├── .gitignore ├── DPUB-use-cases-x.html ├── MobyDick-e0 ├── css │ └── mobydick.css ├── html │ ├── c001.html │ ├── c002.html │ ├── c003.html │ ├── c004.html │ ├── c005.html │ ├── c006.html │ ├── c007.html │ ├── c008.html │ ├── c009.html │ ├── c010.html │ ├── c011.html │ ├── c012.html │ ├── c013.html │ ├── c014.html │ ├── c015.html │ ├── c016.html │ ├── c017.html │ ├── c018.html │ ├── c019.html │ ├── c020.html │ ├── c021.html │ ├── c022.html │ ├── c023.html │ ├── c024.html │ ├── c025.html │ ├── c026.html │ ├── c027.html │ ├── c028.html │ ├── c029.html │ ├── c030.html │ ├── c031.html │ ├── c032.html │ ├── c033.html │ ├── c034.html │ ├── c035.html │ ├── c036.html │ ├── c037.html │ ├── c038.html │ ├── c039.html │ ├── c040.html │ ├── c041.html │ ├── c042.html │ ├── c043.html │ ├── c044.html │ ├── c045.html │ ├── c046.html │ ├── c047.html │ ├── c048.html │ ├── c049.html │ ├── c050.html │ ├── c051.html │ ├── c052.html │ ├── c053.html │ ├── c054.html │ ├── c055.html │ ├── c056.html │ ├── c057.html │ ├── c058.html │ ├── c059.html │ ├── c060.html │ ├── c061.html │ ├── c062.html │ ├── c063.html │ ├── c064.html │ ├── c065.html │ ├── c066.html │ ├── c067.html │ ├── c068.html │ ├── c069.html │ ├── c070.html │ ├── c071.html │ ├── c072.html │ ├── c073.html │ ├── c074.html │ ├── c075.html │ ├── c076.html │ ├── c077.html │ ├── c078.html │ ├── c079.html │ ├── c080.html │ ├── c081.html │ ├── c082.html │ ├── c083.html │ ├── c084.html │ ├── c085.html │ ├── c086.html │ ├── c087.html │ ├── c088.html │ ├── c089.html │ ├── c090.html │ ├── c091.html │ ├── c092.html │ ├── c093.html │ ├── c094.html │ ├── c095.html │ ├── c096.html │ ├── c097.html │ ├── c098.html │ ├── c099.html │ ├── c100.html │ ├── c101.html │ ├── c102.html │ ├── c103.html │ ├── c104.html │ ├── c105.html │ ├── c106.html │ ├── c107.html │ ├── c108.html │ ├── c109.html │ ├── c110.html │ ├── c111.html │ ├── c112.html │ ├── c113.html │ ├── c114.html │ ├── c115.html │ ├── c116.html │ ├── c117.html │ ├── c118.html │ ├── c119.html │ ├── c120.html │ ├── c121.html │ ├── c122.html │ ├── c123.html │ ├── c124.html │ ├── c125.html │ ├── c126.html │ ├── c127.html │ ├── c128.html │ ├── c129.html │ ├── c130.html │ ├── c131.html │ ├── c132.html │ ├── c133.html │ ├── c134.html │ ├── c135.html │ ├── c136.html │ ├── copyright.html │ ├── cover.html │ ├── epigraph.html │ ├── introduction.html │ ├── title-page.html │ └── toc.html ├── images │ └── moby-dick-book-cover.jpg ├── metadata.json ├── package.json ├── serviceworker-cache-polyfill.js └── sw.js ├── Overview.bs ├── acme-publishing ├── DonQuixote │ ├── OPS │ │ ├── cover.xhtml │ │ ├── css │ │ │ └── don-quijoti-epub3.css │ │ ├── images │ │ │ ├── don-quijoti-epub3_cover_epub.jpg │ │ │ └── igp_logo_300.png │ │ ├── package.opf │ │ ├── s001-BookTitlePage-01.xhtml │ │ ├── s002-Copyright-01.xhtml │ │ ├── s004-Part-001.xhtml │ │ ├── s005-Chapter-001.xhtml │ │ ├── s006-Chapter-002.xhtml │ │ ├── s007-Chapter-003.xhtml │ │ ├── s008-Chapter-004.xhtml │ │ ├── s009-Chapter-005.xhtml │ │ ├── s010-Chapter-006.xhtml │ │ ├── s011-Chapter-007.xhtml │ │ ├── s012-Chapter-008.xhtml │ │ ├── s013-Chapter-009.xhtml │ │ ├── s014-Chapter-010.xhtml │ │ ├── s015-Chapter-011.xhtml │ │ ├── s016-Chapter-012.xhtml │ │ ├── s017-Chapter-013.xhtml │ │ ├── s018-Chapter-014.xhtml │ │ ├── s019-Chapter-015.xhtml │ │ ├── s020-Chapter-016.xhtml │ │ ├── s021-Chapter-017.xhtml │ │ ├── s022-Chapter-018.xhtml │ │ ├── s023-Chapter-019.xhtml │ │ ├── s024-Chapter-020.xhtml │ │ ├── s025-Chapter-021.xhtml │ │ ├── s026-Chapter-022.xhtml │ │ ├── s027-Chapter-023.xhtml │ │ ├── s028-Chapter-024.xhtml │ │ ├── s029-Chapter-025.xhtml │ │ ├── s030-Chapter-026.xhtml │ │ ├── s031-Chapter-027.xhtml │ │ ├── s032-Chapter-028.xhtml │ │ ├── s033-Chapter-029.xhtml │ │ ├── s034-Chapter-030.xhtml │ │ ├── s035-Chapter-031.xhtml │ │ ├── s036-Chapter-032.xhtml │ │ ├── s037-Chapter-033.xhtml │ │ ├── s038-Chapter-034.xhtml │ │ ├── s039-Chapter-035.xhtml │ │ ├── s040-Chapter-036.xhtml │ │ ├── s041-Chapter-037.xhtml │ │ ├── s042-Chapter-038.xhtml │ │ ├── s043-Chapter-039.xhtml │ │ ├── s044-Chapter-040.xhtml │ │ ├── s045-Chapter-041.xhtml │ │ ├── s046-Chapter-042.xhtml │ │ ├── s047-Chapter-043.xhtml │ │ ├── s048-Chapter-044.xhtml │ │ ├── s049-Chapter-045.xhtml │ │ ├── s050-Chapter-046.xhtml │ │ ├── s051-Chapter-047.xhtml │ │ ├── s052-Chapter-048.xhtml │ │ ├── s053-Chapter-049.xhtml │ │ ├── s054-Chapter-050.xhtml │ │ ├── s055-Chapter-051.xhtml │ │ ├── s056-Chapter-052.xhtml │ │ ├── s057-Chapter-053.xhtml │ │ ├── s058-Part-002.xhtml │ │ ├── s059-Chapter-054.xhtml │ │ ├── s060-Chapter-055.xhtml │ │ ├── s061-Chapter-056.xhtml │ │ ├── s062-Chapter-057.xhtml │ │ ├── s063-Chapter-058.xhtml │ │ ├── s064-Chapter-059.xhtml │ │ ├── s065-Chapter-060.xhtml │ │ ├── s066-Chapter-061.xhtml │ │ ├── s067-Chapter-062.xhtml │ │ ├── s068-Chapter-063.xhtml │ │ ├── s069-Chapter-064.xhtml │ │ ├── s070-Chapter-065.xhtml │ │ ├── s071-Chapter-066.xhtml │ │ ├── s072-Chapter-067.xhtml │ │ ├── s073-Chapter-068.xhtml │ │ ├── s074-Chapter-069.xhtml │ │ ├── s075-Chapter-070.xhtml │ │ ├── s076-Chapter-071.xhtml │ │ ├── s077-Chapter-072.xhtml │ │ ├── s078-Chapter-073.xhtml │ │ ├── s079-Chapter-074.xhtml │ │ ├── s080-Chapter-075.xhtml │ │ ├── s081-Chapter-076.xhtml │ │ ├── s082-Chapter-077.xhtml │ │ ├── s083-Chapter-078.xhtml │ │ ├── s084-Chapter-079.xhtml │ │ ├── s085-Chapter-080.xhtml │ │ ├── s086-Chapter-081.xhtml │ │ ├── s087-Chapter-082.xhtml │ │ ├── s088-Chapter-083.xhtml │ │ ├── s089-Chapter-084.xhtml │ │ ├── s090-Chapter-085.xhtml │ │ ├── s091-Chapter-086.xhtml │ │ ├── s092-Chapter-087.xhtml │ │ ├── s093-Chapter-088.xhtml │ │ ├── s094-Chapter-089.xhtml │ │ ├── s095-Chapter-090.xhtml │ │ ├── s096-Chapter-091.xhtml │ │ ├── s097-Chapter-092.xhtml │ │ ├── s098-Chapter-093.xhtml │ │ ├── s099-Chapter-094.xhtml │ │ ├── s100-Chapter-095.xhtml │ │ ├── s101-Chapter-096.xhtml │ │ ├── s102-Chapter-097.xhtml │ │ ├── s103-Chapter-098.xhtml │ │ ├── s104-Chapter-099.xhtml │ │ ├── s105-Chapter-100.xhtml │ │ ├── s106-Chapter-101.xhtml │ │ ├── s107-Chapter-102.xhtml │ │ ├── s108-Chapter-103.xhtml │ │ ├── s109-Chapter-104.xhtml │ │ ├── s110-Chapter-105.xhtml │ │ ├── s111-Chapter-106.xhtml │ │ ├── s112-Chapter-107.xhtml │ │ ├── s113-Chapter-108.xhtml │ │ ├── s114-Chapter-109.xhtml │ │ ├── s115-Chapter-110.xhtml │ │ ├── s116-Chapter-111.xhtml │ │ ├── s117-Chapter-112.xhtml │ │ ├── s118-Chapter-113.xhtml │ │ ├── s119-Chapter-114.xhtml │ │ ├── s120-Chapter-115.xhtml │ │ ├── s121-Chapter-116.xhtml │ │ ├── s122-Chapter-117.xhtml │ │ ├── s123-Chapter-118.xhtml │ │ ├── s124-Chapter-119.xhtml │ │ ├── s125-Chapter-120.xhtml │ │ ├── s126-Chapter-121.xhtml │ │ ├── s127-Chapter-122.xhtml │ │ ├── s128-Chapter-123.xhtml │ │ ├── s129-Chapter-124.xhtml │ │ ├── s130-Chapter-125.xhtml │ │ ├── s131-Chapter-126.xhtml │ │ ├── s132-Chapter-127.xhtml │ │ ├── s133-Chapter-128.xhtml │ │ └── s134-Chapter-129.xhtml │ ├── index.html │ └── manifest.json ├── FundamentalLemma │ ├── META-INF │ │ └── container.xml │ ├── OEBPS │ │ ├── MathJax.js │ │ ├── arxiv-0312227-figure1.svg │ │ ├── ch01.html │ │ ├── ch02.html │ │ ├── ch03.html │ │ ├── ch04.html │ │ ├── ch05.html │ │ ├── ch06.html │ │ ├── ch07.html │ │ ├── ch08.html │ │ ├── ch09.html │ │ ├── ch10.html │ │ ├── content.opf │ │ └── titlepage01.html │ ├── index.html │ └── manifest.json ├── HeatRadiation │ ├── OPS │ │ ├── STIXfonts │ │ │ ├── STIXFontLicense2010.txt │ │ │ ├── STIXGeneral.otf │ │ │ ├── STIXGeneralBol.otf │ │ │ ├── STIXGeneralBolIta.otf │ │ │ ├── STIXGeneralItalic.otf │ │ │ ├── STIXIntDBol.otf │ │ │ ├── STIXIntDReg.otf │ │ │ ├── STIXIntDis.otf │ │ │ ├── STIXIntDisBol.otf │ │ │ ├── STIXIntSmBol.otf │ │ │ ├── STIXIntSmReg.otf │ │ │ ├── STIXIntSma.otf │ │ │ ├── STIXIntSmaBol.otf │ │ │ ├── STIXIntUp.otf │ │ │ ├── STIXIntUpBol.otf │ │ │ ├── STIXIntUpDBol.otf │ │ │ ├── STIXIntUpDReg.otf │ │ │ ├── STIXIntUpDis.otf │ │ │ ├── STIXIntUpDisBol.otf │ │ │ ├── STIXIntUpReg.otf │ │ │ ├── STIXIntUpSmBol.otf │ │ │ ├── STIXIntUpSmReg.otf │ │ │ ├── STIXIntUpSma.otf │ │ │ ├── STIXIntUpSmaBol.otf │ │ │ ├── STIXNonUni.otf │ │ │ ├── STIXNonUniBol.otf │ │ │ ├── STIXNonUniBolIta.otf │ │ │ ├── STIXNonUniIta.otf │ │ │ ├── STIXSiz1Sym.otf │ │ │ ├── STIXSiz1SymBol.otf │ │ │ ├── STIXSiz2Sym.otf │ │ │ ├── STIXSiz2SymBol.otf │ │ │ ├── STIXSiz3Sym.otf │ │ │ ├── STIXSiz3SymBol.otf │ │ │ ├── STIXSiz4Sym.otf │ │ │ ├── STIXSiz4SymBol.otf │ │ │ ├── STIXSiz5Sym.otf │ │ │ ├── STIXSizFiveSymReg.otf │ │ │ ├── STIXSizFourSymBol.otf │ │ │ ├── STIXSizFourSymReg.otf │ │ │ ├── STIXSizOneSymBol.otf │ │ │ ├── STIXSizOneSymReg.otf │ │ │ ├── STIXSizThreeSymBol.otf │ │ │ ├── STIXSizThreeSymReg.otf │ │ │ ├── STIXSizTwoSymBol.otf │ │ │ ├── STIXSizTwoSymReg.otf │ │ │ ├── STIXVar.otf │ │ │ ├── STIXVarBol.otf │ │ │ └── STIXfonts.css │ │ ├── cover.xhtml │ │ ├── css │ │ │ └── igp-ttohr-math.css │ │ ├── fonts │ │ │ ├── STIXGeneral.otf │ │ │ ├── STIXGeneralBol.otf │ │ │ ├── STIXGeneralBolIta.otf │ │ │ └── STIXGeneralItalic.otf │ │ ├── images │ │ │ ├── fig1_online.png │ │ │ ├── fig2_online.png │ │ │ ├── fig3_online.png │ │ │ ├── fig4_online.png │ │ │ ├── fig5_online.png │ │ │ ├── fig6_online.png │ │ │ ├── fig7_online.png │ │ │ └── igp-ttohr-math_cover_epub.jpg │ │ ├── package.opf │ │ ├── s001-BookTitlePage-01.xhtml │ │ ├── s002-Copyright-01.xhtml │ │ ├── s004-TableOfContents-01.xhtml │ │ ├── s005-Preface-01.xhtml │ │ ├── s006-Preface-02.xhtml │ │ ├── s007-Preface-03.xhtml │ │ ├── s008-Part-001.xhtml │ │ ├── s009-Chapter-001.xhtml │ │ ├── s010-Chapter-002.xhtml │ │ ├── s011-Part-002.xhtml │ │ ├── s012-Chapter-003.xhtml │ │ ├── s013-Chapter-004.xhtml │ │ ├── s014-Chapter-005.xhtml │ │ ├── s015-Chapter-006.xhtml │ │ ├── s016-Chapter-007.xhtml │ │ ├── s017-Part-003.xhtml │ │ ├── s018-Chapter-008.xhtml │ │ ├── s019-Chapter-009.xhtml │ │ ├── s020-Chapter-010.xhtml │ │ ├── s021-Chapter-011.xhtml │ │ ├── s022-Part-004.xhtml │ │ ├── s023-Chapter-012.xhtml │ │ ├── s024-Chapter-013.xhtml │ │ ├── s025-Chapter-014.xhtml │ │ ├── s026-Chapter-015.xhtml │ │ ├── s027-Part-005.xhtml │ │ ├── s028-Chapter-016.xhtml │ │ ├── s029-Chapter-017.xhtml │ │ ├── s030-Chapter-018.xhtml │ │ ├── s031-Chapter-019.xhtml │ │ ├── s033-Bibliography-01.xhtml │ │ ├── s034-Appendix-01.xhtml │ │ └── s035-Appendix-02.xhtml │ ├── index.html │ ├── manifest.json │ └── mimetype ├── KingJamesBible │ ├── OPS │ │ ├── cover.xhtml │ │ ├── css │ │ │ └── kje-bible-books.css │ │ ├── images │ │ │ └── kje-bible-books_cover_epub.jpg │ │ ├── package.opf │ │ ├── s001-BookTitlePage-01.xhtml │ │ ├── s002-Copyright-01.xhtml │ │ ├── s004-TableOfContents-01.xhtml │ │ ├── s005-Part-001.xhtml │ │ ├── s006-Chapter-001.xhtml │ │ ├── s007-Chapter-002.xhtml │ │ ├── s008-Chapter-003.xhtml │ │ ├── s009-Chapter-004.xhtml │ │ ├── s010-Chapter-005.xhtml │ │ ├── s011-Chapter-006.xhtml │ │ ├── s012-Chapter-007.xhtml │ │ ├── s013-Chapter-008.xhtml │ │ ├── s014-Chapter-009.xhtml │ │ ├── s015-Chapter-010.xhtml │ │ ├── s016-Chapter-011.xhtml │ │ ├── s017-Chapter-012.xhtml │ │ ├── s018-Chapter-013.xhtml │ │ ├── s019-Chapter-014.xhtml │ │ ├── s020-Chapter-015.xhtml │ │ ├── s021-Chapter-016.xhtml │ │ ├── s022-Chapter-017.xhtml │ │ ├── s023-Chapter-018.xhtml │ │ ├── s024-Chapter-019.xhtml │ │ ├── s025-Chapter-020.xhtml │ │ ├── s026-Chapter-021.xhtml │ │ ├── s027-Chapter-022.xhtml │ │ ├── s028-Chapter-023.xhtml │ │ ├── s029-Chapter-024.xhtml │ │ ├── s030-Chapter-025.xhtml │ │ ├── s031-Chapter-026.xhtml │ │ ├── s032-Chapter-027.xhtml │ │ ├── s033-Chapter-028.xhtml │ │ ├── s034-Chapter-029.xhtml │ │ ├── s035-Chapter-030.xhtml │ │ ├── s036-Chapter-031.xhtml │ │ ├── s037-Chapter-032.xhtml │ │ ├── s038-Chapter-033.xhtml │ │ ├── s039-Chapter-034.xhtml │ │ ├── s040-Chapter-035.xhtml │ │ ├── s041-Chapter-036.xhtml │ │ ├── s042-Chapter-037.xhtml │ │ ├── s043-Chapter-038.xhtml │ │ ├── s044-Chapter-039.xhtml │ │ ├── s045-Part-002.xhtml │ │ ├── s046-Chapter-040.xhtml │ │ ├── s047-Chapter-041.xhtml │ │ ├── s048-Chapter-042.xhtml │ │ ├── s049-Chapter-043.xhtml │ │ ├── s050-Chapter-044.xhtml │ │ ├── s051-Chapter-045.xhtml │ │ ├── s052-Chapter-046.xhtml │ │ ├── s053-Chapter-047.xhtml │ │ ├── s054-Chapter-048.xhtml │ │ ├── s055-Chapter-049.xhtml │ │ ├── s056-Chapter-050.xhtml │ │ ├── s057-Chapter-051.xhtml │ │ ├── s058-Chapter-052.xhtml │ │ ├── s059-Chapter-053.xhtml │ │ ├── s060-Chapter-054.xhtml │ │ ├── s061-Chapter-055.xhtml │ │ ├── s062-Chapter-056.xhtml │ │ ├── s063-Chapter-057.xhtml │ │ ├── s064-Chapter-058.xhtml │ │ ├── s065-Chapter-059.xhtml │ │ ├── s066-Chapter-060.xhtml │ │ ├── s067-Chapter-061.xhtml │ │ ├── s068-Chapter-062.xhtml │ │ ├── s069-Chapter-063.xhtml │ │ ├── s070-Chapter-064.xhtml │ │ ├── s071-Chapter-065.xhtml │ │ ├── s072-Chapter-066.xhtml │ │ └── toc.ncx │ ├── index.html │ ├── manifest.json │ └── mimetype ├── MobyDick │ ├── .htaccess │ ├── apple-touch-icon.png │ ├── css │ │ └── mobydick.css │ ├── fonts │ │ ├── STIXFontLicense2010.txt │ │ ├── STIXGeneral.otf │ │ ├── STIXGeneralBol.otf │ │ ├── STIXGeneralBolIta.otf │ │ └── STIXGeneralItalic.otf │ ├── html │ │ ├── c001.html │ │ ├── c002.html │ │ ├── c003.html │ │ ├── c004.html │ │ ├── c005.html │ │ ├── c006.html │ │ ├── c007.html │ │ ├── c008.html │ │ ├── c009.html │ │ ├── c010.html │ │ ├── c011.html │ │ ├── c012.html │ │ ├── c013.html │ │ ├── c014.html │ │ ├── c015.html │ │ ├── c016.html │ │ ├── c017.html │ │ ├── c018.html │ │ ├── c019.html │ │ ├── c020.html │ │ ├── c021.html │ │ ├── c022.html │ │ ├── c023.html │ │ ├── c024.html │ │ ├── c025.html │ │ ├── c026.html │ │ ├── c027.html │ │ ├── c028.html │ │ ├── c029.html │ │ ├── c030.html │ │ ├── c031.html │ │ ├── c032.html │ │ ├── c033.html │ │ ├── c034.html │ │ ├── c035.html │ │ ├── c036.html │ │ ├── c037.html │ │ ├── c038.html │ │ ├── c039.html │ │ ├── c040.html │ │ ├── c041.html │ │ ├── c042.html │ │ ├── c043.html │ │ ├── c044.html │ │ ├── c045.html │ │ ├── c046.html │ │ ├── c047.html │ │ ├── c048.html │ │ ├── c049.html │ │ ├── c050.html │ │ ├── c051.html │ │ ├── c052.html │ │ ├── c053.html │ │ ├── c054.html │ │ ├── c055.html │ │ ├── c056.html │ │ ├── c057.html │ │ ├── c058.html │ │ ├── c059.html │ │ ├── c060.html │ │ ├── c061.html │ │ ├── c062.html │ │ ├── c063.html │ │ ├── c064.html │ │ ├── c065.html │ │ ├── c066.html │ │ ├── c067.html │ │ ├── c068.html │ │ ├── c069.html │ │ ├── c070.html │ │ ├── c071.html │ │ ├── c072.html │ │ ├── c073.html │ │ ├── c074.html │ │ ├── c075.html │ │ ├── c076.html │ │ ├── c077.html │ │ ├── c078.html │ │ ├── c079.html │ │ ├── c080.html │ │ ├── c081.html │ │ ├── c082.html │ │ ├── c083.html │ │ ├── c084.html │ │ ├── c085.html │ │ ├── c086.html │ │ ├── c087.html │ │ ├── c088.html │ │ ├── c089.html │ │ ├── c090.html │ │ ├── c091.html │ │ ├── c092.html │ │ ├── c093.html │ │ ├── c094.html │ │ ├── c095.html │ │ ├── c096.html │ │ ├── c097.html │ │ ├── c098.html │ │ ├── c099.html │ │ ├── c100.html │ │ ├── c101.html │ │ ├── c102.html │ │ ├── c103.html │ │ ├── c104.html │ │ ├── c105.html │ │ ├── c106.html │ │ ├── c107.html │ │ ├── c108.html │ │ ├── c109.html │ │ ├── c110.html │ │ ├── c111.html │ │ ├── c112.html │ │ ├── c113.html │ │ ├── c114.html │ │ ├── c115.html │ │ ├── c116.html │ │ ├── c117.html │ │ ├── c118.html │ │ ├── c119.html │ │ ├── c120.html │ │ ├── c121.html │ │ ├── c122.html │ │ ├── c123.html │ │ ├── c124.html │ │ ├── c125.html │ │ ├── c126.html │ │ ├── c127.html │ │ ├── c128.html │ │ ├── c129.html │ │ ├── c130.html │ │ ├── c131.html │ │ ├── c132.html │ │ ├── c133.html │ │ ├── c134.html │ │ ├── c135.html │ │ ├── c136.html │ │ ├── copyright.html │ │ ├── cover.html │ │ ├── epigraph.html │ │ ├── introduction.html │ │ └── title-page.html │ ├── images │ │ ├── moby-dick-book-cover.jpg │ │ └── moby-dick-icon.jpg │ ├── index.html │ ├── manifest.json │ └── metadata.json ├── MobyDickPaged │ ├── MobyDick_HCtextF1.html │ ├── fonts │ │ ├── STIXFontLicense2010.txt │ │ ├── STIXGeneral.otf │ │ ├── STIXGeneralBol.otf │ │ ├── STIXGeneralBolIta.otf │ │ └── STIXGeneralItalic.otf │ ├── images │ │ ├── moby-dick-book-cover.jpg │ │ └── moby-dick-icon.jpg │ ├── index.html │ ├── manifest.json │ ├── metadata.json │ ├── style.css │ └── toc.html ├── PrivateRioTeaser │ ├── apple-touch-icon.png │ ├── css │ │ └── 9780316288729.css │ ├── html │ │ ├── s091-Notes-02.xhtml │ │ ├── s092-Teaser-01.xhtml │ │ ├── s093-Teaser-02.xhtml │ │ └── s094-Teaser-03.xhtml │ ├── images │ │ └── patterson_privaterio4c_online.jpg │ ├── index.html │ ├── manifest.json │ └── metadata.json ├── acme.js ├── covers │ ├── Halescropped_wikipedia_ccbysa3.jpg │ ├── don-quijoti-epub3_cover_epub.jpg │ ├── igp-ttohr-math_cover_epub.jpg │ ├── kje-bible-books_cover_epub.jpg │ └── moby-dick-book-cover.jpg ├── images │ └── moby-dick-book-cover.jpg ├── index.html ├── jszip.js ├── page.js ├── spn.css └── sw.js ├── acme ├── Bartleby │ ├── css │ │ └── Bartleby.css │ ├── fonts │ │ ├── STIXGeneral.otf │ │ ├── STIXGeneralBol.otf │ │ ├── STIXGeneralBolIta.otf │ │ └── STIXGeneralItalic.otf │ ├── html │ │ └── Bartleby.html │ ├── images │ │ └── Bartleby.jpg │ ├── index.html │ └── manifest.json ├── BooksInBrowsers │ ├── css │ │ └── BiB.css │ ├── fonts │ │ ├── STIXGeneral.otf │ │ ├── STIXGeneralBol.otf │ │ ├── STIXGeneralBolIta.otf │ │ └── STIXGeneralItalic.otf │ ├── html │ │ ├── DancingAtTheEdgeOfTheWorld.jpg │ │ ├── Wadi_Rum_Goat.jpg │ │ ├── coffee-gathering.jpg │ │ ├── cristopher.jpg │ │ ├── goatwalking.jpg │ │ ├── jazz-painting.jpg │ │ ├── kroner.jpg │ │ ├── leguin-portrait.jpg │ │ ├── leguin-speaking.jpg │ │ ├── new-web.html │ │ ├── problem-list.html │ │ ├── story-000.html │ │ ├── story-001.html │ │ ├── story-999.html │ │ ├── vestonicka_venus.jpg │ │ └── womans-creation.jpg │ ├── images │ │ ├── BiB.jpg │ │ ├── DaveTwitter.jpg │ │ └── Hauling_fuel_Ramechhap.jpg │ ├── index.html │ └── manifest.json ├── Lighthouse │ ├── css │ │ └── lighthouse.css │ ├── fonts │ │ ├── STIXGeneral.otf │ │ ├── STIXGeneralBol.otf │ │ ├── STIXGeneralBolIta.otf │ │ └── STIXGeneralItalic.otf │ ├── html │ │ ├── about.html │ │ ├── c001.html │ │ ├── c002.html │ │ ├── c003.html │ │ ├── c004.html │ │ ├── c005.html │ │ ├── c006.html │ │ ├── c007.html │ │ ├── c008.html │ │ ├── c009.html │ │ ├── c010.html │ │ ├── c011.html │ │ ├── c012.html │ │ ├── c013.html │ │ ├── c014.html │ │ ├── c015.html │ │ ├── c016.html │ │ ├── c017.html │ │ ├── c018.html │ │ ├── c019.html │ │ ├── c020.html │ │ ├── c022.html │ │ ├── c023.html │ │ ├── c024.html │ │ ├── c025.html │ │ ├── c026.html │ │ ├── c027.html │ │ ├── c028.html │ │ ├── c029.html │ │ ├── c030.html │ │ ├── c031.html │ │ ├── c032.html │ │ ├── c033.html │ │ ├── c034.html │ │ ├── c035.html │ │ ├── c036.html │ │ ├── c037.html │ │ ├── c038.html │ │ ├── c039.html │ │ ├── c040.html │ │ ├── c041.html │ │ ├── c042.html │ │ ├── c043.html │ │ ├── c044.html │ │ ├── p001.html │ │ ├── p002.html │ │ ├── p003.html │ │ └── title-page.html │ ├── images │ │ └── lighthouse.jpg │ ├── index.html │ └── manifest.json ├── MobyDick │ ├── .htaccess │ ├── MobyDick.pod │ ├── apple-touch-icon.png │ ├── css │ │ └── mobydick.css │ ├── fonts │ │ ├── STIXGeneral.otf │ │ ├── STIXGeneralBol.otf │ │ ├── STIXGeneralBolIta.otf │ │ └── STIXGeneralItalic.otf │ ├── html │ │ ├── c001.html │ │ ├── c002.html │ │ ├── c003.html │ │ ├── c004.html │ │ ├── c005.html │ │ ├── c006.html │ │ ├── c007.html │ │ ├── c008.html │ │ ├── c009.html │ │ ├── c010.html │ │ ├── c011.html │ │ ├── c012.html │ │ ├── c013.html │ │ ├── c014.html │ │ ├── c015.html │ │ ├── c016.html │ │ ├── c017.html │ │ ├── c018.html │ │ ├── c019.html │ │ ├── c020.html │ │ ├── c021.html │ │ ├── c022.html │ │ ├── c023.html │ │ ├── c024.html │ │ ├── c025.html │ │ ├── c026.html │ │ ├── c027.html │ │ ├── c028.html │ │ ├── c029.html │ │ ├── c030.html │ │ ├── c031.html │ │ ├── c032.html │ │ ├── c033.html │ │ ├── c034.html │ │ ├── c035.html │ │ ├── c036.html │ │ ├── c037.html │ │ ├── c038.html │ │ ├── c039.html │ │ ├── c040.html │ │ ├── c041.html │ │ ├── c042.html │ │ ├── c043.html │ │ ├── c044.html │ │ ├── c045.html │ │ ├── c046.html │ │ ├── c047.html │ │ ├── c048.html │ │ ├── c049.html │ │ ├── c050.html │ │ ├── c051.html │ │ ├── c052.html │ │ ├── c053.html │ │ ├── c054.html │ │ ├── c055.html │ │ ├── c056.html │ │ ├── c057.html │ │ ├── c058.html │ │ ├── c059.html │ │ ├── c060.html │ │ ├── c061.html │ │ ├── c062.html │ │ ├── c063.html │ │ ├── c064.html │ │ ├── c065.html │ │ ├── c066.html │ │ ├── c067.html │ │ ├── c068.html │ │ ├── c069.html │ │ ├── c070.html │ │ ├── c071.html │ │ ├── c072.html │ │ ├── c073.html │ │ ├── c074.html │ │ ├── c075.html │ │ ├── c076.html │ │ ├── c077.html │ │ ├── c078.html │ │ ├── c079.html │ │ ├── c080.html │ │ ├── c081.html │ │ ├── c082.html │ │ ├── c083.html │ │ ├── c084.html │ │ ├── c085.html │ │ ├── c086.html │ │ ├── c087.html │ │ ├── c088.html │ │ ├── c089.html │ │ ├── c090.html │ │ ├── c091.html │ │ ├── c092.html │ │ ├── c093.html │ │ ├── c094.html │ │ ├── c095.html │ │ ├── c096.html │ │ ├── c097.html │ │ ├── c098.html │ │ ├── c099.html │ │ ├── c100.html │ │ ├── c101.html │ │ ├── c102.html │ │ ├── c103.html │ │ ├── c104.html │ │ ├── c105.html │ │ ├── c106.html │ │ ├── c107.html │ │ ├── c108.html │ │ ├── c109.html │ │ ├── c110.html │ │ ├── c111.html │ │ ├── c112.html │ │ ├── c113.html │ │ ├── c114.html │ │ ├── c115.html │ │ ├── c116.html │ │ ├── c117.html │ │ ├── c118.html │ │ ├── c119.html │ │ ├── c120.html │ │ ├── c121.html │ │ ├── c122.html │ │ ├── c123.html │ │ ├── c124.html │ │ ├── c125.html │ │ ├── c126.html │ │ ├── c127.html │ │ ├── c128.html │ │ ├── c129.html │ │ ├── c130.html │ │ ├── c131.html │ │ ├── c132.html │ │ ├── c133.html │ │ ├── c134.html │ │ ├── c135.html │ │ ├── c136.html │ │ ├── copyright.html │ │ ├── cover.html │ │ ├── epigraph.html │ │ ├── introduction.html │ │ ├── nav.html │ │ └── title-page.html │ ├── images │ │ ├── moby-dick-book-cover.jpg │ │ └── moby-dick-icon.jpg │ ├── index.html │ ├── manifest.json │ └── metadata.json ├── Mott │ ├── css │ │ └── Mott.css │ ├── fonts │ │ ├── STIXGeneral.otf │ │ ├── STIXGeneralBol.otf │ │ ├── STIXGeneralBolIta.otf │ │ └── STIXGeneralItalic.otf │ ├── html │ │ └── Mott.html │ ├── images │ │ └── mott.jpg │ ├── index.html │ └── manifest.json ├── Orlando │ ├── css │ │ └── orlando.css │ ├── fonts │ │ ├── STIXGeneral.otf │ │ ├── STIXGeneralBol.otf │ │ ├── STIXGeneralBolIta.otf │ │ └── STIXGeneralItalic.otf │ ├── html │ │ ├── about.html │ │ ├── c001.html │ │ ├── c002.html │ │ ├── c003.html │ │ ├── c004.html │ │ ├── c005.html │ │ ├── c006.html │ │ ├── preface.html │ │ └── title-page.html │ ├── index.html │ └── manifest.json ├── bootstrap.html ├── covers │ ├── Bartleby.jpg │ ├── BiB.jpg │ ├── Halescropped_wikipedia_ccbysa3.jpg │ ├── don-quijoti-epub3_cover_epub.jpg │ ├── igp-ttohr-math_cover_epub.jpg │ ├── kje-bible-books_cover_epub.jpg │ ├── lighthouse.jpg │ ├── moby-dick-book-cover.jpg │ ├── mott.jpg │ └── orlando.jpg ├── index.html ├── jquery-1.9.1.min.js ├── jszip.js ├── kroner.js ├── main.html └── page.js ├── images ├── e0-folder.png └── reading-e0-opera.png ├── index.html ├── read-runner ├── acme.js ├── index.html ├── jszip.js ├── page.js ├── sw-index.html └── sw.js ├── readme.md └── tsiegman-presentations ├── .gitignore ├── .travis.yml ├── CONTRIBUTING.md ├── Gruntfile.js ├── LICENSE ├── README.md ├── WWW2016reveal.html ├── bower.json ├── css ├── print │ ├── paper.css │ └── pdf.css ├── reveal.css ├── reveal.scss └── theme │ ├── README.md │ ├── beige.css │ ├── black.css │ ├── blood.css │ ├── league.css │ ├── moon.css │ ├── night.css │ ├── serif.css │ ├── simple.css │ ├── sky.css │ ├── solarized.css │ ├── source │ ├── beige.scss │ ├── black.scss │ ├── blood.scss │ ├── league.scss │ ├── moon.scss │ ├── night.scss │ ├── serif.scss │ ├── simple.scss │ ├── sky.scss │ ├── solarized.scss │ └── white.scss │ ├── template │ ├── mixins.scss │ ├── settings.scss │ └── theme.scss │ └── white.css ├── figures ├── AASLD.JPG ├── AuthorRDFa.JPG ├── DerivativesGH.JPG ├── FunChem1.jpg ├── FunChem2.jpg ├── FunChem3.JPG ├── GoogleZika.JPG ├── LancetRetracted.JPG ├── SmithsonianLOD.JPG ├── TheWileyFamily.jpg ├── Tufts.jpg ├── Wiley_Wordmark_white.png └── wileylogo.png ├── js └── reveal.js ├── lib ├── css │ └── zenburn.css ├── font │ ├── league-gothic │ │ ├── LICENSE │ │ ├── league-gothic.css │ │ ├── league-gothic.eot │ │ ├── league-gothic.ttf │ │ └── league-gothic.woff │ └── source-sans-pro │ │ ├── LICENSE │ │ ├── source-sans-pro-italic.eot │ │ ├── source-sans-pro-italic.ttf │ │ ├── source-sans-pro-italic.woff │ │ ├── source-sans-pro-regular.eot │ │ ├── source-sans-pro-regular.ttf │ │ ├── source-sans-pro-regular.woff │ │ ├── source-sans-pro-semibold.eot │ │ ├── source-sans-pro-semibold.ttf │ │ ├── source-sans-pro-semibold.woff │ │ ├── source-sans-pro-semibolditalic.eot │ │ ├── source-sans-pro-semibolditalic.ttf │ │ ├── source-sans-pro-semibolditalic.woff │ │ └── source-sans-pro.css └── js │ ├── classList.js │ ├── head.min.js │ └── html5shiv.js ├── original.html ├── package.json ├── plugin ├── highlight │ └── highlight.js ├── markdown │ ├── example.html │ ├── example.md │ ├── markdown.js │ └── marked.js ├── math │ └── math.js ├── multiplex │ ├── client.js │ ├── index.js │ └── master.js ├── notes-server │ ├── client.js │ ├── index.js │ └── notes.html ├── notes │ ├── notes.html │ └── notes.js ├── print-pdf │ └── print-pdf.js ├── search │ └── search.js └── zoom-js │ └── zoom.js └── test ├── examples ├── assets │ ├── image1.png │ └── image2.png ├── barebones.html ├── embedded-media.html ├── math.html ├── slide-backgrounds.html └── slide-transitions.html ├── qunit-1.12.0.css ├── qunit-1.12.0.js ├── test-markdown-element-attributes.html ├── test-markdown-element-attributes.js ├── test-markdown-slide-attributes.html ├── test-markdown-slide-attributes.js ├── test-markdown.html ├── test-markdown.js ├── test-pdf.html ├── test-pdf.js ├── test.html └── test.js /.gitignore: -------------------------------------------------------------------------------- 1 | **/.DS_Store -------------------------------------------------------------------------------- /DPUB-use-cases-x.html: -------------------------------------------------------------------------------- 1 | 2 | 3 | 4 | 5 | Untitled 6 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 | 60 | 61 | 62 | 63 | 64 | 65 | 66 | 67 | 68 | 69 | 70 | 71 | 72 | 73 | 74 | 75 | 76 | 77 |
Feature Web Version Notes
offline reading service workers not in Safari
pagination x Unimplemented on browsers, polyfills complex
same gesture to go from page to page as from file to file x
user choice of font UA stylesheet x
user choice of font size UI x
night mode Alternate stylesheet No UI provided
easy access to table of contents x
visual indication of how much you've read (page numbers/location/progress bar) x
chrome can disappear PWAs offer some control over display mode
library management x
search across multiple files x
bookmarks, highlighting, notes Web Annotations just reached CR
shopping x
remembering where you are x
running heads CSS-GCPM etc Unimplemented in browers
78 | 79 | 80 | -------------------------------------------------------------------------------- /MobyDick-e0/html/c025.html: -------------------------------------------------------------------------------- 1 | 2 | Moby-Dick 3 |
4 |
5 |

