├── CODE_OF_CONDUCT.md ├── README.md ├── VERSION ├── getting-started ├── allArtworks.jsonl └── someArtworks.csv └── json ├── agent-roles ├── 1.json ├── 10.json ├── 13.json ├── 15.json ├── 19.json ├── 2.json ├── 3.json ├── 5.json ├── 7.json └── 8.json ├── agent-types ├── 1.json ├── 10.json ├── 11.json ├── 2.json ├── 3.json ├── 4.json ├── 5.json ├── 7.json ├── 8.json └── 9.json ├── agents ├── 102.json ├── 103.json ├── 106.json ├── 130.json ├── 135.json ├── 148.json ├── 162.json ├── 173.json ├── 2.json └── 25.json ├── articles ├── 14.json ├── 18.json ├── 26.json ├── 27.json ├── 34.json ├── 43.json ├── 46.json ├── 55.json ├── 74.json └── 76.json ├── artwork-date-qualifiers ├── 1.json ├── 10.json ├── 2.json ├── 3.json ├── 4.json ├── 5.json ├── 6.json ├── 7.json ├── 8.json └── 9.json ├── artwork-place-qualifiers ├── 1.json ├── 2.json ├── 3.json ├── 4.json ├── 5.json ├── 50.json ├── 6.json ├── 7.json ├── 8.json └── 9.json ├── artwork-types ├── 1.json ├── 10.json ├── 11.json ├── 2.json ├── 3.json ├── 4.json ├── 5.json ├── 6.json ├── 7.json └── 8.json ├── artworks ├── 11.json ├── 16.json ├── 19.json ├── 20.json ├── 22.json ├── 23.json ├── 24.json ├── 25.json ├── 4.json └── 9.json ├── category-terms ├── PC-1.json ├── PC-10.json ├── PC-100.json ├── PC-101.json ├── PC-102.json ├── PC-103.json ├── PC-104.json ├── PC-105.json ├── PC-106.json └── PC-107.json ├── config.json ├── digital-publication-articles ├── 1.json ├── 10.json ├── 2.json ├── 3.json ├── 4.json ├── 5.json ├── 6.json ├── 7.json ├── 8.json └── 9.json ├── digital-publications ├── 10.json ├── 11.json ├── 2.json ├── 3.json ├── 4.json ├── 5.json ├── 6.json ├── 7.json ├── 8.json └── 9.json ├── educator-resources ├── 12.json ├── 13.json ├── 17.json ├── 20.json ├── 23.json ├── 25.json ├── 28.json ├── 30.json ├── 31.json └── 32.json ├── event-occurrences ├── 0a0f2826-2417-548d-a0ff-c44a39c21917.json ├── 0afd11b8-9c23-5e8d-be0e-01228287a724.json ├── 0cfb7605-9624-50b3-8ecc-9c7b03cbf11e.json ├── 0db19285-12e0-5e65-9799-b60b85698122.json ├── 0e1a46b9-53de-5000-be2a-41b3f8e22049.json ├── 0e907777-a527-54fe-b8dd-87e33e34f068.json ├── a0efcf82-98a2-5292-b3b0-b48a5bae37ad.json ├── a7737e10-cfa0-51ad-bdc3-bf2b2fc6abe3.json ├── a8925f06-7257-59e9-aaf8-33361254cc3b.json └── a8dbf994-32bf-5018-bd30-e4b4be00cf74.json ├── event-programs ├── 11.json ├── 12.json ├── 16.json ├── 24.json ├── 26.json ├── 27.json ├── 28.json ├── 3.json ├── 32.json └── 5.json ├── events ├── 2572.json ├── 2573.json ├── 2574.json ├── 2575.json ├── 2835.json ├── 2985.json ├── 2986.json ├── 2987.json ├── 4.json └── 7.json ├── exhibitions ├── 37.json ├── 5.json ├── 6.json ├── 7.json ├── 71.json ├── 73.json ├── 74.json ├── 77.json ├── 84.json └── 93.json ├── galleries ├── 2.json ├── 21434.json ├── 22223.json ├── 23964.json ├── 23965.json ├── 23966.json ├── 2705.json ├── 2706.json ├── 2707.json └── 346.json ├── generic-pages ├── 10.json ├── 11.json ├── 14.json ├── 15.json ├── 17.json ├── 2.json ├── 4.json ├── 7.json ├── 8.json └── 9.json ├── highlights ├── 10.json ├── 12.json ├── 13.json ├── 19.json ├── 21.json ├── 3.json ├── 4.json ├── 5.json ├── 6.json └── 9.json ├── images ├── 000a23d2-4abf-5b0e-6e2d-a1d25c3176a4.json ├── 000a60f9-baa8-3f20-3357-690f6ca0803a.json ├── 000a7f65-7dc2-4dac-c15d-d2b52353f424.json ├── 000b3a99-84d6-f7e9-84db-4e9d8508ae35.json ├── 000bcc48-f2f7-e6d8-6589-91d299d8c275.json ├── 000bd127-eb82-461f-0da2-821c07238658.json ├── 000c7a89-d9f8-8e19-4a85-25acbc399865.json ├── 000d11d4-b760-7f9a-14fa-5913ba39f7b0.json ├── 000d4cd0-2ffe-ef93-bba9-240f7b21bce5.json └── 000d56f7-d8b7-4836-af85-d5e22d050f71.json ├── info.json ├── mobile-sounds ├── 226.json ├── 227.json ├── 235.json ├── 252.json ├── 253.json ├── 254.json ├── 255.json ├── 256.json ├── 257.json └── 258.json ├── places ├── -2147483448.json ├── -2147483452.json ├── -2147483458.json ├── -2147483459.json ├── -2147483460.json ├── -2147483464.json ├── -2147483524.json ├── -2147483534.json ├── -2147483581.json └── -2147483613.json ├── press-releases ├── 1.json ├── 10.json ├── 2.json ├── 3.json ├── 4.json ├── 5.json ├── 6.json ├── 7.json ├── 8.json └── 9.json ├── printed-publications ├── 10.json ├── 11.json ├── 12.json ├── 13.json ├── 4.json ├── 5.json ├── 6.json ├── 7.json ├── 8.json └── 9.json ├── products ├── 245285.json ├── 245287.json ├── 245304.json ├── 245313.json ├── 245334.json ├── 245335.json ├── 245410.json ├── 245421.json ├── 245592.json └── 245823.json ├── publications ├── 12.json ├── 2.json ├── 226.json ├── 23.json ├── 34.json ├── 351.json ├── 406.json ├── 64.json ├── 7.json └── 80.json ├── sections ├── 128.json ├── 163.json ├── 18.json ├── 25.json ├── 33.json ├── 42.json ├── 52.json ├── 63.json ├── 75.json └── 88.json ├── sites ├── 1.json ├── 10.json ├── 2.json ├── 3.json ├── 4.json ├── 5.json ├── 6.json ├── 7.json ├── 8.json └── 9.json ├── sounds ├── 000c3d14-ff52-ca0f-d4a4-28ea5018fd68.json ├── 00c007d9-7b8c-6088-029c-71fc8c4e78f3.json ├── 0a7ee6b7-71a3-ae7a-097d-87980e3e9a1c.json ├── 0b1533af-5912-8eb5-ff18-c506cc58507f.json ├── 0b2a5b4d-1440-2594-26f9-5eb0773097ea.json ├── 0b597ff6-ddef-6678-a18a-db410fb7cd33.json ├── 0b695e68-80e2-f1f6-4256-e554d4585b78.json ├── 0b751772-7937-ca8c-c747-ee97abe4e80d.json ├── 0b9884c7-5431-9081-17c3-0b99f079c385.json └── 0bc85c2e-7be7-dfc7-613c-1d98a1ec1b42.json ├── static-pages ├── 10.json ├── 11.json ├── 2.json ├── 3.json ├── 4.json ├── 5.json ├── 6.json ├── 7.json ├── 8.json └── 9.json ├── texts ├── 00a2fd0f-2ceb-3b2d-d328-5f896a56ef1f.json ├── 00c61990-8a7b-f864-dcac-290cab61fdeb.json ├── 00d47f07-3c91-ed09-a140-dd4d3422ed90.json ├── 00d95699-6d1a-a994-2e77-05c6ba0fbf83.json ├── 00e1dde9-4401-70d9-6780-d158c44bee5c.json ├── 00e4b815-6a23-034e-b00f-2b2cf1f67d7f.json ├── 00e5ef97-5770-2e08-6bf9-9e749e5c6a73.json ├── 00ed199a-6133-4ac4-c3ee-124d5e047265.json ├── 0a369977-5e35-ea49-2365-ab2c0a36a4e2.json └── 0a3748ca-5e8b-d4f2-3865-fcb40747a4a3.json ├── tours ├── 1000.json ├── 1023.json ├── 2193.json ├── 2352.json ├── 3246.json ├── 3906.json ├── 4197.json ├── 4219.json ├── 4235.json └── 4405.json └── videos └── fae3fdc2-7a52-5fc4-c634-c2033f9b2a46.json /VERSION: -------------------------------------------------------------------------------- 1 | 9e94bbe6898f25add94315a746b0c583f501ab94 2 | -------------------------------------------------------------------------------- /json/agent-roles/1.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 1, 3 | "api_model": "agent-roles", 4 | "api_link": "https://api.artic.edu/api/v1/agent-roles/1", 5 | "title": "Collection", 6 | "source_updated_at": "2019-05-08T19:05:07-05:00", 7 | "updated_at": "2019-05-09T17:01:07-05:00", 8 | "timestamp": "2025-02-16T02:10:52-06:00" 9 | } -------------------------------------------------------------------------------- /json/agent-roles/10.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 10, 3 | "api_model": "agent-roles", 4 | "api_link": "https://api.artic.edu/api/v1/agent-roles/10", 5 | "title": "Assumed to be vendor", 6 | "source_updated_at": "2019-05-08T19:05:04-05:00", 7 | "updated_at": "2019-05-09T17:01:07-05:00", 8 | "timestamp": "2025-02-16T02:10:52-06:00" 9 | } -------------------------------------------------------------------------------- /json/agent-roles/13.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 13, 3 | "api_model": "agent-roles", 4 | "api_link": "https://api.artic.edu/api/v1/agent-roles/13", 5 | "title": "to", 6 | "source_updated_at": "2019-05-08T19:05:09-05:00", 7 | "updated_at": "2019-05-09T17:01:07-05:00", 8 | "timestamp": "2025-02-16T02:10:52-06:00" 9 | } -------------------------------------------------------------------------------- /json/agent-roles/15.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 15, 3 | "api_model": "agent-roles", 4 | "api_link": "https://api.artic.edu/api/v1/agent-roles/15", 5 | "title": "through", 6 | "source_updated_at": "2019-05-08T19:05:04-05:00", 7 | "updated_at": "2019-05-09T17:01:07-05:00", 8 | "timestamp": "2025-02-16T02:10:52-06:00" 9 | } -------------------------------------------------------------------------------- /json/agent-roles/19.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 19, 3 | "api_model": "agent-roles", 4 | "api_link": "https://api.artic.edu/api/v1/agent-roles/19", 5 | "title": "in memory of", 6 | "source_updated_at": "2019-05-08T19:05:03-05:00", 7 | "updated_at": "2019-05-09T17:01:07-05:00", 8 | "timestamp": "2025-02-16T02:10:52-06:00" 9 | } -------------------------------------------------------------------------------- /json/agent-roles/2.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 2, 3 | "api_model": "agent-roles", 4 | "api_link": "https://api.artic.edu/api/v1/agent-roles/2", 5 | "title": "Donor", 6 | "source_updated_at": "2019-05-08T19:05:09-05:00", 7 | "updated_at": "2019-05-09T17:01:07-05:00", 8 | "timestamp": "2025-02-16T02:10:52-06:00" 9 | } -------------------------------------------------------------------------------- /json/agent-roles/3.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 3, 3 | "api_model": "agent-roles", 4 | "api_link": "https://api.artic.edu/api/v1/agent-roles/3", 5 | "title": "Unknown role", 6 | "source_updated_at": "2019-05-08T19:05:03-05:00", 7 | "updated_at": "2019-05-09T17:01:07-05:00", 8 | "timestamp": "2025-02-16T02:10:52-06:00" 9 | } -------------------------------------------------------------------------------- /json/agent-roles/5.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 5, 3 | "api_model": "agent-roles", 4 | "api_link": "https://api.artic.edu/api/v1/agent-roles/5", 5 | "title": "Vendor", 6 | "source_updated_at": "2019-05-08T19:05:10-05:00", 7 | "updated_at": "2019-05-09T17:01:07-05:00", 8 | "timestamp": "2025-02-16T02:10:52-06:00" 9 | } -------------------------------------------------------------------------------- /json/agent-roles/7.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 7, 3 | "api_model": "agent-roles", 4 | "api_link": "https://api.artic.edu/api/v1/agent-roles/7", 5 | "title": "from", 6 | "source_updated_at": "2019-05-08T19:05:04-05:00", 7 | "updated_at": "2019-05-09T17:01:07-05:00", 8 | "timestamp": "2025-02-16T02:10:52-06:00" 9 | } -------------------------------------------------------------------------------- /json/agent-roles/8.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 8, 3 | "api_model": "agent-roles", 4 | "api_link": "https://api.artic.edu/api/v1/agent-roles/8", 5 | "title": "of", 6 | "source_updated_at": "2019-05-08T19:05:09-05:00", 7 | "updated_at": "2019-05-09T17:01:07-05:00", 8 | "timestamp": "2025-02-16T02:10:52-06:00" 9 | } -------------------------------------------------------------------------------- /json/agent-types/1.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 1, 3 | "api_model": "agent-types", 4 | "api_link": "https://api.artic.edu/api/v1/agent-types/1", 5 | "title": "Corporate Body", 6 | "source_updated_at": "2019-05-08T18:31:53-05:00", 7 | "updated_at": "2019-05-09T17:01:08-05:00", 8 | "timestamp": "2025-02-16T02:10:52-06:00" 9 | } -------------------------------------------------------------------------------- /json/agent-types/10.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 10, 3 | "api_model": "agent-types", 4 | "api_link": "https://api.artic.edu/api/v1/agent-types/10", 5 | "title": "Estate", 6 | "source_updated_at": "2019-05-08T18:31:54-05:00", 7 | "updated_at": "2019-05-09T17:01:08-05:00", 8 | "timestamp": "2025-02-16T02:10:52-06:00" 9 | } -------------------------------------------------------------------------------- /json/agent-types/11.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 11, 3 | "api_model": "agent-types", 4 | "api_link": "https://api.artic.edu/api/v1/agent-types/11", 5 | "title": "Bequest", 6 | "source_updated_at": "2019-05-08T18:31:54-05:00", 7 | "updated_at": "2019-05-09T17:01:08-05:00", 8 | "timestamp": "2025-02-16T02:10:52-06:00" 9 | } -------------------------------------------------------------------------------- /json/agent-types/2.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 2, 3 | "api_model": "agent-types", 4 | "api_link": "https://api.artic.edu/api/v1/agent-types/2", 5 | "title": "Culture", 6 | "source_updated_at": "2019-05-08T18:31:53-05:00", 7 | "updated_at": "2019-05-09T17:01:08-05:00", 8 | "timestamp": "2025-02-16T02:10:52-06:00" 9 | } -------------------------------------------------------------------------------- /json/agent-types/3.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 3, 3 | "api_model": "agent-types", 4 | "api_link": "https://api.artic.edu/api/v1/agent-types/3", 5 | "title": "Couple", 6 | "source_updated_at": "2019-05-08T18:31:53-05:00", 7 | "updated_at": "2019-05-09T17:01:08-05:00", 8 | "timestamp": "2025-02-16T02:10:52-06:00" 9 | } -------------------------------------------------------------------------------- /json/agent-types/4.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 4, 3 | "api_model": "agent-types", 4 | "api_link": "https://api.artic.edu/api/v1/agent-types/4", 5 | "title": "Museum Dept/Society", 6 | "source_updated_at": "2019-05-08T18:31:53-05:00", 7 | "updated_at": "2019-05-09T17:01:08-05:00", 8 | "timestamp": "2025-02-16T02:10:52-06:00" 9 | } -------------------------------------------------------------------------------- /json/agent-types/5.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 5, 3 | "api_model": "agent-types", 4 | "api_link": "https://api.artic.edu/api/v1/agent-types/5", 5 | "title": "Fund", 6 | "source_updated_at": "2019-05-08T18:31:54-05:00", 7 | "updated_at": "2019-05-09T17:01:08-05:00", 8 | "timestamp": "2025-02-16T02:10:52-06:00" 9 | } -------------------------------------------------------------------------------- /json/agent-types/7.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 7, 3 | "api_model": "agent-types", 4 | "api_link": "https://api.artic.edu/api/v1/agent-types/7", 5 | "title": "Individual", 6 | "source_updated_at": "2019-05-08T18:31:53-05:00", 7 | "updated_at": "2019-05-09T17:01:08-05:00", 8 | "timestamp": "2025-02-16T02:10:52-06:00" 9 | } -------------------------------------------------------------------------------- /json/agent-types/8.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 8, 3 | "api_model": "agent-types", 4 | "api_link": "https://api.artic.edu/api/v1/agent-types/8", 5 | "title": "Unknown", 6 | "source_updated_at": "2019-05-08T18:31:53-05:00", 7 | "updated_at": "2019-05-09T17:01:08-05:00", 8 | "timestamp": "2025-02-16T02:10:52-06:00" 9 | } -------------------------------------------------------------------------------- /json/agent-types/9.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 9, 3 | "api_model": "agent-types", 4 | "api_link": "https://api.artic.edu/api/v1/agent-types/9", 5 | "title": "School", 6 | "source_updated_at": "2019-05-08T18:31:53-05:00", 7 | "updated_at": "2019-05-09T17:01:08-05:00", 8 | "timestamp": "2025-02-16T02:10:52-06:00" 9 | } -------------------------------------------------------------------------------- /json/agents/102.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 102, 3 | "api_model": "agents", 4 | "api_link": "https://api.artic.edu/api/v1/agents/102", 5 | "title": "Alvar Aalto", 6 | "sort_title": "Aalto, Alvar", 7 | "alt_titles": [ 8 | "Hugo Alvar Henrik Aalto" 9 | ], 10 | "is_artist": true, 11 | "birth_date": 1898, 12 | "death_date": 1976, 13 | "description": null, 14 | "ulan_id": null, 15 | "suggest_autocomplete_all": { 16 | "input": [ 17 | "Alvar Aalto", 18 | "Aalto, Alvar", 19 | "Hugo Alvar Henrik Aalto" 20 | ], 21 | "weight": 2, 22 | "contexts": { 23 | "groupings": [ 24 | "title" 25 | ] 26 | } 27 | }, 28 | "source_updated_at": "1976-09-02T11:20:00-05:00", 29 | "updated_at": "2022-03-15T16:46:27-05:00", 30 | "timestamp": "2025-02-16T02:08:18-06:00" 31 | } -------------------------------------------------------------------------------- /json/agents/103.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 103, 3 | "api_model": "agents", 4 | "api_link": "https://api.artic.edu/api/v1/agents/103", 5 | "title": "Vilmos Aba-Nov\u00e1k", 6 | "sort_title": "Aba-Nov\u00e1k, Vilmos", 7 | "alt_titles": [ 8 | "Vilmos Aba- Nov\u00e1k" 9 | ], 10 | "is_artist": true, 11 | "birth_date": 1894, 12 | "death_date": 1941, 13 | "description": null, 14 | "ulan_id": null, 15 | "suggest_autocomplete_all": { 16 | "input": [ 17 | "Vilmos Aba-Nov\u00e1k", 18 | "Aba-Nov\u00e1k, Vilmos", 19 | "Vilmos Aba- Nov\u00e1k" 20 | ], 21 | "weight": 2, 22 | "contexts": { 23 | "groupings": [ 24 | "title" 25 | ] 26 | } 27 | }, 28 | "source_updated_at": "2022-10-14T10:33:37-05:00", 29 | "updated_at": "2022-10-14T10:35:53-05:00", 30 | "timestamp": "2025-02-16T02:08:18-06:00" 31 | } -------------------------------------------------------------------------------- /json/agents/106.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 106, 3 | "api_model": "agents", 4 | "api_link": "https://api.artic.edu/api/v1/agents/106", 5 | "title": "Magdalena Abakanowicz", 6 | "sort_title": "Abakanowicz, Magdalena", 7 | "alt_titles": [ 8 | "Magdalena Abakanawicz", 9 | "Magdalena Abakanowicz Kosmowski", 10 | "Magudarena Abakanovitchi" 11 | ], 12 | "is_artist": true, 13 | "birth_date": 1930, 14 | "death_date": 2017, 15 | "description": null, 16 | "ulan_id": null, 17 | "suggest_autocomplete_all": { 18 | "input": [ 19 | "Magdalena Abakanowicz", 20 | "Abakanowicz, Magdalena", 21 | "Magdalena Abakanawicz", 22 | "Magdalena Abakanowicz Kosmowski", 23 | "Magudarena Abakanovitchi" 24 | ], 25 | "weight": 2, 26 | "contexts": { 27 | "groupings": [ 28 | "title" 29 | ] 30 | } 31 | }, 32 | "source_updated_at": "2022-11-10T15:04:26-06:00", 33 | "updated_at": "2022-11-10T15:05:53-06:00", 34 | "timestamp": "2025-02-16T02:08:18-06:00" 35 | } -------------------------------------------------------------------------------- /json/agents/130.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 130, 3 | "api_model": "agents", 4 | "api_link": "https://api.artic.edu/api/v1/agents/130", 5 | "title": "Sigmund Abeles", 6 | "sort_title": "Abeles, Sigmund", 7 | "alt_titles": null, 8 | "is_artist": true, 9 | "birth_date": 1934, 10 | "death_date": null, 11 | "description": null, 12 | "ulan_id": null, 13 | "suggest_autocomplete_all": { 14 | "input": [ 15 | "Sigmund Abeles", 16 | "Abeles, Sigmund" 17 | ], 18 | "weight": 2, 19 | "contexts": { 20 | "groupings": [ 21 | "title" 22 | ] 23 | } 24 | }, 25 | "source_updated_at": "1976-09-02T11:20:00-05:00", 26 | "updated_at": "2022-03-15T16:46:27-05:00", 27 | "timestamp": "2025-02-16T02:08:18-06:00" 28 | } -------------------------------------------------------------------------------- /json/agents/148.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 148, 3 | "api_model": "agents", 4 | "api_link": "https://api.artic.edu/api/v1/agents/148", 5 | "title": "Rosalind Abramson", 6 | "sort_title": "Abramson, Rosalind", 7 | "alt_titles": null, 8 | "is_artist": true, 9 | "birth_date": 1901, 10 | "death_date": null, 11 | "description": null, 12 | "ulan_id": null, 13 | "suggest_autocomplete_all": { 14 | "input": [ 15 | "Rosalind Abramson", 16 | "Abramson, Rosalind" 17 | ], 18 | "weight": 2, 19 | "contexts": { 20 | "groupings": [ 21 | "title" 22 | ] 23 | } 24 | }, 25 | "source_updated_at": "1976-09-02T11:20:00-05:00", 26 | "updated_at": "2019-05-14T15:20:19-05:00", 27 | "timestamp": "2025-02-16T02:08:18-06:00" 28 | } -------------------------------------------------------------------------------- /json/agents/162.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 162, 3 | "api_model": "agents", 4 | "api_link": "https://api.artic.edu/api/v1/agents/162", 5 | "title": "Maurice-Victor Achener", 6 | "sort_title": "Achener, Maurice-Victor", 7 | "alt_titles": [ 8 | "Achener, Maurice" 9 | ], 10 | "is_artist": true, 11 | "birth_date": 1881, 12 | "death_date": null, 13 | "description": null, 14 | "ulan_id": null, 15 | "suggest_autocomplete_all": { 16 | "input": [ 17 | "Maurice-Victor Achener", 18 | "Achener, Maurice-Victor", 19 | "Achener, Maurice" 20 | ], 21 | "weight": 2, 22 | "contexts": { 23 | "groupings": [ 24 | "title" 25 | ] 26 | } 27 | }, 28 | "source_updated_at": "1976-09-02T11:20:00-05:00", 29 | "updated_at": "2022-03-15T16:46:27-05:00", 30 | "timestamp": "2025-02-16T02:08:18-06:00" 31 | } -------------------------------------------------------------------------------- /json/agents/173.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 173, 3 | "api_model": "agents", 4 | "api_link": "https://api.artic.edu/api/v1/agents/173", 5 | "title": "Max Ackermann", 6 | "sort_title": "Ackermann, Max", 7 | "alt_titles": null, 8 | "is_artist": true, 9 | "birth_date": 1887, 10 | "death_date": 1975, 11 | "description": null, 12 | "ulan_id": null, 13 | "suggest_autocomplete_all": { 14 | "input": [ 15 | "Max Ackermann", 16 | "Ackermann, Max" 17 | ], 18 | "weight": 2, 19 | "contexts": { 20 | "groupings": [ 21 | "title" 22 | ] 23 | } 24 | }, 25 | "source_updated_at": "1976-09-02T11:20:00-05:00", 26 | "updated_at": "2022-03-15T16:46:27-05:00", 27 | "timestamp": "2025-02-16T02:08:18-06:00" 28 | } -------------------------------------------------------------------------------- /json/agents/2.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 2, 3 | "api_model": "agents", 4 | "api_link": "https://api.artic.edu/api/v1/agents/2", 5 | "title": "Antiquarian Society", 6 | "sort_title": "Antiquarian Society", 7 | "alt_titles": [ 8 | "Art Institute of Chicago Antiquarian Society", 9 | "A.I.C. Antiquarian Society", 10 | "Decorative Arts Society", 11 | "Chicago Society of Decorative Art" 12 | ], 13 | "is_artist": true, 14 | "birth_date": null, 15 | "death_date": null, 16 | "description": null, 17 | "ulan_id": null, 18 | "suggest_autocomplete_all": { 19 | "input": [ 20 | "Antiquarian Society", 21 | "Antiquarian Society", 22 | "Art Institute of Chicago Antiquarian Society", 23 | "A.I.C. Antiquarian Society", 24 | "Decorative Arts Society", 25 | "Chicago Society of Decorative Art" 26 | ], 27 | "weight": 2, 28 | "contexts": { 29 | "groupings": [ 30 | "title" 31 | ] 32 | } 33 | }, 34 | "source_updated_at": "2024-12-17T16:49:12-06:00", 35 | "updated_at": "2024-12-17T16:50:51-06:00", 36 | "timestamp": "2025-02-16T02:08:18-06:00" 37 | } -------------------------------------------------------------------------------- /json/agents/25.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 25, 3 | "api_model": "agents", 4 | "api_link": "https://api.artic.edu/api/v1/agents/25", 5 | "title": "Anonymous", 6 | "sort_title": "Anonymous", 7 | "alt_titles": null, 8 | "is_artist": true, 9 | "birth_date": null, 10 | "death_date": null, 11 | "description": null, 12 | "ulan_id": null, 13 | "suggest_autocomplete_all": { 14 | "input": [ 15 | "Anonymous", 16 | "Anonymous" 17 | ], 18 | "weight": 2, 19 | "contexts": { 20 | "groupings": [ 21 | "title" 22 | ] 23 | } 24 | }, 25 | "source_updated_at": "1976-09-02T11:20:00-05:00", 26 | "updated_at": "2022-03-15T16:46:27-05:00", 27 | "timestamp": "2025-02-16T02:08:18-06:00" 28 | } -------------------------------------------------------------------------------- /json/articles/26.