6 |
7 | The [From Draft to EPUB](https://dmpop.gumroad.com/l/from-draft-to-epub) book provides in-depth information on using Bash Pubkit.
--------------------------------------------------------------------------------
/Book template/.vscode/tasks.json:
--------------------------------------------------------------------------------
1 | {
2 | "version": "2.0.0",
3 | "tasks": [
4 | {
5 | "label": "Sync",
6 | "type": "shell",
7 | "command": "git pull -r && git push && :",
8 | "problemMatcher": []
9 | },
10 | {
11 | "label": "Hist",
12 | "type": "shell",
13 | "command": "git hist",
14 | "problemMatcher": []
15 | },
16 | {
17 | "label": "Save",
18 | "type": "shell",
19 | "command": "git add -A && git commit -m \"${input:msg}\" && git config remote.origin.url && git push && :",
20 | "problemMatcher": []
21 | },
22 | {
23 | "label": "Redo",
24 | "type": "shell",
25 | "command": "git add -A && git commit --amend --no-edit && git config remote.origin.url && git push -f && :",
26 | "problemMatcher": []
27 | },
28 | {
29 | "label": "!!Undo",
30 | "type": "shell",
31 | "command": "git revert --no-edit \"${input:hash}\" && git config remote.origin.url && git push",
32 | "problemMatcher": []
33 | },
34 | {
35 | "label": "Compile",
36 | "type": "shell",
37 | "command": "compile.sh \"${workspaceFolder}\"",
38 | "problemMatcher": []
39 | }
40 | ],
41 | "inputs": [
42 | {
43 | "id": "msg",
44 | "description": "Description:",
45 | "default": "Yet another revision",
46 | "type": "promptString"
47 | },
48 | {
49 | "id": "hash",
50 | "description": "Hash:",
51 | "default": "",
52 | "type": "promptString"
53 | },
54 | ]
55 | }
--------------------------------------------------------------------------------
/Book template/.vscode/settings.json:
--------------------------------------------------------------------------------
1 | {
2 | "workbench.colorCustomizations": {
3 | "activityBar.activeBackground": "#78a379",
4 | "activityBar.activeBorder": "#d9d9e5",
5 | "activityBar.background": "#78a379",
6 | "activityBar.foreground": "#15202b",
7 | "activityBar.inactiveForeground": "#15202b99",
8 | "activityBarBadge.background": "#d9d9e5",
9 | "activityBarBadge.foreground": "#15202b",
10 | "sash.hoverBorder": "#78a379",
11 | "statusBar.background": "#5e8a5f",
12 | "statusBar.foreground": "#e7e7e7",
13 | "statusBarItem.hoverBackground": "#78a379",
14 | "statusBarItem.remoteBackground": "#5e8a5f",
15 | "statusBarItem.remoteForeground": "#e7e7e7",
16 | "titleBar.activeBackground": "#5e8a5f",
17 | "titleBar.activeForeground": "#e7e7e7",
18 | "titleBar.inactiveBackground": "#5e8a5f99",
19 | "titleBar.inactiveForeground": "#e7e7e799"
20 | },
21 | "peacock.color": "#5e8a5f",
22 | "kanban": {
23 | "columns": {
24 | "done": "Done",
25 | "inProgress": "Work in progress",
26 | "testing": "Language review",
27 | "todo": "Plan"
28 | }
29 | },
30 | "workbench.colorTheme": "Nüshu",
31 | "workbench.iconTheme": "material-icon-theme",
32 | "spellright.language": [
33 | "English (American)"
34 | ],
35 | "spellright.documentTypes": [
36 | "markdown",
37 | "latex",
38 | "plaintext"
39 | ],
40 | "todo-tree.general.tags": [
41 | "IDEA",
42 | "FIXME",
43 | "TODO"
44 | ],
45 | "todo-tree.highlights.backgroundColourScheme": [
46 | "orange",
47 | "yellow",
48 | "teal"
49 | ],
50 | "markdown.styles": [
51 | "stylesheet.css"
52 | ]
53 | }
--------------------------------------------------------------------------------
/zip-to-epub/favicon.svg:
--------------------------------------------------------------------------------
1 |
2 |
3 |
4 |
84 |
--------------------------------------------------------------------------------
/Book template/stylesheet.css:
--------------------------------------------------------------------------------
1 | /* Styles and classes used in the book */
2 |
3 | h1 {
4 | text-align: center;
5 | font-family: "Open Sans", sans-serif;
6 | }
7 | h2 {
8 | text-align: left;
9 | font-family: "Open Sans", sans-serif;
10 | }
11 | h3 {
12 | text-align: left;
13 | font-family: "Open Sans", sans-serif;
14 | }
15 | ol.toc {
16 | padding: 0;
17 | margin-left: 1em;
18 | }
19 | ol.toc li {
20 | list-style-type: none;
21 | margin: 0;
22 | padding: 0;
23 | }
24 |
25 | body {
26 | text-align: justify;
27 | font-family: "Open Sans", "Fira Sans", sans-serif;
28 | font-size: medium;
29 | line-height: 150%;
30 | }
31 | code {
32 | text-align: left;
33 | font-family: monospace;
34 | }
35 |
36 | kbd {
37 | -moz-border-radius: 3px;
38 | -moz-box-shadow: 0 1px 0 rgba(0, 0, 0, 0.2), 0 0 0 2px #fff inset;
39 | -webkit-border-radius: 3px;
40 | -webkit-box-shadow: 0 1px 0 rgba(0, 0, 0, 0.2), 0 0 0 2px #fff inset;
41 | background-color: #f7f7f7;
42 | border: 1px solid #ccc;
43 | border-radius: 3px;
44 | box-shadow: 0 1px 0 rgba(0, 0, 0, 0.2), 0 0 0 2px #fff inset;
45 | color: #333;
46 | display: inline-block;
47 | font-family: Arial, Helvetica, sans-serif;
48 | font-size: 11px;
49 | line-height: 1.4;
50 | margin: 0 0.1em;
51 | padding: 0.1em 0.6em;
52 | text-shadow: 0 1px 0 #fff;
53 | }
54 |
55 | img {
56 | margin-bottom: 0.5em;
57 | vertical-align: middle;
58 | max-width: 100%;
59 | }
60 | div.figure {
61 | margin-left: auto;
62 | margin-right: auto;
63 | text-align: center;
64 | font-style: italic;
65 | }
66 |
67 | #colophon {
68 | text-align: center;
69 | }
70 |
71 | table {
72 | border-collapse: collapse;
73 | border-spacing: 0;
74 | box-sizing: border-box;
75 | display: block;
76 | margin-bottom: 16px;
77 | margin-top: 0;
78 | overflow: auto;
79 | text-indent: 0;
80 | width: 100%;
81 | }
82 | thead {
83 | box-sizing: border-box;
84 | display: table-header-group;