Chapter 25

6 |

Postscript

7 |

In behalf of the dignity of whaling, I would fain advance naught but substantiated facts. But after embattling his facts, an advocate who should wholly suppress a not unreasonable surmise, which might tell eloquently upon his cause—such an advocate, would he not be blameworthy?

8 |

It is well known that at the coronation of kings and queens, even modern ones, a certain curious process of seasoning them for their functions is gone through. There is a saltcellar of state, so called, and there may be a castor of state. How they use the salt, precisely—who knows? Certain I am, however, that a king’s head is solemnly oiled at his coronation, even as a head of salad. Can it be, though, that they anoint it with a view of making its interior run well, as they anoint machinery? Much might be ruminated here, concerning the essential dignity of this regal process, because in common life we esteem but meanly and contemptibly a fellow who anoints his hair, and palpably smells of that anointing. In truth, a mature man who uses hair-oil, unless medicinally, that man has probably got a quoggy spot in him somewhere. As a general rule, he can’t amount to much in his totality.

9 |

But the only thing to be considered here, is this—what kind of oil is used at coronations? Certainly it cannot be olive oil, nor macassar oil, nor castor oil, nor bear’s oil, nor train oil, nor cod-liver oil. What then can it possibly be, but sperm oil in its unmanufactured, unpolluted state, the sweetest of all oils?

10 |

Think of that, ye loyal Britons! we whalemen supply your kings and queens with coronation stuff!

11 |
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4 |
5 |

Chapter 30

6 |

The Pipe

7 |

When Stubb had departed, Ahab stood for a while leaning over the bulwarks; and then, as had been usual with him of late, calling a sailor of the watch, he sent him below for his ivory stool, and also his pipe. Lighting the pipe at the binnacle lamp and planting the stool on the weather side of the deck, he sat and smoked.

8 |

In old Norse times, the thrones of the sea-loving Danish kings were fabricated, saith tradition, of the tusks of the narwhale. How could one look at Ahab then, seated on that tripod of bones, without bethinking him of the royalty it symbolized? For a Khan of the plank, and a king of the sea, and a great lord of Leviathans was Ahab.

9 |

Some moments passed, during which the thick vapour came from his mouth in quick and constant puffs, which blew back again into his face. “How now,” he soliloquized at last, withdrawing the tube, “this smoking no longer soothes. Oh, my pipe! hard must it go with me if thy charm be gone! Here have I been unconsciously toiling, not pleasuring—aye, and ignorantly smoking to windward all the while; to windward, and with such nervous whiffs, as if, like the dying whale, my final jets were the strongest and fullest of trouble. What business have I with this pipe? This thing that is meant for sereneness, to send up mild white vapours among mild white hairs, not among torn iron-grey locks like mine. I’ll smoke no more—”

10 |

He tossed the still lighted pipe into the sea. The fire hissed in the waves; the same instant the ship shot by the bubble the sinking pipe made. With slouched hat, Ahab lurchingly paced the planks.

11 |
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4 |
5 |

Chapter 39

6 |

First Night Watch

7 |

Fore-Top.

8 |

(STUBB SOLUS, AND MENDING A BRACE.)

9 |

Ha! ha! ha! ha! hem! clear my throat!—I’ve been thinking over it ever since, and that ha, ha’s the final consequence. Why so? Because a laugh’s the wisest, easiest answer to all that’s queer; and come what will, one comfort’s always left—that unfailing comfort is, it’s all predestinated. I heard not all his talk with Starbuck; but to my poor eye Starbuck then looked something as I the other evening felt. Be sure the old Mogul has fixed him, too. I twigged it, knew it; had had the gift, might readily have prophesied it—for when I clapped my eye upon his skull I saw it. Well, Stubb, WISE Stubb—that’s my title—well, Stubb, what of it, Stubb? Here’s a carcase. I know not all that may be coming, but be it what it will, I’ll go to it laughing. Such a waggish leering as lurks in all your horribles! I feel funny. Fa, la! lirra, skirra! What’s my juicy little pear at home doing now? Crying its eyes out?—Giving a party to the last arrived harpooneers, I dare say, gay as a frigate’s pennant, and so am I—fa, la! lirra, skirra! Oh—

10 |

We’ll drink to-night with hearts as light, To love, as gay and fleeting As bubbles that swim, on the beaker’s brim, And break on the lips while meeting.

11 |

A brave stave that—who calls? Mr. Starbuck? Aye, aye, sir—(ASIDE) he’s my superior, he has his too, if I’m not mistaken.—Aye, aye, sir, just through with this job—coming.

12 |
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4 |
5 |

Chapter 97

6 |

The Lamp

7 |

Had you descended from the Pequod’s try-works to the Pequod’s forecastle, where the off duty watch were sleeping, for one single moment you would have almost thought you were standing in some illuminated shrine of canonized kings and counsellors. There they lay in their triangular oaken vaults, each mariner a chiselled muteness; a score of lamps flashing upon his hooded eyes.

8 |

In merchantmen, oil for the sailor is more scarce than the milk of queens. To dress in the dark, and eat in the dark, and stumble in darkness to his pallet, this is his usual lot. But the whaleman, as he seeks the food of light, so he lives in light. He makes his berth an Aladdin’s lamp, and lays him down in it; so that in the pitchiest night the ship’s black hull still houses an illumination.

9 |

See with what entire freedom the whaleman takes his handful of lamps—often but old bottles and vials, though—to the copper cooler at the try-works, and replenishes them there, as mugs of ale at a vat. He burns, too, the purest of oil, in its unmanufactured, and, therefore, unvitiated state; a fluid unknown to solar, lunar, or astral contrivances ashore. It is sweet as early grass butter in April. He goes and hunts for his oil, so as to be sure of its freshness and genuineness, even as the traveller on the prairie hunts up his own supper of game.

10 |
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4 | 7 |

AHAB STANDING BY THE HELM. STARBUCK APPROACHING HIM.

8 |

“We must send down the main-top-sail yard, sir. The band is working loose and the lee lift is half-stranded. Shall I strike it, sir?”

9 |

“Strike nothing; lash it. If I had sky-sail poles, I’d sway them up now.”

10 |

“Sir!—in God’s name!—sir?”

11 |

“Well.”

12 |

“The anchors are working, sir. Shall I get them inboard?”

