├── LICENSE ├── README.md ├── Subsequence.drawio.svg ├── launcher_scripts.txt ├── plaits_teletype_chords_fw.zip ├── tt00_subsequence_launcher.txt ├── tt01_subsequence_jf.txt ├── tt02_subsequence_ex_multisample.txt ├── tt03_subsequence_ex_wavetable.txt ├── tt04_subsequence_i2m.txt └── tt05_subsequence_mutable.txt /LICENSE: -------------------------------------------------------------------------------- 1 | GNU GENERAL PUBLIC LICENSE 2 | Version 3, 29 June 2007 3 | 4 | Copyright (C) 2007 Free Software Foundation, Inc. 5 | Everyone is permitted to copy and distribute verbatim copies 6 | of this license document, but changing it is not allowed. 7 | 8 | Preamble 9 | 10 | The GNU General Public License is a free, copyleft license for 11 | software and other kinds of works. 12 | 13 | The licenses for most software and other practical works are designed 14 | to take away your freedom to share and change the works. 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It is safest 630 | to attach them to the start of each source file to most effectively 631 | state the exclusion of warranty; and each file should have at least 632 | the "copyright" line and a pointer to where the full notice is found. 633 | 634 | 635 | Copyright (C) 636 | 637 | This program is free software: you can redistribute it and/or modify 638 | it under the terms of the GNU General Public License as published by 639 | the Free Software Foundation, either version 3 of the License, or 640 | (at your option) any later version. 641 | 642 | This program is distributed in the hope that it will be useful, 643 | but WITHOUT ANY WARRANTY; without even the implied warranty of 644 | MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the 645 | GNU General Public License for more details. 646 | 647 | You should have received a copy of the GNU General Public License 648 | along with this program. If not, see . 649 | 650 | Also add information on how to contact you by electronic and paper mail. 651 | 652 | If the program does terminal interaction, make it output a short 653 | notice like this when it starts in an interactive mode: 654 | 655 | Copyright (C) 656 | This program comes with ABSOLUTELY NO WARRANTY; for details type `show w'. 657 | This is free software, and you are welcome to redistribute it 658 | under certain conditions; type `show c' for details. 659 | 660 | The hypothetical commands `show w' and `show c' should show the appropriate 661 | parts of the General Public License. Of course, your program's commands 662 | might be different; for a GUI interface, you would use an "about box". 663 | 664 | You should also get your employer (if you work as a programmer) or school, 665 | if any, to sign a "copyright disclaimer" for the program, if necessary. 666 | For more information on this, and how to apply and follow the GNU GPL, see 667 | . 668 | 669 | The GNU General Public License does not permit incorporating your program 670 | into proprietary programs. If your program is a subroutine library, you 671 | may consider it more useful to permit linking proprietary applications with 672 | the library. If this is what you want to do, use the GNU Lesser General 673 | Public License instead of this License. But first, please read 674 | . 675 | -------------------------------------------------------------------------------- /README.md: -------------------------------------------------------------------------------- 1 | # Subsequence 2 | A chord sequencer and CV-harmonizer for Monome Teletype + Grid 3 | 4 | 5 | 6 | 7 | [Tutorial available on YouTube](https://youtu.be/BKh8ZLkSvl4) 8 | 9 | 10 | ## Introduction 11 | 12 | Subsequence is a chord-based sequencer for Monome Teletype. It includes a handy harmonizer function that is fed from an external CV source. Even if you don't have polyphonic modules, the harmonizer is a fun way to explore adding chord-based structure to your Eurorack system. 13 | 14 | IMPORTANT: Subsequence requires that you make some simple edits to a "Launcher" scene that defines which of the supported modules and their associated variant scenes you'll be using. You MUST download and configure the tt00_subsequence_launcher.txt file and edit it per the instructions in launcher_scripts.txt. It's not as scary as it sounds. 15 | 16 | Here are the supported modules as of V.2: 17 | 18 | - Just Friends 19 | - Disting EX SD Multisample 20 | - Disting EX Poly Wavetable Synth 21 | - i2c2midi (requires [Teletype I2M BETA 2 or later firmware](https://github.com/attowatt/i2c2midi/releases)) 22 | - Plaits (requires alternate firmware to enable Teletype chords) 23 | - No CV-specific variant exists YET but all versions except for Plaits output chord triads and the harmonizer output over CV. 24 | 25 | 26 | ## Installation and Launching Scenes 27 | 28 | 1. Download the tt00_subsequence_launcher.txt file and rename it to the scene slot you wish to overwrite (e.g. tt00.txt). 29 | 2. Download the variant scenes you want to use and rename the files using the following structure: 30 | 31 | | Scene | Scene Slot | Ex. Filename | Launcher $ | 32 | |----------------|------------|--------------|------------| 33 | | Launcher | x | tt00.txt | n/a | 34 | | Just Friends | x+1 | tt01.txt | Script #1 | 35 | | EX Multisample | x+2 | tt02.txt | Script #2 | 36 | | EX Wavetable | x+3 | tt03.txt | Script #3 | 37 | | i2c2midi | x+4 | tt05.txt | Script #4 | 38 | | Plaits | x+5 | tt06.txt | Script #5 | 39 | 40 | 3. Edit tt00_subsequence_launcher.txt per the instructions in launcher_scripts.txt 41 | 4. Drop the scenes on a thumb drive and plug into into Teletype. Make sure to delete those files off the thumb drive afterward so you don’t inadvertently overwrite a scene the next time you plug in the drive. 42 | 4. To load a variant scene, load the Launcher script with Grid connected, reference the list in the scene description, and press the corresponding button on Grid. 43 | 44 | 45 | ## Patching 46 | 47 | - **IN** Send CV from an external sequencer, function generator, etc… into IN. A change of 1/12v (1 semitone) here results in change of 1 interval (based on the underlying chord) sent out on CV 4. Voltage is sampled when a trigger is recieved on IN 3. 48 | - **IN 1** Send triggers into IN 1 to advance the chord sequence. 49 | - **IN 2** To stop chord notes, send a trigger to IN 2 (useful if you have a sequencer/clock that outputs a trigger on stop such as Pamela’s New Workout). 50 | - **IN 3** Send triggers to IN 3 to sample CV from IN. Make sure triggers come after the pitch (may need to add a bit of trigger delay if results are unpredictable). 51 | - **IN 4** When follow mode is on, a trigger to IN 4 will reset the arranger to the first step. When follow mode is off, it will reset the current chord pattern to its first step. Usually multed to IN 2 to stop hanging chords and reset when the clock stops. 52 | - **TR 1 OUT** Triggers whenever a new chord is played. Typical use-case is triggering an envelope for further processing chords with Eurorack effects. 53 | - **TR 2 OUT** Triggers whenever the arranger moves to a new pattern. This can be used to trigger events elsewhere in your system corresponding with new song sections. Try S&H or a sequential switch. 54 | - **TR 3 OUT** Primary trigger for the harmonizer output. 55 | - **TR 4 OUT** Alternate trigger output for the harmonizer that adds rests when duplicate notes are detected within the active chord step/bar. 56 | "Transitional" duplicate notes that occur across steps/bars are allowed to pass for consistent behavior during chord changes. 