER R ROTUNDA
 276 | # Alas, <R><O> conflicts with ® anyway.
 277 | <Multi_key> <R> <O>             :       "Ꝛ"     UA75A   # LATIN CAPITAL LETTER R ROTUNDA
 278 | # something, anyway.
 279 | <Multi_key> <R> <0>             :       "Ꝛ"     UA75A   # LATIN CAPITAL LETTER R ROTUNDA
 280 | # Custom additions: Mathematical symbols
 281 | <Multi_key> <exclam> <equal>		: "≠"	U2260		# NOT EQUAL TO
 282 | <Multi_key> <slash> <equal>		: "≠"	U2260		# NOT EQUAL TO
 283 | <Multi_key> <less> <equal>		: "≤"	U2264		# LESS-THAN OR EQUAL TO
 284 | <Multi_key> <greater> <equal>		: "≥"	U2265		# GREATER-THAN OR EQUAL TO
 285 | <Multi_key> <exclam> <less> <greater>   : "≸"	U2278		# NEITHER LESS-THAN NOR GREATER-THAN
 286 | # MUCH is usually enough for me.  No need for VERY.
 287 | <Multi_key> <plus> <less>        	: "≪"	U226A		# MUCH LESS-THAN
 288 | <Multi_key> <plus> <greater> 		: "≫"	U226B		# MUCH GREATER-THAN
 289 | # Damn.  That makes this conflict with the standard plus plus -> #
 290 | <Multi_key> <plus> <plus> <less>        : "⋘"	U22D8		# VERY MUCH LESS-THAN
 291 | <Multi_key> <plus> <plus> <greater>  	: "⋙"	U22D9		# VERY MUCH GREATER-THAN
 292 | <Multi_key> <3> <greater> 		: "⋙"	U22D9		# VERY MUCH GREATER-THAN
 293 | <Multi_key> <3> <less>			: "⋘"	U22D8		# VERY MUCH LESS-THAN
 294 | <Multi_key> <i> <n>			: "∈"	U2208		# ELEMENT OF
 295 | <Multi_key> <exclam> <i> <n>		: "∉"	U2209		# NOT AN ELEMENT OF
 296 | <Multi_key> <U2208> <slash>		: "∉"	U2209		# NOT AN ELEMENT OF (I have ∈ on my keyboard...)
 297 | <Multi_key> <period> <U2208>            : "∊"   U220A    # SMALL ELEMENT OF
 298 | <Multi_key> <period> <U220B>            : "∍"   U220D    # SMALL CONTAINS AS MEMBER
 299 | # For the above for people without ∈/∋ on their kbds?  {♫i/n} and {♫n/i}?
 300 | <Multi_key> <n> <i>			: "∋"	U220B		# CONTAINS AS MEMBER  (I hope this doesn't conflict)
 301 | <Multi_key> <slash> <n> <i>		: "∌"	U220C		# DOES NOT CONTAIN AS MEMBER
 302 | # <exclam><n><i> would conflict, with <exclam> <n> for N WITH UNDERDOT, etc.
 303 | <Multi_key> <U220B> <slash>		: "∌"	U220C		# DOES NOT CONTAIN AS MEMBER
 304 | <Multi_key> <asciitilde> <equal>			: "≅"	U2245		# APPROXIMATELY EQUAL TO (It actually means "congruent"!)
 305 | <Multi_key> <equal> <question>		: "≟"	U225f		# QUESTIONED EQUAL TO
 306 | <Multi_key> <equal> <d> <e> <f>		: "≝"	U225D		# EQUAL TO BY DEFINITION
 307 | <Multi_key> <d> <e> <f> <equal>		: "≝"	U225D		# EQUAL TO BY DEFINITION
 308 | <Multi_key> <equal> <equal>		: "≡"	U2261		# IDENTICAL TO
 309 | <Multi_key> <colon> <equal> 		: "≔"  U2254		# COLON EQUALS
 310 | <Multi_key> <equal> <colon> 		: "≕"  U2255		# EQUALS COLON
 311 | <Multi_key> <2> <equal>                 : "⩵"  U2A75            # TWO CONSECUTIVE EQUALS SIGNS
 312 | <Multi_key> <equal> <ampersand> <equal> : "⩵"  U2A75            # TWO CONSECUTIVE EQUALS SIGNS
 313 | <Multi_key> <3> <equal>                 : "⩶"  U2A76            # THREE CONSECUTIVE EQUALS SIGNS
 314 | # Using <slash> conflicts.
 315 | <Multi_key> <equal> <bar> <equal>	: "≢"	U2262		# NOT IDENTICAL TO
 316 | # We already have ±
 317 | <Multi_key> <minus> <plus>		: "∓"	U2213		# MINUS OR PLUS SIGN
 318 | <Multi_key> <s> <q>			: "√"	U221A		# SQUARE ROOT
 319 | # keystrokes might not make the most sense, but you know what they mean...
 320 | <Multi_key> <3> <s> <q>			: "∛"	U221B	        # CUBE ROOT
 321 | <Multi_key> <4> <s> <q>			: "∜"	U221C		# FOURTH ROOT
 322 |     # “(Note: I had put the backslash in position 5/15. It enabled the
 323 |     # ALGOL “and” to be “/\” and the “or” to be “\/”.)” --- Bob Bemer,
 324 |     # http://home.ccil.org/~remlaps/www.bobbemer.com/BRACES.HTM, quoting
 325 |     # himself in “A view of the history of the ISO character code”, 1972
 326 | <Multi_key> <slash> <backslash>         : "∧"  U2227           # LOGICAL AND
 327 | <Multi_key> <backslash> <slash>         : "∨"  U2228           # LOGICAL OR
 328 | <Multi_key> <backslash> <underscore> <slash>    : "⊻" U22BB     # XOR
 329 | <Multi_key> <minus> <comma>	     :	"¬"	U00AC 		# NOT SIGN
 330 | <Multi_key> <Multi_key> <asterisk> <o>              : "∘"   U2218           # RING OPERATOR (function composition)
 331 | <Multi_key> <Multi_key> <asterisk> <x>             : "⨯"   U2A2F           # CROSS PRODUCT
 332 | <Multi_key> <Multi_key> <asterisk>  <period>        : "⋅"   U22C5           # DOT OPERATOR (dot product)
 333 | <Multi_key> <0> <slash>                 : "∅"   U2205           # EMPTY SET (thanks jsled!)
 334 | <Multi_key> <slash> <0>                 : "∅"   U2205           # EMPTY SET
 335 | # I'm hoping { can work as a set mnemonic
 336 | <Multi_key> <braceleft> <U>		: "∪"	U222A		# UNION
 337 | <Multi_key> <braceleft> <asciicircum>	: "∩"	U2229		# INTERSECTION
 338 | <Multi_key> <braceleft> <parenleft>	: "⊂"	U2282		# SUBSET OF
 339 | <Multi_key> <braceleft> <equal> <parenleft> : "⊆" U2286		# SUBSET OF OR EQUAL TO
 340 | <Multi_key> <exclam> <braceleft> <parenleft> : "⊄" U2284        # NOT A SUBSET OF
 341 | <Multi_key> <slash> <braceleft> <parenleft>  : "⊄" U2284        # NOT A SUBSET OF
 342 | <Multi_key> <exclam> <braceleft> <parenright> :  "⊅" U2285      # NOT A SUPERSET OF
 343 | <Multi_key> <slash> <braceleft> <parenright>  :  "⊅" U2285       # NOT A SUPERSET OF
 344 | <Multi_key> <braceleft>	<parenright>	: "⊃"	U2283		# SUPERSET OF
 345 | <Multi_key> <braceleft> <equal> <parenright> : "⊇" U2287	# SUPERSET OF OR EQUAL TO
 346 | <Multi_key> <E> <E>                     : "∃"  U2203           # THERE EXISTS
 347 | # We can't use ! E E, because ! E maps to E-WITH-UNDERDOT.
 348 | <Multi_key> <slash> <E> <E>             : "∄"   U2204           # THERE DOES NOT EXIST
 349 | <Multi_key> <A> <A>                     : "∀"  U2200           # FOR ALL
 350 | <Multi_key> <Multi_key> <Q> <E> <D>     : "∎"   U220E           # END OF PROOF
 351 | <Multi_key> <8> <8>                     : "∞"  U221E           # INFINITY
 352 | <Multi_key> <Multi_key> <a> <l> <e> <p> <h> : "ℵ" U2135	       # ALEF SYMBOL
 353 | <Multi_key> <Multi_key> <a> <l> <e> <p> <0> : "ℵ₀"        # ALEF Null
 354 | <Multi_key> <Multi_key> <a> <l> <e> <p> <1> : "ℵ₁"        # ALEF One
 355 | <Multi_key> <Multi_key> <a> <l> <e> <f> : "ℵ" U2135	       # ALEF SYMBOL
 356 | <Multi_key> <KP_Multiply> <KP_Multiply>    : "∗"   U2217 # ASTERISK OPERATOR
 357 | <Multi_key> <parenleft> <plus> <parenright>     : "⊕"  U2295    # CIRCLED PLUS
 358 | <Multi_key> <parenleft> <minus> <parenright>    : "⊖"  U2296    # CIRCLED MINUS
 359 | <Multi_key> <parenleft> <x> <x> <parenright>    : "⊗"  U2297    # CIRCLED TIMES
 360 | <Multi_key> <parenleft> <slash> <parenright>    : "⊘"  U2298    # CIRCLED DIVISION SLASH
 361 | <Multi_key> <parenleft> <asterisk> <parenright> : "⊛"  U229B    # CIRCLED ASTERISK OPERATOR
 362 | # )- conflicts with system for }.
 363 | <Multi_key> <parenright> <underscore>    : "⟌"   	U27CC		# LONG DIVISION
 364 | <Multi_key> <period> <quotedbl>	   	: "∴"	U2234  		# THEREFORE
 365 | <Multi_key> <Multi_key> <t> <h> <e> <r> <e> <4> : "∴"  U2234    # THEREFORE
 366 | <Multi_key> <quotedbl> <period>	   	: "∵"	U2235  		# BECAUSE
 367 | <Multi_key> <Multi_key> <b> <e> <c> <a> <u> <s> <e>	   	: "∵"	U2235  		# BECAUSE
 368 | <Multi_key> <percent> <percent>		: "‱"	U2031	# PER TEN THOUSAND (basis points)
 369 | <Multi_key> <slash> <u>                : "µ"   U00B5      # MICRO SIGN
 370 | # Ordinal indicators, for femenine and masculine, used in Romance languages
 371 | <Multi_key> <minus> <a>	      	  	: "ª"   U00AA		# FEMININE ORDINAL INDICATOR
 372 | <Multi_key> <minus> <o>			: "º"	U00BA		# MASCULINE ORDINAL INDICATOR
 373 | 
 374 | # See also U03A3 (Greek capital sigma)
 375 | <Multi_key> <Multi_key> <s> <u> <m>	: "∑"	U2211		# N-ARY SUMMATION
 376 | # OK, absolutely cannot believe we made it this long without NABLA or INTEGRAL
 377 | # or PARTIAL DIFFERENTIAL
 378 | <Multi_key> <Multi_key> <i> <n> <t>	: "∫"	U222B		# INTEGRAL
 379 | <Multi_key> <Multi_key> <u> <i> <n> <t>	: "⨛"	U2A1B		# UPPER INTEGRAL
 380 | <Multi_key> <Multi_key> <l> <i> <n> <t>	: "⨜"	U2A1C		# LOWER INTEGRAL
 381 | <Multi_key> <Multi_key> <i> <i> <n> <t>	: "∬"	U222C		# DOUBLE INTEGRAL
 382 | <Multi_key> <Multi_key> <i> <i> <i> <n> <t>	: "∭"	U222D		# TRIPLE INTEGRAL
 383 | <Multi_key> <Multi_key> <i> <i> <i> <i> <n> <t>	: "⨌"	U2A0C		# QUADRUPLE INTEGRAL
 384 | <Multi_key> <Multi_key> <o> <i> <n> <t>	: "∮"	U222E		# CONTOUR INTEGRAL
 385 | <Multi_key> <Multi_key> <p> <i> <n> <t>	: "⨕"	U2A15		# INTEGRAL AROUND A POINT OPERATOR
 386 | <Multi_key> <Multi_key> <c> <P> <i> <n> <t>	: "⨓"	U2A13		# LINE INTEGRATION WITH SEMICIRCULAR PATH AROUND POLE
 387 | <Multi_key> <Multi_key> <o> <i> <i> <n> <t>	: "∯"	U222F		# SURFACE INTEGRAL
 388 | <Multi_key> <Multi_key> <o> <i> <i> <i> <n> <t>	: "∰"	U2230		# VOLUME INTEGRAL
 389 | <Multi_key> <Multi_key> <g> <i> <n> <t>	: "⨘"	U2A18		# GEOMETRIC INTEGRAL
 390 | <Multi_key> <Multi_key> <s> <i> <n> <t>	: "⨋"	U2A0B		# SUM/INTEGRAL
 391 | #Now for some WTF integrals: ⨙ ⨚ 	
 392 | <Multi_key> <Multi_key> <d> <e> <l>	: "∇"	U2207	        # NABLA
 393 | <Multi_key> <Multi_key> <p> <a> <r> <t>   : "∂" U2202		# PARTIAL DIFFERENTIAL
 394 | <Multi_key> <asterisk> <period> <period> <d>   : "∂" U2202	# PARTIAL DIFFERENTIAL
 395 | <Multi_key> <R> <e>    		: "ℜ"	 U211C 	     	# BLACK-LETTER CAPITAL R (Real Part)
 396 | <Multi_key> <I> <m>		: "ℑ"	 U2111		# BLACK-LETTER CAPTIAL I (Imaginary Part)
 397 | <Multi_key> <Multi_key> <h> <b> <a> <r>	:   "ℏ"	U210F	# PLANCK CONSTANT OVER TWO PI
 398 | <Multi_key> <h> <minus>			:   "ℏ"	U210F	# PLANCK CONSTANT OVER TWO PI
 399 | <Multi_key> <h> <p>	    :	"ℎ"	    U210E   # PLANCK CONSTANT
 400 | <Multi_key> <Multi_key> <e> <x> <p> :   "ℯ"	U212F   # SCRIPT SMALL E
 401 | <Multi_key> <e> <1> <0> :	"⏨" 	U23E8   # DECIMAL EXPONENT SYMBOL
 402 | <Multi_key> <w> <p> 	:	"℘"	U2118	# SCRIPT CAPITAL P
 403 | # Would we prefer 20D1 COMBINING RIGHT HARPOON ABOVE?
 404 | <Multi_key> <asciicircum> <greater>     : "⃗"   U20D7           # COMBINING RIGHT ARROW ABOVE (vector)
 405 | <Multi_key> <bar> <C>                   : "ℂ"   U2102           # DOUBLE-STRUCK CAPITAL C (set of complex numbers)
 406 | <Multi_key> <bar> <N>                   : "ℕ"   U2115           # DOUBLE-STRUCK CAPITAL N (natural number)
 407 | <Multi_key> <bar> <P>                   : "ℙ"   U2119           # DOUBLE-STRUCK CAPITAL P 
 408 | <Multi_key> <bar> <Q>                   : "ℚ"   U211A           # DOUBLE-STRUCK CAPITAL Q (set of rational numbers)
 409 | <Multi_key> <bar> <R>                   : "ℝ"   U211D           # DOUBLE-STRUCK CAPITAL R (set of real numbers)
 410 | <Multi_key> <bar> <Z>                   : "ℤ"   U2124           # DOUBLE-STRUCK CAPITAL Z (set of integers)
 411 | <Multi_key> <bar> <H>		: "ℍ" U210d	# DOUBLE-STRUCK CAPITAL H
 412 | <Multi_key> <bar> <e>		: "ⅇ" U2147	# DOUBLE-STRUCK ITALIC SMALL E
 413 | <Multi_key> <bar> <i>		: "ⅈ" U2148	# DOUBLE-STRUCK ITALIC SMALL I
 414 | <Multi_key> <bar> <j>		: "ⅉ" U2149	# DOUBLE-STRUCK ITALIC SMALL J
 415 | <Multi_key> <bar> <asterisk> <p> : "ℼ" U213C	# DOUBLE-STRUCK SMALL PI
 416 | <Multi_key> <bar> <Greek_pi> 	 : "ℼ" U213C	# DOUBLE-STRUCK SMALL PI
 417 | <Multi_key> <bar> <asterisk> <P> : "ℿ" U213F	# DOUBLE-STRUCK CAPITAL PI
 418 | <Multi_key> <bar> <Greek_PI> 	 : "ℿ" U213F	# DOUBLE-STRUCK CAPITAL PI
 419 | <Multi_key> <bar> <asterisk> <S> : "⅀" U2140	# DOUBLE-STRUCK N-ARY SUMMATION
 420 | <Multi_key> <bar> <Greek_SIGMA>  : "⅀" U2140	# DOUBLE-STRUCK N-ARY SUMMATION
 421 | <Multi_key> <bar> <colon>   :	"⦂" U2982	# Z NOTATION TYPE COLON
 422 | # Apparently it is only for historical reasons that this is not unified with
 423 | # ⨟ U+2A1F Z NOTATION SCHEMA COMPOSITION
 424 | <Multi_key> <bar> <semicolon>	:   "⨾"	U2A3E	# Z NOTATION RELATIONAL COMPOSITION
 425 | # The *look* double-struck.
 426 | <Multi_key> <bar> <braceleft>	 : "⦃" U2983	# LEFT WHITE CURLY BRACKET
 427 | <Multi_key> <bar> <braceright>	 : "⦄" U2984	# RIGHT WHITE CURLY BRACKET 
 428 | # ⦅⦆⦇⦈⦉⦊ too?
 429 | # The rest of that block?  Some there may be worth it.
 430 | # Ooh.  There are lots of nice brackets to consider: 
 431 | # ⟅⟆⟨⟩⟪⟫⟬⟭⟮⟯⦑⦒⦓⦔⦕⦖⦗⦘⧼⧽⧘⧙⧚⧛⸢⸣⸤⸥⸨⸩「」『』
 432 | # Others too, of course, but these to start with.  Some are likely worthy.
 433 | <Multi_key> <S> <parenleft>  	: "⟅" U27C5 	# LEFT S-SHAPED BAG DELIMITER
 434 | <Multi_key> <S> <parenright>	: "⟆" U27C6 	# RIGHT S-SHAPED BAG DELIMITER
 435 | <Multi_key> <E> <bracketleft>   : "⁅" U2045     # LEFT SQUARE BRACKET WITH QUILL
 436 | <Multi_key> <E> <bracketright>  : "⁆" U2046     # RIGHT SQUARE BRACKET WITH QUILL
 437 | # There are a lot of angle brackets (3008/9, 27E8/9, 2329/A).  I'm deciding
 438 | # to go with the mathematical brackets from now on, since they seem to be
 439 | # better supported.
 440 | <Multi_key> <less> <parenleft>	: "⟨" U27E8	# MATHEMATICAL LEFT ANGLE BRACKET
 441 | <Multi_key> <greater> <parenright>: "⟩" U27E9	# MATHEMATICAL RIGHT ANGLE BRACKET
 442 | <Multi_key> <bar> <bracketleft>	:   "⟦"	U27E6	# MATHEMATICAL LEFT WHITE SQUARE BRACKET
 443 | <Multi_key> <bar> <bracketright>:   "⟧"	U27E7	# MATHEMATICAL RIGHT WHITE SQUARE BRACKET
 444 | <Multi_key> <2> <less> <parenleft> :   "⟪"	U27EA	# MATHEMATICAL LEFT DOUBLE ANGLE BRACKET
 445 | <Multi_key> <2> <greater> <parenright>   :   "⟫"	U27EB	# MATHEMATICAL RIGHT DOUBLE ANGLE BRACKET
 446 | # Keystrokes inconsistent.
 447 | <Multi_key> <bar> <bar> <parenleft>	:   "⟬"  U27EC	# MATHEMATICAL LEFT WHITE TORTOISE SHELL BRACKET
 448 | <Multi_key> <bar> <bar> <parenright>:   "⟭"	U27ED	# MATHEMATICAL RIGHT WHITE TORTOISE SHELL BRACKET
 449 | <Multi_key> <underscore> <underscore> <parenleft> :   "⟮"  U27EE	# MATHEMATICAL LEFT FLATTENED PARENTHESIS
 450 | <Multi_key> <underscore> <underscore> <parenright>:   "⟯"  U27EF	# MATHEMATICAL RIGHT FLATTENED PARENTHESIS
 451 | <Multi_key> <parenleft> <bracketleft>	:   "⦗"	U2997	# LEFT BLACK TORTOISE SHELL BRACKET
 452 | <Multi_key> <parenright> <bracketright> :   "⦘"	U2998	# RIGHT BLACK TORTOISE SHELL BRACKET
 453 | # Do the underlined brackets, ones with ticks, dots, etc?
 454 | <Multi_key> <percent> <parenleft>:  "⧘"	U29D8	# LEFT WIGGLY FENCE
 455 | <Multi_key> <percent> <parenright>: "⧙"	U29D9	# RIGHT WIGGLY FENCE
 456 | <Multi_key> <2> <percent> <parenleft>:	"⧚" U29DA   # LEFT DOUBLE WIGGLY FENCE
 457 | <Multi_key> <2> <percent> <parenright>:	"⧛" U29DB   # RIGHT DOUBLE WIGGLY FENCE
 458 | <Multi_key> <parenleft> <ampersand> <parenleft>:  "⸨"  U2E28 # LEFT DOUBLE PARENTHESIS
 459 | <Multi_key> <parenright> <ampersand> <parenright>:  "⸩"  U2E29 # RIGHT DOUBLE PARENTHESIS
 460 | <Multi_key> <2> <parenleft>:  "⸨"  U2E28 # LEFT DOUBLE PARENTHESIS
 461 | <Multi_key> <2> <parenright>:  "⸩"  U2E29 # RIGHT DOUBLE PARENTHESIS
 462 | <Multi_key> <Z> <parenleft>	    : "༼"     U0F3C   # TIBETAN MARK ANG KHANG GYON
 463 | <Multi_key> <Z> <parenright>	    : "༽"     U0F3D   # TIBETAN MARK ANG KHANG GYAS
 464 | # I'm thinking shape-mnemonics for these, somehow:
 465 | <Multi_key> <L> <bracketleft>       : "⌊"     U230A   # LEFT FLOOR
 466 | <Multi_key> <L> <bracketright>	    : "⌋"     U230B   # RIGHT FLOOR
 467 | <Multi_key> <7> <bracketleft>	    : "⌈"     U2308   # LEFT CEILING
 468 | <Multi_key> <7> <bracketright>	    : "⌉"     U2309   # RIGHT CEILING
 469 | # These are actually quotes, hence the mnemonic.
 470 | <Multi_key> <7> <apostrophe>	    : "｢"     UFF62   # HALFWIDTH LEFT CORNER BRACKET
 471 | <Multi_key> <L> <apostrophe>	    : "｣"     UFF63   # HALFWIDTH RIGHT CORNER BRACKET
 472 | # Why am I using halfwidth though, I wonder?  And I'd also like ⌜⌝⌞⌟
 473 | <Multi_key> <7> <quotedbl>	    : "『"    U300E   # LEFT WHITE CORNER BRACKET
 474 | <Multi_key> <L> <quotedbl>	    : "』"    U300F   # RIGHT WHITE CORNER BRACKET
 475 | # How about these for the "corners"?  Confusing with {L[} etc?
 476 | # and don't forget about {L_[} which we have for ⸤
 477 | <Multi_key> <7> <parenleft>         : "⌜"     U231C   # TOP LEFT CORNER
 478 | <Multi_key> <7> <parenright>        : "⌝"     U231D   # TOP RIGHT CORNER
 479 | <Multi_key> <L> <parenleft>         : "⌞"     U231E   # BOTTOM LEFT CORNER
 480 | <Multi_key> <L> <parenright>        : "⌟"     U231F   # BOTTOM RIGHT CORNER
 481 | <Multi_key> <parenleft> <ampersand> <parenright> :  "≬"	U226C	# BETWEEN
 482 | <Multi_key> <l> <l>		: "ℓ" U2113	# SCRIPT SMALL L
 483 | <Multi_key> <bracketleft> <bracketleft> : "⊏"   U228F           # SQUARE IMAGE OF
 484 | <Multi_key> <bracketleft> <equal>       : "⊑"   U2291           # SQUARE IMAGE OF OR EQUAL TO
 485 | <Multi_key> <bracketleft> <underscore>  : "⊑"   U2291           # SQUARE IMAGE OF OR EQUAL TO
 486 | <Multi_key> <bracketright> <bracketright>: "⊐"  U2290           # SQUARE ORIGINAL OF
 487 | <Multi_key> <bracketright> <equal>      : "⊒"   U2292           # SQUARE ORIGINAL OF OR EQUAL TO
 488 | <Multi_key> <bracketright> <underscore> : "⊒"   U2292           # SQUARE ORIGINAL OF OR EQUAL TO
 489 | # If I did more Haskell, I'd want this more:
 490 | <Multi_key> <underscore> <bar> <underscore>:	"⊥"	 U22A5	# UP TACK (bottom) or should we use U27C2 PERPENDICULAR?
 491 | <Multi_key> <underscore> <exclam> <underscore>:	"⊤"	 U22A4	# DOWN TACK (opposite of False)
 492 | <Multi_key> <underscore> <greater> <underscore>:	"⊢"	 U22A2	# RIGHT TACK
 493 | <Multi_key> <underscore> <less> <underscore>:	"⊣"	 U22A3	# LEFT TACK
 494 | # Handy for UNIX filenames... but XXX conflicts with standard <Multi_key> <slash> <slash> → "\"
 495 | <Multi_key> <slash> <slash>		: "⁄"	U2044	# FRACTION SLASH
 496 | 
 497 | # The system file gives us subscript numbers, plus/minus, and parens.  But
 498 | # there are letters missing.  It would be nice to have at least a few of them.
