├── .gitignore ├── LICENSE ├── README.md ├── app ├── mathpix_snipping_tool 2019-04-07 - Windows.exe └── mathpix_snipping_tool 2019-04-07 - v1.4.1 - macOS.dmg ├── fonts ├── 01. Latin Modern Math │ ├── doc │ │ ├── GUST-FONT-LICENSE.txt │ │ ├── INSTALL.txt │ │ ├── MANIFEST-Latin-Modern-Math.txt │ │ ├── README-Latin-Modern-Math.txt │ │ ├── math-test-context.tex │ │ ├── math-test.tex │ │ ├── test-context-latinmodern_math.pdf │ │ ├── test-context-latinmodern_math.tex │ │ ├── test-lualatex-latinmodern_math.pdf │ │ ├── test-lualatex-latinmodern_math.tex │ │ ├── test-word-latinmodern_math.docx │ │ ├── test-word-latinmodern_math.pdf │ │ ├── test-xelatex-latinmodern_math.pdf │ │ └── test-xelatex-latinmodern_math.tex │ └── otf │ │ └── latinmodern-math.otf ├── 02. Computer Modern │ ├── SIL Open Font License.txt │ ├── cmunbi.ttf │ ├── cmunbl.ttf │ ├── cmunbmo.ttf │ ├── cmunbmr.ttf │ ├── cmunbso.ttf │ ├── cmunbsr.ttf │ ├── cmunbtl.ttf │ ├── cmunbto.ttf │ ├── cmunbx.ttf │ ├── cmunci.ttf │ ├── cmunit.ttf │ ├── cmunobi.ttf │ ├── cmunobx.ttf │ ├── cmunorm.ttf │ ├── cmunoti.ttf │ ├── cmunrm.ttf │ ├── cmunsi.ttf │ ├── cmunsl.ttf │ ├── cmunso.ttf │ ├── cmunss.ttf │ ├── cmunssdc.ttf │ ├── cmunsx.ttf │ ├── cmuntb.ttf │ ├── cmunti.ttf │ ├── cmuntt.ttf │ ├── cmuntx.ttf │ ├── cmunui.ttf │ ├── cmunvi.ttf │ └── cmunvt.ttf ├── 03. STIX │ ├── Fonts │ │ ├── OTF │ │ │ ├── STIX2Math.otf │ │ │ ├── STIX2Text-Bold.otf │ │ │ ├── STIX2Text-BoldItalic.otf │ │ │ ├── STIX2Text-Italic.otf │ │ │ └── STIX2Text-Regular.otf │ │ ├── WOFF │ │ │ ├── STIX2Math.woff │ │ │ ├── STIX2Text-Bold.woff │ │ │ ├── STIX2Text-BoldItalic.woff │ │ │ ├── STIX2Text-Italic.woff │ │ │ └── STIX2Text-Regular.woff │ │ └── WOFF2 │ │ │ ├── STIX2Math.woff2 │ │ │ ├── STIX2Text-Bold.woff2 │ │ │ ├── STIX2Text-BoldItalic.woff2 │ │ │ ├── STIX2Text-Italic.woff2 │ │ │ └── STIX2Text-Regular.woff2 │ └── docs │ │ ├── STIX_2.0.0_glyph_sets.xlsx │ │ ├── STIX_2.0.0_license.pdf │ │ ├── STIX_2.0.0_release_notes.txt │ │ └── STIX_2.0.0_stylistic_sets.pdf ├── 04. XITS │ ├── FONTLOG.txt │ ├── Makefile │ ├── OFL-FAQ.txt │ ├── OFL.txt │ ├── README.txt │ ├── documentation │ │ ├── documentation-sources │ │ │ ├── user-guide.tex │ │ │ └── xits-specimen.tex │ │ ├── user-guide.pdf │ │ └── xits-specimen.pdf │ ├── postprocess.py │ ├── sources │ │ ├── xits-bold.sfd │ │ ├── xits-bolditalic.sfd │ │ ├── xits-italic.sfd │ │ ├── xits-math.sfd │ │ ├── xits-mathbold.sfd │ │ ├── xits-regular.sfd │ │ └── xits.fea │ ├── tex │ │ └── xits-math.lfg │ ├── xits-bold.otf │ ├── xits-bolditalic.otf │ ├── xits-italic.otf │ ├── xits-math.otf │ ├── xits-mathbold.otf │ └── xits-regular.otf ├── 05. Asana Math │ ├── ASANA.TTC │ └── Asana-Math.otf ├── 06. Cambria Math │ └── cambria.ttc ├── 07. TeX Gyre Math │ ├── texgyrebonum-math.otf │ ├── texgyrepagella-math.otf │ ├── texgyreschola-math.otf │ └── texgyretermes-math.otf ├── 08. Euler │ └── euler.otf └── README.md └── img ├── 2019-05-12 00.23.05.gif ├── latexlive.com公式识别.gif ├── microsoft_print_to_pdf.png ├── you_latex.gif ├── 复制 MathML 对象.gif └── 批注 2019-12-07 021310.png /.gitignore: -------------------------------------------------------------------------------- 1 | .vs/ 2 | 3 | .DS_Store -------------------------------------------------------------------------------- /LICENSE: -------------------------------------------------------------------------------- 1 | Apache License 2 | Version 2.0, January 2004 3 | http://www.apache.org/licenses/ 4 | 5 | TERMS AND CONDITIONS FOR USE, REPRODUCTION, AND DISTRIBUTION 6 | 7 | 1. Definitions. 8 | 9 | "License" shall mean the terms and conditions for use, reproduction, 10 | and distribution as defined by Sections 1 through 9 of this document. 11 | 12 | "Licensor" shall mean the copyright owner or entity authorized by 13 | the copyright owner that is granting the License. 14 | 15 | "Legal Entity" shall mean the union of the acting entity and all 16 | other entities that control, are controlled by, or are under common 17 | control with that entity. For the purposes of this definition, 18 | "control" means (i) the power, direct or indirect, to cause the 19 | direction or management of such entity, whether by contract or 20 | otherwise, or (ii) ownership of fifty percent (50%) or more of the 21 | outstanding shares, or (iii) beneficial ownership of such entity. 22 | 23 | "You" (or "Your") shall mean an individual or Legal Entity 24 | exercising permissions granted by this License. 25 | 26 | "Source" form shall mean the preferred form for making modifications, 27 | including but not limited to software source code, documentation 28 | source, and configuration files. 29 | 30 | "Object" form shall mean any form resulting from mechanical 31 | transformation or translation of a Source form, including but 32 | not limited to compiled object code, generated documentation, 33 | and conversions to other media types. 34 | 35 | "Work" shall mean the work of authorship, whether in Source or 36 | Object form, made available under the License, as indicated by a 37 | copyright notice that is included in or attached to the work 38 | (an example is provided in the Appendix below). 39 | 40 | "Derivative Works" shall mean any work, whether in Source or Object 41 | form, that is based on (or derived from) the Work and for which the 42 | editorial revisions, annotations, elaborations, or other modifications 43 | represent, as a whole, an original work of authorship. For the purposes 44 | of this License, Derivative Works shall not include works that remain 45 | separable from, or merely link (or bind by name) to the interfaces of, 46 | the Work and Derivative Works thereof. 47 | 48 | "Contribution" shall mean any work of authorship, including 49 | the original version of the Work and any modifications or additions 50 | to that Work or Derivative Works thereof, that is intentionally 51 | submitted to Licensor for inclusion in the Work by the copyright owner 52 | or by an individual or Legal Entity authorized to submit on behalf of 53 | the copyright owner. For the purposes of this definition, "submitted" 54 | means any form of electronic, verbal, or written communication sent 55 | to the Licensor or its representatives, including but not limited to 56 | communication on electronic mailing lists, source code control systems, 57 | and issue tracking systems that are managed by, or on behalf of, the 58 | Licensor for the purpose of discussing and improving the Work, but 59 | excluding communication that is conspicuously marked or otherwise 60 | designated in writing by the copyright owner as "Not a Contribution." 61 | 62 | "Contributor" shall mean Licensor and any individual or Legal Entity 63 | on behalf of whom a Contribution has been received by Licensor and 64 | subsequently incorporated within the Work. 65 | 66 | 2. Grant of Copyright License. Subject to the terms and conditions of 67 | this License, each Contributor hereby grants to You a perpetual, 68 | worldwide, non-exclusive, no-charge, royalty-free, irrevocable 69 | copyright license to reproduce, prepare Derivative Works of, 70 | publicly display, publicly perform, sublicense, and distribute the 71 | Work and such Derivative Works in Source or Object form. 72 | 73 | 3. Grant of Patent License. Subject to the terms and conditions of 74 | this License, each Contributor hereby grants to You a perpetual, 75 | worldwide, non-exclusive, no-charge, royalty-free, irrevocable 76 | (except as stated in this section) patent license to make, have made, 77 | use, offer to sell, sell, import, and otherwise transfer the Work, 78 | where such license applies only to those patent claims licensable 79 | by such Contributor that are necessarily infringed by their 80 | Contribution(s) alone or by combination of their Contribution(s) 81 | with the Work to which such Contribution(s) was submitted. If You 82 | institute patent litigation against any entity (including a 83 | cross-claim or counterclaim in a lawsuit) alleging that the Work 84 | or a Contribution incorporated within the Work constitutes direct 85 | or contributory patent infringement, then any patent licenses 86 | granted to You under this License for that Work shall terminate 87 | as of the date such litigation is filed. 88 | 89 | 4. Redistribution. You may reproduce and distribute copies of the 90 | Work or Derivative Works thereof in any medium, with or without 91 | modifications, and in Source or Object form, provided that You 92 | meet the following conditions: 93 | 94 | (a) You must give any other recipients of the Work or 95 | Derivative Works a copy of this License; and 96 | 97 | (b) You must cause any modified files to carry prominent notices 98 | stating that You changed the files; and 99 | 100 | (c) You must retain, in the Source form of any Derivative Works 101 | that You distribute, all copyright, patent, trademark, and 102 | attribution notices from the Source form of the Work, 103 | excluding those notices that do not pertain to any part of 104 | the Derivative Works; and 105 | 106 | (d) If the Work includes a "NOTICE" text file as part of its 107 | distribution, then any Derivative Works that You distribute must 108 | include a readable copy of the attribution notices contained 109 | within such NOTICE file, excluding those notices that do not 110 | pertain to any part of the Derivative Works, in at least one 111 | of the following places: within a NOTICE text file distributed 112 | as part of the Derivative Works; within the Source form or 113 | documentation, if provided along with the Derivative Works; or, 114 | within a display generated by the Derivative Works, if and 115 | wherever such third-party notices normally appear. The contents 116 | of the NOTICE file are for informational purposes only and 117 | do not modify the License. You may add Your own attribution 118 | notices within Derivative Works that You distribute, alongside 119 | or as an addendum to the NOTICE text from the Work, provided 120 | that such additional attribution notices cannot be construed 121 | as modifying the License. 122 | 123 | You may add Your own copyright statement to Your modifications and 124 | may provide additional or different license terms and conditions 125 | for use, reproduction, or distribution of Your modifications, or 126 | for any such Derivative Works as a whole, provided Your use, 127 | reproduction, and distribution of the Work otherwise complies with 128 | the conditions stated in this License. 129 | 130 | 5. Submission of Contributions. Unless You explicitly state otherwise, 131 | any Contribution intentionally submitted for inclusion in the Work 132 | by You to the Licensor shall be under the terms and conditions of 133 | this License, without any additional terms or conditions. 134 | Notwithstanding the above, nothing herein shall supersede or modify 135 | the terms of any separate license agreement you may have executed 136 | with Licensor regarding such Contributions. 137 | 138 | 6. Trademarks. This License does not grant permission to use the trade 139 | names, trademarks, service marks, or product names of the Licensor, 140 | except as required for reasonable and customary use in describing the 141 | origin of the Work and reproducing the content of the NOTICE file. 142 | 143 | 7. Disclaimer of Warranty. Unless required by applicable law or 144 | agreed to in writing, Licensor provides the Work (and each 145 | Contributor provides its Contributions) on an "AS IS" BASIS, 146 | WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or 147 | implied, including, without limitation, any warranties or conditions 148 | of TITLE, NON-INFRINGEMENT, MERCHANTABILITY, or FITNESS FOR A 149 | PARTICULAR PURPOSE. You are solely responsible for determining the 150 | appropriateness of using or redistributing the Work and assume any 151 | risks associated with Your exercise of permissions under this License. 152 | 153 | 8. Limitation of Liability. In no event and under no legal theory, 154 | whether in tort (including negligence), contract, or otherwise, 155 | unless required by applicable law (such as deliberate and grossly 156 | negligent acts) or agreed to in writing, shall any Contributor be 157 | liable to You for damages, including any direct, indirect, special, 158 | incidental, or consequential damages of any character arising as a 159 | result of this License or out of the use or inability to use the 160 | Work (including but not limited to damages for loss of goodwill, 161 | work stoppage, computer failure or malfunction, or any and all 162 | other commercial damages or losses), even if such Contributor 163 | has been advised of the possibility of such damages. 164 | 165 | 9. Accepting Warranty or Additional Liability. While redistributing 166 | the Work or Derivative Works thereof, You may choose to offer, 167 | and charge a fee for, acceptance of support, warranty, indemnity, 168 | or other liability obligations and/or rights consistent with this 169 | License. However, in accepting such obligations, You may act only 170 | on Your own behalf and on Your sole responsibility, not on behalf 171 | of any other Contributor, and only if You agree to indemnify, 172 | defend, and hold each Contributor harmless for any liability 173 | incurred by, or claims asserted against, such Contributor by reason 174 | of your accepting any such warranty or additional liability. 175 | 176 | END OF TERMS AND CONDITIONS 177 | 178 | APPENDIX: How to apply the Apache License to your work. 179 | 180 | To apply the Apache License to your work, attach the following 181 | boilerplate notice, with the fields enclosed by brackets "[]" 182 | replaced with your own identifying information. (Don't include 183 | the brackets!) The text should be enclosed in the appropriate 184 | comment syntax for the file format. We also recommend that a 185 | file or class name and description of purpose be included on the 186 | same "printed page" as the copyright notice for easier 187 | identification within third-party archives. 188 | 189 | Copyright [yyyy] [name of copyright owner] 190 | 191 | Licensed under the Apache License, Version 2.0 (the "License"); 192 | you may not use this file except in compliance with the License. 193 | You may obtain a copy of the License at 194 | 195 | http://www.apache.org/licenses/LICENSE-2.0 196 | 197 | Unless required by applicable law or agreed to in writing, software 198 | distributed under the License is distributed on an "AS IS" BASIS, 199 | WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. 200 | See the License for the specific language governing permissions and 201 | limitations under the License. 202 | -------------------------------------------------------------------------------- /README.md: -------------------------------------------------------------------------------- 1 | #! https://zhuanlan.zhihu.com/p/63555192 2 | 3 | # Microoft Word 数学公式完美解决方案 （Replace_MathType) 4 | 5 | ![](https://img.shields.io/github/issues/littleNewton/Replace_MathType) 6 | 7 | 与本文章相关的**所有内容**，都可以在[这个](https://github.com/LittleNewton/Replace_MathType) GitHub 仓库里找到！ 8 | 9 | 本文会不定期更新，希望能及时查看 commit message 以获取更新内容。 10 | 11 | ## 1. 一切基于 Microsoft Office 365 12 | 13 | ### 1.1 Office 365 ⭐⭐⭐⭐⭐ 14 | 15 | 本库的基础软件是Windows 10 Office 365（下称365），一般的Office 2016 / 2019 可行性未知。Office 365 会给与最新的软件支持，所以在兼容性与新特性上面会有相当大的优势。 16 | 17 | ⚠️ 如何低价购买正版 Office 365？可淘宝（taobao.com）搜索「Office 365 家庭版 拆分」关键词。 18 | 19 | 下图显示了365的公式菜单，可以看到，已经官方支持 $\LaTeX$ 语法了！ 20 | 21 | ![Word menu](img/you_latex.gif) 22 | 23 | > 特别注意，Office 365 的全部功能已经在 macOS 10.14.5 及以后的版本里得到了支持，而且，**Word for macOS 也支持 LaTeX 语法输入！** 24 | 25 | ### 1.2 mathpix 软件 ⭐⭐⭐⭐ 26 | 27 | mathpix是一个公式OCR软件，通过该软件，可以提取图片中的印刷体公式。虽然该公司声称该软件可以提取手写的公式，但是实际效果并不好。 28 | 29 | > 官方地址：https://mathpix.com/ 30 | 31 | 直接在官网下载二进制安装包即可使用。目前已经有比较好的解决方案，所以不再提供安装包下载。 32 | 33 | 可通过 mathpix.store 网站充值 mathpix，目前我测试了购买情况，发现价格挺便宜，而且是独立账号，可以去这个网站看看。网址是 mathpix.store 。 34 | 35 | **如果可以把上述几个软件结合使用，那么在写论文的背景知识的过程中，写公式效率可以提升10倍左右！** 36 | 37 | ### 1.3 `latexLive.com` 网站 ⭐⭐⭐⭐⭐ 38 | 39 | 这个网站是著名的哔哩哔哩 UP 主【[妈咪说 MommyTalk](https://www.ixigua.com/home/62786280361/)】开发的一款 web [程序](https://latexlive.com)，该程序内部集成了 mathpix 的接口，可以非常方便地进行公式在线编辑、公式 OCR。在 Windows10 系统上通过 `win Shift S` 键截图到剪贴板，然后在 latexLive.com 网站对应页面进行全局粘贴，可以很快速地实现 OCR，macOS 也可以通过某些截图软件实现该功能。 40 | 41 | ![latexlive](img/latexlive.com公式识别.gif) 42 | > ↑ latexLive.com 的威力！ 43 | 44 | --- 45 | 46 | ## 2. 为什么不用MathType等插件 47 | 48 | ### 2.1 收费软件 49 | 50 | 价格很昂贵，而且盗版体验很差，注意⚠️：免费的永远是最贵的！ 51 | 52 | 其他的诸如 Axmath 之类的小众软件，输出效果不错，不过输出的 PDF 是不可选中、不可搜索版本，格式应该是某种矢量图（放大之后可以明显看到不光滑的边界）。 53 | 54 | ### 2.2 Office 365 内置功能原生、优秀 55 | 56 | Office 365 的内置公式比较强大。渲染之后与原文档锲合度最高。 57 | 58 | 虽然365也是付费软件（淘宝家庭版拆分装，仅 50 RMB / 年），不过在当下中国的大学，没有微软的 Word 还真的是玩不转，不如弃暗投明。用好 Word，一样能做出漂亮的文稿。这里就不谈 Word 与 LaTeX 的优劣了。 59 | 60 | > **365 内置的公式，支持段落调节，而 MathType 等插件生成的公式，不支持自动调节，在某些情况下很是难看。** 61 | 62 | --- 63 | 64 | ## 3. 安装字体 ⭐⭐⭐⭐⭐ 65 | 66 | 要使用下面这个demo方案，需要安装一款字体：`Latin Modern Math`。本 Repository 已经给出，直接切换到 `fonts/01. Latin Modern Math/otf/` 文件夹下，找到 `latinmodern-math.otf` 文件，右键 -> 安装即可。macOS 用户自己对照摸索，非常简单。 67 | 68 | 这个字体相对比较好看，不过这里也提供了其他一些[解决方案](fonts/README.md)。 69 | 70 | ## 4. 示例 71 | 72 | ### 4.1 在 Word 中利用原生公式编译器 ⭐⭐ 73 | 74 | 在 Windows Office 365 Word 里面（PPT 不支持）： 75 | 76 | - Step 1 按下 `Alt =` 调出公式输入框 77 | - Step 2 按下 `Ctrl Shift =` 将公式转为**线性**，同时在**公式选项卡**里把公式切换为 $\LaTeX$ 78 | - Step 3 复制黏贴这段代码到公式输入框： 79 | 80 | ``` latex 81 | \left(x+a\right)^n=\sum_{k=1}^{n}\int_{t_1}^{t_2}{\binom{n}{k}{f(x)}^ka^{n-k}}\box(24&dx) 82 | ``` 83 | 84 | - Step 4 按下 `Ctrl =` 渲染公式。注意，如果你是在表格中输入公式，那么需要手动右键更改为专业模式，快捷键不起作用。 85 | 86 | ![sample code](https://raw.githubusercontent.com/LittleNewton/LittleNewton_Figures_References/master/Replace_MathType/sample%20code.png) 87 | 88 | ![fomula](https://raw.githubusercontent.com/LittleNewton/LittleNewton_Figures_References/master/Replace_MathType/fomula.png) 89 | 90 | Just enjoy it. 91 | 92 | ### 4.2 利用 `latexlive.com` 导出 MathML 对象粘贴到 Word ⭐⭐⭐⭐⭐ 93 | 94 | ![从 web 程序复制 MathML 对象到 Word](img/复制%20MathML%20对象.gif) 95 | 96 | > 如果你的网络访问 `latexLive.com` 没问题的话，建议使用这个方法。