57 | - **CV 1** Outputs root note in all variants 58 | - **CV 2** Outputs second note in chord except for Plaits variant in which case this outputs CV for the Harmonics input on Plaits. 59 | - **CV 3** Outputs third note in chord except for Plaits variant in which case this can be fed to Plaits' Level input to control the LPG via Param knob. 60 | - **Param Knob** Used to set velocity of the i2c chord output. Levels can go from totally muted to very hot and this varies depending on your module setup and patching so check here first if something isn't working like you expect. On the Plaits variant, this is used to set the voltage sent to Level when the sequence is running (and mute the output when IN 2 is triggered). 61 | 62 | 63 | ## Grid Chord View 64 | ![subsequence_chord_view](https://user-images.githubusercontent.com/435570/185812855-325d6ab6-e8ec-49ed-b29f-088b203a5051.svg) 65 | 66 | After choosing an option from the Launcher, you’ll find yourself in the Chord View. 67 | 68 | - **Chord Sequence** Columns 1-14 are the Chord Sequence, which plays from top to bottom. The first 7 columns correspond to chords 1-7 in the N.CS op. Columns 8-14 are the same chords played one octave higher. Blank steps will hold the previously-played chord without re-triggering. 69 | - **Sequence End/Loop** Column 15 sets the end/loop point for the Chord Sequence. 70 | - **Current/Next Pattern** The top 4 rows of the 16th column indicate the active pattern (bright LED) as well as the next pattern queued in the Pattern Arranger (dimmer LED). Pressing one of the buttons will turn off Follow Mode, load the selected Pattern, and begin playing the pattern as soon as the active Chord Sequence step completes. Note that the next pattern will always be dimly-illuminated, even when Follow Mode is off. This indicates where the Pattern Arranger sequence will pick up when Follow Mode is enabled. 71 | - **Follow Mode toggle** Row 6 on column 16 enables (bright) or disables (dim) Follow Mode. When Follow Mode is enabled, the active pattern is determined by the Pattern Arranger. When disabled, the current chord sequence will loop indefinitely. 72 | - **Chord/Pattern Arranger switch** _The button in the bottom right corner switches between Chord View and Pattern Arranger View. 73 | 74 | ## Grid Pattern Arranger View 75 | ![subsequence_arranger_view](https://user-images.githubusercontent.com/435570/187570196-07e7dc44-d02e-49be-8c25-026991be8f5e.svg) 76 | 77 | - **Pattern Arranger** Rows 1-4 are the Pattern Arranger, where each row corresponds to patterns 1-4 in the Chord View. The Pattern Arranger progresses from left-to-right when Follow Mode is enabled. The Pattern Arranger loops to step 1 once it reaches the first blank column (i.e each step must be explicity set since there are no buttons to set loop length directly). 78 | - **Follow Mode toggle** As in Chord View, row 6 on column 16 enables (bright) or disables (dim) Follow Mode. When Follow Mode is enabled, the active pattern is determined by the Pattern Arranger. When disabled, the current chord sequence will loop indefinitely. 79 | - **Scale Selector** The 9 buttons in the bottom left corner select a scale: 80 | - 0-major 81 | - 1-natural-minor 82 | - 2-harmonic-minor 83 | - 3-melodic-minor 84 | - 4-dorian 85 | - 5-phrygian 86 | - 6-lydian 87 | - 7-locrian (should be mixolydian, see https://github.com/monome/teletype/issues/289) 88 | - 8-mixolydian (should be locrian, same issue as above) 89 | - **Chord Mode** The button at the bottom of column 11 toggles between triads (off) and 7th chord (on). 90 | - **Harmonizer Mode** The button at the bottom of column 12 toggles the harmonizer output on CV 4 between triad (off) and 7th chord (on) quantization. The pitch range of the output sequence will be reduced when the button is illuminated since it now takes an extra semitone to get to the next octave. 91 | - **Chord/Pattern Arranger switch** The button in the bottom right corner switches back to the Chord View. 92 | 93 | 94 | ## Variant Notes 95 | 96 | ### Just Friends 97 | - The volume range gets extremely loud in case you want to use the independent outs on JF. Turn down the param knob on Teletype to around 9 o'clock if using Mix out. 98 | - Although chords will be held, JF's envelope will limit how long they play when Transient mode is engaged. 99 | - Alternatively, Sustain mode may be used with an envelope triggered by Teletype's TR 1. 100 | 101 | ### Disting EX SD Multisample 102 | - Alternates between voices 1-4 and 5-8 so you can use EX's Release parameter to have some overlapping chords. This is nice for acoustic samples with a long tail, strings, etc... 103 | - Make sure to update Dising EX's firmware if you're having issues with notes hanging. 104 | 105 | ### Disting EX Poly Wavetable Synth 106 | - Again, make sure EX firmware is updated. This was a quick mod and it wasn't even clear if the utilizes ops are supposed to work with this algo so YMMV. 107 | 108 | ### i2c2midi 109 | - Requires [Teletype I2M BETA 2 or later firmware](https://github.com/attowatt/i2c2midi/releases) 110 | - Chords are packaged using the I2M.C op so you can use i2c2midi's extremely cool chord transformation ops. 111 | 112 | ### Plaits 113 | - Requires installation of one of the custom Plaits firmwares listed in the source. The _extended file contains 7th chords while the _triad file only contains the first 3 notes and adds the root note one octave up. 114 | - Due to a bug in the Teletype source code, the order of the last two scales is different from what is listed in the Teletype manual. They are locrian and mixolydian, respectively. This will require updating the lookup values in PN 2 once the issue has been resolved. 115 | - Send CV 1 out to Plaits' V/Oct, CV 2 to HARMO, and CV 3 to Level. Use the param knob to set the level and amount of LPG/LPFA. 116 | 117 | ### Creating New Variants 118 | - To make variants for other polyphonic i2c devices, you'll likely just need to change script $ 2 which handles the chord bits. 119 | - If you'd like to send the harmonizer output somewhere other than CV 4 (like to an i2c device), change script $ 3. 120 | 121 | 122 | ## Addendum 123 | 124 | 125 | ![Subsequence flow](https://raw.githubusercontent.com/dstroud/subsequence/24e83ba2f713837d8a8e3970636459db2a79ac47/Subsequence.drawio.svg) 126 | 127 | 128 | ### Variables 129 | - A Chord octave (0/1) 130 | - B Prev chord 131 | - C Current chord 132 | - D Next pattern 133 | - X/P 61 Notes in chord (-1) 134 | - Y Reset enabled 135 | - Z Current pattern 136 | - T Follow Mode T/F 137 | - R Flip each $ 1 138 | - P 62 Notes in harmonizer (-1) 139 | - P 63/PRT 8 Scale (0-8) 140 | 141 | ### Work In Progress 142 | - A bug in the Teletype code may result in unexpected results in the last two scales. See https://github.com/monome/teletype/issues/289 143 | - Currently there is no indication when a reset has occurred. Not ideal but there's not much room to improve this at the moment. 144 | - A CV-only variant will likely be made at some point, allowing for more chord voicing using the param knob (see [MINIM](https://github.com/dstroud/minim)). 145 | -------------------------------------------------------------------------------- /Subsequence.drawio.svg: -------------------------------------------------------------------------------- 1 | 2 | 3 | 4 |
L 8x
Lines 3-6
L 8x...

