├── .editorconfig
├── .gitignore
├── .sourcemaps
└── main.js.map
├── README.md
├── config.xml
├── docs
├── .gitkeep
├── assets
│ ├── books
│ │ ├── moby-dick.epub
│ │ ├── moby-dick
│ │ │ ├── META-INF
│ │ │ │ └── container.xml
│ │ │ ├── OPS
│ │ │ │ ├── chapter_001.html
│ │ │ │ ├── chapter_001.xhtml
│ │ │ │ ├── chapter_002.xhtml
│ │ │ │ ├── chapter_003.xhtml
│ │ │ │ ├── chapter_004.xhtml
│ │ │ │ ├── chapter_005.xhtml
│ │ │ │ ├── chapter_006.xhtml
│ │ │ │ ├── chapter_007.xhtml
│ │ │ │ ├── chapter_008.xhtml
│ │ │ │ ├── chapter_009.xhtml
│ │ │ │ ├── chapter_010.xhtml
│ │ │ │ ├── chapter_011.xhtml
│ │ │ │ ├── chapter_012.xhtml
│ │ │ │ ├── chapter_013.xhtml
│ │ │ │ ├── chapter_014.xhtml
│ │ │ │ ├── chapter_015.xhtml
│ │ │ │ ├── chapter_016.xhtml
│ │ │ │ ├── chapter_017.xhtml
│ │ │ │ ├── chapter_018.xhtml
│ │ │ │ ├── chapter_019.xhtml
│ │ │ │ ├── chapter_020.xhtml
│ │ │ │ ├── chapter_021.xhtml
│ │ │ │ ├── chapter_022.xhtml
│ │ │ │ ├── chapter_023.xhtml
│ │ │ │ ├── chapter_024.xhtml
│ │ │ │ ├── chapter_025.xhtml
│ │ │ │ ├── chapter_026.xhtml
│ │ │ │ ├── chapter_027.xhtml
│ │ │ │ ├── chapter_028.xhtml
│ │ │ │ ├── chapter_029.xhtml
│ │ │ │ ├── chapter_030.xhtml
│ │ │ │ ├── chapter_031.xhtml
│ │ │ │ ├── chapter_032.xhtml
│ │ │ │ ├── chapter_033.xhtml
│ │ │ │ ├── chapter_034.xhtml
│ │ │ │ ├── chapter_035.xhtml
│ │ │ │ ├── chapter_036.xhtml
│ │ │ │ ├── chapter_037.xhtml
│ │ │ │ ├── chapter_038.xhtml
│ │ │ │ ├── chapter_039.xhtml
│ │ │ │ ├── chapter_040.xhtml
│ │ │ │ ├── chapter_041.xhtml
│ │ │ │ ├── chapter_042.xhtml
│ │ │ │ ├── chapter_043.xhtml
│ │ │ │ ├── chapter_044.xhtml
│ │ │ │ ├── chapter_045.xhtml
│ │ │ │ ├── chapter_046.xhtml
│ │ │ │ ├── chapter_047.xhtml
│ │ │ │ ├── chapter_048.xhtml
│ │ │ │ ├── chapter_049.xhtml
│ │ │ │ ├── chapter_050.xhtml
│ │ │ │ ├── chapter_051.xhtml
│ │ │ │ ├── chapter_052.xhtml
│ │ │ │ ├── chapter_053.xhtml
│ │ │ │ ├── chapter_054.xhtml
│ │ │ │ ├── chapter_055.xhtml
│ │ │ │ ├── chapter_056.xhtml
│ │ │ │ ├── chapter_057.xhtml
│ │ │ │ ├── chapter_058.xhtml
│ │ │ │ ├── chapter_059.xhtml
│ │ │ │ ├── chapter_060.xhtml
│ │ │ │ ├── chapter_061.xhtml
│ │ │ │ ├── chapter_062.xhtml
│ │ │ │ ├── chapter_063.xhtml
│ │ │ │ ├── chapter_064.xhtml
│ │ │ │ ├── chapter_065.xhtml
│ │ │ │ ├── chapter_066.xhtml
│ │ │ │ ├── chapter_067.xhtml
│ │ │ │ ├── chapter_068.xhtml
│ │ │ │ ├── chapter_069.xhtml
│ │ │ │ ├── chapter_070.xhtml
│ │ │ │ ├── chapter_071.xhtml
│ │ │ │ ├── chapter_072.xhtml
│ │ │ │ ├── chapter_073.xhtml
│ │ │ │ ├── chapter_074.xhtml
│ │ │ │ ├── chapter_075.xhtml
│ │ │ │ ├── chapter_076.xhtml
│ │ │ │ ├── chapter_077.xhtml
│ │ │ │ ├── chapter_078.xhtml
│ │ │ │ ├── chapter_079.xhtml
│ │ │ │ ├── chapter_080.xhtml
│ │ │ │ ├── chapter_081.xhtml
│ │ │ │ ├── chapter_082.xhtml
│ │ │ │ ├── chapter_083.xhtml
│ │ │ │ ├── chapter_084.xhtml
│ │ │ │ ├── chapter_085.xhtml
│ │ │ │ ├── chapter_086.xhtml
│ │ │ │ ├── chapter_087.xhtml
│ │ │ │ ├── chapter_088.xhtml
│ │ │ │ ├── chapter_089.xhtml
│ │ │ │ ├── chapter_090.xhtml
│ │ │ │ ├── chapter_091.xhtml
│ │ │ │ ├── chapter_092.xhtml
│ │ │ │ ├── chapter_093.xhtml
│ │ │ │ ├── chapter_094.xhtml
│ │ │ │ ├── chapter_095.xhtml
│ │ │ │ ├── chapter_096.xhtml
│ │ │ │ ├── chapter_097.xhtml
│ │ │ │ ├── chapter_098.xhtml
│ │ │ │ ├── chapter_099.xhtml
│ │ │ │ ├── chapter_100.xhtml
│ │ │ │ ├── chapter_101.xhtml
│ │ │ │ ├── chapter_102.xhtml
│ │ │ │ ├── chapter_103.xhtml
│ │ │ │ ├── chapter_104.xhtml
│ │ │ │ ├── chapter_105.xhtml
│ │ │ │ ├── chapter_106.xhtml
│ │ │ │ ├── chapter_107.xhtml
│ │ │ │ ├── chapter_108.xhtml
│ │ │ │ ├── chapter_109.xhtml
│ │ │ │ ├── chapter_110.xhtml
│ │ │ │ ├── chapter_111.xhtml
│ │ │ │ ├── chapter_112.xhtml
│ │ │ │ ├── chapter_113.xhtml
│ │ │ │ ├── chapter_114.xhtml
│ │ │ │ ├── chapter_115.xhtml
│ │ │ │ ├── chapter_116.xhtml
│ │ │ │ ├── chapter_117.xhtml
│ │ │ │ ├── chapter_118.xhtml
│ │ │ │ ├── chapter_119.xhtml
│ │ │ │ ├── chapter_120.xhtml
│ │ │ │ ├── chapter_121.xhtml
│ │ │ │ ├── chapter_122.xhtml
│ │ │ │ ├── chapter_123.xhtml
│ │ │ │ ├── chapter_124.xhtml
│ │ │ │ ├── chapter_125.xhtml
│ │ │ │ ├── chapter_126.xhtml
│ │ │ │ ├── chapter_127.xhtml
│ │ │ │ ├── chapter_128.xhtml
│ │ │ │ ├── chapter_129.xhtml
│ │ │ │ ├── chapter_130.xhtml
│ │ │ │ ├── chapter_131.xhtml
│ │ │ │ ├── chapter_132.xhtml
│ │ │ │ ├── chapter_133.xhtml
│ │ │ │ ├── chapter_134.xhtml
│ │ │ │ ├── chapter_135.xhtml
│ │ │ │ ├── chapter_136.xhtml
│ │ │ │ ├── copyright.xhtml
│ │ │ │ ├── cover.xhtml
│ │ │ │ ├── css
│ │ │ │ │ └── stylesheet.css
│ │ │ │ ├── epigraph_001.xhtml
│ │ │ │ ├── fonts
│ │ │ │ │ ├── STIXGeneral.otf
│ │ │ │ │ ├── STIXGeneralBol.otf
│ │ │ │ │ ├── STIXGeneralBolIta.otf
│ │ │ │ │ └── STIXGeneralItalic.otf
│ │ │ │ ├── images
│ │ │ │ │ ├── 9780316000000.jpg
│ │ │ │ │ └── Moby-Dick_FE_title_page.jpg
│ │ │ │ ├── introduction_001.xhtml
│ │ │ │ ├── package.opf
│ │ │ │ ├── preface_001.xhtml
│ │ │ │ ├── titlepage.xhtml
│ │ │ │ ├── toc-short.xhtml
│ │ │ │ ├── toc.ncx
│ │ │ │ └── toc.xhtml
│ │ │ └── mimetype
│ │ └── open
│ │ │ ├── META-INF
│ │ │ ├── com.apple.ibooks.display-options.xml
│ │ │ └── container.xml
│ │ │ ├── Ops
│ │ │ ├── 001.xhtml
│ │ │ ├── 002.xhtml
│ │ │ ├── 003.xhtml
│ │ │ ├── 004.xhtml
│ │ │ ├── 005.xhtml
│ │ │ ├── 006.xhtml
│ │ │ ├── 007.xhtml
│ │ │ ├── 008.xhtml
│ │ │ ├── 009.xhtml
│ │ │ ├── 010.xhtml
│ │ │ ├── 011.xhtml
│ │ │ ├── 012.xhtml
│ │ │ ├── 013.xhtml
│ │ │ ├── 014.xhtml
│ │ │ ├── 015.xhtml
│ │ │ ├── 016.xhtml
│ │ │ ├── 017.xhtml
│ │ │ ├── 018.xhtml
│ │ │ ├── 019.xhtml
│ │ │ ├── 020.xhtml
│ │ │ ├── 021.xhtml
│ │ │ ├── 022.xhtml
│ │ │ ├── 023.xhtml
│ │ │ ├── 024.xhtml
│ │ │ ├── 025.xhtml
│ │ │ ├── 026.xhtml
│ │ │ ├── 027.xhtml
│ │ │ ├── 028.xhtml
│ │ │ ├── 029.xhtml
│ │ │ ├── 030.xhtml
│ │ │ ├── 031.xhtml
│ │ │ ├── 032.xhtml
│ │ │ ├── content.opf
│ │ │ ├── fonts
│ │ │ │ ├── MinionPro-Bold.otf
│ │ │ │ ├── MinionPro-BoldIt.otf
│ │ │ │ ├── MinionPro-It.otf
│ │ │ │ ├── MinionPro-Regular.otf
│ │ │ │ ├── MinionPro-Semibold.otf
│ │ │ │ ├── MinionPro-SemiboldIt.otf
│ │ │ │ ├── PalatinoLTStd-Roman.otf
│ │ │ │ └── Thonburi.ttf
│ │ │ ├── images
│ │ │ │ ├── cover.jpg
│ │ │ │ ├── img1.jpg
│ │ │ │ ├── img10.jpg
│ │ │ │ ├── img11.jpg
│ │ │ │ ├── img12.jpg
│ │ │ │ ├── img13.jpg
│ │ │ │ ├── img14.jpg
│ │ │ │ ├── img15.jpg
│ │ │ │ ├── img16.jpg
│ │ │ │ ├── img17.jpg
│ │ │ │ ├── img18.jpg
│ │ │ │ ├── img19.jpg
│ │ │ │ ├── img2.jpg
│ │ │ │ ├── img20.jpg
│ │ │ │ ├── img21.jpg
│ │ │ │ ├── img22.jpg
│ │ │ │ ├── img3.jpg
│ │ │ │ ├── img4.jpg
│ │ │ │ ├── img5.jpg
│ │ │ │ ├── img6.jpg
│ │ │ │ ├── img7.jpg
│ │ │ │ ├── img8.jpg
│ │ │ │ └── img9.jpg
│ │ │ ├── nav.xhtml
│ │ │ ├── style.css
│ │ │ └── toc.ncx
│ │ │ └── mimetype
│ ├── epubjs
│ │ └── build
│ │ │ ├── epub.js
│ │ │ ├── epub.js.map
│ │ │ ├── epub.min.js
│ │ │ ├── hooks.js
│ │ │ ├── hooks.js.map
│ │ │ ├── hooks.min.js
│ │ │ ├── hooks.min.map
│ │ │ ├── libs
│ │ │ ├── localforage.min.js
│ │ │ ├── localforage.min.map
│ │ │ ├── zip.min.js
│ │ │ └── zip.min.map
│ │ │ ├── reader.js
│ │ │ ├── reader.js.map
│ │ │ ├── reader.min.js
│ │ │ └── reader.min.map
│ ├── fonts
│ │ ├── ionicons.eot
│ │ ├── ionicons.scss
│ │ ├── ionicons.svg
│ │ ├── ionicons.ttf
│ │ ├── ionicons.woff
│ │ ├── ionicons.woff2
│ │ ├── noto-sans-bold.ttf
│ │ ├── noto-sans-bold.woff
│ │ ├── noto-sans-regular.ttf
│ │ ├── noto-sans-regular.woff
│ │ ├── noto-sans.scss
│ │ ├── roboto-bold.ttf
│ │ ├── roboto-bold.woff
│ │ ├── roboto-bold.woff2
│ │ ├── roboto-light.ttf
│ │ ├── roboto-light.woff
│ │ ├── roboto-light.woff2
│ │ ├── roboto-medium.ttf
│ │ ├── roboto-medium.woff
│ │ ├── roboto-medium.woff2
│ │ ├── roboto-regular.ttf
│ │ ├── roboto-regular.woff
│ │ ├── roboto-regular.woff2
│ │ └── roboto.scss
│ └── icon
│ │ └── favicon.ico
├── build
│ ├── main.css
│ ├── main.js
│ ├── polyfills.js
│ ├── sw-toolbox.js
│ └── vendor.js
├── index.html
├── manifest.json
└── service-worker.js
├── ionic.config.json
├── package-lock.json
├── package.json
├── resources
├── android
│ ├── icon
│ │ ├── drawable-hdpi-icon.png
│ │ ├── drawable-ldpi-icon.png
│ │ ├── drawable-mdpi-icon.png
│ │ ├── drawable-xhdpi-icon.png
│ │ ├── drawable-xxhdpi-icon.png
│ │ └── drawable-xxxhdpi-icon.png
│ └── splash
│ │ ├── drawable-land-hdpi-screen.png
│ │ ├── drawable-land-ldpi-screen.png
│ │ ├── drawable-land-mdpi-screen.png
│ │ ├── drawable-land-xhdpi-screen.png
│ │ ├── drawable-land-xxhdpi-screen.png
│ │ ├── drawable-land-xxxhdpi-screen.png
│ │ ├── drawable-port-hdpi-screen.png
│ │ ├── drawable-port-ldpi-screen.png
│ │ ├── drawable-port-mdpi-screen.png
│ │ ├── drawable-port-xhdpi-screen.png
│ │ ├── drawable-port-xxhdpi-screen.png
│ │ └── drawable-port-xxxhdpi-screen.png
├── icon.png
├── icon.png.md5
├── ios
│ ├── icon
│ │ ├── icon-1024.png
│ │ ├── icon-40.png
│ │ ├── icon-40@2x.png
│ │ ├── icon-40@3x.png
│ │ ├── icon-50.png
│ │ ├── icon-50@2x.png
│ │ ├── icon-60.png
│ │ ├── icon-60@2x.png
│ │ ├── icon-60@3x.png
│ │ ├── icon-72.png
│ │ ├── icon-72@2x.png
│ │ ├── icon-76.png
│ │ ├── icon-76@2x.png
│ │ ├── icon-83.5@2x.png
│ │ ├── icon-small.png
│ │ ├── icon-small@2x.png
│ │ ├── icon-small@3x.png
│ │ ├── icon.png
│ │ └── icon@2x.png
│ └── splash
│ │ ├── Default-568h@2x~iphone.png
│ │ ├── Default-667h.png
│ │ ├── Default-736h.png
│ │ ├── Default-Landscape-736h.png
│ │ ├── Default-Landscape@2x~ipad.png