13 |

“Strike nothing, and stir nothing, but lash everything. The wind rises, but it has not got up to my table-lands yet. Quick, and see to it.—By masts and keels! he takes me for the hunch-backed skipper of some coasting smack. Send down my main-top-sail yard! Ho, gluepots! Loftiest trucks were made for wildest winds, and this brain-truck of mine now sails amid the cloud-scud. Shall I strike that? Oh, none but cowards send down their brain-trucks in tempest time. What a hooroosh aloft there! I would e’en take it for sublime, did I not know that the colic is a noisy malady. Oh, take medicine, take medicine!”

14 |
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4 | 7 |

THE MAIN-TOP-SAIL YARD.—TASHTEGO PASSING NEW LASHINGS AROUND IT.

8 |

“Um, um, um. Stop that thunder! Plenty too much thunder up here. What’s the use of thunder? Um, um, um. We don’t want thunder; we want rum; give us a glass of rum. Um, um, um!”

9 |
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4 |
5 |

Epilogue

6 |
7 |

“And I only am escaped alone to tell thee”

8 |

—Job.

9 |
10 |
11 |

The drama’s done. Why then here does any one step forth?—Because one did survive the wreck.

12 |

It so chanced, that after the Parsee’s disappearance, I was he whom the Fates ordained to take the place of Ahab’s bowsman, when that bowsman assumed the vacant post; the same, who, when on the last day the three men were tossed from out of the rocking boat, was dropped astern. So, floating on the margin of the ensuing scene, and in full sight of it, when the halfspent suction of the sunk ship reached me, I was then, but slowly, drawn towards the closing vortex. When I reached it, it had subsided to a creamy pool. Round and round, then, and ever contracting towards the button-like black bubble at the axis of that slowly wheeling circle, like another Ixion I did revolve. Till, gaining that vital centre, the black bubble upward burst; and now, liberated by reason of its cunning spring, and, owing to its great buoyancy, rising with great force, the coffin life-buoy shot lengthwise from the sea, fell over, and floated by my side. Buoyed up by that coffin, for almost one whole day and night, I floated on a soft and dirgelike main. The unharming sharks, they glided by as if with padlocks on their mouths; the savage sea-hawks sailed with sheathed beaks. On the second day, a sail drew near, nearer, and picked me up at last. It was the devious-cruising Rachel, that in her retracing search after her missing children, only found another orphan.

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Etymology.

6 |

(Supplied by a Late Consumptive Usher to a Grammar School)

7 |

The pale Usher—threadbare in coat, heart, body, and brain; I see him now. He was ever dusting his old lexicons and grammars, with a queer handkerchief, mockingly embellished with all the gay flags of all the known nations of the world. He loved to dust his old grammars; it somehow mildly reminded him of his mortality.

8 |
9 | 10 |

“While you take in hand to school others, and to teach them by what name a whale-fish is to be called in our tongue leaving out, through ignorance, the letter H, which almost alone maketh the signification of the word, you deliver that which is not true.”

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—Hackluyt

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13 |
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“WHALE.... Sw. and Dan. HVAL. This animal is named from roundness or rolling; for in Dan. HVALT is arched or vaulted.”

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—Webster’s Dictionary

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“WHALE.... It is more immediately from the Dut. and Ger. WALLEN; A.S. WALW-IAN, to roll, to wallow.”

19 |

—Richardson’s Dictionary

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21 |
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Ketos, Greek.

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Cetus, Latin.

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Whoel, Anglo-Saxon.

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Hvalt, Danish.

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Wal, Dutch.

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Hwal, Swedish.

28 |

Whale, Icelandic.

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Whale, English.

30 |

Baleine, French.

31 |

Ballena, Spanish.

32 |

Pekee-Nuee-Nuee, Fegee.

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Pekee-Nuee-Nuee, Erromangoan.

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35 | 36 | 37 |
-------------------------------------------------------------------------------- /MobyDick-e0/html/title-page.html: -------------------------------------------------------------------------------- 1 | 2 | Moby-Dick 3 |
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Moby-Dick

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or

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The Whale

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Herman Melville

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10 | 11 | -------------------------------------------------------------------------------- /acme-publishing/DonQuixote/OPS/images/don-quijoti-epub3_cover_epub.jpg: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/dauwhe/epub-zero/f4439605676adc9f9e0d0b49a3cfc56605a94874/acme-publishing/DonQuixote/OPS/images/don-quijoti-epub3_cover_epub.jpg -------------------------------------------------------------------------------- /acme-publishing/DonQuixote/OPS/images/igp_logo_300.png: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/dauwhe/epub-zero/f4439605676adc9f9e0d0b49a3cfc56605a94874/acme-publishing/DonQuixote/OPS/images/igp_logo_300.png -------------------------------------------------------------------------------- /acme-publishing/DonQuixote/OPS/s001-BookTitlePage-01.xhtml: -------------------------------------------------------------------------------- 1 | 2 | 3 | 4 | 5 | Don Quijote 6 | 7 | 8 | 9 | 10 | 11 | 12 |
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Don Quijote

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El ingenioso hidalgo don Quijote de la Mancha

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Miguel de Cervantes Saavedra

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alt

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33 | 34 |
35 |
36 | 37 | -------------------------------------------------------------------------------- /acme-publishing/FundamentalLemma/META-INF/container.xml: -------------------------------------------------------------------------------- 1 | 2 | 3 | -------------------------------------------------------------------------------- /acme-publishing/FundamentalLemma/OEBPS/titlepage01.html: -------------------------------------------------------------------------------- 1 | 2 | 3 | 4 | 5 | 6 | A Statement of the Fundamental Lemma 7 | 8 | 9 | 10 |
11 | 12 | 13 |
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A Statement of the Fundamental Lemma

20 | Thomas C. Hales 21 |
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23 |
24 |
25 |

Copyright Notice

26 |

Converted from arXiv:math/0312227 by Thomas C. Hales (2003) which is licensed under the Creative Commons Attribution License v1.0.

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10 |
11 | 12 |
13 | 14 |

The Theory of Heat Radiation

15 | 16 |

Dr. Max Planck

17 | 18 |

Professor of Theoretical Physics in the University of Berlin 19 |

20 | 21 |

1914

22 | 23 |
24 | 25 |

INFOGRID PACIFIC

26 | 27 |

Pune

28 | 29 |
30 | 31 |
32 | 33 |
34 |
35 | 36 | -------------------------------------------------------------------------------- /acme-publishing/HeatRadiation/OPS/s008-Part-001.xhtml: -------------------------------------------------------------------------------- 1 | 2 | 3 | 4 | 5 | Fundamental Facts and Definitions 6 | 7 | 8 | 9 | 10 | 11 | 12 |
13 |
14 | 15 | 16 |
17 | 18 | 19 |

Part I

20 | 21 |

Fundamental Facts and Definitions

22 | 23 |
24 | 25 | 40 | 41 |
42 |
43 | 44 | -------------------------------------------------------------------------------- /acme-publishing/HeatRadiation/mimetype: -------------------------------------------------------------------------------- 1 | application/epub+zip -------------------------------------------------------------------------------- /acme-publishing/KingJamesBible/OPS/cover.xhtml: -------------------------------------------------------------------------------- 1 | 2 | 3 | 4 | 5 | The King James Bible 6 | 7 | 8 | 9 |
10 | 11 | -------------------------------------------------------------------------------- /acme-publishing/KingJamesBible/OPS/images/kje-bible-books_cover_epub.jpg: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/dauwhe/epub-zero/f4439605676adc9f9e0d0b49a3cfc56605a94874/acme-publishing/KingJamesBible/OPS/images/kje-bible-books_cover_epub.jpg -------------------------------------------------------------------------------- /acme-publishing/KingJamesBible/OPS/s001-BookTitlePage-01.xhtml: -------------------------------------------------------------------------------- 1 | 2 | 3 | 4 | 5 | The Holy Bible 6 | 7 | 8 | 9 |
10 |

The Holy Bible

1611 Edition
11 | King James Version 12 |

ePub3 Link Ready

INFOGRID PACIFIC

AUCKLAND  LONDON  PUNE  SINGAPORE

13 |
14 | 15 | -------------------------------------------------------------------------------- /acme-publishing/KingJamesBible/OPS/s002-Copyright-01.xhtml: -------------------------------------------------------------------------------- 1 | 2 | 3 | 4 | 5 | 6 | <link rel="stylesheet" href="css/kje-bible-books.css" type="text/css"/> 7 | </head> 8 | <body> 9 | <div class="galley-rw"> 10 | <section class="frontmatter-rw Copyright-rw exclude-auto-rw page-open-auto-rw" id="Copyright1" epub:type="frontmatter copyright-page"><div class="block-rw copyright-center-rw exclude-auto-rw" id="copyright-center1"><p id="p1"><strong>INFOGRID PACIFIC</strong> 11 | </p><p id="p2">© 2013 Infogrid Pacific. Some rights reserved.</p><p id="p10">This work is licensed under a <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License</a>. 12 | </p><p id="p3">This is a link-ready ePub3.</p><p id="p4">The content has been sourced from Project Gutenberg<br/> 13 | and is in the Public Domain. 14 | </p><p id="p5">The tagging, styling and ID patterns used in this book are the intellectual property of Infogrid Pacific.</p><p id="p6">Each verse has a predefined link ID pattern that makes it easy to use it from another document or process verses and extracts into other documents for specific verse pop-up references.</p><p id="p11">This King James Bible was created using <em>IGP:Digital Publisher</em>. 15 | </p><p id="p12">The PDF version was create using</p><p id="p13"><strong>PrinceXML</strong> 16 | </p></div></section> 17 | </div> 18 | <script src="../../acme.js"></script></body></html> 19 | -------------------------------------------------------------------------------- /acme-publishing/KingJamesBible/mimetype: -------------------------------------------------------------------------------- 1 | application/epub+zip -------------------------------------------------------------------------------- /acme-publishing/MobyDick/.htaccess: -------------------------------------------------------------------------------- 1 | DirectoryIndex nav.html index.html site-down.html -------------------------------------------------------------------------------- /acme-publishing/MobyDick/apple-touch-icon.png: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/dauwhe/epub-zero/f4439605676adc9f9e0d0b49a3cfc56605a94874/acme-publishing/MobyDick/apple-touch-icon.png -------------------------------------------------------------------------------- /acme-publishing/MobyDick/fonts/STIXGeneral.otf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/dauwhe/epub-zero/f4439605676adc9f9e0d0b49a3cfc56605a94874/acme-publishing/MobyDick/fonts/STIXGeneral.otf -------------------------------------------------------------------------------- /acme-publishing/MobyDick/fonts/STIXGeneralBol.otf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/dauwhe/epub-zero/f4439605676adc9f9e0d0b49a3cfc56605a94874/acme-publishing/MobyDick/fonts/STIXGeneralBol.otf -------------------------------------------------------------------------------- /acme-publishing/MobyDick/fonts/STIXGeneralBolIta.otf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/dauwhe/epub-zero/f4439605676adc9f9e0d0b49a3cfc56605a94874/acme-publishing/MobyDick/fonts/STIXGeneralBolIta.otf -------------------------------------------------------------------------------- /acme-publishing/MobyDick/fonts/STIXGeneralItalic.otf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/dauwhe/epub-zero/f4439605676adc9f9e0d0b49a3cfc56605a94874/acme-publishing/MobyDick/fonts/STIXGeneralItalic.otf -------------------------------------------------------------------------------- /acme-publishing/MobyDick/html/c025.html: -------------------------------------------------------------------------------- 1 | <!DOCTYPE html> 2 | <html lang="en"><head><title>Moby-Dick 3 | 4 | 5 | 6 |
7 |
8 |

Chapter 25

9 |

Postscript

10 |

In behalf of the dignity of whaling, I would fain advance naught but substantiated facts. But after embattling his facts, an advocate who should wholly suppress a not unreasonable surmise, which might tell eloquently upon his cause—such an advocate, would he not be blameworthy?

11 |

It is well known that at the coronation of kings and queens, even modern ones, a certain curious process of seasoning them for their functions is gone through. There is a saltcellar of state, so called, and there may be a castor of state. How they use the salt, precisely—who knows? Certain I am, however, that a king’s head is solemnly oiled at his coronation, even as a head of salad. Can it be, though, that they anoint it with a view of making its interior run well, as they anoint machinery? Much might be ruminated here, concerning the essential dignity of this regal process, because in common life we esteem but meanly and contemptibly a fellow who anoints his hair, and palpably smells of that anointing. In truth, a mature man who uses hair-oil, unless medicinally, that man has probably got a quoggy spot in him somewhere. As a general rule, he can’t amount to much in his totality.

12 |

But the only thing to be considered here, is this—what kind of oil is used at coronations? Certainly it cannot be olive oil, nor macassar oil, nor castor oil, nor bear’s oil, nor train oil, nor cod-liver oil. What then can it possibly be, but sperm oil in its unmanufactured, unpolluted state, the sweetest of all oils?

13 |

Think of that, ye loyal Britons! we whalemen supply your kings and queens with coronation stuff!

14 |
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7 |
8 |

Chapter 30

9 |

The Pipe

10 |

When Stubb had departed, Ahab stood for a while leaning over the bulwarks; and then, as had been usual with him of late, calling a sailor of the watch, he sent him below for his ivory stool, and also his pipe. Lighting the pipe at the binnacle lamp and planting the stool on the weather side of the deck, he sat and smoked.

11 |

In old Norse times, the thrones of the sea-loving Danish kings were fabricated, saith tradition, of the tusks of the narwhale. How could one look at Ahab then, seated on that tripod of bones, without bethinking him of the royalty it symbolized? For a Khan of the plank, and a king of the sea, and a great lord of Leviathans was Ahab.

12 |

Some moments passed, during which the thick vapour came from his mouth in quick and constant puffs, which blew back again into his face. “How now,” he soliloquized at last, withdrawing the tube, “this smoking no longer soothes. Oh, my pipe! hard must it go with me if thy charm be gone! Here have I been unconsciously toiling, not pleasuring—aye, and ignorantly smoking to windward all the while; to windward, and with such nervous whiffs, as if, like the dying whale, my final jets were the strongest and fullest of trouble. What business have I with this pipe? This thing that is meant for sereneness, to send up mild white vapours among mild white hairs, not among torn iron-grey locks like mine. I’ll smoke no more—”

13 |

He tossed the still lighted pipe into the sea. The fire hissed in the waves; the same instant the ship shot by the bubble the sinking pipe made. With slouched hat, Ahab lurchingly paced the planks.

14 |
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4 |
5 |

Chapter 39

6 |

First Night Watch

7 |

Fore-Top.

8 |

(STUBB SOLUS, AND MENDING A BRACE.)

9 |

Ha! ha! ha! ha! hem! clear my throat!—I’ve been thinking over it ever since, and that ha, ha’s the final consequence. Why so? Because a laugh’s the wisest, easiest answer to all that’s queer; and come what will, one comfort’s always left—that unfailing comfort is, it’s all predestinated. I heard not all his talk with Starbuck; but to my poor eye Starbuck then looked something as I the other evening felt. Be sure the old Mogul has fixed him, too. I twigged it, knew it; had had the gift, might readily have prophesied it—for when I clapped my eye upon his skull I saw it. Well, Stubb, WISE Stubb—that’s my title—well, Stubb, what of it, Stubb? Here’s a carcase. I know not all that may be coming, but be it what it will, I’ll go to it laughing. Such a waggish leering as lurks in all your horribles! I feel funny. Fa, la! lirra, skirra! What’s my juicy little pear at home doing now? Crying its eyes out?—Giving a party to the last arrived harpooneers, I dare say, gay as a frigate’s pennant, and so am I—fa, la! lirra, skirra! Oh—

10 |

We’ll drink to-night with hearts as light, To love, as gay and fleeting As bubbles that swim, on the beaker’s brim, And break on the lips while meeting.

