├── .gitignore ├── tests ├── subtitles │ ├── invalid_cue.srt │ ├── invalid_cue.vtt │ ├── notvalid.vtt │ ├── no_text.vtt │ ├── test_from_srt.srt │ ├── test_from_srt.vtt │ ├── test_multiple_spaces_in_cue.vtt │ ├── test_mmss_format.vtt │ ├── weird_format.srt │ ├── weird_format.vtt │ ├── weird_format_corrected.vtt │ ├── test_multiple_line_separators.vtt │ ├── withstyle.vtt │ ├── withnote.vtt │ ├── test_carriage_returns.vtt │ ├── test.vtt │ ├── big_srt.vtt │ └── big_srt.srt ├── segmenter.rb └── parser.rb ├── Gemfile ├── Gemfile.lock ├── lib ├── webvtt.rb └── webvtt │ ├── segmenter.rb │ └── parser.rb ├── webvtt-ruby.gemspec ├── LICENSE ├── bin └── webvtt-segmenter └── README.md /.gitignore: -------------------------------------------------------------------------------- 1 | .DS_Store 2 | *.m3u8 3 | -------------------------------------------------------------------------------- /tests/subtitles/invalid_cue.srt: -------------------------------------------------------------------------------- 1 | 1 2 | 00:00:30,828 --> 00:00:34,894 3 | 4 | Captain Phillips (2013) 5 | 6 | -------------------------------------------------------------------------------- /tests/subtitles/invalid_cue.vtt: -------------------------------------------------------------------------------- 1 | WEBVTT 2 | 3 | 1 4 | 00:00:30.828 --> 00:00:34.894 5 | 6 | Captain Phillips (2013) -------------------------------------------------------------------------------- /Gemfile: -------------------------------------------------------------------------------- 1 | # A sample Gemfile 2 | source "https://rubygems.org" 3 | 4 | gem "minitest", group: :development 5 | 6 | gemspec 7 | -------------------------------------------------------------------------------- /tests/subtitles/notvalid.vtt: -------------------------------------------------------------------------------- 1 | 00:00:29.000 --> 00:00:31.000 line:75% 2 | English subtitle 15 -Forced- (00:00:27.000) 3 | line:75% -------------------------------------------------------------------------------- /tests/subtitles/no_text.vtt: -------------------------------------------------------------------------------- 1 | WEBVTT 2 | 3 | 265 4 | 00:08:57.409 --> 00:09:00.592 5 | 6 | 7 | 266 8 | 00:09:00.593 --> 00:09:02.373 9 | -------------------------------------------------------------------------------- /tests/subtitles/test_from_srt.srt: -------------------------------------------------------------------------------- 1 | 1 2 | 00:00:00,500 --> 00:00:13,000 3 | Elephant's Dream 4 | 5 | 2 6 | 00:00:15,000 --> 00:00:18,000 7 | At the left we can see... 8 | -------------------------------------------------------------------------------- /tests/subtitles/test_from_srt.vtt: -------------------------------------------------------------------------------- 1 | WEBVTT 2 | 3 | 1 4 | 00:00:00.500 --> 00:00:13.000 5 | Elephant's Dream 6 | 7 | 2 8 | 00:00:15.000 --> 00:00:18.000 9 | At the left we can see... -------------------------------------------------------------------------------- /tests/subtitles/test_multiple_spaces_in_cue.vtt: -------------------------------------------------------------------------------- 1 | WEBVTT 2 | 3 | 00:00:01.000 --> 00:00:02.000 4 | Some text 5 | 6 | 00:00:02.000 --> 00:00:03.000 7 | Some other text 8 | 9 | -------------------------------------------------------------------------------- /tests/subtitles/test_mmss_format.vtt: -------------------------------------------------------------------------------- 1 | WEBVTT 2 | 3 | 00:29.000 --> 00:31.000 line:75% 4 | English subtitle 15 -Forced- (00:00:27.000) 5 | line:75% 6 | 7 | 2 8 | 00:31.000 --> 00:33.000 align:start line:0% 9 |   -------------------------------------------------------------------------------- /tests/subtitles/weird_format.srt: -------------------------------------------------------------------------------- 1 | 1 2 | 00:00:00,970 --> 00:00:03,000 3 | Normal formatting 4 | 5 | 2 6 | 00:00:4,080 --> 00:00:06,080 7 | Third digit 8 | 9 | 3 10 | 00:0:09,350 --> 00:00:13,350 11 | Second digit 12 | 13 | 4 14 | 0:00:15,000 --> 00:00:16,000 15 | First digit 16 | -------------------------------------------------------------------------------- /Gemfile.lock: -------------------------------------------------------------------------------- 1 | PATH 2 | remote: . 3 | specs: 4 | webvtt-ruby (0.3.0) 5 | 6 | GEM 7 | remote: https://rubygems.org/ 8 | specs: 9 | minitest (5.7.0) 10 | 11 | PLATFORMS 12 | ruby 13 | 14 | DEPENDENCIES 15 | minitest 16 | webvtt-ruby! 17 | 18 | BUNDLED WITH 19 | 1.10.2 20 | -------------------------------------------------------------------------------- /tests/subtitles/weird_format.vtt: -------------------------------------------------------------------------------- 1 | WEBVTT 2 | 3 | 1 4 | 00:00:00.970 --> 00:00:03.000 5 | Normal formatting 6 | 7 | 2 8 | 00:00:04.080 --> 00:00:06.080 9 | Third digit 10 | 11 | 3 12 | 00:00:09.350 --> 00:00:13.350 13 | Second digit 14 | 15 | 4 16 | 00:00:15.000 --> 00:00:16.000 17 | First digit -------------------------------------------------------------------------------- /tests/subtitles/weird_format_corrected.vtt: -------------------------------------------------------------------------------- 1 | WEBVTT 2 | 3 | 1 4 | 00:00:00.970 --> 00:00:03.000 5 | Normal formatting 6 | 7 | 2 8 | 00:00:04.080 --> 00:00:06.080 9 | Third digit 10 | 11 | 3 12 | 00:00:09.350 --> 00:00:13.350 13 | Second digit 14 | 15 | 4 16 | 00:00:15.000 --> 00:00:16.000 17 | First digit -------------------------------------------------------------------------------- /lib/webvtt.rb: -------------------------------------------------------------------------------- 1 | # encoding: UTF-8 2 | 3 | if defined?(Encoding) 4 | Encoding.default_internal = Encoding.default_external = "UTF-8" 5 | end 6 | 7 | module WebVTT 8 | class MalformedFile < RuntimeError; end 9 | class InputError < RuntimeError; end 10 | end 11 | 12 | require "webvtt/parser" 13 | require "webvtt/segmenter" 14 | -------------------------------------------------------------------------------- /tests/subtitles/test_multiple_line_separators.vtt: -------------------------------------------------------------------------------- 1 | WEBVTT X-TIMESTAMP-MAP=MPEGTS:900000,LOCAL:00:00:00.000 2 | 3 | 4 | 5 | 6 | 00:00:29.000 --> 00:00:31.000 line:75% 7 | English subtitle 15 -Forced- (00:00:27.000) 8 | line:75% 9 | 10 | 11 | 12 | 13 | 00:00:31.000 --> 00:00:33.000 align:start line:0% 14 | English subtitle 16 -Unforced- (00:00:31.000) 15 | align:start line:0% 16 | -------------------------------------------------------------------------------- /tests/subtitles/withstyle.vtt: -------------------------------------------------------------------------------- 1 | WEBVTT 2 | 3 | NOTE This example is from https://www.w3.org/TR/webvtt1/#styling 4 | 5 | STYLE 6 | ::cue { 7 | background-image: linear-gradient(to bottom, dimgray, lightgray); 8 | color: papayawhip; 9 | } 10 | 11 | NOTE comment blocks can be used between style blocks. 12 | 13 | STYLE 14 | ::cue(b) { 15 | color: peachpuff; 16 | } 17 | 18 | hello 19 | 00:00:00.000 --> 00:00:10.000 20 | Hello world. 21 | -------------------------------------------------------------------------------- /tests/subtitles/withnote.vtt: -------------------------------------------------------------------------------- 1 | WEBVTT - Translation of that film I like 2 | 3 | NOTE 4 | This translation was done by Kyle so that 5 | some friends can watch it with their parents. 6 | 7 | 1 8 | 00:02:15.000 --> 00:02:20.000 9 | - Ta en kopp varmt te. 10 | - Det är inte varmt. 