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 26, 3 | "api_model": "articles", 4 | "api_link": "https://api.artic.edu/api/v1/articles/26", 5 | "title": "Secrets of the Modern Wing, Take Two", 6 | "copy": " Part of the reason that the Modern Wing feels so harmonious is because, well, it is. And the secret behind that lies in one measurement: 6 \u00be\", aka the width of the oak floorboards in the Modern Wing. That\u2019s right\u2014everything in the building is based around that one tiny measurement. Of course, not everything in the building is 6 \u00be\", but everything is a multiple of that number. To lay it out for you: 6 \u00be\" x 2 = 1'1 \u00bd\" 6 \u00be\" x 4 = 2'3\" 6 \u00be\" x 8 = 4'6\" 6 \u00be\" x 16 = 9' 6 \u00be\" x 32 = 18' Not that I don\u2019t trust the Renzo Piano Building Workshop, but I decided to test this for myself . . . photographic evidence is below. And it\u2019s not just the architecture that follows these rules. Finally, I headed into the galleries and you guessed it . . . even this sculpture stand is 2'3\" wide. Also, for our loyal readers, please note the \"reveal\" at the bottom, previously discussed here by Erin H. As you can tell, everything was just as precise as I expected. So the next time you enter the Modern Wing and wonder why you feel so peaceful, remember it\u2019s all in the math. \u2014Katie Rahn ", 7 | "source_updated_at": "2018-08-24T16:52:47-05:00", 8 | "updated_at": "2025-02-15T23:16:17-06:00", 9 | "timestamp": "2025-02-16T02:22:16-06:00" 10 | } -------------------------------------------------------------------------------- /json/articles/34.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 34, 3 | "api_model": "articles", 4 | "api_link": "https://api.artic.edu/api/v1/articles/34", 5 | "title": "Transoms from the Ashes of Phoenix Hall", 6 | "copy": " If you visit the Art Institute sometime in the near future, you may be disappointed to learn that the Japanese galleries will be closed until fall 2010. The good news is that the reason for this closing is a renovation of the existing space and reinstallation of the Japanese art collection. One set of works that will be displayed for the first time in the new Weston Wing for Japanese Art are four carved wooden architectural transoms ( ramma panels) that were created by master Buddhist sculptor Takamara Koun for the Japanese pavilion, the Phoenix Hall, at the 1893 World\u2019s Columbian Exposition here in Chicago. The Phoenix Hall was Japan\u2019s main national pavilion at the fair. Modeled on an 11th-century temple outside Kyoto, it stood out against the beaux-arts buildings that made up the majority of the rest of the fair, the so-called \u201cWhite City.\u201d After the fair, the Japanese government gave the Phoenix Hall to the city of Chicago. However, two fires in 1945 and 1946 (supposedly acts of arson) destroyed the structures and necessitated their demolition. The only four pieces of the building remaining were the four ramma panels. These were stored\u2014and forgotten\u2014by the city under the bleachers of Soldier Field until they were discovered there in 1973. These icons of Chicago history and Japanese art were then separated: two panels were given to the Art Institute and two to the University of Illinois at Chicago. However, following UIC\u2019s concerns over the condition of their ramma , their two panels were given to the Art Institute in order to better conserve and display them. The museum is currently raising money for the restoration of the four panels so that they can be displayed together for the first time outside of the Japanese pavilion. The moral of the story? You never know what you\u2019re going to find under the bleachers at Soldier Field. \u2014Katie Rahn ", 7 | "source_updated_at": "2021-03-12T11:43:26-06:00", 8 | "updated_at": "2025-02-15T23:15:49-06:00", 9 | "timestamp": "2025-02-16T02:22:16-06:00" 10 | } -------------------------------------------------------------------------------- /json/articles/43.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 43, 3 | "api_model": "articles", 4 | "api_link": "https://api.artic.edu/api/v1/articles/43", 5 | "title": "This Valentine\u2019s Day, Will You Be Mine?", 6 | "copy": " This was a popular and serious subject in Victorian times. In a time of highly regulated courtship, sending a valentine allowed a sharing of feelings that could not be expressed in person. Even\u2014gasp\u2014women(!) were allowed to send valentines. The Art Institute\u2019s Department of Prints and Drawings has a collection of over 2,000 valentines from the Victorian period, including fanciful creations of paper lace, fabric scraps, and artificial flowers; inexpensive printed cards with comic subjects; and even three-dimensional collages. In fact, we have one unusual example that features a real, preserved hummingbird (romantic, or just plain creepy?). Our valentine expert, Debra Mancoff, told me that the best-known valentine maker was an American woman, Esther Howland, who opened her own firm in Worcester, Massachusetts, in 1849, and hired only women. She was most famous for her extremely popular \u201cMay Basket\u201d valentines, of which we own two. They were made of sheets of paper lace, with a large, paper-cut basket in the middle that contained huge, crowded collages of flowers made from paper and fabric. In the 1850s, a besotted young fellow wanted to impress his fianc\u00e9e, and ordered a very impressive May Basket valentine from Esther for a whopping $10, which translates to approximately $300 today. He most certainly knocked the socks off his gal, but her parents, sadly, were less than impressed: they immediately broke off the engagement because they were appalled by how badly he handled his money. \u2014Sarah Guernsey ", 7 | "source_updated_at": "2018-09-13T15:09:34-05:00", 8 | "updated_at": "2025-02-15T23:16:17-06:00", 9 | "timestamp": "2025-02-16T02:22:16-06:00" 10 | } -------------------------------------------------------------------------------- /json/articles/46.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 46, 3 | "api_model": "articles", 4 | "api_link": "https://api.artic.edu/api/v1/articles/46", 5 | "title": "The Mummy Returns", 6 | "copy": " I would like to relate one of the more interesting questions to have come up in the Art Institute\u2019s legal department. Curators can say the darndest things, but this unabridged email from Karen Manchester, an ancient art curator who should have been a word economist, takes the prize: Karen\u2019s email: Hi, Any laws regulating the interstate transportation of dead bodies that we should be aware of? -K Upon ruling out that Karen needed the services of a criminal lawyer, I learned that her question was motivated by plans to transport a mummy to the museum. The mummy (named Wenuhotep, at the time) and its case had been on loan to an out-of-state museum for over fifty years, and now curators were interested in its return for study and display. The Art Institute is not in the business of moving bodies, ancient or otherwise, so Karen\u2019s question required some research. After scouring the books and consulting with colleagues at other museums, we finally determined that there did not appear to be any legal hurdles to transporting the mummy. So, after negotiating an agreement allowing the borrowing museum to create a replica of the mummy and case, the Art Institute finally got its mummy back. The story does not end there, however, as subsequent research has revealed some interesting facts about the mummy, including that she is not the lady we thought she was . . . Stay tuned. \u2014Troy Klyber ", 7 | "source_updated_at": "2018-09-13T15:21:39-05:00", 8 | "updated_at": "2025-02-15T23:16:17-06:00", 9 | "timestamp": "2025-02-16T02:22:16-06:00" 10 | } -------------------------------------------------------------------------------- /json/articles/76.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 76, 3 | "api_model": "articles", 4 | "api_link": "https://api.artic.edu/api/v1/articles/76", 5 | "title": "An Ernest Assumption: El Greco", 6 | "copy": " A Friday game of connect the dots: The Assumption of the Virgin came on the market in 1904, when El Greco\u2019s reputation as a painter was at a relatively low ebb. It had passed through a few hands since the 16th century, and the heirs of the then-owners were unable to sell it in Madrid. It went on view at the Galerie Durand-Ruel in Paris from 1904 to 1905, where it became a favorite of modern artists such as Picasso and . . . Mary Cassatt. Cassatt took it upon herself to find the altarpiece a home. First, she convinced her friends Louisine and Henry Havemeyer to loan Durand-Ruel the money to purchase the painting. Havemeyer then offered the Assumption to the Metropolitan Museum of Art. They rejected it. Cassatt went on a campaign, after the Met\u2019s rejection, to interest American museums in the painting. The Philadelphia Academy of the Fine Arts said no. The Museum of Fine Arts, Boston, said no. Working her way west, Cassatt was able to interest the Art Institute of Chicago in the painting, though it took the president of the Board of Trustees nineteen months to raise the necessary funds from trustees skeptical of El Greco\u2019s place in history. So the Art Institute now had the Assumption , where it quickly became a signature work. In the early decades of the twentieth century, another \u201csignature work\u201d was developing as Ernest Hemingway was growing up in Oak Park, just across the Chicago city line. His mother, who had a family membership to the Art Institute, frequently took him to the museum specifically to see the Assumption . He would later claim that the painting inspired him to write as boldly as El Greco had painted. \u2014Erin Hogan ", 7 | "source_updated_at": "2018-09-14T10:49:40-05:00", 8 | "updated_at": "2025-02-15T23:16:15-06:00", 9 | "timestamp": "2025-02-16T02:22:16-06:00" 10 | } -------------------------------------------------------------------------------- /json/artwork-date-qualifiers/1.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 1, 3 | "api_model": "artwork-date-qualifiers", 4 | "api_link": "https://api.artic.edu/api/v1/artwork-date-qualifiers/1", 5 | "title": "Cast", 6 | "source_updated_at": "2019-05-08T21:59:23-05:00", 7 | "updated_at": "2019-05-09T17:01:07-05:00", 8 | "timestamp": "2025-02-16T02:10:52-06:00" 9 | } -------------------------------------------------------------------------------- /json/artwork-date-qualifiers/10.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 10, 3 | "api_model": "artwork-date-qualifiers", 4 | "api_link": "https://api.artic.edu/api/v1/artwork-date-qualifiers/10", 5 | "title": "Published", 6 | "source_updated_at": "2019-05-08T21:59:23-05:00", 7 | "updated_at": "2019-05-09T17:01:07-05:00", 8 | "timestamp": "2025-02-16T02:10:52-06:00" 9 | } -------------------------------------------------------------------------------- /json/artwork-date-qualifiers/2.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 2, 3 | "api_model": "artwork-date-qualifiers", 4 | "api_link": "https://api.artic.edu/api/v1/artwork-date-qualifiers/2", 5 | "title": "Designed", 6 | "source_updated_at": "2019-05-08T21:59:23-05:00", 7 | "updated_at": "2019-05-09T17:01:07-05:00", 8 | "timestamp": "2025-02-16T02:10:52-06:00" 9 | } -------------------------------------------------------------------------------- /json/artwork-date-qualifiers/3.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 3, 3 | "api_model": "artwork-date-qualifiers", 4 | "api_link": "https://api.artic.edu/api/v1/artwork-date-qualifiers/3", 5 | "title": "Patented", 6 | "source_updated_at": "2019-05-08T21:59:22-05:00", 7 | "updated_at": "2019-05-09T17:01:07-05:00", 8 | "timestamp": "2025-02-16T02:10:52-06:00" 9 | } -------------------------------------------------------------------------------- /json/artwork-date-qualifiers/4.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 4, 3 | "api_model": "artwork-date-qualifiers", 4 | "api_link": "https://api.artic.edu/api/v1/artwork-date-qualifiers/4", 5 | "title": "Made", 6 | "source_updated_at": "2019-05-08T21:59:23-05:00", 7 | "updated_at": "2019-05-09T17:01:07-05:00", 8 | "timestamp": "2025-02-16T02:10:52-06:00" 9 | } -------------------------------------------------------------------------------- /json/artwork-date-qualifiers/5.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 5, 3 | "api_model": "artwork-date-qualifiers", 4 | "api_link": "https://api.artic.edu/api/v1/artwork-date-qualifiers/5", 5 | "title": "Original", 6 | "source_updated_at": "2019-05-08T21:59:23-05:00", 7 | "updated_at": "2019-05-09T17:01:07-05:00", 8 | "timestamp": "2025-02-16T02:10:52-06:00" 9 | } -------------------------------------------------------------------------------- /json/artwork-date-qualifiers/6.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 6, 3 | "api_model": "artwork-date-qualifiers", 4 | "api_link": "https://api.artic.edu/api/v1/artwork-date-qualifiers/6", 5 | "title": "Printed", 6 | "source_updated_at": "2019-05-08T21:59:23-05:00", 7 | "updated_at": "2019-05-09T17:01:07-05:00", 8 | "timestamp": "2025-02-16T02:10:52-06:00" 9 | } -------------------------------------------------------------------------------- /json/artwork-date-qualifiers/7.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 7, 3 | "api_model": "artwork-date-qualifiers", 4 | "api_link": "https://api.artic.edu/api/v1/artwork-date-qualifiers/7", 5 | "title": "Found", 6 | "source_updated_at": "2019-05-08T21:59:22-05:00", 7 | "updated_at": "2019-05-09T17:01:07-05:00", 8 | "timestamp": "2025-02-16T02:10:52-06:00" 9 | } -------------------------------------------------------------------------------- /json/artwork-date-qualifiers/8.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 8, 3 | "api_model": "artwork-date-qualifiers", 4 | "api_link": "https://api.artic.edu/api/v1/artwork-date-qualifiers/8", 5 | "title": "Potted", 6 | "source_updated_at": "2019-05-08T21:59:23-05:00", 7 | "updated_at": "2019-05-09T17:01:07-05:00", 8 | "timestamp": "2025-02-16T02:10:52-06:00" 9 | } -------------------------------------------------------------------------------- /json/artwork-date-qualifiers/9.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 9, 3 | "api_model": "artwork-date-qualifiers", 4 | "api_link": "https://api.artic.edu/api/v1/artwork-date-qualifiers/9", 5 | "title": "Decorated", 6 | "source_updated_at": "2019-05-08T21:59:23-05:00", 7 | "updated_at": "2019-05-09T17:01:07-05:00", 8 | "timestamp": "2025-02-16T02:10:52-06:00" 9 | } -------------------------------------------------------------------------------- /json/artwork-place-qualifiers/1.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 1, 3 | "api_model": "artwork-place-qualifiers", 4 | "api_link": "https://api.artic.edu/api/v1/artwork-place-qualifiers/1", 5 | "title": "Building address", 6 | "source_updated_at": "2019-05-08T18:00:18-05:00", 7 | "updated_at": "2019-05-09T17:01:07-05:00", 8 | "timestamp": "2025-02-16T02:10:52-06:00" 9 | } -------------------------------------------------------------------------------- /json/artwork-place-qualifiers/2.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 2, 3 | "api_model": "artwork-place-qualifiers", 4 | "api_link": "https://api.artic.edu/api/v1/artwork-place-qualifiers/2", 5 | "title": "Object found in", 6 | "source_updated_at": "2019-05-08T18:00:19-05:00", 7 | "updated_at": "2019-05-09T17:01:07-05:00", 8 | "timestamp": "2025-02-16T02:10:52-06:00" 9 | } -------------------------------------------------------------------------------- /json/artwork-place-qualifiers/3.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 3, 3 | "api_model": "artwork-place-qualifiers", 4 | "api_link": "https://api.artic.edu/api/v1/artwork-place-qualifiers/3", 5 | "title": "Object made in", 6 | "source_updated_at": "2019-05-08T18:00:19-05:00", 7 | "updated_at": "2019-05-09T17:01:07-05:00", 8 | "timestamp": "2025-02-16T02:10:52-06:00" 9 | } -------------------------------------------------------------------------------- /json/artwork-place-qualifiers/4.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 4, 3 | "api_model": "artwork-place-qualifiers", 4 | "api_link": "https://api.artic.edu/api/v1/artwork-place-qualifiers/4", 5 | "title": "Exported to", 6 | "source_updated_at": "2019-05-08T18:00:18-05:00", 7 | "updated_at": "2019-05-09T17:01:07-05:00", 8 | "timestamp": "2025-02-16T02:10:52-06:00" 9 | } -------------------------------------------------------------------------------- /json/artwork-place-qualifiers/5.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 5, 3 | "api_model": "artwork-place-qualifiers", 4 | "api_link": "https://api.artic.edu/api/v1/artwork-place-qualifiers/5", 5 | "title": "Purchased in", 6 | "source_updated_at": "2019-05-08T18:00:18-05:00", 7 | "updated_at": "2019-05-09T17:01:07-05:00", 8 | "timestamp": "2025-02-16T02:10:52-06:00" 9 | } -------------------------------------------------------------------------------- /json/artwork-place-qualifiers/50.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 50, 3 | "api_model": "artwork-place-qualifiers", 4 | "api_link": "https://api.artic.edu/api/v1/artwork-place-qualifiers/50", 5 | "title": "Place depicted", 6 | "source_updated_at": "2019-05-08T18:00:19-05:00", 7 | "updated_at": "2019-05-09T17:01:07-05:00", 8 | "timestamp": "2025-02-16T02:10:52-06:00" 9 | } -------------------------------------------------------------------------------- /json/artwork-place-qualifiers/6.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 6, 3 | "api_model": "artwork-place-qualifiers", 4 | "api_link": "https://api.artic.edu/api/v1/artwork-place-qualifiers/6", 5 | "title": "Minted in", 6 | "source_updated_at": "2019-05-08T18:00:18-05:00", 7 | "updated_at": "2019-05-09T17:01:07-05:00", 8 | "timestamp": "2025-02-16T02:10:52-06:00" 9 | } -------------------------------------------------------------------------------- /json/artwork-place-qualifiers/7.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 7, 3 | "api_model": "artwork-place-qualifiers", 4 | "api_link": "https://api.artic.edu/api/v1/artwork-place-qualifiers/7", 5 | "title": "Object designed in", 6 | "source_updated_at": "2019-05-08T18:00:18-05:00", 7 | "updated_at": "2019-05-09T17:01:07-05:00", 8 | "timestamp": "2025-02-16T02:10:52-06:00" 9 | } -------------------------------------------------------------------------------- /json/artwork-place-qualifiers/8.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 8, 3 | "api_model": "artwork-place-qualifiers", 4 | "api_link": "https://api.artic.edu/api/v1/artwork-place-qualifiers/8", 5 | "title": "Artist's nationality:", 6 | "source_updated_at": "2023-06-30T15:23:03-05:00", 7 | "updated_at": "2023-06-30T15:27:37-05:00", 8 | "timestamp": "2025-02-16T02:10:52-06:00" 9 | } -------------------------------------------------------------------------------- /json/artwork-place-qualifiers/9.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 9, 3 | "api_model": "artwork-place-qualifiers", 4 | "api_link": "https://api.artic.edu/api/v1/artwork-place-qualifiers/9", 5 | "title": "Influence from", 6 | "source_updated_at": "2019-05-08T18:00:18-05:00", 7 | "updated_at": "2019-05-09T17:01:07-05:00", 8 | "timestamp": "2025-02-16T02:10:52-06:00" 9 | } -------------------------------------------------------------------------------- /json/artwork-types/1.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 1, 3 | "api_model": "artwork-types", 4 | "api_link": "https://api.artic.edu/api/v1/artwork-types/1", 5 | "title": "Painting", 6 | "aat_id": 300033618, 7 | "source_updated_at": "2019-05-08T19:03:58-05:00", 8 | "updated_at": "2022-04-22T10:38:03-05:00", 9 | "timestamp": "2025-02-16T02:10:52-06:00" 10 | } -------------------------------------------------------------------------------- /json/artwork-types/10.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 10, 3 | "api_model": "artwork-types", 4 | "api_link": "https://api.artic.edu/api/v1/artwork-types/10", 5 | "title": "Audio-Video", 6 | "aat_id": 300102067, 7 | "source_updated_at": "2019-05-08T19:03:57-05:00", 8 | "updated_at": "2022-03-15T16:31:40-05:00", 9 | "timestamp": "2025-02-16T02:10:52-06:00" 10 | } -------------------------------------------------------------------------------- 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"2025-02-16T02:10:52-06:00" 10 | } -------------------------------------------------------------------------------- /json/artwork-types/5.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 5, 3 | "api_model": "artwork-types", 4 | "api_link": "https://api.artic.edu/api/v1/artwork-types/5", 5 | "title": "Textile", 6 | "aat_id": 300014063, 7 | "source_updated_at": "2019-05-08T19:03:59-05:00", 8 | "updated_at": "2022-03-15T16:31:39-05:00", 9 | "timestamp": "2025-02-16T02:10:52-06:00" 10 | } -------------------------------------------------------------------------------- /json/artwork-types/6.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 6, 3 | "api_model": "artwork-types", 4 | "api_link": "https://api.artic.edu/api/v1/artwork-types/6", 5 | "title": "Furniture", 6 | "aat_id": 300037336, 7 | "source_updated_at": "2019-05-08T19:03:59-05:00", 8 | "updated_at": "2022-03-15T16:31:39-05:00", 9 | "timestamp": "2025-02-16T02:10:52-06:00" 10 | } -------------------------------------------------------------------------------- /json/artwork-types/7.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 7, 3 | "api_model": "artwork-types", 4 | "api_link": "https://api.artic.edu/api/v1/artwork-types/7", 5 | "title": "Mask", 6 | "aat_id": 300138758, 7 | "source_updated_at": "2019-05-08T19:04:00-05:00", 8 | "updated_at": "2022-03-15T16:31:39-05:00", 9 | "timestamp": "2025-02-16T02:10:52-06:00" 10 | } -------------------------------------------------------------------------------- /json/artwork-types/8.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 8, 3 | "api_model": "artwork-types", 4 | "api_link": "https://api.artic.edu/api/v1/artwork-types/8", 5 | "title": "Decorative Arts", 6 | "aat_id": 300411641, 7 | "source_updated_at": 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-------------------------------------------------------------------------------- 1 | { 2 | "id": "PC-10", 3 | "api_model": "category-terms", 4 | "api_link": "https://api.artic.edu/api/v1/category-terms/PC-10", 5 | "title": "Painting and Sculpture of Europe", 6 | "subtype": "department", 7 | "parent_id": null, 8 | "aat_id": null, 9 | "suggest_autocomplete_all": { 10 | "input": [ 11 | "Painting and Sculpture of Europe" 12 | ], 13 | "contexts": { 14 | "groupings": [ 15 | "title" 16 | ] 17 | } 18 | }, 19 | "source_updated_at": "2020-09-12T11:56:38-05:00", 20 | "updated_at": "2020-09-12T12:33:10-05:00", 21 | "timestamp": "2025-02-16T02:10:52-06:00" 22 | } -------------------------------------------------------------------------------- /json/category-terms/PC-100.