│ │ ├── Default-Landscape@~ipadpro.png
│ │ ├── Default-Landscape~ipad.png
│ │ ├── Default-Portrait@2x~ipad.png
│ │ ├── Default-Portrait@~ipadpro.png
│ │ ├── Default-Portrait~ipad.png
│ │ ├── Default@2x~iphone.png
│ │ ├── Default@2x~universal~anyany.png
│ │ └── Default~iphone.png
├── splash.png
└── splash.png.md5
├── src
├── app
│ ├── app.component.ts
│ ├── app.html
│ ├── app.module.ts
│ ├── app.scss
│ └── main.ts
├── assets
│ ├── books
│ │ ├── moby-dick.epub
│ │ ├── moby-dick
│ │ │ ├── META-INF
│ │ │ │ └── container.xml
│ │ │ ├── OPS
│ │ │ │ ├── chapter_001.html
│ │ │ │ ├── chapter_001.xhtml
│ │ │ │ ├── chapter_002.xhtml
│ │ │ │ ├── chapter_003.xhtml
│ │ │ │ ├── chapter_004.xhtml
│ │ │ │ ├── chapter_005.xhtml
│ │ │ │ ├── chapter_006.xhtml
│ │ │ │ ├── chapter_007.xhtml
│ │ │ │ ├── chapter_008.xhtml
│ │ │ │ ├── chapter_009.xhtml
│ │ │ │ ├── chapter_010.xhtml
│ │ │ │ ├── chapter_011.xhtml
│ │ │ │ ├── chapter_012.xhtml
│ │ │ │ ├── chapter_013.xhtml
│ │ │ │ ├── chapter_014.xhtml
│ │ │ │ ├── chapter_015.xhtml
│ │ │ │ ├── chapter_016.xhtml
│ │ │ │ ├── chapter_017.xhtml
│ │ │ │ ├── chapter_018.xhtml
│ │ │ │ ├── chapter_019.xhtml
│ │ │ │ ├── chapter_020.xhtml
│ │ │ │ ├── chapter_021.xhtml
│ │ │ │ ├── chapter_022.xhtml
│ │ │ │ ├── chapter_023.xhtml
│ │ │ │ ├── chapter_024.xhtml
│ │ │ │ ├── chapter_025.xhtml
│ │ │ │ ├── chapter_026.xhtml
│ │ │ │ ├── chapter_027.xhtml
│ │ │ │ ├── chapter_028.xhtml
│ │ │ │ ├── chapter_029.xhtml
│ │ │ │ ├── chapter_030.xhtml
│ │ │ │ ├── chapter_031.xhtml
│ │ │ │ ├── chapter_032.xhtml
│ │ │ │ ├── chapter_033.xhtml
│ │ │ │ ├── chapter_034.xhtml
│ │ │ │ ├── chapter_035.xhtml
│ │ │ │ ├── chapter_036.xhtml
│ │ │ │ ├── chapter_037.xhtml
│ │ │ │ ├── chapter_038.xhtml
│ │ │ │ ├── chapter_039.xhtml
│ │ │ │ ├── chapter_040.xhtml
│ │ │ │ ├── chapter_041.xhtml
│ │ │ │ ├── chapter_042.xhtml
│ │ │ │ ├── chapter_043.xhtml
│ │ │ │ ├── chapter_044.xhtml
│ │ │ │ ├── chapter_045.xhtml
│ │ │ │ ├── chapter_046.xhtml
│ │ │ │ ├── chapter_047.xhtml
│ │ │ │ ├── chapter_048.xhtml
│ │ │ │ ├── chapter_049.xhtml
│ │ │ │ ├── chapter_050.xhtml
│ │ │ │ ├── chapter_051.xhtml
│ │ │ │ ├── chapter_052.xhtml
│ │ │ │ ├── chapter_053.xhtml
│ │ │ │ ├── chapter_054.xhtml
│ │ │ │ ├── chapter_055.xhtml
│ │ │ │ ├── chapter_056.xhtml
│ │ │ │ ├── chapter_057.xhtml
│ │ │ │ ├── chapter_058.xhtml
│ │ │ │ ├── chapter_059.xhtml
│ │ │ │ ├── chapter_060.xhtml
│ │ │ │ ├── chapter_061.xhtml
│ │ │ │ ├── chapter_062.xhtml
│ │ │ │ ├── chapter_063.xhtml
│ │ │ │ ├── chapter_064.xhtml
│ │ │ │ ├── chapter_065.xhtml
│ │ │ │ ├── chapter_066.xhtml
│ │ │ │ ├── chapter_067.xhtml
│ │ │ │ ├── chapter_068.xhtml
│ │ │ │ ├── chapter_069.xhtml
│ │ │ │ ├── chapter_070.xhtml
│ │ │ │ ├── chapter_071.xhtml
│ │ │ │ ├── chapter_072.xhtml
│ │ │ │ ├── chapter_073.xhtml
│ │ │ │ ├── chapter_074.xhtml
│ │ │ │ ├── chapter_075.xhtml
│ │ │ │ ├── chapter_076.xhtml
│ │ │ │ ├── chapter_077.xhtml
│ │ │ │ ├── chapter_078.xhtml
│ │ │ │ ├── chapter_079.xhtml
│ │ │ │ ├── chapter_080.xhtml
│ │ │ │ ├── chapter_081.xhtml
│ │ │ │ ├── chapter_082.xhtml
│ │ │ │ ├── chapter_083.xhtml
│ │ │ │ ├── chapter_084.xhtml
│ │ │ │ ├── chapter_085.xhtml
│ │ │ │ ├── chapter_086.xhtml
│ │ │ │ ├── chapter_087.xhtml
│ │ │ │ ├── chapter_088.xhtml
│ │ │ │ ├── chapter_089.xhtml
│ │ │ │ ├── chapter_090.xhtml
│ │ │ │ ├── chapter_091.xhtml
│ │ │ │ ├── chapter_092.xhtml
│ │ │ │ ├── chapter_093.xhtml
│ │ │ │ ├── chapter_094.xhtml
│ │ │ │ ├── chapter_095.xhtml
│ │ │ │ ├── chapter_096.xhtml
│ │ │ │ ├── chapter_097.xhtml
│ │ │ │ ├── chapter_098.xhtml
│ │ │ │ ├── chapter_099.xhtml
│ │ │ │ ├── chapter_100.xhtml
│ │ │ │ ├── chapter_101.xhtml
│ │ │ │ ├── chapter_102.xhtml
│ │ │ │ ├── chapter_103.xhtml
│ │ │ │ ├── chapter_104.xhtml
│ │ │ │ ├── chapter_105.xhtml
│ │ │ │ ├── chapter_106.xhtml
│ │ │ │ ├── chapter_107.xhtml
│ │ │ │ ├── chapter_108.xhtml
│ │ │ │ ├── chapter_109.xhtml
│ │ │ │ ├── chapter_110.xhtml
│ │ │ │ ├── chapter_111.xhtml
│ │ │ │ ├── chapter_112.xhtml
│ │ │ │ ├── chapter_113.xhtml
│ │ │ │ ├── chapter_114.xhtml
│ │ │ │ ├── chapter_115.xhtml
│ │ │ │ ├── chapter_116.xhtml
│ │ │ │ ├── chapter_117.xhtml
│ │ │ │ ├── chapter_118.xhtml
│ │ │ │ ├── chapter_119.xhtml
│ │ │ │ ├── chapter_120.xhtml
│ │ │ │ ├── chapter_121.xhtml
│ │ │ │ ├── chapter_122.xhtml
│ │ │ │ ├── chapter_123.xhtml
│ │ │ │ ├── chapter_124.xhtml
│ │ │ │ ├── chapter_125.xhtml
│ │ │ │ ├── chapter_126.xhtml
│ │ │ │ ├── chapter_127.xhtml
│ │ │ │ ├── chapter_128.xhtml
│ │ │ │ ├── chapter_129.xhtml
│ │ │ │ ├── chapter_130.xhtml
│ │ │ │ ├── chapter_131.xhtml
│ │ │ │ ├── chapter_132.xhtml
│ │ │ │ ├── chapter_133.xhtml
│ │ │ │ ├── chapter_134.xhtml
│ │ │ │ ├── chapter_135.xhtml
│ │ │ │ ├── chapter_136.xhtml
│ │ │ │ ├── copyright.xhtml
│ │ │ │ ├── cover.xhtml
│ │ │ │ ├── css
│ │ │ │ │ └── stylesheet.css
│ │ │ │ ├── epigraph_001.xhtml
│ │ │ │ ├── fonts
│ │ │ │ │ ├── STIXGeneral.otf
│ │ │ │ │ ├── STIXGeneralBol.otf
│ │ │ │ │ ├── STIXGeneralBolIta.otf
│ │ │ │ │ └── STIXGeneralItalic.otf
│ │ │ │ ├── images
│ │ │ │ │ ├── 9780316000000.jpg
│ │ │ │ │ └── Moby-Dick_FE_title_page.jpg
│ │ │ │ ├── introduction_001.xhtml
│ │ │ │ ├── package.opf
│ │ │ │ ├── preface_001.xhtml
│ │ │ │ ├── titlepage.xhtml
│ │ │ │ ├── toc-short.xhtml
│ │ │ │ ├── toc.ncx
│ │ │ │ └── toc.xhtml
│ │ │ └── mimetype
│ │ └── open
│ │ │ ├── META-INF
│ │ │ ├── com.apple.ibooks.display-options.xml
│ │ │ └── container.xml
│ │ │ ├── Ops
│ │ │ ├── 001.xhtml
│ │ │ ├── 002.xhtml
│ │ │ ├── 003.xhtml
│ │ │ ├── 004.xhtml
│ │ │ ├── 005.xhtml
│ │ │ ├── 006.xhtml
│ │ │ ├── 007.xhtml
│ │ │ ├── 008.xhtml
│ │ │ ├── 009.xhtml
│ │ │ ├── 010.xhtml
│ │ │ ├── 011.xhtml
│ │ │ ├── 012.xhtml
│ │ │ ├── 013.xhtml
│ │ │ ├── 014.xhtml
│ │ │ ├── 015.xhtml
│ │ │ ├── 016.xhtml
│ │ │ ├── 017.xhtml
│ │ │ ├── 018.xhtml
│ │ │ ├── 019.xhtml
│ │ │ ├── 020.xhtml
│ │ │ ├── 021.xhtml
│ │ │ ├── 022.xhtml
│ │ │ ├── 023.xhtml
│ │ │ ├── 024.xhtml
│ │ │ ├── 025.xhtml
│ │ │ ├── 026.xhtml
│ │ │ ├── 027.xhtml
│ │ │ ├── 028.xhtml
│ │ │ ├── 029.xhtml
│ │ │ ├── 030.xhtml
│ │ │ ├── 031.xhtml
│ │ │ ├── 032.xhtml
│ │ │ ├── content.opf
│ │ │ ├── fonts
│ │ │ │ ├── MinionPro-Bold.otf
│ │ │ │ ├── MinionPro-BoldIt.otf
│ │ │ │ ├── MinionPro-It.otf
│ │ │ │ ├── MinionPro-Regular.otf
│ │ │ │ ├── MinionPro-Semibold.otf
│ │ │ │ ├── MinionPro-SemiboldIt.otf
│ │ │ │ ├── PalatinoLTStd-Roman.otf
│ │ │ │ └── Thonburi.ttf
│ │ │ ├── images
│ │ │ │ ├── cover.jpg
│ │ │ │ ├── img1.jpg
│ │ │ │ ├── img10.jpg
│ │ │ │ ├── img11.jpg
│ │ │ │ ├── img12.jpg
│ │ │ │ ├── img13.jpg
│ │ │ │ ├── img14.jpg
│ │ │ │ ├── img15.jpg
│ │ │ │ ├── img16.jpg
│ │ │ │ ├── img17.jpg
│ │ │ │ ├── img18.jpg
│ │ │ │ ├── img19.jpg
│ │ │ │ ├── img2.jpg
│ │ │ │ ├── img20.jpg
│ │ │ │ ├── img21.jpg
│ │ │ │ ├── img22.jpg
│ │ │ │ ├── img3.jpg
│ │ │ │ ├── img4.jpg
│ │ │ │ ├── img5.jpg
│ │ │ │ ├── img6.jpg
│ │ │ │ ├── img7.jpg
│ │ │ │ ├── img8.jpg
│ │ │ │ └── img9.jpg
│ │ │ ├── nav.xhtml
│ │ │ ├── style.css
│ │ │ └── toc.ncx
│ │ │ └── mimetype
│ ├── epubjs
│ │ └── build
│ │ │ ├── epub.js
│ │ │ ├── epub.js.map
│ │ │ ├── epub.min.js
│ │ │ ├── hooks.js
│ │ │ ├── hooks.js.map
│ │ │ ├── hooks.min.js
│ │ │ ├── hooks.min.map
│ │ │ ├── libs
│ │ │ ├── localforage.min.js
│ │ │ ├── localforage.min.map
│ │ │ ├── zip.min.js
│ │ │ └── zip.min.map
│ │ │ ├── reader.js
│ │ │ ├── reader.js.map
│ │ │ ├── reader.min.js
│ │ │ └── reader.min.map
│ └── icon
│ │ └── favicon.ico
├── index.html
├── manifest.json
├── pages
│ ├── book
│ │ ├── book.html
│ │ ├── book.scss
│ │ └── book.ts
│ ├── home
│ │ ├── home.html
│ │ ├── home.scss
│ │ └── home.ts
│ ├── settings
│ │ ├── settings.html
│ │ ├── settings.scss
│ │ └── settings.ts
│ └── toc
│ │ ├── toc.html
│ │ ├── toc.scss
│ │ └── toc.ts
├── service-worker.js
└── theme
│ └── variables.scss
├── tsconfig.json
└── tslint.json
/.editorconfig:
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1 | # EditorConfig helps developers define and maintain consistent coding styles between different editors and IDEs
2 | # editorconfig.org
3 |
4 | root = true
5 |
6 | [*]
7 | indent_style = space
8 | indent_size = 2
9 |
10 | # We recommend you to keep these unchanged
11 | end_of_line = lf
12 | charset = utf-8
13 | trim_trailing_whitespace = true
14 | insert_final_newline = true
15 |
16 | [*.md]
17 | trim_trailing_whitespace = false
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/.gitignore:
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1 | # Specifies intentionally untracked files to ignore when using Git
2 | # http://git-scm.com/docs/gitignore
3 |
4 | *~
5 | *.sw[mnpcod]
6 | *.log
7 | *.tmp
8 | *.tmp.*
9 | log.txt
10 | *.sublime-project
11 | *.sublime-workspace
12 | .vscode/
13 | npm-debug.log*
14 |
15 | .idea/
16 | .sass-cache/
17 | .tmp/
18 | .versions/
19 | coverage/
20 | dist/
21 | node_modules/
22 | tmp/
23 | temp/
24 | hooks/
25 | platforms/
26 | plugins/
27 | plugins/android.json
28 | plugins/ios.json
29 | www/
30 | $RECYCLE.BIN/
31 |
32 | .DS_Store
33 | Thumbs.db
34 | UserInterfaceState.xcuserstate
35 | typings/
36 |
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/README.md:
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1 | # ionic-epubjs
2 |
3 | Sample project of how to use [Epub.js](https://github.com/futurepress/epub.js) in an Ionic 3 app.