因为 Word 自带的编辑器有可能抽风。 97 | 98 | ## 5. 输出 Word 为 PDF 文档 ⭐⭐⭐⭐⭐ 99 | 100 | 书写论文、一般文档的重要一步就是将 docx 导出为 PDF，嵌入了所需字体的 PDF 文件会以精准的方式呈现文档的原貌。 101 | 102 | 这里的原则是：**尽可能使用 Word (Office 365) 的原生功能，而不是借助第三方的插件。** 103 | 104 | ### 5.1 Windows 10 平台 105 | 106 | Windows 10 自带的导出功能并不完善，对于我们最常用的数学字体 `Latin Modern Math` 的支持不好，如果强行使用 Word 的导出功能，会使得输出的 PDF 中的数学公式为位图形式，锯齿感严重。这这里我们直接选择用虚拟打印机将 DOCX 文档打印成 PDF。 107 | 108 | ![microsoft_print_to_pdf](img/microsoft_print_to_pdf.png) 109 | 110 | 如上图，【文件】- 【打印】 - <选择打印机>，使用 Word for Windwos 自带的打印功能，其中选择打印机为 **Microsoft Print to PDF** 这款虚拟打印机，然后点击打印，即可完美实现 PDF 输出。 111 | 112 | ### 5.2 macOS 平台 113 | 114 | macOS 平台的输出比较简单，只需要 `Command Shift C` ，另存为 PDF ，即可实现完美输出。 115 | -------------------------------------------------------------------------------- /app/mathpix_snipping_tool 2019-04-07 - Windows.exe: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/app/mathpix_snipping_tool 2019-04-07 - Windows.exe -------------------------------------------------------------------------------- /app/mathpix_snipping_tool 2019-04-07 - v1.4.1 - macOS.dmg: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/app/mathpix_snipping_tool 2019-04-07 - v1.4.1 - macOS.dmg -------------------------------------------------------------------------------- /fonts/01. Latin Modern Math/doc/GUST-FONT-LICENSE.txt: -------------------------------------------------------------------------------- 1 | % This is a preliminary version (2006-09-30), barring acceptance from 2 | % the LaTeX Project Team and other feedback, of the GUST Font License. 3 | % (GUST is the Polish TeX Users Group, http://www.gust.org.pl) 4 | % 5 | % For the most recent version of this license see 6 | % http://www.gust.org.pl/fonts/licenses/GUST-FONT-LICENSE.txt 7 | % or 8 | % http://tug.org/fonts/licenses/GUST-FONT-LICENSE.txt 9 | % 10 | % This work may be distributed and/or modified under the conditions 11 | % of the LaTeX Project Public License, either version 1.3c of this 12 | % license or (at your option) any later version. 13 | % 14 | % Please also observe the following clause: 15 | % 1) it is requested, but not legally required, that derived works be 16 | % distributed only after changing the names of the fonts comprising this 17 | % work and given in an accompanying "manifest", and that the 18 | % files comprising the Work, as listed in the manifest, also be given 19 | % new names. Any exceptions to this request are also given in the 20 | % manifest. 21 | % 22 | % We recommend the manifest be given in a separate file named 23 | % MANIFEST-.txt, where is some unique identification 24 | % of the font family. If a separate "readme" file accompanies the Work, 25 | % we recommend a name of the form README-.txt. 26 | % 27 | % The latest version of the LaTeX Project Public License is in 28 | % http://www.latex-project.org/lppl.txt and version 1.3c or later 29 | % is part of all distributions of LaTeX version 2006/05/20 or later. 30 | 31 | -------------------------------------------------------------------------------- /fonts/01. Latin Modern Math/doc/INSTALL.txt: -------------------------------------------------------------------------------- 1 | INSTALLING MATH FONTS 2 | 3 | To install a math font one should add it to the system fonts or install 4 | it in the TeX Live directory structure (or both). 5 | 6 | 7 | 1. INSTALLING SYSTEM FONTS 8 | 9 | a. WINDOWS 10 | Window 7 (or newer): Right click on the font file, choose install 11 | option. Windows 98 (or newer): Go to Start, then Control Panel. 12 | Double click on Fonts, and drag-and-drop the font file into the Fonts 13 | applet window. In MS Windows up to XP, in the Fonts applet, you can 14 | also choose File from the menu bar, then Install New Font. 15 | 16 | b. APPLE (MAC OS X) 17 | The font can be installed by double-clicking on the font file and 18 | following the on screen prompts in the Font Book application, or by 19 | manually copying (or dragging) the font file to any of the standard 20 | Fonts folders in Mac OS: ~/Library/Fonts/ (user fonts), /Library/Fonts/ 21 | (local fonts) or /System/Library/Fonts/ (system fonts). 22 | 23 | c. LINUX (most of current distributions) 24 | Just copy font file to a directory read by font-config. In most cases 25 | the directory /usr/local/share/fonts will be adequate (you can also 26 | copy the font file to ~/.fonts or /usr/share/fonts ). If the font 27 | doesn't appear in the applications font list you can run the fc-cache 28 | program in order to force a cache rebuild. 29 | 30 | 31 | 2. INSTALLING FONTS IN TEX LIVE 32 | 33 | To install fonts in the TeX Live system you have to copy it to the 34 | appropriate directory: (TEXMF root)/texmf-local/fonts/opentype/public/ 35 | (you may have to create this directory). When you want install fonts 36 | for only one user, you can use the ~/texmf/fonts/opentype directory 37 | (this directory also may be nonexistent). After coping the font file, 38 | you have to run mktexlsr command to refresh the kpathsea caches. 39 | 40 | Most of the typesetting engines can use fonts installed either in OS or 41 | in TeX Live. Microsoft Office (Word) uses, of course, only system fonts. 42 | XeLaTeX can use both of them. LuaLaTeX and ConTeXt uses TeX Live fonts 43 | by default, but if the OSFONTDIR environment variable is set, the 44 | system fonts also can be found. 45 | 46 | For typesetting math using an OpenType font with (Lua|Xe)LaTeX, an up 47 | to date version of the unicode-math package (and related LaTeX3 48 | packages) is crucial. 49 | 50 | 51 | 3. CHECKING THE INSTALLATION 52 | 53 | In order to verify whether the font installation was successful, you 54 | may wish to run the TeX examples or open the relevant MS Word example 55 | and compare the results (in case of the Word file, just a previewer is 56 | sufficient) with the respective PDF files. 57 | 58 | Note that, unlike for TeX, an OTF font is to be referred rather by its 59 | internalname(s) than by its file name. -------------------------------------------------------------------------------- /fonts/01. Latin Modern Math/doc/MANIFEST-Latin-Modern-Math.txt: -------------------------------------------------------------------------------- 1 | ########################################################################### 2 | ############ The TeX Gyre Collection of Fonts ############ 3 | ########################################################################### 4 | 5 | Font: Latin Modern Math 6 | Authors: Bogus\l{}aw Jackowski, Piotr Strzelczyk and Piotr Pianowski 7 | Version: 1.959 8 | Date: 5 IX 2014 9 | 10 | Copyright 2012--2014 for TeX Gyre math extensions by B. Jackowski, 11 | P. Strzelczyk and P. Pianowski (on behalf of TeX Users Groups). 12 | 13 | This work can be freely used and distributed under 14 | the GUST Font License (GFL -- see GUST-FONT-LICENSE.txt) 15 | which is actually an instance of the LaTeX Project Public License 16 | (LPPL -- see http://www.latex-project.org/lppl.txt). 17 | 18 | This work has the maintenance status "maintained". The Current Maintainer 19 | of this work is Bogus\l{}aw Jackowski, Piotr Strzelczyk and Piotr Pianowski. 20 | 21 | This work consists of the files listed in this file. 22 | 23 | Below, in three sections required by the GUST Font License, 24 | font names and file names specific for the Latin Modern Math 25 | font are listed. 26 | 27 | NOTE: the names of the directories are not subject to the renaming 28 | restrictions. 29 | 30 | 1. Fonts whose names should be changed in derived works as requested 31 | by clause 1 of GUST-FONT-LICENSE.txt 32 | 33 | 1.1 OTF menu names 34 | Latin Modern Math 35 | LatinModernMath-Regular 36 | 37 | 2. Files whose names should be changed in derived works as requested 38 | by clause 1 of GUST-FONT-LICENSE.txt 39 | 40 | 2.1 otf/latinmodern-math.otf 41 | 42 | 2.2 doc/MANIFEST-Latin-Modern-Math.txt 43 | doc/README-Latin-Modern-Math.txt 44 | doc/presentation-lmodern_math.pdf 45 | doc/math-test.tex 46 | doc/math-test-context.tex 47 | doc/test-context-latinmodern_math.pdf 48 | doc/test-context-latinmodern_math.tex 49 | doc/test-lualatex-latinmodern_math.pdf 50 | doc/test-lualatex-latinmodern_math.tex 51 | doc/test-xelatex-latinmodern_math.pdf 52 | doc/test-xelatex-latinmodern_math.tex 53 | doc/test-word-tg_latinmodern_math.docx 54 | doc/test-word-tg_latinmodern_math.pdf 55 | 56 | 3. Files whose names need not be changed in derived works as requested 57 | by clause 1 of GUST-FONT-LICENSE.txt 58 | 59 | doc/GUST-FONT-LICENSE.txt 60 | doc/INSTALL.txt 61 | -------------------------------------------------------------------------------- /fonts/01. Latin Modern Math/doc/README-Latin-Modern-Math.txt: -------------------------------------------------------------------------------- 1 | ########################################################################### 2 | ############ Latin Modern Collection of Fonts ############ 3 | ########################################################################### 4 | 5 | Font: Latin Modern Math 6 | Authors: Bogus\l{}aw Jackowski, Piotr Strzelczyk and Piotr Pianowski 7 | Version: 1.959 8 | Date: 5 IX 2014 9 | 10 | License: 11 | % Copyright 2012--2014 for the Latin Modern math extensions by B. Jackowski, 12 | % P. Strzelczyk and P. Pianowski (on behalf of TeX Users Groups). 13 | % 14 | % This work can be freely used and distributed under 15 | % the GUST Font License (GFL -- see GUST-FONT-LICENSE.txt) 16 | % which is actually an instance of the LaTeX Project Public License 17 | % (LPPL -- see http://www.latex-project.org/lppl.txt). 18 | % 19 | % This work has the maintenance status "maintained". The Current Maintainer 20 | % of this work is Bogus\l{}aw Jackowski, Piotr Strzelczyk and Piotr Pianowski. 21 | % 22 | % This work consists of the files listed 23 | % in the MANIFEST-Latin-Modern-Math.txt file. 24 | 25 | ########################################################################### 26 | ############ A BRIEF DESCRIPTION OF THE FONT ############ 27 | ########################################################################### 28 | 29 | Latin Modern Math is a math companion for the Latin Modern family 30 | of fonts (see http://www.gust.org.pl/projects/e-foundry/latin-modern) in 31 | the OpenType format. 32 | 33 | The math OTF fonts should contain a special table, MATH, described in the 34 | confidential Microsoft document "The MATH table and OpenType Features 35 | for Math Processing". Moreover, they should contain a broad collection 36 | of special characters (see "Draft Unicode Technical Report #25. 37 | UNICODE SUPPORT FOR MATHEMATICS" by Barbara Beeton, Asmus Freytag, 38 | and Murray Sargent III). In particular, math OTF fonts are expected 39 | to contain the following scripts: a basic serif script (regular, bold, 40 | italic and bold italic), a calligraphic script (regular and bold), 41 | a double-struck script, a fraktur script (regular and bold), a sans-serif 42 | script (regular, bold, oblique and bold oblique), and a monospaced script. 43 | 44 | The basic script is, obviously, Latin Modern. Some scripts, however, 45 | are borrowed from other fonts (the current selection, however, may 46 | be subject to change), belonging, however, to the "TeX circle": 47 | 48 | * the calligraphic and fraktur alphabets are excerpted from the renowned 49 | Euler family (http://en.wikipedia.org/wiki/AMS_Euler); 50 | 51 | * the double struck script is excerpted from Alan Jeffrey's bbold font 52 | (http://www.tug.org/texlive/Contents/live/texmf-dist/doc/latex/bbold/bbold.pdf) 53 | 54 | * the sans serif and monospaced alphabets are excerpted from 55 | the Latin Modern Sans and Latin Modern Mono fonts 56 | (http://www.gust.org.pl/projects/e-foundry/latin-modern); 57 | sans serif bold Greek symbols (required by the already mentioned 58 | "Unicode Technical Report #25") were prepared using D.E. Knuth's 59 | font sources with some manual tuning 60 | 61 | The main math component, that is, the math extension, was programmed 62 | from scratch, with an attempt to retain the visual compatiblility 63 | with the original D.E. Knuth's fonts. In particular, all symbols 64 | (with a few exceptions) appearing in the D.E. Knuth's "canonical" fonts 65 | have the same width (rounded) as the corresponding Knuthian ones. 66 | 67 | Note that the members of all the mentioned alphabets, except 68 | the main roman alphabet, should be considerd symbols, not letters; 69 | symbols are not expected to occur in a text stream; instead, 70 | they are expected to appear lonely, perhaps with some embellishments 71 | like subscripts, superscripts, primes, dots above and below, etc. 72 | 73 | To produce the font, MetaType1 and the FontForge library were used: 74 | the Type1 PostScript font containing all relevant characters was 75 | generated with the MetaType1 engine, and the result was converted 76 | into the OTF format with all the necessary data structures by 77 | a Python script employing the FontForge library. 78 | 79 | Recent changes (ver. 1.958 --> ver. 1.959) comprised 80 | mainly interline settings in OTF tables (HHEA and 81 | OS/2) and the correction of unicode slots assigned to 82 | the contour integrals (glyphs `clockwise contour 83 | integral', u+2232, and `anticlockwise contour 84 | integral', u+2233, used to have swapped slots). 85 | 86 | * * * 87 | 88 | The TeX Gyre Math Project was launched and is supported by 89 | TeX USERS GROUPS (CS TUG, DANTE eV, GUST, NTG, TUG India, TUG, UK TUG). 90 | Hearty thanks to the representatives of these groups and also 91 | to all people who helped with their work, comments, ideas, 92 | remarks, bug reports, objections, hints, consolations, etc. 93 | -------------------------------------------------------------------------------- /fonts/01. Latin Modern Math/doc/math-test-context.tex: -------------------------------------------------------------------------------- 1 | 2 | \startformula 3 | \widehat{bcd} \ \widetilde{efg} \ \dot A \ {\bi\dot A \check t} 4 | \ \check{\cal A} 5 | % \check{\cal a}% at the moment, there is no lowercase calligraphic alphabet in Latin Modern Math 6 | \ \mathbf{\acute \imath} 7 | \stopformula 8 | 9 | %Angle brackets: 10 | \startformula 11 | \langle a \rangle \left\langle \frac{a}{b} \right\rangle 12 | \left\langle \frac{\frac{a}{b}}{c} \right\rangle 13 | \stopformula 14 | 15 | %Big operators: 16 | \startformula 17 | (x + a)^n = \sum_{k=0}^n {n \choose k} x^k a^{n-k} 18 | \stopformula 19 | 20 | %%Horizontal brackets: 21 | \startformula 22 | \underbrace{\overbracket{aaaaaaa}}_{\rm Siedém} 23 | \underbrace{\overparent{aaaaa}}_{\rm pięć} 24 | \stopformula 25 | 26 | %Squares: 27 | \startformula 28 | \sqrt{\sqrt{\sqrt{\sqrt{\sqrt{\sqrt{2}}}}}} = 29 | \frac{\sqrt{\sqrt{\sqrt{\sqrt{\sqrt{\sqrt{\sqrt{\sqrt{2}}}}}}}}}{\frac{2}{3}} 30 | \stopformula 31 | 32 | %Cardinal numbers 33 | \startformula 34 | \aleph_{0}<2^{\aleph_0}<2^{2^{\aleph_0}} 35 | \stopformula 36 | 37 | %Powers 38 | \startformula 39 | x^{\alpha} e^{\beta x^{\gamma} e^{\delta x^{\epsilon}}} 40 | \stopformula 41 | 42 | %Integrals 43 | \startformula 44 | \oint_C\mathbf{F}\cdot d\mathbf{r}=\int_S\mathbf{\nabla}\times\mathbf{F}\cdot d\mathbf{S}\qquad 45 | \oint_C\vec{A}\cdot\vec{dr}=\iint_S(\nabla\times\vec{A})\,\vec{dS} 46 | \stopformula 47 | 48 | %Sum 49 | \startformula 50 | (1+x)^n=1+\frac{nx}{1!}+\frac{n(n-1)x^2}{2!}+\cdots 51 | \stopformula 52 | 53 | %Equations 54 | \startformula 55 | \startmathalignment 56 | \int_{-\infty}^\infty e^{-x^2}dx \NC =\NC \left[\int_{-\infty}^\infty e^{-x^2}dx 57 | \int_{-\infty}^\infty e^{-y^2}dy\right]^{1/2} \NR 58 | \NC =\NC \left[\int_{0}^{2\pi} \int_0^\infty e^{-r^2}r\,dr\,d\theta\right]^{1/2}\NR 59 | \NC =\NC \left[\pi\int_{0}^\infty e^{-u}du\right]^{1/2}\NR 60 | \NC =\NC \sqrt{\pi} 61 | \stopmathalignment 62 | \stopformula 63 | 64 | \endinput -------------------------------------------------------------------------------- /fonts/01. Latin Modern Math/doc/math-test.tex: -------------------------------------------------------------------------------- 1 | \pagestyle{empty} 2 | 3 | %Accents: 4 | \begin{displaymath} 5 | \widehat{bcd} \ \widetilde{efg} \ \dot A \ \mathbf{\dot A \check t} 6 | \ \check{\mathcal{A}} 7 | % \check{\cal a}% at the moment, there is no lowercase calligraphic alphabet in Latin Modern Math 8 | \ \mathbf{\acute \imath} 9 | \end{displaymath} 10 | 11 | %Angle brackets: 12 | \begin{displaymath} 13 | \langle a \rangle \left\langle \frac{a}{b} \right\rangle 14 | \left\langle \frac{\frac{a}{b}}{c} \right\rangle 15 | \end{displaymath} 16 | 17 | %Big operators: 18 | \begin{displaymath} 19 | (x + a)^n = \sum_{k=0}^n {n \choose k} x^k a^{n-k} 20 | \end{displaymath} 21 | 22 | %%Horizontal brackets: 23 | \begin{displaymath} 24 | \underbrace{\overbracket{aaaaaaa}}_\text{Siédém} 25 | \underbrace{\overparen{aaaaa}}_\text{pięć} 26 | \end{displaymath} 27 | 28 | %Squares: 29 | \begin{displaymath} 30 | \sqrt{\sqrt{\sqrt{\sqrt{\sqrt{\sqrt{2}}}}}} = 31 | \frac{\sqrt{\sqrt{\sqrt{\sqrt{\sqrt{\sqrt{\sqrt{\sqrt{2}}}}}}}}}{\frac{2}{3}} 32 | \end{displaymath} 33 | 34 | %Cardinal numbers 35 | \begin{displaymath} 36 | \aleph_{0}<2^{\aleph_0}<2^{2^{\aleph_0}} 37 | \end{displaymath} 38 | 39 | %Powers 40 | \begin{displaymath} 41 | x^{\alpha} e^{\beta x^{\gamma} e^{\delta x^{\epsilon}}} 42 | \end{displaymath} 43 | 44 | %Integrals 45 | \begin{displaymath} 46 | \oint_C\mathbf{F}\cdot d\mathbf{r}=\int_S\mathbf{\nabla}\times\mathbf{F}\cdot d\mathbf{S}\qquad 47 | \oint_C\vec{A}\cdot\vec{dr}=\iint_S(\nabla\times\vec{A})\,\vec{dS} 48 | \end{displaymath} 49 | 50 | %Sum 51 | \begin{displaymath} 52 | (1+x)^n=1+\frac{nx}{1!}+\frac{n(n-1)x^2}{2!