 499 | 
 500 | # block U+208x
 501 | <Multi_key> <underscore> <0>  	       : "₀"  U2080   	  # SUBSCRIPT ZERO
 502 | <Multi_key> <underscore> <1>  	       : "₁"  U2081   	  # SUBSCRIPT ONE
 503 | <Multi_key> <underscore> <2>  	       : "₂"  U2082   	  # SUBSCRIPT TWO
 504 | <Multi_key> <underscore> <3>  	       : "₃"  U2083   	  # SUBSCRIPT THREE
 505 | <Multi_key> <underscore> <4>  	       : "₄"  U2084   	  # SUBSCRIPT FOUR
 506 | <Multi_key> <underscore> <5>  	       : "₅"  U2085   	  # SUBSCRIPT FIVE
 507 | <Multi_key> <underscore> <6>  	       : "₆"  U2086   	  # SUBSCRIPT SIX
 508 | <Multi_key> <underscore> <7>  	       : "₇"  U2087   	  # SUBSCRIPT SEVEN
 509 | <Multi_key> <underscore> <8>  	       : "₈"  U2088   	  # SUBSCRIPT EIGHT
 510 | <Multi_key> <underscore> <9>  	       : "₉"  U2089   	  # SUBSCRIPT NONE
 511 | <Multi_key> <underscore> <plus>	       : "₊"  U208A	  # SUBSCRIPT PLUS
 512 | <Multi_key> <underscore> <minus>       : "₋"  U208B	  # SUBSCRIPT MINUS
 513 | <Multi_key> <underscore> <equal>           : "₌"  U208C	  # SUBSCRIPT EQUALS SIGN
 514 | <Multi_key> <underscore> <parenleft>           : "₍"  U208D	  # SUBSCRIPT LEFT PARENTHESIS
 515 | <Multi_key> <underscore> <parenright>           : "₎"  U208E	  # SUBSCRIPT RIGHT PARENTHESIS
 516 | 
 517 | # block U+209x
 518 | <Multi_key> <underscore> <a>	       : "ₐ"  U2090	  # LATIN SUBSCRIPT SMALL LETTER A
 519 | <Multi_key> <underscore> <e>	       : "ₑ"  U2091	  # LATIN SUBSCRIPT SMALL LETTER E
 520 | <Multi_key> <underscore> <o>	       : "ₒ"  U2092	  # LATIN SUBSCRIPT SMALL LETTER O
 521 | <Multi_key> <underscore> <x>	       : "ₓ"  U2093	  # LATIN SUBSCRIPT SMALL LETTER X
 522 | <Multi_key> <underscore> <h>	       : "ₕ"  U2095	  # LATIN SUBSCRIPT SMALL LETTER H
 523 | <Multi_key> <underscore> <k>           : "ₖ"  U2096	  # LATIN SUBSCRIPT SMALL LETTER K
 524 | <Multi_key> <underscore> <l>           : "ₗ"  U2097	  # LATIN SUBSCRIPT SMALL LETTER L
 525 | <Multi_key> <underscore> <m>	       : "ₘ"  U2098	  # LATIN SUBSCRIPT SMALL LETTER M
 526 | <Multi_key> <underscore> <n>	       : "ₙ"  U2099	  # LATIN SUBSCRIPT SMALL LETTER N
 527 | <Multi_key> <underscore> <p>	       : "ₚ"  U209A	  # LATIN SUBSCRIPT SMALL LETTER P
 528 | <Multi_key> <underscore> <s>	       : "ₛ"  U209B	  # LATIN SUBSCRIPT SMALL LETTER S
 529 | <Multi_key> <underscore> <t>	       : "ₜ"  U209C	  # LATIN SUBSCRIPT SMALL LETTER T
 530 | 
 531 | # subscripts in other blocks
 532 | <Multi_key> <underscore> <i>  	       : "ᵢ"  U1D62   	  # LATIN SUBSCRIPT SMALL LETTER I
 533 | <Multi_key> <underscore> <j>           : "ⱼ"  U2C7C	  # LATIN SUBSCRIPT SMALL LETTER J
 534 | <Multi_key> <underscore> <r>           : "ᵣ"  U1D63       # LATIN SUBSCRIPT SMALL LETTER R
 535 | <Multi_key> <underscore> <u>           : "ᵤ"  U1D64       # LATIN SUBSCRIPT SMALL LETTER U
 536 | <Multi_key> <underscore> <v>           : "ᵥ"  U1D65       # LATIN SUBSCRIPT SMALL LETTER V
 537 | <Multi_key> <underscore> <asterisk> <b> : "ᵦ"  U1D66     # GREEK SUBSCRIPT SMALL LETTER BETA
 538 | <Multi_key> <underscore> <asterisk> <g> : "ᵧ"  U1D67     # GREEK SUBSCRIPT SMALL LETTER GAMMA
 539 | <Multi_key> <underscore> <asterisk> <r> : "ᵨ"  U1D68     # GREEK SUBSCRIPT SMALL LETTER RHO
 540 | <Multi_key> <underscore> <asterisk> <f> : "ᵩ"  U1D69     # GREEK SUBSCRIPT SMALL LETTER PHI
 541 | <Multi_key> <underscore> <asterisk> <x> : "ᵪ"  U1D6A     # GREEK SUBSCRIPT SMALL LETTER CHI
 542 | 
 543 | # Custom additions: Greek letters.  Mapping corresponds to Emacs Greek
 544 | # input method.  Aristotle Pagaltzis informs me that this is the
 545 | # standard Greek keyboard layout, which is good.
 546 | <Multi_key> <asterisk> <a>		: "α"	U03B1		# GREEK SMALL LETTER ALPHA
 547 | <Multi_key> <asterisk> <b>		: "β"	U03B2		# GREEK SMALL LETTER BETA
 548 | <Multi_key> <asterisk> <c>		: "ψ"	U03C8		# GREEK SMALL LETTER PSI
 549 | <Multi_key> <asterisk> <d>		: "δ"	U03B4		# GREEK SMALL LETTER DELTA
 550 | <Multi_key> <asterisk> <e>		: "ε"	U03B5		# GREEK SMALL LETTER EPSILON
 551 | <Multi_key> <asterisk> <f>		: "φ"	U03C6		# GREEK SMALL LETTER PHI
 552 | <Multi_key> <asterisk> <g>		: "γ"	U03B3		# GREEK SMALL LETTER GAMMA
 553 | <Multi_key> <asterisk> <h>		: "η"	U03B7		# GREEK SMALL LETTER ΕΤΑ
 554 | <Multi_key> <asterisk> <i>		: "ι"	U03B9		# GREEK SMALL LETTER ΙΟΤΑ
 555 | <Multi_key> <asterisk> <j>		: "ξ"	U03BE		# GREEK SMALL LETTER XI
 556 | <Multi_key> <asterisk> <k>		: "κ"	U03BA		# GREEK SMALL LETTER KAPPA
 557 | <Multi_key> <asterisk> <l>		: "λ"	U03BB		# GREEK SMALL LETTER LAMBDA
 558 | <Multi_key> <asterisk> <m>		: "μ"	U03BC		# GREEK SMALL LETTER MU
 559 | <Multi_key> <asterisk> <n>		: "ν"	U03BD		# GREEK SMALL LETTER NU
 560 | <Multi_key> <asterisk> <o>		: "ο"	U03BF		# GREEK SMALL LETTER OMICRON
 561 | <Multi_key> <asterisk> <p>		: "π"	U03C0		# GREEK SMALL LETTER PI
 562 | # no mapping for q; in Emacs that's ";"
 563 | # U037E GREEK QUESTION MARK is canonically equivalent to U003B SEMICOLON.
 564 | # ... But that won't stop us from doing it anyway!!!
 565 | <Multi_key> <asterisk> <period> <question> : ";"  U037E		# GREEK QUESTION MARK
 566 | <Multi_key> <asterisk> <r>		: "ρ"	U03C1		# GREEK SMALL LETTER RHO
 567 | <Multi_key> <asterisk> <s>		: "σ"	U03C3		# GREEK SMALL LETTER SIGMA
 568 | <Multi_key> <asterisk> <t>		: "τ"	U03C4		# GREEK SMALL LETTER TAU
 569 | <Multi_key> <asterisk> <u>		: "θ"	U03B8		# GREEK SMALL LETTER THETA
 570 | <Multi_key> <asterisk> <v>		: "ω"	U03C9		# GREEK SMALL LETTER OMEGA
 571 | <Multi_key> <asterisk> <w>		: "ς"	U03C2		# GREEK SMALL LETTER FINAL SIGMA
 572 | <Multi_key> <asterisk> <x>		: "χ"	U03C7		# GREEK SMALL LETTER CHI
 573 | <Multi_key> <asterisk> <y>		: "υ"	U03C5		# GREEK SMALL LETTER UPSILON
 574 | <Multi_key> <asterisk> <z>		: "ζ"	U03B6		# GREEK SMALL LETTER ZETA
 575 | 
 576 | # Capital greek letters.
 577 | <Multi_key> <asterisk> <A>		: "Α"	U0391		# GREEK CAPITAL LETTER ALPHA
 578 | <Multi_key> <asterisk> <B>		: "Β"	U0392		# GREEK CAPITAL LETTER BETA
 579 | <Multi_key> <asterisk> <C>		: "Ψ"	U03A8		# GREEK CAPITAL LETTER PSI
 580 | <Multi_key> <asterisk> <D>		: "Δ"	U0394		# GREEK CAPITAL LETTER DELTA
 581 | <Multi_key> <asterisk> <E>		: "Ε"	U0395		# GREEK CAPITAL LETTER EPSILON
 582 | <Multi_key> <asterisk> <F>		: "Φ"	U03A6		# GREEK CAPITAL LETTER PHI
 583 | <Multi_key> <asterisk> <G>		: "Γ"	U0393		# GREEK CAPITAL LETTER GAMMA
 584 | <Multi_key> <asterisk> <H>		: "Η"	U0397		# GREEK CAPITAL LETTER ΕΤΑ
 585 | <Multi_key> <asterisk> <I>		: "Ι"	U0399		# GREEK CAPITAL LETTER ΙΟΤΑ
 586 | <Multi_key> <asterisk> <J>		: "Ξ"	U039E		# GREEK CAPITAL LETTER XI
 587 | <Multi_key> <asterisk> <K>		: "Κ"	U039A		# GREEK CAPITAL LETTER KAPPA
 588 | <Multi_key> <asterisk> <L>		: "Λ"	U039B		# GREEK CAPITAL LETTER LAMBDA
 589 | <Multi_key> <asterisk> <M>		: "Μ"	U039C		# GREEK CAPITAL LETTER MU
 590 | <Multi_key> <asterisk> <N>		: "Ν"	U039D		# GREEK CAPITAL LETTER NU
 591 | <Multi_key> <asterisk> <O>		: "Ο"	U039F		# GREEK CAPITAL LETTER OMICRON
 592 | <Multi_key> <asterisk> <P>		: "Π"	U03A0		# GREEK CAPITAL LETTER PI
 593 | # see below for Q qoppa; in Emacs Q is “:”
 594 | <Multi_key> <asterisk> <R>		: "Ρ"	U03A1		# GREEK CAPITAL LETTER RHO
 595 | <Multi_key> <asterisk> <S>		: "Σ"	U03A3		# GREEK CAPITAL LETTER SIGMA
 596 | <Multi_key> <asterisk> <T>		: "Τ"	U03A4		# GREEK CAPITAL LETTER TAU
 597 | <Multi_key> <asterisk> <U>		: "Θ"	U0398		# GREEK CAPITAL LETTER THETA
 598 | <Multi_key> <asterisk> <V>		: "Ω"	U03A9		# GREEK CAPITAL LETTER OMEGA
 599 | # Emacs maps W to "Σ", but I think that’s stupid
 600 | # I think that's from the Greek keyboard.
 601 | <Multi_key> <asterisk> <X>		: "Χ"	U03A7		# GREEK CAPITAL LETTER CHI
 602 | <Multi_key> <asterisk> <Y>		: "Υ"	U03A5		# GREEK CAPITAL LETTER UPSILON
 603 | <Multi_key> <asterisk> <Z>		: "Ζ"	U0396		# GREEK CAPITAL LETTER ZETA
 604 | 
 605 | # Some archaic Greek.  If we only wanted *normal* characters we wouldn't be
 606 | # doing this at all!
 607 | # "period" will indicate a sort of variant of some kind; asterisk is still the "greek" marker
 608 | <Multi_key> <asterisk> <period> <p>	: "ϖ"	U03D6		# GREEK PI SYMBOL
 609 | # Reserving .f in case we want PHI SYMBOL.  Digamma was "w" sound anyway.
 610 | <Multi_key> <asterisk> <period> <w>	: "ϝ"	U03DD		# GREEK SMALL LETTER DIGAMMA
 611 | <Multi_key> <asterisk> <period> <W>	: "Ϝ"	U03DC		# GREEK CAPITAL LETTER DIGAMMA
 612 | <Multi_key> <asterisk> <Q>	: "Ϟ"	U03DE	# GREEK LETTER QOPPA
 613 | <Multi_key> <asterisk> <q>	: "ϟ"	U03DF	# GREEK SMALL LETTER QOPPA
 614 | <Multi_key> <asterisk> <period> <Q>	: "Ϙ"	U03D8	# GREEK LETTER ARCHAIC QOPPA
 615 | <Multi_key> <asterisk> <period> <q>	: "ϙ"	U03D9	# GREEK SMALL LETTER ARCHAIC QOPPA
 616 | <Multi_key> <asterisk> <ampersand>	: "ϗ"	U03D7	# GREEK KAI SYMBOL
 617 | <Multi_key> <asterisk> <period> <Z>	: "Ϡ"	U03E0	# GREEK LETTER SAMPI
 618 | <Multi_key> <asterisk> <period> <z>	: "ϡ"	U03E1	# GREEK SMALL LETTER SAMPI
 619 | <Multi_key> <asterisk> <period> <period> <Z> : "Ͳ"  U0372  # GREEK CAPITAL LETTER ARCHAIC SAMPI
 620 | <Multi_key> <asterisk> <period> <period> <z> : "ͳ"  U0373  # GREEK SMALL LETTER ARCHAIC SAMPI
 621 | # Sorry, couldn't think of better ones for these.  Might want .s for SAN.
 622 | <Multi_key> <asterisk> <question>      : "Ϛ"	U03DA	# GREEK LETTER STIGMA
 623 | <Multi_key> <asterisk> <slash>	       : "ϛ"	U03DB	# GREEK SMALL LETTER STIGMA
 624 | <Multi_key> <asterisk> <apostrophe>    : "ʹ"	U02B9	# MODIFIER LETTER PRIME, canonically equivalent to U0374 GREEK NUMERAL SIGN
 625 | # While we're at it...
 626 | <Multi_key> <asterisk> <period> <apostrophe>	: "′"	U2032	# PRIME
 627 | <Multi_key> <asterisk> <period> <quotedbl>      : "″"	U2033	# DOUBLE PRIME
 628 | <Multi_key> <asterisk> <comma>	       : "͵"	U0375	# GREEK LOWER NUMERAL SIGN (for thousands)
 629 | # Do we want BETA SYMBOL, RHO SYMBOL, KAPPA SYMBOL, PHI SYMBOL, THETA SYMBOL?
 630 | # The format makes them obvious enough I guess.  PI SYMBOL is different enough
 631 | # that there's no question, and it is separate from these.
 632 | <Multi_key> <asterisk> <period> <b>    : "ϐ"	U03D0	# GREEK BETA SYMBOL
 633 | <Multi_key> <asterisk> <period> <u>    : "ϑ"	U03D1	# GREEK THETA SYMBOL
 634 | <Multi_key> <asterisk> <period> <Y>    : "ϒ"	U03D2	# GREEK UPSILON WITH HOOK SYMBOL
 635 | <Multi_key> <asterisk> <period> <f>    : "ϕ"	U03D5	# GREEK PHI SYMBOL
 636 | <Multi_key> <asterisk> <period> <k>    : "ϰ"	U03F0	# GREEK KAPPA SYMBOL
 637 | <Multi_key> <asterisk> <period> <r>    : "ϱ"	U03F1	# GREEK RHO SYMBOL
 638 | <Multi_key> <asterisk> <period> <U>    : "ϴ"	U03F4	# GREEK CAPITAL THETA SYMBOL
 639 | <Multi_key> <asterisk> <period> <e>    : "ϵ"	U03F5	# GREEK LUNATE EPSILON SYMBOL
 640 | # Not doing the lunate sigmas and dotted versions thereof...  What about SAN, which is at least a letter?
 641 | <Multi_key> <asterisk> <period> <s>	 : "ϻ"	  U03FB	      # GREEK SMALL LETTER SAN
 642 | <Multi_key> <asterisk> <period> <S>	 : "Ϻ"	  U03FA	      # GREEK CAPITAL LETTER SAN
 643 | 
 644 | # If you wanted to actually type in Greek, you would also need άίέ
 645 | # etc.  But you would probably just switch to a Greek keyboard layout.
 646 | 
 647 | # Custom additions: fractions
 648 | <Multi_key> <1> <3>                     : "⅓"  U2153           # VULGAR FRACTION ONE THIRD
 649 | <Multi_key> <2> <3>                     : "⅔"  U2154           # VULGAR FRACTION TWO THIRDS
 650 | # more extensive fractions from jsled
 651 | <Multi_key> <1> <5>                     : "⅕"  U2155           # VULGAR FRACTION ONE FIFTH
 652 | <Multi_key> <2> <5>                     : "⅖" U2156            # VULGAR FRACTION TWO FIFTHS
 653 | <Multi_key> <3> <5>                     : "⅗" U2157            # VULGAR FRACTION THREE FIFTHS
 654 | <Multi_key> <4> <5>                     : "⅘" U2158            # VULGAR FRACTION FOUR FIFTHS
 655 | <Multi_key> <1> <6>                     : "⅙" U2159            # VULGAR FRACTION ONE SIXTH
 656 | <Multi_key> <5> <6>                     : "⅚" U215A            # VULGAR FRACTION FIVE SIXTHS
 657 | <Multi_key> <1> <8>                     : "⅛" U215B           # VULGAR FRACTION ONE EIGHTH
 658 | <Multi_key> <3> <8>                     : "⅜" U215C           # VULGAR FRACTION THREE EIGHTHS
 659 | <Multi_key> <5> <8>                     : "⅝" U215D           # VULGAR FRACTION FIVE EIGHTHS
 660 | <Multi_key> <7> <8>                     : "⅞" U215E           # VULGAR FRACTION SEVEN EIGHTHS
 661 | <Multi_key> <1> <7>			: "⅐" U2150	      # VULGAR FRACTION ONE SEVENTH
 662 | <Multi_key> <1> <9>			: "⅑" U2151	      # VULGAR FRACTION ONE NINTH
 663 | <Multi_key> <1> <x>			: "⅒" U2152	      # VULGAR FRACTION ONE TENTH
 664 | <Multi_key> <0> <3>			: "↉" U2189	      # VULGAR FRACTION ZERO THIRDS
 665 | <Multi_key> <1> <slash>			: "⅟" U215F	      # FRACTION NUMERATOR ONE
 666 | 
 667 | # How about roman numerals?  Percent for numerical mnemonic?
 668 | # Does this go against the spirit of this file?  These symbols are accessible 
 669 | # as regular letters and would look okay.  Maybe only for I-X?
 670 | <Multi_key> <percent> <1>		: "ⅰ"	U2170		# SMALL ROMAN NUMERAL ONE
 671 | <Multi_key> <percent> <2>		: "ⅱ"	U2171		# SMALL ROMAN NUMERAL TWO
 672 | <Multi_key> <percent> <3>		: "ⅲ"	U2172		# SMALL ROMAN NUMERAL THREE
 673 | <Multi_key> <percent> <4>		: "ⅳ"	U2173		# SMALL ROMAN NUMERAL FOUR
 674 | <Multi_key> <percent> <5>		: "ⅴ"	U2174		# SMALL ROMAN NUMERAL FIVE
 675 | <Multi_key> <percent> <6>		: "ⅵ"	U2175		# SMALL ROMAN NUMERAL SIX
 676 | <Multi_key> <percent> <7>		: "ⅶ"	U2176		# SMALL ROMAN NUMERAL SEVEN
 677 | <Multi_key> <percent> <8>		: "ⅷ"	U2177		# SMALL ROMAN NUMERAL EIGHT
 678 | <Multi_key> <percent> <9>		: "ⅸ"	U2178		# SMALL ROMAN NUMERAL NINE
 679 | <Multi_key> <percent> <x>		: "ⅹ"	U2179		# SMALL ROMAN NUMERAL TEN
 680 | # How do we handle eleven and twelve?
 681 | <Multi_key> <percent> <underscore> <1>	: "ⅺ"	U217A		# SMALL ROMAN NUMERAL ELEVEN
 682 | <Multi_key> <percent> <underscore> <2>	: "ⅻ"	U217B		# SMALL ROMAN NUMERAL TWELVE
 683 | # That okay?
 684 | <Multi_key> <percent> <l>		: "ⅼ"	U217C		# SMALL ROMAN NUMERAL FIFTY
 685 | <Multi_key> <percent> <c>		: "ⅽ"	U217D		# SMALL ROMAN NUMERAL ONE HUNDRED
 686 | <Multi_key> <percent> <d>		: "ⅾ"	U217E		# SMALL ROMAN NUMERAL FIVE HUNDRED
 687 | <Multi_key> <percent> <m>		: "ⅿ"	U217F		# SMALL ROMAN NUMERAL ONE THOUSAND
 688 | ###
 689 | <Multi_key> <percent> <0> <1>		: "Ⅰ"	U2160		# ROMAN NUMERAL ONE
 690 | <Multi_key> <percent> <0> <2>		: "Ⅱ"	U2161		# ROMAN NUMERAL TWO
 691 | <Multi_key> <percent> <0> <3>		: "Ⅲ"	U2162		# ROMAN NUMERAL THREE
 692 | <Multi_key> <percent> <0> <4>		: "Ⅳ"	U2163		# ROMAN NUMERAL FOUR
 693 | <Multi_key> <percent> <0> <5>		: "Ⅴ"	U2164		# ROMAN NUMERAL FIVE
 694 | <Multi_key> <percent> <0> <6>		: "Ⅵ"	U2165		# ROMAN NUMERAL SIX
 695 | <Multi_key> <percent> <0> <7>		: "Ⅶ"	U2166		# ROMAN NUMERAL SEVEN
 696 | <Multi_key> <percent> <0> <8>		: "Ⅷ"	U2167		# ROMAN NUMERAL EIGHT
 697 | <Multi_key> <percent> <0> <9>		: "Ⅸ"	U2168		# ROMAN NUMERAL NINE
 698 | <Multi_key> <percent> <0> <x>		: "Ⅹ"	U2169		# ROMAN NUMERAL TEN
 699 | # How do we handle eleven and twelve?
 700 | <Multi_key> <percent> <underscore> <0> <1>	: "Ⅺ"	U216A	# ROMAN NUMERAL ELEVEN
 701 | <Multi_key> <percent> <underscore> <0> <2>	: "Ⅻ"	U216B	# ROMAN NUMERAL TWELVE
 702 | <Multi_key> <percent> <0> <l>		: "Ⅼ"	U216C		# ROMAN NUMERAL FIFTY
 703 | <Multi_key> <percent> <0> <c>		: "Ⅽ"	U216D		# ROMAN NUMERAL ONE HUNDRED
 704 | <Multi_key> <percent> <0> <d>		: "Ⅾ"	U216E		# ROMAN NUMERAL FIVE HUNDRED
 705 | <Multi_key> <percent> <0> <m>		: "Ⅿ"	U216F		# ROMAN NUMERAL ONE THOUSAND
 706 | <Multi_key> <percent> <X>		: "Ⅹ"	U2169		# ROMAN NUMERAL TEN
 707 | <Multi_key> <percent> <L>		: "Ⅼ"	U216C		# ROMAN NUMERAL FIFTY
 708 | <Multi_key> <percent> <C>		: "Ⅽ"	U216D		# ROMAN NUMERAL ONE HUNDRED
 709 | <Multi_key> <percent> <less> <C>        : "Ↄ"   U2183          # ROMAN NUMERAL REVERSED ONE HUNDRED
 710 | <Multi_key> <percent> <D>		: "Ⅾ"	U216E		# ROMAN NUMERAL FIVE HUNDRED
 711 | <Multi_key> <percent> <M>		: "Ⅿ"	U216F		# ROMAN NUMERAL ONE THOUSAND
 712 | <Multi_key> <percent> <0> <C> <D>	: "ↀ"	U2180		# ROMAN NUMERAL ONE THOUSAND C D
 713 | <Multi_key> <percent> <0> <D> 		: "ↁ"	U2181		# ROMAN NUMERAL FIVE THOUSAND
 714 | <Multi_key> <percent> <0> <M>		: "ↂ"	U2182		# ROMAN NUMERAL TEN THOUSAND
 715 | <Multi_key> <percent> <0> <0> <D>	: "ↇ"	U2187		# ROMAN NUMERAL FIFTY THOUSAND
 716 | <Multi_key> <percent> <0> <0> <M>	: "ↈ"	U2188		# ROMAN NUMERAL ONE HUNDRED THOUSAND
 717 | 
 718 | 
 719 | # Custom additions: for chat (kragen)
 720 | <Multi_key> <parenleft> <colon>         : "☻"   U263B           # BLACK SMILING FACE
 721 | <Multi_key> <colon> <parenright>        : "☺"   U263A           # WHITE SMILING FACE
 722 | <Multi_key> <colon> <parenleft>         : "☹"   U2639           # WHITE FROWNING FACE
 723 | <Multi_key> <colon> <asciitilde>	: "⍨"   U2368		# APL FUNCTIONAL SYMBOL TILDE DIAERESIS
 724 | <Multi_key> <colon> <bar>		: "⸚"   U2E1A		# HYPHEN WITH DIAERESIS
 725 | <Multi_key> <colon> <o> <o> <parenright>  :  "°͜°"    # Funny smiley-face.
 726 | # Those are archaic cyrilic letters... but look so _perfect_ for use
 727 | # in chat. And about the last, the "multiocular O"... Well, I don't
 728 | # know what it can be used for, but given the description, how could I
 729 | # leave it out‽
 730 | # (I guess using U+1F440 EYES would be more straightforward, but not as funny?)
 731 | <Multi_key> <O> <period> <O>		: "Ꙭ"	UA66C		# CYRILLIC CAPITAL LETTER DOUBLE MONOCULAR O * used in the dual of words based on the root for 'eye'
 732 | <Multi_key> <o> <period> <o>		: "ꙭ"  UA66D		# CYRILLIC SMALL LETTER DOUBLE MONOCULAR O
 733 | <Multi_key> <O> <colon>	 		: "Ꙫ"  UA66A		# CYRILLIC CAPITAL LETTER BINOCULAR O * used in the dual of words based on the root for 'eye'
 734 | <Multi_key> <o> <colon> 		: "ꙫ"  UA66B 		# CYRILLIC SMALL LETTER BINOCULAR O
 735 | <Multi_key> <o> <plus>			: "ꙮ"  UA66E		# CYRILLIC LETTER MULTIOCULAR O * used in the epithet 'many-eyed'
 736 | # While we're doing stacks of circles with dots.
 737 | <Multi_key> <o> <3>			: "߷"	U07F7		# NKO SYMBOL GBAKURUNEN
 738 | <Multi_key> <exclam> <question>         : "‽"   U203D           # INTERROBANG
 739 | <Multi_key> <question> <exclam>         : "⸘"	U2E18		# INVERTED INTERROBANG, standard now.
 740 | <Multi_key> <questiondown> <exclamdown>	: "⸘"	U2E18		# INVERTED INTERROBANG (if you have a ¡ key.  Otherwise...? "?i" maybe?
 741 | <Multi_key> <exclamdown> <questiondown>	: "⸘"	U2E18		# INVERTED INTERROBANG (if you have a ¡ key.  Otherwise...? "?i" maybe?