4 |
5 | ## How Epub.js is integrated
6 |
7 | As just natively importing Epub.js after installing it via `npm` unfortunately doesn't work, I copied over the `build` directory of the npm package of epubjs from `/node_modules/epubjs` to `/src/assets/epubjs` and included `epubjs.min.js` in `index.html`. That way the `ePub` object is globally available and can be used in Typescript after declaring it with `declare var ePub: any;`.
8 |
9 | ## Functionality
10 |
11 | * Open books
12 | * Load and render locally available books from `/assets/books`
13 | * Switch between different books
14 | * Reading UI
15 | * Tap through pages by using "next" and "previous" buttons
16 | * Swipe pages to go to next or previous page
17 | * Tap the page to toggle a reading mode with no UI
18 | * Display page number the reader is currently on
19 | * Display total number of pages in book
20 | * Display chapter title the reader is currently in
21 | * Table of Contents
22 | * Show the table of contents of a book
23 | * Tap chapter to go there
24 | * Settings
25 | * Change font size
26 | * Change background color (and with it text color)
27 | * UI automatically adapts the toolbar color depending on the chosen background and text color
28 | * Change font family
29 |
30 | ## Development
31 |
32 | 1. Clone the repo
33 | 2. Run `npm install`
34 | 3. Run `ionic cordova prepare`
35 | 4. Run `ionic serve` or `ionic cordova run android|ios`
36 |
37 | ## Information + Resources
38 |
39 | * Good to know
40 | * Cfi = [EPUB Canonical Fragment Identifiers](http://www.idpf.org/epub/linking/cfi/epub-cfi.html)
41 | * EPUB is a registered trademark of the [IDPF](http://idpf.org/)
42 |
43 | * Epub.js
44 | * [https://github.com/futurepress/epub.js](https://github.com/futurepress/epub.js)
45 | * [https://github.com/futurepress/epub.js/blob/master/documentation/README.md](https://github.com/futurepress/epub.js/blob/master/documentation/README.md)
46 | * [https://github.com/futurepress/epub.js/blob/master/documentation/README.md#methods](https://github.com/futurepress/epub.js/blob/master/documentation/README.md#methods)
47 | * [https://github.com/futurepress/epub.js/blob/master/documentation/README.md#events](https://github.com/futurepress/epub.js/blob/master/documentation/README.md#events)
48 | * [https://github.com/futurepress/epub.js/wiki/Tips-and-Tricks](https://github.com/futurepress/epub.js/wiki/Tips-and-Tricks)
49 | * Examples
50 | * [http://futurepress.github.io/epub.js/](http://futurepress.github.io/epub.js/)
51 | * [https://github.com/futurepress/epub.js/tree/master/examples](https://github.com/futurepress/epub.js/tree/master/examples)
52 |
53 | ## Related projects
54 |
55 | * There is a [Ionic v1 based "Ionic Reader"](https://github.com/Nipun04/Ionic-Reader) that also uses Epub.js. It claims to "fix iOS flickering" and also has additional features "Last location, Go to location, Bookmarks, Highlights"
56 |
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/docs/.gitkeep:
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1 |
Some chapters back, one Bulkington was spoken of, a tall, newlanded mariner, encountered in New Bedford at the inn.
12 |When on that shivering winter’s night, the Pequod thrust her vindictive bows into the cold malicious waves, who should I see standing at her helm but Bulkington! I looked with sympathetic awe and fearfulness upon the man, who in mid-winter just landed from a four years’ dangerous voyage, could so unrestingly push off again for still another tempestuous term. The land seemed scorching to his feet. Wonderfullest things are ever the unmentionable; deep memories yield no epitaphs; this six-inch chapter is the stoneless grave of Bulkington. Let me only say that it fared with him as with the storm-tossed ship, that miserably drives along the leeward land. The port would fain give succor; the port is pitiful; in the port is safety, comfort, hearthstone, supper, warm blankets, friends, all that’s kind to our mortalities. But in that gale, the port, the land, is that ship’s direst jeopardy; she must fly all hospitality; one touch of land, though it but graze the keel, would make her shudder through and through. With all her might she crowds all sail off shore; in so doing, fights 'gainst the very winds that fain would blow her homeward; seeks all the lashed sea’s landlessness again; for refuge’s sake forlornly rushing into peril; her only friend her bitterest foe!
13 |Know ye now, Bulkington? Glimpses do ye seem to see of that mortally intolerable truth; that all deep, earnest thinking is but the intrepid effort of the soul to keep the open independence of her sea; while the wildest winds of heaven and earth conspire to cast her on the treacherous, slavish shore?
14 |But as in landlessness alone resides highest truth, shoreless, indefinite as God—so, better is it to perish in that howling infinite, than be ingloriously dashed upon the lee, even if that were safety! For worm-like, then, oh! who would craven crawl to land! Terrors of the terrible! is all this agony so vain? Take heart, take heart, O Bulkington! Bear thee grimly, demigod! Up from the spray of thy ocean-perishing—straight up, leaps thy apotheosis!
15 |In behalf of the dignity of whaling, I would fain advance naught but substantiated facts. But after embattling his facts, an advocate who should wholly suppress a not unreasonable surmise, which might tell eloquently upon his cause—such an advocate, would he not be blameworthy?
12 |It is well known that at the coronation of kings and queens, even modern ones, a certain curious process of seasoning them for their functions is gone through. There is a saltcellar of state, so called, and there may be a castor of state. How they use the salt, precisely—who knows? Certain I am, however, that a king’s head is solemnly oiled at his coronation, even as a head of salad. Can it be, though, that they anoint it with a view of making its interior run well, as they anoint machinery? Much might be ruminated here, concerning the essential dignity of this regal process, because in common life we esteem but meanly and contemptibly a fellow who anoints his hair, and palpably smells of that anointing. In truth, a mature man who uses hair-oil, unless medicinally, that man has probably got a quoggy spot in him somewhere. As a general rule, he can’t amount to much in his totality.
13 |But the only thing to be considered here, is this—what kind of oil is used at coronations? Certainly it cannot be olive oil, nor macassar oil, nor castor oil, nor bear’s oil, nor train oil, nor cod-liver oil. What then can it possibly be, but sperm oil in its unmanufactured, unpolluted state, the sweetest of all oils?
14 |Think of that, ye loyal Britons! we whalemen supply your kings and queens with coronation stuff!
15 |When Stubb had departed, Ahab stood for a while leaning over the bulwarks; and then, as had been usual with him of late, calling a sailor of the watch, he sent him below for his ivory stool, and also his pipe. Lighting the pipe at the binnacle lamp and planting the stool on the weather side of the deck, he sat and smoked.
12 |In old Norse times, the thrones of the sea-loving Danish kings were fabricated, saith tradition, of the tusks of the narwhale. How could one look at Ahab then, seated on that tripod of bones, without bethinking him of the royalty it symbolized? For a Khan of the plank, and a king of the sea, and a great lord of Leviathans was Ahab.
13 |Some moments passed, during which the thick vapour came from his mouth in quick and constant puffs, which blew back again into his face. “How now,” he soliloquized at last, withdrawing the tube, “this smoking no longer soothes. Oh, my pipe! hard must it go with me if thy charm be gone! Here have I been unconsciously toiling, not pleasuring—aye, and ignorantly smoking to windward all the while; to windward, and with such nervous whiffs, as if, like the dying whale, my final jets were the strongest and fullest of trouble. What business have I with this pipe? This thing that is meant for sereneness, to send up mild white vapours among mild white hairs, not among torn iron-grey locks like mine. I’ll smoke no more—”
14 |He tossed the still lighted pipe into the sea. The fire hissed in the waves; the same instant the ship shot by the bubble the sinking pipe made. With slouched hat, Ahab lurchingly paced the planks.
15 |THE CABIN; BY THE STERN WINDOWS; AHAB SITTING ALONE, AND GAZING OUT.
12 |I leave a white and turbid wake; pale waters, paler cheeks, where’er I sail. The envious billows sidelong swell to whelm my track; let them; but first I pass.
13 |Yonder, by ever-brimming goblet’s rim, the warm waves blush like wine. The gold brow plumbs the blue. The diver sun—slow dived from noon—goes down; my soul mounts up! she wearies with her endless hill. Is, then, the crown too heavy that I wear? this Iron Crown of Lombardy. Yet is it bright with many a gem; I the wearer, see not its far flashings; but darkly feel that I wear that, that dazzlingly confounds. ‘Tis iron—that I know—not gold. ‘Tis split, too—that I feel; the jagged edge galls me so, my brain seems to beat against the solid metal; aye, steel skull, mine; the sort that needs no helmet in the most brain-battering fight!
14 |Dry heat upon my brow? Oh! time was, when as the sunrise nobly spurred me, so the sunset soothed. No more. This lovely light, it lights not me; all loveliness is anguish to me, since I can ne’er enjoy. Gifted with the high perception, I lack the low, enjoying power; damned, most subtly and most malignantly! damned in the midst of Paradise! Good night—good night! (WAVING HIS HAND, HE MOVES FROM THE WINDOW.)
15 |‘Twas not so hard a task. I thought to find one stubborn, at the least; but my one cogged circle fits into all their various wheels, and they revolve. Or, if you will, like so many ant-hills of powder, they all stand before me; and I their match. Oh, hard! that to fire others, the match itself must needs be wasting! What I’ve dared, I’ve willed; and what I’ve willed, I’ll do! They think me mad—Starbuck does; but I’m demoniac, I am madness maddened! That wild madness that’s only calm to comprehend itself! The prophecy was that I should be dismembered; and—Aye! I lost this leg. I now prophesy that I will dismember my dismemberer. Now, then, be the prophet and the fulfiller one. That’s more than ye, ye great gods, ever were. I laugh and hoot at ye, ye cricket-players, ye pugilists, ye deaf Burkes and blinded Bendigoes! I will not say as schoolboys do to bullies—Take some one of your own size; don’t pommel ME! No, ye’ve knocked me down, and I am up again; but YE have run and hidden. Come forth from behind your cotton bags! I have no long gun to reach ye. Come, Ahab’s compliments to ye; come and see if ye can swerve me. Swerve me? ye cannot swerve me, else ye swerve yourselves! man has ye there. Swerve me? The path to my fixed purpose is laid with iron rails, whereon my soul is grooved to run. Over unsounded gorges, through the rifled hearts of mountains, under torrents’ beds, unerringly I rush! Naught’s an obstacle, naught’s an angle to the iron way!
16 |BY THE MAINMAST; STARBUCK LEANING AGAINST IT.
12 |My soul is more than matched; she’s overmanned; and by a madman! Insufferable sting, that sanity should ground arms on such a field! But he drilled deep down, and blasted all my reason out of me! I think I see his impious end; but feel that I must help him to it. Will I, nill I, the ineffable thing has tied me to him; tows me with a cable I have no knife to cut. Horrible old man! Who’s over him, he cries;—aye, he would be a democrat to all above; look, how he lords it over all below! Oh! I plainly see my miserable office,—to obey, rebelling; and worse yet, to hate with touch of pity! For in his eyes I read some lurid woe would shrivel me up, had I it. Yet is there hope. Time and tide flow wide. The hated whale has the round watery world to swim in, as the small gold-fish has its glassy globe. His heaven-insulting purpose, God may wedge aside. I would up heart, were it not like lead. But my whole clock’s run down; my heart the all-controlling weight, I have no key to lift again.