}+\cdots 53 | \end{displaymath} 54 | 55 | %Equations 56 | \setlength\arraycolsep{0.15em} 57 | \begin{eqnarray*} 58 | \int_{-\infty}^\infty e^{-x^2}dx &=& \left[\int_{-\infty}^\infty e^{-x^2}dx 59 | \int_{-\infty}^\infty e^{-y^2}dy\right]^{1/2}\\ 60 | &=& \left[\int_{0}^{2\pi} \int_0^\infty e^{-r^2}r\,dr\,d\theta\right]^{1/2}\\ 61 | &=& \left[\pi\int_{0}^\infty e^{-u}du\right]^{1/2}\\ 62 | &=& \sqrt{\pi} 63 | \end{eqnarray*} 64 | 65 | \endinput 66 | -------------------------------------------------------------------------------- /fonts/01. Latin Modern Math/doc/test-context-latinmodern_math.pdf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/01. Latin Modern Math/doc/test-context-latinmodern_math.pdf -------------------------------------------------------------------------------- /fonts/01. Latin Modern Math/doc/test-context-latinmodern_math.tex: -------------------------------------------------------------------------------- 1 | %% This is a test file for ConTeXt 2 | 3 | \starttypescript [math][lmodern,modern][all] 4 | \definefontsynonym[MathRoman][name:Latin Modern Math][features=math\mathsizesuffix] 5 | \stoptypescript 6 | \setupbodyfont[modern] 7 | 8 | \setuppagenumbering[state=stop] 9 | 10 | \starttext 11 | 12 | \input math-test-context.tex 13 | 14 | \stoptext 15 | 16 | -------------------------------------------------------------------------------- /fonts/01. Latin Modern Math/doc/test-lualatex-latinmodern_math.pdf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/01. Latin Modern Math/doc/test-lualatex-latinmodern_math.pdf -------------------------------------------------------------------------------- /fonts/01. Latin Modern Math/doc/test-lualatex-latinmodern_math.tex: -------------------------------------------------------------------------------- 1 | %% This is a test file for LaTeX/Unicode-Math for both LuaLaTeX and XeLaTeX 2 | 3 | \documentclass[12pt,a4paper]{article} 4 | 5 | \usepackage{amsmath}[2000/07/18] %% Displayed equations 6 | \usepackage{amssymb}[2002/01/22] %% and additional symbols 7 | 8 | \usepackage{fontspec} 9 | \setromanfont[Ligatures=TeX]{Latin Modern Roman} 10 | \usepackage{unicode-math} 11 | 12 | \setmathfont[math-style=ISO,bold-style=ISO,vargreek-shape=TeX]{Latin Modern Math} 13 | 14 | \begin{document} 15 | 16 | \input math-test.tex 17 | 18 | \end{document} 19 | 20 | -------------------------------------------------------------------------------- /fonts/01. Latin Modern Math/doc/test-word-latinmodern_math.docx: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/01. Latin Modern Math/doc/test-word-latinmodern_math.docx -------------------------------------------------------------------------------- /fonts/01. Latin Modern Math/doc/test-word-latinmodern_math.pdf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/01. Latin Modern Math/doc/test-word-latinmodern_math.pdf -------------------------------------------------------------------------------- /fonts/01. Latin Modern Math/doc/test-xelatex-latinmodern_math.pdf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/01. Latin Modern Math/doc/test-xelatex-latinmodern_math.pdf -------------------------------------------------------------------------------- /fonts/01. Latin Modern Math/doc/test-xelatex-latinmodern_math.tex: -------------------------------------------------------------------------------- 1 | %% This is a test file for LaTeX/Unicode-Math for both LuaLaTeX and XeLaTeX 2 | 3 | \documentclass[12pt,a4paper]{article} 4 | 5 | \usepackage{amsmath}[2000/07/18] %% Displayed equations 6 | \usepackage{amssymb}[2002/01/22] %% and additional symbols 7 | 8 | \usepackage{fontspec} 9 | \setromanfont[Ligatures=TeX]{Latin Modern Roman} 10 | \usepackage{unicode-math} 11 | 12 | \setmathfont[math-style=ISO,bold-style=ISO,vargreek-shape=TeX]{Latin Modern Math} 13 | 14 | \begin{document} 15 | 16 | \input math-test.tex 17 | 18 | \end{document} 19 | 20 | -------------------------------------------------------------------------------- /fonts/01. Latin Modern Math/otf/latinmodern-math.otf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/01. Latin Modern Math/otf/latinmodern-math.otf -------------------------------------------------------------------------------- /fonts/02. Computer Modern/SIL Open Font License.txt: -------------------------------------------------------------------------------- 1 | Copyright (C) Authors of original metafont fonts: 2 | Donald Ervin Knuth (cm, concrete fonts) 3 | 1995, 1996, 1997 J"org Knappen, 1990, 1992 Norbert Schwarz (ec fonts) 4 | 1992-2006 A.Khodulev, O.Lapko, A.Berdnikov, V.Volovich (lh fonts) 5 | 1997-2005 Claudio Beccari (cb greek fonts) 6 | 2002 FUKUI Rei (tipa fonts) 7 | 2003-2005 Han The Thanh (Vietnamese fonts) 8 | 1996-2005 Walter Schmidt (cmbright fonts) 9 | 10 | Copyright (C) 2003-2009, Andrey V. Panov (panov@canopus.iacp.dvo.ru), 11 | with Reserved Font Family Name "Computer Modern Unicode fonts". 12 | 13 | 14 | 15 | This Font Software is licensed under the SIL Open Font License, Version 1.1. 16 | This license is copied below, and is also available with a FAQ at: http://scripts.sil.org/OFL 17 | 18 | ----------------------------------------------------------- 19 | SIL OPEN FONT LICENSE Version 1.1 - 26 February 2007 20 | ----------------------------------------------------------- 21 | 22 | PREAMBLE 23 | The goals of the Open Font License (OFL) are to stimulate worldwide development of collaborative font projects, to support the font creation efforts of academic and linguistic communities, and to provide a free and open framework in which fonts may be shared and improved in partnership with others. 24 | 25 | The OFL allows the licensed fonts to be used, studied, modified and redistributed freely as long as they are not sold by themselves. The fonts, including any derivative works, can be bundled, embedded, redistributed and/or sold with any software provided that any reserved names are not used by derivative works. The fonts and derivatives, however, cannot be released under any other type of license. The requirement for fonts to remain under this license does not apply to any document created using the fonts or their derivatives. 26 | 27 | DEFINITIONS 28 | "Font Software" refers to the set of files released by the Copyright Holder(s) under this license and clearly marked as such. This may include source files, build scripts and documentation. 29 | 30 | "Reserved Font Name" refers to any names specified as such after the copyright statement(s). 31 | 32 | "Original Version" refers to the collection of Font Software components as distributed by the Copyright Holder(s). 33 | 34 | "Modified Version" refers to any derivative made by adding to, deleting, or substituting -- in part or in whole -- any of the components of the Original Version, by changing formats or by porting the Font Software to a new environment. 35 | 36 | "Author" refers to any designer, engineer, programmer, technical writer or other person who contributed to the Font Software. 37 | 38 | PERMISSION & CONDITIONS 39 | Permission is hereby granted, free of charge, to any person obtaining a copy of the Font Software, to use, study, copy, merge, embed, modify, redistribute, and sell modified and unmodified copies of the Font Software, subject to the following conditions: 40 | 41 | 1) Neither the Font Software nor any of its individual components, in Original or Modified Versions, may be sold by itself. 42 | 43 | 2) Original or Modified Versions of the Font Software may be bundled, redistributed and/or sold with any software, provided that each copy contains the above copyright notice and this license. These can be included either as stand-alone text files, human-readable headers or in the appropriate machine-readable metadata fields within text or binary files as long as those fields can be easily viewed by the user. 44 | 45 | 3) No Modified Version of the Font Software may use the Reserved Font Name(s) unless explicit written permission is granted by the corresponding Copyright Holder. This restriction only applies to the primary font name as presented to the users. 46 | 47 | 4) The name(s) of the Copyright Holder(s) or the Author(s) of the Font Software shall not be used to promote, endorse or advertise any Modified Version, except to acknowledge the contribution(s) of the Copyright Holder(s) and the Author(s) or with their explicit written permission. 48 | 49 | 5) The Font Software, modified or unmodified, in part or in whole, must be distributed entirely under this license, and must not be distributed under any other license. The requirement for fonts to remain under this license does not apply to any document created using the Font Software. 50 | 51 | TERMINATION 52 | This license becomes null and void if any of the above conditions are not met. 53 | 54 | DISCLAIMER 55 | THE FONT SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO ANY WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT OF COPYRIGHT, PATENT, TRADEMARK, OR OTHER RIGHT. IN NO EVENT SHALL THE COPYRIGHT HOLDER BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, INCLUDING ANY GENERAL, SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIAL DAMAGES, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROM OTHER DEALINGS IN THE FONT SOFTWARE. -------------------------------------------------------------------------------- /fonts/02. Computer Modern/cmunbi.ttf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/02. Computer Modern/cmunbi.ttf -------------------------------------------------------------------------------- /fonts/02. Computer Modern/cmunbl.ttf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/02. Computer Modern/cmunbl.ttf -------------------------------------------------------------------------------- /fonts/02. Computer Modern/cmunbmo.ttf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/02. Computer Modern/cmunbmo.ttf -------------------------------------------------------------------------------- /fonts/02. Computer Modern/cmunbmr.ttf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/02. Computer Modern/cmunbmr.ttf -------------------------------------------------------------------------------- /fonts/02. Computer Modern/cmunbso.ttf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/02. Computer Modern/cmunbso.ttf -------------------------------------------------------------------------------- /fonts/02. Computer Modern/cmunbsr.ttf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/02. Computer Modern/cmunbsr.ttf -------------------------------------------------------------------------------- /fonts/02. Computer Modern/cmunbtl.ttf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/02. Computer Modern/cmunbtl.ttf -------------------------------------------------------------------------------- /fonts/02. Computer Modern/cmunbto.ttf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/02. Computer Modern/cmunbto.ttf -------------------------------------------------------------------------------- /fonts/02. Computer Modern/cmunbx.ttf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/02. Computer Modern/cmunbx.ttf -------------------------------------------------------------------------------- /fonts/02. Computer Modern/cmunci.ttf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/02. Computer Modern/cmunci.ttf -------------------------------------------------------------------------------- /fonts/02. Computer Modern/cmunit.ttf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/02. Computer Modern/cmunit.ttf -------------------------------------------------------------------------------- /fonts/02. Computer Modern/cmunobi.ttf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/02. Computer Modern/cmunobi.ttf -------------------------------------------------------------------------------- /fonts/02. Computer Modern/cmunobx.ttf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/02. Computer Modern/cmunobx.ttf -------------------------------------------------------------------------------- /fonts/02. Computer Modern/cmunorm.ttf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/02. Computer Modern/cmunorm.ttf -------------------------------------------------------------------------------- /fonts/02. Computer Modern/cmunoti.ttf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/02. Computer Modern/cmunoti.ttf -------------------------------------------------------------------------------- /fonts/02. Computer Modern/cmunrm.ttf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/02. Computer Modern/cmunrm.ttf -------------------------------------------------------------------------------- /fonts/02. Computer Modern/cmunsi.ttf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/02. Computer Modern/cmunsi.ttf -------------------------------------------------------------------------------- /fonts/02. Computer Modern/cmunsl.ttf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/02. Computer Modern/cmunsl.ttf -------------------------------------------------------------------------------- /fonts/02. Computer Modern/cmunso.ttf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/02. Computer Modern/cmunso.ttf -------------------------------------------------------------------------------- /fonts/02. Computer Modern/cmunss.ttf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/02. Computer Modern/cmunss.ttf -------------------------------------------------------------------------------- /fonts/02. Computer Modern/cmunssdc.ttf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/02. Computer Modern/cmunssdc.ttf -------------------------------------------------------------------------------- /fonts/02. Computer Modern/cmunsx.ttf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/02. Computer Modern/cmunsx.ttf -------------------------------------------------------------------------------- /fonts/02. Computer Modern/cmuntb.ttf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/02. Computer Modern/cmuntb.ttf -------------------------------------------------------------------------------- /fonts/02. Computer Modern/cmunti.ttf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/02. Computer Modern/cmunti.ttf -------------------------------------------------------------------------------- /fonts/02. Computer Modern/cmuntt.ttf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/02. Computer Modern/cmuntt.ttf -------------------------------------------------------------------------------- /fonts/02. Computer Modern/cmuntx.ttf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/02. Computer Modern/cmuntx.ttf -------------------------------------------------------------------------------- /fonts/02. Computer Modern/cmunui.ttf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/02. Computer Modern/cmunui.ttf -------------------------------------------------------------------------------- /fonts/02. Computer Modern/cmunvi.ttf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/02. Computer Modern/cmunvi.ttf -------------------------------------------------------------------------------- /fonts/02. Computer Modern/cmunvt.ttf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/02. Computer Modern/cmunvt.ttf -------------------------------------------------------------------------------- /fonts/03. STIX/Fonts/OTF/STIX2Math.otf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/03. STIX/Fonts/OTF/STIX2Math.otf -------------------------------------------------------------------------------- /fonts/03. STIX/Fonts/OTF/STIX2Text-Bold.otf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/03. STIX/Fonts/OTF/STIX2Text-Bold.otf -------------------------------------------------------------------------------- /fonts/03. STIX/Fonts/OTF/STIX2Text-BoldItalic.otf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/03. STIX/Fonts/OTF/STIX2Text-BoldItalic.otf -------------------------------------------------------------------------------- /fonts/03. STIX/Fonts/OTF/STIX2Text-Italic.otf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/03. STIX/Fonts/OTF/STIX2Text-Italic.otf -------------------------------------------------------------------------------- /fonts/03. STIX/Fonts/OTF/STIX2Text-Regular.otf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/03. STIX/Fonts/OTF/STIX2Text-Regular.otf -------------------------------------------------------------------------------- /fonts/03. STIX/Fonts/WOFF/STIX2Math.woff: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/03. STIX/Fonts/WOFF/STIX2Math.woff -------------------------------------------------------------------------------- /fonts/03. STIX/Fonts/WOFF/STIX2Text-Bold.woff: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/03. STIX/Fonts/WOFF/STIX2Text-Bold.woff -------------------------------------------------------------------------------- /fonts/03. STIX/Fonts/WOFF/STIX2Text-BoldItalic.woff: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/03. STIX/Fonts/WOFF/STIX2Text-BoldItalic.woff -------------------------------------------------------------------------------- /fonts/03. STIX/Fonts/WOFF/STIX2Text-Italic.woff: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/03. STIX/Fonts/WOFF/STIX2Text-Italic.woff -------------------------------------------------------------------------------- /fonts/03. STIX/Fonts/WOFF/STIX2Text-Regular.woff: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/03. STIX/Fonts/WOFF/STIX2Text-Regular.woff -------------------------------------------------------------------------------- /fonts/03. STIX/Fonts/WOFF2/STIX2Math.woff2: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/03. STIX/Fonts/WOFF2/STIX2Math.woff2 -------------------------------------------------------------------------------- /fonts/03. STIX/Fonts/WOFF2/STIX2Text-Bold.woff2: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/03. STIX/Fonts/WOFF2/STIX2Text-Bold.woff2 -------------------------------------------------------------------------------- /fonts/03. STIX/Fonts/WOFF2/STIX2Text-BoldItalic.woff2: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/03. STIX/Fonts/WOFF2/STIX2Text-BoldItalic.woff2 -------------------------------------------------------------------------------- /fonts/03. STIX/Fonts/WOFF2/STIX2Text-Italic.woff2: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/03. STIX/Fonts/WOFF2/STIX2Text-Italic.woff2 -------------------------------------------------------------------------------- /fonts/03. STIX/Fonts/WOFF2/STIX2Text-Regular.woff2: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/03. STIX/Fonts/WOFF2/STIX2Text-Regular.woff2 -------------------------------------------------------------------------------- /fonts/03. STIX/docs/STIX_2.0.0_glyph_sets.xlsx: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/03. STIX/docs/STIX_2.0.0_glyph_sets.xlsx -------------------------------------------------------------------------------- /fonts/03. STIX/docs/STIX_2.0.0_license.pdf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/03. STIX/docs/STIX_2.0.0_license.pdf -------------------------------------------------------------------------------- /fonts/03. STIX/docs/STIX_2.0.0_release_notes.txt: -------------------------------------------------------------------------------- 1 | STIX Font Release Documentation 2 | OpenType/WOFF/WOFF2 3 | 4 | Version 2.0.0 5 | 6 | 1 December 2016 7 | 8 | INTRODUCTION 9 | 10 | The Scientific and Technical Information eXchange (STIX) fonts are 11 | intended to satisfy the demanding needs of authors, publishers, 12 | printers, and others working in the scientific, medical, and technical 13 | fields. They combine a comprehensive Unicode-based collection of 14 | mathematical symbols and alphabets with a set of text faces suitable 15 | for professional publishing. The fonts are available royalty-free 16 | under the SIL Open Font License. 