11 |

A brave stave that—who calls? Mr. Starbuck? Aye, aye, sir—(ASIDE) he’s my superior, he has his too, if I’m not mistaken.—Aye, aye, sir, just through with this job—coming.

12 |
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4 |
5 |

Chapter 97

6 |

The Lamp

7 |

Had you descended from the Pequod’s try-works to the Pequod’s forecastle, where the off duty watch were sleeping, for one single moment you would have almost thought you were standing in some illuminated shrine of canonized kings and counsellors. There they lay in their triangular oaken vaults, each mariner a chiselled muteness; a score of lamps flashing upon his hooded eyes.

8 |

In merchantmen, oil for the sailor is more scarce than the milk of queens. To dress in the dark, and eat in the dark, and stumble in darkness to his pallet, this is his usual lot. But the whaleman, as he seeks the food of light, so he lives in light. He makes his berth an Aladdin’s lamp, and lays him down in it; so that in the pitchiest night the ship’s black hull still houses an illumination.

9 |

See with what entire freedom the whaleman takes his handful of lamps—often but old bottles and vials, though—to the copper cooler at the try-works, and replenishes them there, as mugs of ale at a vat. He burns, too, the purest of oil, in its unmanufactured, and, therefore, unvitiated state; a fluid unknown to solar, lunar, or astral contrivances ashore. It is sweet as early grass butter in April. He goes and hunts for his oil, so as to be sure of its freshness and genuineness, even as the traveller on the prairie hunts up his own supper of game.

10 |
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4 | 7 |

AHAB STANDING BY THE HELM. STARBUCK APPROACHING HIM.

8 |

“We must send down the main-top-sail yard, sir. The band is working loose and the lee lift is half-stranded. Shall I strike it, sir?”

9 |

“Strike nothing; lash it. If I had sky-sail poles, I’d sway them up now.”

10 |

“Sir!—in God’s name!—sir?”

11 |

“Well.”

12 |

“The anchors are working, sir. Shall I get them inboard?”

13 |

“Strike nothing, and stir nothing, but lash everything. The wind rises, but it has not got up to my table-lands yet. Quick, and see to it.—By masts and keels! he takes me for the hunch-backed skipper of some coasting smack. Send down my main-top-sail yard! Ho, gluepots! Loftiest trucks were made for wildest winds, and this brain-truck of mine now sails amid the cloud-scud. Shall I strike that? Oh, none but cowards send down their brain-trucks in tempest time. What a hooroosh aloft there! I would e’en take it for sublime, did I not know that the colic is a noisy malady. Oh, take medicine, take medicine!”

14 |
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4 | 7 |

THE MAIN-TOP-SAIL YARD.—TASHTEGO PASSING NEW LASHINGS AROUND IT.

8 |

“Um, um, um. Stop that thunder! Plenty too much thunder up here. What’s the use of thunder? Um, um, um. We don’t want thunder; we want rum; give us a glass of rum. Um, um, um!”

9 |
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4 |
5 |

Epilogue

6 |
7 |

“And I only am escaped alone to tell thee”

8 |

—Job.

9 |
10 |
11 |

The drama’s done. Why then here does any one step forth?—Because one did survive the wreck.

12 |

It so chanced, that after the Parsee’s disappearance, I was he whom the Fates ordained to take the place of Ahab’s bowsman, when that bowsman assumed the vacant post; the same, who, when on the last day the three men were tossed from out of the rocking boat, was dropped astern. So, floating on the margin of the ensuing scene, and in full sight of it, when the halfspent suction of the sunk ship reached me, I was then, but slowly, drawn towards the closing vortex. When I reached it, it had subsided to a creamy pool. Round and round, then, and ever contracting towards the button-like black bubble at the axis of that slowly wheeling circle, like another Ixion I did revolve. Till, gaining that vital centre, the black bubble upward burst; and now, liberated by reason of its cunning spring, and, owing to its great buoyancy, rising with great force, the coffin life-buoy shot lengthwise from the sea, fell over, and floated by my side. Buoyed up by that coffin, for almost one whole day and night, I floated on a soft and dirgelike main. The unharming sharks, they glided by as if with padlocks on their mouths; the savage sea-hawks sailed with sheathed beaks. On the second day, a sail drew near, nearer, and picked me up at last. It was the devious-cruising Rachel, that in her retracing search after her missing children, only found another orphan.

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7 |
8 |

Moby-Dick

9 |

or

10 |

The Whale

11 |

Herman Melville

12 | 13 | 22 | 23 |
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Home  Contents
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52 | 55 |
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11 |
12 |

An unsolved murder at the World Cup in Rio was just a warning. Now come the Olympics.

13 |
14 |
15 |

For an excerpt, turn the page

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38 |
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42 |

43 | Contents 44 |

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48 |
49 | 50 | 51 |
52 | 53 |

Begin Reading

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55 | 56 | 57 |
58 | 59 | Table of Contents 60 | 61 | 62 | 67 | 68 |
69 | 70 |
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What’s New

10 | 16 | 17 | -------------------------------------------------------------------------------- /acme/BooksInBrowsers/html/problem-list.html: -------------------------------------------------------------------------------- 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 |
    10 |
  1. The boundary problem. What’s part of the story, and what isn’t?
  2. 11 |
  3. The offline problem. I want to read when I can’t find, or can’t afford, a network connection.
  4. 12 |
  5. The reading problem. I want the browser to make reading long things easy, to help me understand, to adapt to my needs.
  6. 13 |
  7. The layout problem. Books are art and craft; design and typography serve content and undestanding.
  8. 14 |
  9. The portability problem. I want to take my books with me, send them to my friends, save them.
  10. 15 |
  11. The security problem. If my book moves away from my origin, the web security model fails.
  12. 16 |
  13. The human problem. How do I make this technology human-friendly, simple, hackable, relatable for us—social animals that walk upright, use fire, and tell stories?
  14. 17 |
18 | 19 | -------------------------------------------------------------------------------- /acme/BooksInBrowsers/html/story-000.html: -------------------------------------------------------------------------------- 1 | 2 | 3 | 4 | 5 | The Carrier Bag Theory of Fiction 6 | 7 | 8 | 9 | 10 | 11 |

A Bag Full of Stories

12 | 13 |

Dave Cramer / Hachette Book Group

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Thank You!

13 | 14 |
15 | 16 |
17 | 18 |

Dave Cramer
@dauwhe

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Begin Reading

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55 | 56 | 57 |
58 | 59 | Table of Contents 60 | 61 | 62 | 69 | 70 |
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15 | 16 |

About the Author

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Virginia Woolf (January 25, 1882–March 28, 1941) was an 18 | English novelist and essayist regarded as one of the foremost 19 | modernist literary figures of the twentieth century. During the 20 | interwar period, Woolf was a significant figure in London literary 21 | society and a member of the Bloomsbury Group. Her most famous works 22 | include the novels Mrs Dalloway (1925), To the Lighthouse (1927), 23 | and Orlando (1928), and the book-length essay A Room of One’s Own 24 | (1929) with its famous dictum, “a woman must have money and a room 25 | of her own if she is to write fiction”.

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Chapter 2

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14 | 15 | 16 |

“No going to the Lighthouse, James,” he said, as trying in 17 | deference to Mrs Ramsay to soften his voice into some semblance of 18 | geniality at least.

19 |

Odious little man, thought Mrs Ramsay, why go on saying 20 | that?

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Chapter 15

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14 | 15 | 16 |

“Yes,” said Prue, in her considering way, answering her mother's 17 | question, "I think Nancy did go with them.”

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Chapter 1

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14 | 15 | 16 |

“Well, we must wait for the future to show,” said Mr Bankes, 17 | coming in from the terrace.

18 |

“It's almost too dark to see,” said Andrew, coming up from the 19 | beach.

20 |

“One can hardly tell which is the sea and which is the land," 21 | said Prue.

22 |

“Do we leave that light burning?” said Lily as they took their 23 | coats off indoors.

24 |

“No,” said Prue, "not if every one's in.”

25 |

“Andrew,” she called back, "just put out the light in the 26 | hall.”

27 |

One by one the lamps were all extinguished, except that Mr 28 | Carmichael, who liked to lie awake a little reading Virgil, kept 29 | his candle burning rather longer than the rest.

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Chapter 7

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14 | 15 | 16 |

Night after night, summer and winter, the torment of storms, the 17 | arrow-like stillness of fine (had there been any one to listen) 18 | from the upper rooms of the empty house only gigantic chaos 19 | streaked with lightning could have been heard tumbling and tossing, 20 | as the winds and waves disported themselves like the amorphous 21 | bulks of leviathans whose brows are pierced by no light of reason, 22 | and mounted one on top of another, and lunged and plunged in the 23 | darkness or the daylight (for night and day, month and year ran 24 | shapelessly together) in idiot games, until it seemed as if the 25 | universe were battling and tumbling, in brute confusion and wanton 26 | lust aimlessly by itself.

27 |

In spring the garden urns, casually filled with wind-blown 28 | plants, were gay as ever. Violets came and daffodils. But the 29 | stillness and the brightness of the day were as strange as the 30 | chaos and tumult of night, with the trees standing there, and the 31 | flowers standing there, looking before them, looking up, yet 32 | beholding nothing, eyeless, and so terrible.

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Chapter 7

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14 | 15 | 16 |

[Macalister's boy took one of the fish and cut a square out of 17 | its side to bait his hook with. The mutilated body (it was alive 18 | still) was thrown back into the sea.]

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Chapter 10

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14 | 15 | 16 |

[The sea without a stain on it, thought Lily Briscoe, still 17 | standing and looking out over the bay. The sea stretched like silk 18 | across the bay. Distance had an extraordinary power; they had been 19 | swallowed up in it, she felt, they were gone for ever, they had 20 | become part of the nature of things. It was so calm; it was so 21 | quiet. The steamer itself had vanished, but the great scroll of 22 | smoke still hung in the air and drooped like a flag mournfully in 23 | valediction.]

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11 |

Part 1
12 | The Window

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Part 2
12 | Time Passes

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Part 3
12 | The Lighthouse

13 |
14 |
15 | 16 | 17 | -------------------------------------------------------------------------------- /acme/Lighthouse/html/title-page.html: -------------------------------------------------------------------------------- 1 | 2 | 3 | 4 | To the Lighthouse 5 | 6 | 7 | 8 | 9 |
10 | 11 |

To the Lighthouse

12 |

Virginia Woolf

13 |
14 | 15 | 16 | 17 | -------------------------------------------------------------------------------- /acme/Lighthouse/images/lighthouse.jpg: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/dauwhe/epub-zero/f4439605676adc9f9e0d0b49a3cfc56605a94874/acme/Lighthouse/images/lighthouse.jpg -------------------------------------------------------------------------------- /acme/MobyDick/.htaccess: -------------------------------------------------------------------------------- 1 | DirectoryIndex nav.html index.html site-down.html -------------------------------------------------------------------------------- /acme/MobyDick/apple-touch-icon.png: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/dauwhe/epub-zero/f4439605676adc9f9e0d0b49a3cfc56605a94874/acme/MobyDick/apple-touch-icon.png -------------------------------------------------------------------------------- /acme/MobyDick/fonts/STIXGeneral.otf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/dauwhe/epub-zero/f4439605676adc9f9e0d0b49a3cfc56605a94874/acme/MobyDick/fonts/STIXGeneral.otf -------------------------------------------------------------------------------- /acme/MobyDick/fonts/STIXGeneralBol.otf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/dauwhe/epub-zero/f4439605676adc9f9e0d0b49a3cfc56605a94874/acme/MobyDick/fonts/STIXGeneralBol.otf -------------------------------------------------------------------------------- /acme/MobyDick/fonts/STIXGeneralBolIta.otf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/dauwhe/epub-zero/f4439605676adc9f9e0d0b49a3cfc56605a94874/acme/MobyDick/fonts/STIXGeneralBolIta.otf -------------------------------------------------------------------------------- /acme/MobyDick/fonts/STIXGeneralItalic.otf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/dauwhe/epub-zero/f4439605676adc9f9e0d0b49a3cfc56605a94874/acme/MobyDick/fonts/STIXGeneralItalic.otf -------------------------------------------------------------------------------- /acme/MobyDick/html/c025.html: -------------------------------------------------------------------------------- 1 | 2 | Moby-Dick 3 | 4 | 5 |
6 |
7 |

Chapter 25

8 |

Postscript

9 |

In behalf of the dignity of whaling, I would fain advance naught but substantiated facts. But after embattling his facts, an advocate who should wholly suppress a not unreasonable surmise, which might tell eloquently upon his cause—such an advocate, would he not be blameworthy?

10 |

It is well known that at the coronation of kings and queens, even modern ones, a certain curious process of seasoning them for their functions is gone through. There is a saltcellar of state, so called, and there may be a castor of state. How they use the salt, precisely—who knows? Certain I am, however, that a king’s head is solemnly oiled at his coronation, even as a head of salad. Can it be, though, that they anoint it with a view of making its interior run well, as they anoint machinery? Much might be ruminated here, concerning the essential dignity of this regal process, because in common life we esteem but meanly and contemptibly a fellow who anoints his hair, and palpably smells of that anointing. In truth, a mature man who uses hair-oil, unless medicinally, that man has probably got a quoggy spot in him somewhere. As a general rule, he can’t amount to much in his totality.

11 |

But the only thing to be considered here, is this—what kind of oil is used at coronations? Certainly it cannot be olive oil, nor macassar oil, nor castor oil, nor bear’s oil, nor train oil, nor cod-liver oil. What then can it possibly be, but sperm oil in its unmanufactured, unpolluted state, the sweetest of all oils?

12 |

Think of that, ye loyal Britons! we whalemen supply your kings and queens with coronation stuff!

13 |
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6 |
7 |

Chapter 30

8 |

The Pipe

9 |

When Stubb had departed, Ahab stood for a while leaning over the bulwarks; and then, as had been usual with him of late, calling a sailor of the watch, he sent him below for his ivory stool, and also his pipe. Lighting the pipe at the binnacle lamp and planting the stool on the weather side of the deck, he sat and smoked.

10 |

In old Norse times, the thrones of the sea-loving Danish kings were fabricated, saith tradition, of the tusks of the narwhale. How could one look at Ahab then, seated on that tripod of bones, without bethinking him of the royalty it symbolized? For a Khan of the plank, and a king of the sea, and a great lord of Leviathans was Ahab.

11 |

Some moments passed, during which the thick vapour came from his mouth in quick and constant puffs, which blew back again into his face. “How now,” he soliloquized at last, withdrawing the tube, “this smoking no longer soothes. Oh, my pipe! hard must it go with me if thy charm be gone! Here have I been unconsciously toiling, not pleasuring—aye, and ignorantly smoking to windward all the while; to windward, and with such nervous whiffs, as if, like the dying whale, my final jets were the strongest and fullest of trouble. What business have I with this pipe? This thing that is meant for sereneness, to send up mild white vapours among mild white hairs, not among torn iron-grey locks like mine. I’ll smoke no more—”

12 |

He tossed the still lighted pipe into the sea. The fire hissed in the waves; the same instant the ship shot by the bubble the sinking pipe made. With slouched hat, Ahab lurchingly paced the planks.

13 |
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4 |
5 |

Chapter 39

6 |

First Night Watch

7 |

Fore-Top.

8 |

(STUBB SOLUS, AND MENDING A BRACE.)

