├── images └── note.png ├── latex ├── C_Maior.pdf ├── Exercicio20160425.pdf ├── Exercicio20160425b.pdf ├── README.md ├── gera_Cmaj.sh ├── gera_C_maior.sh ├── gera_exer.sh ├── Exercicio20160425b.tex └── Exercicio20160425.tex ├── mscore ├── TM02-01Aula.mscz ├── TM02-04Aula.mscz ├── TM02-Aula01.mscz ├── TM02-Aula04.mscz ├── SabadoNoCosmos.mscz ├── TM01-Exerc01.mscz ├── TM01-Exerc01b.mscz ├── TM01-Exerc02.mscz ├── TM01-Exerc03.mscz ├── TM01-Triades01.mscz ├── TM01-Triades02.mscz ├── TM02-06Triades.mscz ├── TM02-Triades.mscz ├── TM01-ExerTriades.mscz ├── PangeLinguaGloriosi.mscz ├── TM02-01Aula_revisao.mscz ├── TM02-06ProgReMaior.mscz ├── TM02-06ProgSibMaior.mscz ├── TM02-06ProgSolMenor.mscz ├── TM02-Aula01revisao.mscz ├── TM02-EscalasMaiores.mscz ├── TM02-EscalasMenores.mscz ├── TM02-06EscalasMaiores.mscz ├── TM02-06EscalasMenores.mscz ├── TM02-06ProgFaSusMenor.mscz ├── TM01-PangeLinguaGloriosi.mscz ├── TM02-07Aula_TriadesMaiores.mscz ├── TM02-07Aula_TriadesMenores.mscz ├── TM01-ExerFinal_SabadoNoCosmos.mscz ├── TM02-06EscalasMaioresEMenores.mscz ├── TM02-EscalasMaioresEMenores.mscz ├── TM02-07CamposHarmonicosMaiores.mscz ├── TM02-07CamposHarmonicosMenores.mscz ├── TM02-07CamposHarmonicosMaioresColoridos.mscz ├── TM02-07CamposHarmonicosMenoresColoridos.mscz ├── TM02-06Estrutura_de_Campo_Harmonico_Maior_e_Menor.mscz └── Readme.md ├── python ├── semitons ├── escala_maior ├── escala.md ├── README.md └── fnf.py ├── supercollider └── Inicio │ ├── SC_ex01.scd │ ├── SC_ex02.scd │ ├── SC_ex06_mouse.scd │ ├── README.md │ ├── SC_ex03.scd │ ├── SC_ex05_onds.scd │ └── SC_ex04.scd ├── links.txt ├── links.md ├── CCby-nc-sa ├── LICENSE └── README.md /images/note.png: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/Spacial/awesome-arts/HEAD/images/note.png -------------------------------------------------------------------------------- /latex/C_Maior.pdf: 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-------------------------------------------------------------------------------- 1 | ( 2 | // imprime na tela do SuperCollider 3 | f= { arg string="Oieeee!"; 4 | string.postln; 5 | }; 6 | 7 | f.value; 8 | ) -------------------------------------------------------------------------------- /python/escala_maior: -------------------------------------------------------------------------------- 1 | 2M 3M 4J 5J 6M 7M 2 | 2M 3m 4J 5J 6M 7m 3 | 2m 3m 4J 5J 6m 7m 4 | 2M 3M 4A 5J 6M 7M 5 | 2M 3M 4J 5J 6M 7m 6 | 2M 3M 4J 5J 6m 7m 7 | 2m 3M 4J 5A 6m 7m 8 | 9 | 10 | -------------------------------------------------------------------------------- /python/escala.md: -------------------------------------------------------------------------------- 1 | # Semitons 2 | 3 | Distância entre as notas nas escalas: 4 | 5 | 2 4 5 7 9 11 6 | 2 3 5 7 9 10 7 | 1 3 5 7 8 10 8 | 2 4 6 7 9 11 9 | 2 4 5 7 9 10 10 | 2 3 5 7 8 10 11 | 1 3 5 6 8 10 12 | 13 | # Campo Harmônico 14 | 15 | 2M 3M 4J 5J 6M 7M 16 | 2M 3m 4J 5J 6M 7m 17 | 2m 3m 4J 5J 6m 7m 18 | 2M 3M 4A 5J 6M 7M 19 | 2M 3M 4J 5J 6M 7m 20 | 2M 3M 4J 5J 6m 7m 21 | 2m 3M 4J 5A 6m 7m 22 | 23 | 24 | -------------------------------------------------------------------------------- /supercollider/Inicio/SC_ex02.scd: -------------------------------------------------------------------------------- 1 | ( 2 | // inicializa o server do SuperCollider 3 | s = Server.default; 4 | s.boot; 5 | 6 | //toca um som 7 | //pra tocar selecione a linha abaixo e pressione Ctrl+ENTER 8 | {SinOsc.ar}.play; 9 | 10 | //toca um som de 800Hz 11 | // pra tocar selecione a linha abaixo e pressione CTRL+ENTER 12 | {SinOsc.ar(800,0,0.5)}.play; 13 | 14 | //pra parar pressionte CTRL+. 15 | //experimente comentar e mudar o valor de 800 16 | ) -------------------------------------------------------------------------------- /supercollider/Inicio/SC_ex06_mouse.scd: -------------------------------------------------------------------------------- 1 | ( 2 | s = Server.default; 3 | s.boot; 4 | 5 | // Terceira função 6 | // execute-a e mexa o ponteiro do mouse 7 | // "Teremin" 8 | 9 | SynthDef.new(\mousee, { 10 | arg amp=0.3; 11 | Out.ar(0,Pan2.ar(SinOsc.ar(MouseY.kr(440,1960,1), 0, amp),MouseY.kr(-1,1,0))); 12 | } 13 | // se quiser ver a onda gerada, comente acima e descomente abaixo 14 | //}.scope; 15 | ).send(s); 16 | 17 | // Lembre-se, pra parar o som é só digitar CTRL+. 18 | // Digite no Command Line: n= Synth(\mouse) 19 | ) 20 | -------------------------------------------------------------------------------- /supercollider/Inicio/README.md: -------------------------------------------------------------------------------- 1 | # SuperCollider 2 | 3 | Exemplos básicos pra iniciar o uso do Supercollider (SC): 4 | 5 | - *supercollider/SC_ex01.scd* : Primeiro programa, mostra como fazer um "print" ; 6 | - *supercollider/SC_ex02.scd* : Primeiros sons no SC ; 7 | - *supercollider/SC_ex03.scd* : Primeira função no SC ; 8 | - *supercollider/SC_ex04.scd* : Testando argumentos para função ; 9 | - *supercollider/SC_ex05_onds.scd* : Tipos distintos de ondas (e duração) ; 10 | - *supercollider/SC_ex06_mouse.scd* : Teremin de brincadeira (usando o Mouse) ; 11 | -------------------------------------------------------------------------------- /supercollider/Inicio/SC_ex03.scd: -------------------------------------------------------------------------------- 1 | ( 2 | s = Server.default; 3 | s.boot; 4 | 5 | // primeira função 6 | // parametros: frequencia e amplitude 7 | // já com valores padrao 8 | 9 | SynthDef.new(\meusom, { 10 | arg freq=440, amp=0.5; 11 | var audio; 12 | audio = SinOsc.ar(freq,0,amp); 13 | Out.ar(0,audio); 14 | } 15 | ).send(s); 16 | 17 | // Lembre-se, pra parar o som é só digitar CTRL+. 18 | // Digite no Command Line: n= Synth(\meusom) 19 | // voce pode mandar a freq: n= Synth(\meusom, ,["freq",880])) 20 | // voce pode mandar a freq: n= Synth(\meusom, ,["freq",880,"amp",0.7])) 21 | ) -------------------------------------------------------------------------------- /supercollider/Inicio/SC_ex05_onds.scd: -------------------------------------------------------------------------------- 1 | /* 2 | Exemplos de ondas pra gerar, teste linha por linha 3 | */ 4 | Env.linen(0.1, 0.2, 0.1, 0.6).test.plot; 5 | Env.linen(1, 2, 3, 0.6).test.plot; 6 | Env.linen(1, 2, 3, 0.6, \sine).test.plot; 7 | Env.linen(1, 2, 3, 0.6, \welch).test.plot; 8 | //Env.linen(1, 2, 3, 0.6, -3).test.plot; 9 | //Env.linen(1, 2, 3, 0.6, -3).test.plot; 10 | //Env.linen(1, 2, 3, 0.6, [[\sine, \welch, \lin, \exp]]).plot; 11 | //Env.new([0, 1, 0.9, 0], [0.1, 0.5, 1],[-5, 0, -5]).plot; 12 | //Env.new([0, 0, 0.75, 0], [0.1, 2, 3],\sine).plot; 13 | 14 | /* 15 | CTRL+ENTER pra executar! 16 | CTRL+. para parar! -------------------------------------------------------------------------------- /supercollider/Inicio/SC_ex04.scd: -------------------------------------------------------------------------------- 1 | ( 2 | s = Server.default; 3 | s.boot; 4 | 5 | // Segunda função 6 | // parametros: frequencia e amplitude, e a onda 7 | // já com valores padrao 8 | 9 | SynthDef.new(\outrosom, { 10 | arg freq=440, pStart= -1, pEnd=1, amp=0.3; 11 | var audio, env, onda, panLine; 12 | panLine = Line.kr(pStart,pEnd,5); 13 | onda = Env.new([0,1,0.9,0],[1,0.5,1],[-5,0,-5]); 14 | env = EnvGen.ar(onda,doneAction:2); 15 | Out.ar(0,Pan2.ar(SinOsc.ar(freq, 0, amp)*env,panLine)); 16 | // pra ver a onde que forma, descomente a linha abaixo 17 | onda.plot; 18 | } 19 | 20 | ).send(s); 21 | 22 | // Lembre-se, pra parar o som é só digitar CTRL+. 23 | // Digite no Command Line: n= Synth(\outrosom) 24 | ) -------------------------------------------------------------------------------- /latex/README.md: -------------------------------------------------------------------------------- 1 | # LaTeX 2 | 3 | Exemplos básicos pra notação musical em LaTeX: 4 | 5 | - *C_Maior.pdf* : Escala em Dó Maior (com referência ao piano); 6 | - *Exercicio20160425b.pdf* : Classificação dos Intervalos (com referência ao piano); 7 | - *Exercicio20160425b.tex* : \title{Classificação dos Intervalos} 8 | - *Exercicio20160425.pdf* : Classificação dos Intervalos (com referência ao piano); 9 | - *Exercicio20160425.tex* : \title{Classificação dos Intervalos} 10 | 11 | Scripts para criação de escalas (com intervalos) em .tex - Não Finalizado: 12 | - *gera_C_maior.sh* 13 | - *gera_Cmaj.sh* 14 | - *gera_exer.sh* 15 | 16 | Pacotes necessários para compilar os arquivos .tex: 17 | - musixtex 18 | - abc 19 | - piano 20 | - anysize 21 | - caption 22 | - babel 23 | - inputenc 24 | -------------------------------------------------------------------------------- /python/README.md: -------------------------------------------------------------------------------- 1 | # Python 2 | 3 | Lista dos utilitários escritos em python: 4 | - *fnf* : frequencia e notas; 5 | 6 | ## Licença 7 | 8 | Licenciado por 9 | 10 | * *GPL v3 ou Superior*: veja [LICENSE](LICENSE). 11 | 12 | ## FNF 13 | 14 | Ajuda (_fnf -h_): 15 | 16 | ``` 17 | Uso: fnf.py [-n [NOTA]] [-f [FREQUENCIA]] [-s [ESCALA]] [-w] [-t] [-i] [-p] 18 | 19 | fnf v0.1.1 20 | 21 | As opções 22 | -n [NOTA], --note [NOTA] 23 | Nota base (formato X0A (nota, oitava e acidente). 24 | Padrão: A4 (exemplos: B3#, D8b) 25 | -f [FREQUENCIA], --frequency [FREQUENCIA] 26 | Frequência base (padrão: 440 Hz). 27 | pode ser usada pra mudar a base pra tríade 28 | -s [ESCALA], --scale [ESCALA] 29 | Gera escala até o número Hz indicado 30 | (vai gerar todas as frequencias das notas até a indicada) 31 | -w, --show Mostra os coeficientes 32 | Estes coeficientes são o quanto que se multiplica a frequencia base pra chegar no salto 33 | -t, --triad Calcula a Tríade Maior 34 | Calcula a 3a Maior e 5a Justa a partir da fundamental (que pode ser trocada no -f HZ) 35 | -i, --ignore-SPN Ignora as notas que conforme ISO 16:1975 36 | (ao invez de começar em 16.352 Hz, começa em 1 - sai do temperamento do A4/440 Hz) 37 | -p, --spn Mostra a tabela de notas (10 oit.) da ISO 16:1975 38 | Gera toda a tabela de frequencias x notas da oitava 0 até a oitava 10 (inclusive) 39 | ``` 40 | -------------------------------------------------------------------------------- /mscore/Readme.md: -------------------------------------------------------------------------------- 1 | # MuseScore (mscore) 2 | 3 | Abaixo a lista de exercícios/arquivos do MuseScore (vesão mínima:2) (pacote no fedora: mscore): 4 | 5 | 6 | 7 | - *TM01-Exerc01b.mscz* (29/03/2016) : Exercício usando somente *Sol*, *Lá* e *Si* - sem saltos (semínimas); 8 | - *TM01-Exerc01.mscz* (29/03/2016) : Exercício usando somente *Sol*, *Lá* e *Si* - sem saltos (semibreve); 9 | - *TM01-Exerc02.mscz* (04/04/2016) : Exercício usando somente *Mi*, *Fá* e *Sol* - sem saltos; 10 | - *TM01-Exerc03.mscz* (04/04/2016) : Exercício usando todas as notas da escala de *Dó* - com saltos; 11 | - *TM01-ExerFinal_SabadoNoCosmos.mscz* (12/07/2016) : Exercício final de composição do Módulo 1 (com Marcos Dellazari e Arnaldo); 12 | - *TM01-ExerTriades.mscz* (06/05/2016) : Exercício usando tríades, com 3 exemplos: 13 | * 1º: II, V, I, VI 14 | * 2º: VI, IV, V, I 15 | * 3º: I, IV, V, VI 16 | * 4º: V, III, IV, I 17 | - *TM01-PangeLinguaGloriosi.mscz* (04/04/2016) : Versão do Pange Lingua em formato do mScore; 18 | - *TM01-Triades01.mscz* (06/05/2016) : Exercício de Tríades; 19 | - *TM01-Triades02.mscz* (06/05/2016) : Exercício de Tríades com inversão; 20 | - *TM02-01Aula.mscz* (30/08/2016) : Revisão dos modos; 21 | - *TM02-01Aula_revisao.mscz* (30/08/2016) : Revisão das Tríades; 22 | - *TM02-04Aula.mscz* (27/09/2016) : 23 | - *TM02-06EscalasMaioresEMenores.mscz* (13/09/2016) : 24 | - *TM02-06EscalasMaiores.mscz* (13/09/2016) : 25 | - *TM02-06EscalasMenores.mscz* (13/09/2016) : 26 | - *TM02-06Estrutura_de_Campo_Harmonico_Maior_e_Menor.mscz* (11/10/2016) : 27 | - *TM02-06ProgFaSusMenor.mscz* (11/10/2016) : 28 | - *TM02-06ProgReMaior.mscz* (11/10/2016) : 29 | - *TM02-06ProgSibMaior.mscz* (11/10/2016) : 30 | - *TM02-06ProgSolMenor.mscz* (11/10/2016) : 31 | - *TM02-06Triades.mscz* (04/10/2016) : 32 | - *TM02-07Aula_TriadesMaiores.mscz* (04/10/2016) : 33 | - *TM02-07Aula_TriadesMenores.mscz* (04/10/2016) : 34 | - *TM02-07CamposHarmonicosMaioresColoridos.mscz* (11/10/2016) : 35 | - *TM02-07CamposHarmonicosMaiores.mscz* (11/10/2016) : 36 | - *TM02-07CamposHarmonicosMenoresColoridos.mscz* (11/10/2016) : 37 | - *TM02-07CamposHarmonicosMenores.mscz* (11/10/2016) : 38 | 39 | -------------------------------------------------------------------------------- /links.txt: -------------------------------------------------------------------------------- 1 | # Coleção de links sobre música 2 | 3 | https://legacy.cnx.org/content/col10261/latest/ 4 | http://fisicaondemusica.unimore.it/Scala_naturale.html 5 | http://www.chas.it/index.php?option=com_content&view=article&id=40&Itemid=38&lang=it 6 | http://cnx.org/contents/-ac2lMAF@13/Acoustics-for-Music-Theory 7 | http://www.huygens-fokker.org/docs/bibliography.html 8 | http://www.kylegann.com/histune.html 9 | http://liutaiomottola.com/formulae/freqtab.htm 10 | 11 | https://en.wikipedia.org/wiki/Auditory_illusion 12 | https://en.wikipedia.org/wiki/Pitch_(music) 13 | 14 | Detecção de nota: 15 | https://ccrma.stanford.edu/~pdelac/154/m154paper.htm 16 | https://en.wikipedia.org/wiki/Scientific_pitch_notation 17 | 18 | https://en.wikipedia.org/wiki/Goertzel_algorithm 19 | https://learn.adafruit.com/fft-fun-with-fourier-transforms/tone-input 20 | https://gist.github.com/endolith/255291 21 | 22 | 23 | Ressonância: 24 | https://en.wikipedia.org/wiki/String_resonance 25 | https://en.wikipedia.org/wiki/Acoustic_resonance 26 | https://ccrma.stanford.edu/marl/ 27 | https://en.wikipedia.org/wiki/Jean-Claude_Risset 28 | https://en.wikipedia.org/wiki/Shepard_tone 29 | https://en.wikipedia.org/wiki/Tritone_paradox 30 | 31 | 32 | Harmonicas e Escalas: 33 | http://www.harmonics.com/scales/ 34 | 35 | 36 | Onda: 37 | http://www.falstad.com/loadedstring/ 38 | http://www.animations.physics.unsw.edu.au/waves-sound/ 39 | http://liutaiomottola.com/formulae/freqtab.htm 40 | 41 | http://www.johnsankey.ca/energy.html 42 | http://donskiff.com/quest_2.htm 43 | https://en.wikipedia.org/wiki/Scientific_pitch_notation 44 | http://archive.cnx.org/contents/6e01edc4-e351-4306-a079-27319c6febc1@8/ 45 | 46 | Outros: 47 | https://en.wikipedia.org/wiki/Musical_acoustics 48 | https://en.wikipedia.org/wiki/Music_and_mathematics 49 | 50 | Supercollider: 51 | 52 | http://sccode.org 53 | http://swiki.hfbk-hamburg.de/MusicTechnology/826 54 | https://en.wikipedia.org/wiki/File:Risset_accelerando_beat1_MCLD.ogg 55 | 56 | Python: 57 | 58 | https://github.com/endolith/waveform-analyzer/blob/master/frequency_estimator.py 59 | http://willdrevo.com/fingerprinting-and-audio-recognition-with-python/ 60 | 61 | sobre o site do cnx: 62 | http://devblog.cnx.org/2014/09/rewrite-technologies.html 63 | 64 | Muito bom: 65 | http://andrewduncan.net/cmt/ 66 | 67 | -------------------------------------------------------------------------------- /latex/gera_Cmaj.sh: -------------------------------------------------------------------------------- 1 | #!