├── 1.mp3 ├── 2.mp3 ├── 3.mp3 ├── Instruments.html ├── LICENSE ├── Math.html ├── PIdetial.html ├── PIorigin.html ├── README.md ├── css ├── Instruments.css ├── detail.css ├── index.css ├── nav.css ├── origin.css └── thank.css ├── dlam.mp4 ├── fivetone.html ├── fivetonedetial.html ├── fivetoneorigin.html ├── img ├── 1.jpg ├── bd.png ├── bdctyq.png ├── bg.png ├── bg1.jpg ├── bk.jpg ├── borbg.jpg ├── bz.jpg ├── bz2.jpg ├── bz3.jpg ├── bz_title.png ├── bza.jpg ├── ctyq.jpg ├── ctyq1.jpg ├── dt.webp ├── eh.jpg ├── gq.jpg ├── gz.jpg ├── gz.png ├── hd.png ├── logo.png ├── m1.png ├── m2.png ├── m3.png ├── m4.png ├── m5.jpg ├── m5.png ├── m6.png ├── mdbk.jpg ├── mdbk_title.jpg ├── qing.png ├── qy.png ├── qy1.jpg ├── qy2.jpg ├── qy3.jpg ├── qy4.jpg ├── sfsyf.png ├── tag1.png ├── tx.jpg ├── wdq.jpg ├── wdxsl_title.png ├── ws_title.png ├── wsds.png ├── wsg.jpg ├── wsj.jpg ├── wss.jpg ├── wsy.jpg ├── wsz.jpg ├── ya.png ├── yan.png ├── yjt.png ├── yq1.png ├── yq2.png ├── yq3.png ├── yq4.png ├── yq5.png ├── yq6.png ├── yq7.png ├── yq8.png ├── yq9.jpg ├── yqs.png ├── yyt.jpg └── zjt.png ├── index.html ├── multi.html ├── questionnaire.html ├── seventone.html ├── thanks.html ├── wdxsl.mp4 └── wsds.mp4 /1.mp3: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/HKCA09/Web-Demo-CNtraditionalMusicMode/0f053116e4799f4507f592926c1e096d32874df6/1.mp3 -------------------------------------------------------------------------------- /2.mp3: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/HKCA09/Web-Demo-CNtraditionalMusicMode/0f053116e4799f4507f592926c1e096d32874df6/2.mp3 -------------------------------------------------------------------------------- /3.mp3: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/HKCA09/Web-Demo-CNtraditionalMusicMode/0f053116e4799f4507f592926c1e096d32874df6/3.mp3 -------------------------------------------------------------------------------- /Instruments.html: -------------------------------------------------------------------------------- 1 | 2 | 3 | 4 | 5 | 知识延伸 八大传统乐器 6 | 7 | 8 | 9 | 10 | 11 |
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69 |

《题破山寺后禅院》

70 |

【唐】常建
71 | 清晨入古寺，初日照高林。
72 | 曲径通幽处，禅房花木深。
73 | 山光悦鸟性，潭影空人心。
74 | 万籁此都寂，但余钟磬音。 75 |

76 |

77 |     编钟是中国古代重要的打击乐器，是钟的一种。编钟兴起于西周，盛于春秋战国直至秦汉。编钟由若干个大小不同的钟有次序地悬挂在木架上编成一组或几组，每个钟敲击的音高各不相同。由于年代不同，编钟的形状也不尽相同，但钟身都绘有精美的图案。 78 |

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83 |

《寄鲁漕》

84 |

【宋】吴芾
85 | 四海耆英世共知，七旬强健似公稀。
86 | 使星姑暂淹黄发，卿月还须近紫微。
87 | 门外埙篪方合奏，庭前兰玉更相辉。
88 | 人生乐事谁能及，莫惜通宵寿斚飞。
89 |

90 |

91 |     埙 【xūn】是中国最古老的吹奏乐器之一。埙是闭口吹奏乐器，音色朴拙抱素独为天籁，在世界原始艺术史中占有重要地位。 92 |

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99 |

《听弹琴》

100 |

【唐】刘长卿
101 | 泠泠七弦上，静听松风寒。
102 | 古调虽自爱，今人多不弹。 103 |

104 |

105 |     古琴，又称瑶琴、玉琴、丝桐和七弦琴，是中国汉族传统拨弦乐器，有三千年以上历史，属于八音中的丝。古琴音域宽广，音色深沉，余音悠远。 106 |

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111 |

《与史郎中钦听黄鹤楼上吹笛》

112 |

【唐】李白
113 | 一为迁客去长沙，西望长安不见家。
114 | 黄鹤楼中吹玉笛，江城五月落梅花。 115 |

116 |

117 |     笛子 ，是古老的汉族乐器，也是汉族乐器中最具代表性最有民族特色的吹奏乐器。中国传统音乐中常用的横吹木管乐器之一，中国竹笛，一般分为南方的曲笛、北方的梆笛、和介于两者之间的中笛。 118 |

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125 |

《听筝》

126 |

【唐】李端
127 | 鸣筝金粟柱，素手玉房前。
128 | 欲得周郎顾，时时误拂弦。 129 |

130 |

131 |     古筝又名汉筝、秦筝、瑶筝、鸾筝，是民族传统乐器中的筝乐器，属于弹拨乐器。它是中国独特的、重要的民族乐器之一。古筝是一件伴随中国悠久文化，在这肥沃的黄土地上土生土长的古老民族乐器。 132 |

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135 |
136 |
137 |

《凤凰曲》

138 |

【唐】李白
139 | 嬴女吹玉箫，吟弄天上春。
140 | 青鸾不独去，更有携手人。
141 | 影灭彩云断，遗声落西秦。 142 |

143 |

144 |     排箫 是把若干支同种材质的音管，用粘接、捆绑、或框架固定的方式把它们结合成一个整体乐器，排箫的音色纯美，轻柔细腻、空灵飘逸。 145 |

146 |

147 | 中国有这样传说：华夏先祖黄帝曾命乐官伶伦制作乐器，他用竹做了“参差”，这种乐器是由长短不一的竹管组成，所以人们都说“参差不齐”。“参差”实际上就是说的排箫。 148 |