9 |

Ha! ha! ha! ha! hem! clear my throat!—I’ve been thinking over it ever since, and that ha, ha’s the final consequence. Why so? Because a laugh’s the wisest, easiest answer to all that’s queer; and come what will, one comfort’s always left—that unfailing comfort is, it’s all predestinated. I heard not all his talk with Starbuck; but to my poor eye Starbuck then looked something as I the other evening felt. Be sure the old Mogul has fixed him, too. I twigged it, knew it; had had the gift, might readily have prophesied it—for when I clapped my eye upon his skull I saw it. Well, Stubb, WISE Stubb—that’s my title—well, Stubb, what of it, Stubb? Here’s a carcase. I know not all that may be coming, but be it what it will, I’ll go to it laughing. Such a waggish leering as lurks in all your horribles! I feel funny. Fa, la! lirra, skirra! What’s my juicy little pear at home doing now? Crying its eyes out?—Giving a party to the last arrived harpooneers, I dare say, gay as a frigate’s pennant, and so am I—fa, la! lirra, skirra! Oh—

10 |

We’ll drink to-night with hearts as light, To love, as gay and fleeting As bubbles that swim, on the beaker’s brim, And break on the lips while meeting.

11 |

A brave stave that—who calls? Mr. Starbuck? Aye, aye, sir—(ASIDE) he’s my superior, he has his too, if I’m not mistaken.—Aye, aye, sir, just through with this job—coming.

12 |
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4 |
5 |

Chapter 97

6 |

The Lamp

7 |

Had you descended from the Pequod’s try-works to the Pequod’s forecastle, where the off duty watch were sleeping, for one single moment you would have almost thought you were standing in some illuminated shrine of canonized kings and counsellors. There they lay in their triangular oaken vaults, each mariner a chiselled muteness; a score of lamps flashing upon his hooded eyes.

8 |

In merchantmen, oil for the sailor is more scarce than the milk of queens. To dress in the dark, and eat in the dark, and stumble in darkness to his pallet, this is his usual lot. But the whaleman, as he seeks the food of light, so he lives in light. He makes his berth an Aladdin’s lamp, and lays him down in it; so that in the pitchiest night the ship’s black hull still houses an illumination.

9 |

See with what entire freedom the whaleman takes his handful of lamps—often but old bottles and vials, though—to the copper cooler at the try-works, and replenishes them there, as mugs of ale at a vat. He burns, too, the purest of oil, in its unmanufactured, and, therefore, unvitiated state; a fluid unknown to solar, lunar, or astral contrivances ashore. It is sweet as early grass butter in April. He goes and hunts for his oil, so as to be sure of its freshness and genuineness, even as the traveller on the prairie hunts up his own supper of game.

10 |
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4 | 7 |

AHAB STANDING BY THE HELM. STARBUCK APPROACHING HIM.

8 |

“We must send down the main-top-sail yard, sir. The band is working loose and the lee lift is half-stranded. Shall I strike it, sir?”

9 |

“Strike nothing; lash it. If I had sky-sail poles, I’d sway them up now.”

10 |

“Sir!—in God’s name!—sir?”

11 |

“Well.”

12 |

“The anchors are working, sir. Shall I get them inboard?”

13 |

“Strike nothing, and stir nothing, but lash everything. The wind rises, but it has not got up to my table-lands yet. Quick, and see to it.—By masts and keels! he takes me for the hunch-backed skipper of some coasting smack. Send down my main-top-sail yard! Ho, gluepots! Loftiest trucks were made for wildest winds, and this brain-truck of mine now sails amid the cloud-scud. Shall I strike that? Oh, none but cowards send down their brain-trucks in tempest time. What a hooroosh aloft there! I would e’en take it for sublime, did I not know that the colic is a noisy malady. Oh, take medicine, take medicine!”

14 |
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4 | 7 |

THE MAIN-TOP-SAIL YARD.—TASHTEGO PASSING NEW LASHINGS AROUND IT.

8 |

“Um, um, um. Stop that thunder! Plenty too much thunder up here. What’s the use of thunder? Um, um, um. We don’t want thunder; we want rum; give us a glass of rum. Um, um, um!”

9 |
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4 |
5 |

Epilogue

6 |
7 |

“And I only am escaped alone to tell thee”

8 |

—Job.

9 |
10 |
11 |

The drama’s done. Why then here does any one step forth?—Because one did survive the wreck.

12 |

It so chanced, that after the Parsee’s disappearance, I was he whom the Fates ordained to take the place of Ahab’s bowsman, when that bowsman assumed the vacant post; the same, who, when on the last day the three men were tossed from out of the rocking boat, was dropped astern. So, floating on the margin of the ensuing scene, and in full sight of it, when the halfspent suction of the sunk ship reached me, I was then, but slowly, drawn towards the closing vortex. When I reached it, it had subsided to a creamy pool. Round and round, then, and ever contracting towards the button-like black bubble at the axis of that slowly wheeling circle, like another Ixion I did revolve. Till, gaining that vital centre, the black bubble upward burst; and now, liberated by reason of its cunning spring, and, owing to its great buoyancy, rising with great force, the coffin life-buoy shot lengthwise from the sea, fell over, and floated by my side. Buoyed up by that coffin, for almost one whole day and night, I floated on a soft and dirgelike main. The unharming sharks, they glided by as if with padlocks on their mouths; the savage sea-hawks sailed with sheathed beaks. On the second day, a sail drew near, nearer, and picked me up at last. It was the devious-cruising Rachel, that in her retracing search after her missing children, only found another orphan.

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6 |
7 |

Etymology.

8 |

(Supplied by a Late Consumptive Usher to a Grammar School)

9 |

The pale Usher—threadbare in coat, heart, body, and brain; I see him now. He was ever dusting his old lexicons and grammars, with a queer handkerchief, mockingly embellished with all the gay flags of all the known nations of the world. He loved to dust his old grammars; it somehow mildly reminded him of his mortality.

10 |
11 | 12 |

“While you take in hand to school others, and to teach them by what name a whale-fish is to be called in our tongue leaving out, through ignorance, the letter H, which almost alone maketh the signification of the word, you deliver that which is not true.”

13 |

—Hackluyt

14 |
15 |
16 |

“WHALE.... Sw. and Dan. HVAL. This animal is named from roundness or rolling; for in Dan. HVALT is arched or vaulted.”

17 |

—Webster’s Dictionary

18 |
19 |
20 |

“WHALE.... It is more immediately from the Dut. and Ger. WALLEN; A.S. WALW-IAN, to roll, to wallow.”

21 |

—Richardson’s Dictionary

22 |
23 |
24 |

Ketos, Greek.

25 |

Cetus, Latin.

26 |

Whoel, Anglo-Saxon.

27 |

Hvalt, Danish.

28 |

Wal, Dutch.

29 |

Hwal, Swedish.

30 |

Whale, Icelandic.

31 |

Whale, English.

32 |

Baleine, French.

33 |

Ballena, Spanish.

34 |

Pekee-Nuee-Nuee, Fegee.

35 |

Pekee-Nuee-Nuee, Erromangoan.

36 |
37 | 38 | 39 |
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6 |
7 |

Moby-Dick

8 |

or

9 |

The Whale

10 |

Herman Melville

11 | 12 | 21 | 22 |
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48 |
49 | 50 | 51 |
52 | 53 |

Begin Reading

54 |
55 | 56 | 57 |
58 | 59 | Table of Contents 60 | 61 | 62 | 67 | 68 |
69 | 70 |
71 |
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9 | 10 |

About the Author

11 |

Virginia Woolf (January 25, 1882–March 28, 1941) was an 12 | English novelist and essayist regarded as one of the foremost 13 | modernist literary figures of the twentieth century. During the 14 | interwar period, Woolf was a significant figure in London literary 15 | society and a member of the Bloomsbury Group. Her most famous works 16 | include the novels Mrs Dalloway (1925), To the Lighthouse (1927), 17 | and Orlando (1928), and the book-length essay A Room of One's Own 18 | (1929) with its famous dictum, “a woman must have money and a room 19 | of her own if she is to write fiction”.

20 | 21 | 22 |
23 | 24 | 25 | -------------------------------------------------------------------------------- /acme/Orlando/html/title-page.html: -------------------------------------------------------------------------------- 1 | 2 | 3 | 4 | 5 | Title Page 6 | 7 | 8 | 9 | 10 |
11 |

Orlando

12 |

Virginia Woolf

13 |
14 | 15 | 16 | -------------------------------------------------------------------------------- /acme/Orlando/index.html: -------------------------------------------------------------------------------- 1 | 2 | 3 | 4 | Orlando 5 | 6 | 43 | 44 | 45 | 46 | 47 |
48 |
49 | 50 | 51 |
52 | 53 |

Begin Reading

54 |
55 | 56 | 57 |
58 | 59 | Table of Contents 60 | 61 | 62 | 77 | 78 |
79 | 80 |
81 |
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55 |
56 |

Library

57 | 58 | 59 |
60 |
Begin Reading
61 | 62 |
63 | Table of Contents 64 | 65 | 66 | 67 |
68 | 69 | 70 | 71 | -------------------------------------------------------------------------------- /acme/covers/Bartleby.jpg: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/dauwhe/epub-zero/f4439605676adc9f9e0d0b49a3cfc56605a94874/acme/covers/Bartleby.jpg -------------------------------------------------------------------------------- /acme/covers/BiB.jpg: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/dauwhe/epub-zero/f4439605676adc9f9e0d0b49a3cfc56605a94874/acme/covers/BiB.jpg -------------------------------------------------------------------------------- /acme/covers/Halescropped_wikipedia_ccbysa3.jpg: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/dauwhe/epub-zero/f4439605676adc9f9e0d0b49a3cfc56605a94874/acme/covers/Halescropped_wikipedia_ccbysa3.jpg -------------------------------------------------------------------------------- /acme/covers/don-quijoti-epub3_cover_epub.jpg: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/dauwhe/epub-zero/f4439605676adc9f9e0d0b49a3cfc56605a94874/acme/covers/don-quijoti-epub3_cover_epub.jpg -------------------------------------------------------------------------------- /acme/covers/igp-ttohr-math_cover_epub.jpg: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/dauwhe/epub-zero/f4439605676adc9f9e0d0b49a3cfc56605a94874/acme/covers/igp-ttohr-math_cover_epub.jpg -------------------------------------------------------------------------------- /acme/covers/kje-bible-books_cover_epub.jpg: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/dauwhe/epub-zero/f4439605676adc9f9e0d0b49a3cfc56605a94874/acme/covers/kje-bible-books_cover_epub.jpg -------------------------------------------------------------------------------- /acme/covers/lighthouse.jpg: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/dauwhe/epub-zero/f4439605676adc9f9e0d0b49a3cfc56605a94874/acme/covers/lighthouse.jpg -------------------------------------------------------------------------------- /acme/covers/moby-dick-book-cover.jpg: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/dauwhe/epub-zero/f4439605676adc9f9e0d0b49a3cfc56605a94874/acme/covers/moby-dick-book-cover.jpg -------------------------------------------------------------------------------- /acme/covers/mott.jpg: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/dauwhe/epub-zero/f4439605676adc9f9e0d0b49a3cfc56605a94874/acme/covers/mott.jpg -------------------------------------------------------------------------------- /acme/covers/orlando.jpg: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/dauwhe/epub-zero/f4439605676adc9f9e0d0b49a3cfc56605a94874/acme/covers/orlando.jpg -------------------------------------------------------------------------------- /images/e0-folder.png: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/dauwhe/epub-zero/f4439605676adc9f9e0d0b49a3cfc56605a94874/images/e0-folder.png -------------------------------------------------------------------------------- /images/reading-e0-opera.png: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/dauwhe/epub-zero/f4439605676adc9f9e0d0b49a3cfc56605a94874/images/reading-e0-opera.png -------------------------------------------------------------------------------- /read-runner/index.html: -------------------------------------------------------------------------------- 1 | 2 | 3 | 4 | E-reader 5 | 6 | 7 | 8 |
Installing serviceworker…
9 | 28 | 29 | -------------------------------------------------------------------------------- /read-runner/sw-index.html: -------------------------------------------------------------------------------- 1 | 2 | 3 | 4 | Read Runner 5 | 6 | 11 | 12 | 13 |

Open

14 |

Use the form below to select a pubarc, or drag one into the window.

