├── PDFs ├── Adang_2013_JODIsUntitledGame.pdf ├── Cornell_2015_PreservingandEmulatingDigitalArtObjects.pdf ├── Espenschied-etal_2013_Large-ScaleCurationandPresentationofCD-ROMArt.pdf ├── Falcão-etal_2014_VirtualisationasaTool.pdf ├── Griesinger_2015_MetadatafortheDigitizationHistoryofTBMA.pdf ├── Ippolito_2003_net-flag.pdf ├── Rothenberg_2006_RenewingtheErlKing.pdf ├── Smithsonian_2010_CollaborationsinConservingTBMA.pdf └── Smithsonian_2014_TBMA10Insights.pdf └── README.md /PDFs/Adang_2013_JODIsUntitledGame.pdf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/amiaopensource/time-based-media-art/99f113eab1fc36248fe9877d19d1415e5ee66c6c/PDFs/Adang_2013_JODIsUntitledGame.pdf -------------------------------------------------------------------------------- /PDFs/Cornell_2015_PreservingandEmulatingDigitalArtObjects.pdf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/amiaopensource/time-based-media-art/99f113eab1fc36248fe9877d19d1415e5ee66c6c/PDFs/Cornell_2015_PreservingandEmulatingDigitalArtObjects.pdf -------------------------------------------------------------------------------- /PDFs/Espenschied-etal_2013_Large-ScaleCurationandPresentationofCD-ROMArt.pdf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/amiaopensource/time-based-media-art/99f113eab1fc36248fe9877d19d1415e5ee66c6c/PDFs/Espenschied-etal_2013_Large-ScaleCurationandPresentationofCD-ROMArt.pdf -------------------------------------------------------------------------------- /PDFs/Falcão-etal_2014_VirtualisationasaTool.pdf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/amiaopensource/time-based-media-art/99f113eab1fc36248fe9877d19d1415e5ee66c6c/PDFs/Falcão-etal_2014_VirtualisationasaTool.pdf -------------------------------------------------------------------------------- /PDFs/Griesinger_2015_MetadatafortheDigitizationHistoryofTBMA.pdf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/amiaopensource/time-based-media-art/99f113eab1fc36248fe9877d19d1415e5ee66c6c/PDFs/Griesinger_2015_MetadatafortheDigitizationHistoryofTBMA.pdf -------------------------------------------------------------------------------- /PDFs/Ippolito_2003_net-flag.pdf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/amiaopensource/time-based-media-art/99f113eab1fc36248fe9877d19d1415e5ee66c6c/PDFs/Ippolito_2003_net-flag.pdf -------------------------------------------------------------------------------- /PDFs/Rothenberg_2006_RenewingtheErlKing.pdf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/amiaopensource/time-based-media-art/99f113eab1fc36248fe9877d19d1415e5ee66c6c/PDFs/Rothenberg_2006_RenewingtheErlKing.pdf -------------------------------------------------------------------------------- /PDFs/Smithsonian_2010_CollaborationsinConservingTBMA.pdf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/amiaopensource/time-based-media-art/99f113eab1fc36248fe9877d19d1415e5ee66c6c/PDFs/Smithsonian_2010_CollaborationsinConservingTBMA.pdf -------------------------------------------------------------------------------- /PDFs/Smithsonian_2014_TBMA10Insights.pdf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/amiaopensource/time-based-media-art/99f113eab1fc36248fe9877d19d1415e5ee66c6c/PDFs/Smithsonian_2014_TBMA10Insights.pdf -------------------------------------------------------------------------------- /README.md: -------------------------------------------------------------------------------- 1 | [![DOI](https://zenodo.org/badge/91669658.svg)](https://zenodo.org/badge/latestdoi/91669658) 2 | 3 | # Time-based media art resources 4 | 5 | In the spirit of [analog-inspection](https://github.com/amiaopensource/analog-inspection) and [open-workflows](https://github.com/amiaopensource/open-workflows), **time-based-media-art** collects resources on the care and preservation of time-based media art. 6 | 7 | See below for [project information](#project-info). 8 | 9 | ## Contents 10 | * [Guidelines and Articles](#guidelines-and-articles) 11 | * [Case Studies](#case-studies) 12 | * [Conferences, Symposia, and Workshops](#conferences-symposia-and-workshops) 13 | * [Lectures](#lectures) 14 | * [Institutions/Organizations](#institutionsorganizations) 15 | * [Interviews](#interviews) 16 | * [Books](#books) 17 | 18 | --- 19 | 20 | ### Guidelines and Articles 21 | 22 | * **Justin Graham and Jill Sterett** (September 1997), [An Institutional Approach to the Collections Care of Electronic Art](https://cool.conservation-us.org/waac/wn/wn19/wn19-3/wn19-310.html), _WAAC [Western Association for Art Conservation] Newsletter_, 19.3. 