17 | 18 | Version 2.0.0 of the STIX fonts, now known as "STIX Two", is a 19 | thorough revision undertaken by the renowned type house Tiro 20 | Typeworks. The STIX Two fonts consist of four text fonts (Regular, 21 | Italic, Bold, and Bold Italic) and one Math font. Together, they 22 | provide a uniform set of fonts that can be used throughout the 23 | production process, whether that be a traditional print-only process, 24 | an entirely electronic one, or a combination of the two. 25 | 26 | The STIX project began through the joint efforts of American 27 | Mathematical Society (AMS), American Institute of Physics (AIP), 28 | American Physical Society (APS), American Chemical Society (ACS), 29 | Institute of Electrical and Electronic Engineers (IEEE), and Elsevier. 30 | These companies are collectively known as the STI Pub companies. 31 | 32 | A FRESH TAKE ON TIMES ROMAN 33 | 34 | The original version of STIX was based on Times Roman, which has now 35 | been updated for the digital age. 36 | 37 | As is well known, Times Roman was originally intended for printing the 38 | London Times. What is not generally appreciated is the fact that the 39 | Times was a very atypically produced newspaper: It was printed on very 40 | high quality paper run through presses that operated more slowly than 41 | most newspaper presses. This allowed for the design of a typeface 42 | that could benefit from this level of printing: serifs could be very 43 | fine (much finer than other newspaper typefaces) and small counters 44 | (enclosed areas) such as in the lowercase e could be much smaller than 45 | in other newspaper typefaces. Another anomaly is that the bold font 46 | for Times Roman is, in many respects, strikingly dissimilar to the 47 | roman font. 48 | 49 | Tiro Typeworks explain their approach to updating the Times Roman 50 | basis of STIX as follows: 51 | 52 | "Our principal goal in approaching STIX Two was to address several 53 | inherent deficiencies in the Times New Roman model as well as 54 | expand the typographic features. This process necessarily 55 | involved diverging somewhat from Times, given that many features 56 | of that typeface are either incompatible with current printing 57 | methods and electronic reading environments, and some others too 58 | esoteric to repeat. That said, the essential 'Times-ness' 59 | remains, we believe, and such changes won't distract readers and 60 | users in any negative way. 61 | 62 | "At the core of Times' problems was inappropriate digitization, 63 | using an optical size model too large to be scaled down to text 64 | sizes, with compensations appropriate to its original purpose and 65 | printing technique, but not for 21st century conditions. We have 66 | also re-thought somewhat overall proportions and spacing, with 67 | changes made in varying degrees to both the Roman and the Italic 68 | (and we have begun to harmonize the Bold, which has always been a 69 | major shortcoming with Times New Roman)." 70 | 71 | WHAT IS NEW IN THIS RELEASE? 72 | 73 | In addition to the overall visual redesign, STIX Two incorporates a 74 | number of significant improvements and additions. Special attention 75 | has been given to implementing accepted best practices for OpenType 76 | fonts, such as the use of font features to access variant glyph shapes 77 | that were previously only available via the Unicode Private Use Areas. 78 | 79 | The letterspacing and kerning of the text fonts have been 80 | significantly improved. 81 | 82 | True small capital variants (Latin, Cyrillic, and Greek), accessible 83 | via the OpenType font feature smcp, have been added for all text 84 | fonts. 85 | 86 | Text (lowercase or oldstyle) numerals, available via the font features 87 | pnum and onum, have been added, in addition to natural-spacing 88 | figures. 89 | 90 | Alphabetic superscripts and numeric sub- and superscripts, accessible 91 | via the subs and sups font features, have been added. 92 | 93 | Fractions are available via the frac feature, as well as numerators 94 | (numr) and denominators (dnom). 95 | 96 | The OpenType MATH table has been completely rewritten and extended. 97 | 98 | Additions have been made to these Unicode blocks: 99 | Latin-1 Supplement U+0080 - U+00FF 100 | Latin Extended-A U+0100 - U+017F 101 | Latin Extended Additional U+0180 - U+024F 102 | Cyrillic U+0400 - U+04FF 103 | Greek and Coptic U+0370 - U+03FF 104 | IPA blocks U+0250 - U+02AF 105 | 106 | Full details of included glyphs and supported font features are 107 | available in the included spreadsheet. 108 | 109 | BACKWARDS COMPATIBILITY 110 | 111 | Because of the scope of the changes, especially to the text fonts, 112 | STIX Two is not a drop-in replacement for earlier versions. While we 113 | understand and sympathize with the difficulties caused by the 114 | incompatibilities we have introduced, we nevertheless felt they were 115 | necessary to address some of the shortcomings of earlier versions of 116 | the fonts and to position us to respond to the needs of modern 117 | publishing. 118 | 119 | Earlier versions of the STIX fonts are deprecated and no longer 120 | supported. We urge all users of the STIX fonts to upgrade to the new 121 | versions as soon as possible. 122 | 123 | To enable the new and old versions of the fonts to coexist during the 124 | transition phase, the fonts have been renamed as follows: 125 | 126 | STIX 1.1.0 STIX 2.0.0 127 | 128 | STIX-Regular STIX Two Text 129 | STIX-Italic STIX Two Text Italic 130 | STIX-Bold STIX Two Text Bold 131 | STIX-BoldItalic STIX Two Text Bold Italic 132 | 133 | STIX Math Regular STIX Two Math 134 | 135 | The four text fonts contain glyphs from Unicode text blocks only. For 136 | example, all characters from the range U+2190 to U+3063 and U+E000 to 137 | U+E368 and all plane 1 characters have been removed from the text 138 | fonts and are now found only in STIX Two Math. Whenever possible, 139 | characters have been removed from the Private Use Area (U+E000-U+F8FF) 140 | and made available via font features instead. 141 | 142 | The STIX-General packaging of the fonts is no longer supported. 143 | 144 | WHAT IS PROVIDED IN THIS RELEASE? 145 | 146 | The contents of this distribution are as follows 147 | 148 | Fonts/ 149 | OTF/ 150 | STIX2Math.otf 151 | STIX2Text-BoldItalic.otf 152 | STIX2Text-Bold.otf 153 | STIX2Text-Italic.otf 154 | STIX2Text-Regular.otf 155 | WOFF/ 156 | STIX2Math.woff 157 | STIX2Text-BoldItalic.woff 158 | STIX2Text-Bold.woff 159 | STIX2Text-Italic.woff 160 | STIX2Text-Regular.woff 161 | WOFF2/ 162 | STIX2Math.woff2 163 | STIX2Text-BoldItalic.woff2 164 | STIX2Text-Bold.woff2 165 | STIX2Text-Italic.woff2 166 | STIX2Text-Regular.woff2 167 | docs/ 168 | STIX_2.0.0_glyph_sets.xlsx 169 | STIX_2.0.0_license.pdf 170 | STIX_2.0.0_release_notes.txt 171 | STIX_2.0.0_stylistic_sets.pdf 172 | 173 | The font is distributed under the "SIL Open Font License, Version 174 | 1.1", a copy of which is included in the License folder. 175 | 176 | Support for 8-bit, DVI-based TeX in the form of TFM files and Type 1 177 | fonts is not yet available. 178 | 179 | We also hope to provide a version of the WOFF fonts broken down into 180 | smaller, more web-download-friendly chunks. 181 | 182 | FONT IMPLEMENTATION DECISIONS 183 | 184 | The STIX fonts do not contain fixed-width or sans serif text faces. 185 | 186 | The sans serif, fraktur, script, etc., alphabets in Plane 1 187 | (U+1D400-U+1D4FF) are intended to be used only as technical symbols. 188 | 189 | These fonts are designed to support left-to-right typesetting in 190 | Latin-based scripts, with additional support for Greek and Cyrillic 191 | text. Extensions to support other writing directions have been 192 | considered, but are currently deemed to be outside the scope of the 193 | STIX project. 194 | 195 | The font contains: 196 | 197 | 1. Kerning pairs for characters suitable for use with sizes 8pt 198 | through 12pt. 199 | 200 | 2. Standard ligature support for those ligatures included in the font. 201 | 202 | NOTE TO TEX USERS 203 | 204 | As mentioned above, there is no support for DVI-based TeX at present. 205 | However, the fonts have been tested with both XeTeX and luaTeX with 206 | good results. For best results, XeTeX users will want to upgrade to 207 | the latest development version from 208 | 209 | http://xetex.sourceforge.net/ 210 | 211 | This version fixes a number of bugs that are present in the version 212 | shipped with TeX Live 2016. Our thanks go out to Jonathan Kew and 213 | Khaled Hosny for their generous help in identifying and fixing these 214 | bugs. LaTeX users should also make sure they have the latest version 215 | of the amsmath package available on CTAN. 216 | 217 | There are some known issues with kerning of second-order subscripts 218 | that we hope to address in a future release. 219 | 220 | FEEDBACK 221 | 222 | Please direct any questions or general comments to the STIX Fonts 223 | project. Bug reports and technical support issues should be reported 224 | through https://sourceforge.net/projects/stixfonts/support. 225 | 226 | =========================================================================== 227 | 228 | APPENDIX 229 | 230 | Summary of OpenType Features and Scripts 231 | 232 | Full details on all features can be found in the docs folder in 233 | STIX_2.0.0_stylistic_sets.pdf and STIX_2.0.0_glyph_sets.xlsx. 234 | 235 | The four text fonts support the following OpenType script tags: 236 | 237 | DFLT Default 238 | cyrl Cyrillic 239 | cyrl.MKD Cyrillic/Macedonian 240 | cyrl.SRB Cyrillic/Serbian 241 | grek Greek 242 | latn Latin 243 | latn.ROM Latin/Romanian 244 | latn.TRK Latin/Turkish 245 | 246 | and the following OpenType font features: 247 | 248 | c2sc Small Capitals From Capitals 249 | case Case-Sensitive Forms 250 | ccmp Glyph Composition/Decomposition 251 | cv01 Character Variants 1 -- lambda with horizontal crossbar (U+019B) 252 | cv02 Character Variants 2 -- serifed ramshorn (U+0264) 253 | dnom Denominators 254 | frac Fractions 255 | kern Kerning 256 | liga Standard Ligatures 257 | numr Numerators 258 | onum Oldstyle Figures 259 | pnum Proportional Figures 260 | smcp Small Capitals 261 | subs Subscript 262 | sups Superscript 263 | 264 | The Italic and BoldItalic fonts also support the following feature: 265 | 266 | ss01 Stylistic Set 1 -- alternate lowercase g 267 | 268 | The following font features are supported by STIX Two Math: 269 | 270 | Supported features: 271 | 272 | aalt Access All Alternates 273 | ccmp Glyph Composition/Decomposition 274 | cv01 Character Variants 1 -- lambda with horizontal crossbar (U+019B) 275 | cv02 Character Variants 2 -- serifed ramshorn (U+0264) 276 | kern Kerning 277 | ss01 Stylistic Set 1 -- Math chancery to roundhand (\mathcal -> \mathscr) 278 | ss02 Stylistic Set 2 -- Alternate italic forms: g, u, v, w, z 279 | ss03 Stylistic Set 3 -- Horizontal crossbar variants 280 | ss04 Stylistic Set 4 -- Minute, second and primes to long variants 281 | ss05 Stylistic Set 5 -- Short arrow variants 282 | ss06 Stylistic Set 6 -- Short/narrow variants 283 | ss07 Stylistic Set 7 -- Alternate math symbols (product, summation, etc) 284 | ss08 Stylistic Set 8 -- Upright integral variants; XITS compatible 285 | ss09 Stylistic Set 9 -- Vertical slash variants; XITS compatible 286 | ss10 Stylistic Set 10 -- Diagonal greater/lesser combination variants 287 | ss11 Stylistic Set 11 -- Long slash not-equal combination variants 288 | ss12 Stylistic Set 12 -- Low contrast (sans-like) variants 289 | ss13 Stylistic Set 13 -- Horizontally flipped sine wave glyph 290 | ss14 Stylistic Set 14 -- Tall variants 291 | ss15 Stylistic Set 15 -- Slab serif symbol variants 292 | ss16 Stylistic Set 16 -- Circled operator variants 293 | ss20 Stylistic Set 20 -- Miscellaneous variants 294 | -------------------------------------------------------------------------------- /fonts/03. STIX/docs/STIX_2.0.0_stylistic_sets.pdf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/LittleNewton/Replace_MathType/05e5b73705c5051401963aeb41cff9a2b398bb19/fonts/03. STIX/docs/STIX_2.0.0_stylistic_sets.pdf -------------------------------------------------------------------------------- /fonts/04. XITS/FONTLOG.txt: -------------------------------------------------------------------------------- 1 | 2 | FONTLOG for XITS 3 | ------------------- 4 | This file provides detailed information on the XITS font software. This 5 | information should be distributed along with the XITS fonts and any derivative 6 | works. 7 | 8 | 9 | Basic Font Information 10 | -------------------------- 11 | XITS is a Times-like typeface for mathematical and scientific publishing, based 12 | on STIX fonts project. The main mission of XITS is to provide a version of STIX 13 | fonts enriched with the OpenType MATH extension, making it suitable for high 14 | quality mathematic typesetting with OpenType MATH capable layout systems, like 15 | MS Office 2007 and the new TeX engines XeTeX and LuaTeX. 16 | 17 | XITS development is currently hosted on: 18 | http://github.com/khaledhosny/xits-math 19 | 20 | Feature requests, bug reports and patches should be directed to our issue 21 | tracker. 22 | 23 | XITS currently provides the following Unicode coverage: 24 | * XITS Math: 25 | Basic Latin (U+0000-007F): 95/95 (100.00%) 26 | Latin-1 Supplement (U+0080-00FF): 96/96 (100.00%) 27 | Latin Extended-A (U+0100-017F): 128/128 (100.00%) 28 | Latin Extended-B (U+0180-024F): 37/208 (17.79%) 29 | IPA Extensions (U+0250-02AF): 91/96 (94.79%) 30 | Spacing Modifier Letters (U+02B0-02FF): 62/80 (77.50%) 31 | Combining Diacritical Marks (U+0300-036F): 73/112 (65.18%) 32 | Greek and Coptic (U+0370-03FF): 93/134 (69.40%) 33 | Cyrillic (U+0400-04FF): 102/256 (39.84%) 34 | Arabic (U+0600-06FF): 67/250 (26.80%) 35 | Phonetic Extensions (U+1D00-1D7F): 3/128 (2.34%) 36 | Phonetic Extensions Supplement (U+1D80-1DBF): 8/64 (12.50%) 37 | Latin Extended Additional (U+1E00-1EFF): 8/256 (3.12%) 38 | General Punctuation (U+2000-206F): 70/107 (65.42%) 39 | Superscripts and Subscripts (U+2070-209F): 1/34 (2.94%) 40 | Currency Symbols (U+20A0-20CF): 4/25 (16.00%) 41 | Combining Diacritical Marks for Symbols (U+20D0-20FF): 24/33 (72.73%) 42 | Letterlike Symbols (U+2100-214F): 60/80 (75.00%) 43 | Number Forms (U+2150-218F): 12/58 (20.69%) 44 | Arrows (U+2190-21FF): 103/112 (91.96%) 45 | Mathematical Operators (U+2200-22FF): 256/256 (100.00%) 46 | Miscellaneous Technical (U+2300-23FF): 90/233 (38.63%) 47 | Control Pictures (U+2400-243F): 1/39 (2.56%) 48 | Enclosed Alphanumerics (U+2460-24FF): 62/160 (38.75%) 49 | Box Drawing (U+2500-257F): 45/128 (35.16%) 50 | Block Elements (U+2580-259F): 8/32 (25.00%) 51 | Geometric Shapes (U+25A0-25FF): 96/96 (100.00%) 52 | Miscellaneous Symbols (U+2600-26FF): 54/250 (21.60%) 53 | Dingbats (U+2700-27BF): 30/175 (17.14%) 54 | Miscellaneous Mathematical Symbols-A (U+27C0-27EF): 43/44 (97.73%) 55 | Supplemental Arrows-A (U+27F0-27FF): 16/16 (100.00%) 56 | Supplemental Arrows-B (U+2900-297F): 128/128 (100.00%) 57 | Miscellaneous Mathematical Symbols-B (U+2980-29FF): 128/128 (100.00%) 58 | Supplemental Mathematical Operators (U+2A00-2AFF): 256/256 (100.00%) 59 | Miscellaneous Symbols and Arrows (U+2B00-2BFF): 64/87 (73.56%) 60 | CJK Symbols and Punctuation (U+3000-303F): 2/64 (3.12%) 61 | Hiragana (U+3040-309F): 1/93 (1.08%) 62 | Latin Extended-D (U+A720-A7FF): 1/114 (0.88%) 63 | Variation Selectors (U+FE00-FE0F): 1/16 (6.25%) 64 | Specials (U+FFF0-FFFF): 1/5 (20.00%) 65 | Mathematical Alphanumeric Symbols (U+1D400-1D7FF): 996/996 (100.00%) 66 | 67 | * XITS: 68 | Basic Latin (U+0000-007F): 95/95 (100.00%) 69 | Latin-1 Supplement (U+0080-00FF): 96/96 (100.00%) 70 | Latin Extended-A (U+0100-017F): 128/128 (100.00%) 71 | Latin Extended-B (U+0180-024F): 37/208 (17.79%) 72 | IPA Extensions (U+0250-02AF): 91/96 (94.79%) 73 | Spacing Modifier Letters (U+02B0-02FF): 61/80 (76.25%) 74 | Combining Diacritical Marks (U+0300-036F): 72/112 (64.29%) 75 | Greek and Coptic (U+0370-03FF): 93/134 (69.40%) 76 | Cyrillic (U+0400-04FF): 102/256 (39.84%) 77 | Phonetic Extensions (U+1D00-1D7F): 3/128 (2.34%) 78 | Phonetic Extensions Supplement (U+1D80-1DBF): 8/64 (12.50%) 79 | Latin Extended Additional (U+1E00-1EFF): 8/256 (3.12%) 80 | General Punctuation (U+2000-206F): 46/107 (42.99%) 81 | Superscripts and Subscripts (U+2070-209F): 1/34 (2.94%) 82 | Currency