85 | vertical-align: middle;
86 | }
87 | tr {
88 | background-color: #fff;
89 | box-sizing: border-box;
90 | display: table-row;
91 | vertical-align: inherit;
92 | border-top: #ccc solid 1px;
93 | }
94 | th {
95 | box-sizing: border-box;
96 | display: table-cell;
97 | font-weight: bold;
98 | vertical-align: inherit;
99 | padding: 6px 13px;
100 | border: #ddd solid 1px;
101 | }
102 | td {
103 | box-sizing: border-box;
104 | display: table-cell;
105 | text-align: inherit;
106 | vertical-align: inherit;
107 | padding: 6px 13px;
108 | border: #ddd solid 1px;
109 | }
110 | tbody {
111 | box-sizing: border-box;
112 | display: table-row-group;
113 | vertical-align: middle;
114 | }
115 |
116 | @font-face {
117 | font-family: Open Sans;
118 | font-style: normal;
119 | font-weight: normal;
120 | src: url("OpenSans-Regular.ttf");
121 | }
122 | @font-face {
123 | font-family: Open Sans;
124 | font-style: normal;
125 | font-weight: bold;
126 | src: url("OpenSans-Bold.ttf");
127 | }
128 | @font-face {
129 | font-family: Open Sans;
130 | font-style: italic;
131 | font-weight: normal;
132 | src: url("OpenSans-Italic.ttf");
133 | }
134 | @font-face {
135 | font-family: Open Sans;
136 | font-style: italic;
137 | font-weight: bold;
138 | src: url("OpenSans-BoldItalic.ttf");
139 | }
140 |
--------------------------------------------------------------------------------
/compile.sh:
--------------------------------------------------------------------------------
1 | #!/bin/bash
2 |
3 | # This program is free software; you can redistribute it and/or modify
4 | # it under the terms of the GNU General Public License as published by
5 | # the Free Software Foundation; either version 2 of the License, or
6 | # (at your option) any later version.
7 | #
8 | # This program is distributed in the hope that it will be useful,
9 | # but WITHOUT ANY WARRANTY; without even the implied warranty of
10 | # MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
11 | # GNU General Public License for more details.
12 | #
13 | # You should have received a copy of the GNU General Public License
14 | # along with this program; if not, write to the Free Software
15 | # Foundation, Inc., 51 Franklin Street, Fifth Floor, Boston,
16 | # MA 02110-1301, USA.
17 |
18 | # Author: Dmitri Popov, dmpop@linux.com
19 | # Source code: https://github.com/dmpop/bash-pubkit
20 |
21 | ##-----Functions-----##
22 |
23 | # Usage prompt
24 | usage() {
25 | cat <
40 | 
41 |
44 |
45 |
41 | ZIP to EPUB
42 |Current upload limit is MB
43 |
46 |
47 |
56 |
57 |
73 |
74 | ";
84 | echo 'alert("Something went wrong. Make sure you upload a ZIP file that does not exceed the upload limit.")';
85 | echo "";
86 | } else {
87 | if (move_uploaded_file($_FILES["fileToUpload"]["tmp_name"], $target_file)) {
88 | $f = 'upload/' . $_FILES["fileToUpload"]["name"];
89 | $dir = pathinfo($f, PATHINFO_FILENAME);
90 | $path = pathinfo(realpath($f), PATHINFO_DIRNAME);
91 | $zip = new ZipArchive;
92 | $res = $zip->open($f);
93 | if ($res === TRUE) {
94 | $zip->extractTo($path);
95 | $zip->close();
96 | }
97 | shell_exec("./compile.sh '" . $path . DIRECTORY_SEPARATOR . $dir . "'");
98 | ob_start();
99 | while (ob_get_status()) {
100 | ob_end_clean();
101 | }
102 | header('Content-type: file/epub');
103 | header('Content-Disposition: attachment; filename="upload/' . $dir . DIRECTORY_SEPARATOR . $dir . '.epub"');
104 | readfile("upload/" . $dir . DIRECTORY_SEPARATOR . $dir . ".epub");
105 | }
106 | }
107 | }
108 | ?>
109 |
110 |
111 |
--------------------------------------------------------------------------------
/Book template/bookcover.svg:
--------------------------------------------------------------------------------
1 |
2 |
3 |
4 |
110 |
--------------------------------------------------------------------------------
/Book template/pages/002-chapter_2.md:
--------------------------------------------------------------------------------
1 | # Chapter 2
2 |
3 | Being irritated by hearing a gentleman ask Mr. Levett a variety of questions concerning him, when he was sitting by, he broke out, 'Sir, you have but two topicks, yourself and me. I am sick of both.' 'A man, (said he,) should not talk of himself, nor much of any particular person. He should take care not to be made a proverb; and, therefore, should avoid having any one topick of which people can say, "We shall hear him upon it." There was a Dr. Oldfield, who was always talking of the Duke of Marlborough. He came into a coffee-house one day, and told that his Grace had spoken in the House of Lords for half an hour. "Did he indeed speak for half an hour?" (said Belehier, the surgeon,)--"Yes."--"And what did he say of Dr. Oldfield?"--"Nothing"--"Why then, Sir, he was very ungrateful; for Dr. Oldfield could not have spoken for a quarter of an hour, without saying something of him."'
4 |
5 | I am now to record a very curious incident in Dr. Johnson's Life, which fell under my own observation; of which pars magna fui, and which I am persuaded will, with the liberal-minded, be much to his credit.
6 |
7 | My desire of being acquainted with celebrated men of every description, had made me, much about the same time, obtain an introduction to Dr. Samuel Johnson and to John Wilkes, Esq. Two men more different could perhaps not be selected out of all mankind. They had even attacked one another with some asperity in their writings; yet I lived in habits of friendship with both. I could fully relish the excellence of each; for I have ever delighted in that intellectual chymistry, which can separate good qualities from evil in the same person.