149 |
150 | 151 |
152 |
153 | 154 |
155 |

《李凭箜篌引》

156 |

【唐】李贺
157 | 吴丝蜀桐张高秋，空山凝云颓不流。
158 | 江娥啼竹素女愁，李凭中国弹箜篌。
159 | 昆山玉碎凤凰叫，芙蓉泣露香兰笑。
160 | 十二门前融冷光，二十三丝动紫皇。
161 | 女娲炼石补天处，石破天惊逗秋雨。
162 | 梦入神山教神妪，老鱼跳波瘦蛟舞。
163 | 吴质不眠倚桂树，露脚斜飞湿寒兔。 164 |

165 |

166 |     箜篌 【kōng hóu】 是中国古代的弹弦乐器。最初称“坎侯”或“空侯”，在古代除宫廷雅乐使用外，在民间也广泛流传，在古代有卧箜篌、竖箜篌、凤首箜篌三种形制。从十四世纪后期不再流行，以致慢慢消失，只能在以前的壁画和浮雕上看到一些箜篌的图样。 167 |

168 |
169 |
170 |
171 |
172 |

《临江仙·梦后楼台高锁》

173 |

【宋】晏几道
174 | 梦后楼台高锁，酒醒帘幕低垂。去年春恨却来时。落花人独立，微雨燕双飞。
175 | 记得小苹初见，两重心字罗衣。琵琶弦上说相思。当时明月在，曾照彩云归。 176 |

177 |

178 |     琵琶 ，是东亚传统弹拨乐器，已有两千多年的历史。最早被称为“琵琶”的乐器大约在中国秦朝出现。“琵琶”二字中的“珏”意为“二玉相碰，发出悦耳碰击声”，表示这是一种以弹碰琴弦的方式发声的乐器。 179 |

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联系网站作者    Copyright ©  花开尘埃a

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76 | 77 |

78 | 一个个音是如何在一个八度中被确定下来，这其实是律学的中心问题。也就是说，如果某一个音的频率是1，那么我们得找出1和2之间还有那些重要的频率，形成一系列音律。 79 | 如果你有学习弦乐器的经历，比如古琴、古筝、吉他、小提琴之类的，就能笃而论之，他们的发声是因为琴弦的震动。而通过按压等方式，改变琴弦的长度，发声的音调就会发生变化。 80 |

81 |

82 | 脑海里想象一个类似古琴的模型。假设，我们现在按在一根琴弦上的某一个位置，然后拨动琴弦，得到一个音，将弹奏的这一部分琴弦的长度规定为一个单位。 83 |

84 |

85 | 然后，移动按压的位置，将原来振动的全部弦长，缩短到原来的1/2，这时再拨动琴弦，我们会听到一个比较高的音。物理上，弦的振动频率和其长度是成反比的。这个音和上一个音之间，就是八度音程的关系。 86 |

87 |

88 | 画一个简易版的图示。 89 |

90 |
91 | 92 |
93 |

94 | 先画一根琴弦，规定它的长度为1，假设它的音高是中音1，叫做“主音”。 95 |

96 |
97 | 98 |
99 |

100 | 弹奏时它会上下振荡，画一个梭子表示琴弦的振动。我们把它叫做一个“包络”，代表这个音的波形。 101 |

102 |
103 | 104 |
105 |

106 | 接下来，按住这根琴弦的中间位置，分别拨动左右两边的琴弦，这样琴弦振动起来就像两个包络。这个声音就比原来的高了八度，变成了高音1.弦乐器作为发展最早的乐器种类之一，历史悠久，在中国从古至今都占有着重要地位，浸润着中国传统文化的深厚内涵。 107 |

108 |

在古代，这种现象早已被人熟知。

109 |

110 | 不难继续探究，如果在弦乐器上用按中点的方式这么简单的方式，就能实现八度音程2：1的关系。那么试试按别的位置会怎么样呢？ 111 | 数学上2：1是最简单的比例关系，简单性仅次于它的就是3：1。那么，如果按住弦的1/3点，分别弹奏两部分，会怎么样呢？会得到两个高一些的音。 112 |

113 |

114 | 其中，弦长变成原来的1/3的那部分琴弦，发音的频率是原来的3倍，另一段变成了原来的2/3的弦，弦音是原来的3/2倍。 115 | 值得注意的是，因为它们彼此的弦长比是2：1，这两个音彼此也是八度音程的关系。 116 | 这样一来，在我们要寻找的1~2这样一个八度的音高范围内，出现了第一个重要的频率，即3/2。 117 |

118 |

119 | 接着再试，简单性次于3：1的是4：1。那试试按弦的1/4点会怎样？ 120 | 同样出现了两个音。弦长变为原来的1/4的部分，音的频升为4倍，比最初那个音高两个八度。弦长是原来的3/4的那部分，音的频率是主音的4/3倍。这样在1~2之间就又得到了一个重要的频率，4/3。 121 |

122 |

123 | 得到这两个频率之后，是否再取5：1、6：1继续找下去呢？ 124 | 在听觉上，这些音与主音的和谐程度远不及3/2、4/3这两个频率。 125 |
接着画简易图示。 126 |

127 |
128 | 129 |
130 |

131 | 以此类推，接着按住琴弦的1/3处，弹奏的声音更高了，声音频率变成3倍，这样就可以画出三个包络。 132 |

133 |
134 | 135 |
136 |

137 | 以此类推。
由图示可见，每个包络结束，波形又回到了起点。 138 |

139 |
140 | 141 |
142 |

143 | 这三个波形，在起始点和终点各有一个重合点（实蛙），也就是说最少经过两个包络、或者三个（虚蛙），这三个波形就又同时回归到共同的位置。当波形的出发点和回归点重合时，声音听起来和谐。 144 | 因为这样的过程同时出发又同时回归，就像诗歌的押韵一样有规律。音符内在和谐的感觉越强，听起来，也就越和谐悦耳。 145 |