Symbols (U+20A0-20CF): 4/25 (16.00%) 83 | Combining Diacritical Marks for Symbols (U+20D0-20FF): 24/33 (72.73%) 84 | Letterlike Symbols (U+2100-214F): 60/80 (75.00%) 85 | Number Forms (U+2150-218F): 12/58 (20.69%) 86 | Arrows (U+2190-21FF): 103/112 (91.96%) 87 | Mathematical Operators (U+2200-22FF): 256/256 (100.00%) 88 | Miscellaneous Technical (U+2300-23FF): 61/233 (26.18%) 89 | Control Pictures (U+2400-243F): 1/39 (2.56%) 90 | Enclosed Alphanumerics (U+2460-24FF): 62/160 (38.75%) 91 | Box Drawing (U+2500-257F): 45/128 (35.16%) 92 | Block Elements (U+2580-259F): 8/32 (25.00%) 93 | Geometric Shapes (U+25A0-25FF): 96/96 (100.00%) 94 | Miscellaneous Symbols (U+2600-26FF): 54/250 (21.60%) 95 | Dingbats (U+2700-27BF): 30/175 (17.14%) 96 | Miscellaneous Mathematical Symbols-A (U+27C0-27EF): 43/44 (97.73%) 97 | Supplemental Arrows-A (U+27F0-27FF): 16/16 (100.00%) 98 | Supplemental Arrows-B (U+2900-297F): 128/128 (100.00%) 99 | Miscellaneous Mathematical Symbols-B (U+2980-29FF): 128/128 (100.00%) 100 | Supplemental Mathematical Operators (U+2A00-2AFF): 256/256 (100.00%) 101 | Miscellaneous Symbols and Arrows (U+2B00-2BFF): 64/87 (73.56%) 102 | CJK Symbols and Punctuation (U+3000-303F): 2/64 (3.12%) 103 | Hiragana (U+3040-309F): 1/93 (1.08%) 104 | Latin Extended-D (U+A720-A7FF): 1/114 (0.88%) 105 | Alphabetic Presentation Forms (U+FB00-FB4F): 5/58 (8.62%) 106 | Specials (U+FFF0-FFFF): 1/5 (20.00%) 107 | 108 | * XITS Bold: 109 | Basic Latin (U+0000-007F): 95/95 (100.00%) 110 | Latin-1 Supplement (U+0080-00FF): 96/96 (100.00%) 111 | Latin Extended-A (U+0100-017F): 128/128 (100.00%) 112 | Latin Extended-B (U+0180-024F): 32/208 (15.38%) 113 | IPA Extensions (U+0250-02AF): 89/96 (92.71%) 114 | Spacing Modifier Letters (U+02B0-02FF): 61/80 (76.25%) 115 | Combining Diacritical Marks (U+0300-036F): 72/112 (64.29%) 116 | Greek and Coptic (U+0370-03FF): 93/134 (69.40%) 117 | Cyrillic (U+0400-04FF): 102/256 (39.84%) 118 | Phonetic Extensions (U+1D00-1D7F): 3/128 (2.34%) 119 | Latin Extended Additional (U+1E00-1EFF): 8/256 (3.12%) 120 | General Punctuation (U+2000-206F): 40/107 (37.38%) 121 | Superscripts and Subscripts (U+2070-209F): 1/34 (2.94%) 122 | Currency Symbols (U+20A0-20CF): 4/25 (16.00%) 123 | Combining Diacritical Marks for Symbols (U+20D0-20FF): 22/33 (66.67%) 124 | Letterlike Symbols (U+2100-214F): 38/80 (47.50%) 125 | Number Forms (U+2150-218F): 12/58 (20.69%) 126 | Arrows (U+2190-21FF): 82/112 (73.21%) 127 | Mathematical Operators (U+2200-22FF): 237/256 (92.58%) 128 | Miscellaneous Technical (U+2300-23FF): 15/233 (6.44%) 129 | Control Pictures (U+2400-243F): 1/39 (2.56%) 130 | Enclosed Alphanumerics (U+2460-24FF): 62/160 (38.75%) 131 | Box Drawing (U+2500-257F): 40/128 (31.25%) 132 | Geometric Shapes (U+25A0-25FF): 6/96 (6.25%) 133 | Miscellaneous Symbols (U+2600-26FF): 3/250 (1.20%) 134 | Miscellaneous Mathematical Symbols-A (U+27C0-27EF): 4/44 (9.09%) 135 | Miscellaneous Mathematical Symbols-B (U+2980-29FF): 10/128 (7.81%) 136 | Supplemental Mathematical Operators (U+2A00-2AFF): 58/256 (22.66%) 137 | Alphabetic Presentation Forms (U+FB00-FB4F): 5/58 (8.62%) 138 | 139 | * XITS Italic: 140 | Basic Latin (U+0000-007F): 95/95 (100.00%) 141 | Latin-1 Supplement (U+0080-00FF): 96/96 (100.00%) 142 | Latin Extended-A (U+0100-017F): 128/128 (100.00%) 143 | Latin Extended-B (U+0180-024F): 32/208 (15.38%) 144 | IPA Extensions (U+0250-02AF): 89/96 (92.71%) 145 | Spacing Modifier Letters (U+02B0-02FF): 28/80 (35.00%) 146 | Greek and Coptic (U+0370-03FF): 92/134 (68.66%) 147 | Cyrillic (U+0400-04FF): 102/256 (39.84%) 148 | Latin Extended Additional (U+1E00-1EFF): 8/256 (3.12%) 149 | General Punctuation (U+2000-206F): 23/107 (21.50%) 150 | Currency Symbols (U+20A0-20CF): 4/25 (16.00%) 151 | Combining Diacritical Marks for Symbols (U+20D0-20FF): 20/33 (60.61%) 152 | Letterlike Symbols (U+2100-214F): 30/80 (37.50%) 153 | Mathematical Operators (U+2200-22FF): 2/256 (0.78%) 154 | Control Pictures (U+2400-243F): 1/39 (2.56%) 155 | Enclosed Alphanumerics (U+2460-24FF): 62/160 (38.75%) 156 | Box Drawing (U+2500-257F): 40/128 (31.25%) 157 | Alphabetic Presentation Forms (U+FB00-FB4F): 5/58 (8.62%) 158 | 159 | * XITS Bold Italic: 160 | Basic Latin (U+0000-007F): 95/95 (100.00%) 161 | Latin-1 Supplement (U+0080-00FF): 96/96 (100.00%) 162 | Latin Extended-A (U+0100-017F): 128/128 (100.00%) 163 | Latin Extended-B (U+0180-024F): 32/208 (15.38%) 164 | IPA Extensions (U+0250-02AF): 89/96 (92.71%) 165 | Spacing Modifier Letters (U+02B0-02FF): 28/80 (35.00%) 166 | Greek and Coptic (U+0370-03FF): 92/134 (68.66%) 167 | Cyrillic (U+0400-04FF): 102/256 (39.84%) 168 | Latin Extended Additional (U+1E00-1EFF): 8/256 (3.12%) 169 | General Punctuation (U+2000-206F): 23/107 (21.50%) 170 | Currency Symbols (U+20A0-20CF): 4/25 (16.00%) 171 | Combining Diacritical Marks for Symbols (U+20D0-20FF): 1/33 (3.03%) 172 | Letterlike Symbols (U+2100-214F): 29/80 (36.25%) 173 | Mathematical Operators (U+2200-22FF): 2/256 (0.78%) 174 | Control Pictures (U+2400-243F): 1/39 (2.56%) 175 | Enclosed Alphanumerics (U+2460-24FF): 62/160 (38.75%) 176 | Box Drawing (U+2500-257F): 40/128 (31.25%) 177 | Alphabetic Presentation Forms (U+FB00-FB4F): 5/58 (8.62%) 178 | 179 | 180 | Information for Contributors 181 | ------------------------------ 182 | XITS is released under the OFL 1.1 - http://scripts.sil.org/OFL For information 183 | on what you're allowed to change or modify, consult the OFL-1.1.txt and 184 | OFL-FAQ.txt files. The OFL-FAQ also gives a very general rationale and various 185 | recommendations regarding why you would want to contribute to the project or 186 | make your own version of the font. 187 | 188 | See the project website for the current master and the various branches: 189 | http://github.com/khaledhosny/xits-math 190 | 191 | 192 | ChangeLog 193 | ---------- 194 | 28 May 2012 (Khaled Hosny) Version 1.106 195 | - Improve accent possitioning of bold script alphabet 196 | - Fix integral italic correction of bold math font 197 | - Add calligraphic alphabet bold math font 198 | - Add upright integrals to bold math font 199 | 200 | 18 May 2012 (Khaled Hosny) Version 1.105 201 | - Remove ligatures and oldstyle figures from math font 202 | - Move primes closer together 203 | - Fix extensibility of combining over/under arrows 204 | - Add 4 pre-built sizes for bar glyphs 205 | - Initial bold math font 206 | - Add under left right arrow 207 | 208 | 12 Feb 2012 (Khaled Hosny) Version 1.104 209 | - Fix various warnings reported vy `compareFamily` tool of AFDKO 210 | - Fix primes size so that base and superscripted primes are identical in size 211 | and a bit smaller than before 212 | 213 | 29 Nov 2011 (Khaled Hosny) Version 1.103 214 | - Remove erroneous dots from U+2A2B and add U+2A2C to XITS Bold 215 | 216 | 08 Nov 2011 (Khaled Hosny) Version 1.102 217 | - Fix inconsistent line spacing caused by inline math in MS Word 218 | 219 | 08 Oct 2011 (Khaled Hosny) Version 1.101 220 | - Support for numr and dnom features in XITS Regular 221 | - Add Arabic comma to XITS Math 222 | - Sync with STIXv1.1.0-beta1: 223 | - New values for StackBottomShiftDown and StackBottomDisplayStyleShiftDown 224 | - Sync PS private table in XITS Math 225 | - Sync relevant glyph changes 226 | 227 | 18 Sep 2011 (Khaled Hosny) Version 1.012 228 | - Fix bug in \scriptscriptstyle primes with XeTeX 229 | 230 | 13 Jul 2011 (Khaled Hosny) Version 1.011 231 | - Initial right-to-left math support 232 | - Add basic Arabic letters, digits and some math symbols 233 | - Add support for overly accents 234 | - Make uni2980, uni20E9, uni2223, uni2225, uni2AF4 and uni2AFC extensible 235 | - Support math variants using variation selector (VS1) 236 | - Add alternate negated symbols with vertical stroke 237 | - Use the bar glyph from STIXVar.otf 238 | - Fix FontForge warnings 239 | - Fix swapped U+22D2 and U+22D3 glyphs 240 | 241 | 22 Apr 2011 (Khaled Hosny) Version 1.010 242 | - Make \over/underbrace and sisters less close to base glyphs 243 | - Add upright integrals as stylistic set ss08 244 | 245 | 21 Apr 2011 (Khaled Hosny) Version 1.009 246 | - Don't hard code OS/2 code pages and Unicode ranges 247 | - Fix StackBottomShiftDown and StackBottomDisplayStyleShiftDown math parameters 248 | 249 | 12 Jan 2011 (Khaled Hosny) Version 1.008 250 | - Fix sub/supercript positioning for uppercase script family 251 | - Make \lgroup and \rgroup extensible 252 | - Mark few more brackets extended shapes 253 | - Make \lmoustache \rmoustache extensible 254 | 255 | 25 Oct 2010 (Khaled Hosny) Version 1.007 256 | - Add TopAccentHorizontal position to U+00B7, U+0131, U+0237, U+203E, U+22C5 257 | - Add spaces and control characters U+0000-001F, U+2000-200F, U+2028-202F 258 | - Tune script positioning for display integrals 259 | - Disable smaller than text size integrals 260 | - Rename fj ligature glyph to "f_j" for PDF search 261 | - Assign un-encoded glyphs PUA code points 262 | - Use U+23B7 slot for the glyph uni221A.base 263 | - Change integral glyphs name suffixes to "small" and "display" 264 | 265 | 15 Jul 2010 (Khaled Hosny) Version 1.006 266 | - More italic correction to double struck alphabet 267 | - Misc accents cleanup 268 | - Remove wide variants of spacing accents 269 | - Fine tuning of Latin and Greek top accent positioning 270 | - Revise math constants, based on a default rule thickness of 66 instead of 50 271 | - Draw a .notdef glyph instead of being empty, in the math font 272 | - Make the bar glyph descend below the base line in the math font 273 | 274 | 08 Jul 2010 (Khaled Hosny) Version 1.005 275 | - Fix wrong style for italic double struck symbols 276 | - Cover all small i and j letters in 'dtls' feature 277 | - Add top accent position for math serif Greek 278 | - Add vertical composition for floor and ceiling 279 | - Increase RadicalDegreeBottomRaisePercent 280 | - Add math bold digamma 281 | - Add math bold, italic and bold italic double-struck stylistic sets 282 | - Add math bold monospace digits stylistic set 283 | - Add math italic sans-serif digits stylistic set 284 | - Add math sans-serif Greek stylistic set 285 | 286 | 11 Jun 2010 (Khaled Hosny) Version 1.004 287 | - Fix the mysterious MS Office 2007 composition bug 288 | 289 | 10 Jun 2010 (Khaled Hosny) Version 1.003 290 | - Set OS/2 version to 4 291 | - Add italic correction to math italic Greek and Latin 292 | - Remove redundant math glyphs from text fonts 293 | - Add 'dtls' feature and bold dotless i and j 294 | - Add bold mathematical calligraphic alphabet 295 | - Add mathematical calligraphic alphabet 296 | 297 | 6 Jun 2010 (Khaled Hosny) Version 1.002 298 | - Make OS/2 ascender/descender absolute values 299 | - Move GSUB code to a font feature file 300 | - Merge oldstyle figures from STIXNonUni* fonts 301 | - Import the rest of STIXGeneral fonts 302 | 303 | 4 Jun 2010 (Khaled Hosny) Version 1.001 304 | - Edit various font metadata 305 | - Initial release of "XITS Math" 306 | - Add sub/superscript variants of primes 307 | - Fix displaced \widehat and sisters 308 | - Add italic correction, not all glyphs yet 309 | - Fix the vertical positions of \[over|under]brace 310 | - Ask FontForge to guess the BlueValues: 311 | - Add 'frac' feature for text fractions 312 | - Add oldstyle numbers 313 | - Add Horizontal construction 314 | - Add Vertical construction 315 | - Add horizontal top accent position values 316 | - Mark extended shapes 317 | - Add horizontal variants 318 | - Add vertical variants 319 | - Add MATH table 320 | 321 | 322 | Acknowledgements 323 | ------------------------- 324 | If you make modifications be sure to add your name (N), email (E), web-address 325 | (W) and description (D). This list is sorted by last name in alphabetical 326 | order.) 327 | 328 | N: Khaled Hosny 329 | E: khaledhosny@eglug.org 330 | W: http://www.khaledhosny.org 331 | D: Engineer - OpenType MATH code 332 | 333 | N: STIX Fonts project 334 | E: 335 | W: http://www.stixfonts.org 336 | D: Original authors 337 | 338 | 339 | -------------------------------------------------------------------------------- /fonts/04. XITS/Makefile: -------------------------------------------------------------------------------- 1 | NAME=xits 2 | VERSION=1.106 3 | 4 | SRC=sources 5 | DOC=documentation 6 | DOCSRC=$(DOC)/$(DOC)-$(SRC) 7 | DIST=$(NAME)-$(VERSION) 8 | 9 | FF=fontforge -lang=ff 10 | POSTPROCESS=./postprocess.py 11 | FFLAGES=0x200000 12 | SCRIPT='Open($$1);\ 13 | if ($$argc>3)\ 14 | MergeFeature($$2);\ 15 | endif;\ 16 | SetFontNames("","","","","","$(VERSION)");\ 17 | Generate($$argv[$$argc-1], "", $(FFLAGES))' 18 | 19 | FONTS=math mathbold regular bold italic bolditalic 20 | DOCS=user-guide xits-specimen 21 | FEA=xits.fea 22 | 23 | SFD=$(FONTS:%=$(SRC)/$(NAME)-%.sfd) 24 | OTF=$(FONTS:%=$(NAME)-%.otf) 25 | TEX=$(DOCS:%=$(DOCSRC)/%.tex) 26 | PDF=$(DOCS:%=$(DOC)/%.pdf) 27 | 28 | all: otf 29 | 30 | otf: $(OTF) 31 | 32 | xits-math.otf: $(SRC)/xits-math.sfd Makefile $(POSTPROCESS) 33 | @echo "Building $@" 34 | @$(FF) -c $(SCRIPT) $< $@ 2>/dev/stdout 1>/dev/stderr | tail -n +4 35 | @$(POSTPROCESS) $@ 36 | @mv $@.post $@ 37 | 38 | xits-mathbold.otf: $(SRC)/xits-mathbold.sfd Makefile $(POSTPROCESS) 39 | @echo "Building $@" 40 | @$(FF) -c $(SCRIPT) $< $@ 2>/dev/stdout 1>/dev/stderr | tail -n +4 41 | @$(POSTPROCESS) $@ 42 | @mv $@.post $@ 43 | 44 | %.otf: $(SRC)/%.sfd Makefile $(POSTPROCESS) 45 | @echo "Building $@" 46 | @$(FF) -c $(SCRIPT) $< $(SRC)/$(FEA) $@ 2>/dev/stdout 1>/dev/stderr | tail -n +4 47 | @$(POSTPROCESS) $@ 48 | @mv $@.post $@ 49 | 50 | doc: $(PDF) 51 | 52 | $(DOC)/%.pdf: $(DOCSRC)/%.tex 53 | @echo "Building $@" 54 | @context --nonstopmode --result=$@ $< 1>/dev/null 55 | 56 | FONTLOG.txt: FONTLOG.txt.in 57 | @echo "Generating $@" 58 | @./tools/fontcoverage.py tools/Blocks.txt $< $(SFD) > $@ 59 | 60 | dist: $(OTF) $(PDF) FONTLOG.txt 61 | @echo "Making dist tarball" 62 | @mkdir -p $(DIST)/$(SRC) 63 | @mkdir -p $(DIST)/$(DOC) 64 | @mkdir -p $(DIST)/$(DOCSRC) 65 | @cp $(SFD) $(DIST)/$(SRC) 66 | @cp $(SRC)/$(FEA) $(DIST)/$(SRC) 67 | @cp $(OTF) $(DIST) 68 | @cp -r $(PDF) $(DIST)/$(DOC) 69 | @cp -r $(TEX) $(DIST)/$(DOCSRC) 70 | @cp -r $(POSTPROCESS) Makefile OFL-FAQ.txt OFL.txt FONTLOG.txt tex $(DIST) 71 | @cp README.md $(DIST)/README.txt 72 | @zip -r $(DIST).zip $(DIST) 73 | 74 | clean: 75 | @rm -rf $(OTF) $(DIST) $(DIST).zip 76 | -------------------------------------------------------------------------------- /fonts/04. XITS/OFL-FAQ.txt: -------------------------------------------------------------------------------- 1 | OFL FAQ - Frequently Asked Questions about the SIL Open Font License (OFL) 2 | Version 1.1-update2 - 23 August 2010 3 | (See http://scripts.sil.org/OFL for updates) 4 | 5 | 6 | CONTENTS OF THIS FAQ 7 | 1 USING AND DISTRIBUTING FONTS LICENSED UNDER THE OFL 8 | 2 USING OFL FONTS FOR WEB PAGES AND ONLINE WEBFONT SERVICES 9 | 3 MODIFYING OFL-LICENSED FONTS 10 | 4 LICENSING YOUR ORIGINAL FONTS UNDER THE OFL 11 | 5 CHOOSING RESERVED FONT NAMES 12 | 6 ABOUT THE FONTLOG 13 | 7 MAKING CONTRIBUTIONS TO OFL PROJECTS 14 | 8 ABOUT THE LICENSE ITSELF 15 | 9 ABOUT SIL INTERNATIONAL 16 | APPENDIX A - FONTLOG EXAMPLE 17 | 18 | 19 | 1 USING AND DISTRIBUTING FONTS LICENSED UNDER THE OFL 20 | 21 | 1.1 Can I use the fonts for a book or other print publication? 22 | Yes. You can mention the font and author in the book's colophon if you wish, but that is not required. 23 | 24 | 1.2 Can the fonts be included with Free/Libre and Open Source Software collections such as GNU/Linux and BSD distributions? 25 | Yes! Fonts licensed under the OFL can be freely included alongside other software under FLOSS (Free/Libre and Open Source Software) licenses. Since fonts are typically aggregated with, not merged into, existing software, there is little need to be concerned about incompatibility with existing software licenses. You may also repackage the fonts and the accompanying components in a .rpm or .deb package and include them in distribution CD/DVDs and online repositories. (Also see section 5.9 about rebuilding from source.) 26 | 27 | 1.3 I want to distribute the fonts with my program. Does this mean my program also has to be Free/Libre and Open Source Software? 28 | No. Only the portions based on the Font Software are required to be released under the OFL. The intent of the license is to allow aggregation or bundling with software under restricted licensing as well. 29 | 30 | 1.4 Can I sell a software package that includes these fonts? 31 | Yes, you can do this with both the Original Version and a Modified Version of the fonts. Examples of bundling made possible by the OFL would include: word processors, design and publishing applications, training and educational software, games and entertainment software, mobile device applications, etc. 32 | 33 | 1.5 Can I include the fonts on a CD of freeware or commercial fonts? 34 | Yes, as long some other font or software is also on the disk, so the OFL font is not sold by itself. 35 | 36 | 1.6 Why won't the OFL let me sell the fonts alone? 37 | The intent is to keep people from making money by simply redistributing the fonts. The only people who ought to profit directly from the fonts should be the original authors, and those authors have kindly given up potential direct income to distribute their fonts under the OFL. Please honour and respect their contribution! 38 | 39 | 1.7 What about sharing OFL fonts with friends on a CD, DVD or USB stick? 40 | You are very welcome to share open fonts with friends, family and colleagues through removable media. Just remember to include the full font package, including any copyright notices and licensing information as available in OFL.txt. In the case where you sell the font, it has to come bundled with software. 41 | 42 | 1.8 Can I host the fonts on a web site for others to use? 43 | Yes, as long as you make the full font package available. In most cases it may be best to point users to the main site that distributes the Original Version so they always get the most recent stable and complete version. See also discussion of webfonts in Section 2. 