$ 6 Load new pattern, set start/end, playhead

1. If T (Follow mode enabled), update Z with arranger pattern. Set J to current pattern (Z) length stored in PN 1
 
2. K = current pattern * 8, clear and set looper BTN

3. Set chord pattern start/end

4. Move chord pattern playhead to start of sequence

5. Run $ 7 in an 8x loop to update all rows beginning at P.START

6. If Follow mode enabled, set D to the upcoming pattern 

$ 6 Load new pattern, set start/end, playhead...
L 0-X
L 0-X

$ 9/M Get next chord, send to chord player, update chord & arranger playheads, TR.P 1 out

1. Clear chord grid playhead

2. J = next chord (raw 0-14), C = if J > 0, wrap J (1-7)

3. A = chord octave; If J > 0, call $ 2 (chord player) 0-X times

4. Clear arranger playhead

5. Update arranger playhead, S.POP fires TR.P 1 if J>0

6. Update chord grid playhead

$ 9/M Get next chord, send to chord player, update chord...

$ 8 Looper &  pattern BTN updates 

1. J = Called by looper BTNs? Clear next pattern LEDs

2. Set dim LED for next pattern, J = pattern end

3. Ran outta space so this TR.P is used later in $ 9/M

4. If NOT looper BTN, BRK
-------------------------------------------------------------------------------------

5. (Looper BTN cont.) Write looper end position to PN 1, clear looper LEDs

5. Draw looper range BTNs, set chord sequence end

$ 8 Looper &  pattern BTN updates...
Pattern BTN
Pattern BTN
.EN BTNs
.EN BTNs
Lines 1/2
Lines 1/2

$ 7 Update chord, looper BTNs

1. If chord/arranger switcher BTN was enabled in $ 5, J indicates if the current I from $ 5 is greater than 9 or less than 12 (groups we will be enabling/disabling)

2. (Else=called from $ 5) Enable/disable BTN/FDRs, BRK
-------------------------------------------------------------------------------------

3. Wrap for addressing rows 0-7

4. Update looper leds

5. If step's chord is 0, clear BTN

6. Set chord sequence BTNs

$ 7 Update chord, looper BTNs...

$ 10/I Arranger BTNs

1. J = BTNV with logic to always force 1 for step 1

2. K BTNI

3. Set values in PN 3

4. Set LEDs and find loop end

5. Set PN 3/Arranger loop

6. Update next pattern (D). Fire $ 8 to update pattern LEDs

$ 10/I Arranger BTNs...
Global Variables

A Chord octave (0/1)
B Prev chord
C Current chord
D Next pattern
P 61/X Notes in chord (0-3)
P 62 Notes in harmonizer (0-3)
Y Reset enabled
Z Current pattern
T Follow Arrangement T/F
R Flip each $ 1
P 63/PRT 8 Scale (0-8)
Global Variables...
On new pattern/reset
On new pattern/reset
Fake BTN.PR
Fake BTN.PR

$ 1 Advance chord pattern and handle TR.P 2

1. I = end of chord pattern and in non-reset state (Y 0). Flip R

2. If at end of pattern, not in a reset state, and Follow is on, advance to next page and set J (current pattern) to pattern #.

3. If Resetting and Follow is enabled, go to arranger step 0 and set J to PN 3 0

4. If I OR in reset state (Y), run $ 6 to load new pattern, un-reset
- If in reset state, send trigger out to TR.P 2

5. IF end of chord sequence & moving to a new pattern, TR.P 2 

6. Log current pattern in K for next pass, emulate a button press for $ 8 flow (fake button 999), run $ 8 and $ 9

$ 1 Advance chord pattern and handle TR.P 2...

$ 2 Play/stop chord (I2M variant)

1. Stop chord if state is high (hanging notes), BRK
-------------------------------------------------------------------------------------

2. On loop 0, kill previous chord, set K (notes in chord)

3. J = note derived from chord (C) and N.CS OP, A= octave

4. Set chord length, set note in I2M chord 

5. On last loop, play chord, repurpose K to store current octave

6. Send note to CV 1-3, ignore 4th note if present. Store chord.

$ 2 Play/stop chord (I2M variant)...

$ 3 CV-arp/harmonizer

1. I = 3/4-note interval setting, K = IN octave

2. Set PRT 1 to harmonizer note

3. CV 4 out PRT 1, TR.P 3

4. Set I to 1 if new pitch is detected or new chord step was triggered (this allows transitional duplicate notes to trigger TR.P 4)

5. If I, TR.P 4, store current note pitch in PRT 2, store R state to J (for line 4 on next pass through)

$ 3 CV-arp/harmonizer...
TR 3
TR 3

$ 4 Chord BTNs, Reset, scale FDR

1. If IN 4 is high, set Y to 1 (reset mode) and BRK
-------------------------------------------------------------------------------------

2. I = scale selector input, J = scale value

3. If scale selector input, set scale in P 63 (just shorter than PRT LOL) and PRT 8, then BRK
-------------------------------------------------------------------------------------

(else Chord sequence BTN was pressed)

4. J = BTNV, K = BTN row

5. If BTNV = 1, BTN.SW to clear other BTNs on step

6. Write the chord value to PN 0 (set to 0 if it's a rest/tie)

$ 4 Chord BTNs, Reset, scale FDR...
TR 4
TR 4
TR 2
TR 2
TR 1
TR 1
Subsequence Flow
Subsequence Flow

$ 5 Follow/Pattern/Arranger BTNs

1. K = BTNV, I = pattern BTN T/F, J = BTNI. 8-11 Pattern setter, 12 Arrange/chord switcher, 13 Follow mode toggle, 14 Harmonizer interval toggle

