├── screenshot.png ├── README.md ├── index.html ├── loader.css ├── style.css ├── script.js └── LICENSE /screenshot.png: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/h3ndrk/html5-web-audio-showcase/HEAD/screenshot.png -------------------------------------------------------------------------------- /README.md: -------------------------------------------------------------------------------- 1 | # HTML5 Web Audio API Showcase 2 | 3 | ![Screenshot of the Project](screenshot.png) 4 | 5 | ## Demo of the showcase 6 | 7 | ... can be found at [https://h3ndrk.github.io/html5-web-audio-showcase/](https://h3ndrk.github.io/html5-web-audio-showcase/). 8 | 9 | ## How to use 10 | 11 | 1. Select an audio file 12 | 2. Press "Play song" 13 | 3. Modify the volume by scrolling on the circle canvas 14 | 4. Enjoy! 15 | 16 | ## Features 17 | 18 | * no external libraries, pure Javascript 19 | * audio visualization with the spectrum of the played sound 20 | * volume by scrolling on the circle 21 | * elapsed and remaining time of the playback 22 | * filename displayed at the top of the circle (animates if it is too long) 23 | * build with [Material Design](https://www.google.com/design/spec/material-design/introduction.html) (not for the circle because shadows are too resource-intense) 24 | 25 | ## Uses 26 | 27 | * [Web Audio API](http://www.w3.org/TR/webaudio/) 28 | * [HTML Canvas 2D Context](http://www.w3.org/TR/2dcontext/) 29 | * [Scalable Vector Graphics (SVG 1.1)](http://www.w3.org/TR/SVG11/) 30 | * CSS3 Animations, Transforms, Transisitions 31 | * [Material Design](https://www.google.com/design/spec/material-design/introduction.html) 32 | 33 | ## License 34 | 35 | lastest GPL-license (see LICENSE-file) 36 | 37 | Copyright (C) 2015 NIPE-SYSTEMS, [https://nipe-systems.de](https://nipe-systems.de) 38 | -------------------------------------------------------------------------------- /index.html: -------------------------------------------------------------------------------- 1 | 2 | 3 | 4 | NIPE-SYSTEMS - HTML5 Web Audio API Showcase 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 19 |
20 |

HTML5 Web Audio API Showcase

21 |
22 |

Choose a song

23 | 24 |

Audio files only (MIME: audio/*). The files are processed locally.

25 | 26 |
27 |
28 | 30 | 31 | 32 | 33 | -------------------------------------------------------------------------------- /loader.css: -------------------------------------------------------------------------------- 1 | #spinner-outer 2 | { 3 | position: absolute; 4 | } 5 | 6 | #spinner-outer.hidden 7 | { 8 | display: none; 9 | } 10 | 11 | #spinner 12 | { 13 | -webkit-animation: rotator 1.4s linear infinite; 14 | -moz-animation: rotator 1.4s linear infinite; 15 | -o-animation: rotator 1.4s linear infinite; 16 | animation: rotator 1.4s linear infinite; 17 | } 18 | 19 | @-webkit-keyframes rotator 20 | { 21 | 0% 22 | { 23 | transform: rotate(0deg); 24 | } 25 | 100% 26 | { 27 | transform: rotate(270deg); 28 | } 29 | } 30 | 31 | @-moz-keyframes rotator 32 | { 33 | 0% 34 | { 35 | transform: rotate(0deg); 36 | } 37 | 100% 38 | { 39 | transform: rotate(270deg); 40 | } 41 | } 42 | 43 | @-o-keyframes rotator 44 | { 45 | 0% 46 | { 47 | transform: rotate(0deg); 48 | } 49 | 100% 50 | { 51 | transform: rotate(270deg); 52 | } 53 | } 54 | 55 | @keyframes rotator 56 | { 57 | 0% 58 | { 59 | transform: rotate(0deg); 60 | } 61 | 100% 62 | { 63 | transform: rotate(270deg); 64 | } 65 | } 66 | 67 | .path 68 | { 69 | stroke: #4285F4; 70 | stroke-dasharray: 80; 71 | stroke-dashoffset: 0; 72 | transform-origin: center; 73 | -webkit-animation: dash 1.4s ease-in-out infinite, colors 5.6s ease-in-out infinite; 74 | -moz-animation: dash 1.4s ease-in-out infinite, colors 5.6s ease-in-out infinite; 75 | -o-animation: dash 1.4s ease-in-out infinite, colors 5.6s ease-in-out infinite; 76 | animation: dash 1.4s ease-in-out infinite, colors 5.6s ease-in-out infinite; 77 | } 78 | 79 | @-webkit-keyframes colors 80 | { 81 | 0% 82 | { 83 | stroke: #4285F4; 84 | } 85 | 22% 86 | { 87 | stroke: #4285F4; 88 | } 89 | 28% 90 | { 91 | stroke: #DE3E35; 92 | } 93 | 47% 94 | { 95 | stroke: #DE3E35; 96 | } 97 | 53% 98 | { 99 | stroke: #F7C223; 100 | } 101 | 72% 102 | { 103 | stroke: #F7C223; 104 | } 105 | 78% 106 | { 107 | stroke: #1B9A59; 108 | } 109 | } 110 | 111 | /*@-moz-keyframes colors 112 | { 113 | 0% 114 | { 115 | stroke: #4285F4; 116 | } 117 | 25% 118 | { 119 | stroke: #DE3E35; 120 | } 121 | 50% 122 | { 123 | stroke: #F7C223; 124 | } 125 | 75% 126 | { 127 | stroke: #1B9A59; 128 | } 129 | 100% 130 | { 131 | stroke: #4285F4; 132 | } 133 | } 134 | 135 | @-o-keyframes colors 136 | { 137 | 0% 138 | { 139 | stroke: #4285F4; 140 | } 141 | 25% 142 | { 143 | stroke: #DE3E35; 144 | } 145 | 50% 146 | { 147 | stroke: #F7C223; 148 | } 149 | 75% 150 | { 151 | stroke: #1B9A59; 152 | } 153 | 100% 154 | { 155 | stroke: #4285F4; 156 | } 157 | } 158 | 159 | @keyframes colors 160 | { 161 | 0% 162 | { 163 | stroke: #4285F4; 164 | } 165 | 25% 166 | { 167 | stroke: #DE3E35; 168 | } 169 | 50% 170 | { 171 | stroke: #F7C223; 172 | } 173 | 75% 174 | { 175 | stroke: #1B9A59; 176 | } 177 | 100% 178 | { 179 | stroke: #4285F4; 180 | } 181 | }*/ 182 | 183 | @-webkit-keyframes dash 184 | { 185 | 0% 186 | { 187 | stroke-dashoffset: 80; 188 | } 189 | 50% 190 | { 191 | stroke-dashoffset: 20; 192 | transform:rotate(135deg); 193 | } 194 | 100% 195 | { 196 | stroke-dashoffset: 80; 197 | transform:rotate(450deg); 198 | } 199 | } 200 | 201 | @-moz-keyframes dash 202 | { 203 | 0% 204 | { 205 | stroke-dashoffset: 80; 206 | } 207 | 50% 208 | { 209 | stroke-dashoffset: 10; 210 | transform:rotate(135deg); 211 | } 212 | 100% 213 | { 214 | stroke-dashoffset: 80; 215 | transform:rotate(450deg); 216 | } 217 | } 218 | 219 | @-o-keyframes dash 220 | { 221 | 0% 222 | { 223 | stroke-dashoffset: 80; 224 | } 225 | 50% 226 | { 227 | stroke-dashoffset: 10; 228 | transform:rotate(135deg); 229 | } 230 | 100% 231 | { 232 | stroke-dashoffset: 80; 233 | transform:rotate(450deg); 234 | } 235 | } 236 | 237 | @keyframes dash 238 | { 239 | 0% 240 | { 241 | stroke-dashoffset: 80; 242 | } 243 | 50% 244 | { 245 | stroke-dashoffset: 10; 246 | transform:rotate(135deg); 247 | } 248 | 100% 249 | { 250 | stroke-dashoffset: 80; 251 | transform:rotate(450deg); 252 | } 253 | } -------------------------------------------------------------------------------- /style.css: -------------------------------------------------------------------------------- 1 | @-webkit-keyframes heartbeat 2 | { 3 | 0% 4 | { 5 | transform: scale(1); 6 | } 7 | 10% 8 | { 9 | transform: scale(1.2); 10 | } 11 | 50% 12 | { 13 | transform: scale(1); 14 | } 15 | } 16 | 17 | @-moz-keyframes heartbeat 18 | { 19 | 0% 20 | { 21 | transform: scale(1); 22 | } 23 | 10% 24 | { 25 | transform: scale(1.2); 26 | } 27 | 50% 28 | { 29 | transform: scale(1); 30 | } 31 | } 32 | 33 | @-o-keyframes heartbeat 34 | { 35 | 0% 36 | { 37 | transform: scale(1); 38 | } 39 | 10% 40 | { 41 | transform: scale(1.2); 42 | } 43 | 50% 44 | { 45 | transform: scale(1); 46 | } 47 | } 48 | 49 | @keyframes heartbeat 50 | { 51 | 0% 52 | { 53 | transform: scale(1); 54 | } 55 | 10% 56 | { 57 | transform: scale(1.2); 58 | } 59 | 50% 60 | { 61 | transform: scale(1); 62 | } 63 | } 64 | 65 | * 66 | { 67 | font-family: 'Roboto', sans-serif; 68 | font-size: 15px; 69 | margin: 0; 70 | padding: 0; 71 | } 72 | 73 | html, body 74 | { 75 | background-color: #EEEEEE; 76 | } 77 | 78 | html, body, #chooser, #scene 79 | { 80 | min-height: 630px; 81 | width: 100%; 82 | height: 100%; 83 | } 84 | 85 | svg#heart 86 | { 87 | margin: 0 0 -2px 0; 88 | } 89 | 90 | svg#heart path#heartShape 91 | { 92 | -webkit-animation-duration: 1s; 93 | -webkit-animation-name: heartbeat; 94 | -webkit-animation-iteration-count: infinite; 95 | -moz-animation-duration: 1s; 96 | -moz-animation-name: heartbeat; 97 | -moz-animation-iteration-count: infinite; 98 | -o-animation-duration: 1s; 99 | -o-animation-name: heartbeat; 100 | -o-animation-iteration-count: infinite; 101 | animation-duration: 1s; 102 | animation-name: heartbeat; 103 | animation-iteration-count: infinite; 104 | -webkit-transform-origin: center center; 105 | -moz-transform-origin: center center; 106 | -o-transform-origin: center center; 107 | transform-origin: center center; 108 | fill: #FF6688; 