13 |[A BURST OF REVELRY FROM THE FORECASTLE.]
14 |Oh, God! to sail with such a heathen crew that have small touch of human mothers in them! Whelped somewhere by the sharkish sea. The white whale is their demigorgon. Hark! the infernal orgies! that revelry is forward! mark the unfaltering silence aft! Methinks it pictures life. Foremost through the sparkling sea shoots on the gay, embattled, bantering bow, but only to drag dark Ahab after it, where he broods within his sternward cabin, builded over the dead water of the wake, and further on, hunted by its wolfish gurglings. The long howl thrills me through! Peace! ye revellers, and set the watch! Oh, life! 'tis in an hour like this, with soul beat down and held to knowledge,—as wild, untutored things are forced to feed—Oh, life! 'tis now that I do feel the latent horror in thee! but 'tis not me! that horror’s out of me! and with the soft feeling of the human in me, yet will I try to fight ye, ye grim, phantom futures! Stand by me, hold me, bind me, O ye blessed influences!
15 |Fore-Top.
(STUBB SOLUS, AND MENDING A BRACE.)
13 |Ha! ha! ha! ha! hem! clear my throat!—I’ve been thinking over it ever since, and that ha, ha’s the final consequence. Why so? Because a laugh’s the wisest, easiest answer to all that’s queer; and come what will, one comfort’s always left—that unfailing comfort is, it’s all predestinated. I heard not all his talk with Starbuck; but to my poor eye Starbuck then looked something as I the other evening felt. Be sure the old Mogul has fixed him, too. I twigged it, knew it; had had the gift, might readily have prophesied it—for when I clapped my eye upon his skull I saw it. Well, Stubb, WISE Stubb—that’s my title—well, Stubb, what of it, Stubb? Here’s a carcase. I know not all that may be coming, but be it what it will, I’ll go to it laughing. Such a waggish leering as lurks in all your horribles! I feel funny. Fa, la! lirra, skirra! What’s my juicy little pear at home doing now? Crying its eyes out?—Giving a party to the last arrived harpooneers, I dare say, gay as a frigate’s pennant, and so am I—fa, la! lirra, skirra! Oh—
14 |We’ll drink to-night with hearts as light, To love, as gay and fleeting As bubbles that swim, on the beaker’s brim, And break on the lips while meeting.
15 |A brave stave that—who calls? Mr. Starbuck? Aye, aye, sir—(ASIDE) he’s my superior, he has his too, if I’m not mistaken.—Aye, aye, sir, just through with this job—coming.
16 |“HIST! Did you hear that noise, Cabaco?”
12 |It was the middle-watch; a fair moonlight; the seamen were standing in a cordon, extending from one of the fresh-water butts in the waist, to the scuttle-butt near the taffrail. In this manner, they passed the buckets to fill the scuttle-butt. Standing, for the most part, on the hallowed precincts of the quarter-deck, they were careful not to speak or rustle their feet. From hand to hand, the buckets went in the deepest silence, only broken by the occasional flap of a sail, and the steady hum of the unceasingly advancing keel.
13 |It was in the midst of this repose, that Archy, one of the cordon, whose post was near the after-hatches, whispered to his neighbor, a Cholo, the words above.
14 |“Hist! did you hear that noise, Cabaco?”
15 |“Take the bucket, will ye, Archy? what noise d’ye mean?”
16 |“There it is again—under the hatches—don’t you hear it—a cough—it sounded like a cough.”
17 |“Cough be damned! Pass along that return bucket.”
18 |“There again—there it is!—it sounds like two or three sleepers turning over, now!”
19 |“Caramba! have done, shipmate, will ye? It’s the three soaked biscuits ye eat for supper turning over inside of ye—nothing else. Look to the bucket!”
20 |“Say what ye will, shipmate; I’ve sharp ears.”
21 |“Aye, you are the chap, ain’t ye, that heard the hum of the old Quakeress’s knitting-needles fifty miles at sea from Nantucket; you’re the chap.”
22 |“Grin away; we’ll see what turns up. Hark ye, Cabaco, there is somebody down in the after-hold that has not yet been seen on deck; and I suspect our old Mogul knows something of it too. I heard Stubb tell Flask, one morning watch, that there was something of that sort in the wind.”
23 |“Tish! the bucket!”
24 |Out of the trunk, the branches grow; out of them, the twigs. So, in productive subjects, grow the chapters.
12 |The crotch alluded to on a previous page deserves independent mention. It is a notched stick of a peculiar form, some two feet in length, which is perpendicularly inserted into the starboard gunwale near the bow, for the purpose of furnishing a rest for the wooden extremity of the harpoon, whose other naked, barbed end slopingly projects from the prow. Thereby the weapon is instantly at hand to its hurler, who snatches it up as readily from its rest as a backwoodsman swings his rifle from the wall. It is customary to have two harpoons reposing in the crotch, respectively called the first and second irons.
13 |But these two harpoons, each by its own cord, are both connected with the line; the object being this: to dart them both, if possible, one instantly after the other into the same whale; so that if, in the coming drag, one should draw out, the other may still retain a hold. It is a doubling of the chances. But it very often happens that owing to the instantaneous, violent, convulsive running of the whale upon receiving the first iron, it becomes impossible for the harpooneer, however lightning-like in his movements, to pitch the second iron into him. Nevertheless, as the second iron is already connected with the line, and the line is running, hence that weapon must, at all events, be anticipatingly tossed out of the boat, somehow and somewhere; else the most terrible jeopardy would involve all hands. Tumbled into the water, it accordingly is in such cases; the spare coils of box line (mentioned in a preceding chapter) making this feat, in most instances, prudently practicable. But this critical act is not always unattended with the saddest and most fatal casualties.
14 |Furthermore: you must know that when the second iron is thrown overboard, it thenceforth becomes a dangling, sharp-edged terror, skittishly curvetting about both boat and whale, entangling the lines, or cutting them, and making a prodigious sensation in all directions. Nor, in general, is it possible to secure it again until the whale is fairly captured and a corpse.
15 |Consider, now, how it must be in the case of four boats all engaging one unusually strong, active, and knowing whale; when owing to these qualities in him, as well as to the thousand concurring accidents of such an audacious enterprise, eight or ten loose second irons may be simultaneously dangling about him. For, of course, each boat is supplied with several harpoons to bend on to the line should the first one be ineffectually darted without recovery. All these particulars are faithfully narrated here, as they will not fail to elucidate several most important, however intricate passages, in scenes hereafter to be painted.
16 |Haul in the chains! Let the carcase go astern!
12 |The vast tackles have now done their duty. The peeled white body of the beheaded whale flashes like a marble sepulchre; though changed in hue, it has not perceptibly lost anything in bulk. It is still colossal. Slowly it floats more and more away, the water round it torn and splashed by the insatiate sharks, and the air above vexed with rapacious flights of screaming fowls, whose beaks are like so many insulting poniards in the whale. The vast white headless phantom floats further and further from the ship, and every rod that it so floats, what seem square roods of sharks and cubic roods of fowls, augment the murderous din. For hours and hours from the almost stationary ship that hideous sight is seen. Beneath the unclouded and mild azure sky, upon the fair face of the pleasant sea, wafted by the joyous breezes, that great mass of death floats on and on, till lost in infinite perspectives.
13 |There’s a most doleful and most mocking funeral! The sea-vultures all in pious mourning, the air-sharks all punctiliously in black or speckled. In life but few of them would have helped the whale, I ween, if peradventure he had needed it; but upon the banquet of his funeral they most piously do pounce. Oh, horrible vultureism of earth! from which not the mightiest whale is free.
14 |Nor is this the end. Desecrated as the body is, a vengeful ghost survives and hovers over it to scare. Espied by some timid man-of-war or blundering discovery-vessel from afar, when the distance obscuring the swarming fowls, nevertheless still shows the white mass floating in the sun, and the white spray heaving high against it; straightway the whale’s unharming corpse, with trembling fingers is set down in the log—SHOALS, ROCKS, AND BREAKERS HEREABOUTS: BEWARE! And for years afterwards, perhaps, ships shun the place; leaping over it as silly sheep leap over a vacuum, because their leader originally leaped there when a stick was held. There’s your law of precedents; there’s your utility of traditions; there’s the story of your obstinate survival of old beliefs never bottomed on the earth, and now not even hovering in the air! There’s orthodoxy!
15 |Thus, while in life the great whale’s body may have been a real terror to his foes, in his death his ghost becomes a powerless panic to a world.
16 |Are you a believer in ghosts, my friend? There are other ghosts than the Cock-Lane one, and far deeper men than Doctor Johnson who believe in them.
17 |Had you stepped on board the Pequod at a certain juncture of this post-mortemizing of the whale; and had you strolled forward nigh the windlass, pretty sure am I that you would have scanned with no small curiosity a very strange, enigmatical object, which you would have seen there, lying along lengthwise in the lee scuppers. Not the wondrous cistern in the whale’s huge head; not the prodigy of his unhinged lower jaw; not the miracle of his symmetrical tail; none of these would so surprise you, as half a glimpse of that unaccountable cone,—longer than a Kentuckian is tall, nigh a foot in diameter at the base, and jet-black as Yojo, the ebony idol of Queequeg. And an idol, indeed, it is; or, rather, in old times, its likeness was. Such an idol as that found in the secret groves of Queen Maachah in Judea; and for worshipping which, King Asa, her son, did depose her, and destroyed the idol, and burnt it for an abomination at the brook Kedron, as darkly set forth in the 15th chapter of the First Book of Kings.
12 |Look at the sailor, called the mincer, who now comes along, and assisted by two allies, heavily backs the grandissimus, as the mariners call it, and with bowed shoulders, staggers off with it as if he were a grenadier carrying a dead comrade from the field. Extending it upon the forecastle deck, he now proceeds cylindrically to remove its dark pelt, as an African hunter the pelt of a boa. This done he turns the pelt inside out, like a pantaloon leg; gives it a good stretching, so as almost to double its diameter; and at last hangs it, well spread, in the rigging, to dry. Ere long, it is taken down; when removing some three feet of it, towards the pointed extremity, and then cutting two slits for arm-holes at the other end, he lengthwise slips himself bodily into it. The mincer now stands before you invested in the full canonicals of his calling. Immemorial to all his order, this investiture alone will adequately protect him, while employed in the peculiar functions of his office.
13 |That office consists in mincing the horse-pieces of blubber for the pots; an operation which is conducted at a curious wooden horse, planted endwise against the bulwarks, and with a capacious tub beneath it, into which the minced pieces drop, fast as the sheets from a rapt orator’s desk. Arrayed in decent black; occupying a conspicuous pulpit; intent on bible leaves; what a candidate for an archbishopric, what a lad for a Pope were this mincer!*
14 |*Bible leaves! Bible leaves! This is the invariable cry from the mates to the mincer. It enjoins him to be careful, and cut his work into as thin slices as possible, inasmuch as by so doing the business of boiling out the oil is much accelerated, and its quantity considerably increased, besides perhaps improving it in quality.
15 |Had you descended from the Pequod’s try-works to the Pequod’s forecastle, where the off duty watch were sleeping, for one single moment you would have almost thought you were standing in some illuminated shrine of canonized kings and counsellors. There they lay in their triangular oaken vaults, each mariner a chiselled muteness; a score of lamps flashing upon his hooded eyes.
12 |In merchantmen, oil for the sailor is more scarce than the milk of queens. To dress in the dark, and eat in the dark, and stumble in darkness to his pallet, this is his usual lot. But the whaleman, as he seeks the food of light, so he lives in light. He makes his berth an Aladdin’s lamp, and lays him down in it; so that in the pitchiest night the ship’s black hull still houses an illumination.
13 |See with what entire freedom the whaleman takes his handful of lamps—often but old bottles and vials, though—to the copper cooler at the try-works, and replenishes them there, as mugs of ale at a vat. He burns, too, the purest of oil, in its unmanufactured, and, therefore, unvitiated state; a fluid unknown to solar, lunar, or astral contrivances ashore. It is sweet as early grass butter in April. He goes and hunts for his oil, so as to be sure of its freshness and genuineness, even as the traveller on the prairie hunts up his own supper of game.
14 |When gliding by the Bashee isles we emerged at last upon the great South Sea; were it not for other things, I could have greeted my dear Pacific with uncounted thanks, for now the long supplication of my youth was answered; that serene ocean rolled eastwards from me a thousand leagues of blue.
12 |There is, one knows not what sweet mystery about this sea, whose gently awful stirrings seem to speak of some hidden soul beneath; like those fabled undulations of the Ephesian sod over the buried Evangelist St. John. And meet it is, that over these sea-pastures, wide-rolling watery prairies and Potters’ Fields of all four continents, the waves should rise and fall, and ebb and flow unceasingly; for here, millions of mixed shades and shadows, drowned dreams, somnambulisms, reveries; all that we call lives and souls, lie dreaming, dreaming, still; tossing like slumberers in their beds; the ever-rolling waves but made so by their restlessness.
13 |To any meditative Magian rover, this serene Pacific, once beheld, must ever after be the sea of his adoption. It rolls the midmost waters of the world, the Indian ocean and Atlantic being but its arms. The same waves wash the moles of the new-built Californian towns, but yesterday planted by the recentest race of men, and lave the faded but still gorgeous skirts of Asiatic lands, older than Abraham; while all between float milky-ways of coral isles, and low-lying, endless, unknown Archipelagoes, and impenetrable Japans. Thus this mysterious, divine Pacific zones the world’s whole bulk about; makes all coasts one bay to it; seems the tide-beating heart of earth. Lifted by those eternal swells, you needs must own the seductive god, bowing your head to Pan.