/bin/bash 2 | ########################### 3 | # Unfinished/Não Finalizado 4 | # Script para criação de escalas (com intervalos) 5 | # v 0.1 6 | # Autor: Jacson Querubin (spacial@gmail.com) 7 | # Licença: GPL v3 ou superior 8 | # Data: 25/04/2016 9 | # Entrada(s): 10 | # [1] - Nome do arquivo .tex (depois .pdf - default:C_Maior.tex) : opcional 11 | # [2] - Escala inicial (default: Dó Maior - C) : opcional 12 | # Saída(s): Arquivo tex e pdf com a escala 13 | ########################### 14 | ARQ=C_Maior.tex 15 | INICIO=c 16 | FIM=b 17 | 18 | lc(){ 19 | case "$1" in 20 | [A-Z]) 21 | n=$(printf "%d" "'$1") 22 | n=$((n+32)) 23 | printf \\$(printf "%o" "$n") 24 | esac 25 | } 26 | 27 | function pauta() 28 | { 29 | local __resultvar1=$1 30 | local __resultvar2=$2 31 | local myresult= 32 | if [[ "$__resultvar" ]]; then 33 | eval $__resultvar="'$myresult'" 34 | else 35 | echo "$myresult" 36 | fi 37 | } 38 | 39 | function teclado(){ 40 | local __resultvar1=$1 41 | local __resultvar2=$2 42 | local myresult="\\keyboard[${__resultvar1}][${__resultvar2}]" 43 | 44 | echo "$myresult" 45 | } 46 | 47 | echo "\\documentclass[a4paper,12pt]{article} 48 | \\usepackage[portuges]{babel} 49 | \\usepackage[utf8]{inputenc} 50 | \\usepackage[labelformat=empty]{caption} 51 | \\usepackage{abc} 52 | \\usepackage{musixtex} 53 | \\usepackage{piano} 54 | \\title{Escala em D{\\'{o}} Maior (\\textbf{C Maj})} 55 | \\author{Jacson Querubin} 56 | \\date{\\today} 57 | 58 | \\begin{document} 59 | \\maketitle 60 | " > ${ARQ} 61 | 62 | 63 | PIANO=(Co Do Eo Fo Go Ao Bo Ct) 64 | ESCALA=(c d e f g h i j ) 65 | INTERVALO=(Uníssona/Primeira Segunda Terça Quarta Quinta Sexta Sétima Oitava) 66 | CRES=1 67 | for (( i = 0 ; i < ${#ESCALA[@]} ; i++ )) do 68 | echo "Gerando ${INTERVALO[$i]}" 69 | pnp=${PIANO[0]} 70 | pne=${ESCALA[0]} 71 | snp=${PIANO[${i}]} 72 | sne=${ESCALA[${i}]} 73 | echo " 74 | \\begin{figure}[thpb]\\ 75 | \\centering 76 | \\keyboard[${pnp}][${snp}] 77 | \\input musixtex 78 | \\begin{music}\\nostartrule 79 | \\parindent12mm 80 | \\instrumentnumber{1} % a single instrument 81 | \\setstaffs1{1} 82 | \\startextract % starting real score 83 | \\Notes\\qb0{${pne}${sne}}\\en 84 | \\zendextract % terminate excerpt 85 | \\end{music} 86 | \\caption{ \\textbf{${pnp:0:1}} e \\textbf{${snp:0:1}} - ${INTERVALO[$i]}} 87 | \\end{figure} " >> ${ARQ} 88 | done 89 | 90 | echo ' 91 | \end{document}' >> ${ARQ} 92 | 93 | -------------------------------------------------------------------------------- /latex/gera_C_maior.sh: -------------------------------------------------------------------------------- 1 | #!/bin/bash 2 | ########################### 3 | # Unfinished/Não Finalizado 4 | # Script para criação de escalas (com intervalos) 5 | # v 0.1 6 | # Autor: Jacson Querubin (spacial@gmail.com) 7 | # Licença: GPL v3 ou superior 8 | # Data: 25/04/2016 9 | # Entrada(s): 10 | # [1] - Nome do arquivo .tex (depois .pdf - default:C_Maior.tex) : opcional 11 | # [2] - Escala inicial (default: Dó Maior - C) : opcional 12 | # Saída(s): Arquivo tex e pdf com a escala 13 | ########################### 14 | ARQ=C_Maior.tex 15 | INICIO=c 16 | FIM=b 17 | 18 | lc(){ 19 | case "$1" in 20 | [A-Z]) 21 | n=$(printf "%d" "'$1") 22 | n=$((n+32)) 23 | printf \\$(printf "%o" "$n") 24 | esac 25 | } 26 | 27 | function pauta() 28 | { 29 | local __resultvar1=$1 30 | local __resultvar2=$2 31 | local myresult="\\input musixtex 32 | \\begin{music}\\nostartrule 33 | \\parindent12mm 34 | \\instrumentnumber{1} % a single instrument 35 | \\setstaffs1{1} 36 | \\startextract % starting real score 37 | \\Notes\\qb0{${__resultvar1}${__resultvar2}}\\en 38 | \\zendextract % terminate excerpt 39 | \\end{music}" 40 | echo "$myresult" 41 | } 42 | 43 | function piano(){ 44 | local __resultvar1=$1 45 | local __resultvar2=$2 46 | local myresult="\\keyboard[${__resultvar1}][${__resultvar2}]" 47 | 48 | echo "$myresult" 49 | } 50 | 51 | echo "\\documentclass[a4paper,12pt]{article} 52 | \\usepackage[portuges]{babel} 53 | \\usepackage[utf8]{inputenc} 54 | \\usepackage[labelformat=empty]{caption} 55 | \\usepackage{abc} 56 | \\usepackage{musixtex} 57 | \\usepackage{piano} 58 | \\usepackage{anysize} 59 | \\title{Escala em D{\\'{o}} Maior (\\textbf{C Maj})} 60 | \\author{Jacson Querubin} 61 | \\date{\\today} 62 | \\marginsize{2cm}{2cm}{1cm}{1cm} 63 | 64 | \\begin{document} 65 | \\maketitle 66 | " > ${ARQ} 67 | 68 | 69 | PIANO=(Co Do Eo Fo Go Ao Bo Ct) 70 | ESCALA=(c d e f g h i j ) 71 | INTERVALO=(Uníssona/Primeira Segunda Terça Quarta Quinta Sexta Sétima Oitava) 72 | CRES=1 73 | for (( i = 0 ; i < ${#ESCALA[@]} ; i++ )) do 74 | echo "Gerando ${INTERVALO[$i]}" 75 | pnp=${PIANO[0]} 76 | pne=${ESCALA[0]} 77 | snp=${PIANO[${i}]} 78 | sne=${ESCALA[${i}]} 79 | pi1=$(piano ${PIANO[0]} ${PIANO[${i}]}) 80 | pa1=$(pauta ${ESCALA[0]} ${ESCALA[${i}]}) 81 | echo " 82 | \\begin{figure}[thpb]\\ 83 | \\centering 84 | ${pi1} 85 | ${pa1} 86 | \\caption{ \\textbf{${pnp:0:1}} e \\textbf{${snp:0:1}} - ${INTERVALO[$i]}} 87 | \\end{figure} " >> ${ARQ} 88 | done 89 | 90 | 91 | echo ' 92 | \end{document}' >> ${ARQ} 93 | 94 | -------------------------------------------------------------------------------- /latex/gera_exer.sh: -------------------------------------------------------------------------------- 1 | #!/bin/bash 2 | ########################### 3 | # Unfinished/Não Finalizado 4 | # Script para criação das escalas do exercício em latex 5 | # v 0.1 6 | # Autor: Jacson Querubin (spacial@gmail.com) 7 | # Licença: GPL v3 ou superior 8 | # Data: 25/04/2016 9 | # Entrada(s): 10 | # Saída(s): Arquivo tex com a escala 11 | ########################### 12 | ARQ=Exercicio$(date +%Y%m%d).tex 13 | 14 | lc(){ 15 | case "$1" in 16 | [A-Z]) 17 | n=$(printf "%d" "'$1") 18 | n=$((n+32)) 19 | printf \\$(printf "%o" "$n") 20 | esac 21 | } 22 | 23 | function pauta() 24 | { 25 | local __resultvar1=$1 26 | local __resultvar2=$2 27 | local myresult="\\input musixtex 28 | \\begin{music}\\nostartrule 29 | \\parindent12mm 30 | \\instrumentnumber{1} % a single instrument 31 | \\setstaffs1{1} 32 | \\startextract % starting real score 33 | \\Notes\\qb0{${__resultvar1}${__resultvar2}}\\en 34 | \\zendextract % terminate excerpt 35 | \\end{music}" 36 | echo "$myresult" 37 | } 38 | 39 | function piano(){ 40 | local __resultvar1=$1 41 | local __resultvar2=$2 42 | local myresult="\\keyboard[${__resultvar1}][${__resultvar2}]" 43 | 44 | echo "$myresult" 45 | } 46 | 47 | echo "\\documentclass[a4paper,12pt]{article} 48 | \\usepackage[portuges]{babel} 49 | \\usepackage[utf8]{inputenc} 50 | \\usepackage[labelformat=empty]{caption} 51 | \\usepackage{abc} 52 | \\usepackage{musixtex} 53 | \\usepackage{piano} 54 | \\usepackage{anysize} 55 | \\title{Classificação dos Intervalos} 56 | \\author{Jacson Querubin} 57 | \\date{\\today} 58 | \\marginsize{2cm}{2cm}{1cm}{1cm} 59 | 60 | \\begin{document} 61 | \\maketitle 62 | " > ${ARQ} 63 | 64 | 65 | PIANO1=(Eo Eo Bo Fo Ct Go Eo Ao Eo Ao Bo Go Fo Do ) 66 | ESCALA1=(e e i f j g e h e h i g f d) 67 | PIANO2=(Fo Go Ft Bo Et Ao Et Ct Ao Bo Ct Et Et Fo) 68 | ESCALA2=(f g m i l h l j h i j l l f) 69 | INTERVALO=(Uníssona/Primeira Segunda Terça Quarta Quinta Sexta Sétima Oitava) 70 | CLASS=(2 3 5 4 3 2 8 3 4 2 2 6 7 3) 71 | CRES=1 72 | FIM='' 73 | for (( i = 0 ; i < ${#ESCALA1[@]} ; i++ )) do 74 | pnp=${PIANO1[${i}]} 75 | pne=${ESCALA1[${i}]} 76 | snp=${PIANO2[${i}]} 77 | sne=${ESCALA2[${i}]} 78 | np=$(piano ${pnp} ${snp}) 79 | ne=$(pauta ${pne} ${sne}) 80 | # \Notes \zsong{Segunda} \qa{gh} \en \bar 81 | # echo " \\Notes \\qb0{${pne}${sne}} \\en \\bar" 82 | FIM=${FIM}' 83 | \Notes \zsong{'${INTERVALO[${CLASS[${i}]}-1]}'} \qa{'${pne}${sne}'} \en \bar' 84 | echo " 85 | \\begin{figure}[thpb]\\ 86 | \\centering 87 | ${np} 88 | ${ne} 89 | \\caption{ \\textbf{${pnp:0:1}} e \\textbf{${snp:0:1}} :${INTERVALO[${CLASS[${i}]}-1]} } 90 | \\end{figure} " >> ${ARQ} 91 | # \\caption{ \\textbf{${pnp:0:1}} e \\textbf{${snp:0:1}} - ${INTERVALO[$i]}} 92 | done 93 | 94 | FINAL=" \\begin{figure}[thpb]\ 95 | \\begin{music}\\nostartrule 96 | \\nobarnumbers 97 | \\parindent12mm 98 | \\instrumentnumber{1} % a single instrument 99 | \\setstaffs1{1} 100 | \\startextract % starting real score" 101 | 102 | echo ${FINAL} ${FIM} >> ${ARQ} 103 | echo ' \caption{ \textbf{D} e \textbf{F} :Terça } 104 | \end{figure} ' >> ${ARQ} 105 | 106 | 107 | echo ' 108 | \end{document}' >> ${ARQ} 109 | 110 | -------------------------------------------------------------------------------- /python/fnf.py: -------------------------------------------------------------------------------- 1 | #!/usr/bin/python3 2 | # -*- coding: utf-8 -*- 3 | 4 | """ 5 | Frequency and Notes: Forever! 6 | """ 7 | 8 | __author__ = "Jacson Querubin" 9 | __copyright__ = "Copyright 2016 - Jacson Querubin" 10 | __credits__ = ["Jacson Querubin"] 11 | __license__ = "GPLv3 ou superior" 12 | __version__ = "0.1.1" 13 | __maintainer__ = "Jacson Querubin" 14 | __email__ = "spacial@gmail.com" 15 | __status__ = "Alpha" 16 | __prog__ = "fnf" 17 | 18 | import argparse 19 | import sys 20 | import math 21 | 22 | # C0 23 | notabase = 16.352 24 | 25 | # Para criar Tabela de Notas x Freqs. 26 | cromatica = ['C', 27 | 'D:b/C:#', 'D', 28 | 'E:b/D:#', 'E', 29 | 'F', 'G:b/F:#', 'G', 30 | 'A:b/G:#', 'A', 31 | 'B:b/A:#', 'B'] 32 | 33 | 34 | intervalos = ['Uníssona', 35 | '2a menor', '2a Maior', 36 | '3a menor', '3a Maior', 37 | '4a Justa', 'Trítona', '5a Justa', 38 | '6a menor', '6a Maior', 39 | '7a menor', '7a Maior', 40 | 'Oitava'] 41 | 42 | 43 | def nomeescala(oitava): 44 | global cromatica 45 | retorna = [] 46 | for i in range(0, len(cromatica)): 47 | if len(cromatica[i]) == 1: 48 | nota = cromatica[i] + str(oitava) 49 | retorna.append(nota) 50 | else: 51 | notab = cromatica[i].split('/')[0].split(':')[0] + str(oitava) + \ 52 | cromatica[i].split('/')[0].split(':')[1] 53 | notasus = cromatica[i].split('/')[1].split(':')[0] + str(oitava) + \ 54 | cromatica[i].split('/')[1].split(':')[1] 55 | retorna.append(notab + '/' + notasus) 56 | return retorna 57 | 58 | 59 | def freqescala(oitava): 60 | global notabase 61 | retorna = [] 62 | basefreq = notabase * calsalto(oitava * 12) 63 | for i in range(0, 12): 64 | retorna.append("{0:.4f}".format(basefreq)) 65 | basefreq *= calsalto(1) 66 | return retorna 67 | 68 | 69 | # recebe a nota, envia a frequencia 70 | def ntof(nota): 71 | global notabase 72 | oitava = int(''.join(ele for ele in nota if ele.isdigit())) 73 | notas = nomeescala(oitava) 74 | for i in range(0, len(notas)): 75 | if notas[i].find(nota) >= 0: 76 | if nota.find('b') >= 0: 77 | return notabase * calsalto((oitava * 12) + i) 78 | else: 79 | return notabase * calsalto((oitava * 12) + (i + 1)) 80 | return -1 81 | 82 | 83 | #notas e frequencias da oitava (para mostrar na tela) 84 | def nfo(oitava): 85 | global notabase 86 | retorna = [] 87 | escala = nomeescala(oitava) 88 | basefreq = notabase * calsalto(oitava * 12) 89 | for i in range(0, len(escala)): 90 | retorna.append(escala[i], " = {0:.4f}".format(basefreq)) 91 | basefreq *= calsalto(1) 92 | return retorna 93 | 94 | 95 | def calsalto(semitons): 96 | coef = 2.0 ** (1 / 12) 97 | #print(coef) 98 | return float(coef ** semitons) 99 | 100 | 101 | def triadeM(basenote): 102 | terca = math.trunc(basenote * calsalto(4)) 103 | quinta = math.trunc(basenote * calsalto(7)) 104 | return [basenote, terca, quinta] 105 | 106 | 107 | def triademenor(basenote): 108 | terca = math.trunc(basenote * calsalto(3)) 109 | quinta = math.trunc(basenote * calsalto(7)) 110 | return [basenote, terca, quinta] 111 | 112 | 113 | def main(): 114 | global intervalos 115 | parser = argparse.ArgumentParser(description=__prog__ + ' v' + __version__) 116 | parser.add_argument('-v', '--version', action='version', version='%(prog)s' 117 | + ' v' + str(__version__)) 118 | parser.add_argument('-n', '--note', nargs='?', dest='note', default='A4', 119 | help='Nota base (formato X0A (nota, oitava e acidente). Padrão: A4') 120 | parser.add_argument('-f', '--frequency', nargs='?', dest='freq', type=int, 121 | default=440, help='Frequência base (padrão: 440 Hz).') 122 | parser.add_argument('-s', '--scale', nargs='?', dest='scale', type=int, 123 | default=0, help='Gera escala até o Hz indicado') 124 | parser.add_argument('-w', '--show', dest='show', action='store_true', 125 | default=False, help='Mostra os coeficientes') 126 | parser.add_argument('-t', '--triad', dest='triade', action='store_true', 127 | default=False, help='Calcula a Tríade Maior') 128 | parser.add_argument('-i', '--ignore-SPN', dest='spn', action='store_true', 129 | default=False, help='Ignora as notas que conforme ISO 16:1975') 130 | parser.add_argument('-p', '--spn', dest='spntable', action='store_true', 131 | default=False, help='Mostra a tabela de notas (10 oit.) da ISO 16:1975') 132 | args = parser.parse_args() 133 | if len(sys.argv[1:]) == 0: 134 | #if args.freq == 440 and args.note == 'A4' and args.scale == 0 \ 135 | #and not args.show and not args.spn and not args.spntable: 136 | print("Pelo menos uma opção tem que ser selecionada!") 