23 | * **William A. Real** (Autumn/Winter 2001), [Toward Guidelines for Practice in the Preservation and Documentation of Technology-Based Installation Art](https://cool.conservation-us.org/jaic/articles/jaic40-03-004_indx.html), _Journal of the American Institute for Conservation (JAIC)_ 40.3, 211-231. ([@ JSTOR](https://www.jstor.org/stable/3179880)) 24 | * **Timothy Vitale** (Autumn/Winter 2001), [Techarchaeology: Works by James Coleman and Vito Acconci](https://cool.conservation-us.org/jaic/articles/jaic40-03-005_indx.html), _JAIC_ 40.3, 233-258. ([@ JSTOR](https://www.jstor.org/stable/3179881)) 25 | * **Pip Laurenson** (Autumn/Winter 2001), [Developing Strategies for the Conservation of Installations Incorporating Time-Based Media with Reference to Gary Hill's "Between Cinema and a Hard Place"](https://cool.conservation-us.org/jaic/articles/jaic40-03-006_indx.html), _JAIC_ 40.3, 259-266. ([@ JSTOR](https://www.jstor.org/stable/3179882)) 26 | * **Howard Besser** (February 2001), [Longevity of Electronic Art](http://besser.tsoa.nyu.edu/howard/Papers/elect-art-longevity.html) 27 | * **European Commission, Culture 2000** (2004-2007), [Inside Installations: Preservation and Presentation of Installation Art. Guidelines for practice.](http://collections.europarchive.org/rce/20120208162011/http://www.inside-installations.org/research/index.php) 28 | * **Pip Laurenson** (Autumn 2006), [Authenticity, Change and Loss in the Conservation of Time-Based Media Installations](https://www.tate.org.uk/research/publications/tate-papers/06/authenticity-change-and-loss-conservation-of-time-based-media-installations), _Tate Papers_ no.6. 29 | * **Steve Dietz** (November 2006), [Collecting New Media Art: Just Like Anything Else, Only Different](http://www.neme.org/texts/collecting-new-media-art) 30 | * **Electronic Arts Intermix** (c.2007), [EAI Online Resource Guide for Exhibiting, Collecting & Preserving Media Art](https://www.eai.org/resourceguide/home.html) 31 | * **Richard Rinehart** (April 2007), [The Media Art Notation System: Documenting and Preserving Digital/Media Art](http://www.coyoteyip.com/rinehart/papers_files/leonardo_mans.pdf), _Leonardo_ 40.2, 181-187. 32 | * **Smithsonian** (May 2010), [Collaborations in Conserving Time-Based Art: A Summary of Discussion Group Sessions of a Colloquium](https://www.si.edu/content/tbma/documents/Time-Based-Art_Report.pdf) 33 | * **Gaby Wijers** (August 2010), [Ethics and practices of media art conservation, a work-in-progress (version0.5)](https://www.scart.be/?q=en/content/ethics-and-practices-media-art-conservation-work-progress-version05) 34 | * **Dragan Espenschied _et al._** (September 2013), [Large-Scale Curation and Presentation of CD-ROM Art](http://purl.pt/24107/1/iPres2013_PDF/Large-Scale%20Curation%20and%20Presentation%20of%20CD-ROM%20Art.pdf) 35 | * **Hanna Barbara Hölling** (2014), [Seeking the authentic moment: De- and re-materialisations in Paik’s video and multimedia installations](http://www.hannahoelling.com/wp-content/uploads/2016/10/Seeking_AICCM-Bulletin-v34-book-holling.pdf), _AICCM Bulletin_ 34, 85-92. 36 | * **Erica Titkemeyer** (February 2014), [Handling Digital Assets in Time-Based Media Art](https://siarchives.si.edu/blog/handling-digital-assets-time-based-media-art) 37 | * **Smithsonian** (July 2014), [The Smithsonian Interview Project: Questions on Technical Standards in the Care of Time-Based and Digital Art. Ten Insights from Artists and Experts in the Field](https://www.si.edu/content/tbma/documents/SI_TBMA_10_Insights.pdf) 38 | * **Patrícia Falcão _et al._** (October 2014), [Virtualisation as a Tool for the Conservation of Software-Based Artworks](http://pericles-project.eu/uploads/PERICLES_iPRES_Virtualisation-Paper_Oct14_TATE.pdf) 39 | * **Matters in Media Art** (2015), [Guidelines for the care of media artworks](http://mattersinmediaart.org/) 40 | * **Joanna Phillips** (2015), [Reporting Iterations: A Documentation Model for Time-Based Media Art](http://revistaharte.fcsh.unl.pt/rhaw4/RHAw4.pdf), _Revista de História da Arte_ 4, 169-177. 