11 | 12 | 2 13 | 00:02:20.000 --> 00:02:25.000 14 | - Har en kopp te. 15 | - Det smakar som te. 16 | 17 | NOTE This last line may not translate well. 18 | 19 | 3 20 | 00:02:25.000 --> 00:02:30.000 21 | -Ta en kopp. -------------------------------------------------------------------------------- /webvtt-ruby.gemspec: -------------------------------------------------------------------------------- 1 | Gem::Specification.new do |s| 2 | s.name = 'webvtt-ruby' 3 | s.version = '0.4.3' 4 | s.summary = "WebVTT parser and segmenter in ruby" 5 | s.description = "WebVTT parser and segmenter in ruby for HTML5 and HTTP Live Streaming (HLS)." 6 | s.authors = ["Bruno Celeste"] 7 | s.email = 'bruno@heywatch.com' 8 | s.homepage = 'https://github.com/HeyWatch/webvtt-ruby' 9 | s.license = 'MIT' 10 | s.bindir = 'bin' 11 | s.files = `git ls-files`.split("\n") 12 | s.test_files = `git ls-files -- {test,spec,features}/*`.split("\n") 13 | s.executables = `git ls-files -- bin/*`.split("\n").map{ |f| File.basename(f) } 14 | s.require_paths = ["lib"] 15 | end 16 | -------------------------------------------------------------------------------- /LICENSE: -------------------------------------------------------------------------------- 1 | Copyright (c) 2014 Bruno Celeste 2 | 3 | MIT License 4 | 5 | Permission is hereby granted, free of charge, to any person obtaining 6 | a copy of this software and associated documentation files (the 7 | "Software"), to deal in the Software without restriction, including 8 | without limitation the rights to use, copy, modify, merge, publish, 9 | distribute, sublicense, and/or sell copies of the Software, and to 10 | permit persons to whom the Software is furnished to do so, subject to 11 | the following conditions: 12 | 13 | The above copyright notice and this permission notice shall be 14 | included in all copies or substantial portions of the Software. 15 | 16 | THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, 17 | EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF 18 | MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND 19 | NONINFRINGEMENT. IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE 20 | LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION 21 | OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION 22 | WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE. -------------------------------------------------------------------------------- /bin/webvtt-segmenter: -------------------------------------------------------------------------------- 1 | #!/usr/bin/env ruby 2 | 3 | $LOAD_PATH << File.join(File.dirname(__FILE__), "..", "lib") 4 | require "optparse" 5 | require "webvtt" 6 | 7 | @options = {} 8 | opts = OptionParser.new do |opts| 9 | opts.banner = %(Usage: webvtt-segmenter [--arg]) 10 | 11 | opts.on("-i", "--input [PATH]", "WebVTT or SRT file") do |path| 12 | @options[:input] = path 13 | end 14 | 15 | opts.on("-b", "--base-url [URL]", "Base URL") do |url| 16 | @options[:base_url] = url 17 | end 18 | 19 | opts.on("-t", "--target-duration [DUR]", "Duration of each segments. Default: 10") do |dur| 20 | @options[:length] = dur.to_i 21 | end 22 | 23 | opts.on("-o", "--output [PATH]", "Path where WebVTT segments will be saved. Default: fileSequence-%05d.vtt") do |path| 24 | @options[:output] = path 25 | end 26 | 27 | opts.on("-m", "--playlist [PATH]", "Path where the playlist in m3u8 will be saved. Default: prog_index.m3u8") do |path| 28 | @options[:playlist] = path 29 | end 30 | end 31 | 32 | begin 33 | opts.parse! 34 | raise OptionParser::MissingArgument if @options.empty? 35 | if ! @options[:input] 36 | raise OptionParser::InvalidOption, "Missing argument --input" 37 | end 38 | rescue OptionParser::InvalidOption, OptionParser::MissingArgument 39 | $stderr.puts $!.to_s 40 | $stderr.puts opts 41 | exit 42 | end 43 | 44 | input = @options.delete(:input) 45 | 46 | # convert srt to webvtt first 47 | if File.extname(input) == ".srt" 48 | puts "Converting srt to webvtt format..." 49 | input = WebVTT.convert_from_srt(input) 50 | end 51 | 52 | res = WebVTT.segment(input, @options) 53 | puts "Done" -------------------------------------------------------------------------------- /tests/subtitles/test_carriage_returns.vtt: -------------------------------------------------------------------------------- 1 | WEBVTT X-TIMESTAMP-MAP=MPEGTS:900000,LOCAL:00:00:00.000 00:00:29.000 --> 00:00:31.000 line:75% English subtitle 15 -Forced- (00:00:27.000) line:75% 2 00:00:31.000 --> 00:00:33.000 align:start line:0% English subtitle 16 -Unforced- (00:00:31.000) align:start line:0% 00:00:33.000 --> 00:00:35.000 align:start line:50% English subtitle 17 -Unforced- (00:00:33.000) align:start line:50% 00:00:35.000 --> 00:00:37.000 align:start line:100% English subtitle 18 -Unforced- (00:00:35.000) align:start line:100% 00:00:37.000 --> 00:00:39.000 align:middle line:100% English subtitle 19 -Unforced- (00:00:37.000) align:middle line:100% 00:00:39.000 --> 00:00:41.000 align:end line:100% English subtitle 20 -Forced- (00:00:39.000) align:end line:100% 00:00:41.000 --> 00:00:43.000 align:end line:50% English subtitle 21 -Unforced- (00:00:41.000) align:end line:50% 00:00:43.000 --> 00:00:45.000 align:end line:0% English subtitle 22 -Unforced- (00:00:43.000) align:end line:0% 00:00:45.000 --> 00:00:47.000 align:middle line:0% English subtitle 23 -Unforced- (00:00:45.000) align:middle line:0% 00:00:47.000 --> 00:00:49.000 align:middle line:50% English subtitle 24 -Unforced- (00:00:47.000) align:middle line:50% 00:00:49.000 --> 00:00:51.000 align:middle line:100% English subtitle 25 -Forced- (00:00:49.000) align:middle line:100% 00:00:51.000 --> 00:00:53.000 position:20% size:55% English subtitle 26 -Unforced- (00:00:51.000) position:20% size:55% 00:00:53.000 --> 00:01:00.000 English subtitle 27 -Unforced- (00:00:53.000) Special Characters œ∑´®†¥¨ˆøπ“ åß∂ƒ©˙∆˚¬ Ω≈ç√∫˜µ≤≥÷ 00:00:55.000 --> 00:00:57.000 English subtitle 28 -Unforced- (00:00:55.000) Multilines line 3 line 4 line 5 line 6 00:00:57.000 --> 00:05:59.000 English subtitle 29 -Forced- (00:00:57.000) 1 Minute subtilte sample complete - will now repeat -------------------------------------------------------------------------------- /tests/subtitles/test.vtt: -------------------------------------------------------------------------------- 1 | WEBVTT 2 | X-TIMESTAMP-MAP=MPEGTS:900000,LOCAL:00:00:00.000 3 | 4 | 00:00:29.000 --> 00:00:31.000 line:75% 5 | English subtitle 15 -Forced- (00:00:27.000) 6 | line:75% 7 | 8 | 2 9 | 00:00:31.000 --> 00:00:33.000 align:start line:0% 10 | English subtitle 16 -Unforced- (00:00:31.000) 11 | align:start line:0% 12 | 13 | 00:00:33.000 --> 00:00:35.000 align:start line:50% 14 | English subtitle 17 -Unforced- (00:00:33.000) 15 | align:start line:50% 16 | 17 | 00:00:35.000 --> 00:00:37.000 align:start line:100% 18 | English subtitle 18 -Unforced- (00:00:35.000) 19 | align:start line:100% 20 | 21 | 00:00:37.000 --> 00:00:39.000 align:middle line:100% 22 | English subtitle 19 -Unforced- (00:00:37.000) 23 | align:middle line:100% 24 | 25 | 00:00:39.000 --> 00:00:41.000 align:end line:100% 26 | English subtitle 20 -Forced- (00:00:39.000) 27 | align:end line:100% 28 | 29 | 00:00:41.000 --> 00:00:43.000 align:end line:50% 30 | English subtitle 21 -Unforced- (00:00:41.000) 31 | align:end line:50% 32 | 33 | 00:00:43.000 --> 00:00:45.000 align:end line:0% 34 | English subtitle 22 -Unforced- (00:00:43.000) 35 | align:end line:0% 36 | 37 | 00:00:45.000 --> 00:00:47.000 align:middle line:0% 38 | English subtitle 23 -Unforced- (00:00:45.000) 39 | align:middle line:0% 40 | 41 | 00:00:47.000 --> 00:00:49.000 align:middle line:50% 42 | English subtitle 24 -Unforced- (00:00:47.000) 43 | align:middle line:50% 44 | 45 | 00:00:49.000 --> 00:00:51.000 align:middle line:100% 46 | English subtitle 25 -Forced- (00:00:49.000) 47 | align:middle line:100% 48 | 49 | 00:00:51.000 --> 00:00:53.000 position:20% size:55% 50 | English subtitle 26 -Unforced- (00:00:51.000) 51 | position:20% size:55% 52 | 53 | 00:00:53.000 --> 00:01:00.000 54 | English subtitle 27 -Unforced- (00:00:53.000) 55 | Special Characters 56 | œ∑´®†¥¨ˆøπ“ 57 | åß∂ƒ©˙∆˚¬ 58 | Ω≈ç√∫˜µ≤≥÷ 59 | 60 | 00:00:55.000 --> 00:00:57.000 61 | English subtitle 28 -Unforced- (00:00:55.000) 62 | Multilines 63 | line 3 64 | line 4 65 | line 5 66 | line 6 67 | 68 | 00:00:57.000 --> 00:05:59.000 69 | English subtitle 29 -Forced- (00:00:57.000) 70 | 1 Minute subtilte sample complete - will now repeat -------------------------------------------------------------------------------- /tests/segmenter.rb: -------------------------------------------------------------------------------- 1 | $LOAD_PATH << "lib/" 2 | require "minitest/autorun" 3 | require "webvtt" 4 | require "fileutils" 5 | 6 | class ParserTest < Minitest::Test 7 | 8 | def test_segment_of_a_given_cue 9 | webvtt = WebVTT.read("tests/subtitles/test.vtt") 10 | segmenter = WebVTT::Segmenter.new(webvtt, :length => 5) 11 | assert_equal [5, 6], segmenter.find_segments(webvtt.cues[0]) 12 | assert_equal [6], segmenter.find_segments(webvtt.cues[1]) 13 | assert_equal [6], segmenter.find_segments(webvtt.cues[2]) 14 | assert_equal [7], segmenter.find_segments(webvtt.cues[3]) 15 | assert_equal [9,10], segmenter.find_segments(webvtt.cues[10]) 16 | assert_equal [10,11,12], segmenter.find_segments(webvtt.cues[12]) 17 | end 18 | 19 | def test_segment_file_of_a_given_cue 20 | webvtt = WebVTT.read("tests/subtitles/test.vtt") 21 | segmenter = WebVTT::Segmenter.new(webvtt, :length => 5) 22 | assert_equal [0, 1], segmenter.find_segment_files(webvtt.cues[0]) 23 | assert_equal [1], segmenter.find_segment_files(webvtt.cues[1]) 24 | assert_equal [1], segmenter.find_segment_files(webvtt.cues[2]) 25 | assert_equal [2], segmenter.find_segment_files(webvtt.cues[3]) 26 | assert_equal [4,5], segmenter.find_segment_files(webvtt.cues[10]) 27 | assert_equal [5,6,7], segmenter.find_segment_files(webvtt.cues[12]) 28 | end 29 | 30 | def test_split_to_files 31 | webvtt = WebVTT.read("tests/subtitles/test.vtt") 32 | sub_webvtt_files = WebVTT::Segmenter.new(webvtt, :length => 5).split_to_files 33 | assert_equal 68, sub_webvtt_files.size 34 | assert_equal 31, sub_webvtt_files[0].total_length 35 | 36 | # clean up 37 | sub_webvtt_files.each {|f| FileUtils.rm(f.filename)} 38 | end 39 | 40 | def test_generate_playlist 41 | webvtt = WebVTT.read("tests/subtitles/test.vtt") 42 | segmenter = WebVTT::Segmenter.new(webvtt, :length => 5, :playlist => "test.m3u8") 43 | subs = segmenter.split_to_files 44 | segmenter.generate_playlist(subs) 45 | 46 | assert File.exist?("test.m3u8") 47 | # clean up 48 | subs.each {|f| FileUtils.rm(f.filename)} 49 | FileUtils.rm("test.m3u8") 50 | end 51 | 52 | def test_shortcut_method 53 | res = WebVTT.segment("tests/subtitles/test.vtt") 54 | assert_instance_of Array, res 55 | assert_equal 2, res.size 56 | assert_equal 35, res[1].size 57 | 58 | # clean up 59 | FileUtils.rm("prog_index.m3u8") 60 | end 61 | 62 | def test_segment_to_webvtt_files 63 | return 64 | webvtt = WebVTT.read("tests/subtitles/test.vtt") 65 | sub_webvtt_files = WebVTT::Segmenter.new(webvtt, :length => 5).split 66 | assert_equal 67, sub_webvtt_files.size 67 | puts 68 | sub_webvtt_files.each_with_index do |f,i| 69 | puts "//" 70 | puts "SEQUENCE: #{i}" 71 | puts "--------------" 72 | puts f.map{|c| c.to_webvtt }.join("\n\n") 73 | puts "--" 74 | end 75 | end 76 | end 77 | -------------------------------------------------------------------------------- /README.md: -------------------------------------------------------------------------------- 1 | # WebVTT Ruby parser and segmenter 2 | 3 | The [WebVTT format](https://www.w3.org/TR/webvtt1/) is a standard captionning format used for HTML5 videos and HTTP Live Streaming (HLS). 4 | 5 | ## Installation 6 | 7 | Add this line to your application's Gemfile: 8 | 9 | gem 'webvtt-ruby' 10 | 11 | And then execute: 12 | 13 | $ bundle 14 | 15 | Or install it yourself as: 16 | 17 | $ gem install webvtt-ruby 18 | 19 | ## Usage 20 | 21 | To parse a webvtt file: 22 | 23 | ```ruby 24 | require "webvtt" 25 | 26 | webvtt = WebVTT.read("path/sub.vtt") 27 | webvtt.cues.each do |cue| 28 | puts "identifier: #{cue.identifier}" 29 | puts "Start: #{cue.start}" 30 | puts "End: #{cue.end}" 31 | puts "Style: #{cue.style.inspect}" 32 | puts "Text: #{cue.text}" 33 | puts "Plain text: #{cue.plain_text}" # text without style tags if any 34 | puts "--" 35 | end 36 | ``` 37 | 38 | ## Converting from SRT 39 | 40 | You can also convert an SRT file to a standard WebVTT file: 41 | 42 | ```ruby 43 | webvtt = WebVTT.convert_from_srt("path/sub.srt", "path/sub.vtt") 44 | puts webvtt.to_webvtt 45 | ``` 46 | 47 | ## Segmenting for HTTP Live Streaming (HLS) 48 | 49 | Segmenting is required to work with HLS videos. 50 | 51 | ```ruby 52 | WebVTT.segment("subtitles/en.vtt", :length => 10, :output => "subtitles/en-%05d.vtt", :playlist => "subtitles/en.m3u8") 53 | ``` 54 | 55 | It will also generate the playlist in `m3u8`: 56 | 57 | ``` 58 | #EXTM3U 59 | #EXT-X-TARGETDURATION:17 60 | #EXT-X-VERSION:3 61 | #EXT-X-MEDIA-SEQUENCE:0 62 | #EXT-X-PLAYLIST-TYPE:VOD 63 | #EXTINF:13, 64 | en-00000.vtt 65 | #EXTINF:17, 66 | en-00001.vtt 67 | #EXTINF:12, 68 | en-00002.vtt 69 | #EXT-X-ENDLIST 70 | ``` 71 | 72 | To use the segmented webvtt files with your HLS playlist: 73 | 74 | ``` 75 | #EXTM3U 76 | 77 | #EXT-X-MEDIA:TYPE=SUBTITLES,GROUP-ID="subs",NAME="English",DEFAULT=NO,AUTOSELECT=YES,FORCED=NO,LANGUAGE="en",URI="subtitles/en.m3u8" 78 | 79 | #EXT-X-STREAM-INF:PROGRAM-ID=1,BANDWIDTH=300000,SUBTITLES="subs" 80 | demo-300000.m3u8 81 | 82 | #EXT-X-STREAM-INF:PROGRAM-ID=1,BANDWIDTH=600000,SUBTITLES="subs" 83 | demo-600000.m3u8 84 | ``` 85 | 86 | ## CLI 87 | 88 | You can also segment webvtt files using the command line `webvtt-segmenter`: 89 | 90 | ``` 91 | $ webvtt-segmenter -i subtitles/en.vtt -t 10 -m subtitles/en.m3u8 -o "subtitles/en-%05d.vtt" 92 | ``` 93 | 94 | ``` 95 | $ webvtt-segmenter -h 96 | Usage: bin/webvtt-segmenter [--arg] 97 | -i, --input [PATH] WebVTT or SRT file 98 | -b, --base-url [URL] Base URL 99 | -t, --target-duration [DUR] Duration of each segments. Default: 10 100 | -o, --output [PATH] Path where WebVTT segments will be saved. Default: fileSequence-%05d.vtt 101 | -m, --playlist [PATH] Path where the playlist in m3u8 will be saved. Default: prog_index.m3u8 102 | ``` 103 | 104 | ## Note 105 | 106 | `webvtt-ruby` was written in a few hours because there was no open source tool to segment webvtt files. It's not perfect at all but it does the job. 107 | 108 | ## Contributing 109 | 110 | 1. Fork it 111 | 2. Create your feature branch (`git checkout -b my-new-feature`) 112 | 3. Commit your changes (`git commit -am 'Added some feature'`) 113 | 4. Push to the branch (`git push origin my-new-feature`) 114 | 5. Create new Pull Request 115 | 116 | ## Author 117 | 118 | **Bruno Celeste** 119 | 120 | * http://coconut.co 121 | * bruno@coconut.co 122 | * [@brunoceleste](http://twitter.com/brunoceleste) 123 | -------------------------------------------------------------------------------- /lib/webvtt/segmenter.rb: -------------------------------------------------------------------------------- 1 | require 'fileutils' 2 | 3 | module WebVTT 4 | 5 | def self.segment(input, options={}) 6 | if input.is_a?(String) 7 | input = File.new(input) 8 | end 9 | 10 | if ! input.respond_to?(:to_webvtt) 11 | raise InputError, "Input must be a WebVTT instance or a path" 12 | end 13 | 14 | segmenter = Segmenter.new(input, options) 15 | subs = segmenter.split_to_files 16 | playlist = segmenter.generate_playlist(subs) 17 | 18 | return [playlist, subs] 19 | end 20 | 21 | class Segmenter 22 | attr_reader :webvtt 23 | 24 | def initialize(webvtt, options={}) 25 | @webvtt = webvtt 26 | @options = options 27 | @options[:length] ||= 10 28 | @options[:output] ||= "fileSequence-%05d.vtt" 29 | @options[:playlist] ||= "prog_index.m3u8" 30 | 31 | # a dirty hack to check if output and playlist are ending with / (indicating a directory) and if so use the default filename and playlist name and create directory which is required. 