8 |
9 | Sir John Pringle, 'mine own friend and my Father's friend,' between whom and Dr. Johnson I in vain wished to establish an acquaintance, as I respected and lived in intimacy with both of them, observed to me once, very ingeniously, 'It is not in friendship as in mathematicks, where two things, each equal to a third, are equal between themselves. You agree with Johnson as a middle quality, and you agree with me as a middle quality; but Johnson and I should not agree.' Sir John was not sufficiently flexible; so I desisted; knowing, indeed, that the repulsion was equally strong on the part of Johnson; who, I know not from what cause, unless his being a Scotchman, had formed a very erroneous opinion of Sir John. But I conceived an irresistible wish, if possible, to bring Dr. Johnson and Mr. Wilkes together. How to manage it, was a nice and difficult matter.
10 |
11 | My worthy booksellers and friends, Messieurs Dilly in the Poultry, at whose hospitable and well-covered table I have seen a greater number of literary men, than at any other, except that of Sir Joshua Reynolds, had invited me to meet Mr. Wilkes and some more gentlemen on Wednesday, May 15. 'Pray (said I,) let us have Dr. Johnson.'--'What with Mr. Wilkes? not for the world, (said Mr. Edward Dilly:) Dr. Johnson would never forgive me.'--'Come, (said I,) if you'll let me negotiate for you, I will be answerable that all shall go well.' DILLY. 'Nay, if you will take it upon you, I am sure I shall be very happy to see them both here.'
12 |
13 | Notwithstanding the high veneration which I entertained for Dr. Johnson, I was sensible that he was sometimes a little actuated by the spirit of contradiction, and by means of that I hoped I should gain my point. I was persuaded that if I had come upon him with a direct proposal, 'Sir, will you dine in company with Jack Wilkes?' he would have flown into a passion, and would probably have answered, 'Dine with Jack Wilkes, Sir! I'd as soon dine with Jack Ketch.' I therefore, while we were sitting quietly by ourselves at his house in an evening, took occasion to open my plan thus:--'Mr. Dilly, Sir, sends his respectful compliments to you, and would be happy if you would do him the honour to dine with him on Wednesday next along with me, as I must soon go to Scotland.' JOHNSON. 'Sir, I am obliged to Mr. Dilly. I will wait upon him--' BOSWELL. 'Provided, Sir, I suppose, that the company which he is to have, is agreeable to you.' JOHNSON. 'What do you mean, Sir? What do you take me for? Do you think I am so ignorant of the world as to imagine that I am to prescribe to a gentleman what company he is to have at his table?' BOSWELL. 'I beg your pardon, Sir, for wishing to prevent you from meeting people whom you might not like. Perhaps he may have some of what he calls his patriotick friends with him.' Johnson. 'Well, Sir, and what then? What care I for his PATRIOTICK FRIENDS? Poh!' BOSWELL. 'I should not be surprized to find Jack Wilkes there.' Johnson. 'And if Jack Wilkes SHOULD be there, what is that to ME, Sir? My dear friend, let us have no more of this. I am sorry to be angry with you; but really it is treating me strangely to talk to me as if I could not meet any company whatever, occasionally.' BOSWELL. 'Pray forgive me, Sir: I meant well. But you shall meet whoever comes, for me.' Thus I secured him, and told Dilly that he would find him very well pleased to be one of his guests on the day appointed.
14 |
15 | Upon the much-expected Wednesday, I called on him about half an hour before dinner, as I often did when we were to dine out together, to see that he was ready in time, and to accompany him. I found him buffeting his books, as upon a former occasion, covered with dust, and making no preparation for going abroad. 'How is this, Sir? (said I.) Don't you recollect that you are to dine at Mr. Dilly's?' JOHNSON. 'Sir, I did not think of going to Dilly's: it went out of my head. I have ordered dinner at home with Mrs. Williams.' BOSWELL. 'But, my dear Sir, you know you were engaged to Mr. Dilly, and I told him so. He will expect you, and will be much disappointed if you don't come.' JOHNSON. 'You must talk to Mrs. Williams about this.'
--------------------------------------------------------------------------------
/Book template/pages/001-chapter_1.md:
--------------------------------------------------------------------------------
1 | # Chapter 1
2 |
3 | "I have devised seven separate explanations, each of which would cover the facts as far as we know them. But which of these is correct can only be determined by the fresh information which we shall no doubt find waiting for us. Well, there is the tower of the cathedral, and we shall soon learn all that Miss Hunter has to tell."
4 |
5 | :::{.figure}
6 | 
7 | :::
8 |
9 | The Black Swan is an inn of repute in the High Street, at no distance from the station, and there we found the young lady waiting for us. She had engaged a sitting-room, and our lunch awaited us upon the table.
10 |
11 | "I am so delighted that you have come," she said earnestly. "It is so very kind of you both; but indeed I do not know what I should do. Your advice will be altogether invaluable to me."
12 |
13 | "Pray tell us what has happened to you."
14 |
15 | "I will do so, and I must be quick, for I have promised Mr. Rucastle to be back before three. I got his leave to come into town this morning, though he little knew for what purpose."
16 |
17 | "Let us have everything in its due order." Holmes thrust his long thin legs out towards the fire and composed himself to listen.
18 |
19 | "In the first place, I may say that I have met, on the whole, with no actual ill-treatment from Mr. and Mrs. Rucastle. It is only fair to them to say that. But I cannot understand them, and I am not easy in my mind about them."
20 |
21 | "What can you not understand?"
22 |
23 | "Their reasons for their conduct. But you shall have it all just as it occurred. When I came down, Mr. Rucastle met me here and drove me in his dog-cart to the Copper Beeches. It is, as he said, beautifully situated, but it is not beautiful in itself, for it is a large square block of a house, whitewashed, but all stained and streaked with damp and bad weather. There are grounds round it, woods on three sides, and on the fourth a field which slopes down to the Southampton highroad, which curves past about a hundred yards from the front door. This ground in front belongs to the house, but the woods all round are part of Lord Southerton's preserves. A clump of copper beeches immediately in front of the hall door has given its name to the place.
24 |
25 | "I was driven over by my employer, who was as amiable as ever, and was introduced by him that evening to his wife and the child. There was no truth, Mr. Holmes, in the conjecture which seemed to us to be probable in your rooms at Baker Street. Mrs. Rucastle is not mad. I found her to be a silent, pale-faced woman, much younger than her husband, not more than thirty, I should think, while he can hardly be less than forty-five. From their conversation I have gathered that they have been married about seven years, that he was a widower, and that his only child by the first wife was the daughter who has gone to Philadelphia. Mr. Rucastle told me in private that the reason why she had left them was that she had an unreasoning aversion to her stepmother. As the daughter could not have been less than twenty, I can quite imagine that her position must have been uncomfortable with her father's young wife.