14 |But few thoughts of Pan stirred Ahab’s brain, as standing like an iron statue at his accustomed place beside the mizen rigging, with one nostril he unthinkingly snuffed the sugary musk from the Bashee isles (in whose sweet woods mild lovers must be walking), and with the other consciously inhaled the salt breath of the new found sea; that sea in which the hated White Whale must even then be swimming. Launched at length upon these almost final waters, and gliding towards the Japanese cruising-ground, the old man’s purpose intensified itself. His firm lips met like the lips of a vice; the Delta of his forehead’s veins swelled like overladen brooks; in his very sleep, his ringing cry ran through the vaulted hull, “Stern all! the White Whale spouts thick blood!”
15 |Not seldom in this life, when, on the right side, fortune’s favourites sail close by us, we, though all adroop before, catch somewhat of the rushing breeze, and joyfully feel our bagging sails fill out. So seemed it with the Pequod. For next day after encountering the gay Bachelor, whales were seen and four were slain; and one of them by Ahab.
12 |It was far down the afternoon; and when all the spearings of the crimson fight were done: and floating in the lovely sunset sea and sky, sun and whale both stilly died together; then, such a sweetness and such plaintiveness, such inwreathing orisons curled up in that rosy air, that it almost seemed as if far over from the deep green convent valleys of the Manilla isles, the Spanish land-breeze, wantonly turned sailor, had gone to sea, freighted with these vesper hymns.
13 |Soothed again, but only soothed to deeper gloom, Ahab, who had sterned off from the whale, sat intently watching his final wanings from the now tranquil boat. For that strange spectacle observable in all sperm whales dying—the turning sunwards of the head, and so expiring—that strange spectacle, beheld of such a placid evening, somehow to Ahab conveyed a wondrousness unknown before.
14 |“He turns and turns him to it,—how slowly, but how steadfastly, his homage-rendering and invoking brow, with his last dying motions. He too worships fire; most faithful, broad, baronial vassal of the sun!—Oh that these too-favouring eyes should see these too-favouring sights. Look! here, far water-locked; beyond all hum of human weal or woe; in these most candid and impartial seas; where to traditions no rocks furnish tablets; where for long Chinese ages, the billows have still rolled on speechless and unspoken to, as stars that shine upon the Niger’s unknown source; here, too, life dies sunwards full of faith; but see! no sooner dead, than death whirls round the corpse, and it heads some other way.
15 |“Oh, thou dark Hindoo half of nature, who of drowned bones hast builded thy separate throne somewhere in the heart of these unverdured seas; thou art an infidel, thou queen, and too truly speakest to me in the wide-slaughtering Typhoon, and the hushed burial of its after calm. Nor has this thy whale sunwards turned his dying head, and then gone round again, without a lesson to me.
16 |“Oh, trebly hooped and welded hip of power! Oh, high aspiring, rainbowed jet!—that one strivest, this one jettest all in vain! In vain, oh whale, dost thou seek intercedings with yon all-quickening sun, that only calls forth life, but gives it not again. Yet dost thou, darker half, rock me with a prouder, if a darker faith. All thy unnamable imminglings float beneath me here; I am buoyed by breaths of once living things, exhaled as air, but water now.
17 |“Then hail, for ever hail, O sea, in whose eternal tossings the wild fowl finds his only rest. Born of earth, yet suckled by the sea; though hill and valley mothered me, ye billows are my foster-brothers!”
18 |The four whales slain that evening had died wide apart; one, far to windward; one, less distant, to leeward; one ahead; one astern. These last three were brought alongside ere nightfall; but the windward one could not be reached till morning; and the boat that had killed it lay by its side all night; and that boat was Ahab’s.
12 |The waif-pole was thrust upright into the dead whale’s spout-hole; and the lantern hanging from its top, cast a troubled flickering glare upon the black, glossy back, and far out upon the midnight waves, which gently chafed the whale’s broad flank, like soft surf upon a beach.
13 |Ahab and all his boat’s crew seemed asleep but the Parsee; who crouching in the bow, sat watching the sharks, that spectrally played round the whale, and tapped the light cedar planks with their tails. A sound like the moaning in squadrons over Asphaltites of unforgiven ghosts of Gomorrah, ran shuddering through the air.
14 |Started from his slumbers, Ahab, face to face, saw the Parsee; and hooped round by the gloom of the night they seemed the last men in a flooded world. “I have dreamed it again,” said he.
15 |“Of the hearses? Have I not said, old man, that neither hearse nor coffin can be thine?”
16 |“And who are hearsed that die on the sea?”
17 |“But I said, old man, that ere thou couldst die on this voyage, two hearses must verily be seen by thee on the sea; the first not made by mortal hands; and the visible wood of the last one must be grown in America.”
18 |“Aye, aye! a strange sight that, Parsee:—a hearse and its plumes floating over the ocean with the waves for the pall-bearers. Ha! Such a sight we shall not soon see.”
19 |“Believe it or not, thou canst not die till it be seen, old man.”
20 |“And what was that saying about thyself?”
21 |“Though it come to the last, I shall still go before thee thy pilot.”
22 |“And when thou art so gone before—if that ever befall—then ere I can follow, thou must still appear to me, to pilot me still?—Was it not so? Well, then, did I believe all ye say, oh my pilot! I have here two pledges that I shall yet slay Moby Dick and survive it.”
23 |“Take another pledge, old man,” said the Parsee, as his eyes lighted up like fire-flies in the gloom—"Hemp only can kill thee.”
24 |“The gallows, ye mean.—I am immortal then, on land and on sea,” cried Ahab, with a laugh of derision;—"Immortal on land and on sea!”
25 |Both were silent again, as one man. The grey dawn came on, and the slumbering crew arose from the boat’s bottom, and ere noon the dead whale was brought to the ship.
26 |“We must send down the main-top-sail yard, sir. The band is working loose and the lee lift is half-stranded. Shall I strike it, sir?”
13 |“Strike nothing; lash it. If I had sky-sail poles, I’d sway them up now.”
14 |“Sir!—in God’s name!—sir?”
15 |“Well.”
16 |“The anchors are working, sir. Shall I get them inboard?”
17 |“Strike nothing, and stir nothing, but lash everything. The wind rises, but it has not got up to my table-lands yet. Quick, and see to it.—By masts and keels! he takes me for the hunch-backed skipper of some coasting smack. Send down my main-top-sail yard! Ho, gluepots! Loftiest trucks were made for wildest winds, and this brain-truck of mine now sails amid the cloud-scud. Shall I strike that? Oh, none but cowards send down their brain-trucks in tempest time. What a hooroosh aloft there! I would e’en take it for sublime, did I not know that the colic is a noisy malady. Oh, take medicine, take medicine!”
18 |THE MAIN-TOP-SAIL YARD.—TASHTEGO PASSING NEW LASHINGS AROUND IT.
12 |“Um, um, um. Stop that thunder! Plenty too much thunder up here. What’s the use of thunder? Um, um, um. We don’t want thunder; we want rum; give us a glass of rum. Um, um, um!”
13 |The intense Pequod sailed on; the rolling waves and days went by; the life-buoy-coffin still lightly swung; and another ship, most miserably misnamed the Delight, was descried. As she drew nigh, all eyes were fixed upon her broad beams, called shears, which, in some whaling-ships, cross the quarter-deck at the height of eight or nine feet; serving to carry the spare, unrigged, or disabled boats.
12 |Upon the stranger’s shears were beheld the shattered, white ribs, and some few splintered planks, of what had once been a whale-boat; but you now saw through this wreck, as plainly as you see through the peeled, half-unhinged, and bleaching skeleton of a horse.
13 |“Hast seen the White Whale?”
14 |“Look!” replied the hollow-cheeked captain from his taffrail; and with his trumpet he pointed to the wreck.
15 |“Hast killed him?”
16 |“The harpoon is not yet forged that ever will do that,” answered the other, sadly glancing upon a rounded hammock on the deck, whose gathered sides some noiseless sailors were busy in sewing together.
17 |“Not forged!” and snatching Perth’s levelled iron from the crotch, Ahab held it out, exclaiming—"Look ye, Nantucketer; here in this hand I hold his death! Tempered in blood, and tempered by lightning are these barbs; and I swear to temper them triply in that hot place behind the fin, where the White Whale most feels his accursed life!”
18 |“Then God keep thee, old man—see’st thou that"—pointing to the hammock—"I bury but one of five stout men, who were alive only yesterday; but were dead ere night. Only THAT one I bury; the rest were buried before they died; you sail upon their tomb.” Then turning to his crew—"Are ye ready there? place the plank then on the rail, and lift the body; so, then—Oh! God"—advancing towards the hammock with uplifted hands—"may the resurrection and the life—”
19 |“Brace forward! Up helm!” cried Ahab like lightning to his men.
20 |But the suddenly started Pequod was not quick enough to escape the sound of the splash that the corpse soon made as it struck the sea; not so quick, indeed, but that some of the flying bubbles might have sprinkled her hull with their ghostly baptism.
21 |As Ahab now glided from the dejected Delight, the strange life-buoy hanging at the Pequod’s stern came into conspicuous relief.
22 |“Ha! yonder! look yonder, men!” cried a foreboding voice in her wake. “In vain, oh, ye strangers, ye fly our sad burial; ye but turn us your taffrail to show us your coffin!”
23 |“AND I ONLY AM ESCAPED ALONE TO TELL THEE”
13 |—Job.
14 |The drama’s done. Why then here does any one step forth?—Because one did survive the wreck.
17 |It so chanced, that after the Parsee’s disappearance, I was he whom the Fates ordained to take the place of Ahab’s bowsman, when that bowsman assumed the vacant post; the same, who, when on the last day the three men were tossed from out of the rocking boat, was dropped astern. So, floating on the margin of the ensuing scene, and in full sight of it, when the halfspent suction of the sunk ship reached me, I was then, but slowly, drawn towards the closing vortex. When I reached it, it had subsided to a creamy pool. Round and round, then, and ever contracting towards the button-like black bubble at the axis of that slowly wheeling circle, like another Ixion I did revolve. Till, gaining that vital centre, the black bubble upward burst; and now, liberated by reason of its cunning spring, and, owing to its great buoyancy, rising with great force, the coffin life-buoy shot lengthwise from the sea, fell over, and floated by my side. Buoyed up by that coffin, for almost one whole day and night, I floated on a soft and dirgelike main. The unharming sharks, they glided by as if with padlocks on their mouths; the savage sea-hawks sailed with sheathed beaks. On the second day, a sail drew near, nearer, and picked me up at last. It was the devious-cruising Rachel, that in her retracing search after her missing children, only found another orphan.
11 | The Project Gutenberg EBook of Moby-Dick; or The Whale, by Herman Melville 12 |
13 | 14 |15 | This eBook is for the use of anyone anywhere at no cost and with 16 | almost no restrictions whatsoever. You may copy it, give it away or 17 | re-use it under the terms of the Project Gutenberg License included 18 | with this eBook or online at www.gutenberg.org 19 |
20 | 21 | 22 |23 | Title: Moby-Dick; or The Whale 24 |
25 | 26 |27 | Author: Herman Melville 28 |
29 | 30 |31 | Last Updated: January 3, 2009 32 |
33 |34 | Posting Date: December 25, 2008 [EBook #2701] 35 |
36 |37 | Release Date: June, 2001 38 |
39 | 40 |41 | Language: English 42 |
43 | 44 |45 | Produced by Daniel Lazarus and Jonesey 46 |
47 |(Supplied by a Late Consumptive Usher to a Grammar School)
The pale Usher—threadbare in coat, heart, body, and brain; I see him now. He was ever dusting his old lexicons and grammars, with a queer handkerchief, mockingly embellished with all the gay flags of all the known nations of the world. He loved to dust his old grammars; it somehow mildly reminded him of his mortality.
13 |“While you take in hand to school others, and to teach them by what name a whale-fish is to be called in our tongue leaving out, through ignorance, the letter H, which almost alone maketh the signification of the word, you deliver that which is not true.”
16 |—HACKLUYT
17 |“WHALE.... Sw. and Dan. HVAL. This animal is named from roundness or rolling; for in Dan. HVALT is arched or vaulted.”
20 |—WEBSTER’S DICTIONARY
21 |“WHALE.... It is more immediately from the Dut. and Ger. WALLEN; A.S. WALW-IAN, to roll, to wallow.”
24 |—RICHARDSON’S DICTIONARY
25 |KETOS, GREEK.
28 |CETUS, LATIN.
29 |WHOEL, ANGLO-SAXON.
30 |HVALT, DANISH.
31 |WAL, DUTCH.
32 |HWAL, SWEDISH.
33 |WHALE, ICELANDIC.
34 |WHALE, ENGLISH.
35 |BALEINE, FRENCH.
36 |BALLENA, SPANISH.
37 |PEKEE-NUEE-NUEE, FEGEE.
38 |PEKEE-NUEE-NUEE, ERROMANGOAN.
39 |This text is a combination of etexts, one from the now-defunct ERIS project at Virginia Tech and one from Project Gutenberg’s archives. The proofreaders of this version are indebted to The University of Adelaide Library for preserving the Virginia Tech version. The resulting etext was compared with a public domain hard copy version of the text.
14 |In chapters 24, 89, and 90, we substituted a capital L for the symbol for the British pound, a unit of currency.1
15 | 16 | 19 | 20 | 21 |The Philosophy and Practices that are Revolutionizing Education and Science
11 |Edited by
12 |Rajiv S. Jhangiani and Robert Biswas-Diener
13 |]u[
14 |ubiquity press
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15 |First published 2017
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25 |ISBN (Mobi): 978-1-911529-03-3
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30 |Jhangiani, R S and Biswas-Diener, R 2017 Open: The Philosophy and Practices that are Revolutionizing Education and Science. London: Ubiquity Press. DOI: https://doi.org/10.5334/bbc. License: CC-BY 4.0
31 |To read the free, open access version of this book online, visit https://doi.org/10.5334/bbc or scan this QR code with your mobile device: |
34 |
No book—whether edited or single authored—is truly an individual effort. We are grateful to those who helped us improve the quality of this volume. First, we would like to thank Nadia Lyubchik for her support in preparing the manuscript for publication. Just as a script supervisor ensures the continuity of a feature film, Nadia kept track of all of the references, formatting, correspondence and countless other details necessary for the publication of this book. Our deepest thanks. We would also like to thank Peter Lindberg at Noba, who gave valuable feedback on a number of aspects of this project as well as specific chapters. We would also like to thank Cathy Casserly at the Carnegie Foundation for her input. Finally, we are grateful to the contributing authors for their eager participation in this project. The breadth and depth of their collective insights and experiences have made this volume everything an editor could hope for. This book was produced with the support of a grant from the Association for Psychological Science and we gratefully acknowledge their role. We would also like to thank David Ernst and George Veletsianos for providing informative peer review feedback and helping us to develop the book.
