├── output.pdf ├── graphics └── Duchamp_Fountaine.jpg ├── README.md ├── chapter5.tex ├── appendix_project.tex ├── chapter2.tex ├── appendix_materials.tex ├── chapter3.tex ├── LICENSE ├── literature.bib ├── chapter4.tex ├── chapter1.tex └── main.tex /output.pdf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/ilhan-mstf/BilkentESBEMasterThesis/master/output.pdf -------------------------------------------------------------------------------- /graphics/Duchamp_Fountaine.jpg: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/ilhan-mstf/BilkentESBEMasterThesis/master/graphics/Duchamp_Fountaine.jpg -------------------------------------------------------------------------------- /README.md: -------------------------------------------------------------------------------- 1 | # Master Thesis Format Template 2 | 3 | It is a LaTeX template of Bilkent University ESBE Master Thesis. You can freely use it for your thesis. It might have some mistakes, please notify them (using issues). Anyway it will reduce the time to format your thesis and give you more time to focus on the issues of thesis subject. 4 | 5 | You can download it as a ZIP file and then later upload it to https://www.sharelatex.com/ in order to start writing your thesis. It might take to start writing less than a minute. 6 | -------------------------------------------------------------------------------- /chapter5.tex: -------------------------------------------------------------------------------- 1 | \chapter{CONCLUSION} 2 | 3 | 4 | 5 | \begin{singlespace} 6 | \epigraph{If I seem to be over-interested in junk, it is because I am, and I have a lot of it, too --- half a garage full of bits and broken pieces. I use these things for repairing other things\ldots But it can be seen that I do have a genuine and almost miserly interest in worthless objects. My excuse is that in this era of planned obsolescence, when a thing breaks I can usually find something in my collection to repair it --- a toilet, or a motor, or a lawn mower. But I guess the truth is that I simply like junk.}{\hfill---John Steinbeck, \textit{Travels with Charley, 1962}} 7 | \end{singlespace} 8 | 9 | 10 | 11 | \lipsum[1-2] -------------------------------------------------------------------------------- /appendix_project.tex: -------------------------------------------------------------------------------- 1 | \chapter{PHOTOGRAPHS OF FINAL WORK} 2 | 3 | \begin{figure}[h!] 4 | \centering 5 | \includegraphics[height=12cm]{graphics/Duchamp_Fountaine.jpg} 6 | \caption{Marcel Duchamp, \textit{Fountain}, 1917, Porcelain urinal} 7 | \label{fig:Duchamp_Fountaine01} 8 | \end{figure} 9 | 10 | 11 | \begin{figure}[!tbp] 12 | \centering 13 | \begin{minipage}[b]{0.48\textwidth} 14 | \includegraphics[width=\textwidth]{graphics/Duchamp_Fountaine.jpg} 15 | \caption{Marcel Duchamp, \textit{Fountain}, 1917, Porcelain urinal} 16 | \label{fig:Duchamp_Fountaine02} 17 | \end{minipage} 18 | \hfill 19 | \begin{minipage}[b]{0.48\textwidth} 20 | \includegraphics[width=\textwidth]{graphics/Duchamp_Fountaine.jpg} 21 | \caption{Marcel Duchamp, \textit{Fountain}, 1917, Porcelain urinal} 22 | \label{fig:Duchamp_Fountaine03} 23 | \end{minipage} 24 | \end{figure} -------------------------------------------------------------------------------- /chapter2.tex: -------------------------------------------------------------------------------- 1 | \chapter{TRASH IN CULTURE AND THEORY} 2 | 3 | 4 | 5 | \begin{singlespace} 6 | \epigraph{Anger is nothing compared to garbage:\\Garbage eats anger for breakfast.\\It eats all of us in the end.