41 | * **Peggy Griesinger** (May 2015), [Preserving the Technical History of Media Works](https://www.moma.org/explore/inside_out/2015/05/20/preserving-the-technical-history-of-media-works/) 42 | * **Rafael Lozano-Hemmer** (September 2015), [Best practices for conservation of media art from an artist’s perspective](https://github.com/antimodular/Best-practices-for-conservation-of-media-art) 43 | * **Cornell University Library** (November 2015), [White Paper: Preserving and Emulating Digital Art Objects](https://ecommons.cornell.edu/handle/1813/41368) 44 | * **Peggy Griesinger** (November 2015), [Metadata for the Digitization History of Time-based Media Art](http://www.amiaconference.net/wp-content/uploads/2016/01/Grisinger-Peggy.pdf) (poster) 45 | * **Sophie Bunz, Brian Castriota and Flaminia Fortunato** (2015-2016), [How Sustainable is File-based Video Art? Exploring the Foundations for Best Practice Development](http://resources.conservation-us.org/emg-review/volume-4-2015-2016/bunz/), _The Electronic Media Review_ 4. 46 | * **Colin Post** (March 2016), [Research Reflections: Preservation of New Media Artworks in the Care of the Artist](https://artiststudioarchives.org/2016/03/07/research-reflections-preservation-of-new-media-artworks-in-the-care-of-the-artist/) 47 | * **Peggy Griesinger** (Summer 2016), [Process history metadata for time-based media artworks at the Museum of Modern Art, New York](https://www.henrystewartpublications.com/sites/default/files/Griesinger.pdf) 48 | * **Solomon R. Guggenheim Museum** (October 2016), [How the Guggenheim and NYU Are Conserving Computer-Based Art, part I](https://www.guggenheim.org/blogs/checklist/how-the-guggenheim-and-nyu-are-conserving-computer-based-art-part-1) and [part II](https://www.guggenheim.org/blogs/checklist/how-the-guggenheim-and-nyu-are-conserving-computer-based-art-part-2) 49 | * **Colin Post** (2017), [Preservation practices of new media artists: Challenges, strategies, and attitudes in the personal management of artworks](https://doi.org/10.1108/JD-09-2016-0116), _Journal of Documentation_, 73.4, 716-732. (paywalled) 50 | * **PERICLES** (September 2017), [Things Change: Conservation and Display of Time-based Media Art](https://www.incca.org/news/things-change-conservation-and-display-time-based-media-art) (short documentary on time-based media art preservation) 51 | * **Tate** (October 2017), [Software-based Art Preservation](https://www.tate.org.uk/about-us/projects/software-based-art-preservation) 52 | * **Hannah Peck** (December 2017), [Video as Art Medium: Context and Preservation](https://www.nyu.edu/tisch/preservation/program/student_work/2017fall/17f_1800_peck_a3_reduced.pdf) (MIAP paper) 53 | * **Jonathan Farbowitz** (2018), [Archiving Computer-Based Artworks](http://resources.culturalheritage.org/emg-review/volume-5-2017-2018/farbowitz/), _The Electronic Media Review_ 5 54 | * **Rachel Ward** (May 2019), [“When time-based media art in private collections no longer functions, who is responsible for conservation?”](http://ndsr-pma.arlisna.org/2019/05/29/when-time-based-media-art-in-private-collections-no-longer-functions-who-is-responsible-for-conservation/) 55 | * **Madeline Page Smith** (July 2020), [Caring for the Moving Image in Art Museums: _Matters in Media Art_ and the Stewardship of Time-Based Media Artworks](https://www.nyu.edu/tisch/preservation/program/student_work/2020spring/20s_thesis_Smith_deposit_copy.pdf) (MIAP thesis) 56 | * **Rene G. Cepeda** (December 2020), [Manual for the Curation and Display of Interactive New Media Art](https://inmamanual.wordpress.com/) 57 | 58 | ### Case Studies 59 | 60 | * **Bill Viola** (April 2001), [Artist's Description: _Anima_ (2000)](https://www.eai.org/resourceguide/preservation/installation/pdf/ViolaArtistsDescription.pdf) 61 | * **Mitchell Hearns Bishop** (Autumn/Winter 2001), [Evolving Exemplary Pluralism: Steve McQueen's "Deadpan" and Eija-Liisa Ahtila's "Anne, Aki and God" - Two Case Studies for Conserving Technology-Based Installation Art](https://www.eai.org/resourceguide/collection/installation/pdf/bishop.pdf), _Journal of the American Institute for Conservation (JAIC)_ 40.3, 179-191. ([@ JSTOR](https://www.jstor.org/stable/3179878)) 62 | * **Paul Messier** (Autumn/Winter 2001), [Dara Birnbaum's "Tiananmen Square: Break-In Transmission": A Case Study in the Examination, Documentation, and Preservation of a Video-Based Installation](https://cool.conservation-us.org/jaic/articles/jaic40-03-003_indx.html), _JAIC_ 40.3, 193-209. ([@ JSTOR](https://www.jstor.org/stable/3179879)) 63 | * **John G. Hanhardt** (2003), [Nam June Paik, _TV Garden_ (1974)](http://www.variablemedia.net/pdf/TV_Garden.pdf), _Permanence Through Change: The Variable Media Approach_. New York: The Solomon R. Guggenheim Foundation; Montréal: The Daniel Langlois Foundation for Art, Science, and Technology, 70-77. 