2. If Follow mode BTN, set T

3. If pattern BTN, update Z (pattern), turn follow off (T 0)

4. If pattern BTN, switch off Follow BTN and run $ 6 to load pattern
 
5. If BTN 14-15, set notes in chord/harmonizer on P 61/62

6. If chord/arranger switch BTN, loop lines 1&2 of $ 7 to enable/disable BTN/FDRs

$ 5 Follow/Pattern/Arranger BTNs...Text is not SVG - cannot display -------------------------------------------------------------------------------- /launcher_scripts.txt: -------------------------------------------------------------------------------- 1 | In order to use Subsequence, you'll need to do some light editing of the tt01_subsequence_launcher.txt file to tell it which module-specific scenes you'll be using. Each scene requires its own initialization script. 2 | 3 | INSTRUCTIONS: 4 | 5 | 1. For each of the scenes/modules you'll be using, find it's initialization script below and copy it to an available script slot (#1 - #6) in the tt01_subsequence_launcher.txt file. Make sure to remember the order of the scenes/modules for the next step and for renaming the scenes prior to loading on to Teletype! 6 | 7 | 8 | 2. Update the first part of the Launcher's description to list the scenes/modules you have pasted in. This will remind you which button launches which scene. 9 | 10 | 11 | 3. Update variable A in the Launcher's #I script to indicate how many scenes you've loaded. This just makes sure we have buttons to launch each one. 12 | 13 | 4. Rename the scenes you'll be loading on to Teletype so they are in the same order as when you pasted in the initialization scripts. If the Launcher is loaded into slot tt00.txt, initialization script #1 would correspond to tt01.txt, etc... 14 | 15 | 16 | 17 | --------JUST FRIENDS---------- Copy script between these lines 18 | IF STATE $: BRK 19 | G.GBX 12 14 10 7 1 1 1 3 5 1 1 20 | JF.MODE 1 21 | PARAM.SCALE 0 500 22 | ------------------------------ Copy script between these lines 23 | 24 | 25 | ----DISTING EX MULTISAMPLE---- 26 | IF STATE $: BRK 27 | G.GBX 12 14 10 7 1 1 1 3 5 1 1 28 | EX.ALG 3 29 | PARAM.SCALE 0 1000 30 | ------------------------------ 31 | 32 | 33 | -----DISTING EX WAVETABLE----- 34 | IF STATE $: BRK 35 | G.GBX 12 14 10 7 1 1 1 3 5 1 1 36 | EX.ALG 10 37 | PARAM.SCALE 0 1000 38 | ------------------------------ 39 | 40 | 41 | -----------I2C2MIDI----------- THIS SCRIPT REQUIRES I2M BETA 2 OR LATER 42 | IF STATE $: BRK 43 | G.GBX 12 14 10 7 1 1 1 3 5 1 1 44 | PARAM.SCALE 0 127 45 | I2M.C.CLR 0; X 2 46 | L 1 4: I2M.C.INS 0 0 0 47 | I2M.C.L 0 3; I2M.S 48; I2M.T 0 48 | ------------------------------ 49 | 50 | 51 | ------------PLAITS------------ 52 | IF STATE $: BRK 53 | PARAM.SCALE 0 16383 54 | ------------------------------ -------------------------------------------------------------------------------- /plaits_teletype_chords_fw.zip: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/dstroud/subsequence/875beca0ceab8f9ee7fec88cbdc990b5972275f2/plaits_teletype_chords_fw.zip -------------------------------------------------------------------------------- /tt00_subsequence_launcher.txt: -------------------------------------------------------------------------------- 1 | SUBSEQUENCE LAUNCHER 2 | 1. **ADD SCENE NAMES HERE* 3 | 2. 4 | 3. 5 | 4. 6 | 5. 7 | USE GRID TO SELECT AN OPTION 8 | 9 | #1 10 | **Paste first script from launcher_scripts.txt here** 11 | 12 | #2 13 | 14 | #3 15 | 16 | #4 17 | 18 | #5 19 | 20 | #6 21 | 22 | #7 23 | J + * I 4 192; K + I 15 24 | G.GBX K J I 0 1 1 1 3 10 1 4 25 | G.GFD 31 0 0 7 9 1 2 3 4 26 | G.GBX 12 15 11 7 1 1 1 3 5 1 1 27 | 28 | #8 29 | J + * I 14 16 30 | G.GBX I J 0 I 1 1 1 0 4 14 1 31 | G.GBX 8 0 14 0 1 1 0 3 8 1 8 32 | G.GBX 9 8 15 0 1 1 0 3 5 1 4 33 | G.GBT 10 12 15 7 1 1 1 3 5 34 | G.GBT 11 13 15 5 1 1 1 3 5 35 | 36 | #M 37 | L 0 15: $ 7; J G.BTNI 38 | L 0 7: $ 8 39 | L 12 32: G.GRP.EN I 0 40 | $ MIN J 6 41 | L 1 8: MUTE I 0 42 | SCENE + SCENE J; Y 1 43 | 44 | #I 45 | A 5; B 0 46 | M.ACT 0; G.CLR; G.RST 47 | LIVE.D 1; IN.SCALE 0 120 48 | PRT 8 0; Z 0; P.N 0 49 | G.GBX 0 1 0 0 1 1 1 3 9 1 A 50 | G.GBX 0 5 1 0 1 1 1 3 9 1 B 51 | 52 | #P 53 | 64 4 4 1 54 | 1 1 1 1 55 | 0 0 0 0 56 | 7 3 3 15 57 | 58 | 0 0 0 0 59 | 0 0 0 -1 60 | 0 0 0 -1 61 | 0 0 0 -1 62 | 0 0 0 -1 63 | 0 0 0 -1 64 | 0 0 0 -1 65 | 0 0 0 -1 66 | 0 0 0 -1 67 | 0 0 0 -1 68 | 0 0 0 -1 69 | 0 0 0 -1 70 | 0 0 0 -1 71 | 0 0 0 -1 72 | 0 0 0 -1 73 | 0 0 0 -1 74 | 0 0 0 0 75 | 0 0 0 0 76 | 0 0 0 0 77 | 0 0 0 0 78 | 0 0 0 0 79 | 0 0 0 0 80 | 0 0 0 0 81 | 0 0 0 0 82 | 0 0 0 0 83 | 0 0 0 0 84 | 0 0 0 0 85 | 0 0 0 0 86 | 0 0 0 0 87 | 0 0 0 0 88 | 0 0 0 0 89 | 0 0 0 0 90 | 0 0 0 0 91 | 0 0 0 0 92 | 0 0 0 0 93 | 0 0 0 0 94 | 0 0 0 0 95 | 0 0 0 0 96 | 0 0 0 0 97 | 0 0 0 0 98 | 0 0 0 0 99 | 0 0 0 0 100 | 0 0 0 0 101 | 0 0 0 0 102 | 0 0 0 0 103 | 0 0 0 0 104 | 0 0 0 0 105 | 0 0 0 0 106 | 0 0 0 0 107 | 0 0 0 0 108 | 0 0 0 0 109 | 0 0 0 0 110 | 0 0 0 0 111 | 0 0 0 0 112 | 0 0 0 0 113 | 0 0 0 0 114 | 0 0 0 0 115 | 0 0 0 0 116 | 0 0 0 0 117 | 0 0 0 0 118 | 0 0 0 0 119 | 0 0 0 0 120 | 0 0 0 0 121 | 0 0 0 0 122 | 123 | #G 124 | 0000000000000000 125 | 0000000000000000 126 | 0000000000000000 127 | 0000000000000000 128 | 0000000000000000 129 | 0000000000000000 130 | 0000000000000000 131 | 0000000000000000 132 | 