32 | 33 | if @options[:output].end_with?('/') 34 | @options[:output] = "#{@options[:output]}fileSequence-%05d.vtt" 35 | end 36 | if @options[:playlist].end_with?('/') 37 | @options[:playlist] = "#{@options[:playlist]}prog_index.m3u8" 38 | end 39 | 40 | output_dirname = ::File.dirname(@options[:output]) 41 | playlist_dirname = ::File.dirname(@options[:playlist]) 42 | 43 | unless ::File.directory?(output_dirname) 44 | ::FileUtils.mkdir_p(output_dirname) 45 | end 46 | unless ::File.directory?(playlist_dirname) 47 | ::FileUtils.mkdir_p(playlist_dirname) 48 | end 49 | end 50 | 51 | def find_segment_files(cue) 52 | seg = find_segments(cue) 53 | 54 | # we need to find out how many segments we 55 | # have to remove from our calculation 56 | # in the case of first cue not starting at 0 57 | start = @webvtt.cues[0].start_in_sec 58 | to_remove = (start / @options[:length]).floor 59 | return seg.map{|s| s-to_remove} 60 | end 61 | 62 | def find_segments(cue) 63 | all_cues = @webvtt.cues 64 | index_cue = all_cues.index(cue) 65 | seg = [(cue.start_in_sec / @options[:length]).floor] 66 | start_seg = seg[0] * @options[:length] 67 | end_seg = start_seg + @options[:length] 68 | 69 | # if the cue length is > than desired length 70 | # or if cue end in sec is > end of the segment in sec 71 | # we display it in the next segment as well 72 | 73 | if (cue.length > @options[:length]) || 74 | (cue.end_in_sec > end_seg) 75 | 76 | (cue.length / @options[:length]).ceil.to_i.times.each do |s| 77 | seg << seg.last + 1 78 | end 79 | end 80 | 81 | return seg 82 | end 83 | 84 | def generate_playlist(files) 85 | lines = [] 86 | target_duration = 0 87 | files.each_with_index do |file,i| 88 | 89 | # if first cue ever we calculate from 0 sec 90 | if i == 0 91 | total_length = file.total_length 92 | else 93 | total_length = file.actual_total_length 94 | end 95 | 96 | target_duration = total_length if total_length > target_duration 97 | if @options[:base_url].nil? 98 | url = file.filename 99 | else 100 | url = ::File.join(@options[:base_url], file.filename) 101 | end 102 | lines << %(#EXTINF:#{total_length.round}, 103 | #{url}) 104 | end 105 | 106 | playlist = [%(#EXTM3U 107 | #EXT-X-TARGETDURATION:#{target_duration.ceil} 108 | #EXT-X-VERSION:3 109 | #EXT-X-MEDIA-SEQUENCE:0 110 | #EXT-X-PLAYLIST-TYPE:VOD)] 111 | playlist.concat(lines) 112 | playlist << "#EXT-X-ENDLIST" 113 | 114 | ::File.open(@options[:playlist], "w") {|f| f.write(playlist.join("\n")) } 115 | return @options[:playlist] 116 | end 117 | 118 | def split_to_files 119 | filenames = [] 120 | segment_files = [] 121 | 122 | @webvtt.cues.each_with_index do |cue,i| 123 | find_segment_files(cue).each do |seg| 124 | segment_files[seg] ||= [] 125 | segment_files[seg] << cue 126 | end 127 | end 128 | 129 | segment_files.compact.each_with_index do |f,i| 130 | filename = sprintf(@options[:output], i) 131 | header = @webvtt.header 132 | 133 | if !header.include?("X-TIMESTAMP-MAP") 134 | # FIXME: the value should be configurable 135 | header << "\nX-TIMESTAMP-MAP=MPEGTS:900000,LOCAL:00:00:00.000" 136 | end 137 | 138 | content = [header, f.map{|c| c.to_webvtt }.join("\n\n")].join("\n\n") 139 | 140 | ::File.open(filename, "w") {|f| f.write(content)} 141 | 142 | filenames << filename 143 | end 144 | return filenames.map{|f| File.new(f) } 145 | end 146 | end 147 | end 148 | -------------------------------------------------------------------------------- /lib/webvtt/parser.rb: -------------------------------------------------------------------------------- 1 | module WebVTT 2 | 3 | def self.read(file) 4 | File.new(file) 5 | end 6 | 7 | def self.from_blob(content) 8 | Blob.new(content) 9 | end 10 | 11 | def self.convert_from_srt(srt_file, output=nil) 12 | if !::File.exist?(srt_file) 13 | raise InputError, "SRT file not found" 14 | end 15 | 16 | srt = ::File.read(srt_file) 17 | output ||= srt_file.gsub(".srt", ".vtt") 18 | 19 | # normalize timestamps in srt 20 | srt.gsub!(/(:|^)(\d)(,|:)/, '\10\2\3') 21 | # convert timestamps and save the file 22 | srt.gsub!(/([0-9]{2}:[0-9]{2}:[0-9]{2})([,])([0-9]{3})/, '\1.\3') 23 | # normalize new line character 24 | srt.gsub!("\r\n", "\n") 25 | 26 | srt = "WEBVTT\n\n#{srt}".strip 27 | ::File.open(output, "w") {|f| f.write(srt)} 28 | 29 | return File.new(output) 30 | end 31 | 32 | class Blob 33 | attr_reader :header 34 | attr_accessor :cues 35 | 36 | def initialize(content = nil) 37 | @cues = [] 38 | 39 | if content 40 | parse( 41 | content.gsub("\r\n", "\n").gsub("\r","\n") # normalizing new line character 42 | ) 43 | else 44 | @header = 'WEBVTT' 45 | end 46 | end 47 | 48 | def to_webvtt 49 | [@header, @cues.map(&:to_webvtt)].flatten.join("\n\n") 50 | end 51 | 52 | def total_length 53 | @cues.last.end_in_sec 54 | end 55 | 56 | def actual_total_length 57 | @cues.last.end_in_sec - @cues.first.start_in_sec 58 | end 59 | 60 | def parse(content) 61 | # remove bom first 62 | content.gsub!("\uFEFF", '') 63 | 64 | cues = content.split(/\n\n+/) 65 | 66 | @header = cues.shift 67 | header_lines = @header.split("\n").map(&:strip) 68 | if (header_lines[0] =~ /^WEBVTT/).nil? 69 | raise MalformedFile, "Not a valid WebVTT file" 70 | end 71 | 72 | @cues = [] 73 | cues.each do |cue| 74 | cue_parsed = Cue.parse(cue.strip) 75 | if !cue_parsed.text.nil? 76 | @cues << cue_parsed 77 | end 78 | end 79 | @cues 80 | end 81 | end 82 | 83 | class File < Blob 84 | attr_reader :path, :filename 85 | 86 | def initialize(webvtt_file) 87 | if !::File.exist?(webvtt_file) 88 | raise InputError, "WebVTT file not found" 89 | end 90 | 91 | @path = webvtt_file 92 | @filename = ::File.basename(@path) 93 | super(::File.read(webvtt_file)) 94 | end 95 | 96 | def save(output=nil) 97 | output ||= @path.gsub(".srt", ".vtt") 98 | 99 | ::File.open(output, "w") do |f| 100 | f.write(to_webvtt) 101 | end 102 | return output 103 | end 104 | end 105 | 106 | class Cue 107 | attr_accessor :identifier, :start, :end, :style, :text, :plain_text 108 | 109 | def initialize(cue = nil) 110 | @content = cue 111 | @style = {} 112 | end 113 | 114 | def self.parse(cue) 115 | cue = Cue.new(cue) 116 | cue.parse 117 | return cue 118 | end 119 | 120 | def to_webvtt 121 | res = "" 122 | if @identifier 123 | res << "#{@identifier}\n" 124 | end 125 | res << "#{@start} --> #{@end} #{@style.map{|k,v| "#{k}:#{v}"}.join(" ")}".strip + "\n" 126 | res << @text 127 | 128 | res 129 | end 130 | 131 | def self.timestamp_in_sec(timestamp) 132 | mres = timestamp.match(/([0-9]{2}):([0-9]{2}):([0-9]{2}\.[0-9]{3})/) 133 | sec = mres[3].to_f # seconds and subseconds 134 | sec += mres[2].to_f * 60 # minutes 135 | sec += mres[1].to_f * 60 * 60 # hours 136 | return sec 137 | end 138 | 139 | def start_in_sec 140 | @start.to_f 141 | end 142 | 143 | def end_in_sec 144 | @end.to_f 145 | end 146 | 147 | def length 148 | @end.to_f - @start.to_f 149 | end 150 | 151 | def offset_by( offset_secs ) 152 | @start += offset_secs 153 | @end += offset_secs 154 | end 155 | 156 | def parse 157 | lines = @content.split("\n").map(&:strip) 158 | 159 | # it's a note or style section, ignore 160 | return if lines[0] =~ /NOTE|STYLE/ 161 | 162 | if !lines[0].include?("-->") 163 | @identifier = lines[0] 164 | lines.shift 165 | end 166 | 167 | if lines.empty? 168 | return 169 | end 170 | 171 | if lines[0].match(/(([0-9]{2}:)?[0-9]{2}:[0-9]{2}\.[0-9]{3})[ \t]+-->[ \t]+(([0-9]{2}:)?[0-9]{2}:[0-9]{2}\.[0-9]{3})(.*)/) 172 | @start = Timestamp.new $1 173 | @end = Timestamp.new $3 174 | @style = Hash[$5.strip.split(" ").map{|s| s.split(":").map(&:strip) }] 175 | else 176 | raise WebVTT::MalformedFile 177 | end 178 | 179 | 180 | @text = lines[1..