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": "PC-100", 3 | "api_model": "category-terms", 4 | "api_link": "https://api.artic.edu/api/v1/category-terms/PC-100", 5 | "title": "Impressionism and Post-Impressionism", 6 | "subtype": "department", 7 | "parent_id": "PC-10", 8 | "aat_id": null, 9 | "source_updated_at": "2019-05-08T18:03:28-05:00", 10 | "updated_at": "2019-05-09T17:01:10-05:00", 11 | "timestamp": "2025-02-16T02:10:52-06:00" 12 | } -------------------------------------------------------------------------------- /json/category-terms/PC-101.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": "PC-101", 3 | "api_model": "category-terms", 4 | "api_link": "https://api.artic.edu/api/v1/category-terms/PC-101", 5 | "title": "Modern Painting and Sculpture", 6 | "subtype": "department", 7 | "parent_id": "PC-10", 8 | "aat_id": null, 9 | "source_updated_at": "2019-05-08T18:03:12-05:00", 10 | "updated_at": "2019-05-09T17:01:10-05:00", 11 | "timestamp": "2025-02-16T02:10:52-06:00" 12 | } -------------------------------------------------------------------------------- /json/category-terms/PC-102.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": "PC-102", 3 | "api_model": "category-terms", 4 | "api_link": "https://api.artic.edu/api/v1/category-terms/PC-102", 5 | "title": "Chinese", 6 | "subtype": "department", 7 | "parent_id": "PC-7", 8 | "aat_id": null, 9 | "suggest_autocomplete_all": { 10 | "input": [ 11 | "Chinese" 12 | ], 13 | "contexts": { 14 | "groupings": [ 15 | "title" 16 | ] 17 | } 18 | }, 19 | "source_updated_at": "2019-05-08T18:02:58-05:00", 20 | "updated_at": "2019-05-09T17:01:10-05:00", 21 | "timestamp": "2025-02-16T02:10:52-06:00" 22 | } -------------------------------------------------------------------------------- /json/category-terms/PC-103.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": "PC-103", 3 | "api_model": "category-terms", 4 | "api_link": "https://api.artic.edu/api/v1/category-terms/PC-103", 5 | "title": "Japanese", 6 | "subtype": "department", 7 | 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"2019-05-09T17:01:10-05:00", 21 | "timestamp": "2025-02-16T02:10:52-06:00" 22 | } -------------------------------------------------------------------------------- /json/category-terms/PC-105.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": "PC-105", 3 | "api_model": "category-terms", 4 | "api_link": "https://api.artic.edu/api/v1/category-terms/PC-105", 5 | "title": "Southeast Asian", 6 | "subtype": "department", 7 | "parent_id": "PC-7", 8 | "aat_id": null, 9 | "source_updated_at": "2019-05-08T18:03:36-05:00", 10 | "updated_at": "2019-05-09T17:01:10-05:00", 11 | "timestamp": "2025-02-16T02:10:52-06:00" 12 | } -------------------------------------------------------------------------------- /json/category-terms/PC-106.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": "PC-106", 3 | "api_model": "category-terms", 4 | "api_link": "https://api.artic.edu/api/v1/category-terms/PC-106", 5 | "title": "Islamic", 6 | "subtype": "department", 7 | "parent_id": "PC-7", 8 | "aat_id": null, 9 | "source_updated_at": "2019-05-08T18:03:48-05:00", 10 | "updated_at": "2019-05-09T17:01:10-05:00", 11 | "timestamp": "2025-02-16T02:10:52-06:00" 12 | } -------------------------------------------------------------------------------- /json/category-terms/PC-107.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": "PC-107", 3 | "api_model": "category-terms", 4 | "api_link": "https://api.artic.edu/api/v1/category-terms/PC-107", 5 | "title": "Himalayan", 6 | "subtype": "department", 7 | "parent_id": "PC-7", 8 | "aat_id": null, 9 | "suggest_autocomplete_all": { 10 | "input": [ 11 | "Himalayan" 12 | ], 13 | "contexts": { 14 | "groupings": [ 15 | "title" 16 | ] 17 | } 18 | }, 19 | "source_updated_at": "2019-05-08T18:03:47-05:00", 20 | "updated_at": "2019-05-09T17:01:10-05:00", 21 | "timestamp": "2025-02-16T02:10:52-06:00" 22 | } -------------------------------------------------------------------------------- /json/config.json: -------------------------------------------------------------------------------- 1 | { 2 | "iiif_url": "https://www.artic.edu/iiif/2", 3 | "website_url": "http://www.artic.edu" 4 | } -------------------------------------------------------------------------------- /json/digital-publications/10.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 10, 3 | "api_model": "digital-publications", 4 | "api_link": "https://api.artic.edu/api/v1/digital-publications/10", 5 | "title": "James Ensor: The Temptation of Saint Anthony", 6 | "web_url": "https://www.artic.edu/digital-publications/10/james-ensor-the-temptation-of-saint-anthony", 7 | "copy": " James Ensor: The Temptation of Saint Anthony is the Art Institute\u2019s first online scholarly catalogue for a temporary exhibition. It features new art historical and conservation research, presented in essays and videos, on Ensor\u2019s monumental drawing The Temptation of Saint Anthony , which was the centerpiece of the exhibition Temptation: The Demons of James Ensor . The Belgian artist (1860\u20131949) spent most of his life in the coastal town of Ostend. He created The Temptation of Saint Anthony in 1887 at a time of great personal distress following the death of his English-born father. The drawing, nearly six feet tall and composed of 51 separate sheets of paper, has been meticulously conserved. This conservation, and Ensor\u2019s working process, are described in detail in the catalogue. Other essays explore the historical context and visual culture that influenced the artist. One brings to light never-before published letters written by Ensor that help us better understand the drawing. The catalogue includes high-resolution imaging that allows readers to zoom in to see the artist\u2019s marks in detail, as well as interactive components that show how Ensor overlapped various sheets. The publication is lavishly illustrated with more than 500 images. Susan M. Canning, Patrick Florizoone, Nancy Ireson, Kimberly J. Nichols, Sabine Taevernier, Herwig Todts, Debora Silverman, and Anna Swinbourne The catalogue is generously funded by the Regenstein Foundation. This is the Art Institute\u2019s third online publication to utilize the ChicagoCodeX, which has served as the foundation of the open-source digital publishing platform OSCI Toolkit . ", 8 | "source_updated_at": "2019-02-28T16:00:17-06:00", 9 | "updated_at": "2025-02-15T23:48:08-06:00", 10 | "timestamp": "2025-02-16T02:22:17-06:00" 11 | } -------------------------------------------------------------------------------- /json/digital-publications/11.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 11, 3 | "api_model": "digital-publications", 4 | "api_link": "https://api.artic.edu/api/v1/digital-publications/11", 5 | "title": "Monet Paintings and Drawings at the Art Institute of Chicago", 6 | "web_url": "https://www.artic.edu/digital-publications/11/monet-paintings-and-drawings-at-the-art-institute-of-chicago", 7 | "copy": " This volume, the first in the online series The Impressionist Circle at the Art Institute of Chicago , features forty-seven works by Monet. Entries on the paintings and drawings include new art historical research and unprecedented high-resolution imaging that allows readers to zoom in to see the artist\u2019s brushstrokes, as well as previously unpublished technical photography that unveils information hidden beneath the surface of the artwork through interactive, layered images showing X-ray, infrared, and other technical imaging. Conservation reports on each artwork offer in-depth studies of the artist\u2019s process and incorporate new scientific data on his materials. Other features include a glossary, scanned archival materials, and biographical information about significant historical collectors for the museum. Edited by Gloria Groom and Jill Shaw; essays by James Ganz, Gloria Groom, Nancy Ireson, Dawn Jaros, Kimberley Muir, Kimberly Nichols, and Jill Shaw; contributions by Inge Fiedler and Genevieve Westerby Funded by the Getty Foundation and the Art Institute\u2019s David and Mary Winton Green Nineteenth-Century Research Fund, with additional staffing support from the Samuel H. Kress Foundation and scientific research support from the Andrew W. Mellon Foundation, this catalogue is part of the Getty Foundation\u2019s Online Scholarly Catalogue Initiative (OSCI). ", 8 | "source_updated_at": "2020-06-16T09:21:06-05:00", 9 | "updated_at": "2025-02-15T23:48:06-06:00", 10 | "timestamp": "2025-02-16T02:22:17-06:00" 11 | } -------------------------------------------------------------------------------- /json/digital-publications/2.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 2, 3 | "api_model": "digital-publications", 4 | "api_link": "https://api.artic.edu/api/v1/digital-publications/2", 5 | "title": "American Silver", 6 | "web_url": "https://www.artic.edu/digital-publications/2/american-silver", 7 | "copy": " American Silver in the Art Institute of Chicago showcases the museum's superb collection of American silver. In-depth essays relate a fascinating story about eating, drinking, and entertaining that spans the history of the Republic and traces the development of the museum\u2019s holdings of American silver over nearly a century, and a catalogue incorporates detailed analysis of objects written by leading specialists. This digital augmentation of the 2017 publication provides stunning high-resolution photography and, for a select number of objects, three-dimensional captures that allow for close viewing. In addition, this edition includes an extensive illustrated checklist of additional objects. Edited by Elizabeth McGoey with contributions by Debra Schmidt Bach, David L. Barquist, Judith A. Barter, Jennifer Goldsborough, Medill Higgins Harvey, Patricia Kane, Elizabeth McGoey, Barbara K. Schnitzer, Janine E. Skerry, Ann Wagner, Gerald W. R. Ward, Deborah Dependahl Waters, Beth Carver Wees, and Elizabeth A. Williams American Silver in the Art Institute of Chicago is free and has received major support for this catalogue is provided by the Henry Luce Foundation. It is also made by possible by the generosity of the Community Associates of the Art Institute of Chicago, Mr. and Mrs. Henry M. Buchbinder, Carl and Marilynn Thoma, Louise Ingersoll Tausche, Jamee and Marshal Field V, Kay Bucksbaum, Celia and David Hilliard, and Jan and Bill Jentes. ", 8 | "source_updated_at": "2019-02-28T16:00:18-06:00", 9 | "updated_at": "2025-02-15T23:48:08-06:00", 10 | "timestamp": "2025-02-16T02:22:17-06:00" 11 | } -------------------------------------------------------------------------------- /json/digital-publications/3.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 3, 3 | "api_model": "digital-publications", 4 | "api_link": "https://api.artic.edu/api/v1/digital-publications/3", 5 | "title": "Modern Series: Go", 6 | "web_url": "https://www.artic.edu/digital-publications/3/modern-series-go", 7 | "copy": " Go is a digital catalogue that documents the experimental exhibition of the same name devoted to the theme of speed in life and art in the modern age. The second in the Art Institute\u2019s Modern Series, the exhibition offered new ways to present the museum's collection outside traditional approaches. The same is true for this publication, which features a unique design encouraging individual exploration. The digital catalogue includes an interactive section of works and didactics, an exhibition checklist, installation photographs, videos of related performances and programming, and reflections by the curators. Jill Bugajski and Kate Nesin This publication received generous financial support from Sylvia Neil and Dan Fischel. The exhibition was funded in part by a grant from Efroymson Family Fund. Major support was also provided by the Jack and Peggy Crowe Fund. ", 8 | "source_updated_at": "2019-04-02T13:24:47-05:00", 9 | "updated_at": "2025-02-15T23:48:08-06:00", 10 | "timestamp": "2025-02-16T02:22:17-06:00" 11 | } -------------------------------------------------------------------------------- /json/digital-publications/4.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 4, 3 | "api_model": "digital-publications", 4 | "api_link": "https://api.artic.edu/api/v1/digital-publications/4", 5 | "title": "Manet Paintings and Works on Paper at the Art Institute of Chicago", 6 | "web_url": "https://www.artic.edu/digital-publications/4/manet-paintings-and-works-on-paper-at-the-art-institute-of-chicago", 7 | "copy": " Manet Paintings and Works on Paper at the Art Institute of Chicago is the museum's sixth volume in its online series on Impressionism and Post-Impressionism. It features works from across the artist's career, including ten oil paintings, six drawings, two pastels on canvas, and over sixty prints. This catalogue brings together works in different media to generate fresh insights into Manet's unique working process; these include Boy with Pitcher and the related drawing Sketches from \u201cThe Gypsies,\u201d \u201cThe Spanish Ballet,\u201d and \u201cLola de Valence\u201d for L\u2019Autographe au Salon de 1865 . Entries from curators and conservators explore Manet's technique and track its development across his career. Edited by Gloria Groom and Genevieve Westerby; essays by Juliet Wilson-Bareau, Emily A. Beeny, Mary Broadway, Helen Burnham, Rachel Freeman, Kimberley Muir, Antoinette Owen, Maria Christina Rivera Ramos, Kirk Vuillemot, Frank Zuccari, Inge Fiedler, Federica Ponzi, Kelly Keegan The publication is free and has received generous funding from the Andrew W. Mellon Foundation as well as the Art Institute\u2019s David and Mary Winton Green Research Fund. ", 8 | "source_updated_at": "2020-06-16T09:21:01-05:00", 9 | "updated_at": "2025-02-15T23:48:06-06:00", 10 | "timestamp": "2025-02-16T02:22:17-06:00" 11 | } -------------------------------------------------------------------------------- /json/digital-publications/5.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 5, 3 | "api_model": "digital-publications", 4 | "api_link": "https://api.artic.edu/api/v1/digital-publications/5", 5 | "title": "Roman Art at the Art Institute of Chicago", 6 | "web_url": "https://www.artic.edu/digital-publications/5/roman-art-at-the-art-institute-of-chicago", 7 | "copy": " Roman Art at the Art Institute of Chicago is the most extensive investigation to date of the museum\u2019s works from ancient Rome. The catalogue focuses on 165 significant objects, many published for the first time, including sculptures in marble, bronze, stucco, and terra-cotta; coins; glass vessels; mosaic panels; cameos; Fayum portraits; and jewelry. Groundbreaking curatorial and conservation entries include new high-resolution photography, stunning 360-degree rotating views of the objects, and in-depth technical imaging and analysis. Edited by Katharine A. Raff; essays by Katharine A. Raff, Rachel C. Sabino, Lorenzo Lazzarini, Karen Manchester, John Twilley, Theresa Gross-Diaz, Sidney Goldstein, Sandra E. Knudsen, and Nicola Barham. The volume is free and was made possible thanks to a generous grant from the Andrew W. Mellon Foundation. ", 8 | "source_updated_at": "2019-02-28T16:00:18-06:00", 9 | "updated_at": "2025-02-15T23:48:08-06:00", 10 | "timestamp": "2025-02-16T02:22:17-06:00" 11 | } -------------------------------------------------------------------------------- /json/digital-publications/6.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 6, 3 | "api_model": "digital-publications", 4 | "api_link": "https://api.artic.edu/api/v1/digital-publications/6", 5 | "title": "Modern Series: Shatter Rupture Break", 6 | "web_url": "https://www.artic.edu/digital-publications/6/modern-series-shatter-rupture-break", 7 | "copy": " Shatter Rupture Break is a digital catalogue that documents the experimental exhibition of the same name devoted to the theme of fragmentation in life and art in the modern age. The first in the Art Institute\u2019s new Modern Series, the exhibition offered fresh and innovative ways to consider the collection beyond standard practices. The same is true for this publication, which features a unique design catered to individual exploration. The digital catalogue includes an interactive section of works and didactics, an exhibition checklist, installation photographs, transcripts and videos of related events, and a compilation of visitor reactions. Sarah Kelly Oehler and Elizabeth Siegel This publication received generous financial support from Sylvia Neil and Dan Fischel. ", 8 | "source_updated_at": "2019-04-02T13:24:04-05:00", 9 | "updated_at": "2025-02-15T23:48:08-06:00", 10 | "timestamp": "2025-02-16T02:22:17-06:00" 11 | } -------------------------------------------------------------------------------- /json/digital-publications/7.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 7, 3 | "api_model": "digital-publications", 4 | "api_link": "https://api.artic.edu/api/v1/digital-publications/7", 5 | "title": "Gauguin Paintings, Sculpture, and Graphic Works at the Art Institute of Chicago", 6 | "web_url": "https://www.artic.edu/digital-publications/7/gauguin-paintings-sculpture-and-graphic-works-at-the-art-institute-of-chicago", 7 | "copy": " Gauguin Paintings, Sculpture, and Graphic Works at the Art Institute of Chicago is the museum\u2019s fifth volume in its online series on the Impressionist circle. It features artworks that span the artist\u2019s career, including nine paintings, over 180 works on paper, a ceramic sculpture, and a cabinet. Entries from curators and conservators\u2014featuring new high-resolution photography and 360-degree views of sculptural objects\u2014offer novel insights into Gauguin\u2019s technique, show how he consistently pushed artistic approaches in new directions, and draw fascinating connections between his life and work. Edited by Gloria Groom and Genevieve Westerby; essays by Gloria Groom, Richard R. Brettell, Genevieve Westerby, Dario Gamboni, Douglas Druick, Peter Zegers, Kristin Lister, Inge Fiedler, Kirk Vuillemot, Suzie Schnepp, Emily Heye, Julie Simek, Nancy Ireson, Suzanne Folds McCullagh, Mel Becker Solomon, Hannah Klemm, Harriet Stratis, Mary Broadway, Celine Daher, and Kristi Dahm This publication received generous funding from the Andrew W. Mellon Foundation as well as the Art Institute\u2019s David and Mary Winton Green 19th-Century Research Fund. ", 8 | "source_updated_at": "2020-06-16T09:20:45-05:00", 9 | "updated_at": "2025-02-15T23:48:06-06:00", 10 | "timestamp": "2025-02-16T02:22:17-06:00" 11 | } -------------------------------------------------------------------------------- /json/digital-publications/8.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 8, 3 | "api_model": "digital-publications", 4 | "api_link": "https://api.artic.edu/api/v1/digital-publications/8", 5 | "title": "Caillebotte Paintings and Drawings at the Art Institute of Chicago", 6 | "web_url": "https://www.artic.edu/digital-publications/8/caillebotte-paintings-and-drawings-at-the-art-institute-of-chicago", 7 | "copy": " Groundbreaking conservation and research discoveries about Caillebotte\u2019s remarkable and beloved painting Paris Street: Rainy Day are revealed in Caillebotte Paintings and Drawings at the Art Institute of Chicago . One of the many digital assets included in the catalogue is a video shot on the street in Paris that helps to explain the artist\u2019s use of a camera lucida to create the preparatory sketch and painting. Interactive and layered high-resolution imaging, videos, and previously unpublished technical photography unveil extensive new research on the works. Other features include a glossary, scanned archival materials, and biographical information about significant historical collectors for the museum. Edited by Gloria Groom and Genevieve Westerby; essays by Gloria Groom, Kelly Keegan, Nancy Ireson, Antoinette Owen, and Kirk Vuillemot This free catalogue was supported by the Art Institute\u2019s David and Mary Winton Green Nineteenth-Century Research Fund. The catalogues were built using the OSCI Toolkit , an open-source, digital publishing platform. Find the code for the Art Institute OSCI Toolkit here under the OSCI-Toolkit, OSCI-Toolkit-Frontend, and ChicagoCodeX repositories. ", 8 | "source_updated_at": "2025-01-15T11:19:31-06:00", 9 | "updated_at": "2025-02-15T23:48:06-06:00", 10 | "timestamp": "2025-02-16T02:22:17-06:00" 11 | } -------------------------------------------------------------------------------- /json/digital-publications/9.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 9, 3 | "api_model": "digital-publications", 4 | "api_link": "https://api.artic.edu/api/v1/digital-publications/9", 5 | "title": "Pissarro Paintings and Works on Paper at the Art Institute of Chicago", 6 | "web_url": "https://www.artic.edu/digital-publications/9/pissarro-paintings-and-works-on-paper-at-the-art-institute-of-chicago", 7 | "copy": " Pissarro Paintings and Works on Paper at the Art Institute of Chicago is the museum\u2019s fourth volume in its digital series on the Impressionist circle. It features ten paintings and seven works on paper from across the artist\u2019s career, including\u2014uniquely among major museums\u2014both a painting and one of its preparatory drawings. The curatorial and conservation entries, which include new high-resolution photography, draw fascinating connections between Pissarro\u2019s life and work, and offer novel insights into his technique, showing how he consistently pushed Impressionist approaches in new directions. Edited by Gloria Groom and Genevieve Westerby; essays by Richard R. Brettel, Kelly Keegan, Kimberly Nichols, and Kirk Vuillemot The Pissarro project has received generous funding from the Mellon Foundation as well as the Art Institute\u2019s David and Mary Winton Green Nineteenth-Century Research Fund. The catalogues were built using the OSCI Toolkit , an open-source, digital publishing platform. ", 8 | "source_updated_at": "2020-06-16T09:20:33-05:00", 9 | "updated_at": "2025-02-15T23:48:08-06:00", 10 | "timestamp": "2025-02-16T02:22:17-06:00" 11 | } -------------------------------------------------------------------------------- /json/educator-resources/12.