26 |
27 | "Mrs. Rucastle seemed to me to be colourless in mind as well as in feature. She impressed me neither favourably nor the reverse. She was a nonentity. It was easy to see that she was passionately devoted both to her husband and to her little son. Her light grey eyes wandered continually from one to the other, noting every little want and forestalling it if possible. He was kind to her also in his bluff, boisterous fashion, and on the whole they seemed to be a happy couple. And yet she had some secret sorrow, this woman. She would often be lost in deep thought, with the saddest look upon her face. More than once I have surprised her in tears. I have thought sometimes that it was the disposition of her child which weighed upon her mind, for I have never met so utterly spoiled and so ill-natured a little creature. He is small for his age, with a head which is quite disproportionately large. His whole life appears to be spent in an alternation between savage fits of passion and gloomy intervals of sulking. Giving pain to any creature weaker than himself seems to be his one idea of amusement, and he shows quite remarkable talent in planning the capture of mice, little birds, and insects. But I would rather not talk about the creature, Mr. Holmes, and, indeed, he has little to do with my story."
28 |
29 | "I am glad of all details," remarked my friend, "whether they seem to you to be relevant or not."
30 |
31 | "I shall try not to miss anything of importance. The one unpleasant thing about the house, which struck me at once, was the appearance and conduct of the servants. There are only two, a man and his wife. Toller, for that is his name, is a rough, uncouth man, with grizzled hair and whiskers, and a perpetual smell of drink. Twice since I have been with them he has been quite drunk, and yet Mr. Rucastle seemed to take no notice of it. His wife is a very tall and strong woman with a sour face, as silent as Mrs. Rucastle and much less amiable. They are a most unpleasant couple, but fortunately I spend most of my time in the nursery and my own room, which are next to each other in one corner of the building.
32 |
33 | "For two days after my arrival at the Copper Beeches my life was very quiet; on the third, Mrs. Rucastle came down just after breakfast and whispered something to her husband.
34 |
35 | "'Oh, yes,' said he, turning to me, 'we are very much obliged to you, Miss Hunter, for falling in with our whims so far as to cut your hair. I assure you that it has not detracted in the tiniest iota from your appearance. We shall now see how the electric-blue dress will become you. You will find it laid out upon the bed in your room, and if you would be so good as to put it on we should both be extremely obliged.'
36 |
--------------------------------------------------------------------------------
/zip-to-epub/css/themes.css:
--------------------------------------------------------------------------------
1 |
2 | /*@import url('https://fonts.googleapis.com/css2?family=Fjalla+One&display=swap');*/
3 | /* for medium */
4 | @import url('https://fonts.googleapis.com/css2?family=Lora&family=Archivo&display=swap');
5 |
6 | /* for milligram */
7 | @import url('https://fonts.googleapis.com/css?family=Roboto:300,300italic,700,700italic');
8 |
9 | /* for Sepia */
10 | @import url('https://fonts.cdnfonts.com/css/libertinus-serif');
11 | @import url('https://fonts.cdnfonts.com/css/libertinus-sans');
12 |
13 | html[data-theme='dark'] {
14 | /* foreground | background color */
15 | --cfg: #cecbc4; --cbg: #252220;
16 | --cdark: #999; --clight: #333;
17 | --cmed: #566;
18 | --clink: #1ad;
19 | --cemph: #0b9;
20 | }
21 |
22 | @media (prefers-color-scheme: dark) {
23 | html[data-theme='light'] {
24 | /* foreground | background color */
25 | --cfg: #cecbc4; --cbg: #252220;
26 | --cdark: #999; --clight: #333;
27 | --cmed: #566;
28 | --clink: #1ad;
29 | --cemph: #0b9;
30 | }
31 | }
32 |
33 |
34 |
35 | html[data-theme='sepia']{
36 | --rem: 14pt;
37 | --width: 48rem;
38 | --font-p: 1em/1.6 'Libertinus Serif', Times, serif;
39 | --font-h: 1em/1.6 'Libertinus Sans', Helvetica, sans;
40 | --font-c: 85%/1.4 monospace;
41 | --ornament: "∞ ∞ ∞";
42 | /*--ornament: "❦ ❦ ❦"; "☙ ❧";*/
43 | /* foreground | background color */
44 | --cfg: #433; --cbg: #fefbf4;
45 | --cdark: #6c605c; --clight: #f3efea;
46 | --cmed: #a8928e;
47 | --clink: #bd0000;
48 | --cemph: #a35403;
49 | }
50 |
51 |
52 |
53 | html[data-theme='milligram']{
54 | --navpos: fixed;
55 | --rem: 11pt;
56 | --width: 800px;
57 | --font-p: 300 1em/1.6 'Roboto', 'Helvetica Neue', 'Helvetica', 'Arial', sans-serif;
58 | --font-h: 300 1em/1.3 'Roboto', 'Helvetica Neue', 'Helvetica', 'Arial', sans-serif;
59 | --font-c: 86%/1.4 monospace;
60 | --ornament: "‹‹‹ ›››";
61 | --border: 1px solid var(--cmed);
62 | /* foreground | background color */
63 | --cfg: #606c76; --cbg: #fff;
64 | --cdark: #6c605c; --clight: #f4f5f6;
65 | --cmed: #d1d1d1;
66 | --clink: #9b4dca;
67 | --cemph: #9b4dca;
68 | }
69 |
70 | html[data-theme='pure']{
71 | --navpos: absolute;
72 | --width: 768px;
73 | --rem: 18px;
74 | --font-p: 1em/1.6 Helvetica,Arial,sans-serif;
75 | --font-h: 1em/1.6 Helvetica,Arial,sans-serif;
76 | --font-c: 86%/1.4 monospace;
77 | --ornament: "‹‹‹ ›››";
78 | --border: 1px solid var(--cmed);
79 | /* foreground | background color */
80 | --cfg: #777; --cbg: #fff;
81 | --cdark: #777; --clight: #f8f8ff;
82 | --cmed: #e6e6e6;
83 | --clink: #3b8bba;
84 | --cemph: #1f8dd6;
85 | }
86 |
87 | html[data-theme='sakura']{
88 | --navpos: absolute;
89 | --width: 684px;
90 | --rem: 18px;
91 | --font-p: 1em/1.5 -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, "Helvetica Neue", Arial, "Noto Sans", sans-serif;