109 | } 110 | 111 | #footer 112 | { 113 | z-index: 1; 114 | position: absolute; 115 | text-align: center; 116 | width: 300px; 117 | font-size: 13px; 118 | color: #AAAAAA; 119 | bottom: 10px; 120 | left: 50%; 121 | margin-left: -150px; 122 | } 123 | 124 | #footer a 125 | { 126 | font-size: 13px; 127 | color: #AAAAAA; 128 | } 129 | 130 | #footer a:hover 131 | { 132 | color: #4285F4; 133 | } 134 | 135 | #chooser, #scene 136 | { 137 | position: absolute; 138 | transition: opacity 1s ease, visibility 1s ease; 139 | opacity: 1; 140 | visibility: visible; 141 | } 142 | 143 | #chooser.hidden, #scene.hidden 144 | { 145 | opacity: 0; 146 | visibility: hidden; 147 | } 148 | 149 | #chooser #chooser-dialog 150 | { 151 | position: absolute; 152 | overflow: hidden; 153 | width: 400px; 154 | height: 190px; 155 | top: 50%; 156 | left: 50%; 157 | margin-top: -95px; 158 | margin-left: -200px; 159 | background-color: #FFFFFF; 160 | border-radius: 3px; 161 | padding: 20px 20px 0 20px; 162 | box-sizing: border-box; 163 | box-shadow: 0 2px 2px 0 rgba(0, 0, 0, 0.2), 0 6px 10px 0 rgba(0, 0, 0, 0.3); 164 | /*box-shadow: 0 17px 17px 0 rgba(0, 0, 0, 0.15), 0 27px 55px 0 rgba(0, 0, 0, 0.3);*/ 165 | } 166 | 167 | #chooser h1 168 | { 169 | color: #444444; 170 | position: absolute; 171 | width: 400px; 172 | height: 30px; 173 | top: 50%; 174 | left: 50%; 175 | margin-top: -150px; 176 | margin-left: -200px; 177 | font-size: 23px; 178 | font-weight: 300; 179 | text-align: center; 180 | } 181 | 182 | #chooser #chooser-dialog h2 183 | { 184 | margin: 0 0 15px 0; 185 | font-size: 23px; 186 | font-weight: 500; 187 | } 188 | 189 | #chooser #chooser-dialog input 190 | { 191 | display: block; 192 | height: 30px; 193 | font-family: 'Roboto', sans-serif; 194 | } 195 | 196 | #chooser #chooser-dialog p 197 | { 198 | height: 50px; 199 | color: #888888; 200 | font-size: 14px; 201 | } 202 | 203 | #chooser #chooser-dialog button 204 | { 205 | outline: none; 206 | display: block; 207 | border: none; 208 | background-color: transparent; 209 | padding: 10px 20px 16px 20px; 210 | font-family: 'Roboto', sans-serif; 211 | font-size: 14px; 212 | font-weight: 500; 213 | text-transform: uppercase; 214 | width: 140px; 215 | box-sizing: border-box; 216 | margin-left: 240px; 217 | color: #4285F4; 218 | background-color: #FFFFFF; 219 | cursor: pointer; 220 | transition: background-color 0.14s cubic-bezier(0.4, 0, 0.2, 1); 221 | } 222 | 223 | #chooser #chooser-dialog button:active 224 | { 225 | background-color: #EEEEEE; 226 | } 227 | 228 | #chooser #chooser-dialog button.disabled 229 | { 230 | background-color: #FFFFFF; 231 | cursor: default; 232 | color: #CCCCCC; 233 | } 234 | 235 | #scene #scene-canvas 236 | { 237 | position: absolute; 238 | width: 600px; 239 | height: 600px; 240 | top: 50%; 241 | left: 50%; 242 | margin-top: -300px; 243 | margin-left: -300px; 244 | /*outline: 1px dashed #CCCCCC;*/ 245 | } 246 | 247 | #error 248 | { 249 | z-index: 2; 250 | position: absolute; 251 | top: 0; 252 | right: 0; 253 | bottom: 0; 254 | left: 0; 255 | background-color: rgba(0, 0, 0, 0.25); 256 | transition: opacity 0.28s cubic-bezier(0.4, 0, 0.2, 1), visibility 0.28s cubic-bezier(0.4, 0, 0.2, 1); 257 | opacity: 1; 258 | visibility: visible; 259 | } 260 | 261 | #error #error-dialog 262 | { 263 | position: absolute; 264 | overflow: hidden; 265 | width: 300px; 266 | height: 150px; 267 | top: 50%; 268 | left: 50%; 269 | margin-top: -75px; 270 | margin-left: -150px; 271 | background-color: #FFFFFF; 272 | border-radius: 3px; 273 | padding: 20px 20px 0 20px; 274 | box-sizing: border-box; 275 | /*box-shadow: 0 2px 2px 0 rgba(0, 0, 0, 0.2), 0 6px 10px 0 rgba(0, 0, 0, 0.3);*/ 276 | box-shadow: 0 17px 17px 0 rgba(0, 0, 0, 0.15), 0 27px 55px 0 rgba(0, 0, 0, 0.3); 277 | transition: transform 0.28s cubic-bezier(0.4, 0, 0.2, 1); 278 | transform: translate(0, 0); 279 | } 280 | 281 | #error.hidden 282 | { 283 | opacity: 0; 284 | visibility: hidden; 285 | } 286 | 287 | #error.hidden #error-dialog 288 | { 289 | transform: translate(0, -200px); 290 | } 291 | 292 | #error #error-dialog h1 293 | { 294 | height: 30px; 295 | margin: 0 0 15px 0; 296 | font-size: 23px; 297 | font-weight: 500; 298 | } 299 | 300 | #error #error-dialog p 301 | { 302 | height: 40px; 303 | color: #666666; 304 | font-size: 15px; 305 | } 306 | 307 | #error #error-dialog button 308 | { 309 | outline: none; 310 | display: block; 311 | border: none; 312 | background-color: transparent; 313 | padding: 10px 20px 16px 20px; 314 | font-family: 'Roboto', sans-serif; 315 | font-size: 14px; 316 | font-weight: 500; 317 | text-transform: uppercase; 318 | width: 80px; 319 | box-sizing: border-box; 320 | margin-left: 186px; 321 | color: #4285F4; 322 | background-color: #FFFFFF; 323 | cursor: pointer; 324 | transition: background-color 0.14s cubic-bezier(0.4, 0, 0.2, 1); 325 | } 326 | 327 | #error #error-dialog button:active 328 | { 329 | background-color: #EEEEEE; 330 | } 331 | -------------------------------------------------------------------------------- /script.js: -------------------------------------------------------------------------------- 1 | var audioInput = null; 2 | var file = null; 3 | var fileName = ""; 4 | var playButton = null; 5 | var buttonDisabled = true; 6 | var audioContext = null; 7 | var audioBufferSourceNode = null; 8 | var audioPlaying = false; 9 | var canvas = null; 10 | var ctx = null; 11 | var elapsedTime = 0; 12 | var startTime = 0; 13 | var durationTime = 0; 14 | var analyser = null; 15 | var audioDrawingArray = null; 16 | var radius = 150; 17 | var graphSize = 150; 18 | var xc = 0; 19 | var yc = 0; 20 | var i = 0; 21 | var animationFrameId = null; 22 | var lastTimeStamp = 0; 23 | var textX = 200; 24 | var textStopState = 1; 25 | var textStopStartTimeStamp = -1; 26 | var volume = 0.75; 27 | var audioGainNode = null; 28 | var volumeAnimation = 0; 29 | 30 | window.onload = function() 31 | { 32 | console && console.log("%cHTML5 Web Audio API Showcase\n%cA Fancy HTML5 Audio Visualizer based on Web Audio API\nCopyright 2015 NIPE-SYSTEMS\nFork this on GitHub: https://github.com/NIPE-SYSTEMS/html5-web-audio-showcase", "font-size: 1.5em; font-weight: bold;", "font-size: 1em;"); 33 | 34 | window.AudioContext = window.AudioContext || window.webkitAudioContext || window.mozAudioContext || window.msAudioContext; 35 | window.requestAnimationFrame = window.requestAnimationFrame || window.webkitRequestAnimationFrame || window.mozRequestAnimationFrame || window.msRequestAnimationFrame; 36 | window.cancelAnimationFrame = window.cancelAnimationFrame || window.webkitCancelAnimationFrame || window.mozCancelAnimationFrame || window.msCancelAnimationFrame; 37 | 38 | try 39 | { 40 | audioContext = new AudioContext(); 41 | } 42 | catch(error) 43 | { 44 | console.error(error); 45 | } 46 | 47 | audioInput = document.getElementById("chooser-input"); 48 | audioInput.onchange = cbInputChange; 49 | 50 | playButton = document.getElementById("chooser-button"); 51 | playButton.onclick = cbButtonClick; 52 | disableButton(); 53 | 54 | canvas = document.getElementById("scene-canvas"); 55 | ctx = canvas.getContext("2d"); 56 | 57 | if(canvas.addEventListener) 58 | { 59 | // IE9, Chrome, Safari, Opera 60 | canvas.addEventListener("mousewheel", cbCanvasScroll, false); 61 | // Firefox 62 | canvas.addEventListener("DOMMouseScroll", cbCanvasScroll, false); 63 | } 64 | // IE 6/7/8 65 | else 66 | { 67 | canvas.attachEvent("onmousewheel", cbCanvasScroll); 68 | } 69 | 70 | analyser = audioContext.createAnalyser(); 71 | audioGainNode = audioContext.createGain(); 72 | 73 | analyser.connect(audioGainNode); 74 | audioGainNode.connect(audioContext.destination); 75 | 76 | document.getElementById("error-button").onclick = cbErrorButtonClick; 77 | }; 78 | 79 | function cbCanvasScroll(e) 80 | { 81 | var e = window.event || e; 82 | var detail = Math.max(-1, Math.min(1, (e.wheelDelta || -e.detail))); 83 | 84 | if(detail > 0) 85 | { 86 | volume = Math.min(1, volume + 0.025); 87 | } 88 | else 89 | { 90 | volume = Math.max(0, volume - 0.025); 91 | } 92 | 93 | if(audioGainNode != null) 94 | { 95 | // console.log("Volume set to: " + volume); 96 | audioGainNode.gain.value = Math.pow(volume, 2.0); // makes the volume more realistic 97 | } 98 | 99 | volumeAnimation = 400; 100 | } 101 | 102 | function