}{\hfill---Priscilla Uppal, \quotes{Uncle Fernando’s Garbage Triptych}} 7 | \end{singlespace} 8 | 9 | 10 | 11 | \lipsum[1-1] 12 | 13 | 14 | 15 | %**************************************** 16 | \section{Throwaway Culture} 17 | 18 | \lipsum[1-1] 19 | 20 | %%% Figure reference example: 21 | \textit{Fountain} (Figure \ref{fig:Duchamp_Fountaine}) is an artwork produced by Marcel Duchamp, who is notable member of provocative Dada movement. 22 | 23 | \begin{figure}[h!] 24 | \centering 25 | \includegraphics[height=6cm]{graphics/Duchamp_Fountaine.jpg} 26 | \caption{Marcel Duchamp, \textit{Fountain}, 1917, Porcelain urinal} 27 | \label{fig:Duchamp_Fountaine} 28 | \end{figure} 29 | -------------------------------------------------------------------------------- /appendix_materials.tex: -------------------------------------------------------------------------------- 1 | \chapter{COLLECTED MATERIALS AND MAKING OF} 2 | 3 | \begin{figure}[h!] 4 | \centering 5 | \includegraphics[height=12cm]{graphics/Duchamp_Fountaine.jpg} 6 | \caption{Marcel Duchamp, \textit{Fountain}, 1917, Porcelain urinal} 7 | \label{fig:Duchamp_Fountaine1} 8 | \end{figure} 9 | 10 | 11 | \begin{figure}[!tbp] 12 | \centering 13 | \begin{minipage}[b]{0.48\textwidth} 14 | \includegraphics[width=\textwidth]{graphics/Duchamp_Fountaine.jpg} 15 | \caption{Marcel Duchamp, \textit{Fountain}, 1917, Porcelain urinal} 16 | \label{fig:Duchamp_Fountaine2} 17 | \end{minipage} 18 | \hfill 19 | \begin{minipage}[b]{0.48\textwidth} 20 | \includegraphics[width=\textwidth]{graphics/Duchamp_Fountaine.jpg} 21 | \caption{Marcel Duchamp, \textit{Fountain}, 1917, Porcelain urinal} 22 | \label{fig:Duchamp_Fountaine3} 23 | \end{minipage} 24 | \end{figure} 25 | -------------------------------------------------------------------------------- /chapter3.tex: -------------------------------------------------------------------------------- 1 | \chapter{TRASH (IN) ART} 2 | 3 | 4 | 5 | \begin{singlespace} 6 | \epigraph{One day, in a rubbish heap, I found an old bicycle seat lying beside a rusted handlebar, and my mind instantly linked them together. I assembled these two objects, which everyone then recognized as a bull’s head. The metamorphosis was accomplished, and I wish another metamorphosis would occur in the reverse sense. If my bull’s head were thrown in a junk heap, perhaps one day some boy would say, \quotes{Here’s something that would make a good handlebar for my bicycle!}}{\hfill ---Pablo Picasso, \textit{Trashformations}, 1998} 7 | \end{singlespace} 8 | 9 | 10 | 11 | \lipsum[1-1] 12 | 13 | 14 | 15 | %**************************************** 16 | \section{Root in the Art History} 17 | 18 | \lipsum[1-1] 19 | 20 | 21 | %**************************************** 22 | \section{Examples from Contemporary Artists} 23 | 24 | \lipsum[2-2] 25 | 26 | 27 | %**************************************** 28 | \section{The Documentary \quotes{The Gleaners and I} by Agnès Varda} 29 | 30 | \lipsum[3-3] -------------------------------------------------------------------------------- /LICENSE: -------------------------------------------------------------------------------- 1 | This is free and unencumbered software released into the public domain. 2 | 3 | Anyone is free to copy, modify, publish, use, compile, sell, or 4 | distribute this software, either in source code form or as a compiled 5 | binary, for any purpose, commercial or non-commercial, and by any 6 | means. 