 742 | <Multi_key> <question> <less>	      : "⸮"	  U2E2E		# REVERSED QUESTION MARK
 743 | <Multi_key> <question> <BackSpace>      : "⸮"	  U2E2E		# REVERSED QUESTION MARK
 744 | <Multi_key> <question> <ampersand> <question>	  : "⁇"	 U2047	# DOUBLE QUESTION MARK
 745 | <Multi_key> <2> <question>	  : "⁇"	 U2047	# DOUBLE QUESTION MARK
 746 | <Multi_key> <question> <ampersand> <exclam>	  : "⁈"	 U2048	# QUESTION EXCLAMATION MARK
 747 | <Multi_key> <exclam> <ampersand> <question>	  : "⁉"	 U2049	# EXCLAMATION QUESTION MARK
 748 | <Multi_key> <exclam> <ampersand> <exclam>	  : "‼"	 U203C	# DOUBLE EXCLAMATION MARK
 749 | <Multi_key> <2> <exclam>	  : "‼"	 U203C	# DOUBLE EXCLAMATION MARK
 750 | <Multi_key> <2> <colon>		  : "∷"	 U2237	# PROPORTION -- not strictly 2 times COLON
 751 | <Multi_key> <semicolon> <less>	 		  : "⁏"	 U204F	# REVERSED SEMICOLON
 752 | <Multi_key> <semicolon> <BackSpace>	 		  : "⁏"	 U204F	# REVERSED SEMICOLON
 753 | # Keep looking into big hunks of Latin Extended-D, A720- et seq.
 754 | <Multi_key> <less> <3>                  : "♥"  U2665            # BLACK HEART SUIT
 755 | <Multi_key> <o> <8>			: "♣" U2663		# BLACK CLUB SUIT
 756 | <Multi_key> <c> <3>			: "♣" U2663		# BLACK CLUB SUIT
 757 | <Multi_key> <less> <greater>		: "♢" U2662		# WHITE DIAMOND SUIT
 758 | <Multi_key> <3> <minus>		: "♠" U2660		# BLACK SPADE SUIT
 759 | <Multi_key> <less> <braceright>	: "♠" U2660		# BLACK SPADE SUIT
 760 | <Multi_key> <E> <greater>		: "♡" U2661		# WHITE HEART SUIT
 761 | # "shamrock" is too long; there IS a limit to these!
 762 | <Multi_key> <Multi_key> <s> <h> <m> <r> <c> <k>		: "☘" U2618   # SHAMROCK
 763 | <Multi_key> <Multi_key> <s> <h> <a> <m> <r> <o>		: "☘" U2618   # SHAMROCK
 764 | <Multi_key> <Multi_key> <p> <c>         : "☮"   U262E           # PEACE SYMBOL
 765 | <Multi_key> <Multi_key> <p> <e> <a> <c> <e> : "☮"   U262E           # PEACE SYMBOL
 766 | <Multi_key> <Multi_key> <y> <y>		: "☯" U262F		# YIN YANG
 767 | <Multi_key> <Multi_key> <y> <i>	<n> <y> <a> <n>	: "☯" U262F	# YIN YANG
 768 | # And now that we are into hearts...
 769 | <Multi_key> <Left> <less> <3>           : "❥"  U2765            # ROTATED HEAVY BLACK HEART BULLET
 770 | <Multi_key> <exclam> <less> <3>         : "❣"  U2763            # HEAVY HEART EXCLAMATION MARK ORNAMENT
 771 | <Multi_key> <f> <less> <3>              : "❦"  U2766            # FLORAL HEART
 772 | <Multi_key> <Left> <f> <less> <3>       : "❧"  U2767            # ROTATED FLORAL HEART BULLET
 773 | <Multi_key> <Right> <f> <less> <3>      : "☙"  U2619            # REVERSED ROTATED FLORAL HEART BULLET
 774 | <Multi_key> <Multi_key> <t> <e> <l>			: "☎" 	U260E		# BLACK TELEPHONE
 775 | <Multi_key> <Multi_key> <t> <e> <a>		: "☕"	U2615		# HOT BEVERAGE
 776 | # These last two bother me less, though they can still be improved.
 777 | # Other possibly useful symbols:
 778 | # 2668 HOT SPRINGS (for chat, for running off to shower?)
 779 | # I want 2713-2714 and 2717-2718
 780 | # We need a Dingbats prefix, for ❛❜❝❞❢
 781 | <Multi_key> <bracketleft> <space> <bracketright> :	"☐"	U2610	# BALLOT BOX
 782 | # Better keystrokes anyone?  This one breaks the pattern. [c]? [v]? [y]? [/]?
 783 | <Multi_key> <Multi_key> <c> <h> <k>	      :	 "☑"  U2611		# BALLOT BOX WITH CHECK
 784 | <Multi_key> <bracketleft> <slash> <bracketright>     :	 "☑"  U2611		# BALLOT BOX WITH CHECK
 785 | <Multi_key> <bracketleft> <x> <bracketright>  :	 "☒"  U2612		# BALLOT BOX WITH X
 786 | # @ for dingbats?
 787 | <Multi_key> <at> <slash>	:	"✓"	U2713	# CHECK MARK
 788 | <Multi_key> <at> <at> <slash>	:	"✔"	U2714	# HEAVY CHECK MARK
 789 | <Multi_key> <at> <X>  		:	"✗"	U2717	# BALLOT X
 790 | <Multi_key> <at> <at> <X>	:	"✘"	U2718	# HEAVY BALLOT X
 791 | <Multi_key> <at> <parenleft>    :       "❨"     U2768   # MEDIUM LEFT PARENTHESIS ORNAMENT
 792 | <Multi_key> <at> <parenright>   :       "❩"     U2769   # MEDIUM RIGHT PARENTHESIS ORNAMENT
 793 | <Multi_key> <at> <at> <parenleft>    :  "❪"     U276A   # MEDIUM FLATTENED LEFT PARENTHESIS ORNAMENT
 794 | <Multi_key> <at> <at> <parenright>   :  "❫"     U276B   # MEDIUM FLATTENED RIGHT PARENTHESIS ORNAMENT
 795 | <Multi_key> <at> <less>         :       "❬"     U276C   # MEDIUM LEFT-POINTING ANGLE BRACKET ORNAMENT
 796 | <Multi_key> <at> <greater>      :       "❭"     U276D   # MEDIUM RIGHT-POINTING ANGLE BRACKET ORNAMENT
 797 | # U276E&F ❮❯ ?  Angle quotation mark ornaments?
 798 | <Multi_key> <at> <at> <less>    :       "❰"     U2770   # HEAVY LEFT-POINTING ANGLE BRACKET ORNAMENT
 799 | <Multi_key> <at> <at> <greater> :       "❱"     U2771   # HEAVY RIGHT-POINTING ANGLE BRACKET ORNAMENT
 800 | <Multi_key> <at> <bracketleft> <parenleft> :    "❲"     U2772   # LIGHT LEFT TORTOISE SHELL BRACKET ORNAMENT
 801 | <Multi_key> <at> <bracketright> <parenright> :  "❳"     U2773   # LIGHT RIGHT TORTOISE SHELL BRACKET ORNAMENT
 802 | <Multi_key> <at> <braceleft>    :       "❴"     U2774   # MEDIUM LEFT CURLY BRACKET ORNAMENT
 803 | <Multi_key> <at> <braceright>   :       "❵"     U2775   # MEDIUM RIGHT CURLY BRACKET ORNAMENT
 804 | # Will I want <at> <at> for something else?
 805 | # Now there is such a thing as text style and emoji style.  Use the
 806 | # "dingbat prefix" in an unusual way:
 807 | <Multi_key> <at> <Multi_key>	:	"️"	UFE0F		# Emoji selector
 808 | <Multi_key> <exclam> <Multi_key>	:	"︎"		UFE0E	# Text selector
 809 | # How about dice?
 810 | <Multi_key> <bracketleft> <1> <bracketright>  :  "⚀"  U2680	# DIE FACE-1
 811 | <Multi_key> <bracketleft> <2> <bracketright>  :  "⚁"  U2681	# DIE FACE-2
 812 | <Multi_key> <bracketleft> <3> <bracketright>  :  "⚂"  U2682	# DIE FACE-3
 813 | <Multi_key> <bracketleft> <4> <bracketright>  :  "⚃"  U2683	# DIE FACE-4
 814 | <Multi_key> <bracketleft> <5> <bracketright>  :  "⚄"  U2684	# DIE FACE-5
 815 | <Multi_key> <bracketleft> <6> <bracketright>  :  "⚅"  U2685	# DIE FACE-6
 816 | # 267B BLACK UNIVERSAL RECYCLING SYMBOL
 817 | 
 818 | <Multi_key> <parenleft> <C> <C> <parenright>  :  "🅭"    U1F16D    # CIRCLED CC
 819 | <Multi_key> <C> <parenleft> <C> <C> <parenright>  :  "🅭"    U1F16D    # CIRCLED CC
 820 | <Multi_key> <parenleft> <backslash> <C> <parenright>  :  "🅮"    U1F16E    # CIRCLED C WITH OVERLAID BACKSLASH
 821 | <Multi_key> <parenleft> <slash> <C> <parenright>   :  "🅮"    U1F16E    # CIRCLED C WITH OVERLAID BACKSLASH
 822 | <Multi_key> <C> <parenleft> <backslash> <C> <parenright>  :  "🅮"    U1F16E    # CIRCLED C WITH OVERLAID BACKSLASH
 823 | <Multi_key> <C> <parenleft> <slash> <C> <parenright>   :  "🅮"    U1F16E    # CIRCLED C WITH OVERLAID BACKSLASH
 824 | <Multi_key> <C> <parenleft> <B> <Y> <parenright>       :  "🅯"    U1F16F    # CIRCLED HUMAN FIGURE
 825 | <Multi_key> <C> <parenleft> <S> <A> <parenright>       :  "🄎"    U1F10E    # CIRCLED ANTICLOCKWISE ARROW
 826 | ## ugh, this doesn't (usually) match the style of the others.  They're practically emoji; ⊜ is a math symbol.
 827 | <Multi_key> <C> <parenleft> <N> <D> <parenright>       :  "⊜"    U229C    # CIRCLED EQUALS
 828 | <Multi_key> <C> <parenleft> <equal> <parenright>       :  "⊜"    U229C    # CIRCLED EQUALS
 829 | <Multi_key> <C> <parenleft> <N> <C> <parenright>       :  "🄏"     U1F10F    # CIRCLED DOLLAR SIGN WITH OVERLAID BACKSLASH
 830 | <Multi_key> <C> <parenleft> <slash> <dollar> <parenright>       :  "🄏"     U1F10F    # CIRCLED DOLLAR SIGN WITH OVERLAID BACKSLASH
 831 | <Multi_key> <C> <parenleft> <backslash> <dollar> <parenright>       :  "🄏"     U1F10F    # CIRCLED DOLLAR SIGN WITH OVERLAID BACKSLASH
 832 | ## Not actually Creative Commons, but related.  Too many options?
 833 | <Multi_key> <parenleft> <C> <Left> <parenright>        :  "🄯"   U1F12F      # COPYLEFT SYMBOL
 834 | <Multi_key> <parenleft> <C> <less> <parenright>        :  "🄯"   U1F12F      # COPYLEFT SYMBOL
 835 | <Multi_key> <C> <parenleft> <C> <Left> <parenright>        :  "🄯"   U1F12F      # COPYLEFT SYMBOL
 836 | <Multi_key> <C> <parenleft> <C> <less> <parenright>        :  "🄯"   U1F12F      # COPYLEFT SYMBOL
 837 | 
 838 | ## Segmented digits?
 839 | <Multi_key> <numbersign> <0>    :  "🯰"  U1FBF0    # SEGMENTED DIGIT ZERO
 840 | <Multi_key> <numbersign> <1>    :  "🯱"  U1FBF1    # SEGMENTED DIGIT ONE
 841 | <Multi_key> <numbersign> <2>    :  "🯲"  U1FBF2    # SEGMENTED DIGIT TWO
 842 | <Multi_key> <numbersign> <3>    :  "🯳"  U1FBF3    # SEGMENTED DIGIT THREE
 843 | <Multi_key> <numbersign> <4>    :  "🯴"  U1FBF4    # SEGMENTED DIGIT FOUR
 844 | <Multi_key> <numbersign> <5>    :  "🯵"  U1FBF5    # SEGMENTED DIGIT FIVE
 845 | <Multi_key> <numbersign> <6>    :  "🯶"  U1FBF6    # SEGMENTED DIGIT SIX
 846 | <Multi_key> <numbersign> <7>    :  "🯷"  U1FBF7    # SEGMENTED DIGIT SEVEN
 847 | <Multi_key> <numbersign> <8>    :  "🯸"  U1FBF8    # SEGMENTED DIGIT EIGHT
 848 | <Multi_key> <numbersign> <9>    :  "🯹"  U1FBF9    # SEGMENTED DIGIT NINE
 849 | 
 850 | # Keystrokes okay?
 851 | <Multi_key> <Multi_key> <f> <d> <l>   	        : "⚜"	U269C	  # FLEUR-DE-LIS
 852 | <Multi_key> <Multi_key> <a> <t> <o> <m>	        : "⚛"	U269B		# ATOM SYMBOL
 853 | <Multi_key> <Multi_key> <c> <c> <c> <p>		: "☭" 	U262D		# HAMMER AND SICKLE
 854 | <Multi_key> <slash> <exclam> <backslash> : "⚠"  U26A0           # WARNING SIGN
 855 | <Multi_key> <exclam> <asciicircum>	: "⚠"	U26A0		# WARNING SIGN 
 856 | <Multi_key> <Multi_key> <z> <a> <p>	  		: "⚡"	U26A1		# HIGH VOLTAGE SIGN 
 857 | # Shouldn't use just <r><a> because it's too likely to be a prefix for
 858 | # a useful word.
 859 | <Multi_key> <Multi_key> <r> <a> <d>	: "☢"	U2622		# RADIOACTIVE SIGN
 860 | <Multi_key> <Multi_key> <b> <h>		: "☣"	U2623		# BIOHAZARD SIGN
 861 | <Multi_key> <Multi_key> <b> <i> <o> <h>	<a> <z>	: "☣"	U2623		# BIOHAZARD SIGN
 862 | # Changing this from ⚝
 863 | <Multi_key> <Multi_key> <A> <A> <A> <A> <A>	:	"⛤" U26E4 # PENTAGRAM (pentalpha, get it?)
 864 | <Multi_key> <Multi_key> <p> <l> <a> <n> <e>	: "✈"   U2708	  # AIRPLANE
 865 | <Multi_key> <Multi_key> <m> <a> <i> <l>		: "✉"	U2709	  # ENVELOPE
 866 | <Multi_key> <Multi_key> <w> <h> <l> <c> <h>	: "♿"	U267F	  # WHEELCHAIR SYMBOL
 867 | <Multi_key> <Multi_key> <m> <e> <d> 		: "☤"	U2624	  # CADEUCEUS
 868 | ## Don't usually do sequences, but exception made for the
 869 | ## "eyewitness" compound emoji sequence:
 870 | <Multi_key> <Multi_key> <i> <w> <i> <t>     : "👁️‍🗨️"
 871 | # Something different for STAFF OF AESCULAPIUS?
 872 | <Multi_key> <Multi_key> <1> <m> <e> <d>		: "⚕"	U2695	# STAFF OF AESCULAPIUS
 873 | # 26B0 COFFIN ?
 874 | # One of the SNOWFLAKEs?
 875 | # SNOWMAN? COMET? ANCHOR?
 876 | # Maybe if we go with having a "word" symbol and spelling out lots and 
 877 | # lots of whole words, we can have all the planets.
 878 | #
 879 | # I already have STAR OF DAVID on another map.
 880 | # 231A, 231B -- WATCH and HOURGLASS -- one should be &-w-a-i-t
 881 | # 23D4 METRICAL LONG OVER TWO SHORTS a.k.a. METRICAL BOOBS
 882 | # 0950 DEVANAGARI OM?
 883 | # 212E ESTIMATED SYMBOL?
 884 | # 2324 UP ARROWHEAD BETWEEN TWO HORIZONTAL BARS a.k.a. NOT AMUSED
 885 | # 237E BELL SYMBOL a.k.a. ALIENS LANDING
 886 | 
 887 | <Multi_key> <o> <minus> <plus>		: "♀"	U2640		# FEMALE SIGN
 888 | <Multi_key> <o> <minus> <greater>	: "♂"	U2642		# MALE SIGN
 889 | 
 890 | <Multi_key> <Multi_key> <g> <a> <y>                 :   "⚣"     U26A3   # DOUBLED MALE SIGN
 891 | <Multi_key> <Multi_key> <l> <e> <s> <b> <i> <a> <n> :   "⚢"     U26A2   # DOUBLED FEMALE SIGN
 892 | <Multi_key> <Multi_key> <h> <e> <t> <e> <r> <o>     :   "⚤"     U26A4   # INTERLOCKED FEMALE AND MALE SIGN
 893 | 
 894 | # 'trans': short for transgender/transexual
 895 | # 'genderq': short for genderqueer.
 896 | # Wasn't sure which to call which symbol, and wanted to include both
 897 | <Multi_key> <Multi_key> <t> <r> <a> <n> <s>         :   "⚥"     U26A5   # MALE AND FEMALE SIGN
 898 | <Multi_key> <Multi_key> <g> <e> <n> <d> <e> <r> <q> :   "⚧"     U26A7   # MALE WITH STROKE AND MALE AND FEMALE SIGN
 899 | 
 900 | 
 901 | <Multi_key> <O> <X>: 			"☠" U2620 # SKULL AND CROSSBONES
 902 | <Multi_key> <Multi_key> <d> <e> <a> <t> <h>:	  "☠" U2620 # SKULL AND CROSSBONES
 903 | <Multi_key> <Multi_key> <X> <b> <o> <n> <e> <s>:	  "☠" U2620 # SKULL AND CROSSBONES
 904 | <Multi_key> <Multi_key> <k> <b> <d> :	"⌨"	  U2328	    # KEYBOARD
 905 | <Multi_key> <Multi_key> <r> <h> <a> <n> <d>	: "☞" U261E # WHITE RIGHT POINTING INDEX
 906 | <Multi_key> <Multi_key> <l> <h> <a> <n> <d>	: "☜" U261C # WHITE LEFT POINTING INDEX
 907 | <Multi_key> <asterisk> <asterisk>	:"★" U2605 # BLACK STAR
 908 | <Multi_key> <asterisk> <0>	:"☆" U2606 # WHITE STAR
 909 | <Multi_key> <asterisk> <minus>	:"✪" U272A # CIRCLED WHITE STAR
 910 | ## Did not have great luck with keystrokes for these.  L/ conflicts with ł,
 911 | ## and </ conflicts with \.  */ of course is ϛ.
 912 | <Multi_key> <Left> <slash> <2> <asterisk>   : "⯨"    U2BE8   # LEFT HALF BLACK STAR
 913 | <Multi_key> <Right> <slash> <2> <asterisk>   : "⯩"   U2BE9   # RIGHT HALF BLACK STAR
 914 | <Multi_key> <asterisk> <Left> <slash> <2> <asterisk>   : "⯪"  U2BEA   # STAR WITH LEFT HALF BLACK
 915 | <Multi_key> <asterisk> <Right> <slash> <2> <asterisk>   : "⯫" U2BEB   # STAR WITH RIGHT HALF BLACK
 916 | <Multi_key> <asterisk> <3>	:"⁂" U2042 # ASTERISM
 917 | <Multi_key> <3> <asterisk>	:"⁂" U2042 # ASTERISM
 918 | <Multi_key> <2> <asterisk>	:"⁑" U2051 # TWO ASTERISKS ALIGNED VERTICALLY
 919 | <Multi_key> <asterisk> <4>      :"✢"  U2722  # FOUR TEARDROP-SPOKED ASTERISK
 920 | <Multi_key> <asterisk> <6>	:"✡" U2721 # STAR OF DAVID
 921 | <Multi_key> <asterisk> <numbersign>	:"✯" U272F # PINWHEEL STAR
 922 | <Multi_key> <asterisk> <exclam>	:"✱" U2731 # HEAVY ASTERISK
 923 | <Multi_key> <less> <X> <greater> :  "❖"	U2756	# BLACK DIAMOND MINUS WHITE X
 924 | <Multi_key> <at> <numbersign>	: "⌘" U2318	# PLACE OF INTEREST SIGN
 925 | # Using backslash-minus-slash etc. conflicts with combining accents.
 926 | <Multi_key> <grave> <minus> <apostrophe>	 : "⚞"	U269E  # THREE LINES CONVERGING RIGHT
 927 | <Multi_key> <apostrophe> <minus> <grave>	 : "⚟"	U269F  # THREE LINES CONVERGING LEFT
 928 | <Multi_key> <Multi_key> <B> <e> <l> <l> <s> <y> <m>	: "⍾" U237E  # BELL SYMBOL (or ALIENS LANDING) -- &-a-l-i-e-n ?
 929 | # Other monstery characters... ѪꙚ (alien abductions?)
 930 | # ඏൠഋ & others from Kannada et al...?
 931 | # Can't use -^- for this; conflicts with -^ for ↑, and getting those arrows
 932 | # workable was complicated enough.  How about this?
 933 | <Multi_key> <underscore> <asciicircum> <underscore>	: "⌤" U2324  # UP ARROWHEAD BETWEEN TWO HORIZONTAL BARS; aka ENTER KEY, aka NOT AMUSED.
 934 | <Multi_key> <Multi_key> <w> <a> <i> <t>		: "⌛" U231B   # HOURGLASS
 935 | <Multi_key> <Multi_key> <h> <o> <u> <r>		: "⌛" U231B   # HOURGLASS
 936 | <Multi_key> <Multi_key> <t> <i> <m> <e>		: "⌚" U231A   # WATCH
 937 | <Multi_key> <Multi_key> <w> <a> <t> <c> <h>	: "⌚" U231A   # WATCH
 938 | <Multi_key> <space> <N>		  : " "	U2002  # EN SPACE
 939 | <Multi_key> <space> <M>		  : " " U2003  # EM SPACE
 940 | <Multi_key> <space> <3> <M>	  : " "	U2004  # THREE-PER-EM SPACE
 941 | <Multi_key> <space> <4> <M>	  : " "	U2005  # FOUR-PER-EM SPACE
 942 | <Multi_key> <space> <6> <M>	  : " "	U2006    # SIX-PER-EM SPACE
 943 | <Multi_key> <space> <comma>	  : " "	U2008    # PUNCTUATION SPACE
 944 | <Multi_key> <space> <plus>	  : " "	U205F    # MEDIUM MATHEMATICAL SPACE
 945 | <Multi_key> <parenleft> <parenright>: "◌" U25CC # DOTTED CIRCLE
 946 | <Multi_key> <bracketleft> <bracketright>: "⬚" U2B1A # DOTTED SQUARE
 947 | <Multi_key> <asterisk> <parenleft>      : "﴾"   UFD3E           # ORNATE LEFT PARENTHESIS
 948 | <Multi_key> <asterisk> <parenright>     : "﴿"   UFD3F           # ORNATE RIGHT PARENTHESIS
 949 | <Multi_key> <k> <s>                     : "ʘ"   U0298           # LATIN LETTER BILABIAL CLICK (kiss sound)
 950 | <Multi_key> <bar> <greater>             : "‣"   U2023           # TRIANGULAR BULLET
 951 | #SUPERSCRIPTS:
 952 | #To avoid namespace clashes, <asciicircum> is doubled (will I regret that?)
 953 | <Multi_key> <asciicircum> <asciicircum> <h>       : "ʰ"   U02B0           # SUPERSCRIPT H
 954 | <Multi_key> <asciicircum> <asciicircum> <i>       : "ⁱ"   U2071           # SUPERSCRIPT I
 955 | <Multi_key> <asciicircum> <asciicircum> <j>       : "ʲ"   U02B2           # SUPERSCRIPT J
 956 | <Multi_key> <asciicircum> <asciicircum> <n>       : "ⁿ"   U207F           # SUPERSCRIPT N
 957 | <Multi_key> <asciicircum> <asciicircum> <r>       : "ʳ"   U02B3           # SUPERSCRIPT R
 958 | <Multi_key> <asciicircum> <asciicircum> <w>       : "ʷ"   U02B7           # SUPERSCRIPT W
 959 | <Multi_key> <asciicircum> <asciicircum> <y>       : "ʸ"   U02B8           # SUPERSCRIPT Y
 960 | # How could I have gone so long without being able to type "10ˣ" for "thanks"?
 961 | <Multi_key> <asciicircum> <asciicircum> <x>       : "ˣ"   U02E3           # SUPERSCRIPT X
 962 | # So I can use yᵗ/þᵗ and yᵉ/þᵉ
 963 | <Multi_key> <asciicircum> <asciicircum> <e>	  : "ᵉ"	  U1D49		  # MODIFIER LETTER SMALL E
 964 | <Multi_key> <asciicircum> <asciicircum> <t>	  : "ᵗ"	  U1D57		  # MODIFIER LETTER SMALL T
 965 | # Abbreviation for "that":
 966 | <Multi_key> <U00FE> <t>	  			  : "ꝥ"	  UA765		  # LATIN SMALL LETTER THORN WITH STROKE
 967 | #Maybe add: ˃˂  Need to be able to talk about ʔˁ...
 968 | <Multi_key> <asciicircum> <question> <period>	: "ˀ"	U02C0	# MODIFIER LETTER GLOTTAL STOP
 969 | <Multi_key> <asciicircum> <question> <parenleft> : "ˁ"	U02C1	# MODIFIER LETTER REVERSED GLOTTAL STOP
 970 | <Multi_key> <asciicircum> <minus>       : "⁻"   U207B           # SUPERSCRIPT MINUS
 971 | <Multi_key> <asciicircum> <plus>	: "⁺"	U207A		# SUPERSCRIPT PLUS
 972 | 
 973 | <Multi_key> <asciitilde> <asciitilde>        : "≈"  U2248           # ALMOST EQUAL TO
 974 | <Multi_key> <s> <h>			: "ʃ"	U0283		# LATIN SMALL LETTER ESH
 975 | <Multi_key> <z> <h>			: "ʒ"	U0292		# LATIN SMALL LETTER EZH
 976 | <Multi_key> <l> <h>    			: "ɬ"	U026C		# LATIN SMALL LETTER L WITH BELT
 977 | <Multi_key> <l> <3>			: "ɮ"	U026E		# LATIN SMALL LETTER LEZH
 978 | <Multi_key> <y> <g>			: "ȝ"	U021D		# LATIN SMALL LETTER YOGH
 979 | <Multi_key> <Y> <G>			: "Ȝ"	U021C		# LATIN CAPITAL LETTER YOGH
 980 | <Multi_key> <question> <period>		: "ʔ"	U0294		# LATIN LETTER GLOTTAL STOP
 981 | <Multi_key> <question> <parenleft>	: "ʕ"	U0295		# LATIN LETTER PHARYNGEAL VOICED FRICATIVE
 982 | # Not great keystrokes...
 983 | <Multi_key> <question> <v>		: "ʖ"	U0296		# LATIN LETTER INVERTED GLOTTAL STOP
 984 | <Multi_key> <question> <at>		: "ʖ"	U0296		# LATIN LETTER INVERTED GLOTTAL STOP
 985 | <Multi_key> <question> <minus>		: "ʡ"	U02A1		# LATIN LETTER GLOTTAL STOP WITH STROKE
 986 | <Multi_key> <question> <braceleft>	: "ʢ"	U02A2		# LATIN LETTER REVERSED GLOTTAL STOP WITH STROKE
 987 | # How about ɸ? φ isn’t the IPA glyph.