64 | * **Jon Ippolito** (2003), [Mark Napier, _net.flag_ (2002)](http://www.variablemedia.net/pdf/net_flag.pdf), _Permanence Through Change_, 108-115. 65 | * **Vivian Van Saaze** (April 2003), [Miguel-Ángel Cárdenas, _25 Caramboles and variations. Birthday present for a 25-year old_ (1979/80)](http://www.nimk.nl/_files/Files/cardenas_rapport_nimk_en.pdf) 66 | * **Vivian Van Saaze** (April 2003), [eddie d, _A Word of Welcome_ (1997-2007)](http://www.nimk.nl/_files/Files/eddied_rapport_nimk_nl.pdf) (NL) 67 | * **Vivian Van Saaze** (April 2003), [Servaas, _Are You Afraid of Video?_ (1984-1994)](http://www.nimk.nl/_files/Files/servaas_rapport_nimk_nl.pdf) (NL) 68 | * **Vivian Van Saaze** (May 2003), [Elsa Stansfield & Madelon Hooykaas, _Outside/Inside_ (1982)](http://www.nimk.nl/_files/Files/hooykaas_stansfield_nimk_nl.pdf) (NL) 69 | * **European Commission, Culture 2000** (2004-2007), [Inside Installations: Preservation and Presentation of Installation Art. 33 case studies.](http://collections.europarchive.org/rce/20120208162011/http://www.inside-installations.org/artworks/index.php) 70 | * **Jeff Rothenberg** (January 2006), [Renewing _The Erl King_](http://archive.bampfa.berkeley.edu/about/ErlKingReport.pdf) 71 | * **Christoph Becker, Günther Kolar, Josef Küng, and Andreas Rauber** (December 2007), [Preserving Interactive Multimedia Art: A Case Study in Preservation Planning](https://publik.tuwien.ac.at/files/pub-inf_5204.pdf), _Asian Digital Libraries. Looking Back 10 Years and Forging New Frontiers: 10th International Conference on Asian Digital Libraries_. Proceedings of ICADL 2007, Hanoi, Vietnam, 10-13 December 2007, 257-266. 72 | * **ZKM | Center for Art and Media Karlsruhe** (2010-2012), [digital art conservation: 10 case studies](http://www.digitalartconservation.org/index.php/en/case-studies.html) 73 | * **Nederlands Instituut voor Mediakunst (NIMk)** (2011), [_I/Eye_ (1993/2011, Bill Spinhoven)](https://www.scart.be/?q=en/content/case-study-report-ieye-19932011-bill-spinhoven) 74 | * **Emanuel Lorrain (PACKED vzw)** (c.2013), [The preservation of Danny Matthys' video works](https://www.scart.be/?q=en/content/case-study-report%C2%A0-preservation-danny-matthys-video-works) 75 | * **Emanuel Lorrain (PACKED vzw)** (c.2013), [_Mondophrenetic™_ (2000, Herman Asselberghs, Els Opsomer, Rony Vissers)](https://www.scart.be/?q=en/content/case-study-report-mondophrenetic%E2%84%A2-2000-herman-asselberghs-els-opsomer-rony-vissers-0) 76 | * **Gaby Wijers (LIMA)** (2013), [The digitisation of media artworks by Elsa Stansfield and Madelon Hooykaas](https://www.scart.be/?q=en/content/case-study-report%C2%A0-digitisation-media-artworks-elsa-stansfield-and-madelon-hooykaas) 77 | * **Glenn Wharton** (April & May 2013), [Conserving a Nam June Paik Altered Piano, part I](https://www.moma.org/explore/inside_out/2013/04/15/conserving-a-nam-june-paik-altered-piano/) and [part II](https://www.moma.org/explore/inside_out/2013/05/08/conserving-a-nam-june-paik-altered-piano-part-2/) 78 | * **Lisa Adang** (Summer 2013), [Untitled Project: A cross-disciplinary investigation of JODI's _Untitled game_](http://media.rhizome.org/artbase/documents/Untitled-Project:-A-Cross-Disciplinary-Investigation-of-JODI%E2%80%99s-Untitled-Game.pdf) 79 | * **Annika Räim (UvA P&P), Veronique Despodt (S.M.A.K.), Emanuel Lorrain (PACKED vzw)** (c.2014), [_A las cinco de la tarde_ (1984, Marie-Jo Lafontaine)](https://www.scart.be/?q=en/content/case-study-report-las-cinco-de-la-tarde-1984-marie-jo-lafontaine) 80 | * **Eddy Colloton** (May 2016), [Re-constructions: Preserving the Video Installations of Buky Schwartz](https://www.nyu.edu/tisch/preservation/program/student_work/2016spring/16s_3490_Colloton_Thesis.pdf) (MIAP thesis) 81 | * **Ben Fino-Radin** (December 2016), [Art In the Age of Obsolescence: Rescuing an Artwork from Crumbling Technologies](https://stories.moma.org/art-in-the-age-of-obsolescence-1272f1b9b92e) 82 | * **Joanna Phillips, Deena Engel, Emma Dickson, & Jonathan Farbowitz** (May 2017), [Restoring _Brandon_, Shu Lea