7 | 8 | In jurisdictions that recognize copyright laws, the author or authors 9 | of this software dedicate any and all copyright interest in the 10 | software to the public domain. We make this dedication for the benefit 11 | of the public at large and to the detriment of our heirs and 12 | successors. We intend this dedication to be an overt act of 13 | relinquishment in perpetuity of all present and future rights to this 14 | software under copyright law. 15 | 16 | THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, 17 | EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF 18 | MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. 19 | IN NO EVENT SHALL THE AUTHORS BE LIABLE FOR ANY CLAIM, DAMAGES OR 20 | OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, 21 | ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR 22 | OTHER DEALINGS IN THE SOFTWARE. 23 | 24 | For more information, please refer to 25 | -------------------------------------------------------------------------------- /literature.bib: -------------------------------------------------------------------------------- 1 | @online{navarro2015followingtrash, 2 | title = {Following Trash and Recyclables on Their Journey}, 3 | author = {Mireya Navarro}, 4 | year = {2009}, 5 | url = {http://www.nytimes.com/learning/students/pop/20090918snapfriday.html}, 6 | urldate = {December 28, 2015} 7 | } 8 | @book{banash2013collage, 9 | title = {Collage Culture: Readymades, Meaning, and the Age of Consumption.}, 10 | author = {Banash, D.}, 11 | series = {Postmodern Studies}, 12 | year = {2013}, 13 | publisher = {Editions Rodopi} 14 | } 15 | @book{pye2010trashculture, 16 | author = {Pye, Gillian}, 17 | publisher = {Peter Lang AG}, 18 | series = {Cultural Interactions: Studies in the Relationship Between the Arts}, 19 | title = {Trash Culture: Objects and Obsolescence in Cultural Perspective.}, 20 | year = {2010}, 21 | } 22 | @book{cerny1996recycled, 23 | author = {Cerny, Charlene and Seriff, Suzanne}, 24 | publisher = {Harry N. Abrams}, 25 | title = {Recycled, re-seen: folk art from the Global Scrap Heap}, 26 | year = {1996}, 27 | } 28 | @book{rathje1992rubbish, 29 | author = {Rathje, William and Murphy, Cullen}, 30 | publisher = {HarperCollins}, 31 | title = {Rubbish: the archaeology of garbage}, 32 | year = {1992} 33 | } 34 | @misc{zizek2008, 35 | author = {Taylor, Astra {\relax (Director)}}, 36 | year = {2008}, 37 | title = {Examined Life}, 38 | producer = {Ron Mann and Silva Basmajian}, 39 | publisher = {Zeitgeist Films} 40 | } 41 | @misc{agnes2000, 42 | author = {Varda, Agnès {\relax (Director)}}, 43 | year = {2000}, 44 | title = {The Gleaners and I} 45 | } -------------------------------------------------------------------------------- /chapter4.tex: -------------------------------------------------------------------------------- 1 | \chapter{NOTEBOOKS FROM TRASHED PAPERS} 2 | 3 | 4 | 5 | \begin{singlespace} 6 | \epigraph{The first question I ask myself when something doesn’t seem to be beautiful is why do I think it’s not beautiful? And very shortly you discover that there is no reason. If we can conquer that dislike, or begin to like what we did dislike, then the world is more open. That path ---of increasing one’s enjoyment of life--- is the path, I think, we all best take: to use art not as self-expression, but as self-alteration; to become more open.