 988 | <Multi_key> <p> <h>			: "ɸ"	U0278		# LATIN SMALL LETTER PHI
 989 | <Multi_key> <i> <h>    			: "ɪ"	U026A		# LATIN LETTER SMALL CAPITAL I
 990 | <Multi_key> <I> <H>    			: "ɪ"	U026A		# LATIN LETTER SMALL CAPITAL I
 991 | <Multi_key> <u> <h>			: "ʊ"	U028A		# LATIN SMALL LETTER UPSILON
 992 | <Multi_key> <U> <H>			: "ʊ"	U028A		# LATIN SMALL LETTER UPSILON
 993 | <Multi_key> <a> <h>			: "ɑ"	U0251		# LATIN SMALL LETTER ALPHA
 994 | <Multi_key> <e> <r>			: "ɚ"	U025A		# LATIN SMALL LETTER SCHWA WITH HOOK
 995 | <Multi_key> <o> <parenright>		:"ɔ" 	U0254 		# LATIN SMALL LETTER OPEN O
 996 | <Multi_key> <a> <w>			: "ɔ"	U0254		# LATIN SMALL LETTER OPEN O
 997 | <Multi_key> <O> <parenright>		:"Ɔ" 	U0186 		# LATIN CAPITAL LETTER OPEN O
 998 | <Multi_key> <A> <W>			: "Ɔ"	U0186		# LATIN CAPITAL LETTER OPEN O
 999 | <Multi_key> <e> <h>   	    	    	: "ɛ"   U025B		# LATIN SMALL LETTER OPEN E
1000 | # Have to put the <less> at the beginning for these.
1001 | <Multi_key> <less> <a> <h>		: "ɒ"	U0252		# LATIN SMALL LETTER TURNED ALPHA
1002 | <Multi_key> <BackSpace> <a> <h>		: "ɒ"	U0252		# LATIN SMALL LETTER TURNED ALPHA
1003 | <Multi_key> <less> <e> <h>		: "ɜ"	U025C		# LATIN SMALL LETTER REVERSED OPEN E
1004 | <Multi_key> <BackSpace> <e> <h>		: "ɜ"	U025C		# LATIN SMALL LETTER REVERSED OPEN E
1005 | <Multi_key> <less> <e> <r>		: "ɝ"	U025D		# LATIN SMALL LETTER REVERSED OPEN E WITH HOOK
1006 | <Multi_key> <BackSpace> <e> <r>		: "ɝ"	U025D		# LATIN SMALL LETTER REVERSED OPEN E WITH HOOK
1007 | # It's spelled "gy" in Hungarian...
1008 | <Multi_key> <g> <y>			: "ɟ"	U025F		# LATIN SMALL LETTER DOTLESS J WITH STROKE
1009 | # How are these keystrokes?
1010 | <Multi_key> <bar> <apostrophe>		: "ˈ"	U02C8		# MODIFIER LETTER VERTICAL LINE
1011 | <Multi_key> <bar> <comma>		: "ˌ"	U02CC		# MODIFIER LETTER LOW VERTICAL LINE
1012 | <Multi_key> <bar> <underscore>		: "̩"	U0329		# COMBINING VERTICAL LINE BELOW
1013 | # Harmonize with other combiners.
1014 | <Multi_key> <backslash> <underscore> <bar>	: "̩"	U0329		# COMBINING VERTICAL LINE BELOW
1015 | <Multi_key> <r> <r>                     : "ɹ"   U0279           # LATIN SMALL LETTER TURNED R: voiced alveolar approximant (American English (at least) R)
1016 | <Multi_key> <r> <d>                     : "ɾ"   U027E           # LATIN SMALL LETTER R WITH FISHHOOK: voiced alveolar flap or tap (American English intervocalic allophone of d, or Spanish r)
1017 | <Multi_key> <v> <v>                     : "ʌ"   U028C           # LATIN SMALL LETTER TURNED V
1018 | <Multi_key> <u> <i>			: "ɯ"	U026F		# LATIN SMALL LETTER TURNED M
1019 | # doubling a letter seems to be mostly used for turning
1020 | <Multi_key> <w> <w>			: "ʍ"	U028D		# LATIN SMALL LETTER TURNED W
1021 | <Multi_key> <y> <y>			: "ʎ"	U028E		# LATIN SMALL LETTER TURNED Y
1022 | <Multi_key> <a> <a>			: "ɐ"	U0250		# LATIN SMALL LETTER TURNED A
1023 | <Multi_key> <h> <h>			: "ɥ"	U0265		# LATIN SMALL LETTER TURNED H
1024 | # ı is already available in the "standard" .XCompose
1025 | <Multi_key> <j> <period>    		: "ȷ"	U0237		# LATIN SMALL LETTER DOTLESS J
1026 | <Multi_key> <exclam> <period>		: "Ꞌ"	UA78B		# LATIN CAPITAL LETTER SALTILLO
1027 | <Multi_key> <exclam> <underscore> <period>		: "ꞌ"	UA78C		# LATIN SMALL LETTER SALTILLO
1028 | # I'll use capitals for a different double
1029 | <Multi_key> <W> <W>			: "ʬ"	U02AC		# LATIN LETTER BILABIAL PERCUSSIVE
1030 | # Also handy for writing urls: http://ʬw.omniglot.com/
1031 | # Sorry, I miss having this and hate having to use colon instead:
1032 | <Multi_key> <colon> <plus>  	      	: "ː"	U02D0		# MODIFIER LETTER TRIANGULAR COLON
1033 | # ɣ? ᴥ?  Important enough to add? ᴥ is cool just as a "latin" letter.
1034 | <Multi_key> <g> <h>	     	    : "ɣ"   U0263     # LATIN SMALL LETTER GAMMA
1035 | # It looks like a ɣ and makes an "o" sorta sound:
1036 | <Multi_key> <o> <g> <h>	      	    : "ɤ"  U0264      # LATIN SMALL LETTER RAMS HORN
1037 | <Multi_key> <a> <i> <n>		    : "ᴥ"   U1D25     # LATIN LETTER AIN
1038 | # Sometimes it's a "tail", sometimes a "hook", and sometimes a "retroflex hook"
1039 | <Multi_key> <d> <comma>		    : "ɖ"   U0256     # LATIN SMALL LETTER D WITH TAIL
1040 | <Multi_key> <l> <comma>		    : "ɭ"   U026D     # LATIN SMALL LETTER L WITH RETROFLEX HOOK
1041 | <Multi_key> <n> <comma>		    : "ɳ"   U0273     # LATIN SMALL LETTER N WITH RETROFLEX HOOK
1042 | <Multi_key> <s> <comma>		    : "ʂ"   U0282     # LATIN SMALL LETTER S WITH HOOK
1043 | <Multi_key> <t> <comma>		    : "ʈ"   U0288     # LATIN SMALL LETTER T WITH RETROFLEX HOOK
1044 | <Multi_key> <z> <comma>		    : "ʐ"   U0290     # LATIN SMALL LETTER Z WITH RETROFLEX HOOK
1045 | # This is used for functions, folders, etc.  Yeah, the hook's facing wrong.
1046 | <Multi_key> <f> <comma>		    : "ƒ"   U0192     # LATIN SMALL LETTER F WITH HOOK
1047 | # Sigh, might as well do implosives.  Which is also sometimes a hook.
1048 | <Multi_key> <b> <apostrophe>	    : "ɓ"   U0253     # LATIN SMALL LETTER B WITH HOOK
1049 | <Multi_key> <d> <apostrophe>	    : "ɗ"   U0257     # LATIN SMALL LETTER D WITH HOOK
1050 | <Multi_key> <g> <apostrophe>	    : "ɠ"   U0260     # LATIN SMALL LETTER G WITH HOOK
1051 | <Multi_key> <g> <g>		    : "ɡ"   U0261     # LATIN SMALL LETTER SCRIPT G
1052 | # The h looks the same...
1053 | <Multi_key> <h> <apostrophe>	    : "ɦ"   U0266     # LATIN SMALL LETTER H WITH HOOK
1054 | <Multi_key> <G> <apostrophe>	    : "ʛ"   U029B     # LATIN LETTER SMALL CAPITAL G WITH HOOK
1055 | <Multi_key> <N> <o>			: "№"	U2116		# NUMERO SIGN
1056 | <Multi_key> <R> <x>			: "℞"	U211E		# PRESCRIPTION TAKE
1057 | <Multi_key> <P> <e> <r>			: "⅌"	U214C		# PER SIGN
1058 | <Multi_key> <o> <z> <period>		: "℥"	U2125		# OUNCE SIGN
1059 | <Multi_key> <s> <c> <r> <period>	: "℈"	U2108		# SCRUPLE
1060 | # There are all kinds of awesome combining characters in the U+0300 page.
1061 | # There are a bunch of other awesome combining characters like U+20E0
1062 | <Multi_key> <asterisk> <period> <period> <period> : "๛" U0E5B   # THAI CHARACTER KHOMUT (end of chapter)
1063 | #
1064 | # Music stuff.  # is the music mnemonic.
1065 | <Multi_key> <numbersign> <b>		: "♭" U266d # MUSIC FLAT SIGN
1066 | <Multi_key> <numbersign> <f>		: "♮" U266e # MUSIC NATURAL SIGN
1067 | <Multi_key> <numbersign> <equal>	: "♮" U266e # MUSIC NATURAL SIGN
1068 | <Multi_key> <numbersign> <numbersign>	: "♯" U266f # MUSIC SHARP SIGN
1069 | <Multi_key> <numbersign> <G>             : "𝄞"  U0001d11e # MUSICAL SYMBOL G CLEF
1070 | <Multi_key> <numbersign> <F>              : "𝄢"  U0001d122 # MUSICAL SYMBOL F CLEF
1071 | <Multi_key> <numbersign> <C>              : "𝄡" U0001d121 # MUSICAL SYMBOL C CLEF
1072 | <Multi_key> <numbersign> <o> <slash>	: "♪" U266a	# EIGHTH NOTE
1073 | <Multi_key> <numbersign> <o> <o>	: "♫" U266b	# BEAMED EIGHTH NOTES
1074 | <Multi_key> <numbersign> <percent>	: "♫" U266b	# BEAMED EIGHTH NOTES
1075 | <Multi_key> <numbersign> <q>            : "♩" U2669	# QUARTER NOTE
1076 | <Multi_key> <numbersign> <h>            : "𝅗𝅥" U0001d15e	# MUSICAL SYMBOL HALF NOTE
1077 | <Multi_key> <numbersign> <w>            : "𝅝" U0001d15d	# MUSICAL SYMBOL WHOLE NOTE
1078 | 
1079 | 
1080 | # Combining accents, for making things you don't have precomposed chars or keystrokes for:
1081 | <Multi_key> <backslash> <grave>	: "̀"  U0300   # COMBINING GRAVE ACCENT
1082 | <Multi_key> <backslash> <apostrophe>    : "́"   U0301   # COMBINING ACUTE ACCENT
1083 | <Multi_key> <backslash> <asciicircum>    : "̂"   U0302   # COMBINING CIRCUMFLEX ACCENT
1084 | <Multi_key> <backslash> <asciitilde>       : "̃"   U0303	# COMBINING TILDE
1085 | <Multi_key> <backslash> <equal>		: "̄"	U0304	# COMBINING MACRON
1086 | <Multi_key> <backslash> <backslash> <equal>		: "̅"	U0305	# COMBINING OVERLINE -- ???
1087 | <Multi_key> <backslash> <U>		: "̆"	U0306	# COMBINING BREVE
1088 | <Multi_key> <backslash> <period>	: "̇"	U0307	# COMBINING DOT ABOVE
1089 | <Multi_key> <backslash> <quotedbl>	: "̈"	U0308	# COMBINING DIAERESIS
1090 | <Multi_key> <backslash> <question>	: "̉"	U0309	# COMBINING HOOK ABOVE
1091 | <Multi_key> <backslash> <o>		: "̊"	U030a	# COMBINING RING ABOVE
1092 | # That now conflicts with the new 🙌 in the system xcompose.  Alternative:
1093 | <Multi_key> <backslash> <0>   	       	: "̊"	U030a	# COMBINING RING ABOVE
1094 | <Multi_key> <backslash> <backslash> <apostrophe>	: "̋"	U030b	# COMBINING DOUBLE ACUTE ACCENT -- ??
1095 | <Multi_key> <backslash> <c>		: "̌"	U030c	# COMBINING CARON
1096 | <Multi_key> <backslash> <bar>       	: "̍"	U030d	# COMBINING VERTICAL LINE ABOVE
1097 | <Multi_key> <backslash> <2> <bar>	: "̎"	U030e	# COMBINING DOUBLE VERTICAL LINE ABOVE
1098 | <Multi_key> <backslash> <2> <grave>	: "̏"	U030f	# COMBINING DOUBLE GRAVE ACCENT
1099 | # For writing PSILI and DASIA in Greek
1100 | # Ugh, better key-coding?  I may need @ for BELOW.
1101 | <Multi_key> <backslash> <backslash> <backslash> <comma>	:	"̒"  U0312   # COMBINING TURNED COMMA ABOVE
1102 | <Multi_key> <backslash> <backslash> <comma>	:	"̓"  U0313   # COMBINING COMMA ABOVE
1103 | <Multi_key> <backslash> <backslash> <less> <comma>	:	"̔"   U0314   # COMBINING REVERSED COMMA ABOVE
1104 | <Multi_key> <backslash> <f> <m>                 : "͒"   U0352   # COMBINING FERMATA
1105 | <Multi_key> <backslash> <parenleft> <period>	: "̐"	U0310	# COMBINING CHANDRABINDU
1106 | <Multi_key> <backslash> <i> <b>		: "̑"	U0311	# COMBINING INVERTED BREVE -- ??
1107 | <Multi_key> <backslash> <parenleft> <parenright>: "⃝"  U20DD # COMBINING ENCLOSING CIRCLE
1108 | <Multi_key> <backslash> <bracketleft> <q> <bracketright>:    "⃞"  U20DE     # COMBINING ENCLOSING SQUARE
1109 | <Multi_key> <backslash> <bracketleft> <d> <bracketright>:    "⃟"  U20DF     # COMBINING ENCLOSING DIAMOND
1110 | <Multi_key> <backslash> <parenleft> <slash> <parenright>:    "⃠"	 U20E0	   # COMBINING ENCLOSING CIRCLE BACKSLASH
1111 | <Multi_key> <backslash> <bracketleft> <s> <bracketright>:    "⃢"  U20E2     # COMBINING ENCLOSING SCREEN
1112 | <Multi_key> <backslash> <bracketleft> <k> <bracketright>:    "⃣"  U20E3     # COMBINING ENCLOSING KEYCAP
1113 | <Multi_key> <backslash> <bracketleft> <t> <bracketright>:    "⃤"  U20E4     # COMBINING ENCLOSING TRIANGLE
1114 | <Multi_key> <backslash> <2> <slash>:  "⃫"  U20EB              # COMBINING LONG DOUBLE SOLIDUS OVERLAY
1115 | <Multi_key> <backslash> <asterisk>:   "⃰"  U20F0     # COMBINING ASTERISK ABOVE
1116 | <Multi_key> <backslash> <exclam>	: "̣"   U0323   # COMBINING DOT BELOW
1117 | # With only one underscore it conflicts with stuff.
1118 | <Multi_key> <backslash> <underscore> <underscore>	: "̱"	U0331	# COMBINING MACRON BELOW
1119 | <Multi_key> <backslash> <backslash> <underscore>	: "̲"	U0332	# COMBINING LOW LINE
1120 | <Multi_key> <backslash> <backslash> <backslash> <underscore>	: "̳"	U0333	# COMBINING DOUBLE LOW LINE
1121 | 
1122 | # The @ sign will signify reversal to the bottom of the glyph, 'kay?
1123 | 
1124 | <Multi_key> <backslash> <at> <o>	: "̥"	U0325	# COMBINING RING BELOW
1125 | 
1126 | <Multi_key> <backslash> <at> <c>	: "̬"	U032c	# COMBINING CARON BELOW
1127 | <Multi_key> <backslash> <at> <asciicircum>	: "̭"	U032d	# COMBINING CIRCUMFLEX ACCENT BELOW
1128 | <Multi_key> <backslash> <at> <U>	: "̮"	U032e	# COMBINING BREVE BELOW
1129 | <Multi_key> <backslash> <at> <i> <b>	: "̯"	U032f	# COMBINING INVERTED BREVE BELOW -- ??
1130 | 
1131 | # How about leading & (or &&?) for double combiners?  There aren't many anyway.
1132 | # Except that I found myself assuming it was "2" for double.
1133 | <Multi_key> <backslash> <ampersand> <at> <U> : "͜" U035C # COMBINING DOUBLE BREVE BELOW
1134 | <Multi_key> <backslash> <2> <at> <U> : "͜" U035C # COMBINING DOUBLE BREVE BELOW
1135 | <Multi_key> <backslash> <ampersand> <U>	  : "͝"	U035D   # COMBINING DOUBLE BREVE
1136 | <Multi_key> <backslash> <2> <U>	  : "͝"	U035D   # COMBINING DOUBLE BREVE
1137 | <Multi_key> <backslash> <ampersand> <minus> : "͞" U035E	# COMBINING DOUBLE MACRON
1138 | <Multi_key> <backslash> <2> <minus> : "͞" U035E	# COMBINING DOUBLE MACRON
1139 | <Multi_key> <backslash> <ampersand> <at> <minus> : "͟" U035F # COMBINING DOUBLE MACRON BELOW
1140 | <Multi_key> <backslash> <2> <at> <minus> : "͟" U035F # COMBINING DOUBLE MACRON BELOW
1141 | <Multi_key> <backslash> <ampersand> <underscore> : "͟" U035F # COMBINING DOUBLE MACRON BELOW
1142 | <Multi_key> <backslash> <2> <underscore> : "͟" U035F # COMBINING DOUBLE MACRON BELOW
1143 | <Multi_key> <backslash> <ampersand> <asciitilde> : "͠" U0360 # COMBINING DOUBLE TILDE
1144 | <Multi_key> <backslash> <2> <asciitilde> : "͠" U0360 # COMBINING DOUBLE TILDE
1145 | <Multi_key> <backslash> <ampersand> <i> <b>  : "͡"  U0361 # COMBINING DOUBLE INVERTED BREVE
1146 | <Multi_key> <backslash> <2> <i> <b>  : "͡"  U0361 # COMBINING DOUBLE INVERTED BREVE
1147 | <Multi_key> <backslash> <ampersand> <at> <i> <b>  : "᷼"  U1DFC # COMBINING DOUBLE INVERTED BREVE BELOW
1148 | <Multi_key> <backslash> <2> <at> <i> <b>  : "᷼"  U1DFC # COMBINING DOUBLE INVERTED BREVE BELOW
1149 | # Might as well finish up the set.
1150 | <Multi_key> <backslash> <ampersand> <greater> : "͢" U0362 # COMBINING DOUBLE RIGHTWARDS ARROW BELOW
1151 | <Multi_key> <backslash> <2> <greater> : "͢" U0362 # COMBINING DOUBLE RIGHTWARDS ARROW BELOW
1152 | 
1153 | <Multi_key> <period> <parenright>	: "͒"	U0352   # COMBINING FERMATA
1154 | 
1155 | <Multi_key> <backslash> <backslash> <asterisk>	: "҉"	U0489	# COMBINING CYRILLIC MILLIONS SIGN  -- aka COMBINING SHINY
1156 | <Multi_key> <P> <minus>		: "₽"	U20BD	# RUBLE SIGN
1157 | <Multi_key> <p> <minus>		: "₽"	U20BD	# RUBLE SIGN
1158 | 
1159 | # How about for a little extra control:
1160 | <Multi_key> <Z> <W> <S> <P>		: "​"	U200B	# ZERO WIDTH SPACE
1161 | <Multi_key> <Z> <W> <N> <J>		: "‌"	U200C	# ZERO WIDTH NON-JOINER
1162 | <Multi_key> <Z> <W> <J>			: "‍"	U200D	# ZERO WIDTH JOINER
1163 | <Multi_key> <L> <R> <M>			: "‎"	U200E	# LEFT-TO-RIGHT MARK
1164 | <Multi_key> <R> <L> <M>			: "‏"	U200F	# RIGHT-TO-LEFT MARK
1165 | # I never understood the whole embedding/pop thing, but we might as well add 'em
1166 | <Multi_key> <L> <R> <E>			: "‪"	U202A	# LEFT-TO-RIGHT EMBEDDING
1167 | <Multi_key> <R> <L> <E>			: "‫"	U202B	# RIGHT-TO-LEFT EMBEDDING
1168 | <Multi_key> <P> <D> <F>			: "‬"	U202C	# POP DIRECTIONAL FORMATTING
1169 | <Multi_key> <L> <R> <I>			: "⁦"	U2066	# LEFT-TO-RIGHT ISOLATE
1170 | <Multi_key> <R> <L> <I>			: "⁧"	U2067	# RIGHT-TO-LEFT ISOLATE
1171 | <Multi_key> <F> <S> <I>			: "⁨"	U2068	# FIRST STRONG ISOLATE
1172 | <Multi_key> <P> <D> <I>			: "⁩"	U2069	# POP DIRECTIONAL ISOLATE
1173 | <Multi_key> <L> <R> <O>			: "‭"	U202D	# LEFT-TO-RIGHT OVERRIDE
1174 | <Multi_key> <R> <L> <O>			: "‮"	U202E	# RIGHT-TO-LEFT OVERRIDE
1175 | <Multi_key> <B> <O> <M>			: ""	UFEFF	# ZERO WIDTH NO-BREAK SPACE (Byte Order Mark)
1176 | <Multi_key> <C> <G> <J>			: "͏"	U034F	# COMBINING GRAPHEME JOINER
1177 | <Multi_key> <W> <J>                     : "⁠"    U2060   # WORD JOINER
1178 | # These are sufficiently special and well-known that they don't need the
1179 | # double <Multi_key> prefix I think.  The all-caps helps too.
1180 | 
1181 | # How about some small-caps?  We normally use a special character as a prefix,
1182 | # but why not a suffix?  It won't interfere with things that way.
1183 | # Several of these are also IPA, which is handy.  And so a few have multiple
1184 | # entries.  Whatever.
1185 | 
1186 | <Multi_key> <a> <grave>	    	  : "ᴀ"	    U1D00 # LATIN LETTER SMALL CAPITAL A
1187 | <Multi_key> <b> <grave>	    	  : "ʙ"	    U0299 # LATIN LETTER SMALL CAPITAL B
1188 | <Multi_key> <c> <grave>	    	  : "ᴄ"	    U1D04 # LATIN LETTER SMALL CAPITAL C
1189 | <Multi_key> <d> <grave>	    	  : "ᴅ"	    U1D05 # LATIN LETTER SMALL CAPITAL D
1190 | <Multi_key> <e> <grave>	    	  : "ᴇ"	    U1D07 # LATIN LETTER SMALL CAPITAL E
1191 | <Multi_key> <f> <grave>	    	  : "ꜰ"	    UA730 # LATIN LETTER SMALL CAPITAL F
1192 | <Multi_key> <g> <grave>	    	  : "ɢ"	    U0262 # LATIN LETTER SMALL CAPITAL G
1193 | <Multi_key> <h> <grave>	    	  : "ʜ"	    U029C # LATIN LETTER SMALL CAPITAL H
1194 | <Multi_key> <i> <grave>	    	  : "ɪ"	    U026A # LATIN LETTER SMALL CAPITAL I
1195 | <Multi_key> <j> <grave>	    	  : "ᴊ"	    U1D0A # LATIN LETTER SMALL CAPITAL J
1196 | <Multi_key> <k> <grave>	    	  : "ᴋ"	    U1D0B # LATIN LETTER SMALL CAPITAL K
1197 | <Multi_key> <l> <grave>	    	  : "ʟ"	    U029F # LATIN LETTER SMALL CAPITAL L
1198 | <Multi_key> <m> <grave>	    	  : "ᴍ"	    U1D0D # LATIN LETTER SMALL CAPITAL M
1199 | <Multi_key> <n> <grave>	    	  : "ɴ"	    U0274 # LATIN LETTER SMALL CAPITAL N
1200 | <Multi_key> <o> <grave>	    	  : "ᴏ"	    U1D0F # LATIN LETTER SMALL CAPITAL O
1201 | <Multi_key> <p> <grave>	    	  : "ᴘ"	    U1D18 # LATIN LETTER SMALL CAPITAL P
1202 | <Multi_key> <q> <grave>	    	  : "ꞯ"	    UA7AF # LATIN LETTER SMALL CAPITAL Q
1203 | <Multi_key> <r> <grave>	    	  : "ʀ"	    U0280 # LATIN LETTER SMALL CAPITAL R
1204 | <Multi_key> <s> <grave>	    	  : "ꜱ"	    UA731 # LATIN LETTER SMALL CAPITAL S
1205 | <Multi_key> <t> <grave>	    	  : "ᴛ"	    U1D1B # LATIN LETTER SMALL CAPITAL T
1206 | <Multi_key> <u> <grave>	    	  : "ᴜ"	    U1D1C # LATIN LETTER SMALL CAPITAL U
1207 | <Multi_key> <v> <grave>	    	  : "ᴠ"	    U1D20 # LATIN LETTER SMALL CAPITAL V
1208 | <Multi_key> <w> <grave>	    	  : "ᴡ"	    U1D21 # LATIN LETTER SMALL CAPITAL W
1209 | # There is no SMALL CAPITAL X (yet)
1210 | <Multi_key> <y> <grave>	    	  : "ʏ"	    U028F # LATIN LETTER SMALL CAPITAL Y
1211 | <Multi_key> <z> <grave>	    	  : "ᴢ"	    U1D22 # LATIN LETTER SMALL CAPITAL Z
1212 | 
1213 | 
1214 | # See also http://bleah.co.uk/~simon/stuff/XCompose
1215 | # and http://dotfiles.org/~inky/.XCompose
1216 | # and http://paste.lisp.org/display/73094
1217 | 
1218 | <Multi_key> <Multi_key> <s> <u> <n>	: "☉"	U2609	# SUN (Sunday)
1219 | <Multi_key> <Multi_key> <m> <o> <o> <n>	: "☽"	U263D	# FIRST QUARTER MOON (Monday)
1220 | <Multi_key> <Multi_key> <m> <e> <r> <c> <u> <r> <y> : "☿" U263F	# MERCURY (Wednesday)
1221 | # We already have Venus (Friday) and Mars (Tuesday) as Male/Female signs; do we need them here too?
1222 | #<Multi_key> <Multi_key> <v> <e> <n> <u> <s>  : "♀" U2640    # FEMALE SIGN
1223 | #<Multi_key> <Multi_key> <m> <a> <r> <s>  : "♂"	U2642   # MALE SIGN
1224 | <Multi_key> <Multi_key> <j> <u> <p> <i> <t> <e> <r> : "♃" U2643	# JUPITER (Thursday)
1225 | <Multi_key> <Multi_key> <s> <a> <t> <u> <r> <n>     : "♄" U2644	# SATURN (Saturday)
1226 | <Multi_key> <Multi_key> <u> <r> <a> <n> <u> <s>	    : "♅" U2645	# URANUS (or ⛢ U26E2?)