15 |
16 | 17 |
18 |

Cached

19 |
20 | 21 |
22 | 23 | 24 | 25 | 26 | -------------------------------------------------------------------------------- /read-runner/sw.js: -------------------------------------------------------------------------------- 1 | // v2 2 | 3 | self.addEventListener('install', event => { 4 | self.skipWaiting(); 5 | event.waitUntil( 6 | caches.open('reader-static-v1').then(c => c.addAll([ 7 | 'sw-index.html', 8 | 'page.js', 9 | 'jszip.js', 10 | '/pub/acme.js' 11 | ])) 12 | ); 13 | }); 14 | 15 | self.addEventListener('fetch', event => { 16 | const url = new URL(event.request.url); 17 | const sameOrigin = url.origin === location.origin; 18 | 19 | if (event.request.url == new URL('./', location).href) { 20 | event.respondWith(caches.match('sw-index.html')); 21 | return; 22 | } 23 | 24 | if (sameOrigin && url.pathname.includes('/pub/')) { 25 | event.respondWith(pubResponse(event.request)); 26 | return; 27 | } 28 | 29 | event.respondWith( 30 | caches.match(event.request).then(response => { 31 | return response || fetch(event.request); 32 | }) 33 | ); 34 | }); 35 | 36 | function pubResponse(request) { 37 | const pubName = /\/pub\/([^\/]+)/.exec(request.url)[1]; 38 | return caches.has('reader-pub:' + pubName).then(isCached => { 39 | if (!isCached) return Response("Publication not found"); 40 | return caches.open('reader-pub:' + pubName).then(c => c.match(request)); 41 | }); 42 | } -------------------------------------------------------------------------------- /tsiegman-presentations/.gitignore: -------------------------------------------------------------------------------- 1 | .idea/ 2 | *.iml 3 | *.iws 4 | *.eml 5 | out/ 6 | .DS_Store 7 | .svn 8 | log/*.log 9 | tmp/** 10 | node_modules/ 11 | .sass-cache 12 | css/reveal.min.css 13 | js/reveal.min.js -------------------------------------------------------------------------------- /tsiegman-presentations/.travis.yml: -------------------------------------------------------------------------------- 1 | language: node_js 2 | node_js: 3 | - 4.1.1 4 | before_script: 5 | - npm install -g grunt-cli -------------------------------------------------------------------------------- /tsiegman-presentations/CONTRIBUTING.md: -------------------------------------------------------------------------------- 1 | ## Contributing 2 | 3 | Please keep the [issue tracker](http://github.com/hakimel/reveal.js/issues) limited to **bug reports**, **feature requests** and **pull requests**. 4 | 5 | 6 | ### Personal Support 7 | If you have personal support or setup questions the best place to ask those are [StackOverflow](http://stackoverflow.com/questions/tagged/reveal.js). 8 | 9 | 10 | ### Bug Reports 11 | When reporting a bug make sure to include information about which browser and operating system you are on as well as the necessary steps to reproduce the issue. If possible please include a link to a sample presentation where the bug can be tested. 12 | 13 | 14 | ### Pull Requests 15 | - Should follow the coding style of the file you work in, most importantly: 16 | - Tabs to indent 17 | - Single-quoted strings 18 | - Should be made towards the **dev branch** 19 | - Should be submitted from a feature/topic branch (not your master) 20 | 21 | 22 | ### Plugins 23 | Please do not submit plugins as pull requests. They should be maintained in their own separate repository. More information here: https://github.com/hakimel/reveal.js/wiki/Plugin-Guidelines 24 | -------------------------------------------------------------------------------- /tsiegman-presentations/LICENSE: -------------------------------------------------------------------------------- 1 | Copyright (C) 2016 Hakim El Hattab, http://hakim.se 2 | 3 | Permission is hereby granted, free of charge, to any person obtaining a copy 4 | of this software and associated documentation files (the "Software"), to deal 5 | in the Software without restriction, including without limitation the rights 6 | to use, copy, modify, merge, publish, distribute, sublicense, and/or sell 7 | copies of the Software, and to permit persons to whom the Software is 8 | furnished to do so, subject to the following conditions: 9 | 10 | The above copyright notice and this permission notice shall be included in 11 | all copies or substantial portions of the Software. 12 | 13 | THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR 14 | IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, 15 | FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE 16 | AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER 17 | LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, 18 | OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN 19 | THE SOFTWARE. -------------------------------------------------------------------------------- /tsiegman-presentations/bower.json: -------------------------------------------------------------------------------- 1 | { 2 | "name": "reveal.js", 3 | "version": "3.2.0", 4 | "main": [ 5 | "js/reveal.js", 6 | "css/reveal.css" 7 | ], 8 | "homepage": "http://lab.hakim.se/reveal-js/", 9 | "license": "MIT", 10 | "description": "The HTML Presentation Framework", 11 | "authors": [ 12 | "Hakim El Hattab " 13 | ], 14 | "dependencies": { 15 | "headjs": "~1.0.3" 16 | }, 17 | "repository": { 18 | "type": "git", 19 | "url": "git://github.com/hakimel/reveal.js.git" 20 | }, 21 | "ignore": [ 22 | "**/.*", 23 | "node_modules", 24 | "bower_components", 25 | "test" 26 | ] 27 | } -------------------------------------------------------------------------------- /tsiegman-presentations/css/theme/README.md: -------------------------------------------------------------------------------- 1 | ## Dependencies 2 | 3 | Themes are written using Sass to keep things modular and reduce the need for repeated selectors across files. Make sure that you have the reveal.js development environment including the Grunt dependencies installed before proceding: https://github.com/hakimel/reveal.js#full-setup 4 | 5 | ## Creating a Theme 6 | 7 | To create your own theme, start by duplicating a ```.scss``` file in [/css/theme/source](https://github.com/hakimel/reveal.js/blob/master/css/theme/source). It will be automatically compiled by Grunt from Sass to CSS (see the [Gruntfile](https://github.com/hakimel/reveal.js/blob/master/Gruntfile.js)) when you run `grunt css-themes`. 8 | 9 | Each theme file does four things in the following order: 10 | 11 | 1. **Include [/css/theme/template/mixins.scss](https://github.com/hakimel/reveal.js/blob/master/css/theme/template/mixins.scss)** 12 | Shared utility functions. 13 | 14 | 2. **Include [/css/theme/template/settings.scss](https://github.com/hakimel/reveal.js/blob/master/css/theme/template/settings.scss)** 15 | Declares a set of custom variables that the template file (step 4) expects. Can be overridden in step 3. 16 | 17 | 3. **Override** 18 | This is where you override the default theme. Either by specifying variables (see [settings.scss](https://github.com/hakimel/reveal.js/blob/master/css/theme/template/settings.scss) for reference) or by adding any selectors and styles you please. 19 | 20 | 4. **Include [/css/theme/template/theme.scss](https://github.com/hakimel/reveal.js/blob/master/css/theme/template/theme.scss)** 21 | The template theme file which will generate final CSS output based on the currently defined variables. 22 | -------------------------------------------------------------------------------- /tsiegman-presentations/css/theme/source/beige.scss: -------------------------------------------------------------------------------- 1 | /** 2 | * Beige theme for reveal.js. 3 | * 4 | * Copyright (C) 2011-2012 Hakim El Hattab, http://hakim.se 5 | */ 6 | 7 | 8 | // Default mixins and settings ----------------- 9 | @import "../template/mixins"; 10 | @import "../template/settings"; 11 | // --------------------------------------------- 12 | 13 | 14 | 15 | // Include theme-specific fonts 16 | @import url(../../lib/font/league-gothic/league-gothic.css); 17 | @import url(https://fonts.googleapis.com/css?family=Lato:400,700,400italic,700italic); 18 | 19 | 20 | // Override theme settings (see ../template/settings.scss) 21 | $mainColor: #333; 22 | $headingColor: #333; 23 | $headingTextShadow: none; 24 | $backgroundColor: #f7f3de; 25 | $linkColor: #8b743d; 26 | $linkColorHover: lighten( $linkColor, 20% ); 27 | $selectionBackgroundColor: rgba(79, 64, 28, 0.99); 28 | $heading1TextShadow: 0 1px 0 #ccc, 0 2px 0 #c9c9c9, 0 3px 0 #bbb, 0 4px 0 #b9b9b9, 0 5px 0 #aaa, 0 6px 1px rgba(0,0,0,.1), 0 0 5px rgba(0,0,0,.1), 0 1px 3px rgba(0,0,0,.3), 0 3px 5px rgba(0,0,0,.2), 0 5px 10px rgba(0,0,0,.25), 0 20px 20px rgba(0,0,0,.15); 29 | 30 | // Background generator 31 | @mixin bodyBackground() { 32 | @include radial-gradient( rgba(247,242,211,1), rgba(255,255,255,1) ); 33 | } 34 | 35 | 36 | 37 | // Theme template ------------------------------ 38 | @import "../template/theme"; 39 | // --------------------------------------------- -------------------------------------------------------------------------------- /tsiegman-presentations/css/theme/source/black.scss: -------------------------------------------------------------------------------- 1 | /** 2 | * Black theme for reveal.js. This is the opposite of the 'white' theme. 3 | * 4 | * By Hakim El Hattab, http://hakim.se 5 | */ 6 | 7 | 8 | // Default mixins and settings ----------------- 9 | @import "../template/mixins"; 10 | @import "../template/settings"; 11 | // --------------------------------------------- 12 | 13 | 14 | // Include theme-specific fonts 15 | @import url(../../lib/font/source-sans-pro/source-sans-pro.css); 16 | 17 | 18 | // Override theme settings (see ../template/settings.scss) 19 | $backgroundColor: #222; 20 | 21 | $mainColor: #fff; 22 | $headingColor: #fff; 23 | 24 | $mainFontSize: 38px; 25 | $mainFont: 'Source Sans Pro', Helvetica, sans-serif; 26 | $headingFont: 'Source Sans Pro', Helvetica, sans-serif; 27 | $headingTextShadow: none; 28 | $headingLetterSpacing: normal; 29 | $headingTextTransform: uppercase; 30 | $headingFontWeight: 600; 31 | $linkColor: #42affa; 32 | $linkColorHover: lighten( $linkColor, 15% ); 33 | $selectionBackgroundColor: lighten( $linkColor, 25% ); 34 | 35 | $heading1Size: 2.5em; 36 | $heading2Size: 1.6em; 37 | $heading3Size: 1.3em; 38 | $heading4Size: 1.0em; 39 | 40 | section.has-light-background { 41 | &, h1, h2, h3, h4, h5, h6 { 42 | color: #222; 43 | } 44 | } 45 | 46 | 47 | // Theme template ------------------------------ 48 | @import "../template/theme"; 49 | // --------------------------------------------- -------------------------------------------------------------------------------- /tsiegman-presentations/css/theme/source/blood.scss: -------------------------------------------------------------------------------- 1 | /** 2 | * Blood theme for reveal.js 3 | * Author: Walther http://github.com/Walther 4 | * 5 | * Designed to be used with highlight.js theme 6 | * "monokai_sublime.css" available from 7 | * https://github.com/isagalaev/highlight.js/ 8 | * 9 | * For other themes, change $codeBackground accordingly. 10 | * 11 | */ 12 | 13 | // Default mixins and settings ----------------- 14 | @import "../template/mixins"; 15 | @import "../template/settings"; 16 | // --------------------------------------------- 17 | 18 | // Include theme-specific fonts 19 | 20 | @import url(https://fonts.googleapis.com/css?family=Ubuntu:300,700,300italic,700italic); 21 | 22 | // Colors used in the theme 23 | $blood: #a23; 24 | $coal: #222; 25 | $codeBackground: #23241f; 26 | 27 | $backgroundColor: $coal; 28 | 29 | // Main text 30 | $mainFont: Ubuntu, 'sans-serif'; 31 | $mainFontSize: 36px; 32 | $mainColor: #eee; 33 | 34 | // Headings 35 | $headingFont: Ubuntu, 'sans-serif'; 36 | $headingTextShadow: 2px 2px 2px $coal; 37 | 38 | // h1 shadow, borrowed humbly from 39 | // (c) Default theme by Hakim El Hattab 40 | $heading1TextShadow: 0 1px 0 #ccc, 0 2px 0 #c9c9c9, 0 3px 0 #bbb, 0 4px 0 #b9b9b9, 0 5px 0 #aaa, 0 6px 1px rgba(0,0,0,.1), 0 0 5px rgba(0,0,0,.1), 0 1px 3px rgba(0,0,0,.3), 0 3px 5px rgba(0,0,0,.2), 0 5px 10px rgba(0,0,0,.25), 0 20px 20px rgba(0,0,0,.15); 41 | 42 | // Links 43 | $linkColor: $blood; 44 | $linkColorHover: lighten( $linkColor, 20% ); 45 | 46 | // Text selection 47 | $selectionBackgroundColor: $blood; 48 | $selectionColor: #fff; 49 | 50 | 51 | // Theme template ------------------------------ 52 | @import "../template/theme"; 53 | // --------------------------------------------- 54 | 55 | // some overrides after theme template import 56 | 57 | .reveal p { 58 | font-weight: 300; 59 | text-shadow: 1px 1px $coal; 60 | } 61 | 62 | .reveal h1, 63 | .reveal h2, 64 | .reveal h3, 65 | .reveal h4, 66 | .reveal h5, 67 | .reveal h6 { 68 | font-weight: 700; 69 | } 70 | 71 | .reveal p code { 72 | background-color: $codeBackground; 73 | display: inline-block; 74 | border-radius: 7px; 75 | } 76 | 77 | .reveal small code { 78 | vertical-align: baseline; 79 | } -------------------------------------------------------------------------------- /tsiegman-presentations/css/theme/source/league.scss: -------------------------------------------------------------------------------- 1 | /** 2 | * League theme for reveal.js. 3 | * 4 | * This was the default theme pre-3.0.0. 5 | * 6 | * Copyright (C) 2011-2012 Hakim El Hattab, http://hakim.se 7 | */ 8 | 9 | 10 | // Default mixins and settings ----------------- 11 | @import "../template/mixins"; 12 | @import "../template/settings"; 13 | // --------------------------------------------- 14 | 15 | 16 | 17 | // Include theme-specific fonts 18 | @import url(../../lib/font/league-gothic/league-gothic.css); 19 | @import url(https://fonts.googleapis.com/css?family=Lato:400,700,400italic,700italic); 20 | 21 | // Override theme settings (see ../template/settings.scss) 22 | $headingTextShadow: 0px 0px 6px rgba(0,0,0,0.2); 23 | $heading1TextShadow: 0 1px 0 #ccc, 0 2px 0 #c9c9c9, 0 3px 0 #bbb, 0 4px 0 #b9b9b9, 0 5px 0 #aaa, 0 6px 1px rgba(0,0,0,.1), 0 0 5px rgba(0,0,0,.1), 0 1px 3px rgba(0,0,0,.3), 0 3px 5px rgba(0,0,0,.2), 0 5px 10px rgba(0,0,0,.25), 0 20px 20px rgba(0,0,0,.15); 24 | 25 | // Background generator 26 | @mixin bodyBackground() { 27 | @include radial-gradient( rgba(28,30,32,1), rgba(85,90,95,1) ); 28 | } 29 | 30 | 31 | 32 | // Theme template ------------------------------ 33 | @import "../template/theme"; 34 | // --------------------------------------------- -------------------------------------------------------------------------------- /tsiegman-presentations/css/theme/source/moon.scss: -------------------------------------------------------------------------------- 1 | /** 2 | * Solarized Dark theme for reveal.js. 3 | * Author: Achim Staebler 4 | */ 5 | 6 | 7 | // Default mixins and settings ----------------- 8 | @import "../template/mixins"; 9 | @import "../template/settings"; 10 | // --------------------------------------------- 11 | 12 | 13 | 14 | // Include theme-specific fonts 15 | @import url(../../lib/font/league-gothic/league-gothic.css); 16 | @import url(https://fonts.googleapis.com/css?family=Lato:400,700,400italic,700italic); 17 | 18 | /** 19 | * Solarized colors by Ethan Schoonover 20 | */ 21 | html * { 22 | color-profile: sRGB; 23 | rendering-intent: auto; 24 | } 25 | 26 | // Solarized colors 27 | $base03: #002b36; 28 | $base02: #073642; 29 | $base01: #586e75; 30 | $base00: #657b83; 31 | $base0: #839496; 32 | $base1: #93a1a1; 33 | $base2: #eee8d5; 34 | $base3: #fdf6e3; 35 | $yellow: #b58900; 36 | $orange: #cb4b16; 37 | $red: #dc322f; 38 | $magenta: #d33682; 39 | $violet: #6c71c4; 40 | $blue: #268bd2; 41 | $cyan: #2aa198; 42 | $green: #859900; 43 | 44 | // Override theme settings (see ../template/settings.scss) 45 | $mainColor: $base1; 46 | $headingColor: $base2; 47 | $headingTextShadow: none; 48 | $backgroundColor: $base03; 49 | $linkColor: $blue; 50 | $linkColorHover: lighten( $linkColor, 20% ); 51 | $selectionBackgroundColor: $magenta; 52 | 53 | 54 | 55 | // Theme template ------------------------------ 56 | @import "../template/theme"; 57 | // --------------------------------------------- 58 | -------------------------------------------------------------------------------- /tsiegman-presentations/css/theme/source/night.scss: -------------------------------------------------------------------------------- 1 | /** 2 | * Black theme for reveal.js. 3 | * 4 | * Copyright (C) 2011-2012 Hakim El Hattab, http://hakim.se 5 | */ 6 | 7 | 8 | // Default mixins and settings ----------------- 9 | @import "../template/mixins"; 10 | @import "../template/settings"; 11 | // --------------------------------------------- 12 | 13 | 14 | // Include theme-specific fonts 15 | @import url(https://fonts.googleapis.com/css?family=Montserrat:700); 16 | @import url(https://fonts.googleapis.com/css?family=Open+Sans:400,700,400italic,700italic); 17 | 18 | 19 | // Override theme settings (see ../template/settings.scss) 20 | $backgroundColor: #111; 21 | 22 | $mainFont: 'Open Sans', sans-serif; 23 | $linkColor: #e7ad52; 24 | $linkColorHover: lighten( $linkColor, 20% ); 25 | $headingFont: 'Montserrat', Impact, sans-serif; 26 | $headingTextShadow: none; 27 | $headingLetterSpacing: -0.03em; 28 | $headingTextTransform: none; 29 | $selectionBackgroundColor: #e7ad52; 30 | $mainFontSize: 30px; 31 | 32 | 33 | // Theme template ------------------------------ 34 | @import "../template/theme"; 35 | // --------------------------------------------- -------------------------------------------------------------------------------- /tsiegman-presentations/css/theme/source/serif.scss: -------------------------------------------------------------------------------- 1 | /** 2 | * A simple theme for reveal.js presentations, similar 3 | * to the default theme. The accent color is brown. 4 | * 5 | * This theme is Copyright (C) 2012-2013 Owen Versteeg, http://owenversteeg.com - it is MIT licensed. 6 | */ 7 | 8 | 9 | // Default mixins and settings ----------------- 10 | @import "../template/mixins"; 11 | @import "../template/settings"; 12 | // --------------------------------------------- 13 | 14 | 15 | 16 | // Override theme settings (see ../template/settings.scss) 17 | $mainFont: 'Palatino Linotype', 'Book Antiqua', Palatino, FreeSerif, serif; 18 | $mainColor: #000; 19 | $headingFont: 'Palatino Linotype', 'Book Antiqua', Palatino, FreeSerif, serif; 20 | $headingColor: #383D3D; 21 | $headingTextShadow: none; 22 | $headingTextTransform: none; 23 | $backgroundColor: #F0F1EB; 24 | $linkColor: #51483D; 25 | $linkColorHover: lighten( $linkColor, 20% ); 26 | $selectionBackgroundColor: #26351C; 27 | 28 | .reveal a { 29 | line-height: 1.3em; 30 | } 31 | 32 | 33 | // Theme template ------------------------------ 34 | @import "../template/theme"; 35 | // --------------------------------------------- 36 | -------------------------------------------------------------------------------- /tsiegman-presentations/css/theme/source/simple.scss: -------------------------------------------------------------------------------- 1 | /** 2 | * A simple theme for reveal.js presentations, similar 3 | * to the default theme. The accent color is darkblue. 4 | * 5 | * This theme is Copyright (C) 2012 Owen Versteeg, https://github.com/StereotypicalApps. It is MIT licensed. 6 | * reveal.js is Copyright (C) 2011-2012 Hakim El Hattab, http://hakim.se 7 | */ 8 | 9 | 10 | // Default mixins and settings ----------------- 11 | @import "../template/mixins"; 12 | @import "../template/settings"; 13 | // --------------------------------------------- 14 | 15 | 16 | 17 | // Include theme-specific fonts 18 | @import url(https://fonts.googleapis.com/css?family=News+Cycle:400,700); 19 | @import url(https://fonts.googleapis.com/css?family=Lato:400,700,400italic,700italic); 20 | 21 | 22 | // Override theme settings (see ../template/settings.scss) 23 | $mainFont: 'Lato', sans-serif; 24 | $mainColor: #000; 25 | $headingFont: 'News Cycle', Impact, sans-serif; 26 | $headingColor: #000; 27 | $headingTextShadow: none; 28 | $headingTextTransform: none; 29 | $backgroundColor: #fff; 30 | $linkColor: #00008B; 31 | $linkColorHover: lighten( $linkColor, 20% ); 32 | $selectionBackgroundColor: rgba(0, 0, 0, 0.99); 33 | 34 | 35 | 36 | // Theme template ------------------------------ 37 | @import "../template/theme"; 38 | // --------------------------------------------- -------------------------------------------------------------------------------- /tsiegman-presentations/css/theme/source/sky.scss: -------------------------------------------------------------------------------- 1 | /** 2 | * Sky theme for reveal.js. 3 | * 4 | * Copyright (C) 2011-2012 Hakim El Hattab, http://hakim.se 5 | */ 6 | 7 | 8 | // Default mixins and settings ----------------- 9 | @import "../template/mixins"; 10 | @import "../template/settings"; 11 | // --------------------------------------------- 12 | 13 | 14 | 15 | // Include theme-specific fonts 16 | @import url(https://fonts.googleapis.com/css?family=Quicksand:400,700,400italic,700italic); 17 | @import url(https://fonts.googleapis.com/css?family=Open+Sans:400italic,700italic,400,700); 18 | 19 | 20 | // Override theme settings (see ../template/settings.scss) 21 | $mainFont: 'Open Sans', sans-serif; 22 | $mainColor: #333; 23 | $headingFont: 'Quicksand', sans-serif; 24 | $headingColor: #333; 25 | $headingLetterSpacing: -0.08em; 26 | $headingTextShadow: none; 27 | $backgroundColor: #f7fbfc; 28 | $linkColor: #3b759e; 29 | $linkColorHover: lighten( $linkColor, 20% ); 30 | $selectionBackgroundColor: #134674; 31 | 32 | // Fix links so they are not cut off 33 | .reveal a { 34 | line-height: 1.3em; 35 | } 36 | 37 | // Background generator 38 | @mixin bodyBackground() { 39 | @include radial-gradient( #add9e4, #f7fbfc ); 40 | } 41 | 42 | 43 | 44 | // Theme template ------------------------------ 45 | @import "../template/theme"; 46 | // --------------------------------------------- 47 | -------------------------------------------------------------------------------- /tsiegman-presentations/css/theme/source/solarized.scss: -------------------------------------------------------------------------------- 1 | /** 2 | * Solarized Light theme for reveal.js. 3 | * Author: Achim Staebler 4 | */ 5 | 6 | 7 | // Default mixins and settings ----------------- 8 | @import "../template/mixins"; 9 | @import "../template/settings"; 10 | // --------------------------------------------- 11 | 12 | 13 | 14 | // Include theme-specific fonts 15 | @import url(../../lib/font/league-gothic/league-gothic.css); 16 | @import url(https://fonts.googleapis.com/css?family=Lato:400,700,400italic,700italic); 17 | 18 | 19 | /** 20 | * Solarized colors by Ethan Schoonover 21 | */ 22 | html * { 23 | color-profile: sRGB; 24 | rendering-intent: auto; 25 | } 26 | 27 | // Solarized colors 28 | $base03: #002b36; 29 | $base02: #073642; 30 | $base01: #586e75; 31 | $base00: #657b83; 32 | $base0: #839496; 33 | $base1: #93a1a1; 34 | $base2: #eee8d5; 35 | $base3: #fdf6e3; 36 | $yellow: #b58900; 37 | $orange: #cb4b16; 38 | $red: #dc322f; 39 | $magenta: #d33682; 40 | $violet: #6c71c4; 41 | $blue: #268bd2; 42 | $cyan: #2aa198; 43 | $green: #859900; 44 | 45 | // Override theme settings (see ../template/settings.scss) 46 | $mainColor: $base00; 47 | $headingColor: $base01; 48 | $headingTextShadow: none; 49 | $backgroundColor: $base3; 50 | $linkColor: $blue; 51 | $linkColorHover: lighten( $linkColor, 20% ); 52 | $selectionBackgroundColor: $magenta; 53 | 54 | // Background generator 55 | // @mixin bodyBackground() { 56 | // @include radial-gradient( rgba($base3,1), rgba(lighten($base3, 20%),1) ); 57 | // } 58 | 59 | 60 | 61 | // Theme template ------------------------------ 62 | @import "../template/theme"; 63 | // --------------------------------------------- 64 | -------------------------------------------------------------------------------- /tsiegman-presentations/css/theme/source/white.scss: -------------------------------------------------------------------------------- 1 | /** 2 | * White theme for reveal.js. This is the opposite of the 'black' theme. 3 | * 4 | * By Hakim El Hattab, http://hakim.se 5 | */ 6 | 7 | 8 | // Default mixins and settings ----------------- 9 | @import "../template/mixins"; 10 | @import "../template/settings"; 11 | // --------------------------------------------- 12 | 13 | 14 | // Include theme-specific fonts 15 | @import url(../../lib/font/source-sans-pro/source-sans-pro.css); 16 | 17 | 18 | // Override theme settings (see ../template/settings.scss) 19 | $backgroundColor: #fff; 20 | 21 | $mainColor: #222; 22 | $headingColor: #222; 23 | 24 | $mainFontSize: 38px; 25 | $mainFont: 'Source Sans Pro', Helvetica, sans-serif; 26 | $headingFont: 'Source Sans Pro', Helvetica, sans-serif; 27 | $headingTextShadow: none; 28 | $headingLetterSpacing: normal; 29 | $headingTextTransform: uppercase; 30 | $headingFontWeight: 600; 31 | $linkColor: #2a76dd; 32 | $linkColorHover: lighten( $linkColor, 15% ); 33 | $selectionBackgroundColor: lighten( $linkColor, 25% ); 34 | 35 | $heading1Size: 2.5em; 36 | $heading2Size: 1.6em; 37 | $heading3Size: 1.3em; 38 | $heading4Size: 1.0em; 39 | 40 | section.has-dark-background { 41 | &, h1, h2, h3, h4, h5, h6 { 42 | color: #fff; 43 | } 44 | } 45 | 46 | 47 | // Theme template ------------------------------ 48 | @import "../template/theme"; 49 | // --------------------------------------------- -------------------------------------------------------------------------------- /tsiegman-presentations/css/theme/template/mixins.scss: -------------------------------------------------------------------------------- 1 | @mixin vertical-gradient( $top, $bottom ) { 2 | background: $top; 3 | background: -moz-linear-gradient( top, $top 0%, $bottom 100% ); 4 | background: -webkit-gradient( linear, left top, left bottom, color-stop(0%,$top), color-stop(100%,$bottom) ); 5 | background: -webkit-linear-gradient( top, $top 0%, $bottom 100% ); 6 | background: -o-linear-gradient( top, $top 0%, $bottom 100% ); 7 | background: -ms-linear-gradient( top, $top 0%, $bottom 100% ); 8 | background: linear-gradient( top, $top 0%, $bottom 100% ); 9 | } 10 | 11 | @mixin horizontal-gradient( $top, $bottom ) { 12 | background: $top; 13 | background: -moz-linear-gradient( left, $top 0%, $bottom 100% ); 14 | background: -webkit-gradient( linear, left top, right top, color-stop(0%,$top), color-stop(100%,$bottom) ); 15 | background: -webkit-linear-gradient( left, $top 0%, $bottom 100% ); 16 | background: -o-linear-gradient( left, $top 0%, $bottom 100% ); 17 | background: -ms-linear-gradient( left, $top 0%, $bottom 100% ); 18 | background: linear-gradient( left, $top 0%, $bottom 100% ); 19 | } 20 | 21 | @mixin radial-gradient( $outer, $inner, $type: circle ) { 22 | background: $outer; 23 | background: -moz-radial-gradient( center, $type cover, $inner 0%, $outer 100% ); 24 | background: -webkit-gradient( radial, center center, 0px, center center, 100%, color-stop(0%,$inner), color-stop(100%,$outer) ); 25 | background: -webkit-radial-gradient( center, $type cover, $inner 0%, $outer 100% ); 26 | background: -o-radial-gradient( center, $type cover, $inner 0%, $outer 100% ); 27 | background: -ms-radial-gradient( center, $type cover, $inner 0%, $outer 100% ); 28 | background: radial-gradient( center, $type cover, $inner 0%, $outer 100% ); 29 | } -------------------------------------------------------------------------------- /tsiegman-presentations/css/theme/template/settings.scss: -------------------------------------------------------------------------------- 1 | // Base settings for all themes that can optionally be 2 | // overridden by the super-theme 3 | 4 | // Background of the presentation 5 | $backgroundColor: #2b2b2b; 6 | 7 | // Primary/body text 8 | $mainFont: 'Lato', sans-serif; 9 | $mainFontSize: 36px; 10 | $mainColor: #eee; 11 | 12 | // Vertical spacing between blocks of text 13 | $blockMargin: 20px; 14 | 15 | // Headings 16 | $headingMargin: 0 0 $blockMargin 0; 17 | $headingFont: 'League 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| url('source-sans-pro-italic.ttf') format('truetype'); 17 | font-weight: normal; 18 | font-style: italic; 19 | } 20 | 21 | @font-face { 22 | font-family: 'Source Sans Pro'; 23 | src: url('source-sans-pro-semibold.eot'); 24 | src: url('source-sans-pro-semibold.eot?#iefix') format('embedded-opentype'), 25 | url('source-sans-pro-semibold.woff') format('woff'), 26 | url('source-sans-pro-semibold.ttf') format('truetype'); 27 | font-weight: 600; 28 | font-style: normal; 29 | } 30 | 31 | @font-face { 32 | font-family: 'Source Sans Pro'; 33 | src: url('source-sans-pro-semibolditalic.eot'); 34 | src: url('source-sans-pro-semibolditalic.eot?#iefix') format('embedded-opentype'), 35 | url('source-sans-pro-semibolditalic.woff') format('woff'), 36 | url('source-sans-pro-semibolditalic.ttf') format('truetype'); 37 | font-weight: 600; 38 | font-style: italic; 39 | } -------------------------------------------------------------------------------- /tsiegman-presentations/lib/js/classList.js: -------------------------------------------------------------------------------- 1 | /*! @source http://purl.eligrey.com/github/classList.js/blob/master/classList.js*/ 2 | if(typeof document!=="undefined"&&!("classList" in document.createElement("a"))){(function(j){var a="classList",f="prototype",m=(j.HTMLElement||j.Element)[f],b=Object,k=String[f].trim||function(){return this.replace(/^\s+|\s+$/g,"")},c=Array[f].indexOf||function(q){var p=0,o=this.length;for(;p 2 | 3 | 4 | 5 | 6 | 7 | reveal.js - Barebones 8 | 9 | 10 | 11 | 12 | 13 | 14 |
15 | 16 |
17 | 18 |
19 |