137 | parser.print_help() 138 | sys.exit(1) 139 | freqbase = args.freq 140 | if args.show: 141 | for i in range(0, 13): 142 | print(intervalos[i], " : ", calsalto(i)) 143 | return 0 144 | if args.scale > 0: 145 | if args.spn: 146 | i = 1 147 | else: 148 | i = notabase 149 | while (i < args.scale): 150 | print("{0:.4f}".format(i)) 151 | i = i * calsalto(1) 152 | if args.triade: 153 | triadeMaior = triademenor(freqbase) 154 | for i in range(0, len(triadeMaior)): 155 | print(triadeMaior[i]) 156 | if args.spntable: 157 | tabelageral = [] 158 | titulo = 'Nota\Oitava' 159 | for i in range(0, 11): 160 | titulo += "\t;" + str(i) 161 | tabelageral.append(freqescala(i)) 162 | global cromatica 163 | print(titulo) 164 | for nota in range(0, len(cromatica)): 165 | linha = '' 166 | for escala in range(0, 11): 167 | linha += "\t;" + tabelageral[escala][nota] 168 | print(cromatica[nota].split(':'), linha) 169 | if args.note is not None: 170 | print(args.note, " : ", ntof(args.note), 'Hz') 171 | sys.exit(0) 172 | 173 | if __name__ == '__main__': 174 | main() 175 | -------------------------------------------------------------------------------- /links.md: -------------------------------------------------------------------------------- 1 | # Arts links 2 | 3 | * [Recursos para o ensino de programação para artistas, designers e arquitetos](https://gumroad.com/l/LrVZ) por [Alexandre B A Villares](https://github.com/villares) 4 | 5 | 6 | # Music links 7 | 8 | * [Jane Austen Used Pins to Edit Her Manuscripts: Before the Word Processor & White-Out](http://www.openculture.com/2018/02/jane-austen-used-pins-to-edit-her-manuscripts-before-the-word-processor-white-out.html) 9 | * [Nasa Facebook Sounds](https://www.facebook.com/sound/collection?soundCollectionTab=sound_effects&search=NASA) 10 | * [The Strange, Sci-Fi Sounds of Skating on Thin Black Ice](http://www.openculture.com/2018/02/the-strange-sci-fi-sounds-of-skating-on-thin-black-ice.html) 11 | * [The Mystery and Music of Kaprekar Constant- 6174](http://arabale.com/blog/2014/4/29/the-mystery-and-music-of-kaprekar-constant-6174) 12 | 13 | # Comedy 14 | 15 | * [Comida No Avião l Larica Total EP59 - YouTube](https://www.youtube.com/watch?v=SzcK-qP3NXY) 16 | * George Orwell: [Why Socialists Don't Believe In Fun](http://www.orwell.ru/library/articles/socialists/english/e_fun) 17 | 18 | # Other 19 | 20 | * [Fatos e Falácias sobre a Ditadura Militar Brasileira](https://medium.com/@leorossatto/fatos-e-fal%C3%A1cias-sobre-a-ditadura-militar-brasileira-2be306ee49f5) 21 | * [Diplomata foi morto pela ditadura antes de denunciar corrupção no regime, confirma nova certidão](https://epoca.globo.com/diplomata-foi-morto-pela-ditadura-antes-de-denunciar-corrupcao-no-regime-confirma-nova-certidao-23089585) 22 | * [Inimigo no fascismo brasileiro é o pobre, diz pesquisadora do voto em Bolsonaro](http://br.rfi.fr/brasil/20180918-inimigo-no-fascismo-brasileiro-e-o-pobre-diz-pesquisadora-do-voto-em-bolsonaro) 23 | * [Também houve um #EleNão nos EUA. E Trump venceu.](https://theintercept.com/2018/09/26/ele-nao-trump-bolsonaro/) 24 | * [Why Brazil's business elites are warming to a far-right flamethrower for president](https://www.reuters.com/article/us-brazil-elections-markets-analysis/why-brazils-business-elites-are-warming-to-a-far-right-flamethrower-for-president-idUSKCN1MB1H2) 25 | * [What to Expect from Jair Bolsonaro](https://www.americasquarterly.org/content/what-expect-jair-bolsonaro) 26 | * [The Hidden Author of Putinism](https://www.theatlantic.com/international/archive/2014/11/hidden-author-putinism-russia-vladislav-surkov/382489/) 27 | * [Mendes da Rocha: “El brutalismo no es nada, solo significa algo para el que no ha entendido bien las cosas”](https://elpais.com/elpais/2018/10/08/icon_design/1539001730_157977.html) 28 | * [“O ódio deitou no meu divã”](https://brasil.elpais.com/brasil/2018/10/10/politica/1539207771_563062.html) 29 | * [O Exército deve ter um papel de garantidor da democracia?](https://www1.folha.uol.com.br/colunas/versus/2018/09/o-exercito-deve-ter-um-papel-de-garantidor-da-democracia.shtml)- 22/09/2018 - Versus - Folha 30 | * [Encontre sua candidata: todas as mulheres na disputa eleitoral em 2018 - Gênero e Número](http://www.generonumero.media/encontre-sua-candidata-todas-as-mulheres-na-disputa-eleitoral-em-2018/) 31 | * [Meet the Economist Behind the One Percent’s Stealth Takeover of America](https://www.ineteconomics.org/perspectives/blog/meet-the-economist-behind-the-one-percents-stealth-takeover-of-america) 32 | * [Boletim do Whatsapp – Nº 1](http://iespnaseleicoes.com.br/boletim-do-whatsapp-no-1/)– IESP nas Eleições 33 | * ['For me, this is paradise': life in the Spanish city that banned cars](https://www.theguardian.com/cities/2018/sep/18/paradise-life-spanish-city-banned-cars-pontevedra) | Cities | The Guardian 34 | * [Brazil Lost More Than the Past in the National Museum Fire](https://www.newyorker.com/news/dispatch/brazil-lost-more-than-the-past-in-the-national-museum-fire) | The New Yorker 35 | * [Esta plataforma permite criar batidas com sons cotidianos](https://www.nexojornal.com.br/expresso/2018/09/15/Esta-plataforma-permite-criar-batidas-com-sons-cotidianos) - Nexo Jornal 36 | * [A fé de Bolsonaro](https://www1.folha.uol.com.br/colunas/helioschwartsman/2018/09/a-fe-de-bolsonaro.shtml) - 15/09/2018 - Hélio Schwartsman - Folha 37 | * [Pesquisa internacional busca identificar a discrepância da participação de mulheres e de homens nas áreas de ciências da natureza, matemática,  computação, história e filosofia da ciência e tecnologia](http://www.on.br/index.php/pt-br/ultimas-noticias/424-pesquisa-genero-ciencias.html)- Observatório Nacional 38 | * [Cientistas brasileiros e estrangeiros protestam contra descaso do governo em artigo na revista 'Science'](https://oglobo.globo.com/sociedade/cientistas-brasileiros-estrangeiros-protestam-contra-descaso-do-governo-em-artigo-na-revista-science-23105156)- Jornal O Globo 39 | * [O que é o fascismo? Perguntamos a pensadores da Itália, berço do movimento](https://noticias.uol.com.br/ultimas-noticias/bbc/2018/10/04/fascismo-italia.htm) - BBC - UOL Notícias 40 | * [A raiva venceu. Apertará confirmo dia 28?](https://www1.folha.uol.com.br/colunas/clovisrossi/2018/10/a-raiva-venceu-apertara-confirmo-dia-28.shtml)- 08/10/2018 - Clóvis Rossi - Folha 41 | * ["Vivemos um irracionalismo impressionante"](https://www.valor.com.br/politica/5900813/vivemos-um-irracionalismo-impressionante) | Valor Econômico 42 | * [Ele não porque eu sou policial ](http://www.justificando.com/2018/10/09/ele-nao-porque-eu-sou-policial/) 43 | * [We Now Know More About the Apparent Poisoning of the Pussy Riot Member Pyotr Verzilov | The New Yorker](https://www.newyorker.com/news/our-columnists/we-now-know-more-about-the-apparent-poisoning-of-the-pussy-riot-member-pyotr-verzilov) 44 | * [Burning Man's Mathematical Underbelly](https://www.scientificamerican.com/article/burning-mans-mathematical-underbelly/): Scientific American 45 | * [Fan Bingbing: Vanished Chinese star 'not socially responsible' - BBC News](https://www.bbc.com/news/world-asia-china-45426882) 46 | * [Preventing Muscle Loss as We Age](https://www.nytimes.com/2018/09/03/well/live/preventing-muscle-loss-among-the-elderly.html)- The New York Times 47 | * [Apple can delete purchased movies from your library without telling you | The Outline](https://theoutline.com/post/6167/apple-can-delete-the-movies-you-purchased-without-telling-you?zd=3&zi=i3xaj4s4) 48 | * [Por que a produtividade da economia brasileira não aumentou nos últimos anos? - Paulo Gala](http://www.paulogala.com.br/por-que-a-produtividade-da-economia-brasileira-nao-aumentou-nos-ultimos-anos/) 49 | * [Argue with your customers - Rockstar Coders](https://www.rockstarcoders.com/customer-feedback/) 50 | * [Sweden offers glimpse of a world without Amazon – POLITICO](https://www.politico.eu/article/sweden-amazon-competition-ecommerce/) 51 | * [UK’s mass surveillance regime violated human rights law, finds ECHR | TechCrunch](https://techcrunch.com/2018/09/13/uks-mass-surveillance-regime-violated-human-rights-law-finds-echr/) 52 | * [The earliest known drawing in history sends a message through 73,000 years](https://www.nature.com/articles/d41586-018-06657-x) 53 | * [Brain Scans Can Detect Who Has Better Skills - WSJ](https://www.wsj.com/articles/brain-scans-can-detect-who-has-better-skills-1538589600) 54 | * [Bizarre Particles Keep Flying Out of Antarctica's Ice, and They Might Shatter Modern Physics](https://www.livescience.com/63692-standard-model-broken-supersymmetry-new-physics.html) 55 | * [vitimas-da-intolerancia](https://github.com/okfn-brasil/vitimas-da-intolerancia): Conheça as vítimas de ódio político 56 | * [New study links common herbicides and antibiotic resistance | University of Canterbury](https://www.canterbury.ac.nz/news/2018/new-study-links-common-herbicides-and-antibiotic-resistance.html) 57 | * [MANUAL DE CAMPANHA OPERAÇÕES PSICOLÓGICAS C 45-4](https://pt.slideshare.net/DanielFXA/manual-de-campanha-operaes-psicolgicas-c-454) 58 | * [OS BASTIDORES DO APOIO DO PORTAL R7 A BOLSONARO](https://theintercept.com/2018/10/13/bastidores-universal-edir-macedo-apoio-portal-r7-bolsonaro/) 59 | * [‘Silence Is Health’: How Totalitarianism Arrives](https://www.nybooks.com/daily/2018/08/20/silence-is-health-how-totalitarianism-arrives/) 60 | -------------------------------------------------------------------------------- /latex/Exercicio20160425b.tex: -------------------------------------------------------------------------------- 1 | \documentclass[a4paper,12pt]{article} 2 | \usepackage[portuges]{babel} 3 | \usepackage[utf8]{inputenc} 4 | \usepackage[labelformat=empty]{caption} 5 | \usepackage{abc} 6 | \usepackage{musixtex} 7 | \usepackage{piano} 8 | \usepackage{anysize} 9 | \title{Classificação dos Intervalos} 10 | \author{Jacson} 11 | \date{25/04/2016} 12 | \marginsize{2cm}{2cm}{1cm}{1cm} 13 | 14 | \begin{document} 15 | \maketitle 16 | 17 | 18 | \begin{figure}[thpb]\ 19 | \centering 20 | \keyboard[Eo][Fo] 21 | \input musixtex 22 | \begin{music}\nostartrule 23 | \parindent12mm 24 | \instrumentnumber{1} % a single instrument 25 | \setstaffs1{1} 26 | \startextract % starting real score 27 | \Notes\qb0{ef}\en 28 | \zendextract % terminate excerpt 29 | \end{music} 30 | \caption{ \textbf{E} e \textbf{F} :Segunda } 31 | \end{figure} 32 | 33 | \begin{figure}[thpb]\ 34 | \centering 35 | \keyboard[Eo][Go] 36 | \input musixtex 37 | \begin{music}\nostartrule 38 | \parindent12mm 39 | \instrumentnumber{1} % a single instrument 40 | \setstaffs1{1} 41 | \startextract % starting real score 42 | \Notes\qb0{eg}\en 43 | \zendextract % terminate excerpt 44 | \end{music} 45 | \caption{ \textbf{E} e \textbf{G} :Terça } 46 | \end{figure} 47 | 48 | \begin{figure}[thpb]\ 49 | \centering 50 | \keyboard[Bo][Ft] 51 | \input musixtex 52 | \begin{music}\nostartrule 53 | \parindent12mm 54 | \instrumentnumber{1} % a single instrument 55 | \setstaffs1{1} 56 | \startextract % starting real score 57 | \Notes\qb0{im}\en 58 | \zendextract % terminate excerpt 59 | \end{music} 60 | \caption{ \textbf{B} e \textbf{F} :Quinta } 61 | \end{figure} 62 | 63 | \begin{figure}[thpb]\ 64 | \centering 65 | \keyboard[Fo][Bo] 66 | \input musixtex 67 | \begin{music}\nostartrule 68 | \parindent12mm 69 | \instrumentnumber{1} % a single instrument 70 | \setstaffs1{1} 71 | \startextract % starting real score 72 | \Notes\qb0{fi}\en 73 | \zendextract % terminate excerpt 74 | \end{music} 75 | \caption{ \textbf{F} e \textbf{B} :Quarta } 76 | \end{figure} 77 | 78 | \begin{figure}[thpb]\ 79 | \centering 80 | \keyboard[Ct][Et] 81 | \input musixtex 82 | \begin{music}\nostartrule 83 | \parindent12mm 84 | \instrumentnumber{1} % a single instrument 85 | \setstaffs1{1} 86 | \startextract % starting real score 87 | \Notes\qb0{jl}\en 88 | \zendextract % terminate excerpt 89 | \end{music} 90 | \caption{ \textbf{C} e \textbf{E} :Terça } 91 | \end{figure} 92 | 93 | \begin{figure}[thpb]\ 94 | \centering 95 | \keyboard[Go][Ao] 96 | \input musixtex 97 | \begin{music}\nostartrule 98 | \parindent12mm 99 | \instrumentnumber{1} % a single instrument 100 | \setstaffs1{1} 101 | \startextract % starting real score 102 | \Notes\qb0{gh}\en 103 | \zendextract % terminate excerpt 104 | \end{music} 105 | \caption{ \textbf{G} e \textbf{A} :Segunda } 106 | \end{figure} 107 | 108 | \begin{figure}[thpb]\ 109 | \centering 110 | \keyboard[Eo][Et] 111 | \input musixtex 112 | \begin{music}\nostartrule 113 | \parindent12mm 114 | \instrumentnumber{1} % a single instrument 115 | \setstaffs1{1} 116 | \startextract % starting real score 117 | \Notes\qb0{el}\en 118 | \zendextract % terminate excerpt 119 | \end{music} 120 | \caption{ \textbf{E} e \textbf{E} :Oitava } 121 | \end{figure} 122 | 123 | \begin{figure}[thpb]\ 124 | \centering 125 | \keyboard[Ao][Ct] 126 | \input musixtex 127 | \begin{music}\nostartrule 128 | \parindent12mm 129 | \instrumentnumber{1} % a single instrument 130 | \setstaffs1{1} 131 | \startextract % starting real score 132 | \Notes\qb0{hj}\en 133 | \zendextract % terminate excerpt 134 | \end{music} 135 | \caption{ \textbf{A} e \textbf{C} :Terça } 136 | \end{figure} 137 | 138 | \begin{figure}[thpb]\ 139 | \centering 140 | \keyboard[Eo][Ao] 141 | \input musixtex 142 | \begin{music}\nostartrule 143 | \parindent12mm 144 | \instrumentnumber{1} % a single instrument 145 | \setstaffs1{1} 146 | \startextract % starting real score 147 | \Notes\qb0{eh}\en 148 | \zendextract % terminate excerpt 149 | \end{music} 150 | \caption{ \textbf{E} e \textbf{A} :Quarta } 151 | \end{figure} 152 | 153 | \begin{figure}[thpb]\ 154 | \centering 155 | \keyboard[Ao][Bo] 156 | \input musixtex 157 | \begin{music}\nostartrule 158 | \parindent12mm 159 | \instrumentnumber{1} % a single instrument 160 | \setstaffs1{1} 161 | \startextract % starting real score 162 | \Notes\qb0{hi}\en 163 | \zendextract % terminate excerpt 164 | \end{music} 165 | \caption{ \textbf{A} e \textbf{B} :Segunda } 166 | \end{figure} 167 | 168 | \begin{figure}[thpb]\ 169 | \centering 170 | \keyboard[Bo][Ct] 171 | \input musixtex 172 | \begin{music}\nostartrule 173 | \parindent12mm 174 | \instrumentnumber{1} % a single instrument 175 | \setstaffs1{1} 176 | \startextract % starting real score 177 | \Notes\qb0{ij}\en 178 | \zendextract % terminate excerpt 179 | \end{music} 180 | \caption{ \textbf{B} e \textbf{C} :Segunda } 181 | \end{figure} 182 | 183 | \begin{figure}[thpb]\ 184 | \centering 185 | \keyboard[Go][Et] 186 | \input musixtex 187 | \begin{music}\nostartrule 188 | \parindent12mm 189 | \instrumentnumber{1} % a single instrument 190 | \setstaffs1{1} 191 | \startextract % starting real score 192 | \Notes\qb0{gl}\en 193 | \zendextract % terminate excerpt 194 | \end{music} 195 | \caption{ \textbf{G} e \textbf{E} :Sexta } 196 | \end{figure} 197 | 198 | \begin{figure}[thpb]\ 199 | \centering 200 | \keyboard[Fo][Et] 201 | \input musixtex 202 | \begin{music}\nostartrule 203 | \parindent12mm 204 | \instrumentnumber{1} % a single instrument 205 | \setstaffs1{1} 206 | \startextract % starting real score 207 | \Notes\qb0{fl}\en 208 | \zendextract % terminate excerpt 209 | \end{music} 210 | \caption{ \textbf{F} e \textbf{E} :Sétima } 211 | \end{figure} 212 | 213 | \begin{figure}[thpb]\ 214 | \centering 215 | \keyboard[Do][Fo] 216 | \input musixtex 217 | \begin{music}\nostartrule 218 | \parindent12mm 219 | \instrumentnumber{1} % a single instrument 220 | \setstaffs1{1} 221 | \startextract % starting real score 222 | \Notes\qb0{df}\en 223 | \zendextract % terminate excerpt 224 | \end{music} 225 | \caption{ \textbf{D} e \textbf{F} :Terça } 226 | \end{figure} 227 | 228 | % TODOS 229 | \begin{figure}[thpb]\ 230 | \begin{music}\nostartrule 231 | \nobarnumbers 232 | \parindent12mm 233 | \instrumentnumber{1} % a single instrument 234 | \setstaffs1{1} 235 | \startextract % starting real score 236 | \Notes \qb0{ef} \en \bar 237 | \Notes \qb0{eg} \en \bar 238 | \Notes \qb0{im} \en \bar 239 | \Notes \qb0{fi} \en \bar 240 | \Notes \qb0{jl} \en \bar 241 | \Notes \qb0{gh} \en \bar 242 | \Notes \qb0{el} \en \bar 243 | \zendextract % terminate excerpt 244 | \end{music} 245 | \end{figure} 246 | \begin{figure}[thpb]\ 247 | \begin{music}\nostartrule 248 | \parindent12mm 249 | \instrumentnumber{1} % a single instrument 250 | \setstaffs1{1} 251 | \startextract % starting real score 252 | \Notes \qb0{hj} \en \bar 253 | \Notes \qb0{eh} \en \bar 254 | \Notes \qb0{hi} \en \bar 255 | \Notes \qb0{ij} \en \bar 256 | \Notes \qb0{gl} \en \bar 257 | \Notes \qb0{fl} \en \bar 258 | \Notes \qb0{df} \en \bar 259 | \zendextract % terminate excerpt 260 | \end{music} 261 | \end{figure} 262 | \end{document} 263 | -------------------------------------------------------------------------------- /latex/Exercicio20160425.tex: -------------------------------------------------------------------------------- 1 | \documentclass[a4paper,12pt]{article} 2 | \usepackage[portuges]{babel} 3 | \usepackage[utf8]{inputenc} 4 | \usepackage[labelformat=empty]{caption} 5 | \usepackage{abc} 6 | \usepackage{musixtex} 7 | \usepackage{piano} 8 | \usepackage{anysize} 9 | \title{Classificação dos Intervalos} 10 | \author{Jacson Q.