92 | --font-h: 1em/1.5 -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, "Helvetica Neue", Arial, "Noto Sans", sans-serif;
93 | --font-c: 1em/1.4 monospace;
94 | --ornament: "";
95 | --border: 1px solid var(--cmed);
96 | /* foreground | background color */
97 | --cfg: #4a4a4a; --cbg: #f9f9f9;
98 | --cdark: #4a4a4a; --clight: #f1f1f1;
99 | --cmed: #f1f1f1;
100 | --clink: #1d7484;
101 | --cemph: #982c61;
102 | }
103 |
104 | html[data-theme='skeleton']{
105 | --navpos: absolute;
106 | --rem: 15px;
107 | --width: 800px;
108 | --font-p: 1em/1.6 "Raleway", "HelveticaNeue", "Helvetica Neue", Helvetica, Arial, sans-serif;
109 | --font-h: 1em/1.6 "Raleway", "HelveticaNeue", "Helvetica Neue", Helvetica, Arial, sans-serif;
110 | --font-c: .9em/1.4 monospace;
111 | --ornament: "───────";
112 | --border: 1px solid var(--cmed);
113 | /* foreground | background color */
114 | --cfg: #222; --cbg: #fff;
115 | --cdark: #4a4a4a; --clight: #f1f1f1;
116 | --cmed: #e1e1e1;
117 | --clink: #1eaedb;
118 | --cemph: #0fa0ce;
119 | }
120 |
121 | html[data-theme='bootstrap']{
122 | --rem: 16px;
123 | --navpos: absolute;
124 | --width: 960px;
125 | --font-p: 1em/1.6 system-ui,-apple-system,"Segoe UI",Roboto,"Helvetica Neue",Arial,sans-serif;
126 | --font-h: 1em/1.6 "Raleway", "HelveticaNeue", "Helvetica Neue", Helvetica, Arial, sans-serif;
127 | --font-c: .9em/1.4 SFMono-Regular,Menlo,Monaco,Consolas,"Liberation Mono","Courier New",monospace;
128 | --ornament: "";
129 | --border: 1px solid var(--cmed);
130 | /* foreground | background color */
131 | --cfg: #212529; --cbg: #fff;
132 | --cdark: #343a40; --clight: #f8f9fa;
133 | --cmed: #6c757d;
134 | --clink: #0d6efd;
135 | --cemph: #7952b3;
136 | }
137 |
138 |
139 |
140 | html[data-theme='medium']{
141 | --rem: 19px;
142 | --navpos: absolute;
143 | --width: 720px;
144 | --font-p: 1em/1.6 'Lora', serif;
145 | --font-h: .9em/1.4 'Archivo', sans !important;
146 | --font-c: .9em/1.4 Consolas,"Liberation Mono","Courier New",monospace;
147 | --ornament: "";
148 | --border: 1px solid var(--cmed);
149 | /* foreground | background color */
150 | --cfg: #292929; --cbg: #fff;
151 | --cdark: #343a40; --clight: #fafafa;
152 | --cmed: #757575;
153 | --clink: #1a8917;
154 | --cemph: #1a8917;
155 | }
156 |
157 |
158 | html[data-theme='tufte']{
159 | --rem: 15px;
160 | --navpos: absolute;
161 | --width: 800px;
162 | --font-p: 1.4rem/2 et-book, Palatino, "Palatino Linotype", "Palatino LT STD", "Book Antiqua", Georgia, serif;
163 | --font-h: 1.4rem/1.5 et-book, Palatino, "Palatino Linotype", "Palatino LT STD", "Book Antiqua", Georgia, serif;
164 | --font-c: .9em/1.4 Consolas,"Liberation Mono","Courier New",monospace;
165 | --ornament: "";
166 | --border: 1px solid var(--cmed);
167 | /* foreground | background color */
168 | --cfg: #111; --cbg: #fffff8;
169 | --cdark: #111; --clight: #fffff8;
170 | --cmed: #b4d5fe;
171 | --clink: #111;
172 | --cemph: #111;
173 | }
--------------------------------------------------------------------------------
/Book template/pages/003-chapter_3.md:
--------------------------------------------------------------------------------
1 | # Chapter 3
2 |
3 | She did not answer for some time, but stood gazing at the landscape. "I wish I knew," she said at last.
4 |
5 | He shook his head. "Knowledge would be fatal. It is the uncertainty that charms one. A mist makes things wonderful."
6 |
7 | "One may lose one's way."
8 |
9 | "All ways end at the same point, my dear Gladys."
10 |
11 | "What is that?"
12 |
13 | "Disillusion."
14 |
15 | "It was my debut in life," she sighed.
16 |
17 | "It came to you crowned."
18 |
19 | "I am tired of strawberry leaves."
20 |
21 | "They become you."
22 |
23 | "Only in public."
24 |
25 | "You would miss them," said Lord Henry.
26 |
27 | "I will not part with a petal."
28 |
29 | "Monmouth has ears."
30 |
31 | "Old age is dull of hearing."
32 |
33 | "Has he never been jealous?"
34 |
35 | "I wish he had been."
36 |
37 | He glanced about as if in search of something. "What are you looking for?" she inquired.
38 |
39 | "The button from your foil," he answered. "You have dropped it."
40 |
41 | She laughed. "I have still the mask."
42 |
43 | "It makes your eyes lovelier," was his reply.
44 |
45 | She laughed again. Her teeth showed like white seeds in a scarlet fruit.
46 |
47 | Upstairs, in his own room, Dorian Gray was lying on a sofa, with terror in every tingling fibre of his body. Life had suddenly become too hideous a burden for him to bear. The dreadful death of the unlucky beater, shot in the thicket like a wild animal, had seemed to him to pre-figure death for himself also. He had nearly swooned at what Lord Henry had said in a chance mood of cynical jesting.
48 |
49 | At five o'clock he rang his bell for his servant and gave him orders to pack his things for the night-express to town, and to have the brougham at the door by eight-thirty. He was determined not to sleep another night at Selby Royal. It was an ill-omened place. Death walked there in the sunlight. The grass of the forest had been spotted with blood.
50 |
51 | Then he wrote a note to Lord Henry, telling him that he was going up to town to consult his doctor and asking him to entertain his guests in his absence. As he was putting it into the envelope, a knock came to the door, and his valet informed him that the head-keeper wished to see him. He frowned and bit his lip. "Send him in," he muttered, after some moments' hesitation.
52 |
53 | As soon as the man entered, Dorian pulled his chequebook out of a drawer and spread it out before him.
54 |
55 | "I suppose you have come about the unfortunate accident of this morning, Thornton?" he said, taking up a pen.