Barebones Presentation

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This example contains the bare minimum includes and markup required to run a reveal.js presentation.

21 |
22 | 23 |
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No Theme

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There's no theme included, so it will fall back on browser defaults.

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27 | 28 |
29 | 30 |
31 | 32 | 33 | 34 | 39 | 40 | 41 | 42 | -------------------------------------------------------------------------------- /tsiegman-presentations/test/examples/embedded-media.html: -------------------------------------------------------------------------------- 1 | 2 | 3 | 4 | 5 | 6 | 7 | reveal.js - Embedded Media 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 |
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Embedded Media Test

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24 | 25 |
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28 | 29 |
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Empty Slide

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36 | 37 | 38 | 39 | 40 | 47 | 48 | 49 | 50 | -------------------------------------------------------------------------------- /tsiegman-presentations/test/test-markdown.html: -------------------------------------------------------------------------------- 1 | 2 | 3 | 4 | 5 | 6 | 7 | reveal.js - Test Markdown 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 |
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17 | 18 | 42 | 43 | 44 | 45 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | -------------------------------------------------------------------------------- /tsiegman-presentations/test/test-markdown.js: -------------------------------------------------------------------------------- 1 | 2 | 3 | Reveal.addEventListener( 'ready', function() { 4 | 5 | QUnit.module( 'Markdown' ); 6 | 7 | test( 'Vertical separator', function() { 8 | strictEqual( document.querySelectorAll( '.reveal .slides>section>section' ).length, 2, 'found two slides' ); 9 | }); 10 | 11 | 12 | } ); 13 | 14 | Reveal.initialize(); 15 | 16 | -------------------------------------------------------------------------------- /tsiegman-presentations/test/test-pdf.html: -------------------------------------------------------------------------------- 1 | 2 | 3 | 4 | 5 | 6 | 7 | reveal.js - Test PDF exports 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 |
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18 | 19 | 75 | 76 | 77 | 78 | 79 | 80 | 81 | 82 | 83 | 84 | -------------------------------------------------------------------------------- /tsiegman-presentations/test/test-pdf.js: -------------------------------------------------------------------------------- 1 | 2 | Reveal.addEventListener( 'ready', function() { 3 | 4 | // Only one test for now, we're mainly ensuring that there 5 | // are no execution errors when running PDF mode 6 | 7 | test( 'Reveal.isReady', function() { 8 | strictEqual( Reveal.isReady(), true, 'returns true' ); 9 | }); 10 | 11 | 12 | } ); 13 | 14 | Reveal.initialize({ pdf: true }); 15 | 16 | -------------------------------------------------------------------------------- /tsiegman-presentations/test/test.html: -------------------------------------------------------------------------------- 1 | 2 | 3 | 4 | 5 | 6 | 7 | reveal.js - Tests 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 |
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