} 11 | \date{25/04/2016} 12 | \marginsize{2cm}{2cm}{1cm}{1cm} 13 | 14 | \begin{document} 15 | \maketitle 16 | 17 | 18 | \begin{figure}[thpb]\ 19 | \centering 20 | \keyboard[Eo][Fo] 21 | \input musixtex 22 | \begin{music}\nostartrule 23 | \parindent12mm 24 | \instrumentnumber{1} % a single instrument 25 | \setstaffs1{1} 26 | \startextract % starting real score 27 | \Notes\qb0{ef}\en 28 | \zendextract % terminate excerpt 29 | \end{music} 30 | \caption{ \textbf{E} e \textbf{F} :Segunda } 31 | \end{figure} 32 | 33 | \begin{figure}[thpb]\ 34 | \centering 35 | \keyboard[Eo][Go] 36 | \input musixtex 37 | \begin{music}\nostartrule 38 | \parindent12mm 39 | \instrumentnumber{1} % a single instrument 40 | \setstaffs1{1} 41 | \startextract % starting real score 42 | \Notes\qb0{eg}\en 43 | \zendextract % terminate excerpt 44 | \end{music} 45 | \caption{ \textbf{E} e \textbf{G} :Terça } 46 | \end{figure} 47 | 48 | \begin{figure}[thpb]\ 49 | \centering 50 | \keyboard[Bo][Ft] 51 | \input musixtex 52 | \begin{music}\nostartrule 53 | \parindent12mm 54 | \instrumentnumber{1} % a single instrument 55 | \setstaffs1{1} 56 | \startextract % starting real score 57 | \Notes\qb0{im}\en 58 | \zendextract % terminate excerpt 59 | \end{music} 60 | \caption{ \textbf{B} e \textbf{F} :Quinta } 61 | \end{figure} 62 | 63 | \begin{figure}[thpb]\ 64 | \centering 65 | \keyboard[Fo][Bo] 66 | \input musixtex 67 | \begin{music}\nostartrule 68 | \parindent12mm 69 | \instrumentnumber{1} % a single instrument 70 | \setstaffs1{1} 71 | \startextract % starting real score 72 | \Notes\qb0{fi}\en 73 | \zendextract % terminate excerpt 74 | \end{music} 75 | \caption{ \textbf{F} e \textbf{B} :Quarta } 76 | \end{figure} 77 | 78 | \begin{figure}[thpb]\ 79 | \centering 80 | \keyboard[Ct][Et] 81 | \input musixtex 82 | \begin{music}\nostartrule 83 | \parindent12mm 84 | \instrumentnumber{1} % a single instrument 85 | \setstaffs1{1} 86 | \startextract % starting real score 87 | \Notes\qb0{jl}\en 88 | \zendextract % terminate excerpt 89 | \end{music} 90 | \caption{ \textbf{C} e \textbf{E} :Terça } 91 | \end{figure} 92 | 93 | \begin{figure}[thpb]\ 94 | \centering 95 | \keyboard[Go][Ao] 96 | \input musixtex 97 | \begin{music}\nostartrule 98 | \parindent12mm 99 | \instrumentnumber{1} % a single instrument 100 | \setstaffs1{1} 101 | \startextract % starting real score 102 | \Notes\qb0{gh}\en 103 | \zendextract % terminate excerpt 104 | \end{music} 105 | \caption{ \textbf{G} e \textbf{A} :Segunda } 106 | \end{figure} 107 | 108 | \begin{figure}[thpb]\ 109 | \centering 110 | \keyboard[Eo][Et] 111 | \input musixtex 112 | \begin{music}\nostartrule 113 | \parindent12mm 114 | \instrumentnumber{1} % a single instrument 115 | \setstaffs1{1} 116 | \startextract % starting real score 117 | \Notes\qb0{el}\en 118 | \zendextract % terminate excerpt 119 | \end{music} 120 | \caption{ \textbf{E} e \textbf{E} :Oitava } 121 | \end{figure} 122 | 123 | \begin{figure}[thpb]\ 124 | \centering 125 | \keyboard[Ao][Ct] 126 | \input musixtex 127 | \begin{music}\nostartrule 128 | \parindent12mm 129 | \instrumentnumber{1} % a single instrument 130 | \setstaffs1{1} 131 | \startextract % starting real score 132 | \Notes\qb0{hj}\en 133 | \zendextract % terminate excerpt 134 | \end{music} 135 | \caption{ \textbf{A} e \textbf{C} :Terça } 136 | \end{figure} 137 | 138 | \begin{figure}[thpb]\ 139 | \centering 140 | \keyboard[Eo][Ao] 141 | \input musixtex 142 | \begin{music}\nostartrule 143 | \parindent12mm 144 | \instrumentnumber{1} % a single instrument 145 | \setstaffs1{1} 146 | \startextract % starting real score 147 | \Notes\qb0{eh}\en 148 | \zendextract % terminate excerpt 149 | \end{music} 150 | \caption{ \textbf{E} e \textbf{A} :Quarta } 151 | \end{figure} 152 | 153 | \begin{figure}[thpb]\ 154 | \centering 155 | \keyboard[Ao][Bo] 156 | \input musixtex 157 | \begin{music}\nostartrule 158 | \parindent12mm 159 | \instrumentnumber{1} % a single instrument 160 | \setstaffs1{1} 161 | \startextract % starting real score 162 | \Notes\qb0{hi}\en 163 | \zendextract % terminate excerpt 164 | \end{music} 165 | \caption{ \textbf{A} e \textbf{B} :Segunda } 166 | \end{figure} 167 | 168 | \begin{figure}[thpb]\ 169 | \centering 170 | \keyboard[Bo][Ct] 171 | \input musixtex 172 | \begin{music}\nostartrule 173 | \parindent12mm 174 | \instrumentnumber{1} % a single instrument 175 | \setstaffs1{1} 176 | \startextract % starting real score 177 | \Notes\qb0{ij}\en 178 | \zendextract % terminate excerpt 179 | \end{music} 180 | \caption{ \textbf{B} e \textbf{C} :Segunda } 181 | \end{figure} 182 | 183 | \begin{figure}[thpb]\ 184 | \centering 185 | \keyboard[Go][Et] 186 | \input musixtex 187 | \begin{music}\nostartrule 188 | \parindent12mm 189 | \instrumentnumber{1} % a single instrument 190 | \setstaffs1{1} 191 | \startextract % starting real score 192 | \Notes\qb0{gl}\en 193 | \zendextract % terminate excerpt 194 | \end{music} 195 | \caption{ \textbf{G} e \textbf{E} :Sexta } 196 | \end{figure} 197 | 198 | \begin{figure}[thpb]\ 199 | \centering 200 | \keyboard[Fo][Et] 201 | \input musixtex 202 | \begin{music}\nostartrule 203 | \parindent12mm 204 | \instrumentnumber{1} % a single instrument 205 | \setstaffs1{1} 206 | \startextract % starting real score 207 | \Notes\qb0{fl}\en 208 | \zendextract % terminate excerpt 209 | \end{music} 210 | \caption{ \textbf{F} e \textbf{E} :Sétima } 211 | \end{figure} 212 | 213 | \begin{figure}[thpb]\ 214 | \centering 215 | \keyboard[Do][Fo] 216 | \input musixtex 217 | \begin{music}\nostartrule 218 | \parindent12mm 219 | \instrumentnumber{1} % a single instrument 220 | \setstaffs1{1} 221 | \startextract % starting real score 222 | \Notes\qb0{df}\en 223 | \zendextract % terminate excerpt 224 | \end{music} 225 | \caption{ \textbf{D} e \textbf{F} :Terça } 226 | \end{figure} 227 | \newpage 228 | \begin{flushleft} 229 | \begin{figure}[thpb] 230 | \begin{music}\nostartrule 231 | \nobarnumbers 232 | \parindent12mm 233 | \instrumentnumber{1} % a single instrument 234 | \setstaffs1{1} 235 | \startextract % starting real score 236 | \Notes \zsong{Segunda - } \qa{ef} \en \bar 237 | \Notes \zsong{Terça} \qa{eg} \en \bar 238 | \Notes \zsong{Quinta} \qa{im} \en \bar 239 | \Notes \zsong{Quarta} \qa{fi} \en \bar 240 | \Notes \zsong{Terça} \qa{jl} \en \bar 241 | \Notes \zsong{Segunda} \qa{gh} \en \bar 242 | \Notes \zsong{Oitava} \qa{el} \en \bar 243 | \zendextract % terminate excerpt 244 | \end{music} 245 | % \caption{ } 246 | \end{figure} 247 | 248 | \begin{figure}[thpb] 249 | \begin{music}\nostartrule 250 | \nobarnumbers 251 | \parindent12mm 252 | \instrumentnumber{1} % a single instrument 253 | \setstaffs1{1} 254 | \startextract % starting real score 255 | \Notes \zsong{Terça} \qa{hj} \en \bar 256 | \Notes \zsong{Quarta} \qa{eh} \en \bar 257 | \Notes \zsong{Segunda} \qa{hi} \en \bar 258 | \Notes \zsong{Segunda} \qa{ij} \en \bar 259 | \Notes \zsong{Sexta} \qa{gl} \en \bar 260 | \Notes \zsong{Sétima} \qa{fl} \en \bar 261 | \Notes \zsong{Terça} \qa{df} \en \bar 262 | % \caption{ \textbf{} e \textbf{} } 263 | \zendextract % terminate excerpt 264 | \end{music} 265 | \end{figure} 266 | \end{flushleft} 267 | \end{document} 268 | -------------------------------------------------------------------------------- /CCby-nc-sa: -------------------------------------------------------------------------------- 1 | Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International Public License 2 | 3 | By exercising the Licensed Rights (defined below), You accept and agree to be bound by the terms and conditions of this Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International Public License ("Public License"). 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Use with the GNU Affero General Public License. 181 | 182 | Notwithstanding any other provision of this License, you have permission to link or combine any covered work with a work licensed under version 3 of the GNU Affero General Public License into a single combined work, and to convey the resulting work. The terms of this License will continue to apply to the part which is the covered work, but the special requirements of the GNU Affero General Public License, section 13, concerning interaction through a network will apply to the combination as such. 183 | 184 | 14. Revised Versions of this License. 185 | 186 | The Free Software Foundation may publish revised and/or new versions of the GNU General Public License from time to time. Such new versions will be similar in spirit to the present version, but may differ in detail to address new problems or concerns. 187 | 188 | Each version is given a distinguishing version number. If the Program specifies that a certain numbered version of the GNU General Public License “or any later version” applies to it, you have the option of following the terms and conditions either of that numbered version or of any later version published by the Free Software Foundation. If the Program does not specify a version number of the GNU General Public License, you may choose any version ever published by the Free Software Foundation. 189 | 190 | If the Program specifies that a proxy can decide which future versions of the GNU General Public License can be used, that proxy's public statement of acceptance of a version permanently authorizes you to choose that version for the Program. 191 | 192 | Later license versions may give you additional or different permissions. However, no additional obligations are imposed on any author or copyright holder as a result of your choosing to follow a later version. 193 | 194 | 15. Disclaimer of Warranty. 195 | 196 | THERE IS NO WARRANTY FOR THE PROGRAM, TO THE EXTENT PERMITTED BY APPLICABLE LAW. EXCEPT WHEN OTHERWISE STATED IN WRITING THE COPYRIGHT HOLDERS AND/OR OTHER PARTIES PROVIDE THE PROGRAM “AS IS” WITHOUT WARRANTY OF ANY KIND, EITHER EXPRESSED OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE. THE ENTIRE RISK AS TO THE QUALITY AND PERFORMANCE OF THE PROGRAM IS WITH YOU. SHOULD THE PROGRAM PROVE DEFECTIVE, YOU ASSUME THE COST OF ALL NECESSARY SERVICING, REPAIR OR CORRECTION. 197 | 198 | 16. Limitation of Liability. 199 | 200 | IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MODIFIES AND/OR CONVEYS THE PROGRAM AS PERMITTED ABOVE, BE LIABLE TO YOU FOR DAMAGES, INCLUDING ANY GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES ARISING OUT OF THE USE OR INABILITY TO USE THE PROGRAM (INCLUDING BUT NOT LIMITED TO LOSS OF DATA OR DATA BEING RENDERED INACCURATE OR LOSSES SUSTAINED BY YOU OR THIRD PARTIES OR A FAILURE OF THE PROGRAM TO OPERATE WITH ANY OTHER PROGRAMS), EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. 201 | 202 | 17. Interpretation of Sections 15 and 16. 203 | 204 | If the disclaimer of warranty and limitation of liability provided above cannot be given local legal effect according to their terms, reviewing courts shall apply local law that most closely approximates an absolute waiver of all civil liability in connection with the Program, unless a warranty or assumption of liability accompanies a copy of the Program in return for a fee. 205 | 206 | END OF TERMS AND CONDITIONS 207 | 208 | How to Apply These Terms to Your New Programs 209 | 210 | If you develop a new program, and you want it to be of the greatest possible use to the public, the best way to achieve this is to make it free software which everyone can redistribute and change under these terms. 211 | 212 | To do so, attach the following notices to the program. It is safest to attach them to the start of each source file to most effectively state the exclusion of warranty; and each file should have at least the “copyright” line and a pointer to where the full notice is found. 213 | 214 | 215 | Copyright (C) 216 | 217 | This program is free software: you can redistribute it and/or modify 218 | it under the terms of the GNU General Public License as published by 219 | the Free Software Foundation, either version 3 of the License, or 220 | (at your option) any later version. 221 | 222 | This program is distributed in the hope that it will be useful, 223 | but WITHOUT ANY WARRANTY; without even the implied warranty of 224 | MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the 225 | GNU General Public License for more details. 226 | 227 | You should have received a copy of the GNU General Public License 228 | along with this program. If not, see . 229 | Also add information on how to contact you by electronic and paper mail. 230 | 231 | If the program does terminal interaction, make it output a short notice like this when it starts in an interactive mode: 232 | 233 | Copyright (C) 234 | This program comes with ABSOLUTELY NO WARRANTY; for details type `show w'. 235 | This is free software, and you are welcome to redistribute it 236 | under certain conditions; type `show c' for details. 237 | The hypothetical commands `show w' and `show c' should show the appropriate parts of the General Public License. Of course, your program's commands might be different; for a GUI interface, you would use an “about box”. 238 | 239 | You should also get your employer (if you work as a programmer) or school, if any, to sign a “copyright disclaimer” for the program, if necessary. For more information on this, and how to apply and follow the GNU GPL, see . 240 | 241 | The GNU General Public License does not permit incorporating your program into proprietary programs. If your program is a subroutine library, you may consider it more useful to permit linking proprietary applications with the library. If this is what you want to do, use the GNU Lesser General Public License instead of this License. But first, please read . 