11 | 12 | -------------------------------------------------------------------------------- /docs/assets/books/open/Ops/006.xhtml: -------------------------------------------------------------------------------- 1 | 2 | 3 | 4 | 5 | 6 |Richard Baraniuk – Rice University, OpenStax College
11 |Robert Biswas-Diener – Noba Project
12 |T. J. Bliss – Hewlett Foundation
13 |Mary Burgess – BCcampus
14 |Natalie Ciarocco – Monmouth University
15 |Farhad Dastur – Kwantlen Polytechnic University
16 |Beatriz de los Arcos – The Open University
17 |Robin DeRosa – Plymouth State University
18 |Carol Diener – University of Illinois
19 |Ed Diener – University of Virginia
20 |Rob Farrow – The Open University
21 |Nicole Finkbeiner – OpenStax College
22 |Cable Green – Creative Commons
23 |Regan Gurung – University of Wisconsin-Green Bay
24 |David Harris – OpenStax College
25 |Jessica Hartnett – Gannon University
26 |William Huitt – Valdosta State University & Capella University
27 |Aaron Jarden – Auckland University of Technology
28 |Rajiv S. Jhangiani – Kwantlen Polytechnic University
29 |Gary Lewandowski – Monmouth University
30 |Wayne Mackintosh – Otago Polytechnic & OER Foundation
31 |Patrick McAndrew – The Open University
32 |David Miller – University of Connecticut
33 |David Monetti – Valdosta State University
34 |Danielle Nicholoson – OpenStax College
35 |Brian Nosek – University of Virginia & Center for Open Science
36 |Rebecca Pitt – The Open University
37 |Scott Robison – Portland State University
38 |Mike Smith – Hewlett Foundation
39 |David Strohmetz – Monmouth University
40 |Anita Walz – Virginia Polytechnic Institute & State University
41 |Daniel Weijers – University of Waikato
42 |Martin Weller – The Open University
43 |Quill West – Pierce College
44 |David Wiley – Lumen Learning
45 |Daniel Williamson – OpenStax College
46 |Addison Zhao – University of Connecticut
47 | 48 | -------------------------------------------------------------------------------- /docs/assets/books/open/Ops/007.xhtml: -------------------------------------------------------------------------------- 1 | 2 | 3 | 4 | 5 | 6 |Some chapters back, one Bulkington was spoken of, a tall, newlanded mariner, encountered in New Bedford at the inn.
12 |When on that shivering winter’s night, the Pequod thrust her vindictive bows into the cold malicious waves, who should I see standing at her helm but Bulkington! I looked with sympathetic awe and fearfulness upon the man, who in mid-winter just landed from a four years’ dangerous voyage, could so unrestingly push off again for still another tempestuous term. The land seemed scorching to his feet. Wonderfullest things are ever the unmentionable; deep memories yield no epitaphs; this six-inch chapter is the stoneless grave of Bulkington. Let me only say that it fared with him as with the storm-tossed ship, that miserably drives along the leeward land. The port would fain give succor; the port is pitiful; in the port is safety, comfort, hearthstone, supper, warm blankets, friends, all that’s kind to our mortalities. But in that gale, the port, the land, is that ship’s direst jeopardy; she must fly all hospitality; one touch of land, though it but graze the keel, would make her shudder through and through. With all her might she crowds all sail off shore; in so doing, fights 'gainst the very winds that fain would blow her homeward; seeks all the lashed sea’s landlessness again; for refuge’s sake forlornly rushing into peril; her only friend her bitterest foe!
13 |Know ye now, Bulkington? Glimpses do ye seem to see of that mortally intolerable truth; that all deep, earnest thinking is but the intrepid effort of the soul to keep the open independence of her sea; while the wildest winds of heaven and earth conspire to cast her on the treacherous, slavish shore?
14 |But as in landlessness alone resides highest truth, shoreless, indefinite as God—so, better is it to perish in that howling infinite, than be ingloriously dashed upon the lee, even if that were safety! For worm-like, then, oh! who would craven crawl to land! Terrors of the terrible! is all this agony so vain? Take heart, take heart, O Bulkington! Bear thee grimly, demigod! Up from the spray of thy ocean-perishing—straight up, leaps thy apotheosis!
15 |In behalf of the dignity of whaling, I would fain advance naught but substantiated facts. But after embattling his facts, an advocate who should wholly suppress a not unreasonable surmise, which might tell eloquently upon his cause—such an advocate, would he not be blameworthy?
12 |It is well known that at the coronation of kings and queens, even modern ones, a certain curious process of seasoning them for their functions is gone through. There is a saltcellar of state, so called, and there may be a castor of state. How they use the salt, precisely—who knows? Certain I am, however, that a king’s head is solemnly oiled at his coronation, even as a head of salad. Can it be, though, that they anoint it with a view of making its interior run well, as they anoint machinery? Much might be ruminated here, concerning the essential dignity of this regal process, because in common life we esteem but meanly and contemptibly a fellow who anoints his hair, and palpably smells of that anointing. In truth, a mature man who uses hair-oil, unless medicinally, that man has probably got a quoggy spot in him somewhere. As a general rule, he can’t amount to much in his totality.
13 |But the only thing to be considered here, is this—what kind of oil is used at coronations? Certainly it cannot be olive oil, nor macassar oil, nor castor oil, nor bear’s oil, nor train oil, nor cod-liver oil. What then can it possibly be, but sperm oil in its unmanufactured, unpolluted state, the sweetest of all oils?
14 |Think of that, ye loyal Britons! we whalemen supply your kings and queens with coronation stuff!
15 |When Stubb had departed, Ahab stood for a while leaning over the bulwarks; and then, as had been usual with him of late, calling a sailor of the watch, he sent him below for his ivory stool, and also his pipe. Lighting the pipe at the binnacle lamp and planting the stool on the weather side of the deck, he sat and smoked.
12 |In old Norse times, the thrones of the sea-loving Danish kings were fabricated, saith tradition, of the tusks of the narwhale. How could one look at Ahab then, seated on that tripod of bones, without bethinking him of the royalty it symbolized? For a Khan of the plank, and a king of the sea, and a great lord of Leviathans was Ahab.
13 |Some moments passed, during which the thick vapour came from his mouth in quick and constant puffs, which blew back again into his face. “How now,” he soliloquized at last, withdrawing the tube, “this smoking no longer soothes. Oh, my pipe! hard must it go with me if thy charm be gone! Here have I been unconsciously toiling, not pleasuring—aye, and ignorantly smoking to windward all the while; to windward, and with such nervous whiffs, as if, like the dying whale, my final jets were the strongest and fullest of trouble. What business have I with this pipe? This thing that is meant for sereneness, to send up mild white vapours among mild white hairs, not among torn iron-grey locks like mine. I’ll smoke no more—”
14 |He tossed the still lighted pipe into the sea. The fire hissed in the waves; the same instant the ship shot by the bubble the sinking pipe made. With slouched hat, Ahab lurchingly paced the planks.
15 |THE CABIN; BY THE STERN WINDOWS; AHAB SITTING ALONE, AND GAZING OUT.
12 |I leave a white and turbid wake; pale waters, paler cheeks, where’er I sail. The envious billows sidelong swell to whelm my track; let them; but first I pass.
13 |Yonder, by ever-brimming goblet’s rim, the warm waves blush like wine. The gold brow plumbs the blue. The diver sun—slow dived from noon—goes down; my soul mounts up! she wearies with her endless hill. Is, then, the crown too heavy that I wear? this Iron Crown of Lombardy. Yet is it bright with many a gem; I the wearer, see not its far flashings; but darkly feel that I wear that, that dazzlingly confounds. ‘Tis iron—that I know—not gold. ‘Tis split, too—that I feel; the jagged edge galls me so, my brain seems to beat against the solid metal; aye, steel skull, mine; the sort that needs no helmet in the most brain-battering fight!
14 |Dry heat upon my brow? Oh! time was, when as the sunrise nobly spurred me, so the sunset soothed. No more. This lovely light, it lights not me; all loveliness is anguish to me, since I can ne’er enjoy. Gifted with the high perception, I lack the low, enjoying power; damned, most subtly and most malignantly! damned in the midst of Paradise! Good night—good night! (WAVING HIS HAND, HE MOVES FROM THE WINDOW.)
15 |‘Twas not so hard a task. I thought to find one stubborn, at the least; but my one cogged circle fits into all their various wheels, and they revolve. Or, if you will, like so many ant-hills of powder, they all stand before me; and I their match. Oh, hard! that to fire others, the match itself must needs be wasting! What I’ve dared, I’ve willed; and what I’ve willed, I’ll do! They think me mad—Starbuck does; but I’m demoniac, I am madness maddened! That wild madness that’s only calm to comprehend itself! The prophecy was that I should be dismembered; and—Aye! I lost this leg. I now prophesy that I will dismember my dismemberer. Now, then, be the prophet and the fulfiller one. That’s more than ye, ye great gods, ever were. I laugh and hoot at ye, ye cricket-players, ye pugilists, ye deaf Burkes and blinded Bendigoes! I will not say as schoolboys do to bullies—Take some one of your own size; don’t pommel ME! No, ye’ve knocked me down, and I am up again; but YE have run and hidden. Come forth from behind your cotton bags! I have no long gun to reach ye. Come, Ahab’s compliments to ye; come and see if ye can swerve me. Swerve me? ye cannot swerve me, else ye swerve yourselves! man has ye there. Swerve me? The path to my fixed purpose is laid with iron rails, whereon my soul is grooved to run. Over unsounded gorges, through the rifled hearts of mountains, under torrents’ beds, unerringly I rush! Naught’s an obstacle, naught’s an angle to the iron way!
16 |BY THE MAINMAST; STARBUCK LEANING AGAINST IT.
12 |My soul is more than matched; she’s overmanned; and by a madman! Insufferable sting, that sanity should ground arms on such a field! But he drilled deep down, and blasted all my reason out of me! I think I see his impious end; but feel that I must help him to it. Will I, nill I, the ineffable thing has tied me to him; tows me with a cable I have no knife to cut. Horrible old man! Who’s over him, he cries;—aye, he would be a democrat to all above; look, how he lords it over all below! Oh! I plainly see my miserable office,—to obey, rebelling; and worse yet, to hate with touch of pity! For in his eyes I read some lurid woe would shrivel me up, had I it. Yet is there hope. Time and tide flow wide. The hated whale has the round watery world to swim in, as the small gold-fish has its glassy globe. His heaven-insulting purpose, God may wedge aside. I would up heart, were it not like lead. But my whole clock’s run down; my heart the all-controlling weight, I have no key to lift again.
13 |[A BURST OF REVELRY FROM THE FORECASTLE.]
14 |Oh, God! to sail with such a heathen crew that have small touch of human mothers in them! Whelped somewhere by the sharkish sea. The white whale is their demigorgon. Hark! the infernal orgies! that revelry is forward! mark the unfaltering silence aft! Methinks it pictures life. Foremost through the sparkling sea shoots on the gay, embattled, bantering bow, but only to drag dark Ahab after it, where he broods within his sternward cabin, builded over the dead water of the wake, and further on, hunted by its wolfish gurglings. The long howl thrills me through! Peace! ye revellers, and set the watch! Oh, life! 'tis in an hour like this, with soul beat down and held to knowledge,—as wild, untutored things are forced to feed—Oh, life! 'tis now that I do feel the latent horror in thee! but 'tis not me! that horror’s out of me! and with the soft feeling of the human in me, yet will I try to fight ye, ye grim, phantom futures! Stand by me, hold me, bind me, O ye blessed influences!
15 |Fore-Top.
(STUBB SOLUS, AND MENDING A BRACE.)
13 |Ha! ha! ha! ha! hem! clear my throat!—I’ve been thinking over it ever since, and that ha, ha’s the final consequence. Why so? Because a laugh’s the wisest, easiest answer to all that’s queer; and come what will, one comfort’s always left—that unfailing comfort is, it’s all predestinated. I heard not all his talk with Starbuck; but to my poor eye Starbuck then looked something as I the other evening felt. Be sure the old Mogul has fixed him, too. I twigged it, knew it; had had the gift, might readily have prophesied it—for when I clapped my eye upon his skull I saw it. Well, Stubb, WISE Stubb—that’s my title—well, Stubb, what of it, Stubb? Here’s a carcase. I know not all that may be coming, but be it what it will, I’ll go to it laughing. Such a waggish leering as lurks in all your horribles! I feel funny. Fa, la! lirra, skirra! What’s my juicy little pear at home doing now? Crying its eyes out?—Giving a party to the last arrived harpooneers, I dare say, gay as a frigate’s pennant, and so am I—fa, la! lirra, skirra! Oh—
14 |We’ll drink to-night with hearts as light, To love, as gay and fleeting As bubbles that swim, on the beaker’s brim, And break on the lips while meeting.
15 |A brave stave that—who calls? Mr. Starbuck? Aye, aye, sir—(ASIDE) he’s my superior, he has his too, if I’m not mistaken.—Aye, aye, sir, just through with this job—coming.
16 |“HIST! Did you hear that noise, Cabaco?”
12 |It was the middle-watch; a fair moonlight; the seamen were standing in a cordon, extending from one of the fresh-water butts in the waist, to the scuttle-butt near the taffrail. In this manner, they passed the buckets to fill the scuttle-butt. Standing, for the most part, on the hallowed precincts of the quarter-deck, they were careful not to speak or rustle their feet. From hand to hand, the buckets went in the deepest silence, only broken by the occasional flap of a sail, and the steady hum of the unceasingly advancing keel.
13 |It was in the midst of this repose, that Archy, one of the cordon, whose post was near the after-hatches, whispered to his neighbor, a Cholo, the words above.