56 |
57 | "Yes, sir," answered the gamekeeper.
58 |
59 | "Was the poor fellow married? Had he any people dependent on him?" asked Dorian, looking bored. "If so, I should not like them to be left in want, and will send them any sum of money you may think necessary."
60 |
61 | "We don't know who he is, sir. That is what I took the liberty of coming to you about."
62 |
63 | "Don't know who he is?" said Dorian, listlessly. "What do you mean? Wasn't he one of your men?"
64 |
65 | "No, sir. Never saw him before. Seems like a sailor, sir."
66 |
67 | The pen dropped from Dorian Gray's hand, and he felt as if his heart had suddenly stopped beating. "A sailor?" he cried out. "Did you say a sailor?"
68 |
69 | "Yes, sir. He looks as if he had been a sort of sailor; tattooed on both arms, and that kind of thing."
70 |
71 | "Was there anything found on him?" said Dorian, leaning forward and looking at the man with startled eyes. "Anything that would tell his name?"
72 |
73 | "Some money, sir--not much, and a six-shooter. There was no name of any kind. A decent-looking man, sir, but rough-like. A sort of sailor we think."
74 |
75 | Dorian started to his feet. A terrible hope fluttered past him. He clutched at it madly. "Where is the body?" he exclaimed. "Quick! I must see it at once."
76 |
77 | "It is in an empty stable in the Home Farm, sir. The folk don't like to have that sort of thing in their houses. They say a corpse brings bad luck."
78 |
79 | "The Home Farm! Go there at once and meet me. Tell one of the grooms to bring my horse round. No. Never mind. I'll go to the stables myself. It will save time."
80 |
81 | In less than a quarter of an hour, Dorian Gray was galloping down the long avenue as hard as he could go. The trees seemed to sweep past him in spectral procession, and wild shadows to fling themselves across his path. Once the mare swerved at a white gate-post and nearly threw him. He lashed her across the neck with his crop. She cleft the dusky air like an arrow. The stones flew from her hoofs.
82 |
83 | At last he reached the Home Farm. Two men were loitering in the yard. He leaped from the saddle and threw the reins to one of them. In the farthest stable a light was glimmering. Something seemed to tell him that the body was there, and he hurried to the door and put his hand upon the latch.
84 |
85 | There he paused for a moment, feeling that he was on the brink of a discovery that would either make or mar his life. Then he thrust the door open and entered.
86 |
87 | On a heap of sacking in the far corner was lying the dead body of a man dressed in a coarse shirt and a pair of blue trousers. A spotted handkerchief had been placed over the face. A coarse candle, stuck in a bottle, sputtered beside it.
88 |
89 | Dorian Gray shuddered. He felt that his could not be the hand to take the handkerchief away, and called out to one of the farm-servants to come to him.
90 |
91 | "Take that thing off the face. I wish to see it," he said, clutching at the door-post for support.
92 |
93 | When the farm-servant had done so, he stepped forward. A cry of joy broke from his lips. The man who had been shot in the thicket was James Vane.
94 |
95 | He stood there for some minutes looking at the dead body. As he rode home, his eyes were full of tears, for he knew he was safe. "There is no use your telling me that you are going to be good," cried Lord Henry, dipping his white fingers into a red copper bowl filled with rose-water. "You are quite perfect. Pray, don't change."
96 |
97 | Dorian Gray shook his head. "No, Harry, I have done too many dreadful things in my life. I am not going to do any more. I began my good actions yesterday."
98 |
99 | "Where were you yesterday?"
100 |
101 | "In the country, Harry. I was staying at a little inn by myself."
--------------------------------------------------------------------------------
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--------------------------------------------------------------------------------
/zip-to-epub/css/classless.css:
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1 | /* Classless.css v0.95
2 |
3 | Table of Contents:
4 | 1. Theme Settings
5 | 2. Reset
6 | 3. Base Style
7 | 4. Extras (remove unwanted)
8 | 5. Classes (remove unwanted)
9 | */
10 |
11 | /* 1. Theme Settings ––––––––––––––––––––-–––––––––––––– */
12 |
13 | /* @import url('https://fonts.googleapis.com/css?family=Barlow:300,400'); */
14 |
15 | @font-face {
16 | font-family: 'Barlow';
17 | font-style: normal;
18 | font-weight: 400;
19 | src: url('../font/Barlow-Regular.woff2') format('woff2');
20 | }
21 |
22 | :root, html[data-theme='light'] {
23 | --rem: 12pt;
24 | --width: 50rem;
25 | --navpos: absolute; /* fixed | absolute */
26 | --font-p: 1em/1.7 'Barlow', Helvetica, sans-serif;
27 | --font-h: .9em/1.5 'Barlow', Helvetica, sans-serif;
28 | --font-c: .9em/1.4 monospace;
29 | --border: 1px solid var(--cmed);
30 | --ornament: "‹‹‹ ›››";
31 | /* foreground | background color */
32 | --cfg: #433; --cbg: #fff;
33 | --cdark: #888; --clight: #f5f6f7;
34 | --cmed: #d1d1d1;
35 | --clink: #07c;
36 | --cemph: #088;
37 | }
38 |
39 |
40 | /* 2. Reset –––––––––––––––––––––––––––––––––––––––––––– */
41 |
42 | /* reset block elements */
43 | * { box-sizing: border-box; border-spacing: 0; }
44 | header, footer, figure, table, video, details, blockquote,
45 | ul, ol, dl, fieldset, pre, pre > code, caption {
46 | display: block;
47 | margin: 0.5rem 0rem 1rem;
48 | width: 100%;
49 | overflow: auto hidden;
50 | text-align: left;
51 | }
52 | video, summary, input, select { outline:none; }
53 | html { font-size: var(--rem); background: var(--cbg); }
54 | body {
55 | position: relative;
56 | margin: auto;
57 | max-width: var(--width);
58 | font: var(--font-p);
59 | color: var(--cfg);
60 | padding: 3.0rem 0.6rem 0;