242 | -------------------------------------------------------------------------------- /README.md: -------------------------------------------------------------------------------- 1 | # Awesome Arts [![Awesome](https://cdn.rawgit.com/sindresorhus/awesome/d7305f38d29fed78fa85652e3a63e154dd8e8829/media/badge.svg)](https://github.com/sindresorhus/awesome) 2 | 3 | “The true artist is not proud… Though he may be admired by others, he is sad not to have reached that point to which his better genius only appears as a distant, guiding sun.” 4 | 5 | - [Who gave you the best advice on being an artist, and what was it?](https://www.vulture.com/2018/11/27-artists-on-the-best-and-worst-advice-they-ever-got.html) 6 | 7 | --- 8 | 9 | ## Music 10 | 11 | - [Music Map](https://musicmap.info/) 12 | - [Center for Computer Research in Music and Acoustics](https://ccrma.stanford.edu) 13 | - [Convolution Processing With Impulse Responses](https://www.soundonsound.com/techniques/convolution-processing-impulse-responses) 14 | - [How to Listen to Music](http://www.openculture.com/2017/08/how-to-listen-to-music-a-free-course-from-yale-university.html): A Free Course from Yale University 15 | - [Interactive Music Course Notes and Materials](https://github.com/tambien/InteractiveMusic) and the [site](https://tambien.github.io/InteractiveMusic/) 16 | - [Coltrane Pitch Diagrams](https://medium.com/@lucas_gonze/coltrane-pitch-diagrams-e25b7d9f5093) 17 | - [AutoEq](https://github.com/jaakkopasanen/AutoEq): Automatic headphone equalization from frequency responses 18 | - [Get started making music](https://learningmusic.ableton.com/) 19 | - [Rhythm and Transforms](http://sethares.engr.wisc.edu/RT.html) ([What is Rhythm?](http://sethares.engr.wisc.edu/htmlRT/whatisrhythm.html) and [Illusions of Sound Perception](http://sethares.engr.wisc.edu/htmlRT/4%20sound_illusions.html)) 20 | - [WolframTones](http://tones.wolfram.com/generate/G16aF5KBayLGZqrbyXodKZNu6fmG6ANllrjanSNAPM): An Experiment in a New Kind of Music — made possible by the Wolfram Language and A New Kind of Science 21 | - [BASIC MUSIC THEORY FOR BEGINNERS – THE COMPLETE GUIDE](https://iconcollective.edu/basic-music-theory/) 22 | - [Six things I sort of believe about making music](https://www.johnwhiles.com/posts/music-production-lessons.html) 23 | - [Piano Chords](https://muted.io/piano-chords/): Simple Online Piano Chord Player 24 | - [Music Theory Cheat Sheet](https://muted.io/cheat-sheet/): Keys, Scales, Chords, Notes & Intervals 25 | 26 | ### Resources 27 | 28 | - [SoundBible.com](http://soundbible.com) offers thousands of free sound effects, sound clips, and straight up sounds. 29 | - [Musical Chord Progression Arpeggiator](https://codepen.io/jakealbaugh/full/qNrZyw) 30 | - [Matrix Calculator](https://www.musictheory.net/calculators/matrix) 31 | - [coltrane](https://github.com/pedrozath/coltrane): 🎹🎸A music theory library with a command-line interface 32 | - [The Infinite Drum Machine](https://experiments.withgoogle.com/ai/drum-machine/view/) 33 | - [Guitar Dashboard](http://guitardashboard.com/) 34 | - ELECTRONIC ORGY: [PIERRE HENRY](http://electronicorgy.blogspot.com/2017/07/pierre-henry-mix-pierre-henry-030-4xcd.html): MIX PIERRE HENRY 03.0 (4xCD BOX SET COMPILATION - PHILIPS - 2001) (FLAC) 35 | - (es) [Carlos Reynoso](http://carlosreynoso.com.ar/) Homepage. 36 | - [turtle.audio](http://turtle.audio): s a music sequencer inspired by turtle graphics programming. I have been working on this for 2 years (!!) and it's terrifying to finally show you. Please enjoy! 🔊 and [slang](http://slang.kylestetz.com) - [github](https://github.com/kylestetz/slang): a simple audio programming language implemented in JS 37 | - [Bach Organ Works](http://www.blockmrecords.org/bach/download.htm): Complete works organized into 13 groups for download. 38 | - [Moroccan Tape Stash](http://moroccantapestash.blogspot.com/?m=1) 39 | - [Chords and Scales Reference](http://chords.jpglomot.com/#) 40 | - [piano genie](https://piano-genie.glitch.me/): Have some fun pretending you're a piano virtuoso using machine learning! 41 | - [TEST HEADPHONES](https://www.youtube.com/watch?v=X5Ck0iePWTQ&feature=youtu.be): Headphone Test Music with Test Tones 42 | - [Zupiter](https://pointersgonewild.com/2019/10/06/zupiter-a-web-based-modular-synthesizer/): a Web-Based Modular Synthesizer 43 | - [Yellowstone National Park’s Sound & Video Libraries Are Free for Anyone to Use](https://kottke.org/19/10/yellowstone-national-parks-sound-video-libraries-are-free-for-anyone-to-use) 44 | - [Configure Fedora to practice and compose music](https://fedoramagazine.org/configure-fedora-to-practise-and-compose-music/) 45 | - [SOUNDS OF THE FOREST](https://timberfestival.org.uk/soundsoftheforest-soundmap/): We are collecting the sounds of woodlands and forests from all around the world, creating a growing soundmap bringing together aural tones and textures from the world’s woodlands. 46 | - [The sound of Venus (Venera 14) Звук Венеры (Венера-14)](https://www.youtube.com/watch?v=8jZDW53U8qQ&feature=emb_logo) 47 | - [Lots of us learned classical music from watching old cartoons](https://twitter.com/NonsenseIsland/status/1366449816042102787), so I’m going to identify the pieces that frequently popped up. 48 | - [Músicas da Venezuela - Com Maria Betania Hernandez e Lucas Casacio](https://www.youtube.com/watch?v=mgu2Bqk3iQA) 49 | - [Freesound](https://freesound.org/) aims to create a huge collaborative database of audio snippets, samples, recordings, and all sorts of bleeps, ... released under Creative Commons licenses that allow their reuse. 50 | - [Get started making sounds](https://learningsynths.ableton.com/): Drag in the box below to play a synthesizer. 51 | - [The Rings of Power: Delving Too Deep with Bear McCreary](https://www.youtube.com/watch?v=8CJVfeFtHJ8) 52 | 53 | ### Articles 54 | 55 | - [Groove is in the Heart: Matching Beats Per Minute to Heart Rate](https://medium.com/@Spotify/groove-is-in-the-heart-matching-beats-per-minute-to-heart-rate-271a79b7f96a) 56 | - [Weekly Billboard Theory — Finesse](https://medium.com/that-good-you-need/weekly-billboard-theory-finesse-4b986e8096f2) 57 | - [Speaker Wire](http://www.roger-russell.com/wire/wire.htm) 58 | - [Colors of noise](https://www.johndcook.com/blog/2015/12/07/colors-of-noise/) 59 | - [Tune up your sound with PulseEffects: Microphones](https://fedoramagazine.org/tune-up-your-sound-with-pulseeffects-microphones/) 60 | 61 | ### Platforms and applications 62 | 63 | - [Music Transformer](https://magenta.tensorflow.org/music-transformer): Generating Music with Long-Term Structure. arxiv [paper](https://arxiv.org/abs/1809.04281) 64 | - [Resonance Audio: Multi-platform spatial audio at scale](https://www.blog.google/products/google-vr/resonance-audio-multi-platform-spatial-audio-scale/) 65 | - [VCVRACK](https://vcvrack.com/): Open-source virtual modular synthesizer. [repo](https://github.com/VCVRack/Rack) 66 | - [Sonic Visualiser](http://www.sonicvisualiser.org/download.html) is an application for viewing and analysing the contents of music audio files. 67 | - [Sndio](http://www.sndio.org/) is a small audio and MIDI framework part of the OpenBSD project and ported to FreeBSD, Linux and NetBSD 68 | - [KXStudio](http://kxstudio.linuxaudio.org/index.php) is a collection of applications and plugins for professional audio production. 69 | - [Fedora JAM](https://labs.fedoraproject.org/en/jam/) is for audio enthusiasts and musicians who want to create, edit and produce audio and music on Linux. 70 | - [Sonic Pi](https://sonic-pi.net/) The Live Coding Music Synth for Everyone. 71 | - [sonic-pi/INSTALL-FEDORA.md at master · samaaron/sonic-pi](https://github.com/samaaron/sonic-pi/blob/master/app/gui/qt/INSTALL-FEDORA.md) 72 | - [Audio Mastering Suite](http://www.hotto.de/software/audiomasteringsuite.html) 73 | - [keithwhor/audiosynth: JS Dynamic Audio Synth](https://github.com/keithwhor/audiosynth) 74 | - [Hacklily](https://www.hacklily.org/): Online Music Sheet Editor 75 | - [JGuitar](https://jguitar.com/chordsearch): chord search. 76 | - [Magenta](https://magenta.tensorflow.org/): An open source research project exploring the role of machine learning as a tool in the creative process. 77 | - [AIVA](https://www.aiva.ai/): The Artificial Intelligence composing emotional soundtrack music. 78 | - [eternal](https://kousun12.github.io/eternal/): This project was created for gratuitous reasons; it’s an attempt to serve an aesthetic that I appreciate, over a medium which I feel is appropriate for its expression. 79 | - [SinGAN: Learning a Generative Model from a Single Natural Image](https://arxiv.org/abs/1905.01164) 80 | - [Klio](https://github.com/spotify/klio): smarter data pipelines for audio. Klio is an ecosystem for processing audio files – or any binary files – easily and at scale. [Using Klio to Scale and Share Your Research - Pre-Work](https://github.com/fallonchen/ismir-klio): Code supporting the ISMIR 2020 Klio Tutorial. 81 | - [blue](https://github.com/kunstmusik/blue): [An Integrated Music Environment](https://blue.kunstmusik.com/) 82 | - [csound-live-code](https://live.csound.com/): [Library and web application for live coding with Csound](https://github.com/kunstmusik/csound-live-code) 83 | - [Learn Synthesis](https://github.com/kunstmusik/learn-synthesis): Website for learning synthesis methods 84 | - [ChucK](https://github.com/ccrma/chuck): ChucK Music Programming Language 85 | - [Traces](https://flaviogaete.info/traces) rests on neither extreme, yet brings a glimpse of both: the vibrating, pulsating rhythm of fragmented audio. 86 | - [Autotone](https://github.com/alexcrist/autotone): A vocal pitch correction web application (like Autotune). 87 | - [Intertube](https://github.com/guregu/intertube): music storage locker 88 | 89 | #### Supercollider 90 | 91 | Exemplos básicos pra iniciar o uso do Supercollider (SC). 92 | 93 | - [SuperCollider](https://supercollider.github.io/) 94 | - [Supercollider stuff](supercollider/README.md): directory with supercollider examples. 95 | - [Compiling SuperCollider](https://github.com/overtone/overtone/wiki/Compiling-SuperCollider) 96 | - [Installing SuperCollider on Fedora](https://github.com/supercollider/supercollider/wiki/Installing-SuperCollider-on-Fedora) 97 | - [examples/demonstrations](https://github.com/supercollider/supercollider/tree/develop/examples/demonstrations) 98 | - [sc3ctrl](https://github.com/rfwatson/sc3ctrl): Control SuperCollider app from command line 99 | - [supercollider-tmbundle](https://github.com/rfwatson/supercollider-tmbundle): TextMate bundle for supercollider.app 100 | - [SuperCollider Workshop @ NIME2020](https://github.com/muellmusik/SC-NIME2020) 101 | - [Lick the toad](https://github.com/KonVas/lick-the-toad): Sonification project using neural net and SuperCollider. 102 | 103 | #### Sonic-Pi 104 | 105 | - [Sonic Pi - The Live Coding Music Synth for Everyone](http://sonic-pi.net/) 106 | - [sonic-pi/INSTALL-FEDORA.md at master · samaaron/sonic-pi](https://github.com/samaaron/sonic-pi/blob/master/app/gui/qt/INSTALL-FEDORA.md) 107 | 108 | ### PureData 109 | 110 | - [The Pure Programming Language](https://agraef.github.io/pure-lang/) 111 | 112 | ### Programming 113 | 114 | - [The Mystery and Music of Kaprekar Constant- 6174](http://arabale.com/blog/2014/4/29/the-mystery-and-music-of-kaprekar-constant-6174) 115 | - [An interactive, explorable explanation about the peculiar magic of sound waves](https://github.com/joshwcomeau/waveforms) 116 | - [“IN C”](https://codepen.io/jakealbaugh/pen/NAjdLY) 117 | - [Granular Audio Synthesis](https://blog.demofox.org/2018/03/05/granular-audio-synthesis/) 118 | - [Palestras](https://blog.lfzawacki.com/palestras-github/) do [Lucas Zawacki](https://twitter.com/lfzawacki), [floss music](https://lfzawacki.github.io/floss-music/) e [Processamento de Áudio com Arduino Due](https://github.com/lfzawacki/arduino-due-dsp-slides), his [soundcloud](https://soundcloud.com/lfzawacki/) 119 | - [Machine Learning for Drummers](http://blog.petersobot.com/machine-learning-for-drummers) 120 | - [Algorithms and Interactive Tools for Exploring Music Composition, Analysis, and Interdisciplinary Learning.](http://musicalgorithms.org/4.1/app/) 121 | - [pytheory](https://github.com/kennethreitz/pytheory): Music Theory for Humans. 122 | - [camp](https://github.com/mpdehaan/camp): Computer Aided Music Production 123 | - [Python program to sequence MIDI music using a CSV spreadsheet](https://gist.github.com/maximecb/f440c1db489177c1037ec4f158cf5e4f) 124 | - A [spectral visualizer](https://github.com/Bauxitedev/spectral-visualizer) that analyzes the frequencies of music and sound, written in Godot 3.1. 125 | - [Green noise and Barks](https://www.johndcook.com/blog/2016/04/27/green-noise-and-barks/) [Python script](https://www.johndcook.com/blog/2016/04/27/how-to-create-green-noise-in-python/) 126 | - [Piano Phase](http://www.pianophase.com/): This site is based on the first section from Steve Reich's 1967 piece Piano Phase. Two pianists repeat the same twelve note sequence, but one gradually speeds up. Here, the musical patterns are visualized by drawing two lines, one following each pianist. 127 | - [mucoder tonespace](http://www.mucoder.net/en/tonespace/): chord generator and visualizer 128 | - [soundZoom](http://www.dodeka.info/microtonal-isomorphic-keyboard-app/): SoundZoom is a digital and isomorphic keyboard that makes you explore the sound universe in a new way. The app allows you to discover new tonalities and sounds that are far beyond the traditional 12-semitone temperament. With soundZoom you can basically zoom in a semitone and divide it by either 2, 3, 4 or 12. 129 | - [Play_The_Orchestra](https://www.hackster.io/137840/play-the-orchestra-2e32f4): Allows a user to play the orchestra via IoT technology. 130 | - [SoundShape](https://p-rocha.github.io/SoundShape/): Crossing the bridge between Bioacoustics and Geometric Morphometrics - [github](https://github.com/p-rocha/SoundShape) 131 | - [A Physical Intelligent Instrument using Recurrent Neural Networks](https://github.com/edrukar/intelligent_instrument) 132 | - [My T460s running Arch Linux at the heart of my music setup.](https://www.reddit.com/r/thinkpad/comments/czhteh/my_t460s_running_arch_linux_at_the_heart_of_my/) 133 | - [Falsehoods programmers believe about music](https://literateprogrammer.blogspot.com/2016/07/falsehoods-programmers-believe-about.html) 134 | - [livecoding-ai-drums](https://github.com/sneha-belkhale/livecoding-ai-drums): Generate livecoding drum patterns with magenta.js 135 | - [Making New Proteins From Music](https://www.forbes.com/sites/evaamsen/2020/03/28/making-new-proteins-from-music/) 136 | - [alda](https://alda.io/): a music programming language for musicians. [Alda is a text-based programming language for music composition. It allows you to write and play back music using nothing but a text editor](https://github.com/alda-lang/alda). 137 | - [html-midi-player](https://github.com/cifkao/html-midi-player): MIDI file player and visualizer web components. 