}{\hfill---John Cage, \textit{Wild Art}, 2013} 7 | \end{singlespace} 8 | 9 | 10 | 11 | \lipsum[1-1] 12 | 13 | 14 | 15 | %**************************************** 16 | \section{The Statement} 17 | 18 | \lipsum[2-2] 19 | 20 | 21 | %**************************************** 22 | \section{Development Progress of the Project} 23 | 24 | \lipsum[3-3] 25 | 26 | 27 | %**************************************** 28 | \subsection{Collecting} 29 | 30 | \lipsum[4-4] 31 | 32 | 33 | 34 | %**************************************** 35 | \subsection{Transformation} 36 | 37 | \lipsum[5-5] 38 | 39 | 40 | %**************************************** 41 | \subsection{Demonstration} 42 | 43 | \lipsum[6-6] 44 | 45 | 46 | %**************************************** 47 | \section{Parts of the Final Work} 48 | 49 | \lipsum[2-2] 50 | 51 | 52 | %**************************************** 53 | \subsection{Notebooks} 54 | 55 | \lipsum[3-3] 56 | 57 | 58 | %**************************************** 59 | \subsection{Exhibition} 60 | 61 | \lipsum[4-4] 62 | 63 | 64 | 65 | %**************************************** 66 | \subsection{Website} 67 | 68 | \lipsum[5-5] -------------------------------------------------------------------------------- /chapter1.tex: -------------------------------------------------------------------------------- 1 | \chapter{INTRODUCTION} 2 | 3 | 4 | 5 | \begin{singlespace} 6 | \epigraph{One can even shout out through refuse\ldots}{\hfill---Kurt Schwitters, \textit{Kurt Schwitters}, 1985} 7 | \end{singlespace} 8 | 9 | 10 | 11 | %%% Quotation examples: 12 | Stav says that \quotes{[t]hey forget about it and don’t think about all the time and energy and money put into disposing of it} \citep[as cited in][]{navarro2015followingtrash}. 13 | 14 | \citet[11]{banash2013collage} draws attentions to the advancements in the recent history of humankind by stating that \quotes{over the course of the twentieth century, the twin developments of mass production and mass media in the capitalist economies of the [western countries] completed a total transformation of everyday life, reorienting almost every activity toward consumption.} 15 | 16 | \quotes{The phenomenon of waste comes clearly into focus not merely as a by-product of manufacturing processes, but rather as an integral element in cycles of production and consumption} \citep[ix]{pye2010trashculture}. 17 | 18 | Anyone can encounter with trash in the crowded urban areas \quotes{as well as the remotest corners of the world} \citep[16]{cerny1996recycled}. 19 | 20 | %%% Footnote example: 21 | Trash is in the streets, in people’s home, in the sea that people swim, rotating around the globe\footnote{Satellite discards are disposed to the atmosphere and they rotate around the globe like satellites.}. Even if trash is tried to move away from people’s habitat, it is as close as the nearest waste bin. 22 | 23 | %%% Block quotation example: 24 | The authors of the book \textit{Rubbish: the Archeology of Garbage} give clearer definition of some these words: 25 | 26 | \begin{quote} 27 | \textit{Trash} refers specifically to discards that are at least theoretically dry ---newspapers, boxes, cans, and so on. \textit{Garbage} refers technically to wet discards ---food remains, yard waste, and offal. \textit{Refuse} is an inclusive term for both the wet discards and the dry. \textit{Rubbish} is even more inclusive: It refers to all refuse plus construction and demolition debris. The distinction between wet and dry garbage was important in the days when cities slopped garbage to pigs, and needed to have the wet material separated from the dry; it eventually became irrelevant, but may see a revival if the idea of composting food and yard waste catches on. \citep[9]{rathje1992rubbish} 28 | \end{quote} 29 | -------------------------------------------------------------------------------- /main.tex: -------------------------------------------------------------------------------- 1 | \documentclass[12pt]{report} 2 | \usepackage[hidelinks]{hyperref} 3 | \usepackage[T1]{fontenc} 4 | \usepackage[utf8]{inputenc} 5 | \usepackage[turkish,english,shorthands=:!]