Cheang’s Early Web Artwork](https://www.guggenheim.org/blogs/checklist/restoring-brandon-shu-lea-cheangs-early-web-artwork) 83 | * **Elise Tanner** (July 2018), [Planning for Time-based Media Preservation at the Philadelphia Museum of Art](http://ndsr-pma.arlisna.org/wp-content/uploads/2018/08/Tanner-NDSR-Art-Final-Report.pdf) (NDSR Art Final Report) 84 | * **Erin L. Barsan** (c. August 2018), [Managing time-based media/digital art at (an appropriate) scale](http://ndsr-pma.arlisna.org/wp-content/uploads/2018/08/Barsan-NDSR-Art-Final-Report-1.pdf) (NDSR Art Final Report) 85 | 86 | ### Conferences, Symposia, and Workshops 87 | 88 | * [**ISEA (International Symposium on Electronic Art)**](http://www.isea-web.org/symposia/past-isea-symposia/), 1988 - present 89 | * **SFMOMA** (January 2000), [TechArchaeology: A Symposium on Installation Art Preservation](https://cool.conservation-us.org/jaic/articles/jaic40-03-001_indx.html) 90 | * **Solomon R. Guggenheim Museum** (March 2001), [Preserving the Immaterial: A Conference on Variable Media](http://variablemedia.net/e/preserving/html/var_pre_index.html) 91 | * **Experimental Television Center (ETC), Independent Media Arts Preservation (IMAP), Bay Area Video Coalition and the Electronic Media Specialty Group of the AIC** (May-June 2002), [Looking Back/Looking Forward: A Symposium on Electronic Media Preservation](http://www.experimentaltvcenter.org/looking-backlooking-forward) 92 | * **medien_kunst_netz Dortmund, NIMk, and C3** (June 2003), [404 Object Not FOund. What remains of media art?](https://www.c3.hu/c3/eu_projects/hartware/kutatas.html) 93 | * **Lunder Conservation Center & Hirshhorn Museum and Sculpture 94 | Garden** (March 2010), [Collaborations in Conserving Time-Based Art](https://web.archive.org/web/20170830231652/https://americanart.si.edu/conservation/video/timebased/) 95 | * **Harvard Art Museum** (April 2010), [Andrew W. Mellon Symposium in Conservation Science: Technical Conservation Issues of Time-Based Media](https://web.archive.org/web/20100408135507/http://www.artmuseums.harvard.edu/calendar/detail.dot?id=27621) 96 | * **Solomon R. Guggenheim Museum** (September 2010), [TechFocus I: Caring for Video Art](https://resources.conservation-us.org/techfocus/tech-i-speakers-tw/) 97 | * **ZKM | Center for Art and Media Karlsruhe** (November 2010), [_digital art conservation_, Symposium I: The Digital Oblivion. Substance and ethics in the conservation of computer-based art](http://www.digitalartconservation.org/index.php/en/symposium-i.html) 98 | * **Smithsonian American Art Museum and National Portrait Gallery** (September 2011), [Collecting, Exhibiting, & Preserving Time-Based Media Art](https://www.si.edu/content/tbma/documents/TBMA_roundtable_090111.pdf) 99 | * **École supérieure des arts décoratifs de Strasbourg** (November 2011), [_digital art conservation_, Symposium II: Practical Approaches. Artists, Programmers, Theorists](http://www.digitalartconservation.org/index.php/en/symposium-ii.html) 100 | * **Hirshhorn Museum and Sculpture Garden, Smithsonian Institution** (April 2012), [TechFocus II: Caring for Film and Slide Art](https://resources.conservation-us.org/techfocus/techfocus-ii-caring-for-film-and-slide-art-tw/) 101 | * **Smithsonian American Art Museum and National Portrait Gallery** (September 2012), [Standards for the Preservation of Time-Based Media Art](https://www.si.edu/content/tbma/documents/TBMA_roundtable_091212.pdf) 102 | * **Fondation Liedts-Meesen, iMAL, et l'École nationale supérieure des arts visuels de La Cambre** (November 2012), [Onsterfelijk](https://www.scart.be/?q=en/content/conference-report-%E2%80%9Consterfelijk%E2%80%9D-seminar-update4-15-16-en-17-november-2012-zebrastraat-gent) 103 | * **Smithsonian American Art Museum and National Portrait Gallery** (April 2013), [Trusted Digital Repositories for Time-Based Media Art](https://www.si.edu/content/tbma/documents/TBMA_Roundtable_041513.pdf) 104 | * **Smithsonian American Art Museum** (June 2013), [Conserving and Exhibiting the Works of Nam June Paik](https://www.youtube.com/playlist?list=PL7gn_68Hr4h9J0BuFviZH38zN1TLztC7P) 105 | * **Carnegie Museum of Art** (November 2013), [Misfits Symposium 2013](https://web.archive.org/web/20160101143039/http://www.cmoa.org/Visit.aspx?id=20805) 106 | * **Independent Media Arts Preservation (IMAP)** (June 2015), [IMAP Symposium