14 |“Hist! did you hear that noise, Cabaco?”
15 |“Take the bucket, will ye, Archy? what noise d’ye mean?”
16 |“There it is again—under the hatches—don’t you hear it—a cough—it sounded like a cough.”
17 |“Cough be damned! Pass along that return bucket.”
18 |“There again—there it is!—it sounds like two or three sleepers turning over, now!”
19 |“Caramba! have done, shipmate, will ye? It’s the three soaked biscuits ye eat for supper turning over inside of ye—nothing else. Look to the bucket!”
20 |“Say what ye will, shipmate; I’ve sharp ears.”
21 |“Aye, you are the chap, ain’t ye, that heard the hum of the old Quakeress’s knitting-needles fifty miles at sea from Nantucket; you’re the chap.”
22 |“Grin away; we’ll see what turns up. Hark ye, Cabaco, there is somebody down in the after-hold that has not yet been seen on deck; and I suspect our old Mogul knows something of it too. I heard Stubb tell Flask, one morning watch, that there was something of that sort in the wind.”
23 |“Tish! the bucket!”
24 |Out of the trunk, the branches grow; out of them, the twigs. So, in productive subjects, grow the chapters.
12 |The crotch alluded to on a previous page deserves independent mention. It is a notched stick of a peculiar form, some two feet in length, which is perpendicularly inserted into the starboard gunwale near the bow, for the purpose of furnishing a rest for the wooden extremity of the harpoon, whose other naked, barbed end slopingly projects from the prow. Thereby the weapon is instantly at hand to its hurler, who snatches it up as readily from its rest as a backwoodsman swings his rifle from the wall. It is customary to have two harpoons reposing in the crotch, respectively called the first and second irons.
13 |But these two harpoons, each by its own cord, are both connected with the line; the object being this: to dart them both, if possible, one instantly after the other into the same whale; so that if, in the coming drag, one should draw out, the other may still retain a hold. It is a doubling of the chances. But it very often happens that owing to the instantaneous, violent, convulsive running of the whale upon receiving the first iron, it becomes impossible for the harpooneer, however lightning-like in his movements, to pitch the second iron into him. Nevertheless, as the second iron is already connected with the line, and the line is running, hence that weapon must, at all events, be anticipatingly tossed out of the boat, somehow and somewhere; else the most terrible jeopardy would involve all hands. Tumbled into the water, it accordingly is in such cases; the spare coils of box line (mentioned in a preceding chapter) making this feat, in most instances, prudently practicable. But this critical act is not always unattended with the saddest and most fatal casualties.
14 |Furthermore: you must know that when the second iron is thrown overboard, it thenceforth becomes a dangling, sharp-edged terror, skittishly curvetting about both boat and whale, entangling the lines, or cutting them, and making a prodigious sensation in all directions. Nor, in general, is it possible to secure it again until the whale is fairly captured and a corpse.
15 |Consider, now, how it must be in the case of four boats all engaging one unusually strong, active, and knowing whale; when owing to these qualities in him, as well as to the thousand concurring accidents of such an audacious enterprise, eight or ten loose second irons may be simultaneously dangling about him. For, of course, each boat is supplied with several harpoons to bend on to the line should the first one be ineffectually darted without recovery. All these particulars are faithfully narrated here, as they will not fail to elucidate several most important, however intricate passages, in scenes hereafter to be painted.
16 |Haul in the chains! Let the carcase go astern!
12 |The vast tackles have now done their duty. The peeled white body of the beheaded whale flashes like a marble sepulchre; though changed in hue, it has not perceptibly lost anything in bulk. It is still colossal. Slowly it floats more and more away, the water round it torn and splashed by the insatiate sharks, and the air above vexed with rapacious flights of screaming fowls, whose beaks are like so many insulting poniards in the whale. The vast white headless phantom floats further and further from the ship, and every rod that it so floats, what seem square roods of sharks and cubic roods of fowls, augment the murderous din. For hours and hours from the almost stationary ship that hideous sight is seen. Beneath the unclouded and mild azure sky, upon the fair face of the pleasant sea, wafted by the joyous breezes, that great mass of death floats on and on, till lost in infinite perspectives.
13 |There’s a most doleful and most mocking funeral! The sea-vultures all in pious mourning, the air-sharks all punctiliously in black or speckled. In life but few of them would have helped the whale, I ween, if peradventure he had needed it; but upon the banquet of his funeral they most piously do pounce. Oh, horrible vultureism of earth! from which not the mightiest whale is free.
14 |Nor is this the end. Desecrated as the body is, a vengeful ghost survives and hovers over it to scare. Espied by some timid man-of-war or blundering discovery-vessel from afar, when the distance obscuring the swarming fowls, nevertheless still shows the white mass floating in the sun, and the white spray heaving high against it; straightway the whale’s unharming corpse, with trembling fingers is set down in the log—SHOALS, ROCKS, AND BREAKERS HEREABOUTS: BEWARE! And for years afterwards, perhaps, ships shun the place; leaping over it as silly sheep leap over a vacuum, because their leader originally leaped there when a stick was held. There’s your law of precedents; there’s your utility of traditions; there’s the story of your obstinate survival of old beliefs never bottomed on the earth, and now not even hovering in the air! There’s orthodoxy!
15 |Thus, while in life the great whale’s body may have been a real terror to his foes, in his death his ghost becomes a powerless panic to a world.
16 |Are you a believer in ghosts, my friend? There are other ghosts than the Cock-Lane one, and far deeper men than Doctor Johnson who believe in them.
17 |Had you stepped on board the Pequod at a certain juncture of this post-mortemizing of the whale; and had you strolled forward nigh the windlass, pretty sure am I that you would have scanned with no small curiosity a very strange, enigmatical object, which you would have seen there, lying along lengthwise in the lee scuppers. Not the wondrous cistern in the whale’s huge head; not the prodigy of his unhinged lower jaw; not the miracle of his symmetrical tail; none of these would so surprise you, as half a glimpse of that unaccountable cone,—longer than a Kentuckian is tall, nigh a foot in diameter at the base, and jet-black as Yojo, the ebony idol of Queequeg. And an idol, indeed, it is; or, rather, in old times, its likeness was. Such an idol as that found in the secret groves of Queen Maachah in Judea; and for worshipping which, King Asa, her son, did depose her, and destroyed the idol, and burnt it for an abomination at the brook Kedron, as darkly set forth in the 15th chapter of the First Book of Kings.
12 |Look at the sailor, called the mincer, who now comes along, and assisted by two allies, heavily backs the grandissimus, as the mariners call it, and with bowed shoulders, staggers off with it as if he were a grenadier carrying a dead comrade from the field. Extending it upon the forecastle deck, he now proceeds cylindrically to remove its dark pelt, as an African hunter the pelt of a boa. This done he turns the pelt inside out, like a pantaloon leg; gives it a good stretching, so as almost to double its diameter; and at last hangs it, well spread, in the rigging, to dry. Ere long, it is taken down; when removing some three feet of it, towards the pointed extremity, and then cutting two slits for arm-holes at the other end, he lengthwise slips himself bodily into it. The mincer now stands before you invested in the full canonicals of his calling. Immemorial to all his order, this investiture alone will adequately protect him, while employed in the peculiar functions of his office.
13 |That office consists in mincing the horse-pieces of blubber for the pots; an operation which is conducted at a curious wooden horse, planted endwise against the bulwarks, and with a capacious tub beneath it, into which the minced pieces drop, fast as the sheets from a rapt orator’s desk. Arrayed in decent black; occupying a conspicuous pulpit; intent on bible leaves; what a candidate for an archbishopric, what a lad for a Pope were this mincer!*
14 |*Bible leaves! Bible leaves! This is the invariable cry from the mates to the mincer. It enjoins him to be careful, and cut his work into as thin slices as possible, inasmuch as by so doing the business of boiling out the oil is much accelerated, and its quantity considerably increased, besides perhaps improving it in quality.
15 |Had you descended from the Pequod’s try-works to the Pequod’s forecastle, where the off duty watch were sleeping, for one single moment you would have almost thought you were standing in some illuminated shrine of canonized kings and counsellors. There they lay in their triangular oaken vaults, each mariner a chiselled muteness; a score of lamps flashing upon his hooded eyes.
12 |In merchantmen, oil for the sailor is more scarce than the milk of queens. To dress in the dark, and eat in the dark, and stumble in darkness to his pallet, this is his usual lot. But the whaleman, as he seeks the food of light, so he lives in light. He makes his berth an Aladdin’s lamp, and lays him down in it; so that in the pitchiest night the ship’s black hull still houses an illumination.
13 |See with what entire freedom the whaleman takes his handful of lamps—often but old bottles and vials, though—to the copper cooler at the try-works, and replenishes them there, as mugs of ale at a vat. He burns, too, the purest of oil, in its unmanufactured, and, therefore, unvitiated state; a fluid unknown to solar, lunar, or astral contrivances ashore. It is sweet as early grass butter in April. He goes and hunts for his oil, so as to be sure of its freshness and genuineness, even as the traveller on the prairie hunts up his own supper of game.
14 |When gliding by the Bashee isles we emerged at last upon the great South Sea; were it not for other things, I could have greeted my dear Pacific with uncounted thanks, for now the long supplication of my youth was answered; that serene ocean rolled eastwards from me a thousand leagues of blue.
12 |There is, one knows not what sweet mystery about this sea, whose gently awful stirrings seem to speak of some hidden soul beneath; like those fabled undulations of the Ephesian sod over the buried Evangelist St. John. And meet it is, that over these sea-pastures, wide-rolling watery prairies and Potters’ Fields of all four continents, the waves should rise and fall, and ebb and flow unceasingly; for here, millions of mixed shades and shadows, drowned dreams, somnambulisms, reveries; all that we call lives and souls, lie dreaming, dreaming, still; tossing like slumberers in their beds; the ever-rolling waves but made so by their restlessness.
13 |To any meditative Magian rover, this serene Pacific, once beheld, must ever after be the sea of his adoption. It rolls the midmost waters of the world, the Indian ocean and Atlantic being but its arms. The same waves wash the moles of the new-built Californian towns, but yesterday planted by the recentest race of men, and lave the faded but still gorgeous skirts of Asiatic lands, older than Abraham; while all between float milky-ways of coral isles, and low-lying, endless, unknown Archipelagoes, and impenetrable Japans. Thus this mysterious, divine Pacific zones the world’s whole bulk about; makes all coasts one bay to it; seems the tide-beating heart of earth. Lifted by those eternal swells, you needs must own the seductive god, bowing your head to Pan.
14 |But few thoughts of Pan stirred Ahab’s brain, as standing like an iron statue at his accustomed place beside the mizen rigging, with one nostril he unthinkingly snuffed the sugary musk from the Bashee isles (in whose sweet woods mild lovers must be walking), and with the other consciously inhaled the salt breath of the new found sea; that sea in which the hated White Whale must even then be swimming. Launched at length upon these almost final waters, and gliding towards the Japanese cruising-ground, the old man’s purpose intensified itself. His firm lips met like the lips of a vice; the Delta of his forehead’s veins swelled like overladen brooks; in his very sleep, his ringing cry ran through the vaulted hull, “Stern all! the White Whale spouts thick blood!”
15 |Not seldom in this life, when, on the right side, fortune’s favourites sail close by us, we, though all adroop before, catch somewhat of the rushing breeze, and joyfully feel our bagging sails fill out. So seemed it with the Pequod. For next day after encountering the gay Bachelor, whales were seen and four were slain; and one of them by Ahab.
12 |It was far down the afternoon; and when all the spearings of the crimson fight were done: and floating in the lovely sunset sea and sky, sun and whale both stilly died together; then, such a sweetness and such plaintiveness, such inwreathing orisons curled up in that rosy air, that it almost seemed as if far over from the deep green convent valleys of the Manilla isles, the Spanish land-breeze, wantonly turned sailor, had gone to sea, freighted with these vesper hymns.
13 |Soothed again, but only soothed to deeper gloom, Ahab, who had sterned off from the whale, sat intently watching his final wanings from the now tranquil boat. For that strange spectacle observable in all sperm whales dying—the turning sunwards of the head, and so expiring—that strange spectacle, beheld of such a placid evening, somehow to Ahab conveyed a wondrousness unknown before.
14 |“He turns and turns him to it,—how slowly, but how steadfastly, his homage-rendering and invoking brow, with his last dying motions. He too worships fire; most faithful, broad, baronial vassal of the sun!—Oh that these too-favouring eyes should see these too-favouring sights. Look! here, far water-locked; beyond all hum of human weal or woe; in these most candid and impartial seas; where to traditions no rocks furnish tablets; where for long Chinese ages, the billows have still rolled on speechless and unspoken to, as stars that shine upon the Niger’s unknown source; here, too, life dies sunwards full of faith; but see! no sooner dead, than death whirls round the corpse, and it heads some other way.
15 |“Oh, thou dark Hindoo half of nature, who of drowned bones hast builded thy separate throne somewhere in the heart of these unverdured seas; thou art an infidel, thou queen, and too truly speakest to me in the wide-slaughtering Typhoon, and the hushed burial of its after calm. Nor has this thy whale sunwards turned his dying head, and then gone round again, without a lesson to me.
16 |“Oh, trebly hooped and welded hip of power! Oh, high aspiring, rainbowed jet!—that one strivest, this one jettest all in vain! In vain, oh whale, dost thou seek intercedings with yon all-quickening sun, that only calls forth life, but gives it not again. Yet dost thou, darker half, rock me with a prouder, if a darker faith. All thy unnamable imminglings float beneath me here; I am buoyed by breaths of once living things, exhaled as air, but water now.
17 |“Then hail, for ever hail, O sea, in whose eternal tossings the wild fowl finds his only rest. Born of earth, yet suckled by the sea; though hill and valley mothered me, ye billows are my foster-brothers!”
18 |The four whales slain that evening had died wide apart; one, far to windward; one, less distant, to leeward; one ahead; one astern. These last three were brought alongside ere nightfall; but the windward one could not be reached till morning; and the boat that had killed it lay by its side all night; and that boat was Ahab’s.