138 | - [nnAudio](https://github.com/KinWaiCheuk/nnAudio): Audio processing by using pytorch 1D convolution network 139 | - [Audio Scheduler VM](https://github.com/oramics/ash-vm): [An audio scheduler virtual machine](https://oramics.github.io/ash-vm/) 140 | - [mimium](https://github.com/mimium-org/mimium): mimium (MInimal Musical medIUM) a programming language as an infrastructure for sound and music. 141 | - [dsp](https://github.com/bmc0/dsp): An audio processing program with an interactive mode. 142 | - [GRUV](https://github.com/MattVitelli/GRUV): is a Python project for algorithmic music generation using recurrent neural networks. 143 | - [Audio-Effects](https://github.com/juandagilc/Audio-Effects): Collection of audio effects plugins implemented from the explanations in the book "Audio Effects: Theory, Implementation and Application" by Joshua D. Reiss and Andrew P. McPherson. 144 | - [Klang](https://github.com/atheler/klang): Block based synthesis and music library for Python. 145 | - [Playing with modular synthesizers and VCV Rack](https://fedoramagazine.org/vcv-rack-modular-synthesizers/) 146 | - [Polyhedrus](https://github.com/ValdemarOrn/Polyhedrus) - Digital Synthesizer: Real-time Audio Synthesizer written in C++. 147 | - [Awesome Rust Audio](https://github.com/kfrncs/awesome-rust-audio): An Awesome List for Audio Programming in Rust. 148 | - [WASM SYNTH, or, how music taught me the beauty of math](https://timdaub.github.io/2020/02/19/wasm-synth/#f1) [repo](https://github.com/TimDaub/wasm-synth) 149 | - [Hum Synthesizer](https://github.com/crbulakites/hum): A music notation language and synthesizer written in Rust. 150 | - [Ceephax Acid Crew](http://www.ceephax.co.uk/index.htm): CEEPAX IS AN INTERPRETER FOR MUSIC CREATED BY CRUSTACEANS. 151 | - [AV Linux MX Edition](http://www.bandshed.net/avlinux/) 152 | 153 | ### Local Directories 154 | 155 | - Repositório dos exercícios das aulas de Teoria Musical da Unila, Março de 2016 156 | 157 | Todas as músicas serão feitas no MuseScore, Latex, Python, SuperCollider, etc.. 158 | 159 | #### License 160 | 161 | Lembrando que os arquivos de código são GPL v3 ou superior, arquivos de música são CC By-Sa-Nc: 162 | 163 | - *GPL v3 ou Superior*: veja [LICENSE](LICENSE). 164 | - *Creative Commons By-Sa-NC*: veja [CC 2016](CCby-nc-sa). 165 | 166 | ### MuseScore (mscore) 167 | 168 | Lista de arquivos do MuseScore (versão mínima: 2) de anotações de aula e exercícios. 169 | 170 | Obs: pacote no fedora: mscore; 171 | 172 | #### Python and Music 173 | 174 | Códigos em geral com python e música (variados). 175 | 176 | #### Latex 177 | 178 | Alguns exemplos de arquivos .tex para notação musical (e alguns scripts para auxílio). 179 | 180 | ### Music News 181 | 182 | - [The Legend of the Music Tree](https://www.smithsonianmag.com/arts-culture/the-legend-of-the-music-tree-180979792/): Exotic lumber salvaged from a remote forest in Belize is the world’s most coveted tonewood. 183 | - [Gizmotron 2.0](http://daily.redbullmusicacademy.com/2015/06/gizmotron-feature): The Comeback of a ’70s Guitar Gadget 184 | - [The Master Recycler](https://www.nybooks.com/articles/2018/12/20/bach-master-recycler/): Around 1730 Johann Sebastian Bach began to recycle his earlier works in a major way. 185 | - [SACRIFICIO, RESPLANDOR Y PLEGARIA](https://m.facebook.com/story.php?story_fbid=1788207394589184&id=472559692820634&refsrc=https%3A%2F%2Fm.facebook.com%2FORQUESTAdeINSTRUMENTOSAUTOCTONOS%2Fvideos%2F1788207394589184%2F&_rdr) de Daniel Judkovski dirigida por Alejandro Iglesias Rossi en el Teatro Municipal Alberto Saavedra Perez. Grabado en la Isla del Sol del Lago Titicaca y en La Paz, Bolivia, 2005. 186 | - [Jimi Hendrix Unplugged: Two Great Recordings of Hendrix Playing Acoustic Guitar | Open Culture](http://www.openculture.com/2014/04/jimi-hendrix-unplugged-two-rare-recordings-of-hendrix-playing-acoustic-guitar.html) 187 | - [Listen by numbers: music and maths](https://www.theguardian.com/music/2011/jun/27/music-mathematics-fibonacci)| Music | The Guardian 188 | - [Inside the booming business of background music](https://www.theguardian.com/news/2018/nov/06/inside-the-booming-business-of-background-music) 189 | - [How would user-centric licensing affect music-streaming payouts?](https://musically.com/2018/03/02/user-centric-licensing-really-affect-streaming-payouts/) 190 | - [Old Digital Cameras](http://old-digitalcameras.com/): Here is my collection of 600+ "old" digital cameras. 191 | - [Twenty Instruments Reconstructed to Play Through the Keys of a Vintage Piano](https://www.thisiscolossal.com/2019/01/twenty-instruments-play-through-a-vintage-piano/) 192 | - [The Day the Music Burned](https://www.nytimes.com/2019/06/11/magazine/universal-fire-master-recordings.html): It was the biggest disaster in the history of the music business — and almost nobody knew. This is the story of the 2008 Universal fire. 193 | - [Leonardo da Vinci's forgotten musical invention has been created for the first time](https://www.classicfm.com/music-news/leonardo-da-vinci-viola-organista/) 194 | - [MINIDISCS [HACKED]](https://radiohead.bandcamp.com/album/minidiscs-hacked) ([raw link](https://bandcamp.com/EmbeddedPlayer/album=540938686/size=large/bgcol=ffffff/linkcol=0687f5/transparent=true/)) by Radiohead 195 | - [Music Inspired by Astronomy](https://www.skyandtelescope.com/astronomy-news/people-places-and-events/music-astronomy-catalog/): A Catalog 196 | - [Storing data in music](https://www.sciencedaily.com/releases/2019/07/190709122014.htm) 197 | - [Researchers' AI aligns sheet music with MIDI audio](https://venturebeat.com/2020/07/22/researchers-ai-aligns-sheet-music-with-midi-audio/) 198 | - [Deciphering Chopin’s shorthand in the posthumous Mazurka in F minor](https://www.claviercompanion.com/article-details/deciphering-chopin-s-shorthand-in-the-posthumous-mazurka-in-f-minor) 199 | - [The Pudding](https://pudding.cool/2018/06/music-map/): #1 Songs in 3,000 Cities 200 | - [How many artists overshadow their band after going solo?](https://pudding.cool/2021/04/solo/) 201 | - [45 Lost Albums We Want To Hear](https://www.stereogum.com/2004872/lost-shelved-unreleased-albums/lists/album-list/) 202 | - [Keith Richards Demonstrates His Famous 5-String Technique (Used on Classic Stones Songs Like “Start Me Up,” “Honky Tonk Women” & More)](https://www.openculture.com/2021/05/keith-richards-demonstrates-his-famous-5-string-technique.html) 203 | - [Jazz and music theory](https://twitter.com/vcmusictheory/status/1387121552878149633) 204 | - [‘That was the day I knew I had died … ’ José Mauro, Brazilian music’s reborn genius](https://www.theguardian.com/music/2021/jun/02/that-was-the-day-i-knew-i-had-died-jose-mauro-the-reborn-genius-of-bossa-nova?CMP=twt_a-culture_b-gdnculture) 205 | - [Universal's Audible Watermark](https://www.mattmontag.com/music/universals-audible-watermark) 206 | 207 | --- 208 | 209 | ## Circus 210 | 211 | - [Siteswap FAQ](http://www.juggling.org/help/siteswap/faq.html) 212 | - [That time Steve Jobs hired a career juggler to teach programming to developers](https://www.cake.co/conversations/w3j7jDp/that-time-steve-jobs-hired-a-career-juggler-to-teach-programming-to-developers) 213 | - [The Big-Tent Family](https://medium.com/vantage/life-on-the-road-with-the-circus-4bc911a3cae4): Photographer Norma I. Quintana spent 10 summers following a one-ring circus. [book to order](https://normaiquintana.squarespace.com/circus-listing/circus-a-traveling-life) 214 | - [Fanfare Ciocarlia - Moliendo Cafe](https://www.youtube.com/watch?v=QiHmiZQNgL4): good music for circus. 215 | 216 | --- 217 | 218 | ## Literature 219 | 220 | - [The Best Books of 2019 (So Far)](https://kottke.org/19/06/the-best-books-of-2019-so-far) 221 | - [What Germans Are Reading](https://www.the-american-interest.com/2019/08/03/what-germans-are-reading/) 222 | 223 | ### Poetry 224 | 225 | - The poetry and brief life of a Foxconn worker: [Xu Lizhi](https://libcom.org/blog/xulizhi-foxconn-suicide-poetry)(1990-2014) 226 | - [HTTP/2 204](https://ja.cob.land/http2-204-a-poem) (a poem) 227 | 228 | ## Writing 229 | 230 | - [Who Pays Writers?](http://whopayswriters.com/#/results) is an anonymous, crowd-sourced list of which publications pay freelance writers—and how much. This list is primarily concerned with journalistic writing for publications; we do NOT collect information about copywriting, advertising, corporate, tech-startup blogs, or sponsored-content assignments. 231 | - [Words that do Handstands](http://hardmath123.github.io/ambigrams.html) 232 | - [One Neat Trick to Writing Great Mystery Plots](https://www.vulture.com/2019/10/charles-finch-on-how-he-writes-charles-lenox-mysteries.html) 233 | - [Kurt Vonnegut](https://www.youtube.com/watch?v=GOGru_4z1Vc), Shape of Stories 234 | 235 | ### Spirituality 236 | 237 | - [No Self Nirvana](https://noselfnirvana.com) Quotes, practices, poetry about mindfulness, concentration, insight, impermanence, emptiness, aimlessness, signlessness, nirvana. 238 | 239 | --- 240 | 241 | ## Painting 242 | 243 | - [Nusay Gallery - Official website](https://nusaygallery.com/) 244 | - [Seventy-Five Ways to Draw a Circle](https://sighack.com/post/seventy-five-ways-to-draw-a-circle) · Sighack 245 | - [THE COLLECTION](https://www.artic.edu/collection?is_public_domain=1) - Art Institute of Chicago 246 | - [How Banksy Authenticates His Work](https://reprage.com/post/how-banksy-authenticates-his-work) 247 | - [How To Get Better at Painting](http://www.learning-to-see.co.uk/how-to-get-better-at-painting-without-painting-anything): Without Painting Anything. 248 | - [Night Watch, Militia Company of District II under the Command of Captain Frans Banninck Cocq, Rembrandt van Rijn, 1642](https://www.rijksmuseum.nl/en/stories/operation-night-watch/story/ultra-high-resolution-photo): This is the largest and most detailed photo ever taken of a work of art. It is 717 gigapixels, or 717,000,000 pixels, in size. 249 | 250 | --- 251 | 252 | ## Photography 253 | 254 | - [Introducing Elodie:](https://medium.com/@jmathai/introducing-elodie-your-personal-exif-based-photo-and-video-assistant-d92868f302ec) Your Personal EXIF-based Photo and Video Assistant. [github](https://github.com/jmathai/elodie) 255 | - [LIGHT PAINTING ANIMATIONS DIRECTLY FROM BLENDER](https://hackaday.com/2018/07/30/light-painting-animations-directly-from-blender/) 256 | - [canon_cr3](https://github.com/lclevy/canon_cr3): Describing the Canon CR3 fileformat from Canon M50 / EOSR 257 | - [Sagittarius Rising](https://jpcvanheijst.com/blogs/2018/09/711348-sagittarius-rising-n-long-exposure-photography-from-the-stratosphere-7-minute-read)– Long exposure photography from the stratosphere. 258 | - [O realismo mágico da fotografia de Izan Petterle](https://brasil.elpais.com/brasil/2018/08/31/album/1535728846_339466.html) 259 | - [World’s fastest camera freezes time at 10 trillion frames per second](http://www.inrs.ca/english/actualites/worlds-fastest-camera-freezes-time-10-trillion-frames-second) 260 | - [The Color Photography of Vivian Maier](https://petapixel.com/2018/11/16/the-color-photography-of-vivian-maier/) 261 | - (pt-br) [News by Lucas Landau](http://www.lucaslandau.com/news) 262 | - [Remove Image Background](https://www.remove.bg) 263 | - [For What It's Worth](http://www.dillonmarsh.com/fwiw.html) by DILLON MARSH 264 | - [Over 6,000 Ottoman-Era Photographs Now Available Online](https://hyperallergic.com/478505/getty-research-institute-ottoman-photography/) 265 | - [WHAT MAKES A PICTURE GOOD?](https://phillipreeve.net/blog/what-makes-a-picture-good/) 266 | - [12 Classic Mistakes We’ve All Made Trying To Make Better Prints](https://www.johnpaulcaponigro.com/blog/39066/11-classic-mistakes-weve-all-made-trying-to-make-better-prints/) 267 | - [igua∞u](https://margenscosturas.wordpress.com/livro/): paisagem humana na tríplice fronteira / Marcelo Marinho, Henrique Gazzola. 268 | - [Astronomy Photographer of the Year shortlist](https://www.rmg.co.uk/national-maritime-museum/astronomy-photographer-year-2021-shortlist-images) 269 | - [Four Seasons in the Life of a Finnish Island](https://kottke.org/18/04/four-seasons-in-the-life-of-a-finnish-island) 270 | - [How to Develop Black & White Film at Home With Coffee](https://www.fieldmag.com/articles/how-to-develop-film-with-coffee-caffenol-guide) 271 | 272 | ### Photo Tech 273 | 274 | - [Scientists Use Camera with Human-Like Vision to Capture 5,400 fps Video](https://petapixel.com/2019/07/09/scientists-use-camera-with-human-like-vision-to-capture-5400-fps-video/) 275 | 276 | --- 277 | 278 | ## Cinema 279 | 280 | - [Akira Kurosawa Names His 21 Favorite Art Films in the Criterion Collection | Open Culture](http://www.openculture.com/2017/06/akira-kurosawas-names-his-21-favorite-art-films-in-the-criterion-collection.html) 281 | - [The cult of Stanley Kubrick](https://www.economist.com/prospero/2018/12/10/the-cult-of-stanley-kubrick) 282 | - [‘Suspiria’](https://theflipflopreviews.wordpress.com/2019/01/23/luca-guadagnino-suspiria-review/): Luca Guadagnino’s ‘Suspiria’ Simulates The Act Of Fucking An Otherworldly Being 283 | - [‘Apollo 11’ Trailer](https://www.slashfilm.com/apollo-11-trailer-never-before-seen-nasa-footage-becomes-a-stunning-documentary/): Never-Before-Seen NASA Footage Becomes a Stunning Documentary 284 | - [Buster Keaton](http://www.lapsuslima.com/buster-keaton-anarchitect/): Anarchitect 285 | - In Search of Our Better Selves: The Rebirth, Redemption and Road Warriors of [George Miller’s ‘Mad Max: Fury Road’](https://cinephiliabeyond.org/mad-max-fury-road/) 286 | - [TONY SCOTT explains](https://twitter.com/vashikoo/status/1154919540142116866?s=20) how he used 4 cameras to film the kidnap scene in MAN ON FIRE and how he visually tried to show the confusion and disorientation experienced by Denzel Washington's character. Creating emotion through technical means was one of his great strengths.#filmmaking 287 | - [The Very Slow Movie Player](https://kottke.org/18/12/the-very-slow-movie-player) is [here](https://medium.com/s/story/very-slow-movie-player-499f76c48b62) 288 | - [Python For Feature Film](https://www.gfx.dev/python-for-feature-film) 289 | - [Why Do Wes Anderson Movies Look Like That?](https://www.youtube.com/watch?v=ba3c9KEuQ4A) [THE GRAND BUDAPEST HOTEL: Wes Anderson takes the 4:3 challenge](http://www.davidbordwell.net/blog/2014/03/26/the-grand-budapest-hotel-wes-anderson-takes-the-43-challenge/) 290 | - [Stanley Kubrick Interview (27th November 1966)](https://www.youtube.com/watch?v=xa-KBqOFgDQ) 291 | - [Kubrick’s Lenses – The Ultimate Guide to the Lenses Used by Stanley Kubrick](https://indiefilmhustle.com/stanley-kubrick-lenses/) 292 | - [A desconhecida vida de Anthony Hopkins, o vencedor do Oscar 2021 que aprendeu a ser feliz aos 75](https://brasil.elpais.com/cultura/2021-04-25/a-desconhecida-vida-de-anthony-hopkins-o-ator-indicado-ao-oscar-2021-que-aprendeu-a-ser-feliz-apos-os-75.html) 293 | - [A Supercut of Supercuts: Aesthetics, Histories, Databases](https://openscreensjournal.com/articles/10.16995/os.45/) 294 | - ["Dune" (the movie), annotated](https://maxread.substack.com/p/dune-annotated) 295 | - [Heaven and Earth Magic](https://www.youtube.com/watch?v=zbjSSyAo9WA): some Terry Gilliam's references. 