146 |

147 | 对于声音来说，回归所需的包络越多，和谐性就越差。 一根琴弦，在长度不同的情况下振动，可以发出音调高低不同的声音。在听觉上，与主音1最和谐的，除了主音的各个八度之外，就是3/2和4/3。 148 |

149 |

150 | 这个发现，和见载于先秦时期《管子·地员篇》、《吕氏春秋·音律篇》 “三分损益律”有“异曲同工之妙”。也就是我们上一篇中提到的“三生万物”。 151 | 凡将起五音凡首，先主一而三之，四开以合九九，以是生黄钟小素之首，以成宫。三分而益之以一，为百有八，为徵。不无有三分而去其乘，适足，以是生商。有三分，而复于其所，以是成羽。有三分，去其乘，适足，以是成角。 152 | ——《管子·地员篇》 153 |

154 |

155 | 『凡将起五音』凡想求取或计算五音，可依照下述方法。 156 |

157 |

158 | 『凡首，先主一而三之』第一步须做的，先要以一乘以三. 159 |

160 |

161 | 『四开以合九九，以是生黄钟小素之首以成宫』“四开”，即四次方之意（之所以选择3来做乘方的运算，是为了后续计算的方便），可得八十一（1×34=81）。黄钟为十二律之一，表示音的高度，相当于现在所谓的C调。“小素”是琴的小弦。整句的意思是说，长度为八十一单位的律管之音，与琴上的小弦一样，为黄钟的宫音。 162 |

163 |

164 | 『三分而益之以一，为百有八，为徵』把八十一分为三等份得27，加其一份，结果为一〇八（81÷3×4=108），这就是徵音的长度。 165 |

166 |

167 | 『不无有三分而去其乘，适足，以是生商』如果再从一〇八中减去三分之一，就是商音（108÷3×2=72）。 168 |

169 |

170 | 『有三分，而复于其所，以是成羽』七十二加其三分之一，得到的就是羽音（72÷3×4=96）。 171 |

172 |

173 | 『有三分，去其乘，适足，以是成角』再从九十六中减去其三分之一，得到的便是角音（96÷3×2=64）。 174 |

175 |

176 | 根据物理学原则，管弦越长则音越低。以此排列，最低音是徵（108），次低为羽（96），接着是宫/黄钟（81），商（72），角（64）。 177 | 若以宫音，即黄钟音为最低音，在和比它高八度的清黄钟音之间，只要反复利用2/3和4/3，继续往下推算，便可求全一个八度音程中的十二律。 178 | 这就和我们前文，识海拨弦的计音方式大致相通。从一个固定的音出发，乘以一定的比例就可以构造出所有的音符。 179 |

180 |

181 | “三分损益法”，采用数学方法计算五声音阶中各音管长或弦长之比，是世界上最早、也是当时最先进的律学计算方法。无论在国内还是国外，这种律制的形成对律学学科的发展、各种律制的产生都具有不可磨灭的作用，担得起“开律制之先河”的赞誉。从某种意义上讲，三分损益法揭开了中国乃至世界律学研究的宏伟篇章。 182 |

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含义

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71 | 五度相生律又叫“三分损益律”，它是按纯五度的关系向上或向下推算的办法，来找出整个各个音级的精确高度。即是用分音列中第二分音与第三分音之间的音高关系，连续相生而求得出的各个音级的准确音高。 72 | 三分损益法是古代中国发明制定音律时所用的生律法。根据某一标准音的管长或弦长，推算其余一系列音律的管长或弦长时，须依照一定的长度比例，三分损益法提供了一种长度比例的准则。 73 |

74 |

75 | 中国音乐有悠久的历史和独特的创造。秦以前，中国已创造了乐器和乐曲，发明了乐律。汉唐盛世，中国音乐以歌舞音乐见长；宋元以后，则以戏曲音乐为主。当今世界公认的音乐律制，如五度相生律（中国称三分损益律）、纯律及平均律，中国皆独立发明。 76 |

77 |

78 | 在国外，五度相生律最早出现在古希腊，是由毕达哥拉斯所发现的，所以在国外一直称五度相生律为“毕达哥拉斯律”。 79 |

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81 | 根据五度相生律得出的各律，虽然在音名上与十二平均律的音名相同，但它们在音高上却有一些区别，各个半音之间并不相同，有大全音、小半音、大半音之分。 82 | 五度相生律的最大好处就是调性明确，音与音之间的倾向性好，更易于表现音乐的旋律感。 83 | 在许多民族乐器中，都使用五度相生律。 84 |

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86 | 三分损益包含“三分损一”、“三分益一”两层含义。三分损一是指将原有长度作3等分而减去其1份，即：原有长度×(3-1)/3=生得长度；而三分益一则是指将原有长度作3等分而增添其1份，即：原有长度×(3+1)/3=生得长度。两种方法可以交替运用、连续运用，各音律就得以辗转相生。 87 |

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92 | 以一段圆径绝对均匀的发声管为基数——宫（1）；然后，将此发声管均分成三段，舍弃其中的一段保留二段，这就是“三分损一”，余下来的三分之二长度的发声管所发出的声音，就是“宫”的纯五度高音—— 徵（5）；将 徵管均分成三份，再加上一份，即 徵管长度的三分之四，这就是“三分益一”，于是就产生了 徵的纯四度低音——商（2）；商管保留三分之二，“三分损一”，于是得出商的纯五度高音——羽（6）；羽管“三分益一”，即羽管的三分之四的长度，就是角管，角管发出羽的纯四度低音——角（3）。 93 |

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95 | 这样，在有了基本音“宫”之后，经过两次“三分损一”和两次“三分益一”，“宫、商、角、 徵、羽”五个音阶就生成了。宫生 徵， 徵生商，商生羽，羽生角，由于是“五五相生”，因此，乐律家们说起五个音阶来，他们不说“宫、商、角、 徵、羽”，而是说成“宫、 徵、商、羽、角”。 96 |

