├── Ipad Mini ├── index.html ├── index2.html ├── large_a.webm ├── large_b.webm ├── style.css └── utils.js ├── README.md └── iPad Air ├── .DS_Store ├── images ├── .DS_Store ├── 1.jpeg ├── 2.jpeg ├── 3.jpeg ├── 4.jpeg ├── 5.png └── keyboard_logo_svg__ceybeidnzavm_large.svg ├── index.html ├── index2.html ├── style.css └── style2.css /Ipad Mini/index.html: -------------------------------------------------------------------------------- 1 | 2 | 3 |
4 |81 | Applications for September 2017 entry are now closed. Please see 82 | the FAQ section for application deadlines. 83 |
84 | 85 |86 | A unique course in the field of theatre and performance practice, 87 | this one-year MA course allows students with a strong, 88 | demonstrable background in performance to re-examine and broaden 89 | their skills in a truly experimental and highly collaborative 90 | framework. 91 |
92 | 93 |94 | The emphasis throughout the year is on devised and ensemble work, 95 | as you will advance your understanding of performance from a 96 | post-Stanislavski standpoint. 97 |
98 | 99 |100 | The course, validated by King’s College London, one of the 101 | world’s top 20 universities, explores non-mainstream theatre 102 | craft internationally. Read about some of graduates in the 103 | downloadable PDF 104 |
105 |109 | The course is built around three strands: 110 |
111 | 112 |113 | Acting and Performance: Practice and Methodology - Working from 114 | the foundation of the Stanislavski ‘system’, you will be 115 | introduced to the approaches and responses of later practitioners, 116 | including Brecht, Copeau, Meyerhold, and Grotowski. International 117 | historical context is given through exploring the improvisational 118 | and physical practice, developments in experimental theatre 119 | internationally, new writing, and performance since the early 20th 120 | Century. Development of Performance - This dual aspect of the 121 | course builds on your strengths and skills, whilst improving areas 122 | where you are less experienced. The first strand supports you as 123 | you refine and improve your understanding of how to develop as an 124 | individual within an ensemble environment. The second covers vocal 125 | and physical performance training, supplemented by Commedia, 126 | creative writing, improvisation, and singing. Scene Study - Scene 127 | study is woven throughout the course and provides a forum for you 128 | to develop and experiment with the techniques you are learning. 129 |
130 |135 | Our full time, three-year BA in Acting (conservatoire training) 136 | develops a high level of technical facility, flexibility, 137 | individuality and imagination. The training provides skills in 138 | acting, voice, singing and movement, and students apply these 139 | skills in a wide variety of media including theatre, television, 140 | film and radio. 141 |
142 |147 | The training is classically based because we believe this provides 148 | the best foundation for acting in any form or media. However, the 149 | training also includes a thorough grounding in contemporary plays 150 | and styles as well as classes in camera and microphone technique. 151 | Your work will be continuously assessed with extensive individual 152 | feedback through regular sessions, written reports, and one-to-one 153 | tutorials. 154 |
155 |160 | The training is classically based because we believe this provides 161 | the best foundation for acting in any form or media. However, the 162 | training also includes a thorough grounding in contemporary plays 163 | and styles as well as classes in camera and microphone technique. 164 | Your work will be continuously assessed with extensive individual 165 | feedback through regular sessions, written reports, and one-to-one 166 | tutorials. 167 |
168 |173 | The training is classically based because we believe this provides 174 | the best foundation for acting in any form or media. However, the 175 | training also includes a thorough grounding in contemporary plays 176 | and styles as well as classes in camera and microphone technique. 177 | Your work will be continuously assessed with extensive individual 178 | feedback through regular sessions, written reports, and one-to-one 179 | tutorials. 180 |
181 |186 | The training is classically based because we believe this provides 187 | the best foundation for acting in any form or media. However, the 188 | training also includes a thorough grounding in contemporary plays 189 | and styles as well as classes in camera and microphone technique. 190 | Your work will be continuously assessed with extensive individual 191 | feedback through regular sessions, written reports, and one-to-one 192 | tutorials. 193 |
194 |199 | The training is classically based because we believe this provides 200 | the best foundation for acting in any form or media. However, the 201 | training also includes a thorough grounding in contemporary plays 202 | and styles as well as classes in camera and microphone technique. 203 | Your work will be continuously assessed with extensive individual 204 | feedback through regular sessions, written reports, and one-to-one 205 | tutorials. 206 |
207 |212 | The training is classically based because we believe this provides 213 | the best foundation for acting in any form or media. However, the 214 | training also includes a thorough grounding in contemporary plays 215 | and styles as well as classes in camera and microphone technique. 216 | Your work will be continuously assessed with extensive individual 217 | feedback through regular sessions, written reports, and one-to-one 218 | tutorials. 219 |
220 |225 | The training is classically based because we believe this provides 226 | the best foundation for acting in any form or media. However, the 227 | training also includes a thorough grounding in contemporary plays 228 | and styles as well as classes in camera and microphone technique. 229 | Your work will be continuously assessed with extensive individual 230 | feedback through regular sessions, written reports, and one-to-one 231 | tutorials. 232 |
233 |238 | The training is classically based because we believe this provides 239 | the best foundation for acting in any form or media. However, the 240 | training also includes a thorough grounding in contemporary plays 241 | and styles as well as classes in camera and microphone technique. 242 | Your work will be continuously assessed with extensive individual 243 | feedback through regular sessions, written reports, and one-to-one 244 | tutorials. 245 |
246 |251 | The training is classically based because we believe this provides 252 | the best foundation for acting in any form or media. However, the 253 | training also includes a thorough grounding in contemporary plays 254 | and styles as well as classes in camera and microphone technique. 255 | Your work will be continuously assessed with extensive individual 256 | feedback through regular sessions, written reports, and one-to-one 257 | tutorials. 258 |
259 |264 | The training is classically based because we believe this provides 265 | the best foundation for acting in any form or media. However, the 266 | training also includes a thorough grounding in contemporary plays 267 | and styles as well as classes in camera and microphone technique. 268 | Your work will be continuously assessed with extensive individual 269 | feedback through regular sessions, written reports, and one-to-one 270 | tutorials. 271 |
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