1227 | <Multi_key> <Multi_key> <n> <e> <p> <t> <u> <n> <e> : "♆" U2646	# NEPTUNE
1228 | <Multi_key> <Multi_key> <p> <l> <u> <t> <o> 	    : "♇" U2647	# PLUTO (ok, it isn't a planet anymore, but we still love it.)
1229 | # Minor planets, whilst we're at it?
1230 | <Multi_key> <Multi_key> <c> <e> <r> <e> <s>	: "⚳"	U26B3	# CERES
1231 | <Multi_key> <Multi_key> <p> <a> <l> <l> <a> <s>	: "⚴"	U26B4	# PALLAS
1232 | <Multi_key> <Multi_key> <j> <u> <n> <o>     	: "⚵"	U26B5	# JUNO
1233 | <Multi_key> <Multi_key> <v> <e> <s> <t> <a>    	: "⚶"	U26B6	# VESTA
1234 | <Multi_key> <Multi_key> <c> <h> <i> <r> <o> <n>	: "⚷"	U26B7	# CHIRON
1235 | <Multi_key> <Multi_key> <l> <i> <l> <i> <t> <h>	: "⚸"	U26B8	# BLACK MOON LILITH
1236 | <Multi_key>  <bracketleft> <k> <e> <y> <bracketright> : "⚿"	U26BF	# SQUARED KEY
1237 | 
1238 | # Unicode 6.0 gave us all kinds of things, perhaps more than we can use...
1239 | 
1240 | # Playing Cards?  It's a lot, but so what?  I don't think the [] convention
1241 | # will conflict with anything.
1242 | # The convention is more or less established, except for the Knight.  I'm
1243 | # using N for that, like in Chess, since K would conflict with King of course.
1244 | 
1245 | <Multi_key> <bracketleft> <A> <S> <bracketright>  : "🂡"	U1F0A1	# PLAYING CARD ACE OF SPADES
1246 | <Multi_key> <bracketleft> <2> <S> <bracketright>  : "🂢"	U1F0A2	# PLAYING CARD TWO OF SPADES
1247 | <Multi_key> <bracketleft> <3> <S> <bracketright>  : "🂣"	U1F0A3	# PLAYING CARD THREE OF SPADES
1248 | <Multi_key> <bracketleft> <4> <S> <bracketright>  : "🂤"	U1F0A4	# PLAYING CARD FOUR OF SPADES
1249 | <Multi_key> <bracketleft> <5> <S> <bracketright>  : "🂥"	U1F0A5	# PLAYING CARD FIVE OF SPADES
1250 | <Multi_key> <bracketleft> <6> <S> <bracketright>  : "🂦"	U1F0A6	# PLAYING CARD SIX OF SPADES
1251 | <Multi_key> <bracketleft> <7> <S> <bracketright>  : "🂧"	U1F0A7	# PLAYING CARD SEVEN OF SPADES
1252 | <Multi_key> <bracketleft> <8> <S> <bracketright>  : "🂨"	U1F0A8	# PLAYING CARD EIGHT OF SPADES
1253 | <Multi_key> <bracketleft> <9> <S> <bracketright>  : "🂩"	U1F0A9	# PLAYING CARD NINE OF SPADES
1254 | <Multi_key> <bracketleft> <T> <S> <bracketright>  : "🂪"	U1F0AA	# PLAYING CARD TEN OF SPADES
1255 | <Multi_key> <bracketleft> <J> <S> <bracketright>  : "🂫"	U1F0AB	# PLAYING CARD JACK OF SPADES
1256 | <Multi_key> <bracketleft> <N> <S> <bracketright>  : "🂬"	U1F0AC	# PLAYING CARD KNIGHT OF SPADES
1257 | <Multi_key> <bracketleft> <Q> <S> <bracketright>  : "🂭"	U1F0AD	# PLAYING CARD QUEEN OF SPADES
1258 | <Multi_key> <bracketleft> <K> <S> <bracketright>  : "🂮"	U1F0AE	# PLAYING CARD KING OF SPADES
1259 | 
1260 | <Multi_key> <bracketleft> <A> <H> <bracketright>  : "🂱"	U1F0B1	# PLAYING CARD ACE OF HEARTS
1261 | <Multi_key> <bracketleft> <2> <H> <bracketright>  : "🂲"	U1F0B2	# PLAYING CARD TWO OF HEARTS
1262 | <Multi_key> <bracketleft> <3> <H> <bracketright>  : "🂳"	U1F0B3	# PLAYING CARD THREE OF HEARTS
1263 | <Multi_key> <bracketleft> <4> <H> <bracketright>  : "🂴"	U1F0B4	# PLAYING CARD FOUR OF HEARTS
1264 | <Multi_key> <bracketleft> <5> <H> <bracketright>  : "🂵"	U1F0B5	# PLAYING CARD FIVE OF HEARTS
1265 | <Multi_key> <bracketleft> <6> <H> <bracketright>  : "🂶"	U1F0B6	# PLAYING CARD SIX OF HEARTS
1266 | <Multi_key> <bracketleft> <7> <H> <bracketright>  : "🂷"	U1F0B7	# PLAYING CARD SEVEN OF HEARTS
1267 | <Multi_key> <bracketleft> <8> <H> <bracketright>  : "🂸"	U1F0B8	# PLAYING CARD EIGHT OF HEARTS
1268 | <Multi_key> <bracketleft> <9> <H> <bracketright>  : "🂹"	U1F0B9	# PLAYING CARD NINE OF HEARTS
1269 | <Multi_key> <bracketleft> <T> <H> <bracketright>  : "🂺"	U1F0BA	# PLAYING CARD TEN OF HEARTS
1270 | <Multi_key> <bracketleft> <J> <H> <bracketright>  : "🂻"	U1F0BB	# PLAYING CARD JACK OF HEARTS
1271 | <Multi_key> <bracketleft> <N> <H> <bracketright>  : "🂼"	U1F0BC	# PLAYING CARD KNIGHT OF HEARTS
1272 | <Multi_key> <bracketleft> <Q> <H> <bracketright>  : "🂽"	U1F0BD	# PLAYING CARD QUEEN OF HEARTS
1273 | <Multi_key> <bracketleft> <K> <H> <bracketright>  : "🂾"	U1F0BE	# PLAYING CARD KING OF HEARTS
1274 | 
1275 | <Multi_key> <bracketleft> <A> <D> <bracketright>  : "🃁"	U1F0C1	# PLAYING CARD ACE OF DIAMONDS
1276 | <Multi_key> <bracketleft> <2> <D> <bracketright>  : "🃂"	U1F0C2	# PLAYING CARD TWO OF DIAMONDS
1277 | <Multi_key> <bracketleft> <3> <D> <bracketright>  : "🃃"	U1F0C3	# PLAYING CARD THREE OF DIAMONDS
1278 | <Multi_key> <bracketleft> <4> <D> <bracketright>  : "🃄"	U1F0C4	# PLAYING CARD FOUR OF DIAMONDS
1279 | <Multi_key> <bracketleft> <5> <D> <bracketright>  : "🃅"	U1F0C5	# PLAYING CARD FIVE OF DIAMONDS
1280 | <Multi_key> <bracketleft> <6> <D> <bracketright>  : "🃆"	U1F0C6	# PLAYING CARD SIX OF DIAMONDS
1281 | <Multi_key> <bracketleft> <7> <D> <bracketright>  : "🃇"	U1F0C7	# PLAYING CARD SEVEN OF DIAMONDS
1282 | <Multi_key> <bracketleft> <8> <D> <bracketright>  : "🃈"	U1F0C8	# PLAYING CARD EIGHT OF DIAMONDS
1283 | <Multi_key> <bracketleft> <9> <D> <bracketright>  : "🃉"	U1F0C9	# PLAYING CARD NINE OF DIAMONDS
1284 | <Multi_key> <bracketleft> <T> <D> <bracketright>  : "🃊"	U1F0CA	# PLAYING CARD TEN OF DIAMONDS
1285 | <Multi_key> <bracketleft> <J> <D> <bracketright>  : "🃋"	U1F0CB	# PLAYING CARD JACK OF DIAMONDS
1286 | <Multi_key> <bracketleft> <N> <D> <bracketright>  : "🃌"	U1F0CC	# PLAYING CARD KNIGHT OF DIAMONDS
1287 | <Multi_key> <bracketleft> <Q> <D> <bracketright>  : "🃍"	U1F0CD	# PLAYING CARD QUEEN OF DIAMONDS
1288 | <Multi_key> <bracketleft> <K> <D> <bracketright>  : "🃎"	U1F0CE	# PLAYING CARD KING OF DIAMONDS
1289 | 
1290 | <Multi_key> <bracketleft> <A> <C> <bracketright>  : "🃑"	U1F0D1	# PLAYING CARD ACE OF CLUBS
1291 | <Multi_key> <bracketleft> <2> <C> <bracketright>  : "🃒"	U1F0D2	# PLAYING CARD TWO OF CLUBS
1292 | <Multi_key> <bracketleft> <3> <C> <bracketright>  : "🃓"	U1F0D3	# PLAYING CARD THREE OF CLUBS
1293 | <Multi_key> <bracketleft> <4> <C> <bracketright>  : "🃔"	U1F0D4	# PLAYING CARD FOUR OF CLUBS
1294 | <Multi_key> <bracketleft> <5> <C> <bracketright>  : "🃕"	U1F0D5	# PLAYING CARD FIVE OF CLUBS
1295 | <Multi_key> <bracketleft> <6> <C> <bracketright>  : "🃖"	U1F0D6	# PLAYING CARD SIX OF CLUBS
1296 | <Multi_key> <bracketleft> <7> <C> <bracketright>  : "🃗"	U1F0D7	# PLAYING CARD SEVEN OF CLUBS
1297 | <Multi_key> <bracketleft> <8> <C> <bracketright>  : "🃘"	U1F0D8	# PLAYING CARD EIGHT OF CLUBS
1298 | <Multi_key> <bracketleft> <9> <C> <bracketright>  : "🃙"	U1F0D9	# PLAYING CARD NINE OF CLUBS
1299 | <Multi_key> <bracketleft> <T> <C> <bracketright>  : "🃚"	U1F0DA	# PLAYING CARD TEN OF CLUBS
1300 | <Multi_key> <bracketleft> <J> <C> <bracketright>  : "🃛"	U1F0DB	# PLAYING CARD JACK OF CLUBS
1301 | <Multi_key> <bracketleft> <N> <C> <bracketright>  : "🃜"	U1F0DC	# PLAYING CARD KNIGHT OF CLUBS
1302 | <Multi_key> <bracketleft> <Q> <C> <bracketright>  : "🃝"	U1F0DD	# PLAYING CARD QUEEN OF CLUBS
1303 | <Multi_key> <bracketleft> <K> <C> <bracketright>  : "🃞"	U1F0DE	# PLAYING CARD KING OF CLUBS
1304 | 
1305 | <Multi_key> <bracketleft> <C> <B> <bracketright>  : "🂠"	U1F0A0	# PLAYING CARD BACK
1306 | <Multi_key> <bracketleft> <B> <J> <bracketright>  : "🃏" U1F0CF	# PLAYING CARD BLACK JOKER
1307 | <Multi_key> <bracketleft> <W> <J> <bracketright>  : "🃟"	U1F0DF	# PLAYING CARD WHITE JOKER
1308 | 
1309 | # Do we want domino bones also?  I'm thinking [ 1 1 ], etc, maybe use
1310 | # ] 1 1 [ for vertical (or vice-versa)
1311 | 
1312 | # And chess/checkers pieces! We need a convention for those.  # looks like a
1313 | # checkerboard but we're already using that for music.  Half of it?
1314 | # <bar> will be an issue when we want double-struck W or B... we'll have
1315 | # to consider it.  Maybe replace with <equal>
1316 | <Multi_key> <bar> <W> <K>	 : "♔" U2654	# WHITE CHESS KING
1317 | <Multi_key> <bar> <W> <Q>	 : "♕" U2655	# WHITE CHESS QUEEN
1318 | <Multi_key> <bar> <W> <R>	 : "♖" U2656	# WHITE CHESS ROOK
1319 | <Multi_key> <bar> <W> <B>	 : "♗" U2657	# WHITE CHESS BISHOP
1320 | <Multi_key> <bar> <W> <N>	 : "♘" U2658	# WHITE CHESS KNIGHT
1321 | <Multi_key> <bar> <W> <P>	 : "♙" U2659	# WHITE CHESS PAWN
1322 | <Multi_key> <bar> <B> <K>	 : "♚" U265A	# BLACK CHESS KING
1323 | <Multi_key> <bar> <B> <Q>	 : "♛" U265B	# BLACK CHESS QUEEN
1324 | <Multi_key> <bar> <B> <R>	 : "♜" U265C	# BLACK CHESS ROOK
1325 | <Multi_key> <bar> <B> <B>	 : "♝" U265D	# BLACK CHESS BISHOP
1326 | <Multi_key> <bar> <B> <N>	 : "♞" U265E	# BLACK CHESS KNIGHT
1327 | <Multi_key> <bar> <B> <P>	 : "♟" U265F	# BLACK CHESS PAWN
1328 | <Multi_key> <bar> <W> <D> <M>	 : "⛀" U26C0	# WHITE DRAUGHTS MAN
1329 | <Multi_key> <bar> <W> <D> <K>	 : "⛁" U26C1	# WHITE DRAUGHTS KING
1330 | <Multi_key> <bar> <B> <D> <M>	 : "⛂" U26C2	# BLACK DRAUGHTS MAN
1331 | <Multi_key> <bar> <B> <D> <K>	 : "⛃" U26C3	# BLACK DRAUGHTS KING
1332 | # Since we're doing game pieces, might as well.
1333 | <Multi_key> <bar> <W> <S>	 : "☖" U2616	# WHITE SHOGI PIECE
1334 | <Multi_key> <bar> <B> <S>	 : "☗" U2617	# BLACK SHOGI PIECE
1335 | # It's turned vertically and not horizontally reflected, but we use the <
1336 | # symbol for turning...
1337 | <Multi_key> <bar> <less> <W> <S> : "⛉" U26C9	# TURNED WHITE SHOGI PIECE
1338 | <Multi_key> <bar> <less> <B> <S> : "⛊" U26CA	# TURNED BLACK SHOGI PIECE
1339 | 
1340 | # As for the emoji... We can't possibly get all of them, even just all of the
1341 | # cool/useful ones.  Maybe we can pick and choose some high-fliers.
1342 | 
1343 | <Multi_key> <Multi_key> <d> <e> <g> <r> <e> <e> 		: "°"	U00B0	# DEGREE SIGN
1344 | <Multi_key> <Multi_key> <d> <e> <g> <C> 		: "℃"   U2103 	# DEGREE CELSIUS
1345 | <Multi_key> <Multi_key> <d> <e> <g> <c> 		: "℃"   U2103 	# DEGREE CELSIUS
1346 | <Multi_key> <Multi_key> <d> <e> <g> <F> 		: "℉"   U2109   # DEGREE FAHRENHEIT
1347 | <Multi_key> <Multi_key> <d> <e> <g> <f> 		: "℉"   U2109   # DEGREE FAHRENHEIT
1348 | 
1349 | # Zodiacal symbols?
1350 | <Multi_key> <Multi_key> <a> <r> <i> <e> <s>	: "♈"	U2648	# ARIES
1351 | <Multi_key> <Multi_key> <t> <a> <u> <r> <u> <s>	: "♉"	U2649	# TAURUS
1352 | <Multi_key> <Multi_key> <g> <e> <m> <i> <n> <i>	: "♊"	U264A	# GEMINI
1353 | <Multi_key> <Multi_key> <c> <a> <n> <c> <e> <r>	: "♋"	U264B	# CANCER
1354 | <Multi_key> <Multi_key> <l> <e> <o> 		: "♌"	U264C	# LEO
1355 | <Multi_key> <Multi_key> <v> <i> <r> <g> <o>	: "♍"	U264D	# VIRGO
1356 | <Multi_key> <Multi_key> <l> <i> <b> <r> <a>	: "♎"	U264E	# LIBRA
1357 | # Abbreviating some of the longer ones.
1358 | <Multi_key> <Multi_key> <s> <c> <o> <r> <p>	: "♏"	U264F	# SCORPIUS
1359 | <Multi_key> <Multi_key> <s> <a> <g> <i> <t>	: "♐"	U2650	# SAGITTARIUS
1360 | <Multi_key> <Multi_key> <c> <a> <p> <r> <i> <c>	: "♑"	U2651	# CAPRICORN
1361 | <Multi_key> <Multi_key> <a> <q> <u> <a> <r>	: "♒"	U2652	# AQUARIUS
1362 | <Multi_key> <Multi_key> <p> <i> <s> <c> <e> <s>	: "♓"	U2653	# PISCES
1363 | # Really, this should be SERPENTARIUS.  All the other signs are in Latin.
1364 | <Multi_key> <Multi_key> <o> <p> <h> <i> <u> <c> : "⛎"	U26CE	# OPHIUCHUS
1365 | 
1366 | # Sigh.  So many emoji...  I think the first ones I'd go for would be
1367 | # 💡💢💣💤💥💦💧💨💫 (1F4A1-1F4A8 and 1F4AB).  Maybe 1F550-1F567 are useful.  
1368 | <Multi_key> <Multi_key> <i> <d> <e> <a>	    : "💡"    U1F4A1 # ELECTRIC LIGHT BULB
1369 | <Multi_key> <Multi_key> <a> <n> <g> <e> <r> : "💢"    U1F4A2 # ANGER SYMBOL
1370 | <Multi_key> <Multi_key> <b> <o> <m> <b>	    : "💣"    U1F4A3 # BOMB
1371 | <Multi_key> <Multi_key> <z> <z> <z> 	    : "💤"    U1F4A4 # SLEEPING SYMBOL
1372 | <Multi_key> <Multi_key> <p> <o> <w>	    : "💥"    U1F4A5 # COLLISION SYMBOL
1373 | <Multi_key> <Multi_key> <s> <w> <e> <a> <t> : "💦"    U1F4A6 # SPLASHING SWEAT SYMBOL
1374 | <Multi_key> <Multi_key> <d> <r> <o> <p>	    : "💧"    U1F4A7 # DROPLET
1375 | <Multi_key> <Multi_key> <z> <i> <p> 	    : "💨"    U1F4A8 # DASH SYMBOL
1376 | <Multi_key> <Multi_key> <p> <o> <o>	    : "💩"    U1F4A9 # PILE OF POO
1377 | # Skipping U+1F4AA just now.
1378 | <Multi_key> <Multi_key> <d> <i> <z> <z> <y> : "💫"    U1F4AB # DIZZY SYMBOL
1379 | <Multi_key> <Multi_key> <dollar> <b> <a> <g>  : "💰"  U1F4B0 # MONEY BAG
1380 | <Multi_key> <Multi_key> <c> <a> <k> <e>	    : "🍰"    U1F370 # SHORTCAKE
1381 | # The cake is a lie... OK, too cutesy?
1382 | <Multi_key> <Multi_key> <l> <i> <e> 	    : "🎂"    U1F382 # BIRTHDAY CAKE
1383 | <Multi_key> <Multi_key> <b> <d> <a> <y>	    : "🎂"    U1F382 # BIRTHDAY CAKE
1384 | <Multi_key> <Multi_key> <A> <O> <K>	    : "👌"    U1F44C # OK HAND SIGN
1385 | <Multi_key> <Multi_key> <t> <h> <m> <u> <p> : "👍"    U1F44D # THUMBS UP SIGN
1386 | <Multi_key> <Multi_key> <t> <h> <m> <d> <n> : "👎"    U1F44E # THUMBS DOWN SIGN
1387 | # More useful in chat than U+1F48F KISS
1388 | <Multi_key> <Multi_key> <k> <i> <s> <s>	    : "💋"    U1F48B # KISS MARK
1389 | <Multi_key> <Multi_key> <D> <N> <E>         : "⛔"    U26D4  # NO ENTRY
1390 | # So many hearts... I'm not touching them for now.
1391 | # And emoticons? (U+1F600 et seq) -- Moved to their own file.
1392 | 
1393 | <Multi_key> <parenleft> <1> <colon> <0> <0> <parenright> : "🕐" U1F550 # CLOCK FACE ONE OCLOCK
1394 | <Multi_key> <parenleft> <2> <colon> <0> <0> <parenright> : "🕑" U1F551 # CLOCK FACE TWO OCLOCK
1395 | <Multi_key> <parenleft> <3> <colon> <0> <0> <parenright> : "🕒" U1F552 # CLOCK FACE THREE OCLOCK
1396 | <Multi_key> <parenleft> <4> <colon> <0> <0> <parenright> : "🕓" U1F553 # CLOCK FACE FOUR OCLOCK
1397 | <Multi_key> <parenleft> <5> <colon> <0> <0> <parenright> : "🕔" U1F554 # CLOCK FACE FIVE OCLOCK
1398 | <Multi_key> <parenleft> <6> <colon> <0> <0> <parenright> : "🕕" U1F555 # CLOCK FACE SIX OCLOCK
1399 | <Multi_key> <parenleft> <7> <colon> <0> <0> <parenright> : "🕖" U1F556 # CLOCK FACE SEVEN OCLOCK
1400 | <Multi_key> <parenleft> <8> <colon> <0> <0> <parenright> : "🕗" U1F557 # CLOCK FACE EIGHT OCLOCK
1401 | <Multi_key> <parenleft> <9> <colon> <0> <0> <parenright> : "🕘" U1F558 # CLOCK FACE NINE OCLOCK
1402 | <Multi_key> <parenleft> <1> <0> <colon> <0> <0> <parenright> : "🕙" U1F559 # CLOCK FACE TEN OCLOCK
1403 | <Multi_key> <parenleft> <1> <1> <colon> <0> <0> <parenright> : "🕚" U1F55A # CLOCK FACE ELEVEN OCLOCK
1404 | <Multi_key> <parenleft> <1> <2> <colon> <0> <0> <parenright> : "🕛" U1F55B # CLOCK FACE TWELVE OCLOCK
1405 | 
1406 | <Multi_key> <parenleft> <1> <colon> <3> <0> <parenright>     : "🕜" U1F55C # CLOCK FACE ONE-THIRTY
1407 | <Multi_key> <parenleft> <2> <colon> <3> <0> <parenright>     : "🕝" U1F55D # CLOCK FACE TWO-THIRTY
1408 | <Multi_key> <parenleft> <3> <colon> <3> <0> <parenright>     : "🕞" U1F55E # CLOCK FACE THREE-THIRTY
1409 | <Multi_key> <parenleft> <4> <colon> <3> <0> <parenright>     : "🕟" U1F55F # CLOCK FACE FOUR-THIRTY
1410 | <Multi_key> <parenleft> <5> <colon> <3> <0> <parenright>     : "🕠" U1F560 # CLOCK FACE FIVE-THIRTY
1411 | <Multi_key> <parenleft> <6> <colon> <3> <0> <parenright>     : "🕡" U1F561 # CLOCK FACE SIX-THIRTY
1412 | <Multi_key> <parenleft> <7> <colon> <3> <0> <parenright>     : "🕢" U1F562 # CLOCK FACE SEVEN-THIRTY
1413 | <Multi_key> <parenleft> <8> <colon> <3> <0> <parenright>     : "🕣" U1F563 # CLOCK FACE EIGHT-THIRTY
1414 | <Multi_key> <parenleft> <9> <colon> <3> <0> <parenright>     : "🕤" U1F564 # CLOCK FACE NINE-THIRTY
1415 | <Multi_key> <parenleft> <1> <0> <colon> <3> <0> <parenright>     : "🕥" U1F565 # CLOCK FACE TEN-THIRTY
1416 | <Multi_key> <parenleft> <1> <1> <colon> <3> <0> <parenright>     : "🕦" U1F566 # CLOCK FACE ELEVEN-THIRTY
1417 | <Multi_key> <parenleft> <1> <2> <colon> <3> <0> <parenright>     : "🕧" U1F567 # CLOCK FACE TWELVE-THIRTY
1418 | # Real bitcoin symbol now.
1419 | <Multi_key> <B> <bar> : "₿" U20BF  # BITCOIN SIGN
1420 | 


--------------------------------------------------------------------------------
/mappings/xcompose.yaml:
--------------------------------------------------------------------------------
   1 | "..": "…"  # HORIZONTAL ELLIPSIS
   2 | "v..": "⋮"  # VERTICAL ELLIPSIS
   3 | "c..": "⋯"  # MIDLINE HORIZONTAL ELLIPSIS
   4 | "/..": "⋰"  # UP RIGHT DIAGONAL ELLIPSIS
   5 | ".\\.": "⋱"  # DOWN RIGHT DIAGONAL ELLIPSIS
   6 | "2.": "‥"  # TWO DOT LEADER
   7 | "c1.": "·"  # MIDDLE DOT (maybe I can remember the keystroke better?
   8 | "./.": "⁒"  # COMMERCIAL MINUS SIGN
   9 | "&@": "⅋"  # TURNED AMPERSAND
  10 | "&7": "⁊"  # TIRONIAN SIGN ET
  11 | "\\ ": "␣"  # OPEN BOX
  12 | "-- ": "– "  # EN DASH (followed by space)
  13 | "-~-": "―"  # HORIZONTAL BAR
  14 | "-2M": "⸺"  # TWO-EM DASH
  15 | "-3M": "⸻"  # THREE-EM DASH
  16 | "\\-": "­"  # SOFT HYPHEN
  17 | " -": " — "  # EM DASH surrounded by THIN SPACEs.
  18 | ", ": "‚"  # SINGLE LOW-9 QUOTATION MARK
  19 | ",,": "„"  # DOUBLE LOW-9 QUOTATION MARK
  20 | "<,,": "⹂"  # DOUBLE LOW-REVERSED-9 QUOTATION MARK
  21 | "' ": "’"  # RIGHT SINGLE QUOTATION MARK
  22 | "''": "”"  # RIGHT DOUBLE QUOTATION MARK
  23 | "` ": "‘"  # LEFT SINGLE QUOTATION MARK
  24 | "``": "“"  # LEFT DOUBLE QUOTATION MARK
  25 | "6'": "‘"  # LEFT SINGLE QUOTATION MARK (high 6)
  26 | "6\"": "“"  # LEFT DOUBLE QUOTATION MARK (66)
  27 | "9'": "’"  # RIGHT SINGLE QUOTATION MARK (high 9)
  28 | "9\"": "”"  # RIGHT DOUBLE QUOTATION MARK (99)
  29 | "<9'": "‛"  # SINGLE HIGH-REVERSED-9 QUOTATION MARK
  30 | "<9\"": "‟"  # DOUBLE HIGH-REVERSED-9 QUOTATION MARK
  31 | ",'": "‚"  # SINGLE LOW-9 QUOTATION MARK (quote resembling a comma)
  32 | ",\"": "„"  # DOUBLE LOW-9 QUOTATION MARK
  33 | " \"": " “"  # space followed by LEFT DOUBLE QUOTATION MARK
  34 | "\" ": "” "  # RIGHT DOUBLE QUOTATION MARK followed by space
  35 | " '": " ‘"  # space followed by LEFT SINGLE QUOTATION MARK
  36 | "nt": "n’t "  # Apostrophized English “not.”