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77 | 世界如此简单！ 78 |
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    “三分损益法”每制出新的律管与原律管的音高都是上方五度，再下方四度，又上方五度，再下方四度……的关系，但需要再按音高次序调整排列，才能得出十二律，所以它又叫“五度相生律”，亦有称之为“五度相生法”。《管子·地圆篇》中的相生方法是先“益”后“损”。 81 |

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112 | 今天的人们都知道，乐音的音高，是由发声乐器震动的频率所决定的。如果一个声音的震动频率为a ；另一个声音的震动频率是2a 的话，那么，后一个声音就是前一个声音的“纯八度”高音。同理，如果一个声音的频率为a ，另一个声音的频率为a的一半（a/2），那么，后一个声音就是前一个声音的“纯八度”低音。 113 |

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115 | 中国古人虽然不懂得震动发音的物理学理论，但是他们却总结出了跟现代发声理论完全一致的道理。一件圆径固定，长度固定的发声器所发出的声音是一个定值，如果另一件圆径相同发声器的长度是这件发声器长度的一半的话，那么，另一件发声器所发出的声音，就是一个纯八度的高音。同理，如果另一件发声器的长度是原来发声器长度的二倍，那么，另一件发声器所发出的声音，就是一个纯八度的低音。　中国古人所使用的音阶是“五声音阶”，即“宫商角 徵羽”五个音。其中，宫相当于西洋音阶的1（dou），商相当于2（re），角相当于3（mi）， 徵相当于5（sou），羽相当于6（la）。 116 |

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118 | 在中国古代的音乐理论中，“宫商角 徵羽”这五个音阶，相互之间的关系是怎样的呢？换言之，它们又都是怎样先后产生的呢？中国古代关于这个内容的律学理论，叫做“三分损益法”。“三分损益法”认为，“宫”是基本音，有了基本音“宫”之后，经过几次的“三分损益”，其它的四个音阶也就产生了。最迟到春秋中期，古代音乐理论“三分损益法”就已经形成了。在《国语》中，在《管子·地员篇》里，在《吕氏春秋·音律篇》中，分别记述了“三分损益法”的一些内容。《史记·律书》和《汉书·律历志》中的理论，基本上是抄录《管子》、《吕氏春秋》以及《淮南子》中的相关内容。 119 |

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121 | 三分损益法的记载最早见于春秋时期《管子·地员篇》，是同关于宫、徵、商、羽、角五音的记载联系在一起的；到《吕氏春秋·音律篇》，又开始与关于黄钟、林钟等十二律长度规范的记载联系在一起。按三分损益法生律的次序 ， 求上方五度音之律 ， 古代称为“下生”；求下方四度之律，古代称为“上生”。从一律出发，下生5次，上生6次，便可得出十二律。但《吕氏春秋》只有生律方法而无具体数据，《淮南子》后者延续这个方法并计算了十二音的数据。然而这些数据于生律方法不尽相符。通过分析，可以解释《淮南子》中所呈现的这个矛盾，其实更符合书中所阐释的哲学观。过去学界认为在自先秦以来浩繁的乐律学文献中，这组数据是个孤例，1985年发现的天水放马滩秦简，则不仅为淮南律数提供了更早的源头，也反映了当时人们已经拥有的乐律学认识 。 122 |