0000000000000000 133 | 0000000000000000 134 | 0000000000000000 135 | 0000000000000000 136 | 0000000000000000 137 | 0000000000000000 138 | 0000000000000000 139 | 0000000000000000 140 | 141 | 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 142 | 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 143 | 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 144 | 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 145 | -------------------------------------------------------------------------------- /tt01_subsequence_jf.txt: -------------------------------------------------------------------------------- 1 | SUBSEQUENCE 2 | JUST FRIENDS V.2 3 | 4 | SCALE: %8 5 | 6 | @MODULARBEAT 7 | CV IN: HARMONIZER 8 | IN 1: ADVANCE CHORD 9 | IN 2: STOP CHORD 10 | IN 3: SAMPLE CV IN 11 | IN 4: RESET 12 | PARAM KNOB: CHORD VELOCITY 13 | TR 1: CHORD TRIGGER 14 | TR 2: NEW PATTERN TRIGGER 15 | TR 3: HARMONIZER TRIGGER 16 | TR 4: HARM. ALT (REST/TIE) 17 | CV 1-3: CHORD 18 | CV 4: HARMONIZER PITCH 19 | 20 | 21 | 22 | #1 23 | I && GTE P.I P.END ! Y; R ! R 24 | IF && I T: J PN.NEXT 3 25 | IF && Y T: PN.I 3 0; J PN 3 0 26 | IF + I Y: $ 6; TR.P * 2 Y; Y 0 27 | IF && I != K J: TR.P 2 28 | K J; G.BTN.PR 999 1; $ 8; $ 9 29 | 30 | #2 31 | IF STATE $: JF.VOX 0 0 0; BRK 32 | A * 12 A; J P 63 33 | J N.CS A J C I 34 | JF.VOX I J VV PRM 35 | CV * + I 1 < I 3 J 36 | 37 | #3 38 | I P 62; K * / IN + I 1 12 39 | PRT 1 N.CS K P 63 C WRP IN 0 I 40 | CV 4 PRT 1; TR.P 3 41 | I OR != PRT 1 PRT 2 != J R 42 | TR.P * 4 I; PRT 2 PRT 1; J R 43 | 44 | #4 45 | IF STATE $: Y 1; BRK 46 | I == G.GRPI 31; J G.FDRN 47 | IF I: P 63 J; PRT 8 J; BRK 48 | J G.BTNV; K + G.BTNY * Z 8 49 | IF J: G.BTN.SW G.BTNI 50 | P K * + G.BTNX 1 J 51 | 52 | #5 53 | J G.BTNI; K G.BTNV; I LT J 12 54 | IF == J 13: T K 55 | IF I: Z - J 8; T 0 56 | IF I: G.BTN.V 13 0; $ 6 57 | IF > J 13: P + J 47 + K 2 58 | L 0 31: $ * 7 == J 12 59 | 60 | #6 61 | Z ? T PN.HERE 3 Z; J PN 1 Z 62 | K * Z 8; G.BTN.SW + Z 8 63 | P.START K; P.END + K J 64 | P.I - K 1 65 | L P.START + P.START 7: $ 7 66 | IF T: D PN.NEXT 3; PN.PREV 3 67 | 68 | #7 69 | J ? G.BTNV GT I 9 LT I 12 70 | ELSE: G.GRP.EN I J; BRK 71 | K WRP I 0 7 72 | G.BTN.L K ? LTE K PN 1 Z 13 3 73 | IF ! P I: G.GBTN.V K 0; BRK 74 | G.BTN.SW + + * K 14 15 P I 75 | 76 | #8 77 | G.GBTN.L 9 2 2; K G.BTNI 78 | G.BTN.L + D 8 6; J + * Z 8 K 79 | S: TR.P NZ J 80 | IF != G.GRPI 8: BRK 81 | PN 1 Z K; G.GBTN.L 8 3 3 82 | L 0 K: G.BTN.L I 13; P.END J 83 | 84 | #M 85 | L 0 7: G.GBTN.L I 0 0; X P 61 86 | J P.NEXT; C ? J WRP J 1 7 C 87 | L 0 X: A > J 7; $ * 2 NZ J 88 | G.GBTN.L WRP P.I 0 7 3 3 89 | L 15 30: G.GBTN.L I 2 2; S.POP 90 | G.GBTN.L + PN.I 3 15 7 7 91 | 92 | #I 93 | J ? G.BTNV 1 == G.GRPI 15 94 | K G.BTNI 95 | PN 3 G.BTNX - * + G.BTNY 1 J 1 96 | G.BTN.SW ? J K -1; K PN.MIN 3 97 | PN.L 3 ? + PN 3 K 1 16 K 98 | D PN.NEXT 3; PN.PREV 3; $ 8 99 | 100 | #P 101 | 64 4 4 1 102 | 1 1 1 1 103 | 0 0 0 0 104 | 0 3 3 15 105 | 106 | 0 0 0 0 107 | 0 0 0 -1 108 | 0 0 0 -1 109 | 0 0 0 -1 110 | 0 0 0 -1 111 | 0 0 0 -1 112 | 0 0 0 -1 113 | 0 0 0 -1 114 | 0 0 0 -1 115 | 0 0 0 -1 116 | 0 0 0 -1 117 | 0 0 0 -1 118 | 0 0 0 -1 119 | 0 0 0 -1 120 | 0 0 0 -1 121 | 0 0 0 -1 122 | 0 0 0 0 123 | 0 0 0 0 124 | 0 0 0 0 125 | 0 0 0 0 126 | 0 0 0 0 127 | 0 0 0 0 128 | 0 0 0 0 129 | 0 0 0 0 130 | 0 0 0 0 131 | 0 0 0 0 132 | 0 0 0 0 133 | 0 0 0 0 134 | 0 0 0 0 135 | 0 0 0 0 136 | 0 0 0 0 137 | 0 0 0 0 138 | 0 0 0 0 139 | 0 0 0 0 140 | 0 0 0 0 141 | 0 0 0 0 142 | 0 0 0 0 143 | 0 0 0 0 144 | 0 0 0 0 145 | 0 0 0 0 146 | 0 0 0 0 147 | 0 0 0 0 148 | 0 0 0 0 149 | 0 0 0 0 150 | 0 0 0 0 151 | 0 0 0 0 152 | 0 0 0 0 153 | 0 0 0 0 154 | 0 0 0 0 155 | 0 0 0 0 156 | 0 0 0 0 157 | 0 0 0 0 158 | 0 0 0 0 159 | 0 0 0 0 160 | 0 0 0 0 161 | 0 0 0 0 162 | 0 0 0 0 163 | 0 0 0 0 164 | 0 0 0 0 165 | 0 0 0 0 166 | 0 0 0 0 167 | 2 0 0 0 168 | 2 0 0 0 169 | 0 0 0 0 170 | 171 | #G 172 | 0000000010000000 173 | 0000000000000000 174 | 0000000000000000 175 | 0000000000000000 176 | 0000000000000000 177 | 0000000000000000 178 | 0000000000000000 179 | 0000000000000000 180 | 0000000000000000 181 | 0000000000000000 182 | 0000000000000000 183 | 0000000000000000 184 | 1000000000000000 185 | 0000000000000000 186 | 0000000000000000 187 | 0000000000000000 188 | 189 | 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 190 | 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 191 | 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 192 | 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 193 | -------------------------------------------------------------------------------- /tt02_subsequence_ex_multisample.txt: -------------------------------------------------------------------------------- 1 | SUBSEQUENCE 2 | EX MULTISAMPLE V.2 3 | 4 | SCALE: %8 5 | 6 | @MODULARBEAT 7 | CV IN: HARMONIZER 8 | IN 1: ADVANCE CHORD 9 | IN 2: STOP CHORD 10 | IN 3: SAMPLE CV IN 11 | IN 4: RESET 12 | PARAM KNOB: CHORD VELOCITY 13 | TR 1: CHORD TRIGGER 14 | TR 2: NEW PATTERN TRIGGER 15 | TR 3: HARMONIZER TRIGGER 16 | TR 4: HARM. ALT (REST/TIE) 17 | CV 1-3: CHORD 18 | CV 4: HARMONIZER PITCH 19 | 20 | 21 | 22 | #1 23 | I && GTE P.I P.END ! Y; R ! R 24 | IF && I T: J PN.NEXT 3 25 | IF && Y T: PN.I 3 0; J PN 3 0 26 | IF + I Y: $ 6; TR.P * 2 Y; Y 0 27 | IF && I != K J: TR.P 2 