  37 | " t": " the "
  38 | " T": "  The "
  39 | " a": " and "
  40 | "im": " I’m "
  41 | "ve": "’ve "
  42 | ",@": "⸲"  # TURNED COMMA
  43 | ".^": "⸳"  # RAISED DOT
  44 | ".~": "⸳"  # RAISED DOT
  45 | ",^": "⸴"  # RAISED COMMA
  46 | ";@": "⸵"  # TURNED SEMICOLON
  47 | "~|": "ⸯ"  # VERTICAL TILDE
  48 | "^|": "ⸯ"  # VERTICAL TILDE
  49 | "-=": "⹀"  # DOUBLE HYPHEN
  50 | ",<": "⹁"  # REVERSED COMMA
  51 | "<|": "↵"  # DOWNWARDS ARROW WITH CORNER LEFTWARDS
  52 | "*1": "•"  # BULLET
  53 | "o_": "⁃"  # HYPHEN BULLET
  54 | "o,": "·"  # MIDDLE DOT
  55 | " n": " "  # NARROW NO-BREAK SPACE
  56 | " #": " "  # FIGURE SPACE
  57 | "\\,": " "  # THIN SPACE
  58 | " |": " "  # HAIR SPACE
  59 | "dag": "†"  # DAGGER
  60 | "ddag": "‡"  # DOUBLE DAGGER
  61 | "sec": "§"  # SECTION SIGN
  62 | "\"\"": "〃"  # DITTO MARK
  63 | "7^[": "⸢"  # TOP LEFT HALF BRACKET
  64 | "7^]": "⸣"  # TOP RIGHT HALF BRACKET
  65 | "L_[": "⸤"  # BOTTOM LEFT HALF BRACKET
  66 | "L_]": "⸥"  # BOTTOM RIGHT HALF BRACKET
  67 | "-<": "←"  # LEFTWARDS ARROW
  68 | "-^": "↑"  # UPWARDS ARROW
  69 | "->": "→"  # RIGHTWARDS ARROW
  70 | "-v": "↓"  # DOWNWARDS ARROW
  71 | "<->": "↔"  # LEFT RIGHT ARROW (kragen's)
  72 | "zz>": "↯"  # DOWNWARDS ZIGZAG ARROW
  73 | "fv": "✌"  # VICTORY HAND
  74 | "fw": "✍"  # WRITING HAND
  75 | "=>": "⇒"  # RIGHTWARDS DOUBLE ARROW
  76 | "=<": "⇐"  # LEFTWARDS DOUBLE ARROW
  77 | "<-=>": "⇔"  # LEFT RIGHT DOUBLE ARROW
  78 | "=.=": "⸎"  # EDITORIAL CORONIS
  79 | "palm": "⸙"  # PALM BRANCH
  80 | "branch": "⸙"  # PALM BRANCH
  81 | "ff": "ff"  # LATIN SMALL LIGATURE FF
  82 | "fi": "fi"  # LATIN SMALL LIGATURE FI
  83 | "Fi": "ffi"  # LATIN SMALL LIGATURE FFI
  84 | "fl": "fl"  # LATIN SMALL LIGATURE FL
  85 | "Fl": "ffl"  # LATIN SMALL LIGATURE FFL
  86 | "st": "st"  # LATIN SMALL LIGATURE ST
  87 | "ft": "ſt"  # LATIN SMALL LIGATURE LONG S T
  88 | "ſt": "ſt"  # LATIN SMALL LIGATURE LONG S T
  89 | "SS": "ẞ"  # LATIN CAPITAL LETTER SHARP S
  90 | "F<": "ꟻ"  # LATIN EPIGRAPHIC LETTER REVERSED F
  91 | "P<": "ꟼ"  # LATIN EPIGRAPHIC LETTER REVERSED P
  92 | "FF": "Ⅎ"  # TURNED CAPITAL F
  93 | "Ff": "ⅎ"  # TURNED SMALL F
  94 | "MW": "ꟽ"  # LATIN EPIGRAPHIC LETTER INVERTED M
  95 | "MM": "Ɯ"  # LATIN CAPITAL LETTER TURNED M
  96 | "I|": "ꟾ"  # LATIN EPIGRAPHIC LETTER I LONGA
  97 | "M/": "ꟿ"  # LATIN EPIGRAPHIC LETTER ARCHAIC M
  98 | "22": "↊"  # TURNED DIGIT TWO
  99 | "33": "↋"  # TURNED DIGIT THREE
 100 | "E<": "Ǝ"  # LATIN CAPITAL LETTER REVERSED E
 101 | "e<": "ɘ"  # LATIN SMALL LETTER REVERSED E
 102 | "A<": "Ɐ"  # LATIN CAPITAL LETTER TURNED A
 103 | "o&o": "ꝏ"  # LATIN SMALL LETTER OO
 104 | "O&O": "Ꝏ"  # LATIN CAPITAL LETTER OO
 105 | "2o": "ꝏ"  # LATIN SMALL LETTER OO
 106 | "2O": "Ꝏ"  # LATIN CAPITAL LETTER OO
 107 | "A&A": "Ꜳ"  # LATIN CAPITAL LETTER AA
 108 | "a&a": "ꜳ"  # LATIN SMALL LETTER AA
 109 | "2A": "Ꜳ"  # LATIN CAPITAL LETTER AA
 110 | "2a": "ꜳ"  # LATIN SMALL LETTER AA
 111 | "A&O": "Ꜵ"  # LATIN CAPITAL LETTER AO
 112 | "a&o": "ꜵ"  # LATIN SMALL LETTER AO
 113 | "A&U": "Ꜷ"  # LATIN CAPITAL LETTER AU
 114 | "a&u": "ꜷ"  # LATIN SMALL LETTER AU
 115 | "A&V": "Ꜹ"  # LATIN CAPITAL LETTER AV
 116 | "a&v": "ꜹ"  # LATIN SMALL LETTER AV
 117 | "A&Y": "Ꜽ"  # LATIN CAPITAL LETTER AY
 118 | "a&y": "ꜽ"  # LATIN SMALL LETTER AY
 119 | "/&L": "Ꝇ"  # LATIN CAPITAL LETTER BROKEN L
 120 | "/&l": "ꝇ"  # LATIN SMALL LETTER BROKEN L
 121 | "Z.": "Ꝫ"  # LATIN CAPITAL LETTER ET
 122 | "z.": "ꝫ"  # LATIN SMALL LETTER ET
 123 | "V&Y": "Ꝡ"  # LATIN CAPITAL LETTER VY
 124 | "v&y": "ꝡ"  # LATIN SMALL LETTER VY
 125 | "CZ": "Ꝣ"  # LATIN CAPITAL LETTER VISIGOTHIC Z
 126 | "cz": "ꝣ"  # LATIN SMALL LETTER VISIGOTHIC Z
 127 | "L&L": "Ỻ"  # LATIN CAPITAL LETTER MIDDLE-WELSH LL
 128 | "l&l": "ỻ"  # LATIN SMALL LETTER MIDDLE-WELSH LL
 129 | "V&V": "Ỽ"  # LATIN CAPITAL LETTER MIDDLE-WELSH V
 130 | "v&v": "ỽ"  # LATIN SMALL LETTER MIDDLE-WELSH V
 131 | "d&b": "ȸ"  # LATIN SMALL LETTER DB DIGRAPH
 132 | "q&p": "ȹ"  # LATIN SMALL LETTER QP DIGRAPH
 133 | "wy": "ƿ"  # LATIN LETTER WYNN
 134 | "WY": "Ƿ"  # LATIN CAPITAL LETTER WYNN
 135 | "OU": "Ȣ"  # LATIN CAPITAL LETTER OU
 136 | "ou": "ȣ"  # LATIN SMALL LETTER OU
 137 | "yr": "Ʀ"  # LATIN LETTER YR
 138 | "ro": "ꝛ"  # LATIN SMALL LETTER R ROTUNDA
 139 | "r0": "ꝛ"  # LATIN SMALL LETTER R ROTUNDA
 140 | "RO": "Ꝛ"  # LATIN CAPITAL LETTER R ROTUNDA
 141 | "R0": "Ꝛ"  # LATIN CAPITAL LETTER R ROTUNDA
 142 | "!=": "≠"  # NOT EQUAL TO
 143 | "/=": "≠"  # NOT EQUAL TO
 144 | "<=": "≤"  # LESS-THAN OR EQUAL TO
 145 | ">=": "≥"  # GREATER-THAN OR EQUAL TO
 146 | "!<>": "≸"  # NEITHER LESS-THAN NOR GREATER-THAN
 147 | "+<": "≪"  # MUCH LESS-THAN
 148 | "+>": "≫"  # MUCH GREATER-THAN
 149 | "++<": "⋘"  # VERY MUCH LESS-THAN
 150 | "++>": "⋙"  # VERY MUCH GREATER-THAN
 151 | "3>": "⋙"  # VERY MUCH GREATER-THAN
 152 | "3<": "⋘"  # VERY MUCH LESS-THAN
 153 | "in": "∈"  # ELEMENT OF
 154 | "!in": "∉"  # NOT AN ELEMENT OF
 155 | "∈/": "∉"  # NOT AN ELEMENT OF (I have ∈ on my keyboard...)
 156 | ".∈": "∊"  # SMALL ELEMENT OF
 157 | ".∋": "∍"  # SMALL CONTAINS AS MEMBER
 158 | "ni": "∋"  # CONTAINS AS MEMBER  (I hope this doesn't conflict)
 159 | "/ni": "∌"  # DOES NOT CONTAIN AS MEMBER
 160 | "∋/": "∌"  # DOES NOT CONTAIN AS MEMBER
 161 | "~=": "≅"  # APPROXIMATELY EQUAL TO (It actually means "congruent"!)
 162 | "=?": "≟"  # QUESTIONED EQUAL TO
 163 | "=def": "≝"  # EQUAL TO BY DEFINITION
 164 | "def=": "≝"  # EQUAL TO BY DEFINITION
 165 | "==": "≡"  # IDENTICAL TO
 166 | ":=": "≔"  # COLON EQUALS
 167 | "=:": "≕"  # EQUALS COLON
 168 | "2=": "⩵"  # TWO CONSECUTIVE EQUALS SIGNS
 169 | "=&=": "⩵"  # TWO CONSECUTIVE EQUALS SIGNS
 170 | "3=": "⩶"  # THREE CONSECUTIVE EQUALS SIGNS
 171 | "=|=": "≢"  # NOT IDENTICAL TO
 172 | "-+": "∓"  # MINUS OR PLUS SIGN
 173 | "sq": "√"  # SQUARE ROOT
 174 | "3sq": "∛"  # CUBE ROOT
 175 | "4sq": "∜"  # FOURTH ROOT
 176 | "/\\": "∧"  # LOGICAL AND
 177 | "\\/": "∨"  # LOGICAL OR
 178 | "\\_/": "⊻"  # XOR
 179 | "-,": "¬"  # NOT SIGN
 180 | "*o": "∘"  # RING OPERATOR (function composition)
 181 | "*x": "⨯"  # CROSS PRODUCT
 182 | "*.": "⋅"  # DOT OPERATOR (dot product)
 183 | "0/": "∅"  # EMPTY SET (thanks jsled!)
 184 | "/0": "∅"  # EMPTY SET
 185 | "{U": "∪"  # UNION
 186 | "{^": "∩"  # INTERSECTION
 187 | "{(": "⊂"  # SUBSET OF
 188 | "{=(": "⊆"  # SUBSET OF OR EQUAL TO
 189 | "!{(": "⊄"  # NOT A SUBSET OF
 190 | "/{(": "⊄"  # NOT A SUBSET OF
 191 | "!{)": "⊅"  # NOT A SUPERSET OF
 192 | "/{)": "⊅"  # NOT A SUPERSET OF
 193 | "{)": "⊃"  # SUPERSET OF
 194 | "{=)": "⊇"  # SUPERSET OF OR EQUAL TO
 195 | "EE": "∃"  # THERE EXISTS
 196 | "/EE": "∄"  # THERE DOES NOT EXIST
 197 | "AA": "∀"  # FOR ALL
 198 | "QED": "∎"  # END OF PROOF
 199 | "88": "∞"  # INFINITY
 200 | "aleph": "ℵ"  # ALEF SYMBOL
 201 | "alep0": "ℵ₀"  # ALEF Null
 202 | "alep1": "ℵ₁"  # ALEF One
 203 | "alef": "ℵ"  # ALEF SYMBOL
 204 | "**": "∗"  # ASTERISK OPERATOR
 205 | "(+)": "⊕"  # CIRCLED PLUS
 206 | "(-)": "⊖"  # CIRCLED MINUS
 207 | "(xx)": "⊗"  # CIRCLED TIMES
 208 | "(/)": "⊘"  # CIRCLED DIVISION SLASH
 209 | "(*)": "⊛"  # CIRCLED ASTERISK OPERATOR
 210 | ")_": "⟌"  # LONG DIVISION
 211 | ".\"": "∴"  # THEREFORE
 212 | "there4": "∴"  # THEREFORE
 213 | "\".": "∵"  # BECAUSE
 214 | "because": "∵"  # BECAUSE
 215 | "%%": "‱"  # PER TEN THOUSAND (basis points)
 216 | "/u": "µ"  # MICRO SIGN
 217 | "-a": "ª"  # FEMININE ORDINAL INDICATOR
 218 | "-o": "º"  # MASCULINE ORDINAL INDICATOR
 219 | "sum": "∑"  # N-ARY SUMMATION
 220 | "int": "∫"  # INTEGRAL
 221 | "uint": "⨛"  # UPPER INTEGRAL
 222 | "lint": "⨜"  # LOWER INTEGRAL
 223 | "iint": "∬"  # DOUBLE INTEGRAL
 224 | "iiint": "∭"  # TRIPLE INTEGRAL
 225 | "iiiint": "⨌"  # QUADRUPLE INTEGRAL
 226 | "oint": "∮"  # CONTOUR INTEGRAL
 227 | "pint": "⨕"  # INTEGRAL AROUND A POINT OPERATOR
 228 | "cPint": "⨓"  # LINE INTEGRATION WITH SEMICIRCULAR PATH AROUND POLE
 229 | "oiint": "∯"  # SURFACE INTEGRAL
 230 | "oiiint": "∰"  # VOLUME INTEGRAL
 231 | "gint": "⨘"  # GEOMETRIC INTEGRAL
 232 | "sint": "⨋"  # SUM/INTEGRAL
 233 | "del": "∇"  # NABLA
 234 | "part": "∂"  # PARTIAL DIFFERENTIAL
 235 | "*..d": "∂"  # PARTIAL DIFFERENTIAL
 236 | "Re": "ℜ"  # BLACK-LETTER CAPITAL R (Real Part)
 237 | "Im": "ℑ"  # BLACK-LETTER CAPTIAL I (Imaginary Part)
 238 | "hbar": "ℏ"  # PLANCK CONSTANT OVER TWO PI
 239 | "h-": "ℏ"  # PLANCK CONSTANT OVER TWO PI
 240 | "hp": "ℎ"  # PLANCK CONSTANT
 241 | "exp": "ℯ"  # SCRIPT SMALL E
 242 | "e10": "⏨"  # DECIMAL EXPONENT SYMBOL
 243 | "wp": "℘"  # SCRIPT CAPITAL P
 244 | "^>": "⃗"  # COMBINING RIGHT ARROW ABOVE (vector)
 245 | "|C": "ℂ"  # DOUBLE-STRUCK CAPITAL C (set of complex numbers)
 246 | "|N": "ℕ"  # DOUBLE-STRUCK CAPITAL N (natural number)
 247 | "|P": "ℙ"  # DOUBLE-STRUCK CAPITAL P
 248 | "|Q": "ℚ"  # DOUBLE-STRUCK CAPITAL Q (set of rational numbers)
 249 | "|R": "ℝ"  # DOUBLE-STRUCK CAPITAL R (set of real numbers)
 250 | "|Z": "ℤ"  # DOUBLE-STRUCK CAPITAL Z (set of integers)
 251 | "|H": "ℍ"  # DOUBLE-STRUCK CAPITAL H
 252 | "|e": "ⅇ"  # DOUBLE-STRUCK ITALIC SMALL E
 253 | "|i": "ⅈ"  # DOUBLE-STRUCK ITALIC SMALL I
 254 | "|j": "ⅉ"  # DOUBLE-STRUCK ITALIC SMALL J
 255 | "|*p": "ℼ"  # DOUBLE-STRUCK SMALL PI
 256 | "|*P": "ℿ"  # DOUBLE-STRUCK CAPITAL PI
 257 | "|*S": "⅀"  # DOUBLE-STRUCK N-ARY SUMMATION
 258 | "|:": "⦂"  # Z NOTATION TYPE COLON
 259 | "|;": "⨾"  # Z NOTATION RELATIONAL COMPOSITION
 260 | "|{": "⦃"  # LEFT WHITE CURLY BRACKET
 261 | "|}": "⦄"  # RIGHT WHITE CURLY BRACKET
 262 | "S(": "⟅"  # LEFT S-SHAPED BAG DELIMITER
 263 | "S)": "⟆"  # RIGHT S-SHAPED BAG DELIMITER
 264 | "E[": "⁅"  # LEFT SQUARE BRACKET WITH QUILL
 265 | "E]": "⁆"  # RIGHT SQUARE BRACKET WITH QUILL
 266 | "<(": "⟨"  # MATHEMATICAL LEFT ANGLE BRACKET
 267 | ">)": "⟩"  # MATHEMATICAL RIGHT ANGLE BRACKET
 268 | "|[": "⟦"  # MATHEMATICAL LEFT WHITE SQUARE BRACKET
 269 | "|]": "⟧"  # MATHEMATICAL RIGHT WHITE SQUARE BRACKET
 270 | "2<(": "⟪"  # MATHEMATICAL LEFT DOUBLE ANGLE BRACKET
 271 | "2>)": "⟫"  # MATHEMATICAL RIGHT DOUBLE ANGLE BRACKET
 272 | "||(": "⟬"  # MATHEMATICAL LEFT WHITE TORTOISE SHELL BRACKET
 273 | "||)": "⟭"  # MATHEMATICAL RIGHT WHITE TORTOISE SHELL BRACKET
 274 | "__(": "⟮"  # MATHEMATICAL LEFT FLATTENED PARENTHESIS
 275 | "__)": "⟯"  # MATHEMATICAL RIGHT FLATTENED PARENTHESIS
 276 | "([": "⦗"  # LEFT BLACK TORTOISE SHELL BRACKET
 277 | ")]": "⦘"  # RIGHT BLACK TORTOISE SHELL BRACKET
 278 | "%(": "⧘"  # LEFT WIGGLY FENCE
 279 | "%)": "⧙"  # RIGHT WIGGLY FENCE
 280 | "2%(": "⧚"  # LEFT DOUBLE WIGGLY FENCE
 281 | "2%)": "⧛"  # RIGHT DOUBLE WIGGLY FENCE
 282 | "(&(": "⸨"  # LEFT DOUBLE PARENTHESIS
 283 | ")&)": "⸩"  # RIGHT DOUBLE PARENTHESIS
 284 | "2(": "⸨"  # LEFT DOUBLE PARENTHESIS
 285 | "2)": "⸩"  # RIGHT DOUBLE PARENTHESIS
 286 | "Z(": "༼"  # TIBETAN MARK ANG KHANG GYON
 287 | "Z)": "༽"  # TIBETAN MARK ANG KHANG GYAS
 288 | "L[": "⌊"  # LEFT FLOOR
 289 | "L]": "⌋"  # RIGHT FLOOR
 290 | "7[": "⌈"  # LEFT CEILING
 291 | "7]": "⌉"  # RIGHT CEILING
 292 | "7'": "｢"  # HALFWIDTH LEFT CORNER BRACKET
 293 | "L'": "｣"  # HALFWIDTH RIGHT CORNER BRACKET
 294 | "7\"": "『"  # LEFT WHITE CORNER BRACKET
 295 | "L\"": "』"  # RIGHT WHITE CORNER BRACKET
 296 | "7(": "⌜"  # TOP LEFT CORNER
 297 | "7)": "⌝"  # TOP RIGHT CORNER
 298 | "L(": "⌞"  # BOTTOM LEFT CORNER
 299 | "L)": "⌟"  # BOTTOM RIGHT CORNER
 300 | "(&)": "≬"  # BETWEEN
 301 | "ll": "ℓ"  # SCRIPT SMALL L
 302 | "[[": "⊏"  # SQUARE IMAGE OF
 303 | "[=": "⊑"  # SQUARE IMAGE OF OR EQUAL TO
 304 | "[_": "⊑"  # SQUARE IMAGE OF OR EQUAL TO
 305 | "]]": "⊐"  # SQUARE ORIGINAL OF
 306 | "]=": "⊒"  # SQUARE ORIGINAL OF OR EQUAL TO
 307 | "]_": "⊒"  # SQUARE ORIGINAL OF OR EQUAL TO
 308 | "_|_": "⊥"  # UP TACK (bottom) or should we use U27C2 PERPENDICULAR?