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157 | 158 | 159 | -------------------------------------------------------------------------------- /README.md: -------------------------------------------------------------------------------- 1 | # Web-Demo-CNtraditionalMusicMode 2 | 一个关于前端、网站规划与网页设计的Demo（HTML，CSS，JS） 3 | * 网站主题是《宫商角徵羽》——中国传统音乐调式宣传网站 4 | 是 [bilibili-【前端/网站规划与网页设计】结课大作业效果展示](https://www.bilibili.com/video/BV1Gf4y1S7P3) 视频中项目的源码 5 | 6 | * html & css & js: 项目文件、源代码 7 | * img: 图片素材 8 | * .mp3: 音频素材 9 | * .mp4: 视频素材 10 | * readme: 说明文档 此文档 11 | 12 | 基本介绍： 13 | --- 14 | 本网站一共有十二个页面，网站深度为三层，网站一共分为四个大栏目， 15 | 分别是关于五声（概念引入），关于五度相生律（知识介绍），知识延伸（多角度解读），感谢。 16 | 为了突出中国传统文化元素，本页面配色选取主色调为红色， 17 | 导航栏为唐菖蒲红（#de1c31），页面背景颜色为淡米粉（#fbeee2），元素也选用了高粱红，玉红等颜色。 18 | 19 | 一些说明： 20 | --- 21 | 本网站无后台，尽管问卷页面有反馈，但是确实没有后台数据库接收，仅作功能展示 22 | 前端初学者，很多代码都写得乱乱的，仅供参考，仍在努力学习中 23 | 24 | #### 本案例提交于2020/04/16，仅学习，无后续更新 25 | -------------------------------------------------------------------------------- /css/Instruments.css: -------------------------------------------------------------------------------- 1 | *{ 2 | margin: 0; 3 | padding: 0; 4 | } 5 | body{ 6 | font-family: "微软雅黑"; 7 | } 8 | .box{ 9 | width: 100%; 10 | height: 720px; 11 | background: no-repeat center center fixed; 12 | color: #333; 13 | overflow: hidden; 14 | } 15 | .box1{ 16 | background-image: url(../img/ctyq.jpg); 17 | } 18 | .box1 .text{ 19 | margin:10% 35%; 20 | } 21 | .box2{ 22 | background-image: url(../img/bg1.jpg); 23 | vertical-align: middle; 24 | } 25 | .box2 .text{ 26 | margin-top: 20px; 27 | margin-right: 100px; 28 | float: right; 29 | } 30 | .box2 img{ 31 | height:700px ; 32 | } 33 | .box2 .text h2{ 34 | margin-top: 120px; 35 | font-size: 24px; 36 | font-weight: normal; 37 | } 38 | .box2 .text p{ 39 | font-size: 16px; 40 | line-height: 30px; 41 | width: 550px; 42 | margin-top: 10px; 43 | margin-left: 15px; 44 | } 45 | .box3{ 46 | background-image: url(../img/bg1.jpg); 47 | vertical-align: middle; 48 | } 49 | .box3 .text{ 50 | margin-top: 20px; 51 | margin-left: 170px; 52 | float: left; 53 | } 54 | .box3 img{ 55 | height:700px ; 56 | } 57 | .box3 .text h2{ 58 | margin-top: 120px; 59 | font-size: 24px; 60 | font-weight: normal; 61 | } 62 | .box3 .text p{ 63 | font-size: 16px; 64 | line-height: 30px; 65 | width: 500px; 66 | margin-top: 10px; 67 | margin-right: 15px; 68 | } -------------------------------------------------------------------------------- /css/detail.css: -------------------------------------------------------------------------------- 1 | .main{ 2 | padding-top: 80px; 3 | } 4 | .banner{ 5 | margin:0; 6 | padding: 0; 7 | text-align: center; 8 | position:absolute; 9 | width:100%; 10 | height:500px; 11 | overflow:hidden; 12 | z-index: -1; 13 | vertical-align: middle; 14 | } 15 | .banner:after{ 16 | position:absolute; 17 | content:''; 18 | width:100%; 19 | height:100%; 20 | top:0; 21 | left:0; 22 | box-shadow:0 0 20px 10px rgba(255,255,255,0.7) inset; 23 | } 24 | .banner img{ 25 | width: 100%; 26 | vertical-align: middle; 27 | } 28 | .title{ 29 | width: 100%; 30 | margin-top: 540px; 31 | text-align: center; 32 | } 33 | .title img{ 34 | width: 300px; 35 | } 36 | .txt{ 37 | margin-top: 10px; 38 | margin-bottom: 0; 39 | margin-left: 10%; 40 | margin-right: 10%; 41 | } 42 | .txt img{ 43 | vertical-align:middle; 44 | } 45 | .txt h2{ 46 | font-family: "微软雅黑"; 47 | font-weight:normal; 48 | display: inline; 49 | margin-left: 20px; 50 | vertical-align:middle; 51 | } 52 | .txt p{ 53 | text-indent: 2em; 54 | margin:10px 30px; 55 | line-height: 24px; 56 | } 57 | .p1{ 58 | padding:0 25px; 59 | padding-top: 10px; 60 | } 61 | .txt h3{ 62 | font-family: "微软雅黑"; 63 | font-weight:normal; 64 | display: inline; 65 | margin-left: 150px; 66 | vertical-align:middle; 67 | color: #C02C38; 68 | } 69 | .pic{ 70 | margin-left: 40%; 71 | margin-top: 20px; 72 | height: 75px; 73 | } 74 | #fy{ 75 | width:50px; 76 | height:20px; 77 | text-align:center; 78 | font-size:16px; 79 | color:red; 80 | position:absolute; 81 | right:0px; 82 | top:0px; 83 | cursor:pointer; 84 | } 85 | /* 视频表格样式 */ 86 | .mid{ 87 | margin-left:270px ; 88 | margin-right:230px ; 89 | } 90 | .tx{ 91 | display: inline-block; 92 | float: left; 93 | } 94 | .tx img{ 95 | width:60px; 96 | height:60px; 97 | border-radius:50%; 98 | overflow:hidden; 99 | margin-left:20px; 100 | margin-top: 20px; 101 | } 102 | td h2{ 103 | margin-left:10px; 104 | } 105 | .name{ 106 | 107 | float: right; 108 | font-size: 14px; 109 | color: gray; 110 | margin-top: 30px; 111 | margin-right: 65px; 112 | margin-bottom: 25px; 113 | } 114 | .name span{ 115 | color: #E98074; 116 | font-size: 16px; 117 | font-weight: bold; 118 | } 119 | td p{ 120 | margin-left: 15px; 121 | margin-top: 30px; 122 | margin-bottom: 30px; 123 | color: #696969; 124 | line-height: 24px; 125 | } 126 | /* 点赞转发样式 */ 127 | .icon{ 128 | margin-left: 10px; 129 | margin-right: 10px; 130 | margin-top: 5px; 131 | font-size: 14px; 132 | display: inline-block; 133 | } 134 | .icon a{ 135 | text-decoration: none; 136 | color: black; 137 | } 138 | .icon a:hover{ 139 | color: #f07c82; 140 | } 141 | .icon a:visited{ 142 | color: #f07c82; 143 | } 144 | /* 视频下方标签样式 */ 145 | .tag{ 146 | display: inline-block; 147 | height:auto; 