BPAC](https://vimeo.com/132643391) 107 | * **Solomon R. Guggenheim Museum** (September 2015), [TechFocus III: Caring for Software-based Art](https://resources.conservation-us.org/techfocus/techfocus-iii-caring-for-computer-based-art-software-tw/) 108 | * **Carnegie Museum of Art** (October 2015), [Misfits Symposium 2015](https://web.archive.org/web/20160101143044/http://www.cmoa.org/Visit.aspx?id=26432) 109 | * **Tate** (November 2015), [Media in Transition conference recordings](https://www.tate.org.uk/context-comment/video/media-transition) 110 | * **Ludwig Múzeum** (December 2015), [MAPS - Media Art Preservation Symposium](https://www.youtube.com/playlist?list=PLZCfG2Uw0zEYRknf4G6aPwm5j7PmMw0nI) 111 | * **German Association of Conservator-Restorers (VDR)** (June 2016), [Collecting and Conserving Performance Art](https://www.restauratoren.de/collecting-and-conserving-performance-art-videos/) 112 | * **Institute of Fine Arts, New York University** (May 2018), [It's About Time! Building A New Discipline: Time-Based Media Art Conservation](https://www.tbmsymposium2018.com/) 113 | * **Museum of Modern Art (MoMA)** (11-15 June 2018), [Workshop 2: Getting Started: A Shared Responsibility - Caring for Time-based Media Artworks in Collections](https://www.mediaconservation.io/getting-started) 114 | * **The Japan Foundation and Art Tower Mito** (November 2018), [Play ⇔ Replay: staging & re-staging time-based media art](https://www.jpf.go.jp/e/project/culture/exhibit/exchange/2018/09-01.html) 115 | * **Museum of Modern Art (MoMA)** (10-14 June 2019), [Workshop 3: Caring for Artists' Films](https://www.mediaconservation.io/film) 116 | * **LACMA (Los Angeles County Museum of Art)** (25-26 April 2020), [All Together Now: Time-Based Media Art and Collaborative Stewardship](https://www.lacma.org/events/all-together-now) 117 | * **ISEA 2020, University of Québec** (May 2020), [Summit on new media art archiving](http://isea2020.isea-international.org/preliminary-programming/) 118 | * **Donau-Universität Krems** (December 2020), [Media Art Preservation Institute: 5-day Intensive Professional Training](https://www.donau-uni.ac.at/en/university/faculties/education-arts-architecture/departments/image-science/news---events/events/mah-pres-inst.html) 119 | * **American Institute for Conservation (AIC) and Foundation for Advancement in Conservation (FAiC)** (25/27/29 October 2021), [TechFocus IV: Caring for 3D-printed Art](https://learning.culturalheritage.org/p/techfocus-iv) (virtual symposium) 120 | 121 | ### Lectures 122 | 123 | * **MoMA** (September 2016), [Pip Laurenson, “Can Artworks Live in a Museums Collection?”](https://vimeo.com/184868009) (Vimeo) 124 | * **NYU/IFA Conservation Centre** (September-December 2016), [Topics in Time-Based Media Art Conservation lecture series](https://vimeo.com/album/4262969) (Vimeo) 125 | * **Harvard Art Museums** (July 2018), [Perspectives on New Media in Museums with Kate Lewis](https://vimeo.com/harvardartmuseums/review/295417569/a04116c6f8) (Vimeo) 126 | * **MoMA Media Conservation Initiative** (2017-2018), [Getting Started in Media Conservation](https://www.mediaconservation.io/resources#table-of-content) 127 | 128 | ### Institutions/Organizations 129 | 130 | * **American Institute for Conservation**, [Electronic Media Group](https://www.conservation-us.org/specialty-topics/electronic-media-group) 131 | * **Cornell University**, [Rose Goldsen Archive of New Media Art](http://goldsen.library.cornell.edu/index.php) 132 | * [**Electronic Arts Intermix**](https://www.eai.org/) (EAI) 133 | * [**International Network for the Conservation of Contemporary Art**](https://www.incca.org/) (INCCA) 134 | * [**Independent Media Arts Preservation, Inc**](https://web.archive.org/web/20170912202537/http://imappreserve.org/) (IMAP) 135 | * **LIMA**, [Preserving Digital Art](https://www.li-ma.nl/site/preservation) 136 | * **Solomon R. Guggenheim Museum**, [Conservation: Time-Based Media](https://www.guggenheim.org/conservation/time-based-media) 137 | * **Solomon R. Guggenheim Museum** (2020), [The Conserving Computer-Based Art Initiative](https://www.guggenheim.org/conservation/the-conserving-computer-based-art-initiative) 138 | * **De Stichting Behoud Moderne Kunst (SMBK)**, [The Foundation for the Conservation of Contemporary Art](https://www.sbmk.nl/en/) 139 | * **Tate**, [Conservation – time-based