44 | 45 | 1.9 Can I host the fonts on a server for use over our internal network? 46 | Yes. If the fonts are transferred from the server to the client computer by means that allow them to be used even if the computer is no longer attached to the network, the full package (copyright notices, licensing information, etc.) should be included. 47 | 48 | 1.10 Does the full OFL license text always need to accompany the font? 49 | The only situation in which an OFL font can be distributed without the text of the OFL (either in a separate file or in font metadata), is when a font is embedded in a document or bundled within a program. In the case of metadata included within a font, it is legally sufficient to include only a link to the text of the OFL on http://scripts.sil.org/OFL, but we strongly recommend against this. Most modern font formats include metadata fields that will accept the full OFL text, and full inclusion increases the likelihood that users will understand and properly apply the license. 50 | 51 | 1.11 What do you mean by 'embedding'? How does that differ from other means of distribution? 52 | By 'embedding' we mean inclusion of the font in a document or file in a way that makes extraction (and redistribution) difficult or clearly discouraged. In many cases the names of embedded fonts might also not be obvious to those reading the document, the font data format might be altered, and only a subset of the font - only the glyphs required for the text - might be included. Any other means of delivering a font to another person is considered 'distribution', and needs to be accompanied by any copyright notices and licensing information available in OFL.txt. 53 | 54 | 1.12 So can I embed OFL fonts in my document? 55 | Yes, either in full or a subset. The restrictions regarding font modification and redistribution do not apply, as the font is not intended for use outside the document. 56 | 57 | 1.13 Does embedding alter the license of the document itself? 58 | No. Referencing or embedding an OFL font in any document does not change the license of the document itself. The requirement for fonts to remain under the OFL does not apply to any document created using the fonts and their derivatives. Similarly, creating any kind of graphic using a font under OFL does not make the resulting artwork subject to the OFL. 59 | 60 | 1.14 If OFL fonts are extracted from a document in which they are embedded (such as a PDF file), what can be done with them? Is this a risk to author(s)? 61 | The few utilities that can extract fonts embedded in a PDF will typically output limited amounts of outlines - not a complete font. To create a working font from this method is much more difficult and time consuming than finding the source of the original OFL font. So there is little chance that an OFL font would be extracted and redistributed inappropriately through this method. Even so, copyright laws address any misrepresentation of authorship. All Font Software released under the OFL and marked as such by the author(s) is intended to remain under this license regardless of the distribution method, and cannot be redistributed under any other license. We strongly discourage any font extraction - we recommend directly using the font sources instead - but if you extract font outlines from a document, please be considerate: use your common sense and respect the work of the author(s) and the licensing model. 62 | 63 | 1.15 What about distributing fonts with a document? Within a compressed folder structure? Is it distribution, bundling or embedding? 64 | Certain document formats may allow the inclusion of an unmodified font within their file structure which consists of a compressed folder containing the various resources forming the document (such as pictures and thumbnails). Including fonts within such a structure is understood as being different from embedding but rather similar to bundling (or mere aggregation) which the license explicitly allows. In this case the font is conveyed unchanged whereas embedding a font usually transforms it from the original format. The OFL does not allow anyone to extract the font from such a structure to then redistribute it under another license. The explicit permission to redistribute and embed does not cancel the requirement for the Font Software to remain under the license chosen by its author(s). 65 | 66 | 1.16 What about ebooks shipping with open fonts? 67 | The requirements differ depending on whether the fonts are linked, embedded or distributed (bundled or aggregated). Some ebook formats use web technologies to do font linking via @font-face, others are designed for font embedding, some use fonts distributed with the document or reading software, and a few rely solely on the fonts already present on the target system. The license requirements depend on the type of inclusion as discussed in 1.15. 68 | 69 | 1.17 Can Font Software released under the OFL be subject to URL-based access restrictions methods or DRM (Digital Rights Management) mechanisms? 70 | Yes, but these issues are out-of-scope for the OFL. The license itself neither encourages their use nor prohibits them since such mechanisms are not implemented in the components of the Font Software but through external software. Such restrictions are put in place for many different purposes corresponding to various usage scenarios. One common example is to limit potentially dangerous cross-site scripting attacks. However, in the spirit of libre/open fonts and unrestricted writing systems, we strongly encourage open sharing and reuse of OFL fonts, and the establishment of an environment where such restrictions are unnecessary. Note that whether you wish to use such mechanisms or you prefer not to, you must still abide by the rules set forth by the OFL when using fonts released by their authors under this license. Derivative fonts must be licensed under the OFL, even if they are part of a service for which you charge fees and/or for which access to source code is restricted. You may not sell the fonts on their own - they must be part of a larger software package, bundle or subscription plan. For example, even if the OFL font is distributed in a software package or via an online service using a DRM mechanism, the user would still have the right to extract that font, use, study, modify and redistribute it under the OFL. 71 | 72 | 1.18 I've come across a font released under the OFL. How can I easily get more information about the Original Version? How can I know where it stands compared to the Original Version or other Modified Versions? 73 | Consult the copyright statement(s) in the license for ways to contact the original authors. Consult the FONTLOG for information on how the font differs from the Original Version, and get in touch with the various contributors via the information in the acknowledgement section. Please consider using the Original Versions of the fonts whenever possible. 74 | 75 | 1.19 What do you mean in condition 4? Can you provide examples of abusive promotion / endorsement / advertisement vs. normal acknowledgement? 76 | The intent is that the goodwill and reputation of the author(s) should not be used in a way that makes it sound like the original author(s) endorse or approve of a specific Modified Version or software bundle. For example, it would not be right to advertise a word processor by naming the author(s) in a listing of software features, or to promote a Modified Version on a web site by saying "designed by ...". However, it would be appropriate to acknowledge the author(s) if your software package has a list of people who deserve thanks. We realize that this can seem to be a grey area, but the standard used to judge an acknowledgement is that if the acknowledgement benefits the author(s) it is allowed, but if it primarily benefits other parties, or could reflect poorly on the author(s), then it is not. 77 | 78 | 79 | 2 USING OFL FONTS FOR WEBPAGES AND ONLINE WEBFONT SERVICES 80 | 81 | 2.1 Can I make webpages using these fonts? 82 | Yes! Go ahead! Using CSS (Cascading Style Sheets) is recommended. Your three best options: 83 | - referring directly in your stylesheet to open fonts which may be available on the user's system 84 | - providing links to download the full package of the font - either from your own website or from elsewhere - so users can install it themselves 85 | - using @font-face to distribute the font directly to browsers. This is recommended and explicitly allowed by the licensing model because it is distribution. The font file itself is distributed with other components of the webpage. It is not embedded in the webpage but referenced through a web address which will cause the browser to retrieve and use the corresponding font to render the webpage (see 1.11 and 1.15 for details related to embedding fonts into documents). As you take advantage of the @font-face cross-platform standard, be aware that webfonts are often tuned for a web environment and not intended for installation and use outside a browser. The reasons in favour of using webfonts are to allow design of dynamic text elements instead of static graphics, to make it easier for content to be localized and translated, indexed and searched, and all this with cross-platform open standards without depending on restricted extensions or plugins. You should check the CSS cascade (the order in which fonts are being called or delivered to your users) when testing. 86 | 87 | 2.2 Can I make and use WOFF (Web Open Font Format) versions of OFL fonts? 88 | Yes, but you need to be careful. A change in font format normally is considered modification, and Reserved Font Names (RFNs) cannot be used. Because of the design of the WOFF format, however, it is possible to create a WOFF version that is not considered modification, and so would not require a name change. You are allowed to create, use and distribute a WOFF version of an OFL font without changing the font name, but only if: 89 | 90 | - the original font data remains unchanged except for WOFF compression, and 91 | - WOFF-specific metadata is either omitted altogether or present and includes, unaltered, the contents of all equivalent metadata in the original font. 92 | 93 | If the original font data or metadata is changed, or the WOFF-specific metadata is incomplete, the font must be considered a Modified Version, the OFL restrictions would apply and the name of the font must be changed: any RFNs cannot be used and copyright notices and licensing information must be included and cannot be deleted or modified. You must come up with a unique name - we recommend one corresponding to your domain or your particular web application. Be aware that only the original author(s) can use RFNs. This is to prevent collisions between a derivative tuned to your audience and the original upstream version and so to reduce confusion. 94 | 95 | Please note that most WOFF conversion tools and online services do not meet the two requirements listed above, and so their output must be considered a Modified Version. So be very careful and check to be sure that the tool or service you're using is compressing unchanged data and completely and accurately reflecting the original font metadata. 96 | 97 | 2.3 What about other webfont formats such as EOT/EOTLite/CWT/etc.? 98 | In most cases these formats alter the original font data more than WOFF, and do not completely support appropriate metadata, so their use must be considered modification and RFNs may not be used. 99 | 100 | 2.4 Can I make OFL fonts available through webfont online services? 101 | Yes, you are welcome to include OFL fonts in online webfont services as long as you properly meet all the conditions of the license. The origin and open status of the font should be clear among the other fonts you are hosting. Authorship, copyright notices and license information must be sufficiently visible to your users or subscribers so they know where the font comes from and the rights granted by the author(s). Make sure the font file contains the needed copyright notice(s) and licensing information in its metadata. Please double-check the accuracy of every field to prevent contradictory information. Other font formats, including EOT/EOTLite/CWT and superior alternatives like WOFF, already provide fields for this information. Remember that if you modify the font within your library or convert it to another format for any reason the OFL restrictions apply and you need to change the names accordingly. Please respect the author's wishes as expressed in the OFL and do not misrepresent original designers and their work. Don't lump quality open fonts together with dubious freeware or public domain fonts. Consider how you can best work with the original designers and foundries, support their efforts and generate goodwill that will benefit your service. (See 1.17 for details related to URL-based access restrictions methods or DRM mechanisms). 102 | 103 | 2.5 Can I make and publish CMS themes or templates that use OFL fonts? Can I include the fonts themselves in the themes or templates? Can I sell the whole package? 104 | Yes, you are very welcome to integrate open fonts into themes and templates for your preferred CMS and make them more widely available. Be aware that you can only sell the fonts and your CMS add-on as part of a software bundle. (See 1.4 for details and examples about selling bundles). 105 | 106 | 2.6 Some webfont formats and services provide ways of "optimising" the font for a particular website or web application; is that allowed? 107 | Yes, it is permitted, but remember that these optimised versions are Modified Versions and so must follow OFL requirements like appropriate renaming. Also you need to bear in mind the other important parameters beyond compression, speed and responsiveness: you need to consider the audience of your particular website or web application, as choosing some optimisation parameters may turn out to be less than ideal for them. Subsetting by removing certain glyphs or features may seriously limit functionality of the font in various languages used by your users. It may also introduce degradation of quality in the rendering or specific bugs on the various platforms compared to the original font. In other words, remember that one person's optimised font may be another person's missing feature. Various advanced typographic features are also available through CSS and may provide the desired effects without the need to modify the font. 108 | 109 | 110 | 3 MODIFYING OFL-LICENSED FONTS 111 | 112 | 3.1 Can I change the fonts? Are there any limitations to what things I can and cannot change? 113 | You are allowed to change anything, as long as such changes do not violate the terms of the license. In other words, you are not allowed to remove the copyright statement(s) from the font, but you could put additional information into it that covers your contribution. 114 | 115 | 3.2 I have a font that needs a few extra glyphs - can I take them from an OFL licensed font and copy them into mine? 116 | Yes, but if you distribute that font to others it must be under the OFL, and include the information mentioned in condition 2 of the license. 117 | 118 | 3.3 Can I charge people for my additional work? In other words, if I add a bunch of special glyphs and/or OpenType/Graphite code, can I sell the enhanced font? 119 | Not by itself. Derivative fonts must be released under the OFL and cannot be sold by themselves. It is permitted, however, to include them in a larger software package (such as text editors, office suites or operating systems), even if the larger package is sold. In that case, you are strongly encouraged, but not required, to also make that derived font easily and freely available outside of the larger package. 120 | 121 | 3.4 Can I pay someone to enhance the fonts for my use and distribution? 122 | Yes. This is a good way to fund the further development of the fonts. Keep in mind, however, that if the font is distributed to others it must be under the OFL. You won't be able to recover your investment by exclusively selling the font, but you will be making a valuable contribution to the community. Please remember how you have benefited from the contributions of others. 123 | 124 | 3.5 I need to make substantial revisions to the font to make it work with my program. It will be a lot of work, and a big investment, and I want to be sure that it can only be distributed with my program. Can I restrict its use? 125 | No. If you redistribute a Modified Version of the font it must be under the OFL. You may not restrict it in any way beyond what the OFL permits and requires. This is intended to ensure that all released improvements to the fonts become available to everyone. But you will likely get an edge over competitors by being the first to distribute a bundle with the enhancements. Again, please remember how you have benefited from the contributions of others. 126 | 127 | 3.6 Do I have to make any derivative fonts (including extended source files, build scripts, documentation, etc.) publicly available? 128 | No, but please consider sharing your improvements with others. You may find that you receive in return more than what you gave. 129 | 130 | 3.7 If a trademark is claimed in the OFL font, does that trademark need to remain in modified fonts? 131 | Yes, any trademark notices must remain in any derivative fonts to respect trademark laws, but you may add any additional trademarks you claim, officially registered or not. For example if an OFL font called "Foo" contains a notice that "Foo is a trademark of Acme", then if you rename the font to "Bar" when creating a Modified Version, the new trademark notice could say "Foo is a trademark of Acme Inc. - Bar is a trademark of Roadrunner Technologies Ltd.". Trademarks work alongside the OFL and are not subject to the terms of the licensing agreement. Please refer to the appropriate trademark laws. 132 | 133 | 134 | 4 LICENSING YOUR ORIGINAL FONTS UNDER THE OFL 135 | 136 | 4.1 Can I use the SIL OFL for my own fonts? 