{babel} 6 | \usepackage{apacite} 7 | %%% left: 40mm, top: 25mm, right: 25mm, bottom: 25mm 8 | \usepackage[a4paper,left=40.2mm,top=24.2mm,right=25.4mm,bottom=36mm]{geometry} 9 | \usepackage{epigraph} 10 | \usepackage{graphicx} 11 | \usepackage{float} 12 | \usepackage[font={footnotesize,bf}]{caption} 13 | \usepackage[font={footnotesize,bf}]{subcaption} 14 | \usepackage{wrapfig} 15 | \usepackage[usenames,dvipsnames]{color} 16 | \usepackage[titletoc,title]{appendix} 17 | \usepackage{afterpage} 18 | \usepackage[doublespacing]{setspace} 19 | \usepackage{tocloft} 20 | \usepackage{url} 21 | \usepackage{indentfirst} 22 | 23 | %%% For dummy texts, you can remove it. 24 | \usepackage{lipsum} 25 | 26 | %%% Turning off all figures, required for turnitin upload to reduce the size of the document. 27 | %%% Remove the next two lines if you want the figures at their place 28 | %\usepackage[figuresonly,nolists,nomarkers]{endfloat} 29 | %\renewcommand{\processdelayedfloats}{} 30 | 31 | %%% Same fonts for URL 32 | \AtBeginDocument{\urlstyle{APACsame}} 33 | 34 | %%% Figure and Table counters 35 | \usepackage{chngcntr} 36 | \counterwithout{figure}{chapter} 37 | \counterwithout{table}{chapter} 38 | 39 | 40 | %**************************************** 41 | % SPACING 42 | 43 | %%% Footnote line spacing 44 | \setlength{\footnotesep}{\baselineskip} 45 | 46 | %%% Adding extra space between paragraphs 47 | \setlength{\parskip}{0.5\baselineskip} 48 | %........................................ 49 | 50 | 51 | %**************************************** 52 | % BIBLIOGRAPHY 53 | 54 | %%% Bibliography line spacing 55 | \usepackage{natbib} 56 | \setlength{\bibsep}{0.0pt} 57 | 58 | %%% Removing parentheses around year in bibliography 59 | \AtBeginDocument{ 60 | \renewcommand{\BBOP}{} 61 | \renewcommand{\BBCP}{} 62 | } 63 | 64 | %%% Adding ":" character before page number in citations 65 | \bibpunct[: ]{(}{)}{:}{a}{,}{~} 66 | %........................................ 67 | 68 | 69 | %**************************************** 70 | % BLOCK QUOTES 71 | 72 | %%% Spaces before and after block quotes 73 | \usepackage{etoolbox} 74 | \AtBeginEnvironment{quote}{\vspace{-\baselineskip}} 75 | \AtEndEnvironment{quote}{\vspace{-\baselineskip}} 76 | 77 | %%% Spaces before and after block quotes, indentation 78 | \renewcommand{\quote}{\list{}{\rightmargin=4em\leftmargin=4em}\item\relax} 79 | 80 | %%% Spacing 81 | \expandafter\def\expandafter\quote\expandafter{\quote\singlespacing} 82 | %........................................ 83 | 84 | 85 | %**************************************** 86 | % CHAPTERS 87 | 88 | %%% Chapter titles 89 | \usepackage{titlesec} 90 | \titleformat{\chapter}[display] 91 | {\normalfont\fontsize{14pt}{14pt}\centering\bfseries}{\MakeUppercase{\chaptertitlename}\ \thechapter}{2\baselineskip}{\uppercase} 92 | \titleformat*{\section}{\bfseries\fontsize{12pt}{12pt}} 93 | \titleformat*{\subsection}{\bfseries\fontsize{12pt}{12pt}} 94 | 95 | %%% Chapter title spacing 96 | %%% Centered, Top: 50mm, Next: 3 line after 97 | \titlespacing{\chapter}{0pt}{13mm}{3\baselineskip} 98 | 99 | %%% Bibliography title spacing 100 | %%% Centered, Top: 50mm, Next: 4 line after 101 | \titlespacing*{name=\chapter,numberless}{0pt}{16mm}{4\baselineskip} 102 | 103 | %%% RENAMING CHAPTER TITLES 104 | \addto\captionsenglish{% 105 | \renewcommand{\contentsname}{\MakeUppercase{Table of Contents}}% 106 | \renewcommand{\listtablename}{\MakeUppercase{List of Tables}}% 107 | \renewcommand{\listfigurename}{\MakeUppercase{List of Figures}}% 108 | \renewcommand{\bibname}{\MakeUppercase{Bibliography}}% 109 | } 110 | %........................................ 