296 | 297 | ### Videos 298 | 299 | - [C O N T A C T](https://vimeo.com/320306886) 300 | - [APAGANDÔ](https://homeostasislab.org/visualizar/obra/2072) 301 | - [A Decade of Sun](https://kottke.org/20/06/a-decade-of-sun) and [Gorgeous Time Lapse of the Sun](https://kottke.org/14/11/gorgeous-time-lapse-of-the-sun) 302 | - [Incredible time-lapse shows a single cell transforming into a salamander](https://www.nationalgeographic.com/animals/article/time-lapse-film-shows-salamander-development) 303 | - [Starlings making the shape of a bird](https://www.youtube.com/watch?v=L_u4IcRy2dw) 304 | - [Hong Kong BLOCKS / Experimental short film](https://www.youtube.com/watch?v=EJD77Ckbqxg&t=163s) 305 | - [Time Lapse of the Changing Seasons of Denmark](https://kottke.org/21/08/time-lapse-of-the-changing-seasons-of-denmark) 306 | - [Tara The Android - I Feel Fantastic](https://www.youtube.com/watch?v=QaY48Yz1U08) 307 | 308 | ### Tools 309 | 310 | - [Introducing Olive, new non-linear video editor | Libre Graphics World](http://libregraphicsworld.org/blog/entry/introducing-olive-new-non-linear-video-editor), github: [olive](https://github.com/olive-editor/olive/): Professional open-source NLE video editor 311 | 312 | --- 313 | 314 | ## Theatre 315 | 316 | - [THE BOOKS THAT MADE DRACULA](http://www.londonlibrary.co.uk/dracula) 317 | - [The mystery of what makes a joke funny](https://theconversation.com/the-mystery-of-what-makes-a-joke-funny-but-only-to-some-people-125769) – but only to some people 318 | 319 | --- 320 | 321 | ## Visual 322 | 323 | - [CREATIVE CODING MANIFESTO 2021](https://brm1sxuu.myraidbox.de/creative-coding-manifesto-2021/) 324 | - [one visual idea a day](https://villares.github.io/sketch-a-day/) 325 | - [Video Music](https://codepen.io/jakealbaugh/full/ZxLKvG/) and [Sonic Pixels](https://github.com/jakealbaugh/sonicpx) (encodes audio in images by storing audio samples inside of pixels. The images it creates can be decoded and played back as audio.) - both by [Jake Albaugh](https://codepen.io/jakealbaugh/) 326 | - [Video Hub App](https://videohubapp.com/) 327 | - [Spiral Test](https://gist.github.com/Bleuje/5cfe3bf5d83b63805389bbaf45ae73fb) (in processing) 328 | - [The Pioneer of Generative Art: Georg Nees](https://www.mitpressjournals.org/doi/abs/10.1162/leon_a_01325) 329 | - [My journey into fractals](https://medium.com/@bananaft/my-journey-into-fractals-d25ebc6c4dc2) 330 | - [Mindstamp](https://mindstamp.io/): Create Engaging Interactive Videos in Seconds 331 | - [Manolo Gamboa Naon on Behance](https://www.behance.net/manoloide) 332 | - [Quantum Garden](http://quantum.garden/) is a citizen science project where everyone can contribute to solve a quantum physics research problem of crucial importance for the outbreak of quantum technologies. 333 | - [processing-video](https://github.com/gohai/processing-video): Experimental video library using GStreamer 1.0 334 | - [The Inferno](https://www.alpacaprojects.com/inferno/en/): The illustrated and interactive Dante's Inferno, an alternative learning tool for the Divine Comedy first Cantica, made for aiding visual memory. 335 | - [Logarithmic spiral - Wikipedia](https://en.wikipedia.org/wiki/Logarithmic_spiral) 336 | - [Boris Labbé](https://www.borislabbe.com/): Graphic artist from his beginning, Boris Labbé has been developing, over the last eight years, an approach in animated video. Experiment after experiment, the film he develops tend to leave the spatio-temporal pattern imposed by the classical cinema, evolving towards video installation devices that include major technological revolutions of the past century, crossed with the latest digital technology generations. All his videos, like a part of the experimental film heritage have the emblem of the palingenesis, concept making both appeal to the loop and regeneration : cyclical return of the same events ; regular reappearance of ancestral characters ; perpetual return to life. 337 | - [A Beautifully-Designed Edition of Euclid’s Elements from 1847 Gets Digitized](http://www.openculture.com/2018/12/a-beautifully-designed-edition-of-euclids-elements.html): Explore the New Online, Interactive Reproduction 338 | - [alcFreeliner](https://github.com/maxdee/alc_freeliner): [live geometric animation tool powerhouse](https://freeliner.xyz) 339 | - [tilde.town](https://tilde.t) is a computer meant for sharing. 340 | - [p5.js](https://p5js.org/community/) 341 | - [Carlos de Oliveira Junior's Waves](https://observablehq.com/@vamoss/py5js) 342 | - [q5xjs](https://github.com/LingDong-/q5xjs): A small and fast alternative (experimental) implementation of p5.js 343 | - [g9.js](http://omrelli.ug/g9/gallery/) - [Automatically Interactive Graphics](https://github.com/bijection/g9) 344 | - [arcologies](https://tyleretters.github.io/arcologies-docs/): [an interactive environment](https://github.com/tyleretters/arcologies) for [designing 2d sound arcologies with norns and grid](https://github.com/tyleretters/arcologies-m4l) 345 | - Some works by [Daniel Buzzo](https://github.com/danbz/): 346 | - [art-and-code](https://github.com/danbz/art-and-code): demo code from youtube video tutorials and how-tos. 347 | - [volume-camera](https://github.com/danbz/volume-camera): multisensory depth-camera experiment 348 | - [Generative Systems for Art and Design](https://github.com/uwe-creative-technology/generative_systems) course materials 349 | - [Workshop](https://github.com/generative-drawing/generative-drawing.github.io): Introduction to Generative Drawing with pencils, paper, C++ and openFrameworks 350 | - NOITE DE PROCESSING: [Redes Neurais Gerativas](https://www.youtube.com/watch?v=hgGTCe1AEDU) - Sergio Venancio 351 | - [Shoebot](http://shoebot.github.io/shoebot/): [Easy vector graphics with Python](https://github.com/shoebot/shoebot) 352 | - [Casual Creators: Defining a Genre of Autotelic Creativity Support Systems](https://escholarship.org/uc/item/4kg8g9gd#article_main): Artists, musicians, writers and designers use tools to be creative, whether they are designing a personal opus or producing work for hire. There are many more people who are neither paid professionals nor historic geniuses, but who also enjoy being creative in a casual way. Can we design systems to help these casual users engage with their creative sides? 353 | - [aRt](https://github.com/gkaramanis/aRt): Making art with R 354 | - [Saskia Freeke](https://blog.adafruit.com/2020/11/03/digitalfruit-saskia-freeke/) 355 | - [Iterative Partial Match (IPM) vs Wave Function Collapse (WFC) for procedural content generation.](https://stalcup.github.io/static-files/posts/wfc-vs-ipm/) 356 | - Clemens Wenger: [Physics of Beauty](https://physicsofbeauty.art/) 357 | - [these start from a single line, then a random line (edge) is cloned, rotated around the middle, then intersected with the its twin. some new sub-edges are discarded. repeat.](https://twitter.com/inconvergent/status/1308094415328731136?s=19) 358 | - [studio sketchpad](http://studio.sketchpad.cc/sp/account/sign-in?cont=http%3a%2f%2fstudio.sketchpad.cc%2f) 359 | - [gridder](https://github.com/jsbueno/gridder): Python snippets for grid-drawing, game-of-life-like toys and simulators. 360 | - [Shoebot](https://shoebot.github.io/shoebot/): Generate vector graphics with Python 361 | - [The Color of Water](https://algorithmicsea.com/): Algorithmic Sea. 362 | - [An Atlas of Emotions](https://artsexperiments.withgoogle.com/art-emotions-map/) by Google 363 | - [Noise in Creative Coding](https://varun.ca/noise/) 364 | - [Homeostasis lab](https://opencall.homeostasislab.org/bem-vindo) 365 | - [Creative coding algorithms & techniques](https://www.notion.so/Creative-coding-algorithms-techniques-c5550ef2f7574126bdc77b09ed76651b) 366 | - [Programação Criativa](https://github.com/arteprog/programacao-criativa): Material do curso introdutório Programação Criativa de Monica Rizzolli e Alexandre Villares, em construção. [Programação Criativa: Arte Feita em Código](https://hackmd.io/@RQBGVE5GQnK7StPX6B6H8g/SJV81ay2u) 367 | - [Frost Science Museum](https://superuber.com/frost-science-museum/) 368 | - [The Color of Water](https://algorithmicsea.com/): Algorithmic Sea 369 | - [GRAFICA Obscura](http://graficaobscura.com/): This is a compilation of technical notes, pictures and essays that I've accumulated over the years. 370 | - [Abstraction from Valeris](https://valeris-media.tumblr.com/): [Moving GIF Abstraction from Valeris #ArtTuesday](https://blog.adafruit.com/2021/11/02/moving-gif-abstraction-from-valeris-arttuesday/) 371 | - [The Weird and Wonderful World of AI Art](https://jxmo.notion.site/The-Weird-and-Wonderful-World-of-AI-Art-b9615a2e7278435b98380ff81ae1cf09) 372 | 373 | ### Processing 374 | 375 | - [All my sketches of Processing](https://github.com/manoloide/AllSketchs) by [manoloide](https://github.com/manoloide) 376 | - [Research essay: The History of Processing](https://maxoffsky.com/research/research-essay-the-history-of-processing/) 377 | - [Alexandre B A Villares](http://abav.lugaralgum.com/sketch-a-day/) 378 | - [sketches](https://github.com/berinhard/sketches/): my sketches created with [processing](https://berinhard.github.io/sketches/) 379 | - [Berin's sketches](https://berinhard.github.io/sketches/): This is a list of sketches I'm creating while learning and exploring Processing. 380 | - [ProcessingTeachingSketches](https://github.com/jeffThompson/ProcessingTeachingSketches): Teaching sketches created in Processing (and Java) 381 | - [command](https://github.com/davidbouchard/command): A tiny library for Processing to run external programs and commands from a sketch (and capture their output if needed). 382 | - [haxademic](https://github.com/cacheflowe/haxademic): A personal toolkit for Java/Processing projects in Eclipse 383 | - [ppython](https://github.com/Abdur-rahmaanJ/ppython): Implementation of processing.org's processing in pure python. No dependency, no import and no run(). 384 | - [Processing](http://www.dainf.ct.utfpr.edu.br/~merkle/processing/reference/ptBR/index.html): Linguagem (Interface para programação de Aplicações, Application Programming Interface - API). 385 | - [Resources for teaching programming](https://github.com/villares/Resources-for-teaching-programming) 386 | - [A-na5 - 2020/10/03](https://a-na5.tumblr.com/post/630946505418817536/20200209-code-i-could-tweet) 387 | - [100 formas de contar de 1 a 100 utilizando programação](https://1-100.github.io/) 388 | - [Dancing Sphere](https://twitter.com/yuruyurau/status/1226297447460163584) 389 | - [PCD-Brasil-2021-FiltroVideo](https://github.com/Processing-Brasil/PCD-Brasil-2021-FiltroVideo) 390 | - [Open Call for 2021 Fellowships](https://medium.com/processing-foundation/open-call-for-2021-fellowships-44c777cc335) 391 | 392 | ### Visual Python 393 | 394 | - [creativecodinginpython](https://github.com/sheena1010/creativecodinginpython) 395 | - [pyp5js](https://berinhard.github.io/pyp5js/): [Python to P5.js Transcriptor](https://github.com/berinhard/pyp5js) 396 | 397 | ## Noise 398 | 399 | - [Randomness and Perlin Noise](http://makeyourownalgorithmicart.blogspot.com.br/2018/02/randomness-and-perlin-noise.html) 400 | 401 | ## Colors 402 | 403 | - [Perceptually uniform color spaces](https://programmingdesignsystems.com/color/perceptually-uniform-color-spaces/) 404 | - [#c0ffee is the color](http://c0ffee.surge.sh) 405 | - [Colour Science for Python](https://github.com/colour-science/colour) 406 | - [color-thief](https://github.com/lokesh/color-thief): Grabs the dominant color or a representative color palette from an image. Uses javascript and canvas. 407 | - [colorgram.py](https://github.com/obskyr/colorgram.py): is a Python library that lets you extract colors from images. Compared to other libraries, the colorgram algorithm's results are more intense. 408 | - [UI design for software developers. Part 1, Colors](http://amortizedcost.net/ui-desing-for-software-developer-part-1/) 409 | - [Your browser and my browser see different colors](https://mux.com/blog/your-browser-and-my-browser-see-different-colors/) 410 | - [why we're blind to the color blue](https://calebkruse.com/10-projects/seeing-blue/): we'll explore why our eyes are unable to focus on the color blue, and how we see with our brain as much as with our eyes. 411 | 412 | ## Threads 413 | 414 | - [ThreadTone](http://www.thevelop.nl/blog/2016-12-25/ThreadTone/) 415 | - [String art - Wikipedia](https://en.wikipedia.org/wiki/String_art) 416 | 417 | ## Illustrations 418 | 419 | - [Humaaans](https://www.humaaans.com/) 420 | - [Syndicate Studio](https://syndicatestudio.co/): Creative Studio based in Semarang, Indonesia. 421 | 422 | --- 423 | 424 | ## Curation and Presentation 425 | 426 | - [A Manual for the Display of Interactive New Media Art](https://inmamanual.wordpress.com/) 427 | 428 | ## Games 429 | 430 | - [GPU Performance for Game Artists](http://www.fragmentbuffer.com/gpu-performance-for-game-artists/) 431 | - [8bit games in browser emulator](https://floooh.github.io/tiny8bit/). [github](https://github.com/floooh/chips-test) 432 | - [SWAGGINZZZ](https://pellsson.github.io/): In what was her first game of NetHack ever, SWAGGINZZZ struggled. She constantly bumped into walls, and oftentimes found herself with critically low HP. The setbacks would not deter her however, and after 7 minutes and 15 seconds she ended up ascending – having taken 2087 in-game turns to do so. 433 | - [Color Emulation](https://byuu.net/video/color-emulation): In this article, I'll walk through the importance of color emulation, and provide some example code and screenshots. 434 | - [wick editor](https://www.wickeditor.com/): [The Wick Editor is a free](https://github.com/Wicklets/wick-editor), open-source tool for creating games, animations, and everything in-between! 435 | - [game-programming-patterns](https://github.com/munificent/game-programming-patterns): Source repo for the book 436 | 437 | ## Software 438 | 439 | - [A gallery of 130+ Gimp filters/effects examples](https://alvinalexander.com/design/gimp-catalog-filters-effects-examples-cheat-sheet) 440 | - [Rexpaint](https://www.gridsagegames.com/rexpaint/): is a powerful and user-friendly ASCII art editor. Use a wide variety of tools to create ANSI block/line art, roguelike mockups and maps, UI layouts, and for other game development needs. 441 | - [Jeff Thompson](http://www.jeffreythompson.org/index.php) 442 | - [Awesome-Design-Tools](https://github.com/LisaDziuba/Awesome-Design-Tools): The best design tools for everything. 