-1].join("\n") 181 | @plain_text = @text.gsub(/<.+?>/, '').strip # remove style tags from text 182 | end 183 | end 184 | 185 | class Timestamp 186 | def self.parse_seconds( timestamp ) 187 | if mres = timestamp.match(/\A([0-9]{2}):([0-9]{2}):([0-9]{2}\.[0-9]{3})\z/) 188 | sec = mres[3].to_f # seconds and subseconds 189 | sec += mres[2].to_f * 60 # minutes 190 | sec += mres[1].to_f * 60 * 60 # hours 191 | elsif mres = timestamp.match(/\A([0-9]{2}):([0-9]{2}\.[0-9]{3})\z/) 192 | sec = mres[2].to_f # seconds and subseconds 193 | sec += mres[1].to_f * 60 # minutes 194 | else 195 | raise ArgumentError.new("Invalid WebVTT timestamp format: #{timestamp.inspect}") 196 | end 197 | 198 | return sec 199 | end 200 | 201 | def initialize( time ) 202 | if time.is_a? Numeric 203 | @timestamp = time 204 | elsif time.is_a? String 205 | @timestamp = Timestamp.parse_seconds( time ) 206 | else 207 | raise ArgumentError.new("time not numeric nor a string") 208 | end 209 | end 210 | 211 | def to_s 212 | hms = [60,60].reduce( [ @timestamp ] ) { |m,o| m.unshift(m.shift.divmod(o)).flatten } 213 | hms << (@timestamp.divmod(1).last * 1000).round 214 | 215 | sprintf("%02d:%02d:%02d.%03d", *hms) 216 | end 217 | 218 | def to_f 219 | @timestamp.to_f 220 | end 221 | 222 | def +(other) 223 | Timestamp.new self.to_f + other.to_f 224 | end 225 | 226 | end 227 | end 228 | -------------------------------------------------------------------------------- /tests/parser.rb: -------------------------------------------------------------------------------- 1 | $LOAD_PATH << "lib/" 2 | require "minitest/autorun" 3 | require "webvtt" 4 | 5 | class ParserTest < Minitest::Test 6 | def test_can_read_webvtt 7 | webvtt = WebVTT.read("tests/subtitles/test.vtt") 8 | assert_equal "test.vtt", webvtt.filename 9 | end 10 | 11 | def test_cant_read_webvtt 12 | assert_raises(WebVTT::InputError) { 13 | webvtt = WebVTT.read("tests/subtitles/test_.vtt") 14 | } 15 | end 16 | 17 | def test_is_not_valid_webvtt 18 | assert_raises(WebVTT::MalformedFile) { 19 | webvtt = WebVTT.read("tests/subtitles/notvalid.vtt") 20 | } 21 | end 22 | 23 | def test_can_create_empty_webvtt 24 | webvtt = WebVTT::Blob.new 25 | assert_equal 'WEBVTT', webvtt.header 26 | assert_equal [], webvtt.cues 27 | end 28 | 29 | def test_list_cues 30 | webvtt = WebVTT.read("tests/subtitles/test.vtt") 31 | assert_instance_of Array, webvtt.cues 32 | assert !webvtt.cues.empty?, "Cues should not be empty" 33 | assert_instance_of WebVTT::Cue, webvtt.cues[0] 34 | assert_equal 15, webvtt.cues.size 35 | end 36 | 37 | def test_header 38 | webvtt = WebVTT.read("tests/subtitles/test.vtt") 39 | assert_equal "WEBVTT\nX-TIMESTAMP-MAP=MPEGTS:900000,LOCAL:00:00:00.000", webvtt.header 40 | end 41 | 42 | def test_cue 43 | webvtt = WebVTT.read("tests/subtitles/test.vtt") 44 | cue = webvtt.cues[0] 45 | assert_equal "00:00:29.000", cue.start.to_s 46 | assert_equal "00:00:31.000", cue.end.to_s 47 | assert_instance_of Hash, cue.style 48 | assert_equal "75%", cue.style["line"] 49 | assert_equal "English subtitle 15 -Forced- (00:00:27.000)\nline:75%", cue.text 50 | end 51 | 52 | def test_cue_multiple_spaces_in_cue 53 | webvtt = WebVTT.read("tests/subtitles/test_multiple_spaces_in_cue.vtt") 54 | cue = webvtt.cues[0] 55 | assert_equal "00:00:01.000", cue.start.to_s 56 | assert_equal "00:00:02.000", cue.end.to_s 57 | assert_instance_of Hash, cue.style 58 | assert_equal "Some text", cue.text 59 | 60 | cue = webvtt.cues[1] 61 | assert_equal "00:00:02.000", cue.start.to_s 62 | assert_equal "00:00:03.000", cue.end.to_s 63 | assert_instance_of Hash, cue.style 64 | assert_equal "Some other text", cue.text 65 | end 66 | 67 | 68 | def test_cue_non_hours 69 | webvtt = WebVTT.read("tests/subtitles/test_mmss_format.vtt") 70 | cue = webvtt.cues[0] 71 | assert_equal "00:00:29.000", cue.start.to_s 72 | assert_equal "00:00:31.000", cue.end.to_s 73 | assert_instance_of Hash, cue.style 74 | assert_equal "75%", cue.style["line"] 75 | assert_equal "English subtitle 15 -Forced- (00:00:27.000)\nline:75%", cue.text 76 | end 77 | 78 | def test_cue_identifier 79 | webvtt = WebVTT.read("tests/subtitles/test.vtt") 80 | cue = webvtt.cues[1] 81 | assert_equal "2", cue.identifier 82 | assert_equal "00:00:31.000", cue.start.to_s 83 | assert_equal "00:00:33.000", cue.end.to_s 84 | assert_equal ["align", "line"].sort, cue.style.keys.sort 85 | assert_equal ["start", "0%"].sort, cue.style.values.sort 86 | assert_equal "English subtitle 16 -Unforced- (00:00:31.000)\nalign:start line:0%", cue.text 87 | end 88 | 89 | def test_multiple_line_separators 90 | webvtt = WebVTT.read("tests/subtitles/test_multiple_line_separators.vtt") 91 | assert_equal 2, webvtt.cues.length 92 | end 93 | 94 | def test_ignore_if_note 95 | webvtt = WebVTT.read("tests/subtitles/withnote.vtt") 96 | assert_equal 3, webvtt.cues.size 97 | # ignoring the first cue which is a NOTE 98 | assert_equal "1", webvtt.cues[0].identifier 99 | end 100 | 101 | def test_ignore_style_and_remove_style_tag_from_cue_text 102 | webvtt = WebVTT.read("tests/subtitles/withstyle.vtt") 103 | assert_equal 1, webvtt.cues.size 104 | # ignoring the first cue which is a NOTE 105 | assert_equal "hello", webvtt.cues[0].identifier 106 | assert_equal "Hello world.", webvtt.cues[0].plain_text 107 | assert_equal "Hello world.", webvtt.cues[0].text 108 | end 109 | 110 | def test_timestamp_in_sec 111 | assert_equal 60.0, WebVTT::Cue.timestamp_in_sec("00:01:00.000") 112 | assert_equal 126.23, WebVTT::Cue.timestamp_in_sec("00:02:06.230") 113 | assert_equal 5159.892, WebVTT::Cue.timestamp_in_sec("01:25:59.892") 114 | end 115 | 116 | def test_total_length 117 | webvtt = WebVTT.read("tests/subtitles/test.vtt") 118 | assert_equal 359, webvtt.total_length 119 | end 120 | 121 | def test_cue_length 122 | webvtt = WebVTT.read("tests/subtitles/test.vtt") 123 | assert_equal 2.0, webvtt.cues[2].length 124 | end 125 | 126 | def test_file_to_webvtt 127 | webvtt = WebVTT.read("tests/subtitles/test.vtt") 128 | assert_equal webvtt.to_webvtt, File.read("tests/subtitles/test.vtt") 129 | end 130 | 131 | def test_cue_to_webvtt 132 | webvtt = WebVTT.read("tests/subtitles/test.vtt") 133 | assert_equal webvtt.cues[0].to_webvtt, %(00:00:29.000 --> 00:00:31.000 line:75% 134 | English subtitle 15 -Forced- (00:00:27.000) 135 | line:75%) 136 | assert_equal webvtt.cues[1].to_webvtt, %(2 137 | 00:00:31.000 --> 00:00:33.000 align:start line:0% 138 | English subtitle 16 -Unforced- (00:00:31.000) 139 | align:start line:0%) 140 | end 141 | 142 | def test_updating_webvtt 143 | webvtt = WebVTT.read("tests/subtitles/test.vtt") 144 | cue = webvtt.cues[0] 145 | cue.identifier = "1" 146 | cue.text = "The text should change" 147 | cue.start = "00:00:01.000" 148 | cue.style = {} 149 | webvtt.cues = [cue] 150 | 151 | assert_equal webvtt.to_webvtt, %(WEBVTT 152 | X-TIMESTAMP-MAP=MPEGTS:900000,LOCAL:00:00:00.000 153 | 154 | 1 155 | 00:00:01.000 --> 00:00:31.000 156 | The text should change) 157 | end 158 | 159 | def test_reading_all_cues 160 | return 161 | webvtt = WebVTT.read("tests/subtitles/withnote.vtt") 162 | webvtt.cues.each_with_index do |cue,i| 163 | puts "#{i}" 164 | puts "identifier: #{cue.identifier}" 165 | puts "Timestamps: #{cue.start} --> #{cue.end}" 166 | puts "Style: #{cue.style.inspect}" 167 | puts "Text :#{cue.text}\n*" 168 | puts 169 | end 170 | end 171 | 172 | def test_convert_srt_to_webvtt 173 | webvtt = WebVTT.convert_from_srt("tests/subtitles/test_from_srt.srt") 174 | assert_instance_of WebVTT::File, webvtt 175 | assert_equal 2, webvtt.cues.size 176 | end 177 | 178 | def test_convert_weird_format_srt_to_webvtt 179 | webvtt = WebVTT.convert_from_srt("tests/subtitles/weird_format.srt") 180 | correct_webvtt = WebVTT.read("tests/subtitles/weird_format_corrected.vtt") 181 | 182 | converted_cues = webvtt.cues.map { |cue| cue.start.to_s } 183 | correct_cues = correct_webvtt.cues.map { |cue| cue.start.to_s } 184 | 185 | assert_instance_of WebVTT::File, webvtt 186 | assert_equal correct_cues, converted_cues 187 | end 188 | 189 | def test_parse_big_file 190 | return 191 | webvtt = WebVTT.read("tests/subtitles/big_srt.vtt") 192 | webvtt.cues.each_with_index do |cue,i| 193 | puts "*#{i}" 194 | puts "identifier: #{cue.identifier}" 195 | puts "Timestamps: #{cue.start} --> #{cue.end}" 196 | puts "Style: #{cue.style.inspect}" 197 | puts "Text :#{cue.text}\n*" 198 | puts 199 | end 200 | end 201 | 202 | def test_parse_cue_with_no_text 203 | webvtt = WebVTT.read("tests/subtitles/no_text.vtt") 204 | assert_equal 2, webvtt.cues.size 205 | assert_equal "265", webvtt.cues[0].identifier 206 | assert_equal "00:08:57.409", webvtt.cues[0].start.to_s 207 | assert_equal "00:09:00.592", webvtt.cues[0].end.to_s 208 | assert_equal "", webvtt.cues[0].text 209 | assert_equal "266", webvtt.cues[1].identifier 210 | assert_equal "00:09:00.593", webvtt.cues[1].start.to_s 211 | assert_equal "00:09:02.373", webvtt.cues[1].end.to_s 212 | assert_equal "", webvtt.cues[1].text 213 | end 214 | 215 | def test_cue_offset_by 216 | cue = WebVTT::Cue.parse <<-CUE 217 | 00:00:01.000 --> 00:00:25.432 218 | Test Cue 219 | CUE 220 | assert_equal 1.0, cue.start.to_f 221 | assert_equal 25.432, cue.end.to_f 222 | cue.offset_by( 12.0 ) 223 | assert_equal 13.0, cue.start.to_f 224 | assert_equal 37.432, cue.end.to_f 225 | end 226 | 227 | def test_timestamp_from_string 228 | ts_str = "00:05:31.522" 229 | ts = WebVTT::Timestamp.new( ts_str ) 230 | assert_equal ts_str, ts.to_s 231 | assert_equal (5*60 + 31.522), ts.to_f 232 | end 233 | 234 | def test_timestamp_from_number 235 | ts_f = (7*60 + 12.111) 236 | ts = WebVTT::Timestamp.new( ts_f ) 237 | assert_equal "00:07:12.111", ts.to_s 238 | assert_equal ts_f, ts.to_f 239 | end 240 | 241 | def test_timestamp_errors_from_unknown_type 242 | assert_raises ArgumentError do 243 | WebVTT::Timestamp.new( nil ) 244 | end 245 | end 246 | 247 | def test_timestamp_addition 248 | ts = WebVTT::Timestamp.new( "01:47:32.004" ) 249 | ts2 = ts + (4*60 + 30) 250 | assert_equal "01:52:02.004", ts2.to_s 251 | ts3 = ts + ts2 252 | assert_equal "03:39:34.008", ts3.to_s 253 | end 254 | 255 | def test_build_cue 256 | cue = WebVTT::Cue.new 257 | cue.start = WebVTT::Timestamp.new 0 258 | cue.end = WebVTT::Timestamp.new 12 259 | cue.text = "Built from scratch" 260 | output = "" 261 | output << "00:00:00.000 --> 00:00:12.000\n" 262 | output << "Built from scratch" 263 | assert_equal output, cue.to_webvtt 264 | end 265 | 266 | def test_invalid_cue 267 | webvtt = WebVTT.convert_from_srt("tests/subtitles/invalid_cue.srt") 268 | assert_equal 1, webvtt.cues.size 269 | end 270 | 271 | def test_can_validate_webvtt_with_carriage_returns 272 | webvtt = WebVTT::File.new("tests/subtitles/test_carriage_returns.vtt") 273 | assert_instance_of Array, webvtt.cues 274 | assert !webvtt.cues.empty?, "Cues should not be empty" 275 | assert_instance_of WebVTT::Cue, webvtt.cues[0] 276 | assert_equal 15, webvtt.cues.size 277 | end 278 | end 279 | -------------------------------------------------------------------------------- /tests/subtitles/big_srt.vtt: -------------------------------------------------------------------------------- 1 | WEBVTT 2 | 3 | 1 4 | 00:01:25.648 --> 00:01:29.169 5 | Sync and corrections by n17t01 6 | www.addic7ed.com 7 | 8 | 2 9 | 00:02:12.145 --> 00:02:13.572 10 | [Beep] 11 | 12 | 3 13 | 00:02:15.442 --> 00:02:20.203 14 | What'd you think, you 15 | paired up with him? 16 | 17 | 4 18 | 00:02:20.236 --> 00:02:24.167 19 | What'd I think? 20 | 21 | 5 22 | 00:02:24.208 --> 00:02:26.302 23 | Well, you don't pick 24 | your parents, 25 | 26 | 6 27 | 00:02:26.343 --> 00:02:29.770 28 | and you don't pick 29 | your partner. 30 | 31 | 7 32 | 00:02:29.803 --> 00:02:35.439 33 | You know, they used to call 34 | him The Tax Man for a while? 35 | 36 | 8 37 | 00:02:35.472 --> 00:02:39.073 38 | He'd come out of Texas, 39 | so nobody knew him. 40 | 41 | 9 42 | 00:02:39.106 --> 00:02:41.407 43 | Seemed a bit... 44 | 45 | 10 46 | 00:02:41.440 --> 00:02:45.004 47 | raw-boned to me, edgy. 48 | 49 | 11 50 | 00:02:45.037 --> 00:02:46.476 51 | Took 3 months till we got him 52 | 53 | 12 54 | 00:02:46.509 --> 00:02:49.380 55 | over to the house for dinner. 56 | 57 | 13 58 | 00:02:49.413 --> 00:02:51.211 59 | Around our big 419. 60 | 61 | 14 62 | 00:02:51.244 --> 00:02:53.683 63 | That's what y'all want 64 | to hear about, right, 65 | 66 | 15 67 | 00:02:53.716 --> 00:02:56.484 68 | Dora Lange, kids in the woods? 69 | 70 | 16 71 | 00:02:56.517 --> 00:03:00.215 72 | Yeah, sure, 73 | but, uh, talk about Cohle. 74 | 75 | 17 76 | 00:03:00.248 --> 00:03:01.886 77 | We heard some stories. 78 | 79 | 18 80 | 00:03:01.919 --> 00:03:05.320 81 | Kind of a strange guy, huh? 82 | 83 | 19 84 | 00:03:05.353 --> 00:03:09.220 85 | Strange. Uh-- heh, heh, heh. 86 | 87 | 20 88 | 00:03:09.253 --> 00:03:11.061 89 | Yeah. 90 | 91 | 21 92 | 00:03:11.394 --> 00:03:14.592 93 | Rust would pick a fight 94 | with the sky 95 | 96 | 22 97 | 00:03:14.625 --> 00:03:19.396 98 | if he didn't like 99 | its shade of blue, 100 | 101 | 23 102 | 00:03:19.429 --> 00:03:22.333 103 | but when we finally got 104 | him over to the house-- 105 | 106 | 24 107 | 00:03:22.366 --> 00:03:24.467 108 | this is when that case 109 | was hot-- 110 | 111 | 25 112 | 00:03:24.500 --> 00:03:26.664 113 | poor bastard looked like 114 | he was on his way 115 | 116 | 26 117 | 00:03:26.697 --> 00:03:30.202 118 | to the firing squad. 119 | 120 | 27 121 | 00:03:30.235 --> 00:03:32.737 122 | COHLE VOICE-OVER: 123 | Dora Lange. 124 | 125 | 28 126 | 00:03:32.770 --> 00:03:36.344 127 | Yeah. Occult ritual murder. 128 | 129 | 29 130 | 00:03:36.377 --> 00:03:39.710 131 | You can thank 132 | the "Advertiser" for that. 133 | 134 | 30 135 | 00:03:39.743 --> 00:03:41.015 136 | Could you, uh, 137 | hold off on that? 138 | 139 | 31 140 | 00:03:41.048 --> 00:03:43.216 141 | All right. Yeah. You can't 142 | do that here no more. 143 | 144 | 32 145 | 00:03:43.249 --> 00:03:46.249 146 | - Huh? 147 | - Uh-uh. 148 | 149 | 33 150 | 00:03:46.290 --> 00:03:47.688 151 | Don't be assholes. 152 | 153 | 34 154 | 00:03:47.721 --> 00:03:49.793 155 | You want to hear this or not? 156 | 157 | 35 158 | 00:03:52.792 --> 00:03:54.222 159 | [Grunts] 160 | 161 | 36 162 | 00:04:07.166 --> 00:04:10.765 163 | Vermillion sheriff requested 164 | assistance with a 419, 165 | 166 | 37 167 | 00:04:10.798 --> 00:04:14.869 168 | cane fields outside of Erath. 169 | 170 | 38 171 | 00:04:14.902 --> 00:04:16.870 172 | I'd been on the job 173 | about 3 months till then. 174 | 175 | 39 176 | 00:04:16.910 --> 00:04:22.676 177 | Two previous cases 178 | were open and shut. 179 | 180 | 40 181 | 00:04:22.709 --> 00:04:28.258 182 | It was January 3, 1995, 183 | my daughter's birthday. 184 | 185 | 41 186 | 00:04:28.291 --> 00:04:29.555 187 | I remember. 188 | 189 | 42 190 | 00:04:29.588 --> 00:04:33.732 191 | ♪ 192 | 193 | 43 194 | 00:04:54.359 --> 00:04:58.231 195 | Hart and Cohle, State CID. 196 | 197 | 44 198 | 00:04:58.264 --> 00:05:00.272 199 | Who found her? 200 | 201 | 45 202 | 00:05:00.305 --> 00:05:01.432 203 | Farmer and his son. 204 | 205 | 46 206 | 00:05:01.473 --> 00:05:03.471 207 | This spread wasn't 208 | scheduled for a burn. 209 | 210 | 47 211 | 00:05:03.504 --> 00:05:06.836 212 | Let's keep them here, and 213 | let's tape off this road, 214 | 215 | 48 216 | 00:05:06.869 --> 00:05:10.845 217 | and give me your log. 218 | 219 | 49 220 | 00:05:10.878 --> 00:05:14.277 221 | [Police radio chatter] 222 | 223 | 50 224 | 00:05:14.310 --> 00:05:15.275 225 | You take the log. 226 | 227 | 51 228 | 00:05:15.316 --> 00:05:16.513 229 | Yes, sir. 230 | 231 | 52 232 | 00:05:16.546 --> 00:05:18.879 233 | Make sure you get 234 | everything down. 235 | 236 | 53 237 | 00:05:32.531 --> 00:05:34.097 238 | Go ahead. 