cbInputChange() 103 | { 104 | if(audioInput.files.length != 0) 105 | { 106 | file = audioInput.files[0]; 107 | fileName = file.name; 108 | 109 | // console.log("Play audio: " + fileName); 110 | 111 | enableButton(); 112 | } 113 | } 114 | 115 | function disableButton() 116 | { 117 | buttonDisabled = true; 118 | document.getElementById("chooser-button").className = "disabled"; 119 | } 120 | 121 | function enableButton() 122 | { 123 | buttonDisabled = false; 124 | document.getElementById("chooser-button").className = ""; 125 | } 126 | 127 | function cbButtonClick() 128 | { 129 | if(!buttonDisabled) 130 | { 131 | if(file.type.split("/")[0] == "audio") 132 | { 133 | var fileReader = new FileReader(); 134 | fileReader.onload = function(e) 135 | { 136 | var fileResult = e.target.result; 137 | if(audioContext == null) 138 | { 139 | return; 140 | } 141 | audioContext.decodeAudioData(fileResult, function(buffer) 142 | { 143 | setTimeout(function() { visualize(buffer); document.getElementById("spinner-outer").className = "hidden"; }, 1000); 144 | 145 | showScene(); 146 | }, function(error) 147 | { 148 | console.error(error); 149 | showError("Error while decoding the audio", error.toString()); 150 | document.getElementById("spinner-outer").className = "hidden"; 151 | }); 152 | }; 153 | fileReader.onerror = function(error) 154 | { 155 | console.error(error); 156 | showError("Error while reading file", error.toString()); 157 | document.getElementById("spinner-outer").className = "hidden"; 158 | }; 159 | 160 | fileReader.readAsArrayBuffer(file); 161 | 162 | document.getElementById("spinner-outer").className = ""; 163 | } 164 | else 165 | { 166 | showError("Not an audio file", "The selected file does not match to the MIME-pattern: audio/*"); 167 | } 168 | } 169 | } 170 | 171 | function showScene() 172 | { 173 | clearDraw(); 174 | 175 | document.getElementById("chooser").className = "hidden"; 176 | document.getElementById("scene").className = ""; 177 | } 178 | 179 | function showChooser() 180 | { 181 | document.getElementById("chooser").className = ""; 182 | document.getElementById("scene").className = "hidden"; 183 | } 184 | 185 | function visualize(buffer) 186 | { 187 | audioBufferSourceNode = audioContext.createBufferSource(); 188 | 189 | audioBufferSourceNode.buffer = buffer; 190 | analyser.smoothingTimeConstant = 0.75; 191 | audioGainNode.gain.value = volume; 192 | 193 | audioBufferSourceNode.connect(analyser); 194 | 195 | audioBufferSourceNode.start(); 196 | 197 | audioPlaying = true; 198 | startTime = audioContext.currentTime; 199 | durationTime = buffer.duration; 200 | 201 | draw(0); 202 | 203 | audioBufferSourceNode.onended = function() 204 | { 205 | audioBufferSourceNode.stop(); 206 | audioBufferSourceNode.disconnect(); 207 | 208 | if(animationFrameId !== null) 209 | { 210 | cancelAnimationFrame(animationFrameId); 211 | animationFrameId = null; 212 | } 213 | 214 | audioPlaying = false; 215 | showChooser(); 216 | }; 217 | } 218 | 219 | function generateTime(seconds) 220 | { 221 | var minutes = Math.floor(seconds / 60); 222 | var seconds = Math.floor(seconds % 60); 223 | 224 | return ((minutes < 10)?("0" + minutes):(minutes)) + ":" + ((seconds < 10)?("0" + seconds):(seconds)); 225 | } 226 | 227 | function generateName(fileName) 228 | { 229 | var parts = fileName.split("."); 230 | parts.pop(); 231 | return parts.join("."); 232 | } 233 | 234 | function clearDraw() 235 | { 236 | ctx.clearRect(0, 0, 600, 600); 237 | 238 | ctx.fillStyle = "#FFFFFF"; 239 | ctx.strokeStyle = "#DDDDDD"; 240 | ctx.beginPath(); 241 | ctx.arc(300, 300, radius, 0, 2 * Math.PI, false); 242 | ctx.fill(); 243 | ctx.stroke(); 244 | 245 | ctx.fillStyle = "#222222"; 246 | ctx.font = "100 75px Roboto"; 247 | ctx.textAlign = "center"; 248 | ctx.textBaseline = "middle"; 249 | ctx.fillText("00:00", 300, 300); 250 | } 251 | 252 | function draw(currentTimeStamp) 253 | { 254 | elapsedTime = audioContext.currentTime - startTime; 255 | audioDrawingArray = new Uint8Array(analyser.frequencyBinCount); 256 | analyser.getByteFrequencyData(audioDrawingArray); 257 | 258 | ctx.clearRect(0, 0, 600, 600); 259 | 260 | ctx.lineWidth = 1.0; 261 | ctx.fillStyle = "#FFFFFF"; 262 | ctx.strokeStyle = "#DDDDDD"; 263 | ctx.beginPath(); 264 | ctx.moveTo(300 + Math.cos(0.5 * Math.PI) * (radius + (audioDrawingArray[0] / 256 * graphSize)), 300 + Math.sin(0.5 * Math.PI) * (radius + (audioDrawingArray[0] / 256 * graphSize))); 265 | 266 | for(i = 1; i < (audioDrawingArray.length / 4); i++) 267 | { 268 | xc = ((300 + Math.cos((0.5 - (i / audioDrawingArray.length * 4)) * Math.PI) * (radius + (audioDrawingArray[i] / 256 * graphSize))) + (300 + Math.cos((0.5 - (i / audioDrawingArray.length * 4)) * Math.PI) * (radius + (audioDrawingArray[i + 1] / 256 * graphSize)))) / 2; 269 | yc = ((300 + Math.sin((0.5 - (i / audioDrawingArray.length * 4)) * Math.PI) * (radius + (audioDrawingArray[i] / 256 * graphSize))) + (300 + Math.sin((0.5 - (i / audioDrawingArray.length * 4)) * Math.PI) * (radius + (audioDrawingArray[i + 1] / 256 * graphSize)))) / 2; 270 | ctx.quadraticCurveTo((300 + Math.cos((0.5 - (i / audioDrawingArray.length * 4)) * Math.PI) * (radius + (audioDrawingArray[i] / 256 * graphSize))), (300 + Math.sin((0.5 - (i / audioDrawingArray.length * 4)) * Math.PI) * (radius + (audioDrawingArray[i] / 256 * graphSize))), xc, yc); 271 | } 272 | 273 | ctx.quadraticCurveTo((300 + Math.cos((0.5 - (i / audioDrawingArray.length * 4)) * Math.PI) * (radius + (audioDrawingArray[i] / 256 * graphSize))), (300 + Math.sin((0.5 - (i / audioDrawingArray.length * 4)) * Math.PI) * (radius + (audioDrawingArray[i] / 256 * graphSize))), (300 + Math.cos((0.5 - (i / audioDrawingArray.length * 4)) * Math.PI) * (radius + (audioDrawingArray[i + 1] / 256 * graphSize))), (300 + Math.sin((0.5 - (i / audioDrawingArray.length * 4)) * Math.PI) * (radius + (audioDrawingArray[i + 1] / 256 * graphSize)))); 274 | 275 | ctx.moveTo(300 + Math.cos(0.5 * Math.PI) * (radius + (audioDrawingArray[0] / 256 * graphSize)), 300 + Math.sin(0.5 * Math.PI) * (radius + (audioDrawingArray[0] / 256 * graphSize))); 276 | 277 | for(i = 1; i < (audioDrawingArray.length / 4); i++) 278 | { 279 | xc = ((300 + Math.cos((0.5 - (4 - i / audioDrawingArray.length * 4)) * Math.PI) * (radius + (audioDrawingArray[i] / 256 * graphSize))) + (300 + Math.cos((0.5 - (4 - i / audioDrawingArray.length * 4)) * Math.PI) * (radius + (audioDrawingArray[i + 1] / 256 * graphSize)))) / 2; 280 | yc = ((300 + Math.sin((0.5 - (4 - i / audioDrawingArray.length * 4)) * Math.PI) * (radius + (audioDrawingArray[i] / 256 * graphSize))) + (300 + Math.sin((0.5 - (4 - i / audioDrawingArray.length * 4)) * Math.PI) * (radius + (audioDrawingArray[i + 1] / 256 * graphSize)))) / 2; 281 | ctx.quadraticCurveTo((300 + Math.cos((0.5 - (4 - i / audioDrawingArray.length * 4)) * Math.PI) * (radius + (audioDrawingArray[i] / 256 * graphSize))), (300 + Math.sin((0.5 - (4 - i / audioDrawingArray.length * 4)) * Math.PI) * (radius + (audioDrawingArray[i] / 256 * graphSize))), xc, yc); 282 | } 283 | 284 | ctx.quadraticCurveTo((300 + Math.cos((0.5 - (4 - i / audioDrawingArray.length * 4)) * Math.PI) * (radius + (audioDrawingArray[i] / 256 * graphSize))), (300 + Math.sin((0.5 - (4 - i / audioDrawingArray.length * 4)) * Math.PI) * (radius + (audioDrawingArray[i] / 256 * graphSize))), (300 + Math.cos((0.5 - (4 - i / audioDrawingArray.length * 4)) * Math.PI) * (radius + (audioDrawingArray[i + 1] / 256 * graphSize))), (300 + Math.sin((0.5 - (4 - i / audioDrawingArray.length * 4)) * Math.PI) * (radius + (audioDrawingArray[i + 1] / 256 * graphSize)))); 285 | 286 | ctx.fill(); 287 | ctx.stroke(); 288 | 289 | ctx.fillStyle = "#FFFFFF"; 290 | ctx.beginPath(); 291 | ctx.arc(300, 300, radius, 0, 2 * Math.PI, false); 292 | ctx.fill(); 293 | 294 | ctx.globalAlpha = (100 - Math.max(Math.min(volumeAnimation, 100), 0)) / 100; 295 | 296 | ctx.fillStyle = "#222222"; 297 | ctx.font = "100 75px Roboto"; 298 | ctx.textAlign = "center"; 299 | ctx.textBaseline = "middle"; 300 | ctx.fillText(generateTime(elapsedTime), 300, 300); 301 | 302 | ctx.fillStyle = "#888888"; 303 | ctx.font = "100 25px Roboto"; 304 | ctx.textAlign = "center"; 305 | ctx.textBaseline = "middle"; 306 | ctx.fillText("-" + generateTime(durationTime - elapsedTime), 300, 375); 307 | 308 | ctx.save(); 309 | ctx.beginPath(); 310 | ctx.rect(200, 220, 200, 30); 311 | ctx.clip(); 312 | 313 | ctx.fillStyle = "#AAAAAA"; 314 | ctx.font = "400 13px Roboto"; 315 | if(ctx.measureText(generateName(fileName)).width > 200) 316 | { 317 | // animate 318 | switch(textStopState) 319 | { 320 | case 0: 321 | { 322 | textX -= (currentTimeStamp - lastTimeStamp) / 25; 323 | if(textX <= 200) 324 | { 325 | textStopState = 1; 326 | } 327 | break; 328 | } 329 | case 1: 330 | { 331 | textX = 200; 332 | if(textStopStartTimeStamp == -1) 333 | { 334 | textStopStartTimeStamp = currentTimeStamp; 335 | } 336 | if(currentTimeStamp - textStopStartTimeStamp > 5000) 337 | { 338 | textStopStartTimeStamp = -1; 339 | textStopState = 2; 340 | } 341 | break; 342 | } 343 | case 2: 344 | { 345 | textX -= (currentTimeStamp - lastTimeStamp) / 25; 346 | if(textX <= 200 - ctx.measureText(generateName(fileName)).width) 347 | { 348 | textX = 400; 349 | textStopState = 0; 350 | } 351 | break; 352 | } 353 | } 354 | ctx.textAlign = "left"; 355 | ctx.textBaseline = "alphabetic"; 356 | ctx.fillText(generateName(fileName), textX, 240); 357 | } 358 | else 359 | { 360 | ctx.textAlign = "center"; 361 | ctx.textBaseline = "alphabetic"; 362 | ctx.fillText(generateName(fileName), 300, 240); 363 | } 364 | ctx.restore(); 365 | 366 | ctx.globalAlpha = (Math.max(Math.min(volumeAnimation, 150), 50) - 50) / 100; 367 | 368 | ctx.save(); 369 | ctx.beginPath(); 370 | ctx.arc(300, 300, radius, 0, 2 * Math.PI, false); 371 | ctx.clip(); 372 | 373 | ctx.fillStyle = "#F8F8F8"; 374 | ctx.fillRect(150, 150 + (1 - volume) * 300, 300, volume * 300); 375 | 376 | ctx.restore(); 377 | 378 | ctx.fillStyle = "#222222"; 379 | ctx.font = "100 75px Roboto"; 380 | ctx.textAlign = "center"; 381 | ctx.textBaseline = "middle"; 382 | ctx.fillText(Math.round(volume * 100) + "%", 300, 300); 383 | 384 | ctx.globalAlpha = 1; 385 | 386 | ctx.strokeStyle = "#DDDDDD"; 387 | ctx.beginPath(); 388 | ctx.arc(300, 300, radius, 0, 2 * Math.PI, false); 389 | ctx.stroke(); 390 | 391 | ctx.strokeStyle = "#3E9DFF"; 392 | ctx.lineWidth = 2.0; 393 | ctx.beginPath(); 394 | ctx.arc(300, 300, 150, -0.5 * Math.PI, (elapsedTime / durationTime) * Math.PI * 2 - (0.5 * Math.PI), false); 395 | ctx.stroke(); 396 | 397 | if(volumeAnimation > 0) 398 | { 399 | volumeAnimation -= (currentTimeStamp - lastTimeStamp) / 2.5; 400 | } 401 | 402 | // bug workaround, see https://code.google.com/p/chromium/issues/detail?id=403908 403 | if(audioPlaying && elapsedTime / durationTime > 1) 404 | { 405 | console.log("Manually dispatch 'ended' event...\nsee https://code.google.com/p/chromium/issues/detail?id=403908"); 406 | var e = new Event("ended"); 407 | audioBufferSourceNode.dispatchEvent(e); 408 | } 409 | 410 | if(audioPlaying) 411 | { 412 | animationFrameId = requestAnimationFrame(draw); 413 | } 414 | 415 | lastTimeStamp = currentTimeStamp; 416 | } 417 | 418 | function showError(title, text) 419 | { 420 | document.getElementById("error-title").innerHTML = title; 421 | document.getElementById("error-text").innerHTML = text; 422 | document.getElementById("error").className = ""; 423 | } 424 | 425 | function cbErrorButtonClick() 426 | { 427 | document.getElementById("error").className = "hidden"; 428 | } 429 | -------------------------------------------------------------------------------- /LICENSE: -------------------------------------------------------------------------------- 1 | GNU GENERAL PUBLIC LICENSE 2 | Version 3, 29 June 2007 3 | 4 | Copyright (C) 2007 Free Software Foundation, Inc. 5 | Everyone is permitted to copy and distribute verbatim copies 6 | of this license document, but changing it is not allowed. 7 | 8 | Preamble 9 | 10 | The GNU General Public License is a free, copyleft license for 11 | software and other kinds of works. 12 | 13 | The licenses for most software and other practical works are designed 14 | to take away your freedom to share and change the works. By contrast, 15 | the GNU General Public License is intended to guarantee your freedom to 16 | share and change all versions of a program--to make sure it remains free 17 | software for all its users. We, the Free Software Foundation, use the 18 | GNU General Public License for most of our software; it applies also to 19 | any other work released this way by its authors. You can apply it to 20 | your programs, too. 21 | 22 | When we speak of free software, we are referring to freedom, not 23 | price. Our General Public Licenses are designed to make sure that you 24 | have the freedom to distribute copies of free software (and charge for 25 | them if you wish), that you receive source code or can get it if you 26 | want it, that you can change the software or use pieces of it in new 27 | free programs, and that you know you can do these things. 28 | 29 | To protect your rights, we need to prevent others from denying you 30 | these rights or asking you to surrender the rights. Therefore, you have 31 | certain responsibilities if you distribute copies of the software, or if 32 | you modify it: responsibilities to respect the freedom of others. 33 | 34 | For example, if you distribute copies of such a program, whether 35 | gratis or for a fee, you must pass on to the recipients the same 36 | freedoms that you received. You must make sure that they, too, receive 37 | or can get the source code. And you must show them these terms so they 38 | know their rights. 39 | 40 | Developers that use the GNU GPL protect your rights with two steps: 41 | (1) assert copyright on the software, and (2) offer you this License 42 | giving you legal permission to copy, distribute and/or modify it. 43 | 44 | For the developers' and authors' protection, the GPL clearly explains 45 | that there is no warranty for this free software. For both users' and 46 | authors' sake, the GPL requires that modified versions be marked as 47 | changed, so that their problems will not be attributed erroneously to 48 | authors of previous versions. 49 | 50 | Some devices are designed to deny users access to install or run 51 | modified versions of the software inside them, although the manufacturer 52 | can do so. This is fundamentally incompatible with the aim of 53 | protecting users' freedom to change the software. The systematic 54 | pattern of such abuse occurs in the area of products for individuals to 55 | use, which is precisely where it is most unacceptable. Therefore, we 56 | have designed this version of the GPL to prohibit the practice for those 57 | products. If such problems arise substantially in other domains, we 58 | stand ready to extend this provision to those domains in future versions 59 | of the GPL, as needed to protect the freedom of users. 60 | 61 | Finally, every program is threatened constantly by software patents. 62 | States should not allow patents to restrict development and use of 63 | software on general-purpose computers, but in those that do, we wish to 64 | avoid the special danger that patents applied to a free program could 65 | make it effectively proprietary. To prevent this, the GPL assures that 66 | patents cannot be used to render the program non-free. 67 | 68 | The precise terms and conditions for copying, distribution and 69 | modification follow. 70 | 71 | TERMS AND CONDITIONS 72 | 73 | 0. Definitions. 74 | 75 | "This License" refers to version 3 of the GNU General Public License. 76 | 77 | "Copyright" also means copyright-like laws that apply to other kinds of 78 | works, such as semiconductor masks. 79 | 80 | "The Program" refers to any copyrightable work licensed under this 81 | License. Each licensee is addressed as "you". "Licensees" and 82 | "recipients" may be individuals or organizations. 83 | 84 | To "modify" a work means to copy from or adapt all or part of the work 85 | in a fashion requiring copyright permission, other than the making of an 86 | exact copy. The resulting work is called a "modified version" of the 87 | earlier work or a work "based on" the earlier work. 88 | 89 | A "covered work" means either the unmodified Program or a work based 90 | on the Program. 