148 | width: auto; 149 | border:1px solid #Eae7dc; 150 | padding:5px; 151 | margin: 10px; 152 | color: dimgray; 153 | border-radius:20px; 154 | font-size: 12px; 155 | background: linen; 156 | } 157 | .tag:hover{ 158 | color: #f07c82; 159 | border-color: #f07c82; 160 | cursor: pointer; 161 | } 162 | .dt{ 163 | float: right; 164 | padding-bottom: 60px; 165 | margin-right: 40px; 166 | margin-left: 5px; 167 | } 168 | .pas{ 169 | margin-top: 10px; 170 | margin-left: 10%; 171 | margin-right: 30%; 172 | } 173 | .pas p{ 174 | text-indent: 2em; 175 | margin:10px 30px; 176 | line-height: 24px; 177 | } 178 | .pas span{ 179 | font-family: "微软雅黑"; 180 | font-weight:normal; 181 | display: inline; 182 | color: #C02C38; 183 | font-size: 18px; 184 | } 185 | .m{ 186 | margin-left: 15%; 187 | } 188 | /* 快速回顶样式*/ 189 | .up{ 190 | z-index: 2; 191 | position: fixed; 192 | width: 70px; 193 | height: 70px; 194 | bottom: 115px; 195 | right: 10px; 196 | } 197 | .up img{ 198 | height: 70px; 199 | width: 70px; 200 | } 201 | /* 右侧菜单栏*/ 202 | .right{ 203 | float: right; 204 | width: 200px; 205 | border-left: 1px solid gray; 206 | margin-top: 50px; 207 | margin-right: 240px; 208 | } 209 | .right ul{ 210 | list-style: none; 211 | width: 200px; 212 | margin: 20px; 213 | } 214 | .right ul li{ 215 | margin: 30px 20px; 216 | font-size: 18px; 217 | } 218 | .right ul li h2{ 219 | font-weight: normal; 220 | font-size: 20px; 221 | } 222 | .right ul a{ 223 | text-decoration: none; 224 | color: darkgray; 225 | } 226 | .right ul a:hover{ 227 | text-decoration: none; 228 | color: #F07C82; 229 | } 230 | .top1{ 231 | margin-top: 10px; 232 | margin-left: 350px; 233 | margin-right: 40px; 234 | vertical-align: middle; 235 | width: 400px; 236 | display: inline-block; 237 | border-right:2px solid #E98074 ; 238 | } 239 | .top1 img{ 240 | vertical-align:middle; 241 | } 242 | .top1 p{ 243 | text-indent: 2em; 244 | margin:10px 50px; 245 | line-height: 24px; 246 | } 247 | .top2{ 248 | margin-top: 10px; 249 | vertical-align: middle; 250 | width: 400px; 251 | display: inline-block; 252 | } 253 | .top2 img{ 254 | vertical-align:middle; 255 | } 256 | .top2 p{ 257 | text-indent: 2em; 258 | margin:10px 40px; 259 | line-height: 24px; 260 | } 261 | .music{ 262 | text-align: center; 263 | } 264 | -------------------------------------------------------------------------------- /css/index.css: -------------------------------------------------------------------------------- 1 | *{ 2 | list-style: none; 3 | } 4 | .main{ 5 | padding-top: 80px; 6 | } 7 | /*wrap的轮播图框架及图片样式*/ 8 | .wrap{ 9 | height: 465px; 10 | width: 900px; 11 | overflow: hidden; 12 | position: relative; 13 | float: right; 14 | 15 | } 16 | .wrap ul{ 17 | position: absolute; 18 | } 19 | .wrap ul li{ 20 | height: 465px; 21 | margin-top: 30px; 22 | } 23 | .wrap ul li img { 24 | height: 465px; 25 | width: 80%; 26 | float: right; 27 | margin-right:20% ; 28 | z-index: 0; 29 | } 30 | .wrap ol{ 31 | position: absolute; 32 | right: 200px; 33 | bottom: 10px; 34 | } 35 | .wrap ol li{ 36 | height: 20px; 37 | width: 20px; 38 | background-color:#fff; 39 | border: 1px solid #eee; 40 | margin-left: 10px; 41 | float:left; 42 | line-height: 20px; 43 | text-align: center; 44 | border-radius: 5px; 45 | } 46 | .wrap ol li.active{ 47 | background-color: gray; 48 | color: #fff; 49 | border-radius: 5px; 50 | } 51 | .news{ 52 | margin-top: 30px; 53 | height: 435px; 54 | width: 25%; 55 | margin-left: 220px; 56 | background-color: #eea2a4; 57 | 58 | } 59 | .news p{ 60 | padding:40px 30px; 61 | line-height: 35px; 62 | text-indent: 2em; 63 | font-size: 22px; 64 | color: #A61B29; 65 | } 66 | .squ{ 67 | text-align: center; 68 | margin-top: 100px; 69 | } 70 | .box{ 71 | width: 260px; 72 | height: 320px; 73 | display: inline-block; 74 | overflow: hidden; 75 | position: relative; 76 | border: 1px solid darksalmon; 77 | margin: 10px 10px; 78 | } 79 | .box img{ 80 | display: block; 81 | width: 260px; 82 | height: 320px; 83 | } 84 | .ceng{ 85 | width: 260px; 86 | height: 320px; 87 | position: absolute; 88 | top: 320px; 89 | background-color: rgba(214,144,146,0.5); 90 | transition: 0.5s; 91 | text-align: center; 92 | } 93 | .box:hover .ceng{ 94 | top:0px 95 | } 96 | .ceng h2{ 97 | color: white; 98 | text-align: center; 99 | font-family: "微软雅黑"; 100 | font-weight: normal; 101 | margin: 20% 0; 102 | } 103 | .ceng p{ 104 | color: white; 105 | font-family: "微软雅黑"; 106 | margin:10% 10%; 107 | } 108 | .ceng a{ 109 | color: white; 110 | font-family: "微软雅黑"; 111 | border: 2px solid white; 112 | border-radius: 2px; 113 | padding: 5px; 114 | text-decoration: none; 115 | } 116 | .yq{ 117 | width: 100%; 118 | text-align: center; 119 | margin-top: 50px; 120 | } 121 | .yq img{ 122 | z-index: -1; 123 | } 124 | .btn{ 125 | z-index: 1; 126 | float: right; 127 | margin-top: 250px; 128 | } 129 | .btn img{ 130 | width: 400px; 131 | margin-right: 120px; 132 | margin-bottom: 20px; 133 | } 134 | .btn a{ 135 | color: #A9A9A9; 136 | font-family: "微软雅黑"; 137 | border: 2px solid #A9A9A9; 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65 | 古代汉族音律。 五声调式广泛存在于中国古代和民间音乐中，并且在这个基础上形成了中国民族调式的种种变化和完整的音乐理论体系， 66 | 因此，尽管在许多国家和地区的传统音乐中都可见到五声调式，它还是常被称为“中国调式”或“民族调式”。五声调式是以纯五度的音程关系来排列的，是由五个音所构成的调式的。由于这种调式是我国特有的，也可以称为民族调式。 67 |