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 12, 3 | "api_model": "educator-resources", 4 | "api_link": "https://api.artic.edu/api/v1/educator-resources/12", 5 | "title": "Educator Resource Packet: A Boy in Front of the Loews 125th Street Movie Theater, from the series Harlem, U.S.A", 6 | "web_url": "https://www.artic.edu/collection/resources/educator-resources/12-educator-resource-packet-a-boy-in-front-of-the-loews-125th-street-movie-theater-from-the-series-harlem-usa", 7 | "copy": " A Boy in Front of the Loews 125th Street Movie Theater is one of thirty photographs that constitute Harlem, U.S.A. , Dawoud Bey\u2019s first significant body of work. In this series, he explores a multitude of approaches towards representing the identities of Harlem and its black residents. This teaching packet includes an essay, discussion questions, activity ideas, a glossary, and images of three photographs from the series. ", 8 | "source_updated_at": "2020-09-09T15:40:53-05:00", 9 | "updated_at": "2025-02-15T23:45:13-06:00", 10 | "timestamp": "2025-02-16T02:22:17-06:00" 11 | } -------------------------------------------------------------------------------- /json/educator-resources/13.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 13, 3 | "api_model": "educator-resources", 4 | "api_link": "https://api.artic.edu/api/v1/educator-resources/13", 5 | "title": "Educator Resource Packet: America Windows by Marc Chagall", 6 | "web_url": "https://www.artic.edu/collection/resources/educator-resources/13-educator-resource-packet-america-windows-by-marc-chagall", 7 | "copy": " Presented as a gift to the Art Institute of Chicago in 1977, the America Windows remain an integral symbol of the city\u2019s longstanding relationship with the arts. Artist Marc Chagall began working on his design for the windows in 1976, America\u2019s bicentennial year, and constructed the windows as a tribute to the freedom of artistic expression enjoyed by the people of the United States. This teaching packet includes an essay, discussion questions, activity ideas, a glossary, and an image of the artwork. ", 8 | "source_updated_at": "2020-05-12T17:10:18-05:00", 9 | "updated_at": "2025-02-15T23:45:15-06:00", 10 | "timestamp": "2025-02-16T02:22:17-06:00" 11 | } -------------------------------------------------------------------------------- /json/educator-resources/17.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 17, 3 | "api_model": "educator-resources", 4 | "api_link": "https://api.artic.edu/api/v1/educator-resources/17", 5 | "title": "Educator Resource Packet: City Landscape by Joan Mitchell", 6 | "web_url": "https://www.artic.edu/collection/resources/educator-resources/17-educator-resource-packet-city-landscape-by-joan-mitchell", 7 | "copy": " During the early 1950s, the decade in which City Landscape was produced, Joan Mitchell created many paintings that suggest urban environments. With its pulsating strands and slashes of bright color, the work evokes memories of bustling cities that Mitchell recalled from her travels in the American Midwest. This teaching packet includes an essay, discussion questions, activity ideas, a glossary, and an image of the artwork. ", 8 | "source_updated_at": "2020-09-09T15:34:12-05:00", 9 | "updated_at": "2025-02-15T23:45:13-06:00", 10 | "timestamp": "2025-02-16T02:22:17-06:00" 11 | } -------------------------------------------------------------------------------- /json/educator-resources/20.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 20, 3 | "api_model": "educator-resources", 4 | "api_link": "https://api.artic.edu/api/v1/educator-resources/20", 5 | "title": "Educator Resource Packet: Equestrienne (At the Cirque Fernando) by Henri Toulouse-Lautrec", 6 | "web_url": "https://www.artic.edu/collection/resources/educator-resources/20-educator-resource-packet-equestrienne-at-the-cirque-fernando-by-henri-toulouse-lautrec", 7 | "copy": " Thinly and rapidly painted, Equestrienne (At the Cirque Fernando) (1887-88) has the confident, improvisational quality of a drawing. Its subject is the Circus Fernando, one of the first permanent circuses in Paris, which provided rich inspiration to many artists, both before and after Toulouse-Lautrec portrayed it. This teaching packet includes an essay, discussion questions, activity ideas, a glossary, and an image of the artwork. ", 8 | "source_updated_at": "2020-09-09T15:30:45-05:00", 9 | "updated_at": "2025-02-15T23:45:13-06:00", 10 | "timestamp": "2025-02-16T02:22:17-06:00" 11 | } -------------------------------------------------------------------------------- /json/educator-resources/23.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 23, 3 | "api_model": "educator-resources", 4 | "api_link": "https://api.artic.edu/api/v1/educator-resources/23", 5 | "title": "Educator Resource Packet: Harvest Talk by Charles White", 6 | "web_url": "https://www.artic.edu/collection/resources/educator-resources/23-educator-resource-packet-harvest-talk-by-charles-white", 7 | "copy": " Charles Wilbert White depicted the dignity of rural labor with two powerful figures. The contours of scythe, hat brims, and forearms echo the curves of the horizon and clouds, portraying these workers in harmony with the landscape. This teaching packet includes an essay, discussion questions, activity ideas, and a glossary. ", 8 | "source_updated_at": "2020-09-09T15:41:38-05:00", 9 | "updated_at": "2025-02-15T23:45:13-06:00", 10 | "timestamp": "2025-02-16T02:22:17-06:00" 11 | } -------------------------------------------------------------------------------- /json/educator-resources/25.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 25, 3 | "api_model": "educator-resources", 4 | "api_link": "https://api.artic.edu/api/v1/educator-resources/25", 5 | "title": "Educator Resource Packet: Into the World There Came A Soul Called Ida by Ivan Albright", 6 | "web_url": "https://www.artic.edu/collection/resources/educator-resources/25-educator-resource-packet-into-the-world-there-came-a-soul-called-ida-by-ivan-albright", 7 | "copy": " To render this haunting portrait, Albright used a precise painting technique that encourages viewers to look at all the details that convey Ida's persona, such as clothing, accessories, and setting. This teaching packet includes an essay, discussion questions, activity ideas, a glossary, and an image of the artwork ", 8 | "source_updated_at": "2020-04-21T16:27:31-05:00", 9 | "updated_at": "2025-02-15T23:45:16-06:00", 10 | "timestamp": "2025-02-16T02:22:17-06:00" 11 | } -------------------------------------------------------------------------------- /json/educator-resources/28.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 28, 3 | "api_model": "educator-resources", 4 | "api_link": "https://api.artic.edu/api/v1/educator-resources/28", 5 | "title": "Educator Resource Packet: Many Mansions by Kerry James Marshall", 6 | "web_url": "https://www.artic.edu/collection/resources/educator-resources/28-educator-resource-packet-many-mansions-by-kerry-james-marshall", 7 | "copy": " In Many Mansions , our eyes are first drawn to the sign above the colorful flower garden, announcing the eight towers of Chicago's Stateway Gardens projects, seen in the distance. Kerry James Marshall combined the real and the ideal to portray the residents' efforts to preserve their community. This teaching packet includes an essay, discussion questions, activity ideas, and a glossary. ", 8 | "source_updated_at": "2020-06-29T15:23:46-05:00", 9 | "updated_at": "2025-02-15T23:45:14-06:00", 10 | "timestamp": "2025-02-16T02:22:17-06:00" 11 | } -------------------------------------------------------------------------------- /json/educator-resources/30.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 30, 3 | "api_model": "educator-resources", 4 | "api_link": "https://api.artic.edu/api/v1/educator-resources/30", 5 | "title": "Educator Resource Packet: Merrymakers in an Inn by Adriaen van Ostade", 6 | "web_url": "https://www.artic.edu/collection/resources/educator-resources/30-educator-resource-packet-merrymakers-in-an-inn-by-adriaen-van-ostade", 7 | "copy": " Adriaen van Ostade's Merrymakers in an Inn illustrates peasants of multi-generations celebrating a joyous event in a spacious and picturesque interior. In the 17th century, the inn served as a humble center for peasant revelry in the Dutch Republic and Ostade took special interest in the colorful, compelling activities shared in these establishments. This teaching packet includes an essay, discussion questions, activity ideas, a glossary, and an image of the artwork. ", 8 | "source_updated_at": "2020-04-21T16:29:04-05:00", 9 | "updated_at": "2025-02-15T23:45:16-06:00", 10 | "timestamp": "2025-02-16T02:22:17-06:00" 11 | } -------------------------------------------------------------------------------- /json/educator-resources/31.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 31, 3 | "api_model": "educator-resources", 4 | "api_link": "https://api.artic.edu/api/v1/educator-resources/31", 5 | "title": "Educator Resource Packet: Portrait of Sylvette David by Pablo Picasso", 6 | "web_url": "https://www.artic.edu/collection/resources/educator-resources/31-educator-resource-packet-portrait-of-sylvette-david-by-pablo-picasso", 7 | "copy": " While living in the small town of Vallauris on the southern coast of France, Spanish artist Pablo Picasso encountered a young woman named Sylvette David. Her stunning features fascinated Picasso so much that over the course of the next three months, he composed more than 40 paintings and drawings in a range of styles. In this particular image of Sylvette, her features are greatly distorted as Picasso began to examine her facial features and characteristics as closely and specifically as possible. This teaching packet includes an essay, discussion questions, activity ideas, and a glossary. ", 8 | "source_updated_at": "2020-04-21T16:49:21-05:00", 9 | "updated_at": "2025-02-15T23:45:16-06:00", 10 | "timestamp": "2025-02-16T02:22:17-06:00" 11 | } -------------------------------------------------------------------------------- /json/educator-resources/32.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 32, 3 | "api_model": "educator-resources", 4 | "api_link": "https://api.artic.edu/api/v1/educator-resources/32", 5 | "title": "Educator Resource Packet: Saint George Killing the Dragon by Bernat Martorell", 6 | "web_url": "https://www.artic.edu/collection/resources/educator-resources/32-educator-resource-packet-saint-george-killing-the-dragon-by-bernat-martorell", 7 | "copy": " This painting features the famous medieval legend of Saint George, who saved a princess about to be sacrificed to the dragon threatening her father's kingdom. This teaching packet includes an essay, discussion questions, activity ideas, and a glossary. ", 8 | "source_updated_at": "2020-05-01T15:23:09-05:00", 9 | "updated_at": "2025-02-15T23:45:15-06:00", 10 | "timestamp": "2025-02-16T02:22:17-06:00" 11 | } -------------------------------------------------------------------------------- /json/event-programs/11.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 11, 3 | "api_model": "event-programs", 4 | "api_link": "https://api.artic.edu/api/v1/event-programs/11", 5 | "title": "Lectures", 6 | "is_affiliate_group": false, 7 | "is_event_host": false, 8 | "source_updated_at": "2018-08-10T10:48:54-05:00", 9 | "updated_at": "2025-02-15T23:30:10-06:00", 10 | "timestamp": "2025-02-16T02:22:16-06:00" 11 | } -------------------------------------------------------------------------------- /json/event-programs/12.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 12, 3 | "api_model": "event-programs", 4 | "api_link": "https://api.artic.edu/api/v1/event-programs/12", 5 | "title": "Verbal Description Tours", 6 | "is_affiliate_group": false, 7 | "is_event_host": false, 8 | "source_updated_at": "2018-08-10T10:48:54-05:00", 9 | "updated_at": "2025-02-15T23:30:10-06:00", 10 | "timestamp": "2025-02-16T02:22:16-06:00" 11 | } -------------------------------------------------------------------------------- /json/event-programs/16.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 16, 3 | "api_model": "event-programs", 4 | "api_link": "https://api.artic.edu/api/v1/event-programs/16", 5 | "title": "Antiquarian Society", 6 | "is_affiliate_group": false, 7 | "is_event_host": false, 8 | "source_updated_at": "2018-08-10T10:48:54-05:00", 9 | "updated_at": "2025-02-15T23:30:09-06:00", 10 | "timestamp": "2025-02-16T02:22:16-06:00" 11 | } -------------------------------------------------------------------------------- /json/event-programs/24.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 24, 3 | "api_model": "event-programs", 4 | "api_link": "https://api.artic.edu/api/v1/event-programs/24", 5 | "title": "Society for Contemporary Art", 6 | "is_affiliate_group": false, 7 | "is_event_host": true, 8 | "source_updated_at": "2020-04-01T11:49:54-05:00", 9 | "updated_at": "2025-02-15T23:30:09-06:00", 10 | "timestamp": "2025-02-16T02:22:16-06:00" 11 | } -------------------------------------------------------------------------------- /json/event-programs/26.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 26, 3 | "api_model": "event-programs", 4 | "api_link": "https://api.artic.edu/api/v1/event-programs/26", 5 | "title": "Woman\u2019s Board", 6 | "is_affiliate_group": false, 7 | "is_event_host": true, 8 | "source_updated_at": "2020-02-10T12:35:02-06:00", 9 | "updated_at": "2025-02-15T23:30:09-06:00", 10 | "timestamp": "2025-02-16T02:22:16-06:00" 11 | } -------------------------------------------------------------------------------- /json/event-programs/27.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 27, 3 | "api_model": "event-programs", 4 | "api_link": "https://api.artic.edu/api/v1/event-programs/27", 5 | "title": "Accessibility", 6 | "is_affiliate_group": false, 7 | "is_event_host": false, 8 | "source_updated_at": "2018-08-10T10:48:54-05:00", 9 | "updated_at": "2025-02-15T23:30:09-06:00", 10 | "timestamp": "2025-02-16T02:22:16-06:00" 11 | } -------------------------------------------------------------------------------- /json/event-programs/28.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 28, 3 | "api_model": "event-programs", 4 | "api_link": "https://api.artic.edu/api/v1/event-programs/28", 5 | "title": "Conservation and Science", 6 | "is_affiliate_group": false, 7 | "is_event_host": false, 8 | "source_updated_at": "2018-08-10T10:48:54-05:00", 9 | "updated_at": "2025-02-15T23:30:09-06:00", 10 | "timestamp": "2025-02-16T02:22:16-06:00" 11 | } -------------------------------------------------------------------------------- /json/event-programs/3.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 3, 3 | "api_model": "event-programs", 4 | "api_link": "https://api.artic.edu/api/v1/event-programs/3", 5 | "title": "Picture This", 6 | "is_affiliate_group": false, 7 | "is_event_host": false, 8 | "source_updated_at": "2018-08-10T10:48:54-05:00", 9 | "updated_at": "2025-02-15T23:30:10-06:00", 10 | "timestamp": "2025-02-16T02:22:16-06:00" 11 | } -------------------------------------------------------------------------------- /json/event-programs/32.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 32, 3 | "api_model": "event-programs", 4 | "api_link": "https://api.artic.edu/api/v1/event-programs/32", 5 | "title": "Holiday Art Making", 6 | "is_affiliate_group": false, 7 | "is_event_host": false, 8 | "source_updated_at": "2024-11-26T10:58:33-06:00", 9 | "updated_at": "2025-02-15T23:30:05-06:00", 10 | "timestamp": "2025-02-16T02:22:16-06:00" 11 | } -------------------------------------------------------------------------------- /json/event-programs/5.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 5, 3 | "api_model": "event-programs", 4 | "api_link": "https://api.artic.edu/api/v1/event-programs/5", 5 | "title": "American Sign Language Tours", 6 | "is_affiliate_group": false, 7 | "is_event_host": false, 8 | "source_updated_at": "2018-08-10T10:48:54-05:00", 9 | "updated_at": "2025-02-15T23:30:11-06:00", 10 | "timestamp": "2025-02-16T02:22:16-06:00" 11 | } -------------------------------------------------------------------------------- /json/exhibitions/37.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 37, 3 | "api_model": "exhibitions", 4 | "api_link": "https://api.artic.edu/api/v1/exhibitions/37", 5 | "title": "Paintings from the collections of Cyrus H. McCormick, Mr. and Mrs. Francis Neilson, Mr. and Mrs. Max Epstein", 6 | "is_featured": false, 7 | "position": -1, 8 | "short_description": null, 9 | "web_url": null, 10 | "image_url": null, 11 | "status": "Closed", 12 | "aic_start_at": "1926-07-01T00:00:00-05:00", 13 | "aic_end_at": "1926-10-01T00:00:00-06:00", 14 | "gallery_id": null, 15 | "gallery_title": null, 16 | "artwork_ids": [], 17 | "artwork_titles": [], 18 | "artist_ids": [], 19 | "site_ids": [], 20 | "image_id": null, 21 | "alt_image_ids": [], 22 | "document_ids": [], 23 | "suggest_autocomplete_all": { 24 | "input": [ 25 | "Paintings from the collections of Cyrus H. McCormick, Mr. and Mrs. Francis Neilson, Mr. and Mrs. Max Epstein" 26 | ], 27 | "contexts": { 28 | "groupings": [ 29 | "title" 30 | ] 31 | } 32 | }, 33 | "source_updated_at": "1976-09-02T11:20:00-05:00", 34 | "updated_at": "2020-12-15T10:21:26-06:00", 35 | "timestamp": "2025-02-16T02:08:51-06:00" 36 | } -------------------------------------------------------------------------------- /json/exhibitions/5.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 5, 3 | "api_model": "exhibitions", 4 | "api_link": "https://api.artic.edu/api/v1/exhibitions/5", 5 | "title": "Manet and the Sea", 6 | "is_featured": false, 7 | "position": -1, 8 | "short_description": "This landmark exhibition is devoted to the marine paintings of Edouard Manet (1832\u20131883), a little-studied but highly significant aspect of the career of the artist who is sometimes referred to as the father of Impressionism.", 9 | "web_url": "https://www.artic.edu/exhibitions/5/manet-and-the-sea", 10 | "image_url": "https://artic-web.imgix.net/c1005a4f-71b3-4dab-9b88-43d4bf3dd07c/14598.jpg?auto=compress%2Cformat&fit=min&fm=jpg&q=80&rect=0%2C87%2C1024%2C576", 11 | "status": "Closed", 12 | "aic_start_at": "2003-10-20T00:00:00-05:00", 13 | "aic_end_at": "2004-01-04T00:00:00-06:00", 14 | "gallery_id": 2147475902, 15 | "gallery_title": "Regenstein Hall", 16 | "artwork_ids": [ 17 | 81557, 18 | 103101, 19 | 81572, 20 | 14598, 21 | 14620, 22 | 44892, 23 | 81533 24 | ], 25 | "artwork_titles": [ 26 | "Seascape", 27 | "Marine", 28 | "Trouville (Grey and Green, the Silver Sea)", 29 | "The Beach at Sainte-Adresse", 30 | "Cliff Walk at Pourville", 31 | "Fish (Still Life)", 32 | "The Races at Longchamp" 33 | ], 34 | "artist_ids": [ 35 | 36351, 36 | 35577, 37 | 37279, 38 | 35809 39 | ], 40 | "site_ids": [ 41 | 12 42 | ], 43 | "image_id": null, 44 | "alt_image_ids": [], 45 | "document_ids": [], 46 | "suggest_autocomplete_all": { 47 | "input": [ 48 | "Manet and the Sea" 49 | ], 50 | "contexts": { 51 | "groupings": [ 52 | "title" 53 | ] 54 | } 55 | }, 56 | "source_updated_at": "1976-09-02T11:20:00-05:00", 57 | "updated_at": "2025-02-15T23:37:27-06:00", 58 | "timestamp": "2025-02-16T02:08:51-06:00" 59 | } -------------------------------------------------------------------------------- /json/exhibitions/6.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 6, 3 | "api_model": "exhibitions", 4 | "api_link": "https://api.artic.edu/api/v1/exhibitions/6", 5 | "title": "Watercolors by Winslow Homer: The Color of Light", 6 | "is_featured": false, 7 | "position": -1, 8 | "short_description": null, 9 | "web_url": null, 10 | "image_url": null, 11 | "status": "Closed", 12 | "aic_start_at": "2008-02-16T00:00:00-06:00", 13 | "aic_end_at": "2008-05-11T00:00:00-05:00", 14 | "gallery_id": 2147475902, 15 | "gallery_title": "Regenstein Hall", 16 | "artwork_ids": [], 17 | "artwork_titles": [], 18 | "artist_ids": [], 19 | "site_ids": [], 20 | "image_id": null, 21 | "alt_image_ids": [], 22 | "document_ids": [], 23 | "suggest_autocomplete_all": { 24 | "input": [ 25 | "Watercolors by Winslow Homer: The Color of Light" 26 | ], 27 | "contexts": { 28 | "groupings": [ 29 | "title" 30 | ] 31 | } 32 | }, 33 | "source_updated_at": "1976-09-02T11:20:00-05:00", 34 | "updated_at": "2022-09-07T23:24:25-05:00", 35 | "timestamp": "2025-02-16T02:08:51-06:00" 36 | } -------------------------------------------------------------------------------- /json/exhibitions/71.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 71, 3 | "api_model": "exhibitions", 4 | "api_link": "https://api.artic.edu/api/v1/exhibitions/71", 5 | "title": "Water Colors by Winslow Homer, Martin A. Ryerson Collection", 6 | "is_featured": false, 7 | "position": -1, 8 | "short_description": null, 9 | "web_url": null, 10 | "image_url": null, 11 | "status": "Closed", 12 | "aic_start_at": "1926-07-01T00:00:00-05:00", 13 | "aic_end_at": "1926-10-01T00:00:00-06:00", 14 | "gallery_id": null, 15 | "gallery_title": null, 16 | "artwork_ids": [], 17 | "artwork_titles": [], 18 | "artist_ids": [], 19 | "site_ids": [], 20 | "image_id": null, 21 | "alt_image_ids": [], 22 | "document_ids": [], 23 | "suggest_autocomplete_all": { 24 | "input": [ 25 | "Water Colors by Winslow Homer, Martin A. Ryerson Collection" 26 | ], 27 | "contexts": { 28 | "groupings": [ 29 | "title" 30 | ] 31 | } 32 | }, 33 | "source_updated_at": "1976-09-02T11:20:00-05:00", 34 | "updated_at": "2020-12-15T10:22:40-06:00", 35 | "timestamp": "2025-02-16T02:08:51-06:00" 36 | } -------------------------------------------------------------------------------- /json/exhibitions/73.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 73, 3 | "api_model": "exhibitions", 4 | "api_link": "https://api.artic.edu/api/v1/exhibitions/73", 5 | "title": "Focus: Michael Asher", 6 | "is_featured": false, 7 | "position": -1, 8 | "short_description": null, 9 | "web_url": null, 10 | "image_url": null, 11 | "status": "Closed", 12 | "aic_start_at": "2005-09-29T00:00:00-05:00", 13 | "aic_end_at": "2006-01-01T00:00:00-06:00", 14 | "gallery_id": null, 15 | "gallery_title": null, 16 | "artwork_ids": [], 17 | "artwork_titles": [], 18 | "artist_ids": [], 19 | "site_ids": [], 20 | "image_id": "c6f4bd36-b93c-6a34-2b7d-86d307c6cfe2", 21 | "alt_image_ids": [ 22 | "71b90819-7921-625b-1827-3c9d7fc72b6f", 23 | "84f25a94-3391-6fa4-9ec2-0bfbc255d69e" 24 | ], 25 | "document_ids": [], 26 | "suggest_autocomplete_all": { 27 | "input": [ 28 | "Focus: Michael Asher" 29 | ], 30 | "contexts": { 31 | "groupings": [ 32 | "title" 33 | ] 34 | } 35 | }, 36 | "source_updated_at": "2025-01-14T09:38:36-06:00", 37 | "updated_at": "2025-01-14T09:41:23-06:00", 38 | "timestamp": "2025-02-16T02:08:51-06:00" 39 | } -------------------------------------------------------------------------------- /json/exhibitions/74.