239 | 240 | 54 241 | 00:05:57.497 --> 00:05:59.263 242 | MAN: You ever see 243 | something like this? 244 | 245 | 55 246 | 00:05:59.296 --> 00:06:03.769 247 | HART: No, sir, 248 | in 8 years of CID. 249 | 250 | 56 251 | 00:06:03.802 --> 00:06:07.399 252 | Them symbols, they's Satanic. 253 | 254 | 57 255 | 00:06:07.440 --> 00:06:11.070 256 | They had a "20/20" 257 | on it a few years back. 258 | 259 | 58 260 | 00:06:11.103 --> 00:06:12.506 261 | ID? 262 | 263 | 59 264 | 00:06:12.539 --> 00:06:15.372 265 | No, sir. 266 | 267 | 60 268 | 00:06:15.405 --> 00:06:19.679 269 | We're gonna need 270 | more men for a grid search, 271 | 272 | 61 273 | 00:06:19.712 --> 00:06:23.520 274 | set up a perimeter wide as 275 | possible on those 3 roads, 276 | 277 | 62 278 | 00:06:23.553 --> 00:06:25.424 279 | post up, take license plates 280 | 281 | 63 282 | 00:06:25.457 --> 00:06:28.392 283 | of anything that passes. 284 | 285 | 64 286 | 00:06:28.425 --> 00:06:29.527 287 | I-23. 288 | 289 | 65 290 | 00:06:29.560 --> 00:06:31.959 291 | DISPATCHER: Go ahead, 292 | I-23. 293 | 294 | 66 295 | 00:06:31.992 --> 00:06:36.125 296 | We're gonna need investigator 297 | assist on that 419, 298 | 299 | 67 300 | 00:06:36.167 --> 00:06:38.368 301 | all you can spare 302 | for a canvass. 303 | 304 | 68 305 | 00:06:38.401 --> 00:06:39.768 306 | Roger that, Detective. 307 | 308 | 69 309 | 00:06:39.801 --> 00:06:42.474 310 | CID is taking over. Get 311 | anybody who's free up here. 312 | 313 | 70 314 | 00:06:42.507 --> 00:06:45.547 315 | HART: Okay. Tell me 316 | what you see. 317 | 318 | 71 319 | 00:06:45.580 --> 00:06:49.820 320 | COHLE: Ligature marks on her 321 | wrists, ankles, and knees. 322 | 323 | 72 324 | 00:06:49.853 --> 00:06:53.115 325 | Multiple shallow 326 | stab wounds to the abdomen. 327 | 328 | 73 329 | 00:06:53.155 --> 00:06:55.250 330 | Hemorrhaging around throat, 331 | 332 | 74 333 | 00:06:55.291 --> 00:06:59.861 334 | lividity at the shoulders, 335 | thighs, and torso. 336 | 337 | 75 338 | 00:06:59.894 --> 00:07:03.764 339 | She'd been on her back a while 340 | 341 | 76 342 | 00:07:03.797 --> 00:07:06.066 343 | before he moved her. 344 | 345 | 77 346 | 00:07:09.771 --> 00:07:13.139 347 | [Camera clicks] 348 | 349 | 78 350 | 00:07:13.172 --> 00:07:16.108 351 | HART VOICE-OVER: That's why 352 | they called him The Tax Man. 353 | 354 | 79 355 | 00:07:16.141 --> 00:07:19.348 356 | The rest of us had these 357 | little note pads or something. 358 | 359 | 80 360 | 00:07:19.381 --> 00:07:22.012 361 | He had this big ledger. 362 | 363 | 81 364 | 00:07:22.052 --> 00:07:26.956 365 | Looked funny walking door to 366 | door with it like the tax man, 367 | 368 | 82 369 | 00:07:26.989 --> 00:07:31.626 370 | which ain't bad 371 | as far as nicknames go. 372 | 373 | 83 374 | 00:07:31.659 --> 00:07:35.160 375 | COHLE VOICE-OVER: Yeah. Of course 376 | I've always taken a lot of notes. 377 | 378 | 84 379 | 00:07:35.193 --> 00:07:38.930 380 | I mean, you never know what 381 | the thing's gonna be, do you? 382 | 383 | 85 384 | 00:07:38.963 --> 00:07:41.697 385 | A little detail 386 | somewhere way down the line 387 | 388 | 86 389 | 00:07:41.730 --> 00:07:47.101 390 | makes you say, "Ohh!" 391 | breaks the case. 392 | 393 | 87 394 | 00:07:47.134 --> 00:07:49.470 395 | HART: You know, I've seen 396 | all the different types. 397 | 398 | 88 399 | 00:07:49.503 --> 00:07:52.911 400 | We all fit 401 | a certain category-- 402 | 403 | 89 404 | 00:07:52.944 --> 00:08:00.418 405 | the bully, the charmer, 406 | the, uh, surrogate dad, 407 | 408 | 90 409 | 00:08:00.451 --> 00:08:04.893 410 | the man possessed 411 | by ungovernable rage, 412 | 413 | 91 414 | 00:08:04.926 --> 00:08:06.430 415 | the brain-- 416 | 417 | 92 418 | 00:08:06.463 --> 00:08:12.236 419 | and any of those types 420 | could be a good detective, 421 | 422 | 93 423 | 00:08:12.269 --> 00:08:16.972 424 | and any of those types could be 425 | an incompetent shitheel. 426 | 427 | 94 428 | 00:08:17.005 --> 00:08:19.243 429 | Which type were you? 430 | 431 | 95 432 | 00:08:19.276 --> 00:08:24.716 433 | Oh, I was just 434 | a regular type dude 435 | 436 | 96 437 | 00:08:24.749 --> 00:08:27.451 438 | with a big-ass dick. 439 | 440 | 97 441 | 00:08:27.484 --> 00:08:29.515 442 | [Sips] 443 | 444 | 98 445 | 00:08:29.548 --> 00:08:32.618 446 | A lot of it had to do 447 | with how they manage authority. 448 | 449 | 99 450 | 00:08:32.651 --> 00:08:34.921 451 | ♪ 452 | 453 | 100 454 | 00:08:34.954 --> 00:08:40.825 455 | There can be a burden 456 | in authority, in vigilance, 457 | 458 | 101 459 | 00:08:40.858 --> 00:08:44.833 460 | like a father's burden. 461 | 462 | 102 463 | 00:08:44.866 --> 00:08:47.402 464 | It was too much for some men. 465 | 466 | 103 467 | 00:08:47.435 --> 00:08:51.803 468 | A smart guy who's steady 469 | is hard to find. 470 | 471 | 104 472 | 00:08:51.843 --> 00:08:54.274 473 | I was all right, 474 | better than some, 475 | 476 | 105 477 | 00:08:54.307 --> 00:09:01.346 478 | but, you know, I knew how to talk 479 | to people, and I was steady. 480 | 481 | 106 482 | 00:09:01.379 --> 00:09:05.956 483 | Rust-- now his 484 | Texas files were classified 485 | 486 | 107 487 | 00:09:05.989 --> 00:09:10.559 488 | or redacted, 489 | and he wasn't big on talking 490 | 491 | 108 492 | 00:09:10.600 --> 00:09:14.169 493 | except when you wanted 494 | him to shut up, 495 | 496 | 109 497 | 00:09:14.202 --> 00:09:16.842 498 | but he was smart. 499 | 500 | 110 501 | 00:09:20.746 --> 00:09:24.213 502 | Yeah. Second week 503 | we were together, 504 | 505 | 111 506 | 00:09:24.246 --> 00:09:26.948 507 | I saw where he was living. 508 | 509 | 112 510 | 00:09:26.982 --> 00:09:29.316 511 | Kind of made me feel 512 | for the guy. 513 | 514 | 113 515 | 00:09:29.356 --> 00:09:33.492 516 | ♪ 517 | 518 | 114 519 | 00:09:42.334 --> 00:09:43.637 520 | I'd offer you a seat, 521 | 522 | 115 523 | 00:09:43.670 --> 00:09:46.342 524 | but, uh... 525 | 526 | 116 527 | 00:09:46.375 --> 00:09:50.246 528 | Don't mention it. 529 | I, uh-- I can't stay. 530 | 531 | 117 532 | 00:09:54.215 --> 00:09:55.349 533 | HART VOICE-OVER: 534 | Yeah, I'll tell you guys-- 535 | 536 | 118 537 | 00:09:55.382 --> 00:09:57.952 538 | and believe me, 539 | past a certain age, 540 | 541 | 119 542 | 00:09:57.985 --> 00:10:02.655 543 | a man without a family 544 | can be a bad thing. 545 | 546 | 120 547 | 00:10:04.498 --> 00:10:06.593 548 | [Police radio chatter] 549 | 550 | 121 551 | 00:10:30.954 --> 00:10:36.294 552 | COHLE VOICE-OVER: We'd 553 | encountered a meta-psychotic, 554 | 555 | 122 556 | 00:10:36.335 --> 00:10:38.995 557 | which I had to 558 | explain to Marty, 559 | 560 | 123 561 | 00:10:39.028 --> 00:10:42.468 562 | what meta-psychotic was. 563 | 564 | 124 565 | 00:10:42.501 --> 00:10:46.199 566 | ♪ 567 | 568 | 125 569 | 00:10:46.232 --> 00:10:48.735 570 | This is gonna happen again, 571 | 572 | 126 573 | 00:10:48.768 --> 00:10:54.744 574 | or it's happened before, both. 575 | 576 | 127 577 | 00:10:54.809 --> 00:10:57.847 578 | Go on. 579 | 580 | 128 581 | 00:10:57.880 --> 00:11:01.849 582 | It's fantasy enactment, ritual, 583 | 584 | 129 585 | 00:11:01.882 --> 00:11:05.189 586 | fetishization, iconography. 587 | 588 | 130 589 | 00:11:05.230 --> 00:11:06.998 590 | This is his vision. 591 | 592 | 131 593 | 00:11:07.032 --> 00:11:10.902 594 | Her body is 595 | a paraphilic love map. 596 | 597 | 132 598 | 00:11:10.935 --> 00:11:12.569 599 | How's that? 600 | 601 | 133 602 | 00:11:12.602 --> 00:11:14.811 603 | An attachment of physical lust 604 | 605 | 134 606 | 00:11:14.844 --> 00:11:18.514 607 | to fantasies and practices 608 | forbidden by society. 