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69 | 五声调式的音乐因为缺少半音和三整音这类音程的见得尖锐倾向，宫角之间形成五声调式中唯一的大三度（小六度），因此让人觉得特别好听。只有 do re mi so la 70 | 以大二度和小三度所构成的“三音组”是五声调式旋律进行中的基础音调。 71 |

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视频来源：

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88 | 世界如此简单！ 89 |
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    为了用音乐来表达人的内心对外部世界的丰富体验和人的复杂情感，人们在音乐实来践中不断探自索、创造，逐渐摸索与认识到音与音之间具有倾向性、稳定性和归宿感的调式(以一个听觉最稳定的音为百核心，围绕着几个具有倾向性的音的音阶系统)。

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121 | 五声宫调式： 122 |

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125 | 五声商调式： 126 |

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129 | 五声角调式： 130 |

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133 | 五声徵调式： 134 |

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137 | 五声羽调式： 138 |

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五声简介

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71 | “宫、商、角、徵、羽”是我国五声音调中五个不同音的名称，类似现在简谱中的1、2、3、5、6。即宫等于1(Do)，商等于2(Re)，角等于3(Mi)，徵等于5(So)，羽等于6(La)，亦称作五音。 72 | 最早的“宫商角徵羽”的名称见于距今2600余年的春秋时期，在《管子·地员篇》中，有采用数学运算方法获得“宫、商、角、徵、羽”五个音的科学办法，这就是中国音乐史上著名的“三分损益法”。宫商角徵羽这五音是中国古乐基本音阶，同西方有别，有时为表达特殊感情，歌手或乐手也在五声音级基础上加入某些变化音级，从而形成六声或七声音阶。如用西乐的七个音阶对照一下的话，古中乐的“五音”相当于do、re、mi、sol、la少去了半音递升的“fa”和“si”。 73 | 当然，古中乐的五音唱名，不可能同西乐的“哆、来、咪、索、拉”叫法一样，唐代时用“合、四、乙、尺、工”；更古则用“宫、商、角、徵、羽”了。所以，如果我们稍加留意，正宗中国古乐曲，是没有“发（fa）”和“稀（si）”两个音阶的。比如，现在还时有听到的江南小调《茉莉花》即是古曲之一，它全曲若用唱名哼出，只有“哆、来、咪、索、拉”，全无“发、稀”两音；名古曲，岳飞词的《满江红》亦然。 74 |

75 | gōng
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宫

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79 | 通常相当于今首调唱名中的do音。“宫”音为五音之主、五音之君，统帅众音。《国语·周语下》曰：“夫宫，音之主也，第以及羽。” 80 | 《礼记·乐记》曰：“宫为君、商为臣、角为民……”宋张炎《词源·五音相生》亦曰：“宫属土，君之象……宫，中也，居中央，畅四方，唱施始生，为四声之纲。” 81 | 宫调（式）又为众调（式）之“主”、之“君”，即就其今所谓之“调高”而言。《隋书·音乐志》云：“每宫应立五调”“牛弘遂因郑译之旧，又请依古‘五声五律’旋相为宫： 82 | ‘雅乐’每宫但一调，惟‘迎气’奏五调，谓之‘五音’；‘缦乐’用七调……”此所谓“宫”，与“均”通。有以宫音为主音、结声构成的调（式）名。 83 |

84 | shāng
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商

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87 | 通常相当于今首调唱名中的re音。“商”音为五音第二级，居“宫”之次。古人认为，“商，属金，臣之象”，“臣而和之”。有以商音为主音、结声构成的调（式）名。 88 | 如唐段安节的《乐府杂录·别乐识五音轮二十八调图》中的“入声商七调”。 89 |

90 | jué
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角

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93 | 通常相当于今首调唱名中的mi音。“角”为五音之第三级，居“商”之次。古人以为，“角属木，民之象”。有以角音为主音、结声构成的调（式）名。 94 | 如唐段安节的《乐府杂录·别乐识五音轮二十八调图》中的“上声角七调”。在古代的调（式）中，有以角音为调之角调，或有以闰宫为角之角调。 95 |

96 | zhǐ
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徵

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99 | 通常相当于今首调唱名中的sol音。“徵”为五音之第四级，居“角”之次。古人以为，“徵属火，事之象”。有以徵音为主音、结声构成的调（式）名。 100 |

101 | yǔ
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羽

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104 | 通常相当于今首调唱名中的la音。“羽”为五音之第五级，居“徵”之次。古人以为，“羽属水，物之象”。有以羽音为主音、结声构成的调（式）名。 105 | 如唐段安节的《乐府杂录·别乐识五音轮二十八调图》中的“平声羽七调”。 106 |

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67 | 宫、商、角、徵、羽，起源于春秋时期，是中国古乐五个基本音阶，相当于西乐的Do（宫）、Re（商）、Mi（角）、Sol（徵）、La（羽）（没有Fa与Si），亦称为五音。 68 | 最早的“宫商角徵羽”的名称见于距今2600余年的春秋时期，在《管子·地员篇》中，有采用数学运算方法获得“宫、商、角、徵、羽”五个音的科学办法，这就是中国音乐史上著名的“三分损益法”。 69 | 关于五音的记载，古代典籍众多，最早出现于《左传》《尔雅》和《周礼》《礼记》《管子·地员篇》《史记·天官书》等等书籍。 70 |

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“君臣说”

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84 | 《礼记·乐礼》就曾记载：“宫为君，商为臣，角为民，徵为事，羽为物。”
85 | “宫”是五音之主，是为君主。
“商”音其次，是为臣子。
86 | “角”音代表着天下万民。
“徵”音为事。
“羽”音为物。 87 |

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“天文说”

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94 | 在五音中，“宫”音被认为是五音之首，是二十八星宿环绕的中心——“中宫”。《国语·周语下》讲道：“夫宫，音之主也，第以及羽。”
95 | “商”音被认为是东方青龙七宿中的主星：
“角”：东方青龙七宿的“角宿。”
96 | “徵”： 东方青龙七宿中有“氏宿”，在古代发音中，“徵”和“氏”很是相像，所以是为“氏宿。”
97 | “羽”：南方朱鸟七宿有星宿“翼宿”，“翼”与“羽”有时同义，故认为是“翼宿。” 98 |

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“图腾说”

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115 | 有学者认为这五个音阶是因古代各大氏族的图腾所命名的。 116 |

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“畜禽说”

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119 | 有学者认为古代“牛、马、雉、猪、羊”这个五个字的发音和“宫、商、角、徵、羽”相似。 120 |

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131 | “五声”一词最早出现于《周礼·春官》：“皆文之以五声，宫商角徵羽。”而“五音”最早见于《孟子·离娄上》：“不以六律，不能正五音。”《灵枢·邪客》中把宫、商角徵羽五音，与五脏相配：脾应宫，其声漫而缓；肺应商，其声促以清；肝应角，其声呼以长；心应徵，其声雄以明；肾应羽，其声沉以细，此为五脏正音。 132 |

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“五声”介绍

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宫、商、角、徵、羽”是我国五声音调中五个不同音的名称...