media](https://www.tate.org.uk/about/our-work/conservation/time-based-media) 140 | * [**Variable Media Network**](http://www.variablemedia.net/e/welcome.html) 141 | * **ZKM | Zentrum für Kunst und Medien Karlsruhe**, [Center for Art and Media Karlsruhe](https://zkm.de/en) 142 | 143 | ### Interviews 144 | 145 | * **Electronic Arts Intermix (EAI)** (August 2005), [Conversation with artist Cory Arcangel](https://www.eai.org/resourceguide/exhibition/installation/interview_arcangel.html) 146 | * **EAI** (August 2005), [Interview with Berta Sichel (Reina Sofía)](https://www.eai.org/resourceguide/exhibition/singlechannel/interview_sichel.html) 147 | * **EAI** (September 2005), [Interview with Christopher Eamon (New Art Trust, Kramlich Collection)](https://www.eai.org/resourceguide/exhibition/installation/interview_eamon.html) 148 | * **EAI** (November 2005), [Interview with artist Chris Doyle](https://www.eai.org/resourceguide/preservation/computer/interview_doyle.html) 149 | * **EAI** (c.2006), [Interview with Juliet Myers (studio manager for Bruce Nauman)](https://www.eai.org/resourceguide/exhibition/singlechannel/interview_myers.html) 150 | * **EAI** (Spring 2006), [Interview with Steve Seid (Pacific Film Archive)](https://www.eai.org/resourceguide/exhibition/singlechannel/interview_seid.html) 151 | * **EAI** (April 2006), [Interview with Glenn Wharton (MoMA, NYU)](https://www.eai.org/resourceguide/preservation/installation/interview_wharton.html) 152 | * **EAI** (May 2006), [Interview with Kira Perov (executive director, Bill Viola Studio)](https://www.eai.org/resourceguide/preservation/installation/interview_perov.html) 153 | * **EAI** (October 2006), [Interview with Paul Kuranko (Guggenheim)](https://www.eai.org/resourceguide/exhibition/installation/interview_kuranko.html) 154 | * **SCART** (February 2009), [Interview with artist David Claerbout](https://www.scart.be/?q=en/content/interview-david-claerbout) 155 | * **Richard McCoy** (August 2009), [Examining the Lives of Jenny Holzer’s Works/Words: A Discussion with SAAM Conservator Hugh Shockey](https://magazine.art21.org/2009/08/18/examining-the-lives-of-her-words/). 156 | * **Richard McCoy** (February 2010), [Collaborations in Conserving Time-Based Art: a Conversation and a Colloquium](https://magazine.art21.org/2010/02/16/collaborations-in-conserving-time-based-art-a-conversation-and-a-colloquium/) (interview with Jeff Martin) 157 | * **SCART** (March 2010), [Interview with Christoph Blase (ZKM)](https://www.scart.be/?q=en/content/interview-christoph-blase-zkm) 158 | * **SCART** (March 2010), [Interview with Pip Laurenseon (Tate)](https://www.scart.be/?q=en/content/interview-pip-laurenson-tate) 159 | * **SCART** (May 2010), [Interview with Joanna Phillips (Guggenheim)](https://www.scart.be/?q=en/content/interview-joanna-phillips-guggenheim) 160 | * **SCART** (June 2011), [Interview with Mark Hellar (Hellar LLC)](https://www.scart.be/?q=en/oe_packed/interview-mark-hellar-hellar-llc) 161 | * **SCART** (July 2012), [Interview with Baruch Gottlieb, Ruth Kemper and Susanne Bernstein (transmediale)](https://www.scart.be/?q=en/content/interview-baruch-gottlieb-ruth-kemper-and-susanne-bernstein-transmediale) 162 | * **Moving Image Archive News** (October 2012), [Preserving “Time-Based Art” – An interview with Jeff Martin, IMAP](https://www.movingimagearchivenews.org/preserving-time-based-art-an-interview-with-jeff-martin-imap/) 163 | * **SCART** (February 2013), [Interview with Bartek Korzeniowski (WRO)](https://www.scart.be/?q=en/content/interview-bartek-korzeniowski-wro) 164 | * **The Signal** (April 2013), [Challenges in the Curation of Time Based Media Art: An Interview with Michael Mansfield](https://blogs.loc.gov/thesignal/2013/04/challenges-in-the-curation-of-time-based-media-art-an-interview-with-michael-mansfield/) 165 | * **Solomon R. Guggenheim Museum** (March 2014), [What Is “Time-Based Media”?: A Q&A with Guggenheim Conservator Joanna Phillips, part I](https://www.guggenheim.org/blogs/checklist/what-is-time-based-media-a-q-and-a-with-guggenheim-conservator-joanna-phillips) and [part II](https://www.guggenheim.org/blogs/checklist/analog-to-digital-a-q-and-a-with-guggenheim-conservator-joanna-phillips-part-two) 166 | * **American Institute for Conservation** (October 2017), [Emerging Conservation Professionals Network (ECPN) Interviews: Nick