111 | 112 | 113 | %**************************************** 114 | % EPIGRAPH 115 | 116 | %%% Epigraph setup 117 | \setlength{\epigraphwidth}{.65\textwidth} 118 | \setlength{\epigraphrule}{0pt} 119 | %........................................ 120 | 121 | 122 | %%% PDF setup 123 | \hypersetup{ 124 | pdftitle = {MFA Thesis}, 125 | pdfauthor = {Mustafa ilhan}, 126 | pdfsubject = {Trash, Art, Transformation}, 127 | pdfkeywords = {mfa thesis, trash, art, transformation}, 128 | colorlinks = false, 129 | pdfborder = {0 0 0}, 130 | pdfpagemode = UseOutlines 131 | } 132 | 133 | 134 | %%% Utilities 135 | \providecommand{\quotes}[1]{``#1''} 136 | \providecommand{\singlequotes}[1]{`#1'} 137 | 138 | 139 | %**************************************** 140 | % BEGIN 141 | \begin{document} 142 | \pagenumbering{gobble} 143 | \selectlanguage{english} 144 | 145 | 146 | %**************************************** 147 | % COVER 148 | \begin{titlepage} 149 | \singlespacing 150 | \begin{center} 151 | 152 | \vspace*{20mm} 153 | \uppercase{Transforming Trash as an Artistic Act}\\ 154 | \vspace*{3\baselineskip} 155 | A Master’s Thesis\\ 156 | \vspace*{3\baselineskip} 157 | by\\ 158 | MUSTAFA İLHAN 159 | 160 | \vfill 161 | Department of\\ 162 | Communication and Design\\ 163 | İhsan Doğramacı Bilkent University\\ 164 | Ankara\\ 165 | January 2016 166 | \vspace*{28mm} 167 | 168 | \end{center} 169 | \end{titlepage} 170 | %........................................ 171 | 172 | 173 | %**************************************** 174 | % BLANK PAGE 175 | \clearpage 176 | \afterpage{\null\newpage} 177 | \clearpage 178 | %........................................ 179 | 180 | 181 | %**************************************** 182 | % DEDICATION 183 | \newenvironment{dedication} 184 | {\clearpage % we want a new page 185 | \thispagestyle{empty}% no header and footer 186 | \vspace*{2in} % some space at the top 187 | \centering 188 | } 189 | {\par % end the paragraph 190 | \vfill 191 | \clearpage % finish off the page 192 | } 193 | 194 | \begin{dedication} 195 | To my family and for those who embrace trash 196 | \end{dedication} 197 | %........................................ 198 | 199 | 200 | \pagenumbering{roman} 201 | 202 | 203 | %**************************************** 204 | % TITLE PAGE 205 | \clearpage 206 | \thispagestyle{empty} 207 | \singlespacing 208 | \begin{center} 209 | 210 | \vspace*{25mm} 211 | TRANSFORMING TRASH AS AN ARTISTIC ACT\\ 212 | \vspace*{4\baselineskip} 213 | Graduate School of Economics and Social Sciences\\ 214 | of\\ 215 | İhsan Doğramacı Bilkent University\\ 216 | \vspace*{2\baselineskip} 217 | by\\ 218 | \vspace*{2\baselineskip} 219 | MUSTAFA İLHAN\\ 220 | \vspace*{3\baselineskip} 221 | In Partial Fulfilment of the Requirements for the Degree of\\ 222 | MASTER OF FINE ARTS\\ 223 | \vspace{\baselineskip} 224 | in\\ 225 | \vspace{\baselineskip} 226 | THE DEPARTMENT OF\\ 227 | COMMUNICATION AND DESIGN\\ 228 | İHSAN DOĞRAMACI BİLKENT UNIVERSITY\\ 229 | ANKARA\\ 230 | \vspace{\baselineskip} 231 | January 2016 232 | 233 | \end{center} 234 | \clearpage 235 | %........................................ 236 | 237 | 238 | %**************************************** 239 | % APPROVAL PAGE 240 | \clearpage 241 | \thispagestyle{empty} 242 | 243 | \noindent I certify that I have read this thesis and have found that it is fully adequate, in scope and in quality, as a thesis for the degree of Master of Fine Arts in Media and Design.\\ 244 | 245 | \noindent---------------------------------\\ 246 | Assist. Prof. Dr. Ersan Ocak\\ 247 | Supervisor\\ 248 | 249 | \noindent I certify that I have read this thesis and have found that it is fully adequate, in scope and in quality, as a thesis for the degree of Master of Fine Arts in Media and Design.