91 | 92 | To "propagate" a work means to do anything with it that, without 93 | permission, would make you directly or secondarily liable for 94 | infringement under applicable copyright law, except executing it on a 95 | computer or modifying a private copy. Propagation includes copying, 96 | distribution (with or without modification), making available to the 97 | public, and in some countries other activities as well. 98 | 99 | To "convey" a work means any kind of propagation that enables other 100 | parties to make or receive copies. Mere interaction with a user through 101 | a computer network, with no transfer of a copy, is not conveying. 102 | 103 | An interactive user interface displays "Appropriate Legal Notices" 104 | to the extent that it includes a convenient and prominently visible 105 | feature that (1) displays an appropriate copyright notice, and (2) 106 | tells the user that there is no warranty for the work (except to the 107 | extent that warranties are provided), that licensees may convey the 108 | work under this License, and how to view a copy of this License. If 109 | the interface presents a list of user commands or options, such as a 110 | menu, a prominent item in the list meets this criterion. 111 | 112 | 1. Source Code. 113 | 114 | The "source code" for a work means the preferred form of the work 115 | for making modifications to it. "Object code" means any non-source 116 | form of a work. 117 | 118 | A "Standard Interface" means an interface that either is an official 119 | standard defined by a recognized standards body, or, in the case of 120 | interfaces specified for a particular programming language, one that 121 | is widely used among developers working in that language. 122 | 123 | The "System Libraries" of an executable work include anything, other 124 | than the work as a whole, that (a) is included in the normal form of 125 | packaging a Major Component, but which is not part of that Major 126 | Component, and (b) serves only to enable use of the work with that 127 | Major Component, or to implement a Standard Interface for which an 128 | implementation is available to the public in source code form. A 129 | "Major Component", in this context, means a major essential component 130 | (kernel, window system, and so on) of the specific operating system 131 | (if any) on which the executable work runs, or a compiler used to 132 | produce the work, or an object code interpreter used to run it. 133 | 134 | The "Corresponding Source" for a work in object code form means all 135 | the source code needed to generate, install, and (for an executable 136 | work) run the object code and to modify the work, including scripts to 137 | control those activities. However, it does not include the work's 138 | System Libraries, or general-purpose tools or generally available free 139 | programs which are used unmodified in performing those activities but 140 | which are not part of the work. For example, Corresponding Source 141 | includes interface definition files associated with source files for 142 | the work, and the source code for shared libraries and dynamically 143 | linked subprograms that the work is specifically designed to require, 144 | such as by intimate data communication or control flow between those 145 | subprograms and other parts of the work. 146 | 147 | The Corresponding Source need not include anything that users 148 | can regenerate automatically from other parts of the Corresponding 149 | Source. 150 | 151 | The Corresponding Source for a work in source code form is that 152 | same work. 153 | 154 | 2. Basic Permissions. 155 | 156 | All rights granted under this License are granted for the term of 157 | copyright on the Program, and are irrevocable provided the stated 158 | conditions are met. This License explicitly affirms your unlimited 159 | permission to run the unmodified Program. The output from running a 160 | covered work is covered by this License only if the output, given its 161 | content, constitutes a covered work. This License acknowledges your 162 | rights of fair use or other equivalent, as provided by copyright law. 163 | 164 | You may make, run and propagate covered works that you do not 165 | convey, without conditions so long as your license otherwise remains 166 | in force. You may convey covered works to others for the sole purpose 167 | of having them make modifications exclusively for you, or provide you 168 | with facilities for running those works, provided that you comply with 169 | the terms of this License in conveying all material for which you do 170 | not control copyright. Those thus making or running the covered works 171 | for you must do so exclusively on your behalf, under your direction 172 | and control, on terms that prohibit them from making any copies of 173 | your copyrighted material outside their relationship with you. 174 | 175 | Conveying under any other circumstances is permitted solely under 176 | the conditions stated below. Sublicensing is not allowed; section 10 177 | makes it unnecessary. 178 | 179 | 3. Protecting Users' Legal Rights From Anti-Circumvention Law. 180 | 181 | No covered work shall be deemed part of an effective technological 182 | measure under any applicable law fulfilling obligations under article 183 | 11 of the WIPO copyright treaty adopted on 20 December 1996, or 184 | similar laws prohibiting or restricting circumvention of such 185 | measures. 186 | 187 | When you convey a covered work, you waive any legal power to forbid 188 | circumvention of technological measures to the extent such circumvention 189 | is effected by exercising rights under this License with respect to 190 | the covered work, and you disclaim any intention to limit operation or 191 | modification of the work as a means of enforcing, against the work's 192 | users, your or third parties' legal rights to forbid circumvention of 193 | technological measures. 194 | 195 | 4. Conveying Verbatim Copies. 196 | 197 | You may convey verbatim copies of the Program's source code as you 198 | receive it, in any medium, provided that you conspicuously and 199 | appropriately publish on each copy an appropriate copyright notice; 200 | keep intact all notices stating that this License and any 201 | non-permissive terms added in accord with section 7 apply to the code; 202 | keep intact all notices of the absence of any warranty; and give all 203 | recipients a copy of this License along with the Program. 204 | 205 | You may charge any price or no price for each copy that you convey, 206 | and you may offer support or warranty protection for a fee. 207 | 208 | 5. Conveying Modified Source Versions. 209 | 210 | You may convey a work based on the Program, or the modifications to 211 | produce it from the Program, in the form of source code under the 212 | terms of section 4, provided that you also meet all of these conditions: 213 | 214 | a) The work must carry prominent notices stating that you modified 215 | it, and giving a relevant date. 216 | 217 | b) The work must carry prominent notices stating that it is 218 | released under this License and any conditions added under section 219 | 7. This requirement modifies the requirement in section 4 to 220 | "keep intact all notices". 221 | 222 | c) You must license the entire work, as a whole, under this 223 | License to anyone who comes into possession of a copy. This 224 | License will therefore apply, along with any applicable section 7 225 | additional terms, to the whole of the work, and all its parts, 226 | regardless of how they are packaged. This License gives no 227 | permission to license the work in any other way, but it does not 228 | invalidate such permission if you have separately received it. 229 | 230 | d) If the work has interactive user interfaces, each must display 231 | Appropriate Legal Notices; however, if the Program has interactive 232 | interfaces that do not display Appropriate Legal Notices, your 233 | work need not make them do so. 234 | 235 | A compilation of a covered work with other separate and independent 236 | works, which are not by their nature extensions of the covered work, 237 | and which are not combined with it such as to form a larger program, 238 | in or on a volume of a storage or distribution medium, is called an 239 | "aggregate" if the compilation and its resulting copyright are not 240 | used to limit the access or legal rights of the compilation's users 241 | beyond what the individual works permit. Inclusion of a covered work 242 | in an aggregate does not cause this License to apply to the other 243 | parts of the aggregate. 