 309 | "_!_": "⊤"  # DOWN TACK (opposite of False)
 310 | "_>_": "⊢"  # RIGHT TACK
 311 | "_<_": "⊣"  # LEFT TACK
 312 | "//": "⁄"  # FRACTION SLASH
 313 | "_0": "₀"  # SUBSCRIPT ZERO
 314 | "_1": "₁"  # SUBSCRIPT ONE
 315 | "_2": "₂"  # SUBSCRIPT TWO
 316 | "_3": "₃"  # SUBSCRIPT THREE
 317 | "_4": "₄"  # SUBSCRIPT FOUR
 318 | "_5": "₅"  # SUBSCRIPT FIVE
 319 | "_6": "₆"  # SUBSCRIPT SIX
 320 | "_7": "₇"  # SUBSCRIPT SEVEN
 321 | "_8": "₈"  # SUBSCRIPT EIGHT
 322 | "_9": "₉"  # SUBSCRIPT NONE
 323 | "_+": "₊"  # SUBSCRIPT PLUS
 324 | "_-": "₋"  # SUBSCRIPT MINUS
 325 | "_=": "₌"  # SUBSCRIPT EQUALS SIGN
 326 | "_(": "₍"  # SUBSCRIPT LEFT PARENTHESIS
 327 | "_)": "₎"  # SUBSCRIPT RIGHT PARENTHESIS
 328 | "_a": "ₐ"  # LATIN SUBSCRIPT SMALL LETTER A
 329 | "_e": "ₑ"  # LATIN SUBSCRIPT SMALL LETTER E
 330 | "_o": "ₒ"  # LATIN SUBSCRIPT SMALL LETTER O
 331 | "_x": "ₓ"  # LATIN SUBSCRIPT SMALL LETTER X
 332 | "_h": "ₕ"  # LATIN SUBSCRIPT SMALL LETTER H
 333 | "_k": "ₖ"  # LATIN SUBSCRIPT SMALL LETTER K
 334 | "_l": "ₗ"  # LATIN SUBSCRIPT SMALL LETTER L
 335 | "_m": "ₘ"  # LATIN SUBSCRIPT SMALL LETTER M
 336 | "_n": "ₙ"  # LATIN SUBSCRIPT SMALL LETTER N
 337 | "_p": "ₚ"  # LATIN SUBSCRIPT SMALL LETTER P
 338 | "_s": "ₛ"  # LATIN SUBSCRIPT SMALL LETTER S
 339 | "_t": "ₜ"  # LATIN SUBSCRIPT SMALL LETTER T
 340 | "_i": "ᵢ"  # LATIN SUBSCRIPT SMALL LETTER I
 341 | "_j": "ⱼ"  # LATIN SUBSCRIPT SMALL LETTER J
 342 | "_r": "ᵣ"  # LATIN SUBSCRIPT SMALL LETTER R
 343 | "_u": "ᵤ"  # LATIN SUBSCRIPT SMALL LETTER U
 344 | "_v": "ᵥ"  # LATIN SUBSCRIPT SMALL LETTER V
 345 | "_*b": "ᵦ"  # GREEK SUBSCRIPT SMALL LETTER BETA
 346 | "_*g": "ᵧ"  # GREEK SUBSCRIPT SMALL LETTER GAMMA
 347 | "_*r": "ᵨ"  # GREEK SUBSCRIPT SMALL LETTER RHO
 348 | "_*f": "ᵩ"  # GREEK SUBSCRIPT SMALL LETTER PHI
 349 | "_*x": "ᵪ"  # GREEK SUBSCRIPT SMALL LETTER CHI
 350 | "*a": "α"  # GREEK SMALL LETTER ALPHA
 351 | "*b": "β"  # GREEK SMALL LETTER BETA
 352 | "*c": "ψ"  # GREEK SMALL LETTER PSI
 353 | "*d": "δ"  # GREEK SMALL LETTER DELTA
 354 | "*e": "ε"  # GREEK SMALL LETTER EPSILON
 355 | "*f": "φ"  # GREEK SMALL LETTER PHI
 356 | "*g": "γ"  # GREEK SMALL LETTER GAMMA
 357 | "*h": "η"  # GREEK SMALL LETTER ΕΤΑ
 358 | "*i": "ι"  # GREEK SMALL LETTER ΙΟΤΑ
 359 | "*j": "ξ"  # GREEK SMALL LETTER XI
 360 | "*k": "κ"  # GREEK SMALL LETTER KAPPA
 361 | "*l": "λ"  # GREEK SMALL LETTER LAMBDA
 362 | "*m": "μ"  # GREEK SMALL LETTER MU
 363 | "*n": "ν"  # GREEK SMALL LETTER NU
 364 | "*o": "ο"  # GREEK SMALL LETTER OMICRON
 365 | "*p": "π"  # GREEK SMALL LETTER PI
 366 | "*.?": ";"  # GREEK QUESTION MARK
 367 | "*r": "ρ"  # GREEK SMALL LETTER RHO
 368 | "*s": "σ"  # GREEK SMALL LETTER SIGMA
 369 | "*t": "τ"  # GREEK SMALL LETTER TAU
 370 | "*u": "θ"  # GREEK SMALL LETTER THETA
 371 | "*v": "ω"  # GREEK SMALL LETTER OMEGA
 372 | "*w": "ς"  # GREEK SMALL LETTER FINAL SIGMA
 373 | "*x": "χ"  # GREEK SMALL LETTER CHI
 374 | "*y": "υ"  # GREEK SMALL LETTER UPSILON
 375 | "*z": "ζ"  # GREEK SMALL LETTER ZETA
 376 | "*A": "Α"  # GREEK CAPITAL LETTER ALPHA
 377 | "*B": "Β"  # GREEK CAPITAL LETTER BETA
 378 | "*C": "Ψ"  # GREEK CAPITAL LETTER PSI
 379 | "*D": "Δ"  # GREEK CAPITAL LETTER DELTA
 380 | "*E": "Ε"  # GREEK CAPITAL LETTER EPSILON
 381 | "*F": "Φ"  # GREEK CAPITAL LETTER PHI
 382 | "*G": "Γ"  # GREEK CAPITAL LETTER GAMMA
 383 | "*H": "Η"  # GREEK CAPITAL LETTER ΕΤΑ
 384 | "*I": "Ι"  # GREEK CAPITAL LETTER ΙΟΤΑ
 385 | "*J": "Ξ"  # GREEK CAPITAL LETTER XI
 386 | "*K": "Κ"  # GREEK CAPITAL LETTER KAPPA
 387 | "*L": "Λ"  # GREEK CAPITAL LETTER LAMBDA
 388 | "*M": "Μ"  # GREEK CAPITAL LETTER MU
 389 | "*N": "Ν"  # GREEK CAPITAL LETTER NU
 390 | "*O": "Ο"  # GREEK CAPITAL LETTER OMICRON
 391 | "*P": "Π"  # GREEK CAPITAL LETTER PI
 392 | "*R": "Ρ"  # GREEK CAPITAL LETTER RHO
 393 | "*S": "Σ"  # GREEK CAPITAL LETTER SIGMA
 394 | "*T": "Τ"  # GREEK CAPITAL LETTER TAU
 395 | "*U": "Θ"  # GREEK CAPITAL LETTER THETA
 396 | "*V": "Ω"  # GREEK CAPITAL LETTER OMEGA
 397 | "*X": "Χ"  # GREEK CAPITAL LETTER CHI
 398 | "*Y": "Υ"  # GREEK CAPITAL LETTER UPSILON
 399 | "*Z": "Ζ"  # GREEK CAPITAL LETTER ZETA
 400 | "*.p": "ϖ"  # GREEK PI SYMBOL
 401 | "*.w": "ϝ"  # GREEK SMALL LETTER DIGAMMA
 402 | "*.W": "Ϝ"  # GREEK CAPITAL LETTER DIGAMMA
 403 | "*Q": "Ϟ"  # GREEK LETTER QOPPA
 404 | "*q": "ϟ"  # GREEK SMALL LETTER QOPPA
 405 | "*.Q": "Ϙ"  # GREEK LETTER ARCHAIC QOPPA
 406 | "*.q": "ϙ"  # GREEK SMALL LETTER ARCHAIC QOPPA
 407 | "*&": "ϗ"  # GREEK KAI SYMBOL
 408 | "*.Z": "Ϡ"  # GREEK LETTER SAMPI
 409 | "*.z": "ϡ"  # GREEK SMALL LETTER SAMPI
 410 | "*..Z": "Ͳ"  # GREEK CAPITAL LETTER ARCHAIC SAMPI
 411 | "*..z": "ͳ"  # GREEK SMALL LETTER ARCHAIC SAMPI
 412 | "*?": "Ϛ"  # GREEK LETTER STIGMA
 413 | "*/": "ϛ"  # GREEK SMALL LETTER STIGMA
 414 | "*'": "ʹ"  # MODIFIER LETTER PRIME, canonically equivalent to U0374 GREEK NUMERAL SIGN
 415 | "*.'": "′"  # PRIME
 416 | "*.\"": "″"  # DOUBLE PRIME
 417 | "*,": "͵"  # GREEK LOWER NUMERAL SIGN (for thousands)
 418 | "*.b": "ϐ"  # GREEK BETA SYMBOL
 419 | "*.u": "ϑ"  # GREEK THETA SYMBOL
 420 | "*.Y": "ϒ"  # GREEK UPSILON WITH HOOK SYMBOL
 421 | "*.f": "ϕ"  # GREEK PHI SYMBOL
 422 | "*.k": "ϰ"  # GREEK KAPPA SYMBOL
 423 | "*.r": "ϱ"  # GREEK RHO SYMBOL
 424 | "*.U": "ϴ"  # GREEK CAPITAL THETA SYMBOL
 425 | "*.e": "ϵ"  # GREEK LUNATE EPSILON SYMBOL
 426 | "*.s": "ϻ"  # GREEK SMALL LETTER SAN
 427 | "*.S": "Ϻ"  # GREEK CAPITAL LETTER SAN
 428 | "13": "⅓"  # VULGAR FRACTION ONE THIRD
 429 | "23": "⅔"  # VULGAR FRACTION TWO THIRDS
 430 | "15": "⅕"  # VULGAR FRACTION ONE FIFTH
 431 | "25": "⅖"  # VULGAR FRACTION TWO FIFTHS
 432 | "35": "⅗"  # VULGAR FRACTION THREE FIFTHS
 433 | "45": "⅘"  # VULGAR FRACTION FOUR FIFTHS
 434 | "16": "⅙"  # VULGAR FRACTION ONE SIXTH
 435 | "56": "⅚"  # VULGAR FRACTION FIVE SIXTHS
 436 | "18": "⅛"  # VULGAR FRACTION ONE EIGHTH
 437 | "38": "⅜"  # VULGAR FRACTION THREE EIGHTHS
 438 | "58": "⅝"  # VULGAR FRACTION FIVE EIGHTHS
 439 | "78": "⅞"  # VULGAR FRACTION SEVEN EIGHTHS
 440 | "17": "⅐"  # VULGAR FRACTION ONE SEVENTH
 441 | "19": "⅑"  # VULGAR FRACTION ONE NINTH
 442 | "1x": "⅒"  # VULGAR FRACTION ONE TENTH
 443 | "03": "↉"  # VULGAR FRACTION ZERO THIRDS
 444 | "1/": "⅟"  # FRACTION NUMERATOR ONE
 445 | "%1": "ⅰ"  # SMALL ROMAN NUMERAL ONE
 446 | "%2": "ⅱ"  # SMALL ROMAN NUMERAL TWO
 447 | "%3": "ⅲ"  # SMALL ROMAN NUMERAL THREE
 448 | "%4": "ⅳ"  # SMALL ROMAN NUMERAL FOUR
 449 | "%5": "ⅴ"  # SMALL ROMAN NUMERAL FIVE
 450 | "%6": "ⅵ"  # SMALL ROMAN NUMERAL SIX
 451 | "%7": "ⅶ"  # SMALL ROMAN NUMERAL SEVEN
 452 | "%8": "ⅷ"  # SMALL ROMAN NUMERAL EIGHT
 453 | "%9": "ⅸ"  # SMALL ROMAN NUMERAL NINE
 454 | "%x": "ⅹ"  # SMALL ROMAN NUMERAL TEN
 455 | "%_1": "ⅺ"  # SMALL ROMAN NUMERAL ELEVEN
 456 | "%_2": "ⅻ"  # SMALL ROMAN NUMERAL TWELVE
 457 | "%l": "ⅼ"  # SMALL ROMAN NUMERAL FIFTY
 458 | "%c": "ⅽ"  # SMALL ROMAN NUMERAL ONE HUNDRED
 459 | "%d": "ⅾ"  # SMALL ROMAN NUMERAL FIVE HUNDRED
 460 | "%m": "ⅿ"  # SMALL ROMAN NUMERAL ONE THOUSAND
 461 | "%01": "Ⅰ"  # ROMAN NUMERAL ONE
 462 | "%02": "Ⅱ"  # ROMAN NUMERAL TWO
 463 | "%03": "Ⅲ"  # ROMAN NUMERAL THREE
 464 | "%04": "Ⅳ"  # ROMAN NUMERAL FOUR
 465 | "%05": "Ⅴ"  # ROMAN NUMERAL FIVE
 466 | "%06": "Ⅵ"  # ROMAN NUMERAL SIX
 467 | "%07": "Ⅶ"  # ROMAN NUMERAL SEVEN
 468 | "%08": "Ⅷ"  # ROMAN NUMERAL EIGHT
 469 | "%09": "Ⅸ"  # ROMAN NUMERAL NINE
 470 | "%0x": "Ⅹ"  # ROMAN NUMERAL TEN
 471 | "%_01": "Ⅺ"  # ROMAN NUMERAL ELEVEN
 472 | "%_02": "Ⅻ"  # ROMAN NUMERAL TWELVE
 473 | "%0l": "Ⅼ"  # ROMAN NUMERAL FIFTY
 474 | "%0c": "Ⅽ"  # ROMAN NUMERAL ONE HUNDRED
 475 | "%0d": "Ⅾ"  # ROMAN NUMERAL FIVE HUNDRED
 476 | "%0m": "Ⅿ"  # ROMAN NUMERAL ONE THOUSAND
 477 | "%X": "Ⅹ"  # ROMAN NUMERAL TEN
 478 | "%L": "Ⅼ"  # ROMAN NUMERAL FIFTY
 479 | "%C": "Ⅽ"  # ROMAN NUMERAL ONE HUNDRED
 480 | "%<C": "Ↄ"  # ROMAN NUMERAL REVERSED ONE HUNDRED
 481 | "%D": "Ⅾ"  # ROMAN NUMERAL FIVE HUNDRED
 482 | "%M": "Ⅿ"  # ROMAN NUMERAL ONE THOUSAND
 483 | "%0CD": "ↀ"  # ROMAN NUMERAL ONE THOUSAND C D
 484 | "%0D": "ↁ"  # ROMAN NUMERAL FIVE THOUSAND
 485 | "%0M": "ↂ"  # ROMAN NUMERAL TEN THOUSAND
 486 | "%00D": "ↇ"  # ROMAN NUMERAL FIFTY THOUSAND
 487 | "%00M": "ↈ"  # ROMAN NUMERAL ONE HUNDRED THOUSAND
 488 | "(:": "☻"  # BLACK SMILING FACE
 489 | ":)": "☺"  # WHITE SMILING FACE
 490 | ":(": "☹"  # WHITE FROWNING FACE
 491 | ":~": "⍨"  # APL FUNCTIONAL SYMBOL TILDE DIAERESIS
 492 | ":|": "⸚"  # HYPHEN WITH DIAERESIS
 493 | ":oo)": "°͜°"  # Funny smiley-face.
 494 | "O.O": "Ꙭ"  # CYRILLIC CAPITAL LETTER DOUBLE MONOCULAR O * used in the dual of words based on the root for 'eye'
 495 | "o.o": "ꙭ"  # CYRILLIC SMALL LETTER DOUBLE MONOCULAR O
 496 | "O:": "Ꙫ"  # CYRILLIC CAPITAL LETTER BINOCULAR O * used in the dual of words based on the root for 'eye'
 497 | "o:": "ꙫ"  # CYRILLIC SMALL LETTER BINOCULAR O
 498 | "o+": "ꙮ"  # CYRILLIC LETTER MULTIOCULAR O * used in the epithet 'many-eyed'
 499 | "o3": "߷"  # NKO SYMBOL GBAKURUNEN
 500 | "!?": "‽"  # INTERROBANG
 501 | "?!": "⸘"  # INVERTED INTERROBANG, standard now.
 502 | "¿¡": "⸘"  # INVERTED INTERROBANG (if you have a ¡ key.  Otherwise...? "?i" maybe?
 503 | "¡¿": "⸘"  # INVERTED INTERROBANG (if you have a ¡ key.  Otherwise...? "?i" maybe?
 504 | "?<": "⸮"  # REVERSED QUESTION MARK
 505 | "?&?": "⁇"  # DOUBLE QUESTION MARK
 506 | "2?": "⁇"  # DOUBLE QUESTION MARK
 507 | "?&!": "⁈"  # QUESTION EXCLAMATION MARK
 508 | "!&?": "⁉"  # EXCLAMATION QUESTION MARK
 509 | "!&!": "‼"  # DOUBLE EXCLAMATION MARK
 510 | "2!": "‼"  # DOUBLE EXCLAMATION MARK
 511 | "2:": "∷"  # PROPORTION -- not strictly 2 times COLON
 512 | ";<": "⁏"  # REVERSED SEMICOLON
 513 | "<3": "♥"  # BLACK HEART SUIT
 514 | "o8": "♣"  # BLACK CLUB SUIT
 515 | "c3": "♣"  # BLACK CLUB SUIT
 516 | "<>": "♢"  # WHITE DIAMOND SUIT
 517 | "3-": "♠"  # BLACK SPADE SUIT
 518 | "<}": "♠"  # BLACK SPADE SUIT
 519 | "E>": "♡"  # WHITE HEART SUIT
 520 | "shmrck": "☘"  # SHAMROCK
 521 | "shamro": "☘"  # SHAMROCK
 522 | "pc": "☮"  # PEACE SYMBOL
 523 | "peace": "☮"  # PEACE SYMBOL
 524 | "yy": "☯"  # YIN YANG
 525 | "yinyan": "☯"  # YIN YANG
 526 | "!<3": "❣"  # HEAVY HEART EXCLAMATION MARK ORNAMENT
 527 | "f<3": "❦"  # FLORAL HEART
 528 | "tel": "☎"  # BLACK TELEPHONE
 529 | "tea": "☕"  # HOT BEVERAGE
 530 | "[ ]": "☐"  # BALLOT BOX
 531 | "chk": "☑"  # BALLOT BOX WITH CHECK
 532 | "[/]": "☑"  # BALLOT BOX WITH CHECK
 533 | "[x]": "☒"  # BALLOT BOX WITH X
 534 | "@/": "✓"  # CHECK MARK
 535 | "@@/": "✔"  # HEAVY CHECK MARK
 536 | "@X": "✗"  # BALLOT X
 537 | "@@X": "✘"  # HEAVY BALLOT X
 538 | "@(": "❨"  # MEDIUM LEFT PARENTHESIS ORNAMENT
 539 | "@)": "❩"  # MEDIUM RIGHT PARENTHESIS ORNAMENT
 540 | "@@(": "❪"  # MEDIUM FLATTENED LEFT PARENTHESIS ORNAMENT
 541 | "@@)": "❫"  # MEDIUM FLATTENED RIGHT PARENTHESIS ORNAMENT
 542 | "@<": "❬"  # MEDIUM LEFT-POINTING ANGLE BRACKET ORNAMENT
 543 | "@>": "❭"  # MEDIUM RIGHT-POINTING ANGLE BRACKET ORNAMENT
 544 | "@@<": "❰"  # HEAVY LEFT-POINTING ANGLE BRACKET ORNAMENT
 545 | "@@>": "❱"  # HEAVY RIGHT-POINTING ANGLE BRACKET ORNAMENT
 546 | "@[(": "❲"  # LIGHT LEFT TORTOISE SHELL BRACKET ORNAMENT
 547 | "@])": "❳"  # LIGHT RIGHT TORTOISE SHELL BRACKET ORNAMENT
 548 | "@{": "❴"  # MEDIUM LEFT CURLY BRACKET ORNAMENT
 549 | "@}": "❵"  # MEDIUM RIGHT CURLY BRACKET ORNAMENT
 550 | "@": "️"  # Emoji selector
 551 | "!": "︎"  # Text selector
 552 | "[1]": "⚀"  # DIE FACE-1
 553 | "[2]": "⚁"  # DIE FACE-2
 554 | "[3]": "⚂"  # DIE FACE-3
 555 | "[4]": "⚃"  # DIE FACE-4
 556 | "[5]": "⚄"  # DIE FACE-5
 557 | "[6]": "⚅"  # DIE FACE-6
 558 | "(CC)": "🅭"  # CIRCLED CC
 559 | "C(CC)": "🅭"  # CIRCLED CC
 560 | "(\\C)": "🅮"  # CIRCLED C WITH OVERLAID BACKSLASH
 561 | "(/C)": "🅮"  # CIRCLED C WITH OVERLAID BACKSLASH
 562 | "C(\\C)": "🅮"  # CIRCLED C WITH OVERLAID BACKSLASH
 563 | "C(/C)": "🅮"  # CIRCLED C WITH OVERLAID BACKSLASH
 564 | "C(BY)": "🅯"  # CIRCLED HUMAN FIGURE
 565 | "C(SA)": "🄎"  # CIRCLED ANTICLOCKWISE ARROW
 566 | "C(ND)": "⊜"  # CIRCLED EQUALS
 567 | "C(=)": "⊜"  # CIRCLED EQUALS
 568 | "C(NC)": "🄏"  # CIRCLED DOLLAR SIGN WITH OVERLAID BACKSLASH
 569 | "C(/$)": "🄏"  # CIRCLED DOLLAR SIGN WITH OVERLAID BACKSLASH
 570 | "C(\\$)": "🄏"  # CIRCLED DOLLAR SIGN WITH OVERLAID BACKSLASH
 571 | "(C<)": "🄯"  # COPYLEFT SYMBOL
 572 | "C(C<)": "🄯"  # COPYLEFT SYMBOL
 573 | "#0": "🯰"  # SEGMENTED DIGIT ZERO
 574 | "#1": "🯱"  # SEGMENTED DIGIT ONE
 575 | "#2": "🯲"  # SEGMENTED DIGIT TWO
 576 | "#3": "🯳"  # SEGMENTED DIGIT THREE
 577 | "#4": "🯴"  # SEGMENTED DIGIT FOUR
 578 | "#5": "🯵"  # SEGMENTED DIGIT FIVE
 579 | "#6": "🯶"  # SEGMENTED DIGIT SIX
 580 | "#7": "🯷"  # SEGMENTED DIGIT SEVEN
 581 | "#8": "🯸"  # SEGMENTED DIGIT EIGHT
 582 | "#9": "🯹"  # SEGMENTED DIGIT NINE
 583 | "fdl": "⚜"  # FLEUR-DE-LIS
 584 | "atom": "⚛"  # ATOM SYMBOL
 585 | "cccp": "☭"  # HAMMER AND SICKLE
 586 | "/!\\": "⚠"  # WARNING SIGN
 587 | "!^": "⚠"  # WARNING SIGN
 588 | "zap": "⚡"  # HIGH VOLTAGE SIGN
 589 | "rad": "☢"  # RADIOACTIVE SIGN
 590 | "bh": "☣"  # BIOHAZARD SIGN
 591 | "biohaz": "☣"  # BIOHAZARD SIGN
 592 | "AAAAA": "⛤"  # PENTAGRAM (pentalpha, get it?)
 593 | "plane": "✈"  # AIRPLANE
 594 | "mail": "✉"  # ENVELOPE
 595 | "whlch": "♿"  # WHEELCHAIR SYMBOL
 596 | "med": "☤"  # CADEUCEUS
 597 | "iwit": "👁️‍🗨️"
 598 | "1med": "⚕"  # STAFF OF AESCULAPIUS
 599 | "o-+": "♀"  # FEMALE SIGN
 600 | "o->": "♂"  # MALE SIGN
 601 | "gay": "⚣"  # DOUBLED MALE SIGN
 602 | "lesbian": "⚢"  # DOUBLED FEMALE SIGN
 603 | "hetero": "⚤"  # INTERLOCKED FEMALE AND MALE SIGN
 604 | "trans": "⚥"  # MALE AND FEMALE SIGN
 605 | "genderq": "⚧"  # MALE WITH STROKE AND MALE AND FEMALE SIGN
 606 | "OX": "☠"  # SKULL AND CROSSBONES
 607 | "death": "☠"  # SKULL AND CROSSBONES
 608 | "Xbones": "☠"  # SKULL AND CROSSBONES
 609 | "kbd": "⌨"  # KEYBOARD
 610 | "rhand": "☞"  # WHITE RIGHT POINTING INDEX
 611 | "lhand": "☜"  # WHITE LEFT POINTING INDEX
 612 | "**": "★"  # BLACK STAR
 613 | "*0": "☆"  # WHITE STAR
 614 | "*-": "✪"  # CIRCLED WHITE STAR
 615 | "*3": "⁂"  # ASTERISM
 616 | "3*": "⁂"  # ASTERISM
 617 | "2*": "⁑"  # TWO ASTERISKS ALIGNED VERTICALLY
 618 | "*4": "✢"  # FOUR TEARDROP-SPOKED ASTERISK
 619 | "*6": "✡"  # STAR OF DAVID
 620 | "*#": "✯"  # PINWHEEL STAR
 621 | "*!": "✱"  # HEAVY ASTERISK
 622 | "<X>": "❖"  # BLACK DIAMOND MINUS WHITE X
 623 | "@#": "⌘"  # PLACE OF INTEREST SIGN
 624 | "`-'": "⚞"  # THREE LINES CONVERGING RIGHT
 625 | "'-`": "⚟"  # THREE LINES CONVERGING LEFT
 626 | "Bellsym": "⍾"  # BELL SYMBOL (or ALIENS LANDING) -- &-a-l-i-e-n ?
 627 | "_^_": "⌤"  # UP ARROWHEAD BETWEEN TWO HORIZONTAL BARS; aka ENTER KEY, aka NOT AMUSED.
 628 | "wait": "⌛"  # HOURGLASS
 629 | "hour": "⌛"  # HOURGLASS
 630 | "time": "⌚"  # WATCH
 631 | "watch": "⌚"  # WATCH
 632 | " N": " "  # EN SPACE
 633 | " M": " "  # EM SPACE
 634 | " 3M": " "  # THREE-PER-EM SPACE
 635 | " 4M": " "  # FOUR-PER-EM SPACE
 636 | " 6M": " "  # SIX-PER-EM SPACE
 637 | " ,": " "  # PUNCTUATION SPACE
 638 | " +": " "  # MEDIUM MATHEMATICAL SPACE
 639 | "()": "◌"  # DOTTED CIRCLE
 640 | "[]": "⬚"  # DOTTED SQUARE
 641 | "*(": "﴾"  # ORNATE LEFT PARENTHESIS
 642 | "*)": "﴿"  # ORNATE RIGHT PARENTHESIS
 643 | "ks": "ʘ"  # LATIN LETTER BILABIAL CLICK (kiss sound)
 644 | "|>": "‣"  # TRIANGULAR BULLET
 645 | "^^h": "ʰ"  # SUPERSCRIPT H
 646 | "^^i": "ⁱ"  # SUPERSCRIPT I
 647 | "^^j": "ʲ"  # SUPERSCRIPT J
 648 | "^^n": "ⁿ"  # SUPERSCRIPT N
 649 | "^^r": "ʳ"  # SUPERSCRIPT R
 650 | "^^w": "ʷ"  # SUPERSCRIPT W
 651 | "^^y": "ʸ"  # SUPERSCRIPT Y
 652 | "^^x": "ˣ"  # SUPERSCRIPT X
 653 | "^^e": "ᵉ"  # MODIFIER LETTER SMALL E
 654 | "^^t": "ᵗ"  # MODIFIER LETTER SMALL T
 655 | "þt": "ꝥ"  # LATIN SMALL LETTER THORN WITH STROKE
 656 | "^?.": "ˀ"  # MODIFIER LETTER GLOTTAL STOP
 657 | "^?(": "ˁ"  # MODIFIER LETTER REVERSED GLOTTAL STOP
 658 | "^-": "⁻"  # SUPERSCRIPT MINUS
 659 | "^+": "⁺"  # SUPERSCRIPT PLUS
 660 | "~~": "≈"  # ALMOST EQUAL TO
 661 | "sh": "ʃ"  # LATIN SMALL LETTER ESH
 662 | "zh": "ʒ"  # LATIN SMALL LETTER EZH
 663 | "lh": "ɬ"  # LATIN SMALL LETTER L WITH BELT
 664 | "l3": "ɮ"  # LATIN SMALL LETTER LEZH
 665 | "yg": "ȝ"  # LATIN SMALL LETTER YOGH
 666 | "YG": "Ȝ"  # LATIN CAPITAL LETTER YOGH
 667 | "?.": "ʔ"  # LATIN LETTER GLOTTAL STOP
 668 | "?(": "ʕ"  # LATIN LETTER PHARYNGEAL VOICED FRICATIVE
 669 | "?v": "ʖ"  # LATIN LETTER INVERTED GLOTTAL STOP
 670 | "?@": "ʖ"  # LATIN LETTER INVERTED GLOTTAL STOP
 671 | "?-": "ʡ"  # LATIN LETTER GLOTTAL STOP WITH STROKE
 672 | "?{": "ʢ"  # LATIN LETTER REVERSED GLOTTAL STOP WITH STROKE
 673 | "ph": "ɸ"  # LATIN SMALL LETTER PHI
 674 | "ih": "ɪ"  # LATIN LETTER SMALL CAPITAL I
 675 | "IH": "ɪ"  # LATIN LETTER SMALL CAPITAL I
 676 | "uh": "ʊ"  # LATIN SMALL LETTER UPSILON
 677 | "UH": "ʊ"  # LATIN SMALL LETTER UPSILON
 678 | "ah": "ɑ"  # LATIN SMALL LETTER ALPHA
 679 | "er": "ɚ"  # LATIN SMALL LETTER SCHWA WITH HOOK
 680 | "o)": "ɔ"  # LATIN SMALL LETTER OPEN O
 681 | "aw": "ɔ"  # LATIN SMALL LETTER OPEN O
 682 | "O)": "Ɔ"  # LATIN CAPITAL LETTER OPEN O
 683 | "AW": "Ɔ"  # LATIN CAPITAL LETTER OPEN O
 684 | "eh": "ɛ"  # LATIN SMALL LETTER OPEN E
 685 | "<ah": "ɒ"  # LATIN SMALL LETTER TURNED ALPHA
 686 | "<eh": "ɜ"  # LATIN SMALL LETTER REVERSED OPEN E
 687 | "<er": "ɝ"  # LATIN SMALL LETTER REVERSED OPEN E WITH HOOK
 688 | "gy": "ɟ"  # LATIN SMALL LETTER DOTLESS J WITH STROKE
 689 | "|'": "ˈ"  # MODIFIER LETTER VERTICAL LINE
 690 | "|,": "ˌ"  # MODIFIER LETTER LOW VERTICAL LINE
 691 | "|_": "̩"  # COMBINING VERTICAL LINE BELOW
 692 | "\\_|": "̩"  # COMBINING VERTICAL LINE BELOW
 693 | "rr": "ɹ"  # LATIN SMALL LETTER TURNED R: voiced alveolar approximant (American English (at least) R)
 694 | "rd": "ɾ"  # LATIN SMALL LETTER R WITH FISHHOOK: voiced alveolar flap or tap (American English intervocalic allophone of d, or Spanish r)
 695 | "vv": "ʌ"  # LATIN SMALL LETTER TURNED V
 696 | "ui": "ɯ"  # LATIN SMALL LETTER TURNED M
 697 | "ww": "ʍ"  # LATIN SMALL LETTER TURNED W
 698 | "yy": "ʎ"  # LATIN SMALL LETTER TURNED Y
 699 | "aa": "ɐ"  # LATIN SMALL LETTER TURNED A
 700 | "hh": "ɥ"  # LATIN SMALL LETTER TURNED H
 701 | "j.": "ȷ"  # LATIN SMALL LETTER DOTLESS J
 702 | "!.": "Ꞌ"  # LATIN CAPITAL LETTER SALTILLO
 703 | "!_.": "ꞌ"  # LATIN SMALL LETTER SALTILLO
 704 | "WW": "ʬ"  # LATIN LETTER BILABIAL PERCUSSIVE
 705 | ":+": "ː"  # MODIFIER LETTER TRIANGULAR COLON
 706 | "gh": "ɣ"  # LATIN SMALL LETTER GAMMA
 707 | "ogh": "ɤ"  # LATIN SMALL LETTER RAMS HORN
 708 | "ain": "ᴥ"  # LATIN LETTER AIN
 709 | "d,": "ɖ"  # LATIN SMALL LETTER D WITH TAIL
 710 | "l,": "ɭ"  # LATIN SMALL LETTER L WITH RETROFLEX HOOK
 711 | "n,": "ɳ"  # LATIN SMALL LETTER N WITH RETROFLEX HOOK
 712 | "s,": "ʂ"  # LATIN SMALL LETTER S WITH HOOK
 713 | "t,": "ʈ"  # LATIN SMALL LETTER T WITH RETROFLEX HOOK
 714 | "z,": "ʐ"  # LATIN SMALL LETTER Z WITH RETROFLEX HOOK
 715 | "f,": "ƒ"  # LATIN SMALL LETTER F WITH HOOK
 716 | "b'": "ɓ"  # LATIN SMALL LETTER B WITH HOOK
 717 | "d'": "ɗ"  # LATIN SMALL LETTER D WITH HOOK
 718 | "g'": "ɠ"  # LATIN SMALL LETTER G WITH HOOK
 719 | "gg": "ɡ"  # LATIN SMALL LETTER SCRIPT G
 720 | "h'": "ɦ"  # LATIN SMALL LETTER H WITH HOOK
 721 | "G'": "ʛ"  # LATIN LETTER SMALL CAPITAL G WITH HOOK
 722 | "No": "№"  # NUMERO SIGN
 723 | "Rx": "℞"  # PRESCRIPTION TAKE
 724 | "Per": "⅌"  # PER SIGN
 725 | "oz.": "℥"  # OUNCE SIGN
 726 | "scr.": "℈"  # SCRUPLE
 727 | "*...": "๛"  # THAI CHARACTER KHOMUT (end of chapter)
 728 | "#b": "♭"  # MUSIC FLAT SIGN
 729 | "#f": "♮"  # MUSIC NATURAL SIGN
 730 | "#=": "♮"  # MUSIC NATURAL SIGN
 731 | "##": "♯"  # MUSIC SHARP SIGN
 732 | "#G": "𝄞"  # MUSICAL SYMBOL G CLEF
 733 | "#F": "𝄢"  # MUSICAL SYMBOL F CLEF
 734 | "#C": "𝄡"  # MUSICAL SYMBOL C CLEF
 735 | "#o/": "♪"  # EIGHTH NOTE
 736 | "#oo": "♫"  # BEAMED EIGHTH NOTES
 737 | "#%": "♫"  # BEAMED EIGHTH NOTES
 738 | "#q": "♩"  # QUARTER NOTE
 739 | "#h": "𝅗𝅥"  # MUSICAL SYMBOL HALF NOTE
 740 | "#w": "𝅝"  # MUSICAL SYMBOL WHOLE NOTE
 741 | "\\`": "̀"  # COMBINING GRAVE ACCENT
 742 | "\\'": "́"  # COMBINING ACUTE ACCENT
 743 | "\\^": "̂"  # COMBINING CIRCUMFLEX ACCENT
 744 | "\\~": "̃"  # COMBINING TILDE
 745 | "\\=": "̄"  # COMBINING MACRON
 746 | "\\\\=": "̅"  # COMBINING OVERLINE -- ???