142 | 了解更多 > 143 |
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三分损益法

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一个个音是如何在一个八度中被确定下来，这其实是律学...

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七声调式

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变徵、变宫、雅乐、清乐、燕乐...

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多元音乐融合

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【古琴X古筝X哨笛X巫毒鼓X猫】...

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视频来源：

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76 | 古琴诊所   发消息
77 | 自得琴社二次元马甲 78 |
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81 | 【古琴X古筝X哨笛X巫毒鼓X猫】《多啦A梦之歌》
82 | 原曲：ドラえもんの歌（哆啦A梦之歌）
83 | 古琴：白无瑕【微博@古琴白无瑕】
84 | 古筝：蔡珊【微博@古琴蔡珊】
85 | 竹笛：屠化冰 【微博@屠化冰--烂菠萝】
86 | 巫毒鼓：陈曦【微博@ZebChen】
87 | 小打：叶力嘉【微博@透明光Namas】
88 | 表演：殷屹浩楠【微博@殷屹浩楠楠楠楠】
89 | 改编/录音/混音/摄影/剪辑/后期：唐彬【微博@超级唐葫芦】
90 | 服装：桑缬【微博@桑纈】&南朝【微博@裝束復原】
91 | 妆造：王乔叶【微博@姝程】王俊涵【微博@静闻松风】刘蕊【微博@流是流浪的浪嘿】殷屹浩楠
92 | 联合出品：自得琴社【微博@自得琴社&@古琴诊所】X姝影轩
93 |

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民乐演奏
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《宫商角徵羽》中国传统音乐调式宣传网站意见反馈
(1)请选择您的年龄段：( )
67 |   18岁以下
68 |   18岁-30岁
69 |   30岁-50岁
70 |   50岁以上

71 | (2)请选择您日常的听歌类型：( )
72 |   宁静、安逸、闲息的音乐，纯音乐作品占的比重较多，有歌唱的占较少。
73 |   利用电脑,合成器合成,做出一些特殊音效,这种音乐常常是许多音效组合起来的.
74 |   以木吉它为伴奏乐器，以自然坦率方式歌唱，唱出大家纯朴生活感受的歌曲。
75 |   主唱低鸣深沉的狂吼咆哮、电吉他的音色再加上极快速的反复节拍及密集鼓点,构成的重金属乐风

76 | (3)您认为这个网站：(多选)
77 |   布局合理，配色舒适
78 |   有基本了解到乐理知识
79 |   有基本了解到中国传统音乐知识
80 |   有一定的趣味性
81 |   网页内容复杂，难懂
82 |   网页布局一般
83 |   找不到我想要的内容
84 |   没什么原因，就是不太喜欢

85 |
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65 | 古音阶中的“二变”之一。角音与徵音之间的乐音。《史记·荆轲传》曰：“高渐离击筑，荆轲和歌，为变徵之声，士皆垂泪涕泣。”宋人亦有称变为闰，曰闰徵。在十二律，通常指较徵音下一律之音（相当于#fa）；也有较角音上一律之音（即清角，相当于fa）。有以变徵为主音、结声构成的调（式）名。 66 |

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71 | 古音阶中的“二变”之一。羽音与宫音之间的乐音。宋人有称其为“闰宫”者。在十二律，有指较宫音下一律之音（相当于si），如《后汉书·律历志》云：“黄钟为宫……应钟为变宫”；亦有较羽音上一律之音（相当于bsi），如《晋书·律历志》云“清角之调（音阶）以姑洗为宫，……太簇为变宫”。有以变宫为主音为结声构成的调（式）名。 72 |

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77 | 宫，商，角，变徵，徵，羽，变宫，分别对应1，2，3，升4，5，6，7，变徵是徵音下方的小二度。同样音程关系的音阶，在中古调式中，被称为利地亚调式（Lydian）。特别要说一下。变徵音与宫音形成了一个三全音，（tri-tone），具有很强的扩张性，在所有西方调式中，这是最明亮的调式（比自然大调还要明亮）。 78 |

79 |
80 |

雅乐调式歌曲试听：

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89 | 宫，商，角，清角，徵，羽，变宫，分别对应1，2，3，4，5，6，7，这与西方的自然大小调相似，清角是角音上方的小二度。变宫是宫音下方的小二度。同样音程关系的音阶，在西方中古调式里，被称为奥尼亚调式（Ionian），或者也可以称为自然大调。 90 |

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清乐调式歌曲试听：

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101 | 宫，商，角，清角，徵，羽，闰，分别对应1，2，3，4，5，6，降7，闰是宫音下方的大二度。同样音程关系的音阶，中古调式被称为混合利迪亚调式（mixolydian）。在西方音乐中，混合利迪亚也是属七的调式，具有极强的倾向性与归属感（倾向于向它的四级去解决），向它的四级解决。这个调式，是仅次于自然大调的明亮调式。 102 |

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燕乐调式歌曲试听：

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特别鸣谢

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平台类型标题来源
73 | 哔哩哔哩弹幕网 74 | 视频【古琴X古筝X哨笛X巫毒鼓X猫】《多啦A梦之歌》唐代装束复原演奏古琴诊所
81 | 秒懂百科 82 | 视频一分钟了解五声调式秒懂百科
89 | 秒懂百科 90 | 视频一分钟了解三分损益法秒懂百科
97 | 百度百科 98 | 图文宫商角徵羽百度百科
105 | 百度百科 106 | 图文五声调式百度百科
113 | 百度 114 | 图文春节特刊｜登上《Nature》的中国音律高人「4」——“三分损益法”AI锐见
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