244 | 245 | 6. Conveying Non-Source Forms. 246 | 247 | You may convey a covered work in object code form under the terms 248 | of sections 4 and 5, provided that you also convey the 249 | machine-readable Corresponding Source under the terms of this License, 250 | in one of these ways: 251 | 252 | a) Convey the object code in, or embodied in, a physical product 253 | (including a physical distribution medium), accompanied by the 254 | Corresponding Source fixed on a durable physical medium 255 | customarily used for software interchange. 256 | 257 | b) Convey the object code in, or embodied in, a physical product 258 | (including a physical distribution medium), accompanied by a 259 | written offer, valid for at least three years and valid for as 260 | long as you offer spare parts or customer support for that product 261 | model, to give anyone who possesses the object code either (1) a 262 | copy of the Corresponding Source for all the software in the 263 | product that is covered by this License, on a durable physical 264 | medium customarily used for software interchange, for a price no 265 | more than your reasonable cost of physically performing this 266 | conveying of source, or (2) access to copy the 267 | Corresponding Source from a network server at no charge. 268 | 269 | c) Convey individual copies of the object code with a copy of the 270 | written offer to provide the Corresponding Source. This 271 | alternative is allowed only occasionally and noncommercially, and 272 | only if you received the object code with such an offer, in accord 273 | with subsection 6b. 274 | 275 | d) Convey the object code by offering access from a designated 276 | place (gratis or for a charge), and offer equivalent access to the 277 | Corresponding Source in the same way through the same place at no 278 | further charge. You need not require recipients to copy the 279 | Corresponding Source along with the object code. If the place to 280 | copy the object code is a network server, the Corresponding Source 281 | may be on a different server (operated by you or a third party) 282 | that supports equivalent copying facilities, provided you maintain 283 | clear directions next to the object code saying where to find the 284 | Corresponding Source. Regardless of what server hosts the 285 | Corresponding Source, you remain obligated to ensure that it is 286 | available for as long as needed to satisfy these requirements. 287 | 288 | e) Convey the object code using peer-to-peer transmission, provided 289 | you inform other peers where the object code and Corresponding 290 | Source of the work are being offered to the general public at no 291 | charge under subsection 6d. 292 | 293 | A separable portion of the object code, whose source code is excluded 294 | from the Corresponding Source as a System Library, need not be 295 | included in conveying the object code work. 296 | 297 | A "User Product" is either (1) a "consumer product", which means any 298 | tangible personal property which is normally used for personal, family, 299 | or household purposes, or (2) anything designed or sold for incorporation 300 | into a dwelling. In determining whether a product is a consumer product, 301 | doubtful cases shall be resolved in favor of coverage. For a particular 302 | product received by a particular user, "normally used" refers to a 303 | typical or common use of that class of product, regardless of the status 304 | of the particular user or of the way in which the particular user 305 | actually uses, or expects or is expected to use, the product. A product 306 | is a consumer product regardless of whether the product has substantial 307 | commercial, industrial or non-consumer uses, unless such uses represent 308 | the only significant mode of use of the product. 309 | 310 | "Installation Information" for a User Product means any methods, 311 | procedures, authorization keys, or other information required to install 312 | and execute modified versions of a covered work in that User Product from 313 | a modified version of its Corresponding Source. The information must 314 | suffice to ensure that the continued functioning of the modified object 315 | code is in no case prevented or interfered with solely because 316 | modification has been made. 317 | 318 | If you convey an object code work under this section in, or with, or 319 | specifically for use in, a User Product, and the conveying occurs as 320 | part of a transaction in which the right of possession and use of the 321 | User Product is transferred to the recipient in perpetuity or for a 322 | fixed term (regardless of how the transaction is characterized), the 323 | Corresponding Source conveyed under this section must be accompanied 324 | by the Installation Information. But this requirement does not apply 325 | if neither you nor any third party retains the ability to install 326 | modified object code on the User Product (for example, the work has 327 | been installed in ROM). 328 | 329 | The requirement to provide Installation Information does not include a 330 | requirement to continue to provide support service, warranty, or updates 331 | for a work that has been modified or installed by the recipient, or for 332 | the User Product in which it has been modified or installed. Access to a 333 | network may be denied when the modification itself materially and 334 | adversely affects the operation of the network or violates the rules and 335 | protocols for communication across the network. 336 | 337 | Corresponding Source conveyed, and Installation Information provided, 338 | in accord with this section must be in a format that is publicly 339 | documented (and with an implementation available to the public in 340 | source code form), and must require no special password or key for 341 | unpacking, reading or copying. 342 | 343 | 7. Additional Terms. 344 | 345 | "Additional permissions" are terms that supplement the terms of this 346 | License by making exceptions from one or more of its conditions. 347 | Additional permissions that are applicable to the entire Program shall 348 | be treated as though they were included in this License, to the extent 349 | that they are valid under applicable law. If additional permissions 350 | apply only to part of the Program, that part may be used separately 351 | under those permissions, but the entire Program remains governed by 352 | this License without regard to the additional permissions. 353 | 354 | When you convey a copy of a covered work, you may at your option 355 | remove any additional permissions from that copy, or from any part of 356 | it. (Additional permissions may be written to require their own 357 | removal in certain cases when you modify the work.) You may place 358 | additional permissions on material, added by you to a covered work, 359 | for which you have or can give appropriate copyright permission. 360 | 361 | Notwithstanding any other provision of this License, for material you 362 | add to a covered work, you may (if authorized by the copyright holders of 363 | that material) supplement the terms of this License with terms: 364 | 365 | a) Disclaiming warranty or limiting liability differently from the 366 | terms of sections 15 and 16 of this License; or 367 | 368 | b) Requiring preservation of specified reasonable legal notices or 369 | author attributions in that material or in the Appropriate Legal 370 | Notices displayed by works containing it; or 371 | 372 | c) Prohibiting misrepresentation of the origin of that material, or 373 | requiring that modified versions of such material be marked in 374 | reasonable ways as different from the original version; or 375 | 376 | d) Limiting the use for publicity purposes of names of licensors or 377 | authors of the material; or 378 | 379 | e) Declining to grant rights under trademark law for use of some 380 | trade names, trademarks, or service marks; or 381 | 382 | f) Requiring indemnification of licensors and authors of that 383 | material by anyone who conveys the material (or modified versions of 384 | it) with contractual assumptions of liability to the recipient, for 385 | any liability that these contractual assumptions directly impose on 386 | those licensors and authors. 