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 74, 3 | "api_model": "exhibitions", 4 | "api_link": "https://api.artic.edu/api/v1/exhibitions/74", 5 | "title": "The Iconography of Van Dyck", 6 | "is_featured": false, 7 | "position": -1, 8 | "short_description": null, 9 | "web_url": null, 10 | "image_url": null, 11 | "status": "Closed", 12 | "aic_start_at": "1926-07-01T00:00:00-05:00", 13 | "aic_end_at": "1926-10-01T00:00:00-06:00", 14 | "gallery_id": null, 15 | "gallery_title": null, 16 | "artwork_ids": [], 17 | "artwork_titles": [], 18 | "artist_ids": [], 19 | "site_ids": [], 20 | "image_id": null, 21 | "alt_image_ids": [], 22 | "document_ids": [], 23 | "suggest_autocomplete_all": { 24 | "input": [ 25 | "The Iconography of Van Dyck" 26 | ], 27 | "contexts": { 28 | "groupings": [ 29 | "title" 30 | ] 31 | } 32 | }, 33 | "source_updated_at": "1976-09-02T11:20:00-05:00", 34 | "updated_at": "2020-12-15T10:22:40-06:00", 35 | "timestamp": "2025-02-16T02:08:51-06:00" 36 | } -------------------------------------------------------------------------------- /json/exhibitions/77.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 77, 3 | "api_model": "exhibitions", 4 | "api_link": "https://api.artic.edu/api/v1/exhibitions/77", 5 | "title": "From Darkroom to Digital: Photograhic Variations", 6 | "is_featured": false, 7 | "position": -1, 8 | "short_description": "Although photographs are inherently reproducible, photographers have long maintained that the final print is unique. Ansel Adams likened the negative to a musical score, and the print to its orchestrated performance. Pictorialist photographers at the turn of the century labored over their hand-crafted images, making each resulting object as unrepeatable as a painting. Selections of cropping, enlargement and scale, and different photographic processes also contribute to remarkable diverse effects, even from the very same negative. Now, with improvements in digital technology, artists who once used darkrooms have the opportunity to revisit older images and transform them into something entirely new.", 9 | "web_url": "https://www.artic.edu/exhibitions/77/from-darkroom-to-digital-photograhic-variations", 10 | "image_url": "https://artic-web.imgix.net/facb979a-61c6-4fce-a296-90bf5bdb0a8a/darkroom.jpg?auto=compress%2Cformat&fit=min&fm=jpg&q=80&rect=0%2C352%2C2999%2C1687", 11 | "status": "Closed", 12 | "aic_start_at": "2005-11-19T00:00:00-06:00", 13 | "aic_end_at": "2006-02-26T00:00:00-06:00", 14 | "gallery_id": 2147476636, 15 | "gallery_title": "Gallery 2", 16 | "artwork_ids": [], 17 | "artwork_titles": [], 18 | "artist_ids": [], 19 | "site_ids": [], 20 | "image_id": null, 21 | "alt_image_ids": [], 22 | "document_ids": [], 23 | "suggest_autocomplete_all": { 24 | "input": [ 25 | "From Darkroom to Digital: Photograhic Variations" 26 | ], 27 | "contexts": { 28 | "groupings": [ 29 | "title" 30 | ] 31 | } 32 | }, 33 | "source_updated_at": "1976-09-02T11:20:00-05:00", 34 | "updated_at": "2025-02-15T23:37:23-06:00", 35 | "timestamp": "2025-02-16T02:08:51-06:00" 36 | } -------------------------------------------------------------------------------- /json/exhibitions/84.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 84, 3 | "api_model": "exhibitions", 4 | "api_link": "https://api.artic.edu/api/v1/exhibitions/84", 5 | "title": "On the Scene: Jessica Rowe, Jason Salavon, Brian Ulrich", 6 | "is_featured": false, 7 | "position": -1, 8 | "short_description": "Drawing on the dynamic photography scene in Chicago, this exhibition focuses on work by three younger talents: Jessica Rowe, Jason Salavon, and Brian Ulrich. Jessica Rowe photographs spaces in our homes where we display the objects, photos, and memorabilia that we want others to see: old portraits atop a dresser, statues on a mantel, or cherished book collections. Over the past year, in a series called Remnant, she has turned this attention to even more intimate objects\u2014clothing.", 9 | "web_url": "https://www.artic.edu/exhibitions/84/on-the-scene-jessica-rowe-jason-salavon-brian-ulrich", 10 | "image_url": "https://artic-web.imgix.net/045d1354-0fd4-4b71-8e6e-eaca72321efc/onthescene.jpg?auto=compress%2Cformat&fit=min&fm=jpg&q=80&rect=0%2C295%2C2999%2C1687", 11 | "status": "Closed", 12 | "aic_start_at": "2005-11-12T00:00:00-06:00", 13 | "aic_end_at": "2006-01-28T00:00:00-06:00", 14 | "gallery_id": null, 15 | "gallery_title": null, 16 | "artwork_ids": [], 17 | "artwork_titles": [], 18 | "artist_ids": [], 19 | "site_ids": [], 20 | "image_id": null, 21 | "alt_image_ids": [], 22 | "document_ids": [], 23 | "suggest_autocomplete_all": { 24 | "input": [ 25 | "On the Scene: Jessica Rowe, Jason Salavon, Brian Ulrich" 26 | ], 27 | "contexts": { 28 | "groupings": [ 29 | "title" 30 | ] 31 | } 32 | }, 33 | "source_updated_at": "1976-09-02T11:20:00-05:00", 34 | "updated_at": "2025-02-15T23:37:23-06:00", 35 | "timestamp": "2025-02-16T02:08:51-06:00" 36 | } -------------------------------------------------------------------------------- /json/exhibitions/93.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 93, 3 | "api_model": "exhibitions", 4 | "api_link": "https://api.artic.edu/api/v1/exhibitions/93", 5 | "title": "Faces, Places & Inner spaces", 6 | "is_featured": false, 7 | "position": -1, 8 | "short_description": "Faces, Places, and Inner Spaces, a new interactive exhibition in the Hammerman Gallery of the Kraft Education Center, introduces you to a selection of art from Asia, Europe, and the Americas. Here, you can explore 5 of the 11 works of art in the exhibition and take a virtual tour of the gallery space. Play games, look, read, and have fun!", 9 | "web_url": "https://www.artic.edu/exhibitions/93/faces-places-inner-spaces", 10 | "image_url": "https://artic-web.imgix.net/9cf6353e-0a47-4e3b-a526-d195c9806fa6/Motley.jpg?auto=compress%2Cformat&fit=min&fm=jpg&q=80&rect=0%2C220%2C1616%2C905", 11 | "status": "Closed", 12 | "aic_start_at": "2006-06-14T00:00:00-05:00", 13 | "aic_end_at": "2007-07-08T00:00:00-05:00", 14 | "gallery_id": null, 15 | "gallery_title": null, 16 | "artwork_ids": [ 17 | 140644 18 | ], 19 | "artwork_titles": [ 20 | "Self-Portrait" 21 | ], 22 | "artist_ids": [ 23 | 42445 24 | ], 25 | "site_ids": [ 26 | 5 27 | ], 28 | "image_id": null, 29 | "alt_image_ids": [], 30 | "document_ids": [], 31 | "suggest_autocomplete_all": { 32 | "input": [ 33 | "Faces, Places & Inner spaces" 34 | ], 35 | "contexts": { 36 | "groupings": [ 37 | "title" 38 | ] 39 | } 40 | }, 41 | "source_updated_at": "1976-09-02T11:20:00-05:00", 42 | "updated_at": "2025-02-15T23:37:18-06:00", 43 | "timestamp": "2025-02-16T02:08:51-06:00" 44 | } -------------------------------------------------------------------------------- /json/galleries/2.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 2, 3 | "api_model": "galleries", 4 | "api_link": "https://api.artic.edu/api/v1/galleries/2", 5 | "title": "East Garden at Columbus Drive", 6 | "latitude": 41.880643, 7 | "longitude": -87.621179, 8 | "tgn_id": null, 9 | "is_closed": false, 10 | "number": null, 11 | "floor": "1", 12 | "latlon": "41.880643,-87.621179", 13 | "source_updated_at": "2024-06-27T11:45:17-05:00", 14 | "updated_at": "2024-06-27T11:45:19-05:00", 15 | "timestamp": "2025-02-16T02:08:50-06:00" 16 | } -------------------------------------------------------------------------------- /json/galleries/21434.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 21434, 3 | "api_model": "galleries", 4 | "api_link": "https://api.artic.edu/api/v1/galleries/21434", 5 | "title": "Gallery 273", 6 | "latitude": 41.879303853444, 7 | "longitude": -87.62198193104, 8 | "tgn_id": null, 9 | "is_closed": false, 10 | "number": "273", 11 | "floor": "2", 12 | "latlon": "41.879303853444,-87.62198193104", 13 | "source_updated_at": "2025-01-23T00:15:00-06:00", 14 | "updated_at": "2025-01-23T00:17:31-06:00", 15 | "timestamp": "2025-02-16T02:08:50-06:00" 16 | } -------------------------------------------------------------------------------- /json/galleries/22223.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 22223, 3 | "api_model": "galleries", 4 | "api_link": "https://api.artic.edu/api/v1/galleries/22223", 5 | "title": "Gallery 160", 6 | "latitude": 41.879311148385, 7 | "longitude": -87.622050046921, 8 | "tgn_id": null, 9 | "is_closed": false, 10 | "number": "160", 11 | "floor": "1", 12 | "latlon": "41.879311148385,-87.622050046921", 13 | "source_updated_at": "2024-11-05T14:04:12-06:00", 14 | "updated_at": "2024-11-05T14:05:14-06:00", 15 | "timestamp": "2025-02-16T02:08:50-06:00" 16 | } -------------------------------------------------------------------------------- /json/galleries/23964.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 23964, 3 | "api_model": "galleries", 4 | "api_link": "https://api.artic.edu/api/v1/galleries/23964", 5 | "title": "Gallery 290 (Vestibule)", 6 | "latitude": 41.880426183464, 7 | "longitude": -87.622010094234, 8 | "tgn_id": null, 9 | "is_closed": false, 10 | "number": "290", 11 | "floor": "2", 12 | "latlon": "41.880426183464,-87.622010094234", 13 | "source_updated_at": "2019-04-11T11:54:49-05:00", 14 | "updated_at": "2022-12-27T12:02:58-06:00", 15 | "timestamp": "2025-02-16T02:08:50-06:00" 16 | } -------------------------------------------------------------------------------- /json/galleries/23965.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 23965, 3 | "api_model": "galleries", 4 | "api_link": "https://api.artic.edu/api/v1/galleries/23965", 5 | "title": "Balcony Caf\u00e9", 6 | "latitude": 41.879842360364, 7 | "longitude": -87.622101008892, 8 | "tgn_id": null, 9 | "is_closed": false, 10 | "number": "287", 11 | "floor": "2", 12 | "latlon": "41.879842360364,-87.622101008892", 13 | "source_updated_at": "1976-09-02T11:20:00-05:00", 14 | "updated_at": "2022-12-27T12:03:05-06:00", 15 | "timestamp": "2025-02-16T02:08:50-06:00" 16 | } -------------------------------------------------------------------------------- /json/galleries/23966.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 23966, 3 | "api_model": "galleries", 4 | "api_link": "https://api.artic.edu/api/v1/galleries/23966", 5 | "title": "Gallery 286", 6 | "latitude": 41.879831071424, 7 | "longitude": -87.622303796122, 8 | "tgn_id": null, 9 | "is_closed": false, 10 | "number": "286", 11 | "floor": "2", 12 | "latlon": "41.879831071424,-87.622303796122", 13 | "source_updated_at": "2022-11-26T00:15:18-06:00", 14 | "updated_at": "2022-12-27T12:01:13-06:00", 15 | "timestamp": "2025-02-16T02:08:50-06:00" 16 | } -------------------------------------------------------------------------------- /json/galleries/2705.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 2705, 3 | "api_model": "galleries", 4 | "api_link": "https://api.artic.edu/api/v1/galleries/2705", 5 | "title": "Gallery 59", 6 | "latitude": 41.879393027211, 7 | "longitude": -87.621980309486, 8 | "tgn_id": null, 9 | "is_closed": false, 10 | "number": "59", 11 | "floor": "LL", 12 | "latlon": "41.879393027211,-87.621980309486", 13 | "source_updated_at": "2024-03-28T10:25:35-05:00", 14 | "updated_at": "2024-03-28T10:30:23-05:00", 15 | "timestamp": "2025-02-16T02:08:50-06:00" 16 | } -------------------------------------------------------------------------------- /json/galleries/2706.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 2706, 3 | "api_model": "galleries", 4 | "api_link": "https://api.artic.edu/api/v1/galleries/2706", 5 | "title": "Gallery 58", 6 | "latitude": 41.879311148385, 7 | "longitude": -87.621816694736, 8 | "tgn_id": null, 9 | "is_closed": false, 10 | "number": "58", 11 | "floor": "LL", 12 | "latlon": "41.879311148385,-87.621816694736", 13 | "source_updated_at": "2024-10-27T00:15:15-05:00", 14 | "updated_at": "2024-10-27T00:16:39-05:00", 15 | "timestamp": "2025-02-16T02:08:50-06:00" 16 | } -------------------------------------------------------------------------------- /json/galleries/2707.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 2707, 3 | "api_model": "galleries", 4 | "api_link": "https://api.artic.edu/api/v1/galleries/2707", 5 | "title": "Gallery 57", 6 | "latitude": 41.879197316673, 7 | "longitude": -87.621816694736, 8 | "tgn_id": null, 9 | "is_closed": false, 10 | "number": "57", 11 | "floor": "LL", 12 | "latlon": "41.879197316673,-87.621816694736", 13 | "source_updated_at": "2024-10-27T00:15:15-05:00", 14 | "updated_at": "2024-10-27T00:16:38-05:00", 15 | "timestamp": "2025-02-16T02:08:50-06:00" 16 | } -------------------------------------------------------------------------------- /json/galleries/346.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 346, 3 | "api_model": "galleries", 4 | "api_link": "https://api.artic.edu/api/v1/galleries/346", 5 | "title": "Stock Exchange Trading Room", 6 | "latitude": 41.879566769738, 7 | "longitude": -87.621309757233, 8 | "tgn_id": null, 9 | "is_closed": false, 10 | "number": null, 11 | "floor": "1", 12 | "latlon": "41.879566769738,-87.621309757233", 13 | "source_updated_at": "2019-10-30T17:13:39-05:00", 14 | "updated_at": "2022-12-27T12:02:52-06:00", 15 | "timestamp": "2025-02-16T02:08:50-06:00" 16 | } -------------------------------------------------------------------------------- /json/generic-pages/10.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 10, 3 | "api_model": "generic-pages", 4 | "api_link": "https://api.artic.edu/api/v1/generic-pages/10", 5 | "title": "JourneyMaker", 6 | "web_url": "https://www.artic.edu/visit/explore-on-your-own/journeymaker", 7 | "copy": " Start your museum adventure at home . With JourneyMaker , an innovative digital interactive, you can create your own one-of-a-kind adventure with works of art from the Art Institute's collection. Choose from eight different story lines to create a personalized family museum tour. JourneyMaker equips you with your own customized guide to artworks you select, offering creative ideas for looking at and responding to art together. With thousands of possible journey combinations, the museum is never the same place twice. Whether you\u2019re first-time visitors or a frequent museum-going family, you\u2019ll discover the Art Institute afresh with JourneyMaker. Generous support for JourneyMaker is provided by the Woman\u2019s Board of the Art Institute of Chicago. Learn More ", 8 | "search_tags": null, 9 | "source_updated_at": "2023-06-20T10:23:05-05:00", 10 | "updated_at": "2025-02-15T23:39:28-06:00", 11 | "timestamp": "2025-02-16T02:22:17-06:00" 12 | } -------------------------------------------------------------------------------- /json/generic-pages/11.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 11, 3 | "api_model": "generic-pages", 4 | "api_link": "https://api.artic.edu/api/v1/generic-pages/11", 5 | "title": "Museum Floor Plan", 6 | "web_url": "https://www.artic.edu/visit/explore-on-your-own/museum-floor-plan", 7 | "copy": " Planning your visit? Download our Visitor Guide (in English or Spanish ). Printed Visitor Guides are also available at the museum. If you or someone in your group has sensory sensitivities, consider using our sensory map of the museum as a guide for finding spaces that will likely be quieter and less crowded, as well as spaces with tactile engagements and activities. Lower Level First Level Second Level Third Level All Levels ", 8 | "search_tags": [ 9 | "map", 10 | "maps", 11 | "guide", 12 | "plan" 13 | ], 14 | "source_updated_at": "2024-09-16T11:05:41-05:00", 15 | "updated_at": "2025-02-15T23:39:20-06:00", 16 | "timestamp": "2025-02-16T02:22:17-06:00" 17 | } -------------------------------------------------------------------------------- /json/generic-pages/14.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 14, 3 | "api_model": "generic-pages", 4 | "api_link": "https://api.artic.edu/api/v1/generic-pages/14", 5 | "title": "Library", 6 | "web_url": "https://www.artic.edu/library", 7 | "copy": " LOCATION AND PUBLIC HOURS The Art Institute\u2019s Research Center brings together the divisions of Academic Engagement and Research , the Ryerson and Burnham Libraries , and the Art Institute of Chicago Archives to expand access to the museum\u2019s research resources. The Research Center\u2019s Franke Reading Room is a shared space in which researchers can consult the collections of the Libraries and Archives. The reading room is located just south of the Grand Staircase inside the Michigan Avenue entrance to the museum. PUBLIC RESEARCH HOURS Archival research appointments are available Mondays, Thursdays, and Fridays,1:30 p.m.\u20135:00 p.m. Request an appointment using this form . Library research appointments are available Mondays, Thursdays, and Fridays,1:30 p.m.\u20135:00 p.m. Request an appointment using this form . Appointments are available on a first-come, first-served basis and will be confirmed within two business days. Researchers must complete a pre-registration process and submit requests for materials prior to the appointment. Researchers agree to follow the museum\u2019s visit guidelines in addition to established reading room policies . MUSEUM STAFF RESEARCH HOURS Access procedures for museum staff are available here . SAIC STUDENTS AND FACULTY Access procedures for the School of the Art Institute of Chicago community are available here. Learn more about research appointments in the Franke Reading Room. CONNECT WITH US You can learn more about the Ryerson & Burnham Libraries and our collections on our social media accounts: Instagram ", 8 | "search_tags": null, 9 | "source_updated_at": "2025-01-06T15:09:30-06:00", 10 | "updated_at": "2025-02-15T23:39:14-06:00", 11 | "timestamp": "2025-02-16T02:22:17-06:00" 12 | } -------------------------------------------------------------------------------- /json/generic-pages/15.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 15, 3 | "api_model": "generic-pages", 4 | "api_link": "https://api.artic.edu/api/v1/generic-pages/15", 5 | "title": "Research Guides", 6 | "web_url": "https://www.artic.edu/library/discover-our-collections/research-guides", 7 | "copy": " Learn how to research a work of art, uncover the history of a Chicago building, locate art market prices or a professional appraiser, or find information on works exhibited at the Paris salons, among other topics. An overview of the library collections is available here , and information on visiting the Reading Room can be found here . ", 8 | "search_tags": null, 9 | "source_updated_at": "2020-03-19T15:06:06-05:00", 10 | "updated_at": "2025-02-15T23:39:38-06:00", 11 | "timestamp": "2025-02-16T02:22:17-06:00" 12 | } -------------------------------------------------------------------------------- /json/generic-pages/17.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 17, 3 | "api_model": "generic-pages", 4 | "api_link": "https://api.artic.edu/api/v1/generic-pages/17", 5 | "title": "Institutional Archives", 6 | "web_url": "https://www.artic.edu/institutional-archives", 7 | "copy": " The Institutional Archives collects and preserves over 13,000 linear feet of records created or received by AIC/SAIC in the course of its everyday operations, including: museum records, School records, affiliated organizations, and personal papers. The Institutional Photography Archive\u2014also an institutional collection\u2014contains approximately 300,000 negatives, slides, and photographic prints as well as several hundred thousand digital files, all of which document the history of the museum, its collections, exhibitions, and events. Some information, such as Art Institute annual reports and press releases , is available for browsing online. Selected exhibition catalogs and installation views are available through our Exhibition History . Digital collection catalogs can be browsed here . However, the majority of our institutional records are not available for remote access. Please review our research guides for a list of print and online resources related to the history of the museum and the School of The Art Institute of Chicago or how to research a work of art from the museum\u2019s curatorial collections . Visitors to the museum may consult the Institutional Archives in the Research Center\u2019s Franke Reading Room by advance appointment only . Walk-in appointments will not be permitted. Some institutional records may not be available for review due to privacy and/or confidentiality restrictions. Find more information about our access guidelines and procedures here . Contact the Art Institute of Chicago Archives For information regarding our archival collections, please contact us via our Contact and Application for Access form . ", 8 | "search_tags": null, 9 | "source_updated_at": "2025-01-06T15:09:30-06:00", 10 | "updated_at": "2025-02-15T23:39:14-06:00", 11 | "timestamp": "2025-02-16T02:22:17-06:00" 12 | } -------------------------------------------------------------------------------- /json/generic-pages/7.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 7, 3 | "api_model": "generic-pages", 4 | "api_link": "https://api.artic.edu/api/v1/generic-pages/7", 5 | "title": "FAQs", 6 | "web_url": "https://www.artic.edu/visit/faqs", 7 | "copy": " If you can't find the answers to your questions here, read our FAQs for Members , Families , Teens , Educators , and the Library and Archives . ", 8 | "search_tags": null, 9 | "source_updated_at": "2025-01-10T15:44:02-06:00", 10 | "updated_at": "2025-02-15T23:39:07-06:00", 11 | "timestamp": "2025-02-16T02:22:17-06:00" 12 | } -------------------------------------------------------------------------------- /json/generic-pages/8.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 8, 3 | "api_model": "generic-pages", 4 | "api_link": "https://api.artic.edu/api/v1/generic-pages/8", 5 | "title": "Accessibility", 6 | "web_url": "https://www.artic.edu/visit/accessibility", 7 | "copy": " Manually operated wheelchairs are readily available, free of charge, at both of the museum\u2019s checkrooms\u2014no reservation required. Personal wheelchairs are always welcome. Ramp access is available at both museum entrances. Service animals are welcome. Visitors who would like to request an accommodation are encouraged to send an email to access@artic.edu at least two weeks prior to the intended visit. *Please note that while major gallery renovation are underway in an adjacent gallery, the Deering Galleries , including our arms and armor display, are accessible by stairs only. This space will once again be fully accessible on December 6, 2024. 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VICTORIA SANCHO LOBIS We\u2019re looking at Rembrandt\u2019s self-portrait, Etching at a Window from 1648, which is one of the real landmarks in his profound body of self-portraits.