\\ 250 | 251 | \noindent---------------------------------\\ 252 | Prof. Dr. Mehmet Yılmaz\\ 253 | Examining Committee Member\\ 254 | 255 | \noindent I certify that I have read this thesis and have found that it is fully adequate, in scope and in quality, as a thesis for the degree of Master of Fine Arts in Media and Design.\\ 256 | 257 | \noindent---------------------------------\\ 258 | Instructor Ekin Kılıç\\ 259 | Examining Committee Member\\ 260 | 261 | \noindent Approval of the Graduate School of Economics and Social Sciences\\ 262 | 263 | \noindent---------------------------------\\ 264 | Prof. Dr. Halime Demirkan\\ 265 | Director\\ 266 | 267 | \clearpage 268 | %........................................ 269 | 270 | 271 | %**************************************** 272 | % ENGLISH ABSTRACT 273 | \thispagestyle{plain} 274 | \phantomsection 275 | \addcontentsline{toc}{chapter}{ABSTRACT} 276 | \doublespacing 277 | \begin{center} 278 | \vspace*{13mm} % Top: 50mm 279 | {\fontsize{14pt}{14pt}\selectfont \textbf{\MakeUppercase{Abstract}}}\\ 280 | \vspace{\baselineskip} 281 | TRANSFORMING TRASH AS AN ARTISTIC ACT\\ 282 | İlhan, Mustafa\\ 283 | M.F.A., Department of Communication and Design\\ 284 | Supervisor: Assist. Prof. Dr. Ersan Ocak\\ 285 | \vspace{\baselineskip} 286 | January 2016 287 | \end{center} 288 | 289 | %%% Your Abstract 290 | \par \lipsum[3-3] 291 | 292 | \noindent Keywords: Transformation of Trash, Trash in Art, Trash as an Art Material. 293 | \clearpage 294 | %........................................ 295 | 296 | 297 | %**************************************** 298 | % TURKISH ABSTRACT 299 | \thispagestyle{plain} 300 | \selectlanguage{turkish} 301 | \phantomsection 302 | \addcontentsline{toc}{chapter}{ÖZET} 303 | \doublespacing 304 | \begin{center} 305 | \vspace*{13.5mm} % Top: 50mm 306 | {\fontsize{14pt}{14pt}\selectfont \textbf{\MakeUppercase{Özet}}}\\ 307 | \vspace{\baselineskip} 308 | \MakeUppercase{Sanatsal Bir Eylem Olarak Atığı Dönüştürme}\\ 309 | İlhan, Mustafa\\ 310 | Yüksek Lisans, İletişim ve Tasarım Bölümü\\ 311 | Tez Yöneticisi: Yrd. Doç. Dr. Ersan Ocak\\ 312 | \vspace{\baselineskip} 313 | Ocak 2016 314 | \end{center} 315 | 316 | %%% Your Özet 317 | \par \lipsum[2-2] 318 | 319 | \noindent Anahtar Kelimeler: Atığın Dönüştürülmesi, Sanatta Atık, Sanatsal Malzeme olarak Atık. 320 | \clearpage 321 | %........................................ 322 | 323 | \selectlanguage{english} 324 | 325 | %**************************************** 326 | % ACKNOWLEDGMENTS 327 | \thispagestyle{plain} 328 | \phantomsection 329 | \addcontentsline{toc}{chapter}{ACKNOWLEDGMENTS} 330 | \doublespacing 331 | \begin{center} 332 | \vspace*{13mm} % Top: 50mm 333 | {\fontsize{14pt}{14pt}\selectfont \textbf{\MakeUppercase{ACKNOWLEDGMENTS}}}\\ 334 | \vspace{3\baselineskip} 335 | \end{center} 336 | 337 | %%% Your Ack. 338 | \par \lipsum[1-5] 339 | 340 | \clearpage 341 | %........................................ 342 | 343 | 344 | %%% Automatically generated. 345 | %**************************************** 346 | % TABLE OF CONTENTS 347 | \phantomsection 348 | \addcontentsline{toc}{chapter}{TABLE OF CONTENTS} 349 | 350 | \setcounter{secnumdepth}{3} 351 | \setcounter{tocdepth}{3} 352 | 353 | \renewcommand{\cftchapleader}{\cftdotfill{\cftdotsep}} % dots for chapters 354 | \renewcommand{\cfttoctitlefont}{\MakeUppercase\hfil\bfseries\fontsize{14pt}{14pt}\selectfont} 355 | \renewcommand\cftchapfont{\mdseries} 356 | \renewcommand\cftchappagefont{\mdseries} 357 | \renewcommand{\cftchappresnum}{CHAPTER\space} 