61 | overflow-x: hidden;
62 | }
63 | body > footer { margin: 10rem 0rem 0rem; }
64 |
65 | /* reset clickable things (FF Bug: select:hover prevents usage) */
66 | a, button, select, summary { color: var(--clink); cursor: pointer; }
67 | a:hover, button:not([disabled]):hover, summary:hover {
68 | filter: brightness(92%); color: var(--cemph); border-color: var(--cemph);
69 | }
70 |
71 |
72 | /* 3. Base Style ––––––––––––––––––––––––––––––––––––––– */
73 |
74 | /* links */
75 | a { text-decoration: underline solid var(--cmed);
76 | text-underline-position: under; }
77 |
78 | /* lists */
79 | ul, ol, dl { margin: 1rem 0; padding: 0 0 0 2em; }
80 | li:not(:last-child), dd:not(:last-child) { margin-bottom: 0.5rem; }
81 | dt { font-weight: bold; }
82 |
83 | /* headings */
84 | h1, h2, h3, h4, h5 { margin: 1.5em 0 .5rem; font: var(--font-h); line-height: 1.2em; clear: both; }
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86 | h1 { font-size: 2.2em; font-weight: 300; }
87 | h2 { font-size: 2.0em; font-weight: 300; font-variant: small-caps; }
88 | h3 { font-size: 1.5em; font-weight: 400; }
89 | h4 { font-size: 1.1em; font-weight: 700; }
90 | h5 { font-size: 1.2em; font-weight: 400; color: var(--cfg); }
91 | h6 { font-size: 1.0em; font-weight: 700; font-style: italic; display: inline; }
92 | h6 + p { display: inline; }
93 |
94 | /* tables */
95 | td, th {
96 | padding: 0.5em 0.8em;
97 | text-align: right;
98 | border-bottom: 0.1rem solid var(--cmed);
99 | white-space: nowrap;
100 | font-size: 95%;
101 | }
102 | thead th[colspan] { padding: .2em 0.8em; text-align: center; }
103 | thead tr:not(:only-child) td { padding: .2em 0.8em; }
104 | thead+tbody tr:first-child td { border-top: 0.1rem solid var(--cdark); }
105 | td:first-child, th:first-child { text-align: left; }
106 | tr:hover{ background-color: var(--clight); }
107 | table img { display: block; }
108 |
109 | /* figures */
110 | img, svg { max-width: 100%; vertical-align: text-top; }
111 | p>img:not(:only-child) { float: right; margin: 0 0 .5em .5em; }
112 | figure > img { display: inline-block; width: auto; }
113 | figure > img:only-of-type, figure > svg:only-of-type { max-width: 100%; display: block; margin: 0 auto 0.4em; }
114 | figcaption, caption { font: var(--font-h); color: var(--cdark); width: 100%; }
115 | figcaption > *:first-child, caption > *:first-child { display: inline-block; margin: 0; }
116 | figure > *:not(:last-child) { margin-bottom: 0.4rem; }
117 |
118 | /* code */
119 | pre > code {
120 | margin: 0;
121 | position: relative;
122 | padding: 0.8em;
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127 | font: var(--font-c);
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130 | }
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133 | /* misc */
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135 | time{ color: var(--cdark); }
136 | mark { background: rgba(255,245,90,1.0); }
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151 | /* subfigures */
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153 | article figure figure { counter-reset: none; }
154 | article figure > figure { display: inline-grid; width: auto; }
155 | figure > figure:not(:last-of-type) { padding-right: 1rem; }
156 | article figure figure figcaption:before {
157 | counter-increment: subfig 1;
158 | content: counter(subfig, lower-alpha) ": ";
159 | }
160 |
161 | /* listings */
162 | article figure pre + figcaption:before {
163 | counter-increment: lst 1;
164 | content: "Listing " counter(lst) ": ";
165 | }
166 |
167 | /* tables */
168 | figure > table:only-of-type { display: table; margin: 0.5em auto !important; width: fit-content; }
169 | article figure > table caption { display: table-caption; caption-side: bottom; }
170 | article figure > table + figcaption:before,
171 | article table caption:before {
172 | color: var(--cemph);
173 | counter-increment: tab 1;
174 | content: "Table " counter(tab) ": ";
175 | }
176 |
177 | /* headings */
178 | article h2, h3 { position: relative; }
179 | article h2:before,
180 | article h3:before {
181 | display: inline-block;
182 | position: relative;
183 | font-size: 0.6em;
184 | text-align: right;
185 | vertical-align: baseline;
186 | left: -1rem;
187 | width: 2.5em;
188 | margin-left: -2.5em;
189 | }
190 | article h1 { counter-set: h2; }
191 | article h2:before { counter-increment: h2; content: counter(h2) ". "; counter-set: h3; }
192 | article h3:before { counter-increment: h3; content: counter(h2) "." counter(h3) ". ";}
193 | @media (max-width: 60rem) { h2:before, h3:before { display: none; } }
194 |
195 | /* tooltip + citation */
196 | article p>cite:before {
197 | color: var(--clink); padding: 0 .5em 0 0;
198 | counter-increment: ref; content: " [" counter(ref) "] ";
199 | vertical-align: super; font-size: .6em;
200 | }
201 | article p>cite > *:only-child { display: none; }
202 | article p>cite:hover > *:only-child,
203 | [data-tooltip]:hover:before {
204 | display: inline-block; z-index: 40;
205 | white-space: pre-wrap;
206 | position: absolute; left: 2rem; right: 2rem;
207 | padding: 1em 2em;
208 | text-align: center;
209 | content: attr(data-tooltip);
210 | color: var(--cbg);
211 | background-color: var(--cemph);
212 | box-shadow: 0 2px 10px 0 black;
213 | }
214 | [data-tooltip] { color: var(--clink); cursor: help; }
215 |
216 | /* navbar */
217 | nav+* { margin-top: 3rem; }
218 | body>nav, header nav {
219 | position: var(--navpos);
220 | top: 0; left: 0; right: 0;
221 | z-index: 41;
222 | box-shadow: 0vw -50vw 0 50vw var(--clight), 0 calc(-50vw + 2px) 4px 50vw var(--cdark);
223 | }
224 | nav ul li > a { text-decoration: none; }
225 | nav ul { list-style-type: none; }
226 | nav ul:first-child { margin: 0; padding: 0; overflow: visible; }
227 | nav ul:first-child > li {
228 | display: inline-block;