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NARRATOR Rembrandt famously portrayed himself in fanciful costumes, with dramatic gestures and expressions. But in this restrained image, he presents himself at work, holding an etching needle in his hand.

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VICTORIA SANCHO LOBIS We believe that he would have made this print while looking at himself in a mirror. And we\u2019re not able to see what he\u2019s drawing on that etching plate. There\u2019s an interesting self-referential element in this print wherehe is in the process of creating a print, perhaps much like the one that we\u2019re looking at.

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NARRATOR In etching, the artist draws an image onto a metal plate before printing. One of the most fascinating aspects of printmaking is that we can trace the artist\u2019s creative process in the different \u2018states,\u2019 or versions, of the image.

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VICTORIA SANCHO LOBIS An artist can etch on a copper plate, print that plate, and then decide to change his or her mind and revise the composition.

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This is the first state of the print. And in this first state, we see the open window just as a pure light source. And the viewer is left to imagine what may be beyond the space that the artist occupies. In a way, we can think of this use of the blank paper as a metaphor for inspiration. In later states the open window becomes filled in with a landscape.

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NARRATOR Modest but intimate, this particular impression of the image is among the most beautiful examples of this print.

\n", 8 | "source_updated_at": null, 9 | "updated_at": "2024-11-21T23:05:08-06:00", 10 | "timestamp": "2025-02-16T02:21:16-06:00" 11 | } -------------------------------------------------------------------------------- /json/mobile-sounds/235.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 235, 3 | "api_model": "mobile-sounds", 4 | "api_link": "https://api.artic.edu/api/v1/mobile-sounds/235", 5 | "title": "Self-Portrait, Anthony Van Dyck", 6 | "web_url": "https://www.artic.edu/mobile/audio/880.mp3", 7 | "transcript": "

NARRATOR: Hello and welcome to Van Dyck, Rembrandt and the Portrait Print.
We begin the tour with this portrait print by Anthony Van Dyck from the early 1630s. Known primarily as a painter of royal subjects, here Van Dyck used etching to create a compelling and radical self-portrait that\u2019s both a touchstone in the history of portraiture and in the history of printmaking. Victoria Sancho Lobis is the Prince Trust Associate Curator in the Department of Prints and Drawings here at the Art Institute and the curator of this exhibition.

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VICTORIA SANCHO LOBIS: Van Dyck made a revolutionary decision to create this portrait in a completely abbreviated, fragmentary state, to place the image of his face at the very upper register of the etching. And that creates this very dramatic contrast of a highly finished description of the face with this completely unprinted area of the paper below it.