28 | K J; G.BTN.PR 999 1; $ 8; $ 9 29 | 30 | #2 31 | IF STATE $: EX.AO; BRK 32 | IF ! I: EX.AO; K * FLIP + 1 X 33 | A * 12 A; J P 63 34 | J N.CS A J C I 35 | EX.V + + I 1 K J VV PRM 36 | CV * + I 1 < I 3 J 37 | 38 | #3 39 | I P 62; K * / IN + I 1 12 40 | PRT 1 N.CS K P 63 C WRP IN 0 I 41 | CV 4 PRT 1; TR.P 3 42 | I OR != PRT 1 PRT 2 != J R 43 | TR.P * 4 I; PRT 2 PRT 1; J R 44 | 45 | #4 46 | IF STATE $: Y 1; BRK 47 | I == G.GRPI 31; J G.FDRN 48 | IF I: P 63 J; PRT 8 J; BRK 49 | J G.BTNV; K + G.BTNY * Z 8 50 | IF J: G.BTN.SW G.BTNI 51 | P K * + G.BTNX 1 J 52 | 53 | #5 54 | J G.BTNI; K G.BTNV; I LT J 12 55 | IF == J 13: T K 56 | IF I: Z - J 8; T 0 57 | IF I: G.BTN.V 13 0; $ 6 58 | IF > J 13: P + J 47 + K 2 59 | L 0 31: $ * 7 == J 12 60 | 61 | #6 62 | Z ? T PN.HERE 3 Z; J PN 1 Z 63 | K * Z 8; G.BTN.SW + Z 8 64 | P.START K; P.END + K J 65 | P.I - K 1 66 | L P.START + P.START 7: $ 7 67 | IF T: D PN.NEXT 3; PN.PREV 3 68 | 69 | #7 70 | J ? G.BTNV GT I 9 LT I 12 71 | ELSE: G.GRP.EN I J; BRK 72 | K WRP I 0 7 73 | G.BTN.L K ? LTE K PN 1 Z 13 3 74 | IF ! P I: G.GBTN.V K 0; BRK 75 | G.BTN.SW + + * K 14 15 P I 76 | 77 | #8 78 | G.GBTN.L 9 2 2; K G.BTNI 79 | G.BTN.L + D 8 6; J + * Z 8 K 80 | S: TR.P NZ J 81 | IF != G.GRPI 8: BRK 82 | PN 1 Z K; G.GBTN.L 8 3 3 83 | L 0 K: G.BTN.L I 13; P.END J 84 | 85 | #M 86 | L 0 7: G.GBTN.L I 0 0; X P 61 87 | J P.NEXT; C ? J WRP J 1 7 C 88 | L 0 X: A > J 7; $ * 2 NZ J 89 | G.GBTN.L WRP P.I 0 7 3 3 90 | L 15 30: G.GBTN.L I 2 2; S.POP 91 | G.GBTN.L + PN.I 3 15 7 7 92 | 93 | #I 94 | J ? G.BTNV 1 == G.GRPI 15 95 | K G.BTNI 96 | PN 3 G.BTNX - * + G.BTNY 1 J 1 97 | G.BTN.SW ? J K -1; K PN.MIN 3 98 | PN.L 3 ? + PN 3 K 1 16 K 99 | D PN.NEXT 3; PN.PREV 3; $ 8 100 | 101 | #P 102 | 64 4 4 1 103 | 1 1 1 1 104 | 0 0 0 0 105 | 0 3 3 15 106 | 107 | 0 0 0 0 108 | 0 0 0 -1 109 | 0 0 0 -1 110 | 0 0 0 -1 111 | 0 0 0 -1 112 | 0 0 0 -1 113 | 0 0 0 -1 114 | 0 0 0 -1 115 | 0 0 0 -1 116 | 0 0 0 -1 117 | 0 0 0 -1 118 | 0 0 0 -1 119 | 0 0 0 -1 120 | 0 0 0 -1 121 | 0 0 0 -1 122 | 0 0 0 -1 123 | 0 0 0 0 124 | 0 0 0 0 125 | 0 0 0 0 126 | 0 0 0 0 127 | 0 0 0 0 128 | 0 0 0 0 129 | 0 0 0 0 130 | 0 0 0 0 131 | 0 0 0 0 132 | 0 0 0 0 133 | 0 0 0 0 134 | 0 0 0 0 135 | 0 0 0 0 136 | 0 0 0 0 137 | 0 0 0 0 138 | 0 0 0 0 139 | 0 0 0 0 140 | 0 0 0 0 141 | 0 0 0 0 142 | 0 0 0 0 143 | 0 0 0 0 144 | 0 0 0 0 145 | 0 0 0 0 146 | 0 0 0 0 147 | 0 0 0 0 148 | 0 0 0 0 149 | 0 0 0 0 150 | 0 0 0 0 151 | 0 0 0 0 152 | 0 0 0 0 153 | 0 0 0 0 154 | 0 0 0 0 155 | 0 0 0 0 156 | 0 0 0 0 157 | 0 0 0 0 158 | 0 0 0 0 159 | 0 0 0 0 160 | 0 0 0 0 161 | 0 0 0 0 162 | 0 0 0 0 163 | 0 0 0 0 164 | 0 0 0 0 165 | 0 0 0 0 166 | 0 0 0 0 167 | 0 0 0 0 168 | 2 0 0 0 169 | 2 0 0 0 170 | 0 0 0 0 171 | 172 | #G 173 | 0000000010000000 174 | 0000000000000000 175 | 0000000000000000 176 | 0000000000000000 177 | 0000000000000000 178 | 0000000000000000 179 | 0000000000000000 180 | 0000000000000000 181 | 0000000000000000 182 | 0000000000000000 183 | 0000000000000000 184 | 0000000000000000 185 | 1000000000000000 186 | 0000000000000000 187 | 0000000000000000 188 | 0000000000000000 189 | 190 | 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 191 | 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 192 | 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 193 | 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 194 | -------------------------------------------------------------------------------- /tt03_subsequence_ex_wavetable.txt: -------------------------------------------------------------------------------- 1 | SUBSEQUENCE 2 | EX WAVETABLE V.2 3 | 4 | SCALE: %8 5 | 6 | @MODULARBEAT 7 | CV IN: HARMONIZER 8 | IN 1: ADVANCE CHORD 9 | IN 2: STOP CHORD 10 | IN 3: SAMPLE CV IN 11 | IN 4: RESET 12 | PARAM KNOB: CHORD VELOCITY 13 | TR 1: CHORD TRIGGER 14 | TR 2: NEW PATTERN TRIGGER 15 | TR 3: HARMONIZER TRIGGER 16 | TR 4: HARM. ALT (REST/TIE) 17 | CV 1-3: CHORD 18 | CV 4: HARMONIZER PITCH 19 | 20 | 21 | 22 | #1 23 | I && GTE P.I P.END ! Y; R ! R 24 | IF && I T: J PN.NEXT 3 25 | IF && Y T: PN.I 3 0; J PN 3 0 26 | IF + I Y: $ 6; TR.P * 2 Y; Y 0 27 | IF && I != K J: TR.P 2 28 | K J; G.BTN.PR 999 1; $ 8; $ 9 29 | 30 | #2 31 | IF STATE $: EX.AO; BRK 32 | IF ! I: EX.AO 33 | A * 12 A; J P 63 34 | J N.CS A J C I 35 | EX.V + I 1 J VV PRM 36 | CV * + I 1 < I 3 J 37 | 38 | #3 39 | I P 62; K * / IN + I 1 12 40 | PRT 1 N.CS K P 63 C WRP IN 0 I 41 | CV 4 PRT 1; TR.P 3 42 | I OR != PRT 1 PRT 2 != J R 43 | TR.P * 4 I; PRT 2 PRT 1; J R 44 | 45 | #4 46 | IF STATE $: Y 1; BRK 47 | I == G.GRPI 31; J G.FDRN 48 | IF I: P 63 J; PRT 8 J; BRK 49 | J G.BTNV; K + G.BTNY * Z 8 50 | IF J: G.BTN.SW G.BTNI 51 | P K * + G.BTNX 1 J 52 | 53 | #5 54 | J G.BTNI; K G.BTNV; I LT J 12 55 | IF == J 13: T K 56 | IF I: Z - J 8; T 0 57 | IF I: G.BTN.V 13 0; $ 6 58 | IF > J 13: P + J 47 + K 2 59 | L 0 31: $ * 7 == J 12 60 | 61 | #6 62 | Z ? T PN.HERE 3 Z; J PN 1 Z 63 | K * Z 8; G.BTN.SW + Z 8 64 | P.START K; P.END + K J 65 | P.I - K 1 66 | L P.START + P.START 7: $ 7 67 | IF T: D PN.NEXT 3; PN.PREV 3 68 | 69 | #7 70 | J ? G.BTNV GT I 9 LT I 12 71 | ELSE: G.GRP.EN I J; BRK 72 | K WRP I 0 7 73 | G.BTN.L K ? LTE K PN 1 Z 13 3 74 | IF ! P I: G.GBTN.V K 0; BRK 75 | G.BTN.SW + + * K 14 15 P I 76 | 77 | #8 78 | G.GBTN.L 9 2 2; K G.BTNI 79 | G.BTN.L + D 8 6; J + * Z 8 K 80 | S: TR.P NZ J 81 | IF != G.GRPI 8: BRK 82 | PN 1 Z K; G.GBTN.L 8 3 3 83 | L 0 K: G.BTN.L I 13; P.END J 84 | 85 | #M 86 | L 0 7: G.GBTN.L I 0 0; X P 61 87 | J P.NEXT; C ? J WRP J 1 7 C 88 | L 0 X: A > J 7; $ * 2 NZ J 89 | G.GBTN.L WRP P.I 0 7 3 3 90 | L 15 30: G.GBTN.L I 2 2; S.POP 91 | G.GBTN.L + PN.I 3 15 7 7 92 | 93 | #I 94 | J ? G.BTNV 1 == G.GRPI 15 95 | K G.BTNI 96 | PN 3 G.BTNX - * + G.BTNY 1 J 1 97 | G.BTN.SW ? J K -1; K PN.MIN 3 98 | PN.L 3 ? + PN 3 K 1 16 K 99 | D PN.NEXT 3; PN.PREV 3; $ 8 100 | 101 | #P 102 | 64 4 4 1 103 | 1 1 1 1 104 | 0 0 0 0 105 | 0 3 3 15 106 | 107 | 0 0 0 0 108 | 0 0 0 -1 109 | 0 0 0 -1 110 | 0 0 0 -1 111 | 0 0 0 -1 112 | 0 0 0 -1 113 | 0 0 0 -1 114 | 0 0 0 -1 115 | 0 0 0 -1 116 | 0 0 0 -1 117 | 0 0 0 -1 118 | 0 0 0 -1 119 | 0 0 0 -1 120 | 0 0 0 -1 121 | 0 0 0 -1 122 | 0 0 0 -1 123 | 0 0 0 0 124 | 0 0 0 0 125 | 0 0 0 0 126 | 0 0 0 0 127 | 0 0 0 0 128 | 0 0 0 0 129 | 0 0 0 0 130 | 0 0 0 0 131 | 0 0 0 0 132 | 0 0 0 0 133 | 0 0 0 0 134 | 0 0 0 0 135 | 0 0 0 0 136 | 0 0 0 0 137 | 0 0 0 0 138 | 0 0 0 0 139 | 0 0 0 0 140 | 0 0 0 0 141 | 0 0 0 0 142 | 0 0 0 0 143 | 0 0 0 0 144 | 0 0 0 0 145 | 0 0 0 0 146 | 0 0 0 0 147 | 0 0 0 0 148 | 0 0 0 0 149 | 0 0 0 0 150 | 0 0 0 0 151 | 0 0 0 0 152 | 0 0 0 0 153 | 0 0 0 0 154 | 0 0 0 0 155 | 0 0 0 0 156 | 0 0 0 0 157 | 0 0 0 0 158 | 0 0 0 0 159 | 0 0 0 0 160 | 0 0 0 0 161 | 0 0 0 0 162 | 0 0 0 0 163 | 0 0 0 0 164 | 0 0 0 0 165 | 0 0 0 0 166 | 0 0 0 0 167 | 0 0 0 0 168 | 2 0 0 0 169 | 2 0 0 0 170 | 0 0 0 0 171 | 172 | #G 173 | 0000000010000000 174 | 0000000000000000 175 | 0000000000000000 176 | 0000000000000000 177 | 0000000000000000 178 | 0000000000000000 179 | 0000000000000000 180 | 0000000000000000 181 | 0000000000000000 182 | 0000000000000000 183 | 0000000000000000 184 | 0000000000000000 185 | 1000000000000000 186 | 0000000000000000 187 | 0000000000000000 188 | 0000000000000000 189 | 190 | 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 191 | 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 192 | 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 193 | 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 194 | -------------------------------------------------------------------------------- /tt04_subsequence_i2m.txt: -------------------------------------------------------------------------------- 1 | SUBSEQUENCE 2 | I2C2MIDI V.2 3 | 4 | SCALE: %8 5 | 6 | @MODULARBEAT 7 | CV IN: HARMONIZER 8 | IN 1: ADVANCE CHORD 9 | IN 2: STOP CHORD 10 | IN 3: SAMPLE CV IN 11 | IN 4: RESET 12 | PARAM KNOB: CHORD VELOCITY 13 | TR 1: CHORD TRIGGER 14 | TR 2: NEW PATTERN TRIGGER 15 | TR 3: HARMONIZER TRIGGER 16 | TR 4: HARM. ALT (REST/TIE) 17 | CV 1-3: CHORD 18 | CV 4: HARMONIZER PITCH 19 | 20 | 21 | 22 | #1 23 | I && GTE P.I P.END ! Y; R ! R 24 | IF && I T: J PN.NEXT 3 25 | IF && Y T: PN.I 3 0; J PN 3 0 26 | IF + I Y: $ 6; TR.P * 2 Y; Y 0 27 | IF && I != K J: TR.P 2 28 | K J; G.BTN.PR 999 1; $ 8; $ 9 29 | 30 | #2 31 | IF STATE 2: I2M.C B K 0; BRK 32 | IF ! I: I2M.C B K 0; K + X 1 33 | J VN N.CS 0 P 63 C I; A * A 12 34 | I2M.C.L C K; I2M.C.SET C I J 35 | IF == I X: I2M.C C A PRM; K A 36 | CV * + I 1 < I 3 N + J A; B C 37 | 38 | #3 39 | I P 62; K * / IN + I 1 12 40 | PRT 1 N.CS K P 63 C WRP IN 0 I 41 | CV 4 PRT 1; TR.P 3 42 | I OR != PRT 1 PRT 2 != J R 43 | TR.P * 4 I; PRT 2 PRT 1; J R 44 | 45 | #4 46 | IF STATE $: Y 1; BRK 47 | I == G.GRPI 31; J G.FDRN 48 | IF I: P 63 J; PRT 8 J; BRK 49 | J G.BTNV; K + G.BTNY * Z 8 50 | IF J: G.BTN.SW G.BTNI 51 | P K * + G.BTNX 1 J 52 | 53 | #5 54 | J G.BTNI; K G.BTNV; I LT J 12 55 | IF == J 13: T K 56 | IF I: Z - J 8; T 0 57 | IF I: G.BTN.V 13 0; $ 6 58 | IF > J 13: P + J 47 + K 2 59 | L 0 31: $ * 7 == J 12 60 | 61 | #6 62 | Z ? T PN.HERE 3 Z; J PN 1 Z 63 | K * Z 8; G.BTN.SW + Z 8 64 | P.START K; P.END + K J 65 | P.I - K 1 66 | L P.START + P.START 7: $ 7 67 | IF T: D PN.NEXT 3; PN.PREV 3 68 | 69 | #7 70 | J ? G.BTNV GT I 9 LT I 12 71 | ELSE: G.GRP.EN I J; BRK 72 | K WRP I 0 7 73 | G.BTN.L K ? LTE K PN 1 Z 13 3 74 | IF ! P I: G.GBTN.V K 0; BRK 75 | G.BTN.SW + + * K 14 15 P I 76 | 77 | #8 78 | G.GBTN.L 9 2 2; K G.BTNI 79 | G.BTN.L + D 8 6; J + * Z 8 K 80 | S: TR.P NZ J 81 | IF != G.GRPI 8: BRK 82 | PN 1 Z K; G.GBTN.L 8 3 3 83 | L 0 K: G.BTN.L I 13; P.END J 84 | 85 | #M 86 | L 0 7: G.GBTN.L I 0 0; X P 61 87 | J P.NEXT; C ? J WRP J 1 7 C 88 | L 0 X: A > J 7; $ * 2 NZ J 89 | G.GBTN.L WRP P.I 0 7 3 3 90 | L 15 30: G.GBTN.L I 2 2; S.POP 91 | G.GBTN.L + PN.I 3 15 7 7 92 | 93 | #I 94 | J ? G.BTNV 1 == G.GRPI 15 95 | K G.BTNI 96 | PN 3 G.BTNX - * + G.BTNY 1 J 1 97 | G.BTN.SW ? J K -1; K PN.MIN 3 98 | PN.L 3 ? + PN 3 K 1 16 K 99 | D PN.NEXT 3; PN.PREV 3; $ 8 100 | 101 | #P 102 | 64 4 4 1 103 | 1 1 1 1 104 | 0 0 0 0 105 | 0 3 3 15 106 | 107 | 0 0 0 0 108 | 0 0 0 -1 109 | 0 0 0 -1 110 | 0 0 0 -1 111 | 0 0 0 -1 112 | 0 0 0 -1 113 | 0 0 0 -1 114 | 0 0 0 -1 115 | 0 0 0 -1 116 | 0 0 0 -1 117 | 0 0 0 -1 118 | 0 0 0 -1 119 | 0 0 0 -1 120 | 0 0 0 -1 121 | 0 0 0 -1 122 | 0 0 0 -1 123 | 0 0 0 0 124 | 0 0 0 0 125 | 0 0 0 0 126 | 0 0 0 0 127 | 0 0 0 0 128 | 0 0 0 0 129 | 0 0 0 0 130 | 0 0 0 0 131 | 0 0 0 0 132 | 0 0 0 0 133 | 0 0 0 0 134 | 0 0 0 0 135 | 0 0 0 0 136 | 0 0 0 0 137 | 0 0 0 0 138 | 0 0 0 0 139 | 0 0 0 0 140 | 0 0 0 0 141 | 0 0 0 