387 | 388 | All other non-permissive additional terms are considered "further 389 | restrictions" within the meaning of section 10. If the Program as you 390 | received it, or any part of it, contains a notice stating that it is 391 | governed by this License along with a term that is a further 392 | restriction, you may remove that term. If a license document contains 393 | a further restriction but permits relicensing or conveying under this 394 | License, you may add to a covered work material governed by the terms 395 | of that license document, provided that the further restriction does 396 | not survive such relicensing or conveying. 397 | 398 | If you add terms to a covered work in accord with this section, you 399 | must place, in the relevant source files, a statement of the 400 | additional terms that apply to those files, or a notice indicating 401 | where to find the applicable terms. 402 | 403 | Additional terms, permissive or non-permissive, may be stated in the 404 | form of a separately written license, or stated as exceptions; 405 | the above requirements apply either way. 406 | 407 | 8. Termination. 408 | 409 | You may not propagate or modify a covered work except as expressly 410 | provided under this License. Any attempt otherwise to propagate or 411 | modify it is void, and will automatically terminate your rights under 412 | this License (including any patent licenses granted under the third 413 | paragraph of section 11). 414 | 415 | However, if you cease all violation of this License, then your 416 | license from a particular copyright holder is reinstated (a) 417 | provisionally, unless and until the copyright holder explicitly and 418 | finally terminates your license, and (b) permanently, if the copyright 419 | holder fails to notify you of the violation by some reasonable means 420 | prior to 60 days after the cessation. 421 | 422 | Moreover, your license from a particular copyright holder is 423 | reinstated permanently if the copyright holder notifies you of the 424 | violation by some reasonable means, this is the first time you have 425 | received notice of violation of this License (for any work) from that 426 | copyright holder, and you cure the violation prior to 30 days after 427 | your receipt of the notice. 428 | 429 | Termination of your rights under this section does not terminate the 430 | licenses of parties who have received copies or rights from you under 431 | this License. If your rights have been terminated and not permanently 432 | reinstated, you do not qualify to receive new licenses for the same 433 | material under section 10. 434 | 435 | 9. Acceptance Not Required for Having Copies. 436 | 437 | You are not required to accept this License in order to receive or 438 | run a copy of the Program. Ancillary propagation of a covered work 439 | occurring solely as a consequence of using peer-to-peer transmission 440 | to receive a copy likewise does not require acceptance. However, 441 | nothing other than this License grants you permission to propagate or 442 | modify any covered work. These actions infringe copyright if you do 443 | not accept this License. Therefore, by modifying or propagating a 444 | covered work, you indicate your acceptance of this License to do so. 445 | 446 | 10. Automatic Licensing of Downstream Recipients. 447 | 448 | Each time you convey a covered work, the recipient automatically 449 | receives a license from the original licensors, to run, modify and 450 | propagate that work, subject to this License. You are not responsible 451 | for enforcing compliance by third parties with this License. 452 | 453 | An "entity transaction" is a transaction transferring control of an 454 | organization, or substantially all assets of one, or subdividing an 455 | organization, or merging organizations. If propagation of a covered 456 | work results from an entity transaction, each party to that 457 | transaction who receives a copy of the work also receives whatever 458 | licenses to the work the party's predecessor in interest had or could 459 | give under the previous paragraph, plus a right to possession of the 460 | Corresponding Source of the work from the predecessor in interest, if 461 | the predecessor has it or can get it with reasonable efforts. 462 | 463 | You may not impose any further restrictions on the exercise of the 464 | rights granted or affirmed under this License. For example, you may 465 | not impose a license fee, royalty, or other charge for exercise of 466 | rights granted under this License, and you may not initiate litigation 467 | (including a cross-claim or counterclaim in a lawsuit) alleging that 468 | any patent claim is infringed by making, using, selling, offering for 469 | sale, or importing the Program or any portion of it. 470 | 471 | 11. Patents. 472 | 473 | A "contributor" is a copyright holder who authorizes use under this 474 | License of the Program or a work on which the Program is based. The 475 | work thus licensed is called the contributor's "contributor version". 476 | 477 | A contributor's "essential patent claims" are all patent claims 478 | owned or controlled by the contributor, whether already acquired or 479 | hereafter acquired, that would be infringed by some manner, permitted 480 | by this License, of making, using, or selling its contributor version, 481 | but do not include claims that would be infringed only as a 482 | consequence of further modification of the contributor version. For 483 | purposes of this definition, "control" includes the right to grant 484 | patent sublicenses in a manner consistent with the requirements of 485 | this License. 486 | 487 | Each contributor grants you a non-exclusive, worldwide, royalty-free 488 | patent license under the contributor's essential patent claims, to 489 | make, use, sell, offer for sale, import and otherwise run, modify and 490 | propagate the contents of its contributor version. 491 | 492 | In the following three paragraphs, a "patent license" is any express 493 | agreement or commitment, however denominated, not to enforce a patent 494 | (such as an express permission to practice a patent or covenant not to 495 | sue for patent infringement). To "grant" such a patent license to a 496 | party means to make such an agreement or commitment not to enforce a 497 | patent against the party. 498 | 499 | If you convey a covered work, knowingly relying on a patent license, 500 | and the Corresponding Source of the work is not available for anyone 501 | to copy, free of charge and under the terms of this License, through a 502 | publicly available network server or other readily accessible means, 503 | then you must either (1) cause the Corresponding Source to be so 504 | available, or (2) arrange to deprive yourself of the benefit of the 505 | patent license for this particular work, or (3) arrange, in a manner 506 | consistent with the requirements of this License, to extend the patent 507 | license to downstream recipients. "Knowingly relying" means you have 508 | actual knowledge that, but for the patent license, your conveying the 509 | covered work in a country, or your recipient's use of the covered work 510 | in a country, would infringe one or more identifiable patents in that 511 | country that you have reason to believe are valid. 512 | 513 | If, pursuant to or in connection with a single transaction or 514 | arrangement, you convey, or propagate by procuring conveyance of, a 515 | covered work, and grant a patent license to some of the parties 516 | receiving the covered work authorizing them to use, propagate, modify 517 | or convey a specific copy of the covered work, then the patent license 518 | you grant is automatically extended to all recipients of the covered 519 | work and works based on it. 520 | 521 | A patent license is "discriminatory" if it does not include within 522 | the scope of its coverage, prohibits the exercise of, or is 523 | conditioned on the non-exercise of one or more of the rights that are 524 | specifically granted under this License. You may not convey a covered 525 | work if you are a party to an arrangement with a third party that is 526 | in the business of distributing software, under which you make payment 527 | to the third party based on the extent of your activity of conveying 528 | the work, and under which the third party grants, to any of the 529 | parties who would receive the covered work from you, a discriminatory 530 | patent license (a) in connection with copies of the covered work 531 | conveyed by you (or copies made from those copies), or (b) primarily 532 | for and in connection with specific products or compilations that 533 | contain the covered work, unless you entered into that arrangement, 534 | or that patent license was granted, prior to 28 March 2007. 