12 |The waif-pole was thrust upright into the dead whale’s spout-hole; and the lantern hanging from its top, cast a troubled flickering glare upon the black, glossy back, and far out upon the midnight waves, which gently chafed the whale’s broad flank, like soft surf upon a beach.
13 |Ahab and all his boat’s crew seemed asleep but the Parsee; who crouching in the bow, sat watching the sharks, that spectrally played round the whale, and tapped the light cedar planks with their tails. A sound like the moaning in squadrons over Asphaltites of unforgiven ghosts of Gomorrah, ran shuddering through the air.
14 |Started from his slumbers, Ahab, face to face, saw the Parsee; and hooped round by the gloom of the night they seemed the last men in a flooded world. “I have dreamed it again,” said he.
15 |“Of the hearses? Have I not said, old man, that neither hearse nor coffin can be thine?”
16 |“And who are hearsed that die on the sea?”
17 |“But I said, old man, that ere thou couldst die on this voyage, two hearses must verily be seen by thee on the sea; the first not made by mortal hands; and the visible wood of the last one must be grown in America.”
18 |“Aye, aye! a strange sight that, Parsee:—a hearse and its plumes floating over the ocean with the waves for the pall-bearers. Ha! Such a sight we shall not soon see.”
19 |“Believe it or not, thou canst not die till it be seen, old man.”
20 |“And what was that saying about thyself?”
21 |“Though it come to the last, I shall still go before thee thy pilot.”
22 |“And when thou art so gone before—if that ever befall—then ere I can follow, thou must still appear to me, to pilot me still?—Was it not so? Well, then, did I believe all ye say, oh my pilot! I have here two pledges that I shall yet slay Moby Dick and survive it.”
23 |“Take another pledge, old man,” said the Parsee, as his eyes lighted up like fire-flies in the gloom—"Hemp only can kill thee.”
24 |“The gallows, ye mean.—I am immortal then, on land and on sea,” cried Ahab, with a laugh of derision;—"Immortal on land and on sea!”
25 |Both were silent again, as one man. The grey dawn came on, and the slumbering crew arose from the boat’s bottom, and ere noon the dead whale was brought to the ship.
26 |“We must send down the main-top-sail yard, sir. The band is working loose and the lee lift is half-stranded. Shall I strike it, sir?”
13 |“Strike nothing; lash it. If I had sky-sail poles, I’d sway them up now.”
14 |“Sir!—in God’s name!—sir?”
15 |“Well.”
16 |“The anchors are working, sir. Shall I get them inboard?”
17 |“Strike nothing, and stir nothing, but lash everything. The wind rises, but it has not got up to my table-lands yet. Quick, and see to it.—By masts and keels! he takes me for the hunch-backed skipper of some coasting smack. Send down my main-top-sail yard! Ho, gluepots! Loftiest trucks were made for wildest winds, and this brain-truck of mine now sails amid the cloud-scud. Shall I strike that? Oh, none but cowards send down their brain-trucks in tempest time. What a hooroosh aloft there! I would e’en take it for sublime, did I not know that the colic is a noisy malady. Oh, take medicine, take medicine!”
18 |THE MAIN-TOP-SAIL YARD.—TASHTEGO PASSING NEW LASHINGS AROUND IT.
12 |“Um, um, um. Stop that thunder! Plenty too much thunder up here. What’s the use of thunder? Um, um, um. We don’t want thunder; we want rum; give us a glass of rum. Um, um, um!”
13 |The intense Pequod sailed on; the rolling waves and days went by; the life-buoy-coffin still lightly swung; and another ship, most miserably misnamed the Delight, was descried. As she drew nigh, all eyes were fixed upon her broad beams, called shears, which, in some whaling-ships, cross the quarter-deck at the height of eight or nine feet; serving to carry the spare, unrigged, or disabled boats.
12 |Upon the stranger’s shears were beheld the shattered, white ribs, and some few splintered planks, of what had once been a whale-boat; but you now saw through this wreck, as plainly as you see through the peeled, half-unhinged, and bleaching skeleton of a horse.
13 |“Hast seen the White Whale?”
14 |“Look!” replied the hollow-cheeked captain from his taffrail; and with his trumpet he pointed to the wreck.
15 |“Hast killed him?”
16 |“The harpoon is not yet forged that ever will do that,” answered the other, sadly glancing upon a rounded hammock on the deck, whose gathered sides some noiseless sailors were busy in sewing together.
17 |“Not forged!” and snatching Perth’s levelled iron from the crotch, Ahab held it out, exclaiming—"Look ye, Nantucketer; here in this hand I hold his death! Tempered in blood, and tempered by lightning are these barbs; and I swear to temper them triply in that hot place behind the fin, where the White Whale most feels his accursed life!”
18 |“Then God keep thee, old man—see’st thou that"—pointing to the hammock—"I bury but one of five stout men, who were alive only yesterday; but were dead ere night. Only THAT one I bury; the rest were buried before they died; you sail upon their tomb.” Then turning to his crew—"Are ye ready there? place the plank then on the rail, and lift the body; so, then—Oh! God"—advancing towards the hammock with uplifted hands—"may the resurrection and the life—”
19 |“Brace forward! Up helm!” cried Ahab like lightning to his men.
20 |But the suddenly started Pequod was not quick enough to escape the sound of the splash that the corpse soon made as it struck the sea; not so quick, indeed, but that some of the flying bubbles might have sprinkled her hull with their ghostly baptism.
21 |As Ahab now glided from the dejected Delight, the strange life-buoy hanging at the Pequod’s stern came into conspicuous relief.
22 |“Ha! yonder! look yonder, men!” cried a foreboding voice in her wake. “In vain, oh, ye strangers, ye fly our sad burial; ye but turn us your taffrail to show us your coffin!”
23 |“AND I ONLY AM ESCAPED ALONE TO TELL THEE”
13 |—Job.
14 |The drama’s done. Why then here does any one step forth?—Because one did survive the wreck.
17 |It so chanced, that after the Parsee’s disappearance, I was he whom the Fates ordained to take the place of Ahab’s bowsman, when that bowsman assumed the vacant post; the same, who, when on the last day the three men were tossed from out of the rocking boat, was dropped astern. So, floating on the margin of the ensuing scene, and in full sight of it, when the halfspent suction of the sunk ship reached me, I was then, but slowly, drawn towards the closing vortex. When I reached it, it had subsided to a creamy pool. Round and round, then, and ever contracting towards the button-like black bubble at the axis of that slowly wheeling circle, like another Ixion I did revolve. Till, gaining that vital centre, the black bubble upward burst; and now, liberated by reason of its cunning spring, and, owing to its great buoyancy, rising with great force, the coffin life-buoy shot lengthwise from the sea, fell over, and floated by my side. Buoyed up by that coffin, for almost one whole day and night, I floated on a soft and dirgelike main. The unharming sharks, they glided by as if with padlocks on their mouths; the savage sea-hawks sailed with sheathed beaks. On the second day, a sail drew near, nearer, and picked me up at last. It was the devious-cruising Rachel, that in her retracing search after her missing children, only found another orphan.
11 | The Project Gutenberg EBook of Moby-Dick; or The Whale, by Herman Melville 12 |
13 | 14 |15 | This eBook is for the use of anyone anywhere at no cost and with 16 | almost no restrictions whatsoever. You may copy it, give it away or 17 | re-use it under the terms of the Project Gutenberg License included 18 | with this eBook or online at www.gutenberg.org 19 |
20 | 21 | 22 |23 | Title: Moby-Dick; or The Whale 24 |
25 | 26 |27 | Author: Herman Melville 28 |
29 | 30 |31 | Last Updated: January 3, 2009 32 |
33 |34 | Posting Date: December 25, 2008 [EBook #2701] 35 |
36 |37 | Release Date: June, 2001 38 |
39 | 40 |41 | Language: English 42 |
43 | 44 |45 | Produced by Daniel Lazarus and Jonesey 46 |
47 |(Supplied by a Late Consumptive Usher to a Grammar School)
The pale Usher—threadbare in coat, heart, body, and brain; I see him now. He was ever dusting his old lexicons and grammars, with a queer handkerchief, mockingly embellished with all the gay flags of all the known nations of the world. He loved to dust his old grammars; it somehow mildly reminded him of his mortality.
13 |“While you take in hand to school others, and to teach them by what name a whale-fish is to be called in our tongue leaving out, through ignorance, the letter H, which almost alone maketh the signification of the word, you deliver that which is not true.”
16 |—HACKLUYT
17 |“WHALE.... Sw. and Dan. HVAL. This animal is named from roundness or rolling; for in Dan. HVALT is arched or vaulted.”
20 |—WEBSTER’S DICTIONARY
21 |“WHALE.... It is more immediately from the Dut. and Ger. WALLEN; A.S. WALW-IAN, to roll, to wallow.”
24 |—RICHARDSON’S DICTIONARY
25 |KETOS, GREEK.
28 |CETUS, LATIN.
29 |WHOEL, ANGLO-SAXON.
30 |HVALT, DANISH.
31 |WAL, DUTCH.
32 |HWAL, SWEDISH.
33 |WHALE, ICELANDIC.
34 |WHALE, ENGLISH.
35 |BALEINE, FRENCH.
36 |BALLENA, SPANISH.
37 |PEKEE-NUEE-NUEE, FEGEE.
38 |PEKEE-NUEE-NUEE, ERROMANGOAN.
39 |This text is a combination of etexts, one from the now-defunct ERIS project at Virginia Tech and one from Project Gutenberg’s archives. The proofreaders of this version are indebted to The University of Adelaide Library for preserving the Virginia Tech version. The resulting etext was compared with a public domain hard copy version of the text.
14 |In chapters 24, 89, and 90, we substituted a capital L for the symbol for the British pound, a unit of currency.1
15 | 16 | 19 | 20 | 21 |The Philosophy and Practices that are Revolutionizing Education and Science
11 |Edited by
12 |Rajiv S. Jhangiani and Robert Biswas-Diener
13 |]u[
14 |ubiquity press
15 |London
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11 |6 Windmill Street
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13 | 14 |Text © The Authors 2017
15 |First published 2017
16 |Cover design by Amber MacKay
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21 |Print and digital versions typeset by Siliconchips Services Ltd.
22 |ISBN (Paperback): 978-1-911529-00-2
23 |ISBN (PDF): 978-1-911529-01-9
24 |ISBN (EPUB): 978-1-911529-02-6
25 |ISBN (Mobi): 978-1-911529-03-3
26 |DOI: https://doi.org/10.5334/bbc
27 |This work is licensed under the Creative Commons Attribution 4.0 International License (unless stated otherwise within the content of the work). To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/ or send a letter to Creative Commons, 444 Castro Street, Suite 900, Mountain View, California, 94041, USA. This license allows for copying any part of the work for personal and commercial use, providing author attribution is clearly stated.
28 |The full text of this book has been peer-reviewed to ensure high academic standards. For full review policies, see http://www.ubiquitypress.com/
29 |Suggested citation:
30 |Jhangiani, R S and Biswas-Diener, R 2017 Open: The Philosophy and Practices that are Revolutionizing Education and Science. London: Ubiquity Press. DOI: https://doi.org/10.5334/bbc. License: CC-BY 4.0
31 |To read the free, open access version of this book online, visit https://doi.org/10.5334/bbc or scan this QR code with your mobile device: |
34 |
No book—whether edited or single authored—is truly an individual effort. We are grateful to those who helped us improve the quality of this volume. First, we would like to thank Nadia Lyubchik for her support in preparing the manuscript for publication. Just as a script supervisor ensures the continuity of a feature film, Nadia kept track of all of the references, formatting, correspondence and countless other details necessary for the publication of this book. Our deepest thanks. We would also like to thank Peter Lindberg at Noba, who gave valuable feedback on a number of aspects of this project as well as specific chapters. We would also like to thank Cathy Casserly at the Carnegie Foundation for her input. Finally, we are grateful to the contributing authors for their eager participation in this project. The breadth and depth of their collective insights and experiences have made this volume everything an editor could hope for. This book was produced with the support of a grant from the Association for Psychological Science and we gratefully acknowledge their role. We would also like to thank David Ernst and George Veletsianos for providing informative peer review feedback and helping us to develop the book.
11 | 12 | -------------------------------------------------------------------------------- /src/assets/books/open/Ops/006.xhtml: -------------------------------------------------------------------------------- 1 | 2 | 3 | 4 | 5 | 6 |Richard Baraniuk – Rice University, OpenStax College
11 |Robert Biswas-Diener – Noba Project
12 |T. J. Bliss – Hewlett Foundation
13 |Mary Burgess – BCcampus
14 |Natalie Ciarocco – Monmouth University
15 |Farhad Dastur – Kwantlen Polytechnic University
16 |Beatriz de los Arcos – The Open University
17 |Robin DeRosa – Plymouth State University
18 |Carol Diener – University of Illinois
19 |Ed Diener – University of Virginia
20 |Rob Farrow – The Open University
21 |Nicole Finkbeiner – OpenStax College
22 |Cable Green – Creative Commons
23 |Regan Gurung – University of Wisconsin-Green Bay
24 |David Harris – OpenStax College
25 |Jessica Hartnett – Gannon University
26 |William Huitt – Valdosta State University & Capella University
27 |Aaron Jarden – Auckland University of Technology
28 |Rajiv S. Jhangiani – Kwantlen Polytechnic University
29 |Gary Lewandowski – Monmouth University
30 |Wayne Mackintosh – Otago Polytechnic & OER Foundation
31 |Patrick McAndrew – The Open University
32 |David Miller – University of Connecticut
33 |David Monetti – Valdosta State University
34 |Danielle Nicholoson – OpenStax College
35 |Brian Nosek – University of Virginia & Center for Open Science
36 |Rebecca Pitt – The Open University
37 |Scott Robison – Portland State University
38 |Mike Smith – Hewlett Foundation
39 |David Strohmetz – Monmouth University
40 |Anita Walz – Virginia Polytechnic Institute & State University
41 |Daniel Weijers – University of Waikato
42 |Martin Weller – The Open University
43 |Quill West – Pierce College
44 |David Wiley – Lumen Learning
45 |Daniel Williamson – OpenStax College
46 |Addison Zhao – University of Connecticut
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