443 | - [BIRDFONT](https://birdfont.org): is a free font editor which lets you create vector graphics and export TTF, OTF, EOT and SVG fonts. The editor has good support for both monochrome and color font formats. 444 | - [inspect-open-images](https://github.com/gecid-aia/inspect-open-images): Python utilitary to help to download, crop and derivate new images from Open Image V6 dataset 445 | - [NaNoWriMo](https://www.omnicalculator.com/other/nanowrimo): National Novel Writing Month, or NaNoWriMo for short, is a writing challenge. Every November, thousands of writers from all around the world commit to writing 50,000 words of their own prose in a month. 446 | - [VUO](https://vuo.org/what-is-vuo): is an application to help people develop interactive experiences, live performances, digital media, and more. 447 | 448 | ## Fonts 449 | 450 | - [CSS SANS](https://yusugomori.com/projects/css-sans/) 451 | - [Fonts and UFO Masters of Inria Serif and Inria Sans Typeface](https://github.com/BlackFoundry/InriaFonts) [more](https://black-foundry.com/fonts/) 452 | - [Reforma](https://pampatype.com/blog/reforma): A new voice for an institution with deep roots 453 | - [Sans Forgetica](http://sansforgetica.rmit/): Sans Forgetica is a downloadable font that is scientifically designed to help you remember your study notes. 454 | - [Typedia](http://typedia.com/): A Shared Encyclopedia of Typefaces 455 | - [WALL-e](https://typesetinthefuture.com/2018/12/04/walle/): From a trash-filled Earth to the futuristic Axiom and back again, WALL·E is a finely crafted balance between consumerist dystopia and sixties space-race optimism. 456 | - [Comic Neue](http://comicneue.com) 457 | - [LIBERTINE FONTS](http://libertine-fonts.org/): Libre multilingual font family 458 | - [inter](https://github.com/rsms/inter): Inter is a typeface specially designed for user interfaces with focus on high legibility of small-to-medium sized text on computer screens. 459 | - [Optima](https://github.com/wsshin/website/tree/master/fonts) 460 | - [macFonts](https://github.com/potyt/fonts) 461 | - [Guide to Only the Best Open-Source Typefaces](https://beautifulwebtype.com/) 462 | - [Cascadia Code](https://github.com/microsoft/cascadia-code) 463 | - [hellveticafont](https://hellveticafont.com/) 464 | - [Neon Genesis Evangelion](https://fontsinuse.com/uses/28760/neon-genesis-evangelion) 465 | - [APL386 Unicode](https://abrudz.github.io/APL386/) ([source](https://github.com/abrudz/APL386)) 466 | - [wavefont](https://github.com/audio-lab/wavefont): Typeface for rendering data 467 | - [BitmapFonts](https://github.com/ianhan/BitmapFonts): My collection of bitmap fonts pulled from various demoscene archives over the years 468 | - [font of web](https://fontofweb.com/): Type a Website and Find Its Fonts 469 | - [Relief SingleLine typeface](https://github.com/isdat-type/Relief-SingleLine) 470 | - [First Batch of Color Fonts Arrives on Google Fonts](https://material.io/blog/color-fonts-are-here) 471 | - [Comic Mono](https://dtinth.github.io/comic-mono-font/): A legible monospace font… the very typeface you’ve been trained to recognize since childhood. 472 | 473 | ## Fun 474 | 475 | - [VINTAGE CASSETTES: 1963-2010](http://vintagecassettes.com) 476 | - [At the Internet Archive, this is how we digitize #78 rpm records.](https://canaltech.com.br/musica/conheca-o-processo-de-digitalizacao-de-discos-de-vinil-do-internet-archive-183805/) 477 | - [HEXEN 2.0](http://www.suzannetreister.net/HEXEN2/TAROT_COL/HEXEN_2_TAROT.html) (tarot) 478 | - [U.S.A. Song Map](https://www.wearedorothy.com/collections/world-maps/products/u-s-a-song-map-open-edition) 479 | - [Rain Simulator](http://rainbowhunt.me/) 480 | - [Generating Beatles’ Lyrics with Machine Learning](https://towardsdatascience.com/generating-beatles-lyrics-with-machine-learning-1355635d5c4e) 481 | - [Gujarati Type Foundry Type Book](http://oa.letterformarchive.org/item?workID=lfa_type_0401&targPic=LFA_Type_0401_032.jpg) 482 | - [Studio Ghibli Makes 1,178 Images Free to Download from My Neighbor Totoro, Spirited Away & Other Beloved Animated Films](https://www.openculture.com/2020/12/studio-ghibli-makes-1178-images-free-to-download.html): [新しく、スタジオジブリ5作品の場面写真を追加提供致します](https://www.ghibli.jp/info/013409/) 483 | - [Healing Grid Optical Illusion](https://kottke.org/21/04/healing-grid-optical-illusion), by [Ryota Kanai](http://illusionoftheyear.com/2005/08/healing-grid/) 484 | - [Animals Laugh Too: UCLA Study Finds Laughter in 65 Species, from Rats to Cows](https://www.openculture.com/2022/01/animals-laugh-too-ucla-study-finds-laughter-in-65-species-from-rats-to-cows.html) 485 | - [Awesome Self-Reference](https://github.com/aztek/awesome-self-reference): A curated list of examples of self-reference in art, science, and technology. 486 | - [Clown Moth](https://twitter.com/ElfaDosInsetos/status/1611101282022068224) [Idalus Herois](https://www.biodiversity4all.org/taxa/256907-Idalus-herois) [Genus Idalus](https://en.wikipedia.org/wiki/Idalus) 487 | 488 | ## Drivers 489 | 490 | - [Scream](https://github.com/duncanthrax/scream) - Virtual network sound card for Microsoft Windows 491 | 492 | ## Hardware 493 | 494 | - Beautiful Tech: [Roland RE 201 Space Echo](http://www.musicofsound.co.nz/blog/beautiful-tech-roland-re-201-space-echo) | Music of Sound 495 | 496 | ## Slides 497 | 498 | Some tips to make beautiful slides: 499 | 500 | - [Code highlighting for Keynote presentations](https://gist.github.com/jimbojsb/1630790) 501 | - [highlight Theme-Samples](http://www.andre-simon.de/doku/highlight/en/theme-samples.php) 502 | - [listings - How can I automatically highlight SuperCollider symbols and environment variables? - TeX - LaTeX Stack Exchange](https://tex.stackexchange.com/questions/159245/how-can-i-automatically-highlight-supercollider-symbols-and-environment-variable) 503 | 504 | ## Inspiration 505 | 506 | - [Beethoven’s Advice on Being an Artist](https://www.brainpickings.org/2017/05/18/beethoven-emilie-letter/): His Touching Letter to a Little Girl Who Sent Him Fan Mail 507 | - [web-tweeps](https://github.com/iRaul/web-tweeps): A curated list of developers / designers / artists on twitter. ⚡️ 508 | - [THE WORLD’S WRITING SYSTEMS](http://worldswritingsystems.org/) 509 | - [Talking AI, Art, and Entangled Realities with HeK Basel’s Director Sabine Himmelsbach](https://medium.com/digital-art-weekly-by-danae-hi/talking-ai-art-and-exhibition-entangled-realities-with-hek-basels-director-sabine-himmelsbach-654b7077c0a0) 510 | - [24h Sunrise/Sunset](https://driesdepoorter.be/24h-sunrise-sunset/): is an installation that displays a realtime sunset and sunrise somewhere happening in the world with the use of CCTV. by Dries Depoorter. 511 | - [How foundation works.](https://foundation.app/how-it-works) 512 | - [In Praise of Idleness](https://harpers.org/archive/1932/10/in-praise-of-idleness/), by Bertrand Russell 513 | - [XXXX Swatchbook](http://www.evelinkasikov.com/XXXX-Swatchbook) 514 | - [TERRA INCOGNITA 1 : KAMILYA JUBRAN, FLOY KROUCHI, YOUMNA SABA](https://www.banlieuesbleues.org/plateforme/evenement/3352/2021-04-09-2000-festival-plateforme-terra-incognita-1-kamilya-jubran-floy-krouchi-youmna-saba/) 515 | - [Símbolos Indígenas](https://symbolismofthings.com/significado-simbolos-indigenas-simbolismo/), [Marajoara](https://www.dicionariotupiguarani.com.br/dicionario/marajoara/), [Ancient Protection Symbols](https://givemehistory.com/symbols-of-protection) 516 | - [Kunza](http://www.memoriachilena.gob.cl/archivos2/pdfs/mc0038216.pdf): diccionario kunza-español, lengua del pueblo lickan antai (atacameño). 517 | - [The 10 Paradoxical Traits of Creative People, According to Psychologist Mihaly Csikszentmihalyi](https://www.openculture.com/2021/11/the-10-paradoxical-traits-of-creative-people-according-to-psychologist-mihaly-csikszentmihalyi-rip.html) 518 | 519 | ### People 520 | 521 | - [LUISA PEREIRA](http://www.luisapereira.net/) 522 | - [Guilherme Ranoya](https://www.ranoya.com/public/profile/?nonew=true) 523 | - [noite do bprocessing](https://garoa.net.br/wiki/Noite_de_Processing) no garoa hacker clube 524 | - [Manuel Corman](https://manueljosephcorman.wixsite.com/manu/) 525 | - [JACQUES PERCONTE](https://www.jacquesperconte.com/). [Tempestaire :: E3:NJAINF_017_20200125_2011](https://vimeo.com/504338055) 526 | 527 | ## Art+Tech Universities 528 | 529 | - [Poéticas Interdisciplinares](https://www.ppgav.eba.ufrj.br/programa/linhas-de-pesquisa/poeticas-interdisciplinares/)/UFRJ 530 | - [PPGIS](http://www.ppgis.ufscar.br/)/UFSCAR 531 | - [Programa de Pós-Graduação em Artes Visuais](http://www3.eca.usp.br/pos/ppgav)/USP 532 | - [Programa de Pós-Graduação em Design da FAUUSP](https://www.fau.usp.br/ensino/pos-graduacao/design/) 533 | - [Future Sketches group](https://www.media.mit.edu/groups/future-sketches/overview/) 534 | 535 | ## NFT 536 | 537 | - [hic et nunc](https://www.hicetnunc.xyz/): The present decentralized application allows its users to manage decentralized digital assets, serving as a public smart contract infrastructure on Tezos Blockchain. 538 | - [Arrangement created by Mario Klingemann / @Quasimondo](https://here-or-there.glitch.me/index.html) 539 | - [bulk-upload-to-opensea](https://github.com/infotrex/bulk-upload-to-opensea): BULK UPLOAD NFTs to OPENSEA. 540 | 541 | --- 542 | 543 | ## News 544 | 545 | ### 2018 546 | 547 | - [Generative Art Finds Its Prodigy — Artnome](https://www.artnome.com/news/2018/8/8/generative-art-finds-its-prodigy) 548 | - [What We Know About Art and the Mind](https://www.newyorker.com/culture/cultural-comment/what-we-know-about-art-and-the-mind) 549 | - [CAN](https://arxiv.org/abs/1706.07068): Creative Adversarial Networks, Generating "Art" by Learning About Styles and Deviating from Style Norms 550 | - [The Sound of Pixels](http://sound-of-pixels.csail.mit.edu/) 551 | - [The Great Chinese Art Heist](https://www.gq.com/story/the-great-chinese-art-heist) 552 | - [How the Brain Experiences Time](https://neurosciencenews.com/time-perception-9771/) 553 | - [BienalWebApp](http://app33.bienal.org.br/#/audioguia/audioguia-detalhe/5426) 554 | - [The Other Secret Twist: On the Political Philosophy of The Good Place - Los Angeles Review of Books](https://lareviewofbooks.org/article/secret-twist-political-philosophy-good-place/#!) 555 | - [Excerpt: Eric Idle’s Always Look on the Bright Side of Life](http://www.vulture.com/2018/10/eric-idle-book-monty-python-always-look-on-the-bright-side-of-life.html) 556 | - [The Art Institute of Chicago Has Put 50,000 High-Res Images from Their Collection Online](https://kottke.org/18/11/the-art-institute-of-chicago-has-put-50000-high-res-images-from-their-collection-online) 557 | - [The Graphic Art of Incredibles 2](http://joshholtsclaw.com/blog/2018/3/5/the-graphic-art-of-incredibles-2) 558 | - [Monty Python and the Holy Grail Censorship Letter: We Want to Retain "Fart in Your General Direction" | Open Culture](http://www.openculture.com/2014/09/monty-python-and-the-holy-grail-censorship-letter.html) 559 | - [WHY ARE SO MANY DUDES LOSING THEIR SHIT OVER 8D AUDIO?](https://melmagazine.com/en-us/story/why-are-so-many-dudes-losing-their-shit-over-8d-audio) 560 | - (pt-br) [Cantores Indígenas](http://amazonia.org.br/2015/05/14-músicas-de-diferentes-cantores-ind%C3%ADgenas-brasileiros-para-conhecer/) 561 | - (pt-br) [CRISTIAN WARIU TSEREMEY’WA, JOVEM INDÍGENA XAVANTE, CRIA CANAL NO YOUTUBE PARA DESCONSTRUIR PRECONCEITOS](https://www.inclusao360.org/indigenas/cristian-wariu-tseremeywa-jovem-indigena-xavante-cria-canal-no-youtube-para-desconstruir-preconceitos/) 562 | - (pt-br) [Quem são os youtubers indígenas do Brasil](https://www.vice.com/pt_br/article/qvqjw7/quem-sao-os-youtubers-indigenas-do-brasil) 563 | - [PsyBry - Binge (2016)](http://www.psybry.net/index-flatiron/#/binge-2016/) 564 | - [Banksy Loses Copyright To His Work After Refusing To Disclose Identity In Court](https://designtaxi.com/news/411567/Banksy-Loses-Copyright-To-His-Work-After-Refusing-To-Disclose-Identity-In-Court/) 565 | 566 | ## 2019 567 | 568 | - [Public Domain Day Is Finally Here!: Copyrighted Works Have Entered the Public Domain Today for the First Time in 21 Years | Open Culture](http://www.openculture.com/2019/01/public-domain-day-is-coming.html) 569 | - [Mixing art and artificial intelligence](https://www.aalto.fi/news/mixing-art-and-artificial-intelligence) 570 | - [Hermann Hesse on Solitude, the Value of Hardship, the Courage to Be Yourself, and How to Find Your Destiny](https://www.brainpickings.org/2019/01/15/hermann-hesse-solitude-suffering-destiny/) 571 | - [A obra completa de Machado de Assis para download gratuito](https://www.revistabula.com/679-a-obra-completa-de-machado-de-assis-para-download/). [obras](http://machado.mec.gov.br/) 572 | - [Watch: Machine Learning Music Composed From Re-Synthesized Fragments From 100s Of Terabytes Of LA Phil Recordings](https://nwn.blogs.com/nwn/2019/01/wdch-dreams-robert-thomas-la-phil.html) 573 | - [A Novel Concept: Silent Book Clubs Offer Introverts A Space To Socialize](https://www.npr.org/2019/08/12/740897970/a-novel-concept-silent-book-clubs-offer-introverts-a-space-to-socialize) 574 | 575 | # 2021 576 | 577 | - [OS OITO UNIVERSITÁRIOS. VÍDEO HISTÓRICO DO MOVIMENTO ESTUDANTIL DA DÉCADA DE 60](https://documentosrevelados.com.br/os-oito-universitarios-video-historico-do-movimento-estudantil-da-decada-de-60/) 578 | - [](https://here-or-there.glitch.me/index.html) 579 | 580 | ## Technology 581 | 582 | - [LOLWUT](http://antirez.com/news/123): a piece of art inside a database command - antirez 583 | - [nuclear](https://nuclear.gumblert.tech/): There's no need to use services that limit your freedom and seek to exploit you just to listen to your favourite artists. Nuclear empowers you to listen to what you want, where you want, and how you want, for free. 584 | 585 | ## Travel 586 | 587 | - [20 Abandoned Cities from Around the World](http://web.archive.org/web/20180221100932/www.dailycognition.com/index.php/2008/08/30/20-abandoned-cities-from-around-the-world.html) 588 | - [Visa List](https://visalist.io/) - Find visa requirements for 238 countries 589 | 590 | ## Mythology 591 | 592 | - [Hyōsube](https://en.wikipedia.org/wiki/Hy%C5%8Dsube): Hyōsube (ひょうすべ) is a Japanese yōkai. There are legends about them in many areas starting with the Saga Prefecture and the Miyazaki Prefecture. 593 | - [Ghosts in Ancient Japan](https://www.worldhistory.org/article/1059/ghosts-in-ancient-japan/): [Ushi-Oni](https://en.wikipedia.org/wiki/Ushi-oni) 594 | 595 | ## Crazy stuff 596 | 597 | - [Back when it was normal to advertise cocaine gadgets in magazines, 1970-1980](https://rarehistoricalphotos.com/cocaine-paraphernalia-ads-1970s/) 598 | --------------------------------------------------------------------------------