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Artists, before Van Dyck might have shown themselves at work, holding an etching needle or holding a paint brush. In this case we see Van Dyck looking over his shoulder. In a moment of distraction he casts a glance over his right shoulder to give a modest bit of attention to someone who may be observing him.

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NARRATOR: With works like this one, Van Dyck transformed expectations about what a portrait print could be, and, as you\u2019ll see today, he would influence contemporaries like Rembrandt and generations of artists who followed him. Enjoy your tour.

\n", 8 | "source_updated_at": null, 9 | "updated_at": "2024-11-21T23:05:08-06:00", 10 | "timestamp": "2025-02-16T02:21:16-06:00" 11 | } -------------------------------------------------------------------------------- /json/mobile-sounds/252.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 252, 3 | "api_model": "mobile-sounds", 4 | "api_link": "https://api.artic.edu/api/v1/mobile-sounds/252", 5 | "title": "Self-Portrait", 6 | "web_url": "https://www.artic.edu/mobile/audio/883.mp3", 7 | "transcript": "

NARRATOR: A number of Van Dyck\u2019s portrait prints circulated during his lifetime, but when he died at the age of 42, the series as a whole had not yet been published. The first complete edition appeared four years later, in 1645. This image by Jacob Van Neeffs was the title page. It was based on a Van Dyck self-portrait, but the artist took a few liberties, following the publisher\u2019s directives.

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VICTORIA SANCHO LOBIS: Neeffs recast the image to create a tongue-in-cheek reference to the art of portraiture, as if Van Dyck has been transformed into a Roman emperor whose sculpted bust is placed on a pedestal, quite literally.

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NARRATOR: Written on the pedestal is the title page information.

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Next to this print you\u2019ll see a drawing that copies the title page. It includes a note about the portrait series in Italian, likely indicating it had wide international distribution.

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VICTORIA SANCHO LOBIS: There are subsequent editions of this series later in the 17th Century, again in the 18th Century. And the successive editions of these prints really reflect the ongoing widespread appetite for the portraits that Van Dyck made, and for the experience of seeing them and handling them as a collective work of art.

\n", 8 | "source_updated_at": null, 9 | "updated_at": "2024-11-21T23:05:08-06:00", 10 | "timestamp": "2025-02-16T02:21:16-06:00" 11 | } -------------------------------------------------------------------------------- /json/mobile-sounds/253.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 253, 3 | "api_model": "mobile-sounds", 4 | "api_link": "https://api.artic.edu/api/v1/mobile-sounds/253", 5 | "title": "Isabella Clara Eugenia", 6 | "web_url": "https://www.artic.edu/mobile/audio/884.mp3", 7 | "transcript": "

VICTORIA SANCHO LOBIS Isabella Clara Eugenia was the Spanish regent in the Southern Netherlands. She was the daughter of Philip II of Spain, and married her cousin, Archduke Albert. And they ruled together for decades. He died in 1621, and she decided to adopt a nun\u2019s habit. And that\u2019s how we see her here.

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NARRATOR The printmaker Paulus Pontius created this print after a painting by Peter Paul Rubens, of the same subject. One of printmaking\u2019s distinct advantages was its ability to clearly convey information a painting could not.

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VICTORIA SANCHO LOBIS It\u2019s painting plus more -- painting and poetry, painting and propaganda. So we see a painting surrounded by allegorical symbols with a swag of fabric held up by two putti who hold a crown of oak leaves, above which we see the all-seeing eye of Providence radiating light over the whole ensemble.

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NARRATOR A print like this could also be easily reproduced and circulated.

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VICTORIA SANCHO LOBIS So that the portrait painting is now converted into an object of political agency promoting this new appearance of Isabella Clara Eugenia as a ruler who has divine inspiration.

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NARRATOR: With the framing embellishment, a collector didn\u2019t even need to frame this print\u2013 it could just be mounted directly onto a surface, such as a panel or a placard.

\n", 8 | "source_updated_at": null, 9 | "updated_at": "2024-11-21T23:05:08-06:00", 10 | "timestamp": "2025-02-16T02:21:16-06:00" 11 | } -------------------------------------------------------------------------------- /json/mobile-sounds/254.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 254, 3 | "api_model": "mobile-sounds", 4 | "api_link": "https://api.artic.edu/api/v1/mobile-sounds/254", 5 | "title": "Robert Dudley, Earl of Leiscester", 6 | "web_url": "https://www.artic.edu/mobile/audio/885.mp3", 7 | "transcript": "

VICTORIA SANCHO LOBIS: This small format portrait print is a representation of Robert Dudley, Earl of Leicester, who is widely known as a courtier in the court of Elizabeth I. He was known as her favorite, and he was the only real suitor she ever considered.

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NARRATOR: Hendrick Goltzius, the artist, created this portrait when Dudley was 86. Dudley may have commissioned it himself, or it may commemorate his appointment as Governor General.

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VICTORIA SANCHO LOBIS: But what\u2019s especially interesting about it, is that it was printed from a gold plate.

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NARRATOR: Typical 16th century engravings were printed from copper.

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VICTORIA SANCHO LOBIS: But Goltzius is known to have made a whole group of portraits using precious metal plates. And by doing this, he effectively created two different works of art simultaneously.

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NARRATOR: After prints were pulled from the precious metal plate, it was used as an engraved portrait medallion. Because gold is soft, few impressions could be made. A lettering specialist inscribed Dudley\u2019s name, age and titles to read correctly on the medallion. That\u2019s why they\u2019re reversed in the print.

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VICTORIA SANCHO LOBIS: In this gallery, we\u2019re able to consider how portrait prints can invite intimacy. And a work of art produced in this small scale really requires the viewer to examine it closely. This is an object that would fit in the palm of one\u2019s hand, much like a cast bronze portrait medallion, or like a painted portrait miniature, all of which are on display nearby.

\n", 8 | "source_updated_at": null, 9 | "updated_at": "2024-11-21T23:05:08-06:00", 10 | "timestamp": "2025-02-16T02:21:16-06:00" 11 | } -------------------------------------------------------------------------------- /json/mobile-sounds/255.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 255, 3 | "api_model": "mobile-sounds", 4 | "api_link": "https://api.artic.edu/api/v1/mobile-sounds/255", 5 | "title": "Erasmus of Rotterdam ", 6 | "web_url": "https://www.artic.edu/mobile/audio/887.mp3", 7 | "transcript": "

NARRATOR This is one of the most enduring images in the history of printmaking. Here Albrecht D\u00fcrer depicts Erasmus, the prolific 16th century scholar, humanist, and author of nearly 150 books. It is one of D\u00fcrer\u2019s largest engravings of any subject and a remarkable size for a portrait print.

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VICTORIA SANCHO LOBIS He\u2019s not willing to make an entirely conventional portrait print. So we have text elements incorporated in the form of printed books, and an actual text plaque that stands at the back of the scene.

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D\u00fcrer has described Erasmus in the act of writing. In some ways, this portrait print is also a celebration of the power of printmaking, and that is not just the printed image, but also the printed word.

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The face of Erasmus is not at all in the center of the composition. What appears at the center are the scholar\u2019s hands in the act of writing, and close by we see two letters, and those letters, A D, make up the monogram of the artist, Albrecht D\u00fcrer. So, in some way, D\u00fcrer has contrived to place himself at the center of the composition.

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NARRATOR D\u00fcrer\u2019s basic subject matter, however, is entirely conventional. People were curious about how Erasmus looked; his writings had made him famous. In fact, both D\u00fcrer and Erasmus became famous largely through the circulation of their printed work.

\n", 8 | "source_updated_at": null, 9 | "updated_at": "2024-11-21T23:05:08-06:00", 10 | "timestamp": "2025-02-16T02:21:16-06:00" 11 | } -------------------------------------------------------------------------------- /json/mobile-sounds/256.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 256, 3 | "api_model": "mobile-sounds", 4 | "api_link": "https://api.artic.edu/api/v1/mobile-sounds/256", 5 | "title": "Jan Cornelis Sylvius", 6 | "web_url": "https://www.artic.edu/mobile/audio/888.mp3", 7 | "transcript": "

NARRATOR: This is Jan Cornelis Sylvius, a minister in the Dutch Reform Church. A cousin of Rembrandt\u2019s first wife Saskia, Sylvius baptized Rembrandt\u2019s first two children. But he was best known for his considerable skills as an orator.

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VICTORIA SANCHO LOBIS: In fact, Rembrandt created this portrait print of Sylvius depicting him in the act of speaking. So, Rembrandt was in some ways confronting the idea of how do you convey speech? Rembrandt has chosen to show him extending his right hand. This is a classic rhetorical gesture that dates back to ancient sculpture. You can see that his hand casts a shadow on what appears to be the portrait\u2019s frame, and his face also casts a shadow just beyond the darkened oval.

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NARRATOR: These devices refer to a tradition of funerary sculpture in the Netherlands, which often included sculpted busts of the deceased emerging from the face of a tomb. And this is, indeed, a posthumous portrait, produced six years after Sylvius\u2019s death.

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The text around the minister names him, says where he worked, and gives the date of his death. Rembrandt also includes a poem that reads, in part:

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VICTORIA SANCHO LOBIS: \u201cHis eloquence taught men to honor Christ and showed them the true way to heaven.\u201d

\n", 8 | "source_updated_at": null, 9 | "updated_at": "2024-11-21T23:05:08-06:00", 10 | "timestamp": "2025-02-16T02:21:16-06:00" 11 | } -------------------------------------------------------------------------------- /json/mobile-sounds/257.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 257, 3 | "api_model": "mobile-sounds", 4 | "api_link": "https://api.artic.edu/api/v1/mobile-sounds/257", 5 | "title": "Portait of Nell Gwynn as a Shepherdess Garlanding a Lamb", 6 | "web_url": "https://www.artic.edu/mobile/audio/889.mp3", 7 | "transcript": "

NARRATOR Nell Gwyn was a favorite mistress of England\u2019s King Charles II and bore him two children. But she grew up in humble circumstances.

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VICTORIA SANCHO LOBIS She sold fruit. She eventually became an actress. It was because women were allowed to appear on stage at all in the later part of the 17th century, that Nell gained favor at court.

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NARRATOR When King Charles saw her perform, he was immediately smitten and eventually took her as a lover.

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VICTORIA SANCHO LOBIS She lived in a time when it was fairly new to have social mobility. And it\u2019s likely for that reason that her biography became so fascinating to so many people. Even today, there\u2019s a Broadway play based on her life.

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And unlike a single painted portrait that might have been made for Charles II to remember his favorite mistress when she couldn\u2019t be with him, a portrait print could be printed in multiples and circulated. The idea that someone\u2019s mistress could be the subject for a work of art that would find a mass audience was entirely new.

\n

It\u2019s sort of a version of People magazine, you could imagine. This was a kind of early idea of celebrity.

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Her likeness was something that people wanted to possess. And this particular impression was printed on blue paper, which made the object even more appealing as something to touch and to behold.

\n", 8 | "source_updated_at": null, 9 | "updated_at": "2024-11-21T23:05:08-06:00", 10 | "timestamp": "2025-02-16T02:21:16-06:00" 11 | } -------------------------------------------------------------------------------- /json/mobile-sounds/258.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 258, 3 | "api_model": "mobile-sounds", 4 | "api_link": "https://api.artic.edu/api/v1/mobile-sounds/258", 5 | "title": "Portrait of Edmond de Goncourt", 6 | "web_url": "https://www.artic.edu/mobile/audio/890.mp3", 7 | "transcript": "

VICTORIA SANCHO LOBIS By the time we get to the 19th Century, someone like F\u00e9lix Bracquemond is interested in demonstrating what etching could do that could not be done, for example, with a photograph.

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NARRATOR Here he shows Edmond de Goncourt, who, like his brother Jules, was a prominent writer, connoisseur and art collector. Bracquemond had already portrayed the brothers together.

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VICTORIA SANCHO LOBIS In this portrait, Bracquemond chooses to show Edmond by himself. He is looking directly out of the composition, engaging with the viewer, and a plume of smoke emerges from the cigarette burning in his right hand.

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NARRATOR The relief sculpture at the upper left and the Japanese metalwork piece below were part of Edmond\u2019s personal collection.

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This is the first of several different states of the portrait that preserve and document Bracquemond\u2019s creative process. In later states, the lower section would become more detailed, and include a book, among other elements.

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VICTORIA SANCHO LOBIS But what we see here, harkens back to Van Dyck\u2019s emphasis on the face and hands of his sitters. These two components, it was said of Van Dyck, were all that he needed to portray someone. And so Bracquemond, too, is isolating these physical elements of his subject and chose to print at least 20 impressions of this state before going on to realize the composition further.
[word count: 226]