137 | Yes! We heartily encourage everyone to use the OFL to distribute their own original fonts. It is a carefully constructed license that allows great freedom along with enough artistic integrity protection for the work of the authors as well as clear rules for other contributors and those who redistribute the fonts. The licensing model is used successfully by various organisations, both for-profit and not-for-profit, to release fonts of varying levels of scope and complexity. 138 | 139 | 4.2 What do I have to do to apply the OFL to my font? 140 | If you want to release your fonts under the OFL, we recommend you do the following: 141 | 142 | 4.2.1 Put your copyright and Reserved Font Names information at the beginning of the main OFL.txt file in place of the dedicated placeholders. Include this file in your release package. 143 | 144 | 4.2.2 Put your copyright and the OFL text with Reserved Font Names into your font files (the copyright and license fields). A link to the OFL text on the OFL web site is an acceptable (but not recommended) alternative. Also add this information to any other components (build scripts, glyph databases, documentation, test files, etc). Depending on the format of your fonts and sources, you can use template human-readable headers or machine-readable metadata. 145 | 146 | 4.2.3 Write an initial FONTLOG.txt for your font and include it in the release package. 147 | 148 | 4.2.4 Include the relevant practical documentation on the license by including the OFL-FAQ.txt in your package. 149 | 150 | 4.3 Will you make my font OFL for me? 151 | We won't do the work for you. We can, however, try to answer your questions, unfortunately we do not have the resources to review and check your font packages for correct use of the OFL. 152 | 153 | 4.4 Will you distribute my OFL font for me? 154 | No, although if the font is of sufficient quality and general interest we may include a link to it on our partial list of OFL fonts on the OFL web site. You may wish to consider other open font catalogs or hosting services, such as the Unifont Font Guide (http://unifont.org/fontguide), The League of Movable Type (http://theleagueofmovabletype.com), Kernest (http://kernest.com/) or the Open Font Library (http://openfontlibrary.org/), which despite the name has no direct relationship to the OFL or SIL. We do not endorse any particular catalog or hosting service - it is your responsibility to determine if the service is right for you. 155 | 156 | 4.5 Why should I use the OFL for my fonts? 157 | - to meet needs for fonts that can be modified to support minority languages 158 | - to provide a legal and clear way for people to respect your work but still use it (and reduce piracy) 159 | - to involve others in your font project 160 | - to enable your fonts to be expanded with new weights and improved writing system/language support 161 | - to allow more technical font developers to add features to your design (such as OpenType and Graphite support) 162 | - to renew the life of an old font lying on your hard drive with no business model 163 | - to allow your font to be included in Libre Software operating systems like Ubuntu 164 | - to give your font world status and wide, unrestricted distribution 165 | - to educate students about quality typeface and font design 166 | - to expand your test base and get more useful feedback 167 | - to extend your reach to new markets when users see your metadata and go to your website 168 | - to get your font more easily into one of the webfont online services 169 | - to attract attention for your commercial fonts 170 | - to make money through webfont services 171 | - to make money by bundling fonts with applications 172 | - to make money adjusting and extending existing open fonts 173 | - to get a better chance that foundations/NGOs/charities/companies who commission fonts will pick you 174 | - to be part of a sharing design and development community 175 | - to give back and contribute to a growing body of font sources 176 | 177 | 178 | 5 CHOOSING RESERVED FONT NAMES 179 | 180 | 5.1 What are Reserved Font Names? 181 | These are font names, or portions of font names, that the author has chosen to reserve for use only with the Original Version of the font, or for Modified Version(s) created by the original author. 182 | 183 | 5.2 Why can't I use the Reserved Font Names in my derivative font names? I'd like people to know where the design came from. 184 | The best way to acknowledge the source of the design is to thank the original authors and any other contributors in the files that are distributed with your revised font (although no acknowledgement is required). The FONTLOG is a natural place to do this. Reserved Font Names ensure that the only fonts that have the original names are the unmodified Original Versions. This allows designers to maintain artistic integrity while allowing collaboration to happen. It eliminates potential confusion and name conflicts. When choosing a name, be creative and avoid names that reuse almost all the same letters in the same order or sound like the original. It will help everyone if Original Versions and Modified Versions can easily be distinguished from one another and from other derivatives. Any substitution and matching mechanism is outside the scope of the license. 185 | 186 | 5.3 What do you mean by "primary name as presented to the user"? Are you referring to the font menu name? 187 | Yes, this applies to the font menu name and other mechanisms that specify a font in a document. It would be fine, however, to keep a text reference to the original fonts in the description field, in your modified source file or in documentation provided alongside your derivative as long as no one could be confused that your modified source is the original. But you cannot use the Reserved Font Names in any way to identify the font to the user (unless the Copyright Holder(s) allow(s) it through a separate agreement). Users who install derivatives (Modified Versions) on their systems should not see any of the original Reserved Font Names in their font menus, for example. Again, this is to ensure that users are not confused and do not mistake one font for another and so expect features only another derivative or the Original Version can actually offer. 188 | 189 | 5.4 Am I not allowed to use any part of the Reserved Font Names? 190 | You may not use individual words from the Reserved Font Names, but you would be allowed to use parts of words, as long as you do not use any word from the Reserved Font Names entirely. We do not recommend using parts of words because of potential confusion, but it is allowed. For example, if "Foobar" was a Reserved Font Name, you would be allowed to use "Foo" or "bar", although we would not recommend it. Such an unfortunate choice would confuse the users of your fonts as well as make it harder for other designers to contribute. 191 | 192 | 5.5 So what should I, as an author, identify as Reserved Font Names? 193 | Original authors are encouraged to name their fonts using clear, distinct names, and only declare the unique parts of the name as Reserved Font Names. For example, the author of a font called "Foobar Sans" would declare "Foobar" as a Reserved Font Name, but not "Sans", as that is a common typographical term, and may be a useful word to use in a derivative font name. Reserved Font Names should also be single words. A font called "Flowing River" should have Reserved Font Names "Flowing" and "River", not "Flowing River". You also need to be very careful about reserving font names which are already linked to trademarks (whether registered or not) which you do not own. 194 | 195 | 5.6 Do I, as an author, have to identify any Reserved Font Names? 196 | No, but we strongly encourage you to do so. This is to avoid confusion between your work and Modified Versions. 197 | 198 | 5.7 Are any names (such as the main font name) reserved by default? 199 | No. That is a change to the license as of version 1.1. If you want any names to be Reserved Font Names, they must be specified after the copyright statement(s). 200 | 201 | 5.8 Is there any situation in which I can use Reserved Font Names for a Modified Version? 202 | The Copyright Holder(s) can give certain trusted parties the right to use any of the Reserved Font Names through separate written agreements. For example, even if "Foobar" is a RFN, you could write up an agreement to give company "XYZ" the right to distribute a modified version with a name that includes "Foobar". This allows for freedom without confusion. 203 | 204 | 5.9 Do font rebuilds require a name change? Do I have to change the name of the font when my packaging workflow includes a full rebuild from source? 205 | Yes, all rebuilds which change the font data and the smart code are Modified Versions and the requirements of the OFL apply: you need to respect what the Author(s) have chosen in terms of Reserved Font Names. However if a package (or installer) is simply a wrapper or a compressed structure around the final font - leaving them intact on the inside - then no name change is required. Please get in touch with the author(s) and copyright holder(s) to inquire about the presence of font sources beyond the final font file(s) and the recommended build path. That build path may very well be non-trivial and hard to reproduce accurately by the maintainer. If a full font build path is made available by the upstream author(s) please be aware that any regressions and changes you may introduce when doing a rebuild for packaging purposes is your responsibility as a package maintainer since you are effectively creating a separate branch. You should make it very clear to your users that your rebuilt version is not the canonical one from upstream. 206 | 207 | 5.10 Can I add other Reserved Font Names when making a derivative font? 208 | Yes. List your additional Reserved Font Names after your additional copyright statement, as indicated with example placeholders at the top of the OFL.txt file. Be sure you do not remove any exiting RFNs but only add your own. 209 | 210 | 211 | 6 ABOUT THE FONTLOG 212 | 213 | 6.1 What is this FONTLOG thing exactly? 214 | It has three purposes: 1) to provide basic information on the font to users and other developers, 2) to document changes that have been made to the font or accompanying files, either by the original authors or others, and 3) to provide a place to acknowledge authors and other contributors. Please use it! 215 | 216 | 6.2 Is the FONTLOG required? 217 | It is not a requirement of the license, but we strongly recommend you have one. 218 | 219 | 6.3 Am I required to update the FONTLOG when making Modified Versions? 220 | No, but users, designers and other developers might get very frustrated with you if you don't. People need to know how derivative fonts differ from the original, and how to take advantage of the changes, or build on them. There are utilities that can help create and maintain a FONTLOG, such as the FONTLOG support in FontForge. 221 | 222 | 6.4 What should the FONTLOG look like? 223 | It is typically a separate text file (FONTLOG.txt), but can take other formats. It commonly includes these four sections: 224 | 225 | - brief header describing the FONTLOG itself and name of the font family 226 | - Basic Font Information - description of the font family, purpose and breadth 227 | - ChangeLog - chronological listing of changes 228 | - Acknowledgements - list of authors and contributors with contact information 229 | 230 | It could also include other sections, such as: where to find documentation, how to make contributions, information on contributing organizations, source code details, and a short design guide. See Appendix A for an example FONTLOG. 231 | 232 | 233 | 7 MAKING CONTRIBUTIONS TO OFL PROJECTS 234 | 235 | 7.1 Can I contribute work to OFL projects? 236 | In many cases, yes. It is common for OFL fonts to be developed by a team of people who welcome contributions from the wider community. Contact the original authors for specific information on how to participate in their projects. 237 | 238 | 7.2 Why should I contribute my changes back to the original authors? 239 | It would benefit many people if you contributed back in response to what you've received. Your contributions and improvements to the fonts and other components could be a tremendous help and would encourage others to contribute as well and 'give back'. You will then benefit from other people's contributions as well. Sometimes maintaining your own separate version takes more effort than merging back with the original. Be aware that any contributions, however, must be either your own original creation or work that you own, and you may be asked to affirm that clearly when you contribute. 240 | 241 | 7.3 I've made some very nice improvements to the font. Will you consider adopting them and putting them into future Original Versions? 242 | Most authors would be very happy to receive such contributions. Keep in mind that it is unlikely that they would want to incorporate major changes that would require additional work on their end. Any contributions would likely need to be made for all the fonts in a family and match the overall design and style. Authors are encouraged to include a guide to the design with the fonts. It would also help to have contributions submitted as patches or clearly marked changes - the use of smart source revision control systems like subversion, svk, mercurial, git or bzr is a good idea. Please follow the recommendations given by the author(s) in terms of preferred source formats and configuration parameters for sending contributions. If this is not indicated in a FONTLOG or other documentation of the font, consider asking them directly. Examples of useful contributions are bug fixes, additional glyphs, stylistic alternates (and the smart font code to access them) or improved hinting. Keep in mind that some kinds of changes (esp. hinting) may be technically difficult to integrate. 243 | 244 | 7.4 How can I financially support the development of OFL fonts? 245 | It is likely that most authors of OFL fonts would accept financial contributions - contact them for instructions on how to do this. Such contributions would support future development. You can also pay for others to enhance the fonts and contribute the results back to the original authors for inclusion in the Original Version. 246 | 247 | 248 | 8 ABOUT THE LICENSE ITSELF 249 | 250 | 8.1 I see that this is version 1.1 of the license. Will there be later changes? 251 | Version 1.1 is the first minor revision of the OFL. We are confident that version 1.1 will meet most needs, but are open to future improvements. Any revisions would be for future font releases, and previously existing licenses would remain in effect. No retroactive changes are possible, although the Copyright Holder(s) can re-release the font under a revised OFL. All versions will be available on our web site: http://scripts.sil.org/OFL. 252 | 253 | 8.2 Does this license restrict the rights of the Copyright Holder(s)? 254 | No. The Copyright Holder(s) still retain(s) all the rights to their creation; they are only releasing a portion of it for use in a specific way. For example, the Copyright Holder(s) may choose to release a 'basic' version of their font under the OFL, but sell a restricted 'enhanced' version. Only the Copyright Holder(s) can do this. 255 | 256 | 8.3 Is the OFL a contract or a license? 257 | The OFL is a license and not a contract and so does not require you to sign it to have legal validity. By using, modifying and redistributing components under the OFL you indicate that you accept the license. 258 | 259 | 8.4 I really like the terms of the OFL, but want to change it a little. Am I allowed to take ideas and actual wording from the OFL and put them into my own custom license for distributing my fonts? 260 | We strongly recommend against creating your very own unique open licensing model. Using a modified or derivative license will likely cut you off - along with the font(s) under that license - from the community of designers using the OFL, potentially expose you and your users to legal liabilities, and possibly put your work and rights at risk. The OFL went though a community and legal review process that took years of effort, and that review is only applicable to an unmodified OFL. The text of the OFL has been written by SIL (with review and consultation from the community) and is copyright (c) 2005-2010 SIL International. You may re-use the ideas and wording (in part, not in whole) in another non-proprietary license provided that you call your license by another unambiguous name, that you do not use the preamble, that you do not mention SIL and that you clearly present your license as different from the OFL so as not to cause confusion by being too similar to the original. If you feel the OFL does not meet your needs for an open license, please contact us. 261 | 262 | 8.5 Can I translate the license and the FAQ into other languages? 263 | SIL certainly recognises the need for people who are not familiar with English to be able to understand the OFL and its use. Making the license very clear and readable has been a key goal for the OFL, but we know that people understand their own language best. 264 | 265 | If you are an experienced translator, you are very welcome to translate the OFL and OFL-FAQ so that designers and users in your language community can understand the license better. But only the original English version of the license has legal value and has been approved by the community. Translations do not count as legal substitutes and should only serve as a way to explain the original license. SIL - as the author and steward of the license for the community at large - does not approve any translation of the OFL as legally valid because even small translation ambiguities could be abused and create problems. 