 747 | "\\U": "̆"  # COMBINING BREVE
 748 | "\\.": "̇"  # COMBINING DOT ABOVE
 749 | "\\\"": "̈"  # COMBINING DIAERESIS
 750 | "\\?": "̉"  # COMBINING HOOK ABOVE
 751 | "\\o": "̊"  # COMBINING RING ABOVE
 752 | "\\0": "̊"  # COMBINING RING ABOVE
 753 | "\\\\'": "̋"  # COMBINING DOUBLE ACUTE ACCENT -- ??
 754 | "\\c": "̌"  # COMBINING CARON
 755 | "\\|": "̍"  # COMBINING VERTICAL LINE ABOVE
 756 | "\\2|": "̎"  # COMBINING DOUBLE VERTICAL LINE ABOVE
 757 | "\\2`": "̏"  # COMBINING DOUBLE GRAVE ACCENT
 758 | "\\\\\\,": "̒"  # COMBINING TURNED COMMA ABOVE
 759 | "\\\\,": "̓"  # COMBINING COMMA ABOVE
 760 | "\\\\<,": "̔"  # COMBINING REVERSED COMMA ABOVE
 761 | "\\fm": "͒"  # COMBINING FERMATA
 762 | "\\(.": "̐"  # COMBINING CHANDRABINDU
 763 | "\\ib": "̑"  # COMBINING INVERTED BREVE -- ??
 764 | "\\()": "⃝"  # COMBINING ENCLOSING CIRCLE
 765 | "\\[q]": "⃞"  # COMBINING ENCLOSING SQUARE
 766 | "\\[d]": "⃟"  # COMBINING ENCLOSING DIAMOND
 767 | "\\(/)": "⃠"  # COMBINING ENCLOSING CIRCLE BACKSLASH
 768 | "\\[s]": "⃢"  # COMBINING ENCLOSING SCREEN
 769 | "\\[k]": "⃣"  # COMBINING ENCLOSING KEYCAP
 770 | "\\[t]": "⃤"  # COMBINING ENCLOSING TRIANGLE
 771 | "\\2/": "⃫"  # COMBINING LONG DOUBLE SOLIDUS OVERLAY
 772 | "\\*": "⃰"  # COMBINING ASTERISK ABOVE
 773 | "\\!": "̣"  # COMBINING DOT BELOW
 774 | "\\__": "̱"  # COMBINING MACRON BELOW
 775 | "\\\\_": "̲"  # COMBINING LOW LINE
 776 | "\\\\\\_": "̳"  # COMBINING DOUBLE LOW LINE
 777 | "\\@o": "̥"  # COMBINING RING BELOW
 778 | "\\@c": "̬"  # COMBINING CARON BELOW
 779 | "\\@^": "̭"  # COMBINING CIRCUMFLEX ACCENT BELOW
 780 | "\\@U": "̮"  # COMBINING BREVE BELOW
 781 | "\\@ib": "̯"  # COMBINING INVERTED BREVE BELOW -- ??
 782 | "\\&@U": "͜"  # COMBINING DOUBLE BREVE BELOW
 783 | "\\2@U": "͜"  # COMBINING DOUBLE BREVE BELOW
 784 | "\\&U": "͝"  # COMBINING DOUBLE BREVE
 785 | "\\2U": "͝"  # COMBINING DOUBLE BREVE
 786 | "\\&-": "͞"  # COMBINING DOUBLE MACRON
 787 | "\\2-": "͞"  # COMBINING DOUBLE MACRON
 788 | "\\&@-": "͟"  # COMBINING DOUBLE MACRON BELOW
 789 | "\\2@-": "͟"  # COMBINING DOUBLE MACRON BELOW
 790 | "\\&_": "͟"  # COMBINING DOUBLE MACRON BELOW
 791 | "\\2_": "͟"  # COMBINING DOUBLE MACRON BELOW
 792 | "\\&~": "͠"  # COMBINING DOUBLE TILDE
 793 | "\\2~": "͠"  # COMBINING DOUBLE TILDE
 794 | "\\&ib": "͡"  # COMBINING DOUBLE INVERTED BREVE
 795 | "\\2ib": "͡"  # COMBINING DOUBLE INVERTED BREVE
 796 | "\\&@ib": "᷼"  # COMBINING DOUBLE INVERTED BREVE BELOW
 797 | "\\2@ib": "᷼"  # COMBINING DOUBLE INVERTED BREVE BELOW
 798 | "\\&>": "͢"  # COMBINING DOUBLE RIGHTWARDS ARROW BELOW
 799 | "\\2>": "͢"  # COMBINING DOUBLE RIGHTWARDS ARROW BELOW
 800 | ".)": "͒"  # COMBINING FERMATA
 801 | "\\\\*": "҉"  # COMBINING CYRILLIC MILLIONS SIGN  -- aka COMBINING SHINY
 802 | "P-": "₽"  # RUBLE SIGN
 803 | "p-": "₽"  # RUBLE SIGN
 804 | "ZWSP": "​"  # ZERO WIDTH SPACE
 805 | "ZWNJ": "‌"  # ZERO WIDTH NON-JOINER
 806 | "ZWJ": "‍"  # ZERO WIDTH JOINER
 807 | "LRM": "‎"  # LEFT-TO-RIGHT MARK
 808 | "RLM": "‏"  # RIGHT-TO-LEFT MARK
 809 | "LRE": "‪"  # LEFT-TO-RIGHT EMBEDDING
 810 | "RLE": "‫"  # RIGHT-TO-LEFT EMBEDDING
 811 | "PDF": "‬"  # POP DIRECTIONAL FORMATTING
 812 | "LRI": "⁦"  # LEFT-TO-RIGHT ISOLATE
 813 | "RLI": "⁧"  # RIGHT-TO-LEFT ISOLATE
 814 | "FSI": "⁨"  # FIRST STRONG ISOLATE
 815 | "PDI": "⁩"  # POP DIRECTIONAL ISOLATE
 816 | "LRO": "‭"  # LEFT-TO-RIGHT OVERRIDE
 817 | "RLO": "‮"  # RIGHT-TO-LEFT OVERRIDE
 818 | "BOM": ""  # ZERO WIDTH NO-BREAK SPACE (Byte Order Mark)
 819 | "CGJ": "͏"  # COMBINING GRAPHEME JOINER
 820 | "WJ": "⁠"  # WORD JOINER
 821 | "a`": "ᴀ"  # LATIN LETTER SMALL CAPITAL A
 822 | "b`": "ʙ"  # LATIN LETTER SMALL CAPITAL B
 823 | "c`": "ᴄ"  # LATIN LETTER SMALL CAPITAL C
 824 | "d`": "ᴅ"  # LATIN LETTER SMALL CAPITAL D
 825 | "e`": "ᴇ"  # LATIN LETTER SMALL CAPITAL E
 826 | "f`": "ꜰ"  # LATIN LETTER SMALL CAPITAL F
 827 | "g`": "ɢ"  # LATIN LETTER SMALL CAPITAL G
 828 | "h`": "ʜ"  # LATIN LETTER SMALL CAPITAL H
 829 | "i`": "ɪ"  # LATIN LETTER SMALL CAPITAL I
 830 | "j`": "ᴊ"  # LATIN LETTER SMALL CAPITAL J
 831 | "k`": "ᴋ"  # LATIN LETTER SMALL CAPITAL K
 832 | "l`": "ʟ"  # LATIN LETTER SMALL CAPITAL L
 833 | "m`": "ᴍ"  # LATIN LETTER SMALL CAPITAL M
 834 | "n`": "ɴ"  # LATIN LETTER SMALL CAPITAL N
 835 | "o`": "ᴏ"  # LATIN LETTER SMALL CAPITAL O
 836 | "p`": "ᴘ"  # LATIN LETTER SMALL CAPITAL P
 837 | "q`": "ꞯ"  # LATIN LETTER SMALL CAPITAL Q
 838 | "r`": "ʀ"  # LATIN LETTER SMALL CAPITAL R
 839 | "s`": "ꜱ"  # LATIN LETTER SMALL CAPITAL S
 840 | "t`": "ᴛ"  # LATIN LETTER SMALL CAPITAL T
 841 | "u`": "ᴜ"  # LATIN LETTER SMALL CAPITAL U
 842 | "v`": "ᴠ"  # LATIN LETTER SMALL CAPITAL V
 843 | "w`": "ᴡ"  # LATIN LETTER SMALL CAPITAL W
 844 | "y`": "ʏ"  # LATIN LETTER SMALL CAPITAL Y
 845 | "z`": "ᴢ"  # LATIN LETTER SMALL CAPITAL Z
 846 | "sun": "☉"  # SUN (Sunday)
 847 | "moon": "☽"  # FIRST QUARTER MOON (Monday)
 848 | "mercury": "☿"  # MERCURY (Wednesday)
 849 | "jupiter": "♃"  # JUPITER (Thursday)
 850 | "saturn": "♄"  # SATURN (Saturday)
 851 | "uranus": "♅"  # URANUS (or ⛢ U26E2?)
 852 | "neptune": "♆"  # NEPTUNE
 853 | "pluto": "♇"  # PLUTO (ok, it isn't a planet anymore, but we still love it.)
 854 | "ceres": "⚳"  # CERES
 855 | "pallas": "⚴"  # PALLAS
 856 | "juno": "⚵"  # JUNO
 857 | "vesta": "⚶"  # VESTA
 858 | "chiron": "⚷"  # CHIRON
 859 | "lilith": "⚸"  # BLACK MOON LILITH
 860 | "[key]": "⚿"  # SQUARED KEY
 861 | "[AS]": "🂡"  # PLAYING CARD ACE OF SPADES
 862 | "[2S]": "🂢"  # PLAYING CARD TWO OF SPADES
 863 | "[3S]": "🂣"  # PLAYING CARD THREE OF SPADES
 864 | "[4S]": "🂤"  # PLAYING CARD FOUR OF SPADES
 865 | "[5S]": "🂥"  # PLAYING CARD FIVE OF SPADES
 866 | "[6S]": "🂦"  # PLAYING CARD SIX OF SPADES
 867 | "[7S]": "🂧"  # PLAYING CARD SEVEN OF SPADES
 868 | "[8S]": "🂨"  # PLAYING CARD EIGHT OF SPADES
 869 | "[9S]": "🂩"  # PLAYING CARD NINE OF SPADES
 870 | "[TS]": "🂪"  # PLAYING CARD TEN OF SPADES
 871 | "[JS]": "🂫"  # PLAYING CARD JACK OF SPADES
 872 | "[NS]": "🂬"  # PLAYING CARD KNIGHT OF SPADES
 873 | "[QS]": "🂭"  # PLAYING CARD QUEEN OF SPADES
 874 | "[KS]": "🂮"  # PLAYING CARD KING OF SPADES
 875 | "[AH]": "🂱"  # PLAYING CARD ACE OF HEARTS
 876 | "[2H]": "🂲"  # PLAYING CARD TWO OF HEARTS
 877 | "[3H]": "🂳"  # PLAYING CARD THREE OF HEARTS
 878 | "[4H]": "🂴"  # PLAYING CARD FOUR OF HEARTS
 879 | "[5H]": "🂵"  # PLAYING CARD FIVE OF HEARTS
 880 | "[6H]": "🂶"  # PLAYING CARD SIX OF HEARTS
 881 | "[7H]": "🂷"  # PLAYING CARD SEVEN OF HEARTS
 882 | "[8H]": "🂸"  # PLAYING CARD EIGHT OF HEARTS
 883 | "[9H]": "🂹"  # PLAYING CARD NINE OF HEARTS
 884 | "[TH]": "🂺"  # PLAYING CARD TEN OF HEARTS
 885 | "[JH]": "🂻"  # PLAYING CARD JACK OF HEARTS
 886 | "[NH]": "🂼"  # PLAYING CARD KNIGHT OF HEARTS
 887 | "[QH]": "🂽"  # PLAYING CARD QUEEN OF HEARTS
 888 | "[KH]": "🂾"  # PLAYING CARD KING OF HEARTS
 889 | "[AD]": "🃁"  # PLAYING CARD ACE OF DIAMONDS
 890 | "[2D]": "🃂"  # PLAYING CARD TWO OF DIAMONDS
 891 | "[3D]": "🃃"  # PLAYING CARD THREE OF DIAMONDS
 892 | "[4D]": "🃄"  # PLAYING CARD FOUR OF DIAMONDS
 893 | "[5D]": "🃅"  # PLAYING CARD FIVE OF DIAMONDS
 894 | "[6D]": "🃆"  # PLAYING CARD SIX OF DIAMONDS
 895 | "[7D]": "🃇"  # PLAYING CARD SEVEN OF DIAMONDS
 896 | "[8D]": "🃈"  # PLAYING CARD EIGHT OF DIAMONDS
 897 | "[9D]": "🃉"  # PLAYING CARD NINE OF DIAMONDS
 898 | "[TD]": "🃊"  # PLAYING CARD TEN OF DIAMONDS
 899 | "[JD]": "🃋"  # PLAYING CARD JACK OF DIAMONDS
 900 | "[ND]": "🃌"  # PLAYING CARD KNIGHT OF DIAMONDS
 901 | "[QD]": "🃍"  # PLAYING CARD QUEEN OF DIAMONDS
 902 | "[KD]": "🃎"  # PLAYING CARD KING OF DIAMONDS
 903 | "[AC]": "🃑"  # PLAYING CARD ACE OF CLUBS
 904 | "[2C]": "🃒"  # PLAYING CARD TWO OF CLUBS
 905 | "[3C]": "🃓"  # PLAYING CARD THREE OF CLUBS
 906 | "[4C]": "🃔"  # PLAYING CARD FOUR OF CLUBS
 907 | "[5C]": "🃕"  # PLAYING CARD FIVE OF CLUBS
 908 | "[6C]": "🃖"  # PLAYING CARD SIX OF CLUBS
 909 | "[7C]": "🃗"  # PLAYING CARD SEVEN OF CLUBS
 910 | "[8C]": "🃘"  # PLAYING CARD EIGHT OF CLUBS
 911 | "[9C]": "🃙"  # PLAYING CARD NINE OF CLUBS
 912 | "[TC]": "🃚"  # PLAYING CARD TEN OF CLUBS
 913 | "[JC]": "🃛"  # PLAYING CARD JACK OF CLUBS
 914 | "[NC]": "🃜"  # PLAYING CARD KNIGHT OF CLUBS
 915 | "[QC]": "🃝"  # PLAYING CARD QUEEN OF CLUBS
 916 | "[KC]": "🃞"  # PLAYING CARD KING OF CLUBS
 917 | "[CB]": "🂠"  # PLAYING CARD BACK
 918 | "[BJ]": "🃏"  # PLAYING CARD BLACK JOKER
 919 | "[WJ]": "🃟"  # PLAYING CARD WHITE JOKER
 920 | "|WK": "♔"  # WHITE CHESS KING
 921 | "|WQ": "♕"  # WHITE CHESS QUEEN
 922 | "|WR": "♖"  # WHITE CHESS ROOK
 923 | "|WB": "♗"  # WHITE CHESS BISHOP
 924 | "|WN": "♘"  # WHITE CHESS KNIGHT
 925 | "|WP": "♙"  # WHITE CHESS PAWN
 926 | "|BK": "♚"  # BLACK CHESS KING
 927 | "|BQ": "♛"  # BLACK CHESS QUEEN
 928 | "|BR": "♜"  # BLACK CHESS ROOK
 929 | "|BB": "♝"  # BLACK CHESS BISHOP
 930 | "|BN": "♞"  # BLACK CHESS KNIGHT
 931 | "|BP": "♟"  # BLACK CHESS PAWN
 932 | "|WDM": "⛀"  # WHITE DRAUGHTS MAN
 933 | "|WDK": "⛁"  # WHITE DRAUGHTS KING
 934 | "|BDM": "⛂"  # BLACK DRAUGHTS MAN
 935 | "|BDK": "⛃"  # BLACK DRAUGHTS KING
 936 | "|WS": "☖"  # WHITE SHOGI PIECE
 937 | "|BS": "☗"  # BLACK SHOGI PIECE
 938 | "|<WS": "⛉"  # TURNED WHITE SHOGI PIECE
 939 | "|<BS": "⛊"  # TURNED BLACK SHOGI PIECE
 940 | "degree": "°"  # DEGREE SIGN
 941 | "degC": "℃"  # DEGREE CELSIUS
 942 | "degc": "℃"  # DEGREE CELSIUS
 943 | "degF": "℉"  # DEGREE FAHRENHEIT
 944 | "degf": "℉"  # DEGREE FAHRENHEIT
 945 | "aries": "♈"  # ARIES
 946 | "taurus": "♉"  # TAURUS
 947 | "gemini": "♊"  # GEMINI
 948 | "cancer": "♋"  # CANCER
 949 | "leo": "♌"  # LEO
 950 | "virgo": "♍"  # VIRGO
 951 | "libra": "♎"  # LIBRA
 952 | "scorp": "♏"  # SCORPIUS
 953 | "sagit": "♐"  # SAGITTARIUS
 954 | "capric": "♑"  # CAPRICORN
 955 | "aquar": "♒"  # AQUARIUS
 956 | "pisces": "♓"  # PISCES
 957 | "ophiuc": "⛎"  # OPHIUCHUS
 958 | "idea": "💡"  # ELECTRIC LIGHT BULB
 959 | "anger": "💢"  # ANGER SYMBOL
 960 | "bomb": "💣"  # BOMB
 961 | "zzz": "💤"  # SLEEPING SYMBOL
 962 | "pow": "💥"  # COLLISION SYMBOL
 963 | "sweat": "💦"  # SPLASHING SWEAT SYMBOL
 964 | "drop": "💧"  # DROPLET
 965 | "zip": "💨"  # DASH SYMBOL
 966 | "poo": "💩"  # PILE OF POO
 967 | "dizzy": "💫"  # DIZZY SYMBOL
 968 | "$bag": "💰"  # MONEY BAG
 969 | "cake": "🍰"  # SHORTCAKE
 970 | "lie": "🎂"  # BIRTHDAY CAKE
 971 | "bday": "🎂"  # BIRTHDAY CAKE
 972 | "AOK": "👌"  # OK HAND SIGN
 973 | "thmup": "👍"  # THUMBS UP SIGN
 974 | "thmdn": "👎"  # THUMBS DOWN SIGN
 975 | "kiss": "💋"  # KISS MARK
 976 | "DNE": "⛔"  # NO ENTRY
 977 | "(1:00)": "🕐"  # CLOCK FACE ONE OCLOCK
 978 | "(2:00)": "🕑"  # CLOCK FACE TWO OCLOCK
 979 | "(3:00)": "🕒"  # CLOCK FACE THREE OCLOCK
 980 | "(4:00)": "🕓"  # CLOCK FACE FOUR OCLOCK
 981 | "(5:00)": "🕔"  # CLOCK FACE FIVE OCLOCK
 982 | "(6:00)": "🕕"  # CLOCK FACE SIX OCLOCK
 983 | "(7:00)": "🕖"  # CLOCK FACE SEVEN OCLOCK
 984 | "(8:00)": "🕗"  # CLOCK FACE EIGHT OCLOCK
 985 | "(9:00)": "🕘"  # CLOCK FACE NINE OCLOCK
 986 | "(10:00)": "🕙"  # CLOCK FACE TEN OCLOCK
 987 | "(11:00)": "🕚"  # CLOCK FACE ELEVEN OCLOCK
 988 | "(12:00)": "🕛"  # CLOCK FACE TWELVE OCLOCK
 989 | "(1:30)": "🕜"  # CLOCK FACE ONE-THIRTY
 990 | "(2:30)": "🕝"  # CLOCK FACE TWO-THIRTY
 991 | "(3:30)": "🕞"  # CLOCK FACE THREE-THIRTY
 992 | "(4:30)": "🕟"  # CLOCK FACE FOUR-THIRTY
 993 | "(5:30)": "🕠"  # CLOCK FACE FIVE-THIRTY
 994 | "(6:30)": "🕡"  # CLOCK FACE SIX-THIRTY
 995 | "(7:30)": "🕢"  # CLOCK FACE SEVEN-THIRTY
 996 | "(8:30)": "🕣"  # CLOCK FACE EIGHT-THIRTY
 997 | "(9:30)": "🕤"  # CLOCK FACE NINE-THIRTY
 998 | "(10:30)": "🕥"  # CLOCK FACE TEN-THIRTY
 999 | "(11:30)": "🕦"  # CLOCK FACE ELEVEN-THIRTY
1000 | "(12:30)": "🕧"  # CLOCK FACE TWELVE-THIRTY
1001 | "B|": "₿"  # BITCOIN SIGN
1002 | 


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/pyproject.toml:
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 1 | [tool.poetry]
 2 | name = "gen-compose"
 3 | version = "1.2.0"
 4 | description = "Key generator for macos keybinding system"
 5 | authors = ["Granitosaurus <wraptile@pm.me>"]
 6 | license = "GPL-3.0-or-later"
 7 | packages = [
 8 |     {"include" = "gencompose.py"},
 9 |     {"include" = "convcompose.py"},
10 |     {"include" = "toXcompose.py"},
11 | ]
12 | readme = "README.md"
13 | homepage = "https://github.com/Granitosaurus/macos-compose"
14 | repository = "https://github.com/Granitosaurus/macos-compose"
15 | keywords = ['macos', 'compose', 'keymap']
16 | classifiers = [
17 |     "Development Status :: 4 - Beta",
18 |     "License :: OSI Approved :: GNU General Public License v3 or later (GPLv3+)",
19 |     "Topic :: System :: Hardware",
20 |     "Topic :: Utilities",
21 | ]
22 | 
23 | [tool.poetry.dependencies]
24 | python = "^3.6"
25 | click = "^7.1.2"
26 | pyyaml = "^5.3.1"
27 | 
28 | [tool.poetry.dev-dependencies]
29 | pytest = "^6.1.0"
30 | 
31 | [tool.poetry.scripts]
32 | gen-compose = "gencompose:main"
33 | gen-compose-convert = "convcompose:main"
34 | gen-compose-export = "toXcompose:main"
35 | 
36 | 
37 | [build-system]
38 | requires = ["poetry>=0.12"]
39 | build-backend = "poetry.masonry.api"
40 | 


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/tests/__init__.py:
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https://raw.githubusercontent.com/Granitosaurus/macos-compose/0bdd7b6cc0713103b6726834d79e2ad3f9fc7143/tests/__init__.py


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/tests/test.compose:
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1 | # some leading comments
2 | # that should be ignored
3 | <Multi_key> <period> <period>		: "…"	U2026		# HORIZONTAL ELLIPSIS
4 | 
5 | # spaces and line breaking comments should be ignored too
6 | 


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/tests/test_convcompose.py:
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 1 | from pathlib import Path
 2 | 
 3 | from click.testing import CliRunner
 4 | from convcompose import main
 5 | 
 6 | 
 7 | def test_xcompose_convert():
 8 |     runner = CliRunner()
 9 |     file = Path(__file__).parent / 'test.compose'
10 |     result = runner.invoke(main, args=['xcompose', str(file)])
11 |     assert result.exit_code == 0
12 |     assert result.output == '"..": "…"\n'
13 |     result = runner.invoke(main, args=['xcompose', str(file), '--keep-comments'])
14 |     assert result.exit_code == 0
15 |     assert result.output == '"..": "…"  # HORIZONTAL ELLIPSIS\n'
16 | 


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/toXcompose.py:
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 1 | import yaml
 2 | import click
 3 | from click import echo
 4 | from convcompose import KEY_MAP
 5 | 
 6 | mapping_dict = {v: k for k, v in KEY_MAP.items()} 
 7 | 
 8 | def get_xcompose_key(key):
 9 |     xval = "<Multi_key> " # might be another unique value
10 |     for i in key:
11 |         kval = i
12 |         if i in mapping_dict:
13 |             kval = mapping_dict[i]
14 |         xval += f"<{kval}>"
15 |     return xval
16 | 
17 | def get_xcompose_val(val):
18 |     return f'"{val}"'
19 | 
20 | @click.command()
21 | @click.argument('yamlfile', type=click.File())
22 | def main(yamlfile):
23 |     """
24 |     Export .yaml config file back to XCompose file
25 |     i.e. this is reverse of gen-compose-convert
26 |     """
27 |     yamldata = yaml.load(yamlfile.read(), Loader=yaml.Loader)
28 |     for k, v in yamldata.items():
29 |         xkey = get_xcompose_key(k)
30 |         xval = get_xcompose_val(v)
31 |         echo(f"{xkey}:{xval}")
32 | 
33 | if __name__ == '__main__':
34 |     main()
35 | 
36 | 


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