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"api_model": "places", 4 | "api_link": "https://api.artic.edu/api/v1/places/-2147483534", 5 | "title": "Z\u00fcrich", 6 | "tgn_id": null, 7 | "source_updated_at": "2021-03-04T15:23:43-06:00", 8 | "updated_at": "2021-03-04T15:25:42-06:00", 9 | "timestamp": "2025-02-16T02:08:49-06:00" 10 | } -------------------------------------------------------------------------------- /json/places/-2147483581.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": -2147483581, 3 | "api_model": "places", 4 | "api_link": "https://api.artic.edu/api/v1/places/-2147483581", 5 | "title": "Askov", 6 | "tgn_id": null, 7 | "source_updated_at": "2023-08-16T14:57:32-05:00", 8 | "updated_at": "2023-08-16T15:00:55-05:00", 9 | "timestamp": "2025-02-16T02:08:49-06:00" 10 | } -------------------------------------------------------------------------------- /json/places/-2147483613.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": -2147483613, 3 | "api_model": "places", 4 | "api_link": "https://api.artic.edu/api/v1/places/-2147483613", 5 | "title": "Peoria", 6 | "tgn_id": null, 7 | "source_updated_at": "1976-09-02T11:20:00-05:00", 8 | "updated_at": "2019-05-13T11:27:31-05:00", 9 | "timestamp": "2025-02-16T02:08:49-06:00" 10 | } -------------------------------------------------------------------------------- /json/printed-publications/10.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 10, 3 | "api_model": "printed-publications", 4 | "api_link": "https://api.artic.edu/api/v1/printed-publications/10", 5 | "title": "The Age of American Impressionism: Masterpieces from the Art Institute of Chicago", 6 | "web_url": "https://www.artic.edu/print-publications/10/the-age-of-american-impressionism-masterpieces-from-the-art-institute-of-chicago", 7 | "copy": " The Art Institute of Chicago, although renowned for its holdings of works by the French Impressionists, also houses a wealth of superb examples by American proponents of this distinctive style. The breadth of the museum's collection of American Impressionism is rich, with a substantial body of paintings and watercolors by Winslow Homer, who is seen today as a precursor to Impressionism, as well as impressive portfolios of work by Americans living in Europe, such as James McNeill Whistler and John Singer Sargent, and the only American who was officially part of the French group, Mary Cassatt. In addition, important paintings and watercolors by notable artists such as Cecilia Beaux, William Merritt Chase, Childe Hassam, George Inness, Mauric Prendergast, and John Twachtman are included, along with handsomely reproduced images by lesser-known artists who worked in the Impressionist vein. Edited by Judith A. Barter With contributions by Judith A. Barter, Sarah Kelly Oehler, Denise Mahoney, and Ellen E. Roberts 160 pages, 9 1/2 x 12 in. 117 color ills. Out of print ISBN: 978-0-86559-250-6 (softcover) ISBN: 978-300-17574-5 (hardcover) ", 8 | "source_updated_at": "2019-04-12T11:00:57-05:00", 9 | "updated_at": "2025-02-15T23:54:23-06:00", 10 | "timestamp": "2025-02-16T02:22:17-06:00" 11 | } -------------------------------------------------------------------------------- /json/printed-publications/11.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 11, 3 | "api_model": "printed-publications", 4 | "api_link": "https://api.artic.edu/api/v1/printed-publications/11", 5 | "title": "Altered and Adorned: Using Renaissance Prints in Daily Life", 6 | "web_url": "https://www.artic.edu/print-publications/11/altered-and-adorned-using-renaissance-prints-in-daily-life", 7 | "copy": " Today Renaissance-era prints are typically preserved behind glass or in solander boxes in museums, but these decorative objects were once a central part of everyday life. Altered and Adorned is a delightful, surprising look at how prints were used: affixed on walls; glued into albums, books, and boxes; annotated; hand-colored; or cut apart. This handsome volume introduces readers to the experimental world of printmaking in the mid-fifteenth through early seventeenth centuries and the array of objects it inspired, from illustrated books, sewing patterns, and wearable ornaments to sundials, other astronomical instruments, and anatomical prints. It features many treasures from the Art Institute of Chicago\u2019s rich permanent collection that have never before been published, along with essays on the ways prints functioned\u2014in some cases as three-dimensional and interactive works\u2014and how their condition communicates their past use. Suzanne Karr Schmidt With a contribution by Kimberly Nichols 112 pages, 9 x 12 in. 98 color ills. Out of print ISBN: 978-0-300-16911-9 (hardcover) ", 8 | "source_updated_at": "2019-04-12T11:00:57-05:00", 9 | "updated_at": "2025-02-15T23:54:23-06:00", 10 | "timestamp": "2025-02-16T02:22:17-06:00" 11 | } -------------------------------------------------------------------------------- /json/printed-publications/12.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 12, 3 | "api_model": "printed-publications", 4 | "api_link": "https://api.artic.edu/api/v1/printed-publications/12", 5 | "title": "Benin: Royal Arts of a West African Kingdom", 6 | "web_url": "https://www.artic.edu/print-publications/12/benin-royal-arts-of-a-west-african-kingdom", 7 | "copy": " The Kingdom of Benin, located in present-day southwestern Nigeria, has roots that stretch back as early as the 10th century. The establishment of a mercantile relationship with Portugal in the late 15th century greatly increased Benin\u2019s wealth and might. The kingdom became a regional powerhouse under a long lineage of divine rulers, or obas, and it wielded great economic and political influence. The obas also supported guilds of artists\u2014chief among them brass casters and ivory carvers\u2014whom they employed to produce objects that honored royal ancestors, recorded history, and glorified life at court. The sophisticated creations of Benin\u2019s royal artists stand among the greatest works of African art today. Published in concert with the major international loan exhibition Benin\u2014Kings and Rituals: Court Arts from Nigeria , for which the Art Institute is the sole North American venue, Benin: Royal Arts of a West African Kingdom features approximately 25 masterworks that reveal the breadth and depth of the kingdom\u2019s artistic corpus, including finely cast bronze figures, altar heads, wall plaques and ivory tusks, pendants, and arm cuffs embellished in detailed bas-relief. An insightful essay by Art Institute curator Kathleen Bickford Berzock outlines the kingdom\u2019s history and sheds light on these works of art by describing their making and function in the context of the royal court. By Kathleen Bickford Berzock 40 pages, 9 1/2 x 8 5/8 in. 40 ills. Out of Print ISBN: 978-0-300-13677-7 (Softcover) ", 8 | "source_updated_at": "2019-08-05T12:15:24-05:00", 9 | "updated_at": "2025-02-15T23:54:18-06:00", 10 | "timestamp": "2025-02-16T02:22:17-06:00" 11 | } -------------------------------------------------------------------------------- /json/printed-publications/13.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 13, 3 | "api_model": "printed-publications", 4 | "api_link": "https://api.artic.edu/api/v1/printed-publications/13", 5 | "title": "For Hearth and Altar: African Ceramics from the Keith Achepohl Collection", 6 | "web_url": "https://www.artic.edu/print-publications/13/for-hearth-and-altar-african-ceramics-from-the-keith-achepohl-collection", 7 | "copy": " Practicing centuries-old techniques that have been passed through generations, African potters craft their wares by hand from terra cotta clay, firing them in the open to create vessels of remarkable durability. These pieces embody an immediacy of form and a deceptive simplicity that reflect their makers\u2019 deep understanding of material, process, and embellishment. This exquisite book presents a virtuoso group of African ceramics collected by printmaker and professor Keith Achepohl over the past 20 years. Focusing on the aesthetic accomplishment of each work, Achepohl has assembled a collection that ranges in date from the 3rd to the mid-20th century, spans the African continent, and displays the full range and artistry of African ceramics. Beginning with a small group of archaeological pieces that demonstrates the historical roots of ceramic traditions in Africa, the book also includes a larger selection that highlights the continuing connection between pottery and village life, secular and sacred, in Africa. Among the featured works are large, dramatic storage and water containers; mid-sized vessels designed to hold personal belongings, serve food, and brew beer and palm wine; and small bottles and embellished containers made as luxury items and for religious and ritual use. Kathleen Bickford Berzock 204 pages, 10 x 11 in. 164 color and 23 b/w ills. Hardcover $65.00 ISBN: 978-0-300-11149-1 ", 8 | "source_updated_at": "2019-08-08T12:53:32-05:00", 9 | "updated_at": "2025-02-15T23:54:15-06:00", 10 | "timestamp": "2025-02-16T02:22:17-06:00" 11 | } -------------------------------------------------------------------------------- /json/printed-publications/4.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 4, 3 | "api_model": "printed-publications", 4 | "api_link": "https://api.artic.edu/api/v1/printed-publications/4", 5 | "title": "The Art Institute of Chicago: The Essential Guide", 6 | "web_url": "https://www.artic.edu/print-publications/4/the-art-institute-of-chicago-the-essential-guide", 7 | "copy": " The Essential Guide presents the diverse holdings of the Art Institute\u2019s collections. Featuring more than three hundred objects, it provides a journey through time\u2014from ancient Egypt until the present day\u2014and across the globe. Beautifully illustrated with short texts about each work, the publication includes beloved icons such as Georges Seurat\u2019s Sunday on La Grande Jatte\u20141884 and Edward Hopper\u2019s Nighthawks , as well as exciting recent acquisitions like a Teotihuacan shell mask, Marcel Duchamp\u2019s readymade Bottle Rack , and Thomas Hart Benton\u2019s Cotton Pickers . Read about objects currently on view in the galleries as well as exquisite textiles and works on paper that, because of the fragility of their materials, are less frequently shown. Use it as a guide to the museum or a souvenir of your visit. Four distinctive covers\u2014one great book! Choose your favorite cover image by Katsushika Hokusai, Archibald Motley Jr., Georgia O\u2019Keeffe, or Georges Seurat. Foreword by James Rondeau 352 pages, 6 x 9 x 1 in. 335 color ills. Softcover $25 ($22.50 members) ISBN 978-0-86559-301-5 ", 8 | "source_updated_at": "2022-04-19T15:57:59-05:00", 9 | "updated_at": "2025-02-15T23:54:10-06:00", 10 | "timestamp": "2025-02-16T02:22:17-06:00" 11 | } -------------------------------------------------------------------------------- /json/printed-publications/5.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 5, 3 | "api_model": "printed-publications", 4 | "api_link": "https://api.artic.edu/api/v1/printed-publications/5", 5 | "title": "Roy Lichtenstein: A Retrospective", 6 | "web_url": "https://www.artic.edu/print-publications/5/roy-lichtenstein-a-retrospective", 7 | "copy": " The most iconic works of Roy Lichtenstein (1923\u20131997) are widely known, reproduced, copied, and even parodied. The true diversity and complexity of his oeuvre is little understood, however, and the full scope of his career is largely absent from the existing literature. Presenting more than 130 paintings and sculptures, as well as over thirty seldom- or never-before-seen drawings and collages, this book examines all periods in Lichtenstein\u2019s career, going well beyond his brushstrokes and the classic Pop romance and war cartoon paintings that made him famous. Roy Lichtenstein: A Retrospective features exciting new scholarship by an international team of distinguished curators, critics, and art historians. Essays by Yve-Alain Bois, Chrissie Iles, and Stephen Little, among others, give special consideration to Lichtenstein\u2019s historical influences, from Picasso and Cubism through Surrealism, Futurism, and British Pop. Contributions by James Rondeau and Sheena Wagstaff evaluate the artist\u2019s abstract work and late nudes. Complemented by photographs of the artist and his seminal exhibitions, the essays examine the various styles and subjects featured in paintings created throughout his lifetime. The inclusion of a complete chronology of Lichtenstein\u2019s life and work\u2014compiled by Clare Bell of the Lichtenstein Foundation\u2014makes this retrospective the most authoritative publication on the artist since his death in 1997. James Rondeau and Sheena Wagstaff With contributions by Clare Bell, Yve-Alain Bois, Iria Candela, Harry Cooper, Sara Doris, Chrissie Iles, James Lawrence, and Stephen Little 372 pages, 9 \u00bd x 12 in. 283 color and 30 b/w ills. Out of print ISBN: 978-0-300-17971-2 (softcover) ISBN: 978-0-300-17971-2 (hardcover) ", 8 | "source_updated_at": "2019-04-12T11:00:57-05:00", 9 | "updated_at": "2025-02-15T23:54:25-06:00", 10 | "timestamp": "2025-02-16T02:22:17-06:00" 11 | } -------------------------------------------------------------------------------- /json/printed-publications/6.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 6, 3 | "api_model": "printed-publications", 4 | "api_link": "https://api.artic.edu/api/v1/printed-publications/6", 5 | "title": "Dawoud Bey: Harlem, U.S.A.", 6 | "web_url": "https://www.artic.edu/print-publications/6/dawoud-bey-harlem-usa", 7 | "copy": " In 1979, when African-American photographer Dawoud Bey showed twenty-five photographs at the Studio Museum in Harlem under the heading Harlem U.S.A ., the exhibition offered a young artist\u2019s vision of a moment in the neighborhood\u2019s life. Published here as a complete set for the first time, Dawoud Bey: Harlem U.S.A. also includes five previously unpublished photographs from the same period. Bey\u2019s vintage images are given new context in an essay by emerging African American writer Sharifa Rhodes-Pitts, who undertook her own fascinating study of Harlem in 2011. Bey, who grew up in Queens with family roots in Harlem, has become one of the most widely acclaimed portraitists on the contemporary scene. This handsome book, with faithful duotone reproductions, provides a wonderful opportunity to revisit a classic portfolio of images that still resonates in today\u2019s culture. Edited by Matthew S. Witkovsky With an essay by Sharifa Rhodes-Pitts 88 pages, 8 1/2 x 11 in. 50 duotone ills. Out of print ISBN: 978-0-300-18126-5 (hardcover) ", 8 | "source_updated_at": "2019-04-12T11:00:57-05:00", 9 | "updated_at": "2025-02-15T23:54:25-06:00", 10 | "timestamp": "2025-02-16T02:22:17-06:00" 11 | } -------------------------------------------------------------------------------- /json/printed-publications/7.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 7, 3 | "api_model": "printed-publications", 4 | "api_link": "https://api.artic.edu/api/v1/printed-publications/7", 5 | "title": "Fashioning the Object: Bless, Boudicca, and Sandra Backlund", 6 | "web_url": "https://www.artic.edu/print-publications/7/fashioning-the-object-bless-boudicca-and-sandra-backlund", 7 | "copy": " The newest volume in the Art Institute of Chicago's successful A+D series, Fashioning the Object invites readers to visit three of the most visionary design studios at work today: Bless, Boudicca, and Sandra Backlund. Fiercely independent and far-reaching in their influences, these young designers from Berlin, London, Paris, and Stockholm are producing fashion objects that straddle the line between traditional craft and cutting-edge technique, both in their use of materials and in the promotion of their brands. Zo\u00eb Ryan establishes the context for understanding the exciting departures these design houses represent, as the young creators draw inspiration from an array of other disciplines, including architecture, performance, film, and fine art. From Bless's numbered editions, to Boudicca's graffiti-can perfume, to Backlund's ready-to-wear pieces of knitted copper, these designers adapt storied objects to new uses and break old conventions, promulgating their ideas in playful, groundbreaking ways. Zo\u00eb Ryan 96 pages, 5 5/16 x 8 1/2 in. 75 color ills. Softcover $16.95 ISBN: 978-0-300-17974-3 ", 8 | "source_updated_at": "2019-08-08T12:46:23-05:00", 9 | "updated_at": "2025-02-15T23:54:16-06:00", 10 | "timestamp": "2025-02-16T02:22:17-06:00" 11 | } -------------------------------------------------------------------------------- /json/printed-publications/8.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 8, 3 | "api_model": "printed-publications", 4 | "api_link": "https://api.artic.edu/api/v1/printed-publications/8", 5 | "title": "Avant-Garde Art in Everyday Life: Early Twentieth-Century European Modernism", 6 | "web_url": "https://www.artic.edu/print-publications/8/avant-garde-art-in-everyday-life-early-twentieth-century-european-modernism", 7 | "copy": " Beginning around 1910, vanguard artists demanded that true art go beyond the intellectual and transform daily life. This volume highlights the work of six influential European artists who took this idea into the wider world, where it merged enthusiastically with demands in the industrial marketplace, the nascent mass media, and urban popular culture. Featured are Piet Zwart, a Dutch designer who brought his minimalist aesthetic vision to ubiquitous items like biscuit boxes and postage stamps; Karel Teige, leader of the Czech avant-garde, who produced brilliant book and journal designs; his compatriot Ladislav Sutnar, who brought modernist \u201cgood design\u201d to tableware, clothing, and children\u2019s toys; Gustav Klutsis, who pioneered using photomontage for political purposes; Lazar (El) Lissitzky, who produced some of the most exciting book, poster, and exhibition designs of the 1920s and 1930s in Germany and Russia; and German artist John Heartfield, who worked exclusively in photomontage to design book covers, journals, and agitational posters for the Communist cause. Edited by Matthew S. Witkovsky Essays by Jared Ash, Maria Gough, Jind\u0159ich Toman, Nancy J. Troy, Matthew S. Witkovsky, and Andr\u00e9s Mario Zervig\u00f3n 160 pages, 9 1/2 x 11 1/2 in. 149 color and 27 b/w ills. Hardcover $50.00 ISBN: 978-0-300-16609-5 ", 8 | "source_updated_at": "2019-08-05T12:31:46-05:00", 9 | "updated_at": "2025-02-15T23:54:18-06:00", 10 | "timestamp": "2025-02-16T02:22:17-06:00" 11 | } -------------------------------------------------------------------------------- /json/products/245285.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 245285, 3 | "api_model": "products", 4 | "api_link": "https://api.artic.edu/api/v1/products/245285", 5 | "title": "Georges Seurat A Sunday on La Grande Jatte\u20141884 Tote", 6 | "external_sku": 101127, 7 | "image_url": "https://shop-images.imgix.net/101127_2.jpg", 8 | "web_url": "https://shop.artic.edu/products/101127", 9 | "description": "

Tote developed from Georges Seurat\u2019s A Sunday on La Grande Jatte\u20141884, 1884-86, from the Art Institute of Chicago\u2019s collection

This tote is perfect for a any occasion, and provides the opportunity to look at the details of this wonderful painting as you carry it with you.

", 10 | "price_display": "

$45 $0

", 11 | "min_compare_at_price": 0, 12 | "max_compare_at_price": 0, 13 | "min_current_price": 45, 14 | "max_current_price": 45, 15 | "artist_ids": [ 16 | 40810 17 | ], 18 | "artwork_ids": [ 19 | 27992 20 | ], 21 | "exhibition_ids": [], 22 | "source_updated_at": "2025-02-15T08:30:10-06:00", 23 | "updated_at": "2025-02-15T23:10:09-06:00", 24 | "timestamp": "2025-02-16T02:20:52-06:00" 25 | } -------------------------------------------------------------------------------- /json/products/245287.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 245287, 3 | "api_model": "products", 4 | "api_link": "https://api.artic.edu/api/v1/products/245287", 5 | "title": "Georges Seurat A Sunday on La Grande Jatte\u20141884 Umbrella", 6 | "external_sku": 101134, 7 | "image_url": "https://shop-images.imgix.net/101134_2.jpg", 8 | "web_url": "https://shop.artic.edu/products/101134", 9 | "description": "

Umbrella developed from Georges Seurat\u2019s A Sunday on La Grande Jatte\u20141884, 1884-86, from the Art Institute of Chicago\u2019s collection

Open up a masterpiece and take it with you a rainy day to keep you dry, or protect you from the sun.

", 10 | "price_display": "

$38 $0

", 11 | "min_compare_at_price": 0, 12 | "max_compare_at_price": 0, 13 | "min_current_price": 38, 14 | "max_current_price": 38, 15 | "artist_ids": [ 16 | 40810 17 | ], 18 | "artwork_ids": [ 19 | 27992 20 | ], 21 | "exhibition_ids": [], 22 | "source_updated_at": "2025-02-15T08:30:10-06:00", 23 | "updated_at": "2025-02-15T23:10:09-06:00", 24 | "timestamp": "2025-02-16T02:20:52-06:00" 25 | } -------------------------------------------------------------------------------- /json/products/245304.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 245304, 3 | "api_model": "products", 4 | "api_link": "https://api.artic.edu/api/v1/products/245304", 5 | "title": "Sky Umbrella", 6 | "external_sku": 101235, 7 | "image_url": "https://shop-images.imgix.net/101235_2.jpg", 8 | "web_url": "https://shop.artic.edu/products/101235", 9 | "description": null, 10 | "price_display": "

$45 $0

", 11 | "min_compare_at_price": 0, 12 | "max_compare_at_price": 0, 13 | "min_current_price": 45, 14 | "max_current_price": 45, 15 | "artist_ids": [], 16 | "artwork_ids": [], 17 | "exhibition_ids": [], 18 | "source_updated_at": "2023-01-03T08:30:27-06:00", 19 | "updated_at": "2023-01-03T23:00:54-06:00", 20 | "timestamp": "2025-02-16T02:20:52-06:00" 21 | } -------------------------------------------------------------------------------- /json/products/245334.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 245334, 3 | "api_model": "products", 4 | "api_link": "https://api.artic.edu/api/v1/products/245334", 5 | "title": "Faber-Castell Oil Pastels 24 Piece Set", 6 | "external_sku": 102023, 7 | "image_url": "https://shop-images.imgix.net/102023_2.jpg", 8 | "web_url": "https://shop.artic.edu/products/102023", 9 | "description": "

Inspire them early. Spark young artist's creativity with the tools they'll need to create their own masterpieces. 24 oil pastels are nontoxic and acid-free.

Recommended for ages 5 and up.\u00a0

", 10 | "price_display": "

$10.5 $0

", 11 | "min_compare_at_price": 0, 12 | "max_compare_at_price": 0, 13 | "min_current_price": 10.5, 14 | "max_current_price": 10.5, 15 | "artist_ids": [], 16 | "artwork_ids": [], 17 | "exhibition_ids": [], 18 | "source_updated_at": "2025-02-15T08:30:10-06:00", 19 | "updated_at": "2025-02-15T23:10:09-06:00", 20 | "timestamp": "2025-02-16T02:20:52-06:00" 21 | } -------------------------------------------------------------------------------- /json/products/245335.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 245335, 3 | "api_model": "products", 4 | "api_link": "https://api.artic.edu/api/v1/products/245335", 5 | "title": "Faber-Castell Getting Started Watercolor Kit", 6 | "external_sku": 102024, 7 | "image_url": "https://shop-images.imgix.net/102024_2.jpg", 8 | "web_url": "https://shop.artic.edu/products/102024", 9 | "description": "

Discover the magic of watercolor pencils. The paint is in the pencils!
Designed for beginners, our kit teachers the basic\u00a0technique of working with watercolor pencils. \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0
Our kit contains an instruction book, 8 water color pencils, water color paper, paper with practice grid, paint brush and pencil sharpener.\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0

Recommended for age 13 and up.

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$22.4 $28

", 11 | "min_compare_at_price": 28, 12 | "max_compare_at_price": 28, 13 | "min_current_price": 22.4, 14 | "max_current_price": 22.4, 15 | "artist_ids": [], 16 | "artwork_ids": [], 17 | "exhibition_ids": [ 18 | 2522 19 | ], 20 | "source_updated_at": "2025-01-02T08:30:09-06:00", 21 | "updated_at": "2025-01-02T23:10:05-06:00", 22 | "timestamp": "2025-02-16T02:20:52-06:00" 23 | } -------------------------------------------------------------------------------- /json/products/245410.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 245410, 3 | "api_model": "products", 4 | "api_link": "https://api.artic.edu/api/v1/products/245410", 5 | "title": "Gustave Caillebotte Paris Street; Rainy Day Mug", 6 | "external_sku": 102748, 7 | "image_url": "https://shop-images.imgix.net/102748_2.jpg", 8 | "web_url": "https://shop.artic.edu/products/102748", 9 | "description": "

Mug developed from Gustave Caillebotte\u2019s Paris Street; Rainy Day, 1877, from the Art Institute of Chicago\u2019s collection.

A masterpiece from our collection can be enjoyed every day along with breakfast or afternoon tea! 

", 10 | "price_display": "

$13.95 $0

", 11 | "min_compare_at_price": 0, 12 | "max_compare_at_price": 0, 13 | "min_current_price": 13.95, 14 | "max_current_price": 13.95, 15 | "artist_ids": [ 16 | 3829 17 | ], 18 | "artwork_ids": [ 19 | 20684 20 | ], 21 | "exhibition_ids": [], 22 | "source_updated_at": "2025-02-15T08:30:10-06:00", 23 | "updated_at": "2025-02-15T23:10:09-06:00", 24 | "timestamp": "2025-02-16T02:20:52-06:00" 25 | } -------------------------------------------------------------------------------- /json/products/245421.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 245421, 3 | "api_model": "products", 4 | "api_link": "https://api.artic.edu/api/v1/products/245421", 5 | "title": "Edward Hopper Nighthawks Umbrella", 6 | "external_sku": 102863, 7 | "image_url": "https://shop-images.imgix.net/102863_2.jpg", 8 | "web_url": "https://shop.artic.edu/products/102863", 9 | "description": "

Umbrella developed from Edward Hopper\u2019s Nighthawks, 1942, from the Art Institute of Chicago\u2019s collection.

Open up one of the best-known images of twentieth-century art, and take a walk in the rain.

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$38 $0

", 11 | "min_compare_at_price": 0, 12 | "max_compare_at_price": 0, 13 | "min_current_price": 38, 14 | "max_current_price": 38, 15 | "artist_ids": [ 16 | 34996 17 | ], 18 | "artwork_ids": [ 19 | 111628 20 | ], 21 | "exhibition_ids": [], 22 | "source_updated_at": "2025-02-15T08:30:10-06:00", 23 | "updated_at": "2025-02-15T23:10:09-06:00", 24 | "timestamp": "2025-02-16T02:20:52-06:00" 25 | } -------------------------------------------------------------------------------- /json/products/245592.json: -------------------------------------------------------------------------------- 1 | { 2 | "id": 245592, 3 | "api_model": "products", 4 | "api_link": "https://api.artic.edu/api/v1/products/245592", 5 | "title": "Salvador Dal\u00ed Inventions of the Monsters Unmatted Print", 6 | "external_sku": 104950, 7 | "image_url": "https://shop-images.imgix.net/104950_2.jpg", 8 | "web_url": "https://shop.artic.edu/products/104950", 9 | "description": "

Unmatted print developed from Salvador Dal\u00ed\u2019s Inventions of the Monster, 1937, from The Art Institute of Chicago\u2019s collection. \u00a9 Salvador Dal\u00ed, Fundaci\u00f3 Gala- Salvador Dal\u00ed / Artists Rights Society (ARS), New York, 2022.

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Inventions of the Monsters has an ominous mood. It is rife with threats of danger, from the menacing fire in the distance to the sibylline figure in the foreground with an hourglass and a butterfly, both symbols of the inevitability of death. Next to this figure sit Dal\u00ed and his wife and muse, Gala. With his native Catalonia embroiled in the Spanish Civil War, the artist surely felt great anxiety over a world without a safe haven, a world that indeed had allowed for the invention of monsters.

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