535 | 536 | Nothing in this License shall be construed as excluding or limiting 537 | any implied license or other defenses to infringement that may 538 | otherwise be available to you under applicable patent law. 539 | 540 | 12. No Surrender of Others' Freedom. 541 | 542 | If conditions are imposed on you (whether by court order, agreement or 543 | otherwise) that contradict the conditions of this License, they do not 544 | excuse you from the conditions of this License. If you cannot convey a 545 | covered work so as to satisfy simultaneously your obligations under this 546 | License and any other pertinent obligations, then as a consequence you may 547 | not convey it at all. For example, if you agree to terms that obligate you 548 | to collect a royalty for further conveying from those to whom you convey 549 | the Program, the only way you could satisfy both those terms and this 550 | License would be to refrain entirely from conveying the Program. 551 | 552 | 13. Use with the GNU Affero General Public License. 553 | 554 | Notwithstanding any other provision of this License, you have 555 | permission to link or combine any covered work with a work licensed 556 | under version 3 of the GNU Affero General Public License into a single 557 | combined work, and to convey the resulting work. The terms of this 558 | License will continue to apply to the part which is the covered work, 559 | but the special requirements of the GNU Affero General Public License, 560 | section 13, concerning interaction through a network will apply to the 561 | combination as such. 562 | 563 | 14. Revised Versions of this License. 564 | 565 | The Free Software Foundation may publish revised and/or new versions of 566 | the GNU General Public License from time to time. Such new versions will 567 | be similar in spirit to the present version, but may differ in detail to 568 | address new problems or concerns. 569 | 570 | Each version is given a distinguishing version number. If the 571 | Program specifies that a certain numbered version of the GNU General 572 | Public License "or any later version" applies to it, you have the 573 | option of following the terms and conditions either of that numbered 574 | version or of any later version published by the Free Software 575 | Foundation. If the Program does not specify a version number of the 576 | GNU General Public License, you may choose any version ever published 577 | by the Free Software Foundation. 578 | 579 | If the Program specifies that a proxy can decide which future 580 | versions of the GNU General Public License can be used, that proxy's 581 | public statement of acceptance of a version permanently authorizes you 582 | to choose that version for the Program. 583 | 584 | Later license versions may give you additional or different 585 | permissions. However, no additional obligations are imposed on any 586 | author or copyright holder as a result of your choosing to follow a 587 | later version. 588 | 589 | 15. Disclaimer of Warranty. 590 | 591 | THERE IS NO WARRANTY FOR THE PROGRAM, TO THE EXTENT PERMITTED BY 592 | APPLICABLE LAW. EXCEPT WHEN OTHERWISE STATED IN WRITING THE COPYRIGHT 593 | HOLDERS AND/OR OTHER PARTIES PROVIDE THE PROGRAM "AS IS" WITHOUT WARRANTY 594 | OF ANY KIND, EITHER EXPRESSED OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, 595 | THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR 596 | PURPOSE. THE ENTIRE RISK AS TO THE QUALITY AND PERFORMANCE OF THE PROGRAM 597 | IS WITH YOU. SHOULD THE PROGRAM PROVE DEFECTIVE, YOU ASSUME THE COST OF 598 | ALL NECESSARY SERVICING, REPAIR OR CORRECTION. 599 | 600 | 16. Limitation of Liability. 601 | 602 | IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING 603 | WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MODIFIES AND/OR CONVEYS 604 | THE PROGRAM AS PERMITTED ABOVE, BE LIABLE TO YOU FOR DAMAGES, INCLUDING ANY 605 | GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES ARISING OUT OF THE 606 | USE OR INABILITY TO USE THE PROGRAM (INCLUDING BUT NOT LIMITED TO LOSS OF 607 | DATA OR DATA BEING RENDERED INACCURATE OR LOSSES SUSTAINED BY YOU OR THIRD 608 | PARTIES OR A FAILURE OF THE PROGRAM TO OPERATE WITH ANY OTHER PROGRAMS), 609 | EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE POSSIBILITY OF 610 | SUCH DAMAGES. 611 | 612 | 17. Interpretation of Sections 15 and 16. 613 | 614 | If the disclaimer of warranty and limitation of liability provided 615 | above cannot be given local legal effect according to their terms, 616 | reviewing courts shall apply local law that most closely approximates 617 | an absolute waiver of all civil liability in connection with the 618 | Program, unless a warranty or assumption of liability accompanies a 619 | copy of the Program in return for a fee. 620 | 621 | END OF TERMS AND CONDITIONS 622 | 623 | How to Apply These Terms to Your New Programs 624 | 625 | If you develop a new program, and you want it to be of the greatest 626 | possible use to the public, the best way to achieve this is to make it 627 | free software which everyone can redistribute and change under these terms. 628 | 629 | To do so, attach the following notices to the program. It is safest 630 | to attach them to the start of each source file to most effectively 631 | state the exclusion of warranty; and each file should have at least 632 | the "copyright" line and a pointer to where the full notice is found. 633 | 634 | 635 | Copyright (C) 636 | 637 | This program is free software: you can redistribute it and/or modify 638 | it under the terms of the GNU General Public License as published by 639 | the Free Software Foundation, either version 3 of the License, or 640 | (at your option) any later version. 641 | 642 | This program is distributed in the hope that it will be useful, 643 | but WITHOUT ANY WARRANTY; without even the implied warranty of 644 | MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the 645 | GNU General Public License for more details. 646 | 647 | You should have received a copy of the GNU General Public License 648 | along with this program. If not, see . 649 | 650 | Also add information on how to contact you by electronic and paper mail. 651 | 652 | If the program does terminal interaction, make it output a short 653 | notice like this when it starts in an interactive mode: 654 | 655 | Copyright (C) 656 | This program comes with ABSOLUTELY NO WARRANTY; for details type `show w'. 657 | This is free software, and you are welcome to redistribute it 658 | under certain conditions; type `show c' for details. 659 | 660 | The hypothetical commands `show w' and `show c' should show the appropriate 661 | parts of the General Public License. Of course, your program's commands 662 | might be different; for a GUI interface, you would use an "about box". 663 | 664 | You should also get your employer (if you work as a programmer) or school, 665 | if any, to sign a "copyright disclaimer" for the program, if necessary. 666 | For more information on this, and how to apply and follow the GNU GPL, see 667 | . 668 | 669 | The GNU General Public License does not permit incorporating your program 670 | into proprietary programs. If your program is a subroutine library, you 671 | may consider it more useful to permit linking proprietary applications with 672 | the library. If this is what you want to do, use the GNU Lesser General 673 | Public License instead of this License. But first, please read 674 | . 675 | --------------------------------------------------------------------------------