358 | \renewcommand{\cftchapaftersnum}{:} 359 | 360 | \setlength{\cftbeforetoctitleskip}{20mm} 361 | \setlength{\cftaftertoctitleskip}{3\baselineskip} 362 | \setlength{\cftchapnumwidth}{7em} 363 | %\addtolength{\cftchapnumwidth}{\cftchappresnum\cftchapaftersnum} 364 | 365 | %%% Spacing between items 366 | \setlength{\cftbeforesecskip}{\cftbeforechapskip} 367 | \setlength{\cftbeforesubsecskip}{\cftbeforechapskip} 368 | 369 | \begin{singlespace} 370 | \tableofcontents 371 | \end{singlespace} 372 | \clearpage 373 | %........................................ 374 | 375 | 376 | %%% Automatically generated. 377 | %**************************************** 378 | % LIST OF FIGURES 379 | \phantomsection 380 | \addcontentsline{toc}{chapter}{LIST OF FIGURES} 381 | 382 | %%% Spacing between items 383 | \makeatletter 384 | \def\@chapter[#1]#2{\ifnum \c@secnumdepth >\m@ne 385 | \refstepcounter{chapter}% 386 | \typeout{\@chapapp\space\thechapter.}% 387 | \addcontentsline{toc}{chapter}% 388 | {\protect\numberline{\thechapter}#1}% 389 | \else 390 | \addcontentsline{toc}{chapter}{#1}% 391 | \fi 392 | \chaptermark{#1}% 393 | \if@twocolumn 394 | \@topnewpage[\@makechapterhead{#2}]% 395 | \else 396 | \@makechapterhead{#2}% 397 | \@afterheading 398 | \fi} 399 | \makeatother 400 | 401 | \renewcommand{\cftloftitlefont}{\MakeUppercase\hfil\bfseries\fontsize{14pt}{14pt}\selectfont} 402 | \renewcommand{\cftfigaftersnum}{.} 403 | 404 | \setlength{\cftbeforeloftitleskip}{20mm} 405 | \setlength{\cftafterloftitleskip}{3\baselineskip} 406 | \setlength{\cftbeforefigskip}{\cftbeforechapskip} 407 | 408 | \begin{singlespace} 409 | \listoffigures 410 | \end{singlespace} 411 | \clearpage 412 | %........................................ 413 | 414 | 415 | %%% If you need list of tables comment off below section. 416 | %**************************************** 417 | % LIST OF TABLES 418 | %\phantomsection 419 | %\addcontentsline{toc}{chapter}{LIST OF TABLES} 420 | %\listoftables 421 | %........................................ 422 | 423 | 424 | \pagenumbering{arabic} 425 | 426 | 427 | %**************************************** 428 | % CHAPTERS 429 | \include{chapter1} 430 | \include{chapter2} 431 | \include{chapter3} 432 | \include{chapter4} 433 | \include{chapter5} 434 | %........................................ 435 | 436 | 437 | %%% Automatically generated. 438 | %**************************************** 439 | % BIBLIOGRAPHY 440 | \nocite{*} % Add all references 441 | \phantomsection 442 | \addcontentsline{toc}{chapter}{BIBLIOGRAPHY} 443 | \bibliographystyle{apacite} 444 | \begin{singlespace} 445 | \setlength{\bibsep}{2\itemsep} 446 | \bibliography{literature} 447 | \end{singlespace} 448 | \clearpage 449 | %........................................ 450 | 451 | 452 | %**************************************** 453 | % APPENDICES 454 | \appendix 455 | \phantomsection 456 | 457 | %%% Below code is used for multiple appendices, for single appendix you need to remove code between appendices comment. 458 | %%% remove start. [appendices] 459 | \addtocontents{toc}{\cftpagenumbersoff{chapter}} 460 | \chapter*{APPENDICES} 461 | \addtocontents{toc}{\protect\contentsline {chapter}{APPENDICES}{}{}} 462 | \addtocontents{toc}{\cftpagenumberson{chapter}} 463 | %%% remove end. [appendices] 464 | 465 | \makeatletter 466 | \addtocontents{toc}{\let\protect\l@chapter\protect\l@section} 467 | \makeatother 468 | 469 | \include{appendix_materials} 470 | \include{appendix_project} 471 | %........................................ 472 | 473 | 474 | \end{document} --------------------------------------------------------------------------------