266 | 267 | SIL gives permission to publish unofficial translations into other languages provided that they comply with the following guidelines: 268 | 269 | - Put the following disclaimer in both English and the target language stating clearly that the translation is unofficial: 270 | 271 | "This is an unofficial translation of the SIL Open Font License into . It was not published by SIL International, and does not legally state the distribution terms for fonts that use the OFL. A release under the OFL is only valid when using the original English text. However, we recognize that this unofficial translation will help users and designers not familiar with English to better understand and use the OFL. We encourage designers who consider releasing their creation under the OFL to read the OFL-FAQ in their own language if it is available. Please go to http://scripts.sil.org/OFL for the official version of the license and the accompanying OFL-FAQ." 272 | 273 | - Keep your unofficial translation current and update it at our request if needed, for example if there is any ambiguity which could lead to confusion. 274 | 275 | If you start such a unofficial translation effort of the OFL and OFL-FAQ please let us know. 276 | 277 | 278 | 9 ABOUT SIL INTERNATIONAL 279 | 280 | 9.1 Who is SIL International and what do they do? 281 | SIL serves language communities worldwide, building their capacity for sustainable language development, by means of research, translation, training and materials development. SIL makes its services available to all without regard to religious belief, political ideology, gender, race, or ethnic background. SIL's members and volunteers share a Christian commitment. 282 | 283 | 9.2 What does this have to do with font licensing? 284 | The ability to read, write, type and publish in one's own language is one of the most critical needs for millions of people around the world. This requires fonts that are widely available and support lesser-known languages. SIL develops - and encourages others to develop - a complete stack of writing systems implementation components available under open licenses. This open stack includes input methods, smart fonts, smart rendering libraries and smart applications. There has been a need for a common open license that is specifically applicable to fonts and related software (a crucial component of this stack), so SIL developed the SIL Open Font License with the help of the Free/Libre and Open Source Software community. 285 | 286 | 9.3 How can I contact SIL? 287 | Our main web site is: http://www.sil.org/ 288 | Our site about complex scripts is: http://scripts.sil.org/ 289 | Information about this license (and contact information) is at: http://scripts.sil.org/OFL 290 | 291 | 292 | APPENDIX A - FONTLOG EXAMPLE 293 | 294 | Here is an example of the recommended format for a FONTLOG, although other formats are allowed. 295 | 296 | ----- 297 | FONTLOG for the GlobalFontFamily fonts 298 | 299 | This file provides detailed information on the GlobalFontFamily Font Software. This information should be distributed along with the GlobalFontFamily fonts and any derivative works. 300 | 301 | Basic Font Information 302 | 303 | GlobalFontFamily is a Unicode typeface family that supports all languages that use the Latin script and its variants, and could be expanded to support other scripts. 304 | 305 | NewWorldFontFamily is based on the GlobalFontFamily and also supports Greek, Hebrew, Cyrillic and Armenian. 306 | 307 | More specifically, this release supports the following Unicode ranges... 308 | This release contains... 309 | Documentation can be found at... 310 | To contribute to the project... 311 | 312 | ChangeLog 313 | 314 | 1 August 2008 (Tom Parker) GlobalFontFamily version 1.2.1 315 | - Tweaked the smart font code (Branch merged with trunk version) 316 | - Provided improved build and debugging environment for smart behaviours 317 | 318 | 7 February 2007 (Pat Johnson) NewWorldFontFamily Version 1.3 319 | - Added Greek and Cyrillic glyphs 320 | 321 | 7 March 2006 (Fred Foobar) NewWorldFontFamily Version 1.2 322 | - Tweaked contextual behaviours 323 | 324 | 1 Feb 2005 (Jane Doe) NewWorldFontFamily Version 1.1 325 | - Improved build script performance and verbosity 326 | - Extended the smart code documentation 327 | - Corrected minor typos in the documentation 328 | - Fixed position of combining inverted breve below (U+032F) 329 | - Added OpenType/Graphite smart code for Armenian 330 | - Added Armenian glyphs (U+0531 -> U+0587) 331 | - Released as "NewWorldFontFamily" 332 | 333 | 1 Jan 2005 (Joe Smith) GlobalFontFamily Version 1.0 334 | - Initial release 335 | 336 | Acknowledgements 337 | 338 | If you make modifications be sure to add your name (N), email (E), web-address (if you have one) (W) and description (D). This list is in alphabetical order. 339 | 340 | N: Jane Doe 341 | E: jane@university.edu 342 | W: http://art.university.edu/projects/fonts 343 | D: Contributor - Armenian glyphs and code 344 | 345 | N: Fred Foobar 346 | E: fred@foobar.org 347 | W: http://foobar.org 348 | D: Contributor - misc Graphite fixes 349 | 350 | N: Pat Johnson 351 | E: pat@fontstudio.org 352 | W: http://pat.fontstudio.org 353 | D: Designer - Greek & Cyrillic glyphs based on Roman design 354 | 355 | N: Tom Parker 356 | E: tom@company.com 357 | W: http://www.company.com/tom/projects/fonts 358 | D: Engineer - original smart font code 359 | 360 | N: Joe Smith 361 | E: joe@fontstudio.org 362 | W: http://joe.fontstudio.org 363 | D: Designer - original Roman glyphs 364 | 365 | Fontstudio.org is an not-for-profit design group whose purpose is... 366 | Foobar.org is a distributed community of developers... 367 | Company.com is a small business who likes to support community designers... 368 | University.edu is a renowed educational institution with a strong design department... 369 | ----- 370 | -------------------------------------------------------------------------------- /fonts/04. XITS/OFL.txt: -------------------------------------------------------------------------------- 1 | STIX Font License 2 | 3 | 24 May 2010 4 | 5 | Copyright (c) 2001-2010 by the STI Pub Companies, consisting of the American 6 | Institute of Physics, the American Chemical Society, the American Mathematical 7 | Society, the American Physical Society, Elsevier, Inc., and The Institute of 8 | Electrical and Electronic Engineers, Inc. (www.stixfonts.org), with Reserved 9 | Font Name STIX Fonts, STIX Fonts (TM) is a trademark of The Institute of 10 | Electrical and Electronics Engineers, Inc. 11 | 12 | Portions copyright (c) 1998-2003 by MicroPress, Inc. (www.micropress-inc.com), 13 | with Reserved Font Name TM Math. To obtain additional mathematical fonts, please 14 | contact MicroPress, Inc., 68-30 Harrow Street, Forest Hills, NY 11375, USA, 15 | Phone: (718) 575-1816. 16 | 17 | Portions copyright (c) 1990 by Elsevier, Inc. 18 | 19 | This Font Software is licensed under the SIL Open Font License, Version 1.1. 20 | This license is copied below, and is also available with a FAQ at: 21 | http://scripts.sil.org/OFL 22 | 23 | --------------------------------------------------------------------------- 24 | SIL OPEN FONT LICENSE Version 1.1 - 26 February 2007 25 | --------------------------------------------------------------------------- 26 | 27 | PREAMBLE 28 | 29 | The goals of the Open Font License (OFL) are to stimulate worldwide development 30 | of collaborative font projects, to support the font creation efforts of academic 31 | and linguistic communities, and to provide a free and open framework in which 32 | fonts may be shared and improved in partnership with others. 33 | 34 | The OFL allows the licensed fonts to be used, studied, modified and redistributed 35 | freely as long as they are not sold by themselves. The fonts, including any 36 | derivative works, can be bundled, embedded, redistributed and/or sold with any 37 | software provided that any reserved names are not used by derivative works. The 38 | fonts and derivatives, however, cannot be released under any other type of license. 39 | The requirement for fonts to remain under this license does not apply to any 40 | document created using the fonts or their derivatives. 41 | 42 | DEFINITIONS 43 | 44 | "Font Software" refers to the set of files released by the Copyright Holder(s) under 45 | this license and clearly marked as such. This may include source files, build 46 | scripts and documentation. 47 | 48 | "Reserved Font Name" refers to any names specified as such after the copyright 49 | statement(s). 50 | 51 | "Original Version" refers to the collection of Font Software components as 52 | distributed by the Copyright Holder(s). 53 | 54 | "Modified Version" refers to any derivative made by adding to, deleting, or 55 | substituting -- in part or in whole -- any of the components of the Original Version, 56 | by changing formats or by porting the Font Software to a new environment. 57 | 58 | "Author" refers to any designer, engineer, programmer, technical writer or other 59 | person who contributed to the Font Software. 60 | 61 | PERMISSION & CONDITIONS 62 | 63 | Permission is hereby granted, free of charge, to any person obtaining a copy of the 64 | Font Software, to use, study, copy, merge, embed, modify, redistribute, and sell 65 | modified and unmodified copies of the Font Software, subject to the following 66 | conditions: 67 | 68 | 1) Neither the Font Software nor any of its individual components, in Original or 69 | Modified Versions, may be sold by itself. 70 | 71 | 2) Original or Modified Versions of the Font Software may be bundled, redistributed 72 | and/or sold with any software, provided that each copy contains the above copyright 73 | notice and this license. These can be included either as stand-alone text files, 74 | human-readable headers or in the appropriate machine-readable metadata fields within 75 | text or binary files as long as those fields can be easily viewed by the user. 76 | 77 | 3) No Modified Version of the Font Software may use the Reserved Font Name(s) unless 78 | explicit written permission is granted by the corresponding Copyright Holder. This 79 | restriction only applies to the primary font name as presented to the users. 80 | 81 | 4) The name(s) of the Copyright Holder(s) or the Author(s) of the Font Software shall 82 | not be used to promote, endorse or advertise any Modified Version, except to 83 | acknowledge the contribution(s) of the Copyright Holder(s) and the Author(s) or with 84 | their explicit written permission. 85 | 86 | 5) The Font Software, modified or unmodified, in part or in whole, must be distributed 87 | entirely under this license, and must not be distributed under any other license. The 88 | requirement for fonts to remain under this license does not apply to any document 89 | created using the Font Software. 90 | 91 | TERMINATION 92 | 93 | This license becomes null and void if any of the above conditions are not met. 94 | 95 | DISCLAIMER 96 | 97 | THE FONT SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, 98 | INCLUDING BUT NOT LIMITED TO ANY WARRANTIES OF MERCHANTABILITY, FITNESS FOR A 99 | PARTICULAR PURPOSE AND NONINFRINGEMENT OF COPYRIGHT, PATENT, TRADEMARK, OR OTHER 100 | RIGHT. IN NO EVENT SHALL THE COPYRIGHT HOLDER BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER 101 | LIABILITY, INCLUDING ANY GENERAL, SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIAL DAMAGES, 102 | WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF THE USE OR 103 | INABILITY TO USE THE FONT SOFTWARE OR FROM OTHER DEALINGS IN THE FONT SOFTWARE. 104 | -------------------------------------------------------------------------------- /fonts/04. XITS/README.txt: -------------------------------------------------------------------------------- 1 | 2 | The XITS font project 3 | ====================== 4 | 5 | XITS is a Times-like typeface for mathematical and scientific publishing, 6 | based on [STIX fonts][1]. The main mission of XITS is to provide a 7 | version of STIX fonts enriched with the OpenType MATH extension, making 8 | it suitable for high quality mathematic typesetting with OpenType MATH 9 | capable layout systems, like MS Office 2007 and the new TeX engines 10 | XeTeX and LuaTeX. 11 | 12 | XITS font is free, open source font, under [Open Font License][2], 13 | version 1.1. 14 | 15 | The current version of XITS is based on version 1.1.0-beta1 of STIX fonts. 16 | 17 | This is work in progress, feedback, bug reports and even patches are 18 | welcomed. 19 | 20 | [1]: http://www.stixfonts.org 21 | [2]: http://scripts.sil.org/OFL 22 | 23 | Khaled Hosny 24 | 25 | khaledhosny@eglug.org 26 | 27 | 08 Oct 2011 28 | 29 | -------------------------------------------------------------------------------- /fonts/04. XITS/documentation/documentation-sources/user-guide.tex: -------------------------------------------------------------------------------- 1 | \setupbodyfont[xits] 2 | 3 | \starttext 4 | 5 | \section{Introduction} 6 | 7 | XITS is Times-like font for scientific publishing with support for mathematical 8 | typesetting. It has wide coverage of Latin, Greek and Cyrillic scripts, as 9 | well as extensive coverage of Unicode symbols used in mathematics and other 10 | fields of science. XITS supports also proper mathematical typesetting and can 11 | be used to typeset complex mathematical equations in modern \TEX\ engines, 12 | namely \LUATEX\ and \XETEX, as well as Microsoft Office starting from 2007 13 | version. 14 | 15 | XITS is available as an OpenType font, in four styles; regular, bold, italic 16 | and bold italics, besides the maths font. 17 | 18 | \section{Font features} 19 | 20 | XITS supports the following OpenType features: 21 | 22 | \starttable[|lT|l|] 23 | \HL 24 | \NC feature\NC Description \NC\SR 25 | \HL 26 | \NC \Use{2}[I]{All fonts} \MR 27 | \NC kern \NC Kerning \NC\FR 28 | \NC liga \NC Ligatures \NC\MR 29 | \NC onum \NC Oldstyle numbers \NC\MR 30 | \NC frac \NC Diagonal fractions \NC\MR 31 | \NC \Use{2}[I]{The maths font, spports additional features} \MR 32 | \NC ss01 \NC Mathematical Calligraphic Alphabet \NC\MR 33 | \NC ss02 \NC Mathematical Greek Sans Serif Alphabet \NC\MR 34 | \NC ss03 \NC Mathematical Italic Sans Serif Digits \NC\MR 35 | \NC ss04 \NC Mathematical Bold Monospace Digits \NC\MR 36 | \NC ss05 \NC Mathematical Bold Double-Struck Alphabet \NC\MR 37 | \NC ss06 \NC Mathematical Italic Double-Struck Alphabet \NC\MR 38 | \NC ss07 \NC Mathematical Bold Italic Double-Struck Alphabet \NC\MR 39 | \NC ss08 \NC Upright Integrals \NC\LR 40 | \NC ss09 \NC Negated Symbols With Vertical Stroke \NC\MR 41 | \HL 42 | \stoptable 43 | 44 | 45 | \section{Installation} 46 | 47 | \subsection{\CONTEXT} 48 | \CONTEXT\ MkIV are needed for using the math font, text fonts can be used with 49 | either MkIV or MkII with \XETEX\ engine, MkII with \PDFTEX\ is not supported. 50 | 51 | Recent versions of \CONTEXT\ already have typescripts for XITS, so just 52 | installing the fonts into TEXMF tree is enough. 53 | 54 | \subsection{\LATEX} 55 | A modern \TEX\ engine with Unicode and OpenType support is needed, namely 56 | \LUATEX\ or \XETEX. In addition to {\ss fontspec} package, {\ss unicode-math} 57 | is needed for using XITS fonts in math mode. 58 | 59 | If you are using \LUATEX\ then you can either install the fonts OS wide or in 60 | TEXMF tree. If you are using \XeTeX\ then you need to either install fonts OS 61 | wide, or adapt your {\ss fontconfig} configuration to look for for fonts 62 | installed under TEXMF tree, otherwise you will not be able to access fonts by 63 | font name. 64 | 65 | \subsection{MS Office} 66 | MS Office 2007 or newer is required, the fonts can be installed the regular 67 | way. 68 | 69 | \section{Usage} 70 | 71 | \subsection{\LATEX} 72 | 73 | \subsubsection{Examples} 74 | \startTEX 75 | \documentclass{article} 76 | \usepackage{unicode-math} 77 | \setmainfont{XITS} 78 | \setmathfont{XITS Math} 79 | 80 | \begin{document} 81 | Text $x+y=\sqrt{z}$ 82 | \end{document} 83 | \stopTEX 84 | 85 | \subsection{\CONTEXT} 86 | 87 | \subsubsection{Examples} 88 | 89 | \startTEX 90 | \setupbodyfont[xits] 91 | 92 | \starttext 93 | Text $x+y=\sqrt{z}$ 94 | \stoptext 95 | \stopTEX 96 | 97 | \stoptext 98 | -------------------------------------------------------------------------------- /fonts/04. XITS/documentation/documentation-sources/xits-specimen.tex: -------------------------------------------------------------------------------- 1 | \usetypescriptfile[type-xits] 2 | \usetypescript[xits] 3 | \setupbodyfont[xits] 4 | 5 | \setuplayout[header=0pt,footer=0pt] 6 | \setupformulas[spaceafter={2*big}] 7 | 8 | \starttext 9 | 10 | \midaligned{$\bfd\frak XITS\ Math$}\blank[4*big] 11 | 12 | \startformula 13 | \pi(n) = \sum^{n}_{m=2}\left\lfloor\biggl(\sum^{m-1}_{k=1}\bigl\lfloor(m/k)\big/\lceil m/k\rceil\bigr\rfloor\biggr)^{-1}\right\rfloor 14 | \stopformula 15 | 16 | \startformula 17 | \pi(n) = \sum^{n}_{k=2}\left\lfloor\phi(k) \over k-1\right\rfloor 18 | \stopformula 19 | 20 | \startformula 21 | 1+\left(1\over1-x^2\right)^3 22 | \stopformula 23 | 24 | \startformula 25 | 1+\left(1\over1-{{{x^2}\over{y^3}}\over{z^4}}\right)^3 26 | \stopformula 27 | 28 | \startformula 29 | {a+1\over b}\bigg/{c+1\over d} 30 | \stopformula 31 | 32 | \startformula 33 | \biggl({\partial^{2} \over \partial x^{2}} + {\partial^{2} \over \partial y^{2}}\biggr) {\bigl\vert\phi(x+iy)\bigr\vert}^2 34 | \stopformula 35 | 36 | \startformula 37 | \sum_{\scriptstyle0\le i\le m\atop\scriptstyle0