Kaplan](https://www.conservators-converse.org/2017/10/ecpn-interviews-electronic-media-conservation/) (graduate fellow, Winterthur/University of Delaware Program in Art Conservation) 167 | * **American Institute for Conservation** (October 2017), [ECPN Interviews: Alexandra Nichols](https://www.conservators-converse.org/2017/10/ecpn-interviews-electronic-media-conservation-2/) (Sherman Fairchild Foundation Fellow in the conservation of time-based media and installation art at The Metropolitan Museum of Art) 168 | * **American Institute for Conservation** (November 2017), [ECPN Interviews: Brian Castriota](https://www.conservators-converse.org/2017/11/ecpn-interviews-electronic-media-conservation-4/) (TBMI conservator, Research Fellow in the Conservation of Contemporary Art at the Scottish National Gallery of Modern Art, and doctoral student at the University of Glasgow) 169 | * **American Institute for Conservation** (December 2017), [ECPN Interviews: Christine Frohnert](https://www.conservators-converse.org/2017/12/ecpn-interviews-electronic-media-conservation-5/) (Time-based Media Art Conservation Curriculum Development Program Coordinator, Conservation Center at the Institute of Fine Arts, New York University) 170 | 171 | ### Books 172 | 173 | * **Dekker, Annet**, [_Collecting and Conserving Net Art: Moving beyond Conventional Methods_](https://www.routledge.com/Collecting-and-Conserving-Net-Art-Moving-beyond-Conventional-Methods/Dekker/p/book/9780367491420). London and New York: Routledge, Taylor & Francis Group, August 2020. 174 | * **Depocas, Alain, Jon Ippolito, & Caitlin Jones (eds)**, [_Permanence Through Change: The Variable Media Approach_](http://www.variablemedia.net/pdf/Permanence.pdf). New York: The Solomon R. Guggenheim Foundation; Montréal: The Daniel Langlois Foundation for Art, Science, and Technology, 2003. 175 | * **Gfeller, Johannes, Agathe Jarczyk, and Joanna Phillips**, [_Compendium of Image Errors in Analogue Video / Kompendium der Bildstörungen beim analogen Video_](https://press.uchicago.edu/ucp/books/book/distributed/C/bo16943593.html). Zürich, Switzerland: Scheidegger and Spiess, August 2013. 176 | * **Grau, Oliver, Janina Hoth and Eveline Wandl-Vogt (eds)**, [_Digital Art through the Looking Glass: New strategies for archiving, collecting and preserving in Digital Humanities_](https://web.archive.org/web/20191022165058/https://www.donau-uni.ac.at/dam/jcr:a29638aa-f334-4abb-9601-10e36652d09f/Digital_Art_through_the_Looking_Glass_updated.pdf). Krems, Österreich: Edition Donau-Universität, 2019. 177 | * **High, Kathy, Sherry Miller Hocking, and Mona Jimenez**, [_The Emergence of Video Processing Tools: Television Becoming Unglued_](https://www.intellectbooks.co.uk/books/view-Book,id=4995/). Bristol, UK: Intellect Books, April 2014. 178 | * **Noordegraaf, Julia, Vinzenz Hediger, Cosetta Saba, and Barbara Le Maitre**, [_Preserving and Exhibiting Media Art: Challenges and Perspectives_](https://en.aup.nl/books/9789089642912-preserving-and-exhibiting-media-art.html). Amsterdam: Amsterdam University Press, January 2013. 179 | * **Schubiger, Irene (ed)**, [_Reconstructing Swiss Video Art from the 1970s and 1980s_](http://www.jrp-ringier.com/pages/index.php?id_r=4&id_t=1&id_p=7&id_b=1509). Zürich, Switzerland: JRP|Ringier, September 2009. 180 | * **Scholte, Tatja, and Glenn Wharton (eds)**, [_Inside Installations. Theory and Practice in the Care of Complex Artworks_](https://issuu.com/incca/docs/inside_installations_theory_and_pra). Amsterdam: Amsterdam University Press, February 2011. 181 | 182 | ## Project info 183 | 184 | **time-based-media-art** is maintained by its creator, [Katherine Nagels](https://github.com/kfrn). 185 | 186 | Contributions are welcomed! Feel free to open a pull request or issue, or contact me directly. 187 | 188 | ### Code of conduct 189 | 190 | Actions taken in this repository, associated pull requests and issue tracker forms should adhere to the [Contributor Covenant Code of Conduct](https://www.contributor-covenant.org/version/1/4/code-of-conduct) guidelines. 191 | 192 | ### Copyright 193 | 194 |

195 | 197 | CC0 198 | 199 |
200 | To the extent possible under law, 201 | https://github.com/amiaopensource/time-based-media-art 203 | has waived all copyright and related or neighboring rights to 204 | time-based-media-art. 205 |

206 | --------------------------------------------------------------------------------