0 142 | 0 0 0 0 143 | 0 0 0 0 144 | 0 0 0 0 145 | 0 0 0 0 146 | 0 0 0 0 147 | 0 0 0 0 148 | 0 0 0 0 149 | 0 0 0 0 150 | 0 0 0 0 151 | 0 0 0 0 152 | 0 0 0 0 153 | 0 0 0 0 154 | 0 0 0 0 155 | 0 0 0 0 156 | 0 0 0 0 157 | 0 0 0 0 158 | 0 0 0 0 159 | 0 0 0 0 160 | 0 0 0 0 161 | 0 0 0 0 162 | 0 0 0 0 163 | 0 0 0 0 164 | 0 0 0 0 165 | 0 0 0 0 166 | 0 0 0 0 167 | 0 0 0 0 168 | 2 0 0 0 169 | 2 0 0 0 170 | 0 0 0 0 171 | 172 | #G 173 | 0000000010000000 174 | 0000000000000000 175 | 0000000000000000 176 | 0000000000000000 177 | 0000000000000000 178 | 0000000000000000 179 | 0000000000000000 180 | 0000000000000000 181 | 0000000000000000 182 | 0000000000000000 183 | 0000000000000000 184 | 0000000000000000 185 | 1000000000000000 186 | 0000000000000000 187 | 0000000000000000 188 | 0000000000000000 189 | 190 | 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 191 | 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 192 | 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 193 | 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 194 | -------------------------------------------------------------------------------- /tt05_subsequence_mutable.txt: -------------------------------------------------------------------------------- 1 | SUBSEQUENCE 2 | PLAITS V.2 3 | 4 | SCALE: %8 5 | 6 | @MODULARBEAT 7 | CV IN: HARMONIZER 8 | IN 1: ADVANCE CHORD 9 | IN 2: STOP CHORD 10 | IN 3: SAMPLE CV IN 11 | IN 4: RESET 12 | PARAM KNOB: CHORD LEVEL 13 | TR 1: CHORD TRIGGER 14 | TR 2: NEW PATTERN TRIGGER 15 | TR 3: HARMONIZER TRIGGER 16 | TR 4: HARM. ALT (REST/TIE) 17 | CV 1: PLAITS V/OCT 18 | CV 2: PLAITS HARMO 19 | CV 3: PLAITS LEVEL 20 | CV 4: HARMONIZER PITCH 21 | 22 | 23 | 24 | #1 25 | I && GTE P.I P.END ! Y; R ! R 26 | IF && I T: J PN.NEXT 3 27 | IF && Y T: PN.I 3 0; J PN 3 0 28 | IF + I Y: $ 6; TR.P * 2 Y; Y 0 29 | IF && I != K J: TR.P 2 30 | K J; G.BTN.PR 999 1; $ 8; $ 9 31 | 32 | #2 33 | IF STATE $: CV 3 0; BRK 34 | CV 1 N.CS * A 12 P 63 C 0 35 | CV 2 * PN 2 + C * P 63 7 650 36 | J SCL 0 16383 0 8000 EXP PRM 37 | CV 3 VV J 38 | 39 | #3 40 | I P 62; K * / IN + I 1 12 41 | PRT 1 N.CS K P 63 C WRP IN 0 I 42 | CV 4 PRT 1; TR.P 3 43 | I OR != PRT 1 PRT 2 != J R 44 | TR.P * 4 I; PRT 2 PRT 1; J R 45 | 46 | #4 47 | IF STATE $: Y 1; BRK 48 | I == G.GRPI 31; J G.FDRN 49 | IF I: P 63 J; PRT 8 J; BRK 50 | J G.BTNV; K + G.BTNY * Z 8 51 | IF J: G.BTN.SW G.BTNI 52 | P K * + G.BTNX 1 J 53 | 54 | #5 55 | J G.BTNI; K G.BTNV; I LT J 12 56 | IF == J 13: T K 57 | IF I: Z - J 8; T 0 58 | IF I: G.BTN.V 13 0; $ 6 59 | IF > J 13: P + J 47 + K 2 60 | L 0 31: $ * 7 == J 12 61 | 62 | #6 63 | Z ? T PN.HERE 3 Z; J PN 1 Z 64 | K * Z 8; G.BTN.SW + Z 8 65 | P.START K; P.END + K J 66 | P.I - K 1 67 | L P.START + P.START 7: $ 7 68 | IF T: D PN.NEXT 3; PN.PREV 3 69 | 70 | #7 71 | J ? G.BTNV GT I 9 LT I 12 72 | ELSE: G.GRP.EN I J; BRK 73 | K WRP I 0 7 74 | G.BTN.L K ? LTE K PN 1 Z 13 3 75 | IF ! P I: G.GBTN.V K 0; BRK 76 | G.BTN.SW + + * K 14 15 P I 77 | 78 | #8 79 | G.GBTN.L 9 2 2; K G.BTNI 80 | G.BTN.L + D 8 6; J + * Z 8 K 81 | S: TR.P NZ J 82 | IF != G.GRPI 8: BRK 83 | PN 1 Z K; G.GBTN.L 8 3 3 84 | L 0 K: G.BTN.L I 13; P.END J 85 | 86 | #M 87 | L 0 7: G.GBTN.L I 0 0; X P 61 88 | J P.NEXT; C ? J WRP J 1 7 C 89 | L 0 X: A > J 7; $ * 2 NZ J 90 | G.GBTN.L WRP P.I 0 7 3 3 91 | L 15 30: G.GBTN.L I 2 2; S.POP 92 | G.GBTN.L + PN.I 3 15 7 7 93 | 94 | #I 95 | J ? G.BTNV 1 == G.GRPI 15 96 | K G.BTNI 97 | PN 3 G.BTNX - * + G.BTNY 1 J 1 98 | G.BTN.SW ? J K -1; K PN.MIN 3 99 | PN.L 3 ? + PN 3 K 1 16 K 100 | D PN.NEXT 3; PN.PREV 3; $ 8 101 | 102 | #P 103 | 64 4 26 1 104 | 1 1 1 1 105 | 0 0 0 0 106 | 0 3 3 15 107 | 108 | 0 0 99 0 109 | 0 0 0 -1 110 | 0 0 1 -1 111 | 0 0 1 -1 112 | 0 0 0 -1 113 | 0 0 2 -1 114 | 0 0 1 -1 115 | 0 0 6 -1 116 | 0 0 1 -1 117 | 0 0 6 -1 118 | 0 0 0 -1 119 | 0 0 1 -1 120 | 0 0 1 -1 121 | 0 0 0 -1 122 | 0 0 2 -1 123 | 0 0 8 -1 124 | 0 0 6 0 125 | 0 0 7 0 126 | 0 0 1 0 127 | 0 0 2 0 128 | 0 0 0 0 129 | 0 0 3 0 130 | 0 0 8 0 131 | 0 0 1 0 132 | 0 0 7 0 133 | 0 0 2 0 134 | 0 0 2 0 135 | 0 0 6 0 136 | 0 0 6 0 137 | 0 0 1 0 138 | 0 0 1 0 139 | 0 0 0 0 140 | 0 0 2 0 141 | 0 0 1 0 142 | 0 0 6 0 143 | 0 0 0 0 144 | 0 0 1 0 145 | 0 0 0 0 146 | 0 0 2 0 147 | 0 0 1 0 148 | 0 0 6 0 149 | 0 0 0 0 150 | 0 0 1 0 151 | 0 0 0 0 152 | 0 0 2 0 153 | 0 0 1 0 154 | 0 0 6 0 155 | 0 0 0 0 156 | 0 0 1 0 157 | 0 0 1 0 158 | 0 0 6 0 159 | 0 0 0 0 160 | 0 0 1 0 161 | 0 0 1 0 162 | 0 0 0 0 163 | 0 0 2 0 164 | 0 0 1 0 165 | 0 0 2 0 166 | 0 0 1 0 167 | 0 0 6 0 168 | 0 0 0 0 169 | 0 0 1 0 170 | 2 0 1 0 171 | 0 0 0 0 172 | 173 | #G 174 | 0000000010000000 175 | 0000000000000000 176 | 0000000000000000 177 | 0000000000000000 178 | 0000000000000000 179 | 0000000000000000 180 | 0000000000000000 181 | 0000000000000000 182 | 0000000000000000 183 | 0000000000000000 184 | 0000000000000000 185 | 0000000000000000 186 | 1000000000000000 187 | 0000000000000000 188 | 0000000000000000 189 | 0000000000000000 190 | 191 | 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 192 | 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 193 | 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 194 | 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 195 | --------------------------------------------------------------------------------