229 | margin: 0;
230 | padding: 0.8rem .6rem;
231 | }
232 | nav ul > li > ul {
233 | display: none;
234 | width: auto;
235 | position: absolute;
236 | margin: 0.5rem 0;
237 | padding: 1rem 2rem;
238 | background-color: var(--clight);
239 | border: var(--border);
240 | border-radius: 4px;
241 | z-index: 42;
242 | }
243 | nav ul > li > ul > li { white-space: nowrap; }
244 | nav ul > li:hover > ul { display: block; }
245 | @media (max-width: 40rem) {
246 | nav ul:first-child > li:first-child:after { content: " \25BE"; }
247 | nav ul:first-child > li:not(:first-child):not(.sticky) { display: none; }
248 | nav ul:first-child:hover > li:not(:first-child):not(.sticky) { display: block; float: none !important; }
249 | }
250 |
251 | /* details/cards */
252 | summary>* { display: inline; }
253 | summary:hover, details[open] summary, .card>p:first-child {
254 | box-shadow: inset 0 0 0 100px var(--ccard), 0 -.6rem 0 .6rem var(--ccard);
255 | }
256 | .card, details {
257 | --ccard: var(--clight);
258 | --ccbg: var(--cbg);
259 | display: block;
260 | margin: .5rem 0;
261 | padding: 0 .6rem;
262 | border-radius: 4px;
263 | overflow: hidden;
264 | }
265 | .card, details[open] {
266 | background-color: var(--ccbg);
267 | outline: var(--border);
268 | }
269 | .card{ font-size: 95%; }
270 | .card.info { --ccard: var(--cmed); --ccbg: var(--clight); }
271 | .card.hint { --ccard: var(--cemph); --ccbg: #0882; }
272 | .card.warn { --ccard: #c11; --ccbg: #e222; }
273 | .warn>p:first-child, .hint>p:first-child { color: var(--cbg); }
274 | .card>p:first-child { font-weight: bold; margin: .5rem 0;}
275 | .card>img { margin: -2px -.6rem; max-width: calc(100% + 1.2rem);}
276 |
277 | /* big first letter */
278 | article > section:first-of-type > h2:first-of-type + p:first-letter,
279 | article > h2:first-of-type + p:first-letter {
280 | float: left;
281 | font-size: 3.5em;
282 | padding: 0.1em 0.1em 0 0;
283 | line-height: 0.68em;
284 | color: var(--cemph);
285 | }
286 |
287 | /* ornaments */
288 | section:after {
289 | display: block;
290 | margin: 1em 0;
291 | color: var(--cmed);
292 | text-align: center;
293 | font-size: 1.5em;
294 | content: var(--ornament);
295 | }
296 |
297 | /* side menu (aside is not intended for use in a paragraph!) */
298 | main aside {
299 | position: absolute;
300 | width: 8rem; right: -8.6rem;
301 | font-size: 0.8em; line-height: 1.4em;
302 | }
303 | @media (max-width: 70rem) { main aside { display: none; } }
304 |
305 | /* forms and inputs */
306 | textarea, input:not([type=range]), button, select {
307 | font: var(--font-h);
308 | border-radius: 4px;
309 | border: 1.5px solid var(--cmed);
310 | padding: 0.4em 0.8em;
311 | }
312 | fieldset select, input:not([type=checkbox]):not([type=radio]) {
313 | display: block;
314 | width: 100%;
315 | margin: 0 0 1rem;
316 | }
317 | button, select {
318 | font-weight: bold;
319 | background-color: var(--clight);
320 | margin: .5em;
321 | border: 1.5px solid var(--clink);
322 | }
323 | button { padding: 0.4em 1em; font-size: 85%; letter-spacing: 0.1em; }
324 | button[disabled]{ color: var(--cdark); border-color: var(--cmed); }
325 | fieldset { border-radius: 4px; border: var(--border); }
326 | textarea:hover, input:not([type=checkbox]):not([type*='ra']):hover, select:hover{
327 | border: 1.5px solid var(--cemph);
328 | }
329 | textarea:focus, input:not([type=checkbox]):not([type*='ra']):focus{
330 | border: 1.5px solid var(--clink);
331 | box-shadow: 0 0 5px var(--clink);
332 | }
333 | p>button { padding: 0 .5em; margin: 0 .5em; }
334 | p>select { padding: 0; margin: 0 .5em; }
335 |
336 |
337 | /* 5. Bootstrap-compatible classes ––––––––––––––––––––– */
338 |
339 | /* grid */
340 | .row { display: flex; margin: 0.5rem -0.6rem; align-items: stretch; }
341 | .row [class*="col"] { padding: 0 0.6rem; }
342 | .row .col { flex: 1 1 100%; }
343 | .row .col-2 { flex: 0 0 16.666%; }
344 | .row .col-3 { flex: 0 0 25%; }
345 | .row .col-4 { flex: 0 0 33.333%; }
346 | .row .col-5 { flex: 0 0 41.666%; }
347 | .row .col-6 { flex: 0 0 50%; }
348 | @media (max-width: 40em) { .row { flex-direction: column; } }
349 |
350 | /* align */
351 | .text-left { text-align: left; }
352 | .text-right { text-align: right; }
353 | .text-center { text-align: center; }
354 | .float-left { float: left !important; }
355 | .float-right { float: right !important; }
356 | .clearfix { clear: both; }
357 |
358 | /* colors */
359 | .text-black { color: #000; }
360 | .text-white { color: #fff; }
361 | .text-primary { color: var(--cemph); }
362 | .text-secondary{ color: var(--cdark); }
363 | .bg-white { background-color: #fff; }
364 | .bg-light { background-color: var(--clight); }
365 | .bg-primary { background-color: var(--cemph); }
366 | .bg-secondary{ background-color: var(--cmed); }
367 |
368 | /* margins */
369 | .mx-auto { margin-left: auto; margin-right: auto; }
370 | .m-0 { margin: 0 !important; }
371 | .m-1, .mx-1, .mr-1 { margin-right: 1.0rem !important; }
372 | .m-1, .mx-1, .ml-1 { margin-left: 1.0rem !important; }
373 | .m-1, .my-1, .mt-1 { margin-top: 1.0rem !important; }
374 | .m-1, .my-1, .mb-1 { margin-bottom: 1.0rem !important; }
375 |
376 | /* pading */
377 | .p-0 { padding: 0 !important; }
378 | .p-1, .px-1, .pr-1 { padding-right: 1.0rem !important; }
379 | .p-1, .px-1, .pl-1 { padding-left: 1.0rem !important; }
380 | .p-1, .py-1, .pt-1 { padding-top: 1.0rem !important; }
381 | .p-1, .py-1, .pb-1 { padding-bottom: 1.0rem !important; }
382 |
--------------------------------------------------------------------------------
/LICENSE:
--------------------------------------------------------------------------------
1 | GNU GENERAL PUBLIC LICENSE
2 | Version 3, 29 June 2007
3 |
4 | Copyright (C) 2007 Free Software Foundation, Inc.
58 |
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