609 | 610 | 135 611 | 00:11:20.884 --> 00:11:23.487 612 | You get that from one 613 | of your books? 614 | 615 | 136 616 | 00:11:23.520 --> 00:11:27.128 617 | I did. 618 | 619 | 137 620 | 00:11:27.161 --> 00:11:30.865 621 | Her knees are abraded, 622 | rug burns on her back. 623 | 624 | 138 625 | 00:11:30.898 --> 00:11:32.663 626 | Cold sores, gum line recession, 627 | 628 | 139 629 | 00:11:32.696 --> 00:11:33.895 630 | bad teeth. 631 | 632 | 140 633 | 00:11:33.935 --> 00:11:36.998 634 | There's decent odds 635 | she was a prost. 636 | 637 | 141 638 | 00:11:37.031 --> 00:11:40.301 639 | He might not have 640 | known her, but... 641 | 642 | 142 643 | 00:11:40.334 --> 00:11:46.406 644 | this idea goes 645 | way back with him. 646 | 647 | 143 648 | 00:11:46.447 --> 00:11:48.940 649 | You-- you got a chapter 650 | in one of those books 651 | 652 | 144 653 | 00:11:48.981 --> 00:11:52.346 654 | on jumping to conclusions? 655 | 656 | 145 657 | 00:11:52.379 --> 00:11:55.051 658 | You attach an assumption 659 | to a piece of evidence, 660 | 661 | 146 662 | 00:11:55.084 --> 00:11:59.680 663 | you start to bend the 664 | narrative to support it, 665 | 666 | 147 667 | 00:11:59.721 --> 00:12:02.017 668 | prejudice yourself. 669 | 670 | 148 671 | 00:12:05.090 --> 00:12:07.391 672 | Wait and see on the ID. 673 | 674 | 149 675 | 00:12:10.929 --> 00:12:12.558 676 | All right. 677 | 678 | 150 679 | 00:12:12.599 --> 00:12:17.301 680 | This kind of thing does 681 | not happen in a vacuum. 682 | 683 | 151 684 | 00:12:17.334 --> 00:12:21.038 685 | I guarantee this 686 | wasn't his first. 687 | 688 | 152 689 | 00:12:21.071 --> 00:12:22.701 690 | It's too specific. 691 | 692 | 153 693 | 00:12:30.512 --> 00:12:31.951 694 | Uh... 695 | 696 | 154 697 | 00:12:35.853 --> 00:12:38.956 698 | listen, uh-- ahem, 699 | this is 700 | 701 | 155 702 | 00:12:38.989 --> 00:12:41.158 703 | a... 704 | 705 | 156 706 | 00:12:41.190 --> 00:12:44.724 707 | stupid time to mention this, 708 | 709 | 157 710 | 00:12:44.757 --> 00:12:47.061 711 | but... 712 | 713 | 158 714 | 00:12:47.094 --> 00:12:50.499 715 | you've got to come to dinner. 716 | 717 | 159 718 | 00:12:50.532 --> 00:12:52.163 719 | Can't put Maggie off anymore, 720 | 721 | 160 722 | 00:12:52.197 --> 00:12:55.133 723 | so you just got to. 724 | 725 | 161 726 | 00:13:01.877 --> 00:13:03.382 727 | All right. 728 | 729 | 162 730 | 00:13:03.415 --> 00:13:07.549 731 | ♪ 732 | 733 | 163 734 | 00:13:10.551 --> 00:13:12.589 735 | Gordon, thanks for coming. 736 | 737 | 164 738 | 00:13:12.622 --> 00:13:14.092 739 | Marty. 740 | 741 | 165 742 | 00:13:14.125 --> 00:13:16.155 743 | Yeah. So... 744 | 745 | 166 746 | 00:13:16.188 --> 00:13:18.493 747 | COHLE VOICE-OVER: Anyway, that 748 | evening, wasn't even sundown, 749 | 750 | 167 751 | 00:13:18.526 --> 00:13:22.059 752 | he decided it was a good time 753 | to invite me over for dinner, 754 | 755 | 168 756 | 00:13:22.100 --> 00:13:24.026 757 | which I got a problem with, 758 | 759 | 169 760 | 00:13:24.066 --> 00:13:25.731 761 | all right, because I'm 762 | thinking about Marty's wife 763 | 764 | 170 765 | 00:13:25.764 --> 00:13:30.468 766 | and this two kids and how 767 | it's my daughter's birthday, 768 | 769 | 171 770 | 00:13:30.509 --> 00:13:31.972 771 | and I know... 772 | 773 | 172 774 | 00:13:34.676 --> 00:13:36.474 775 | there's nothing I can 776 | do about it, 777 | 778 | 173 779 | 00:13:36.507 --> 00:13:41.012 780 | maybe not today, 781 | maybe not tomorrow, but... 782 | 783 | 174 784 | 00:13:41.053 --> 00:13:43.717 785 | I'm gonna have a drink. 786 | 787 | 175 788 | 00:13:43.750 --> 00:13:44.917 789 | [Knock on door] 790 | 791 | 176 792 | 00:13:44.958 --> 00:13:45.957 793 | HART: Let me get up! 794 | Heh, heh! 795 | 796 | 177 797 | 00:13:45.990 --> 00:13:47.451 798 | Daddy! 799 | 800 | 178 801 | 00:13:47.492 --> 00:13:49.723 802 | You're gonna meet him. 803 | I got to get the door. 804 | 805 | 179 806 | 00:13:49.756 --> 00:13:53.660 807 | [Children laughing] 808 | 809 | 180 810 | 00:13:53.693 --> 00:13:55.627 811 | Hey. 812 | 813 | 181 814 | 00:13:55.660 --> 00:13:59.002 815 | GIRL: Santa Claus is coming! 816 | 817 | 182 818 | 00:13:59.035 --> 00:14:02.535 819 | SECOND GIRL: Aah! Jump! 820 | Ha, ha, ha! 821 | 822 | 183 823 | 00:14:11.472 --> 00:14:13.278 824 | COHLE: People out here, 825 | 826 | 184 827 | 00:14:13.311 --> 00:14:19.281 828 | it's like they don't even know 829 | the outside world exists. 830 | 831 | 185 832 | 00:14:19.322 --> 00:14:22.152 833 | Might as well be living 834 | on the fucking Moon. 835 | 836 | 186 837 | 00:14:24.286 --> 00:14:27.526 838 | There's all kinds 839 | of ghettos in the world. 840 | 841 | 187 842 | 00:14:27.559 --> 00:14:31.094 843 | It's all one ghetto, man, 844 | 845 | 188 846 | 00:14:31.127 --> 00:14:34.060 847 | giant gutter in outer space. 848 | 849 | 189 850 | 00:14:38.105 --> 00:14:42.008 851 | Today, that scene, 852 | 853 | 190 854 | 00:14:42.041 --> 00:14:45.782 855 | that is the most fucked 856 | up thing I ever caught. 857 | 858 | 191 859 | 00:14:47.887 --> 00:14:50.148 860 | Ask you something? 861 | 862 | 192 863 | 00:14:50.189 --> 00:14:53.990 864 | You're a Christian, yeah? 865 | 866 | 193 867 | 00:14:54.023 --> 00:14:56.559 868 | No. 869 | 870 | 194 871 | 00:14:56.600 --> 00:15:01.060 872 | Well, then what do you got the 873 | cross for in your apartment? 874 | 875 | 195 876 | 00:15:01.101 --> 00:15:05.265 877 | That's a form of meditation. 878 | 879 | 196 880 | 00:15:05.298 --> 00:15:06.666 881 | How's that? 882 | 883 | 197 884 | 00:15:09.669 --> 00:15:13.470 885 | I contemplate 886 | the moment in the garden, 887 | 888 | 198 889 | 00:15:13.503 --> 00:15:18.040 890 | the idea of allowing 891 | your own crucifixion. 892 | 893 | 199 894 | 00:15:22.878 --> 00:15:24.182 895 | But you're not a Christian. 896 | 897 | 200 898 | 00:15:24.216 --> 00:15:26.750 899 | So what do you believe? 900 | 901 | 201 902 | 00:15:26.783 --> 00:15:27.885 903 | I believe that people 904 | shouldn't talk 905 | 906 | 202 907 | 00:15:27.918 --> 00:15:29.852 908 | about this type of shit 909 | at work. 910 | 911 | 203 912 | 00:15:29.885 --> 00:15:32.622 913 | Hold on, hold on. 914 | 915 | 204 916 | 00:15:32.655 --> 00:15:35.391 917 | Uh... 3 months 918 | we been together, 919 | 920 | 205 921 | 00:15:35.424 --> 00:15:37.526 922 | I get nothing from you. 923 | 924 | 206 925 | 00:15:37.559 --> 00:15:41.339 926 | Today, what we're into now, 927 | 928 | 207 929 | 00:15:41.372 --> 00:15:42.539 930 | do me a courtesy, okay? 931 | 932 | 208 933 | 00:15:42.572 --> 00:15:44.401 934 | I'm not trying to convert you. 935 | 936 | 209 937 | 00:15:44.442 --> 00:15:46.672 938 | Look. I consider myself 939 | a realist, all right, 940 | 941 | 210 942 | 00:15:46.705 --> 00:15:50.209 943 | but in philosophical terms, 944 | I'm what's called a pessimist. 945 | 946 | 211 947 | 00:15:50.242 --> 00:15:53.080 948 | Um, okay. 949 | What's that mean? 950 | 951 | 212 952 | 00:15:53.113 --> 00:15:55.649 953 | Means I'm bad at parties. 954 | 955 | 213 956 | 00:15:55.682 --> 00:15:58.019 957 | Heh. Let me tell you. 958 | 959 | 214 960 | 00:15:58.052 --> 00:16:01.224 961 | You ain't great outside 962 | of parties either. 963 | 964 | 215 965 | 00:16:07.331 --> 00:16:09.699 966 | I think human consciousness 967 | 968 | 216 969 | 00:16:09.732 --> 00:16:12.204 970 | was a tragic misstep 971 | in evolution. 972 | 973 | 217 974 | 00:16:12.237 --> 00:16:14.742 975 | We became too self-aware. 976 | 977 | 218 978 | 00:16:14.775 --> 00:16:18.279 979 | Nature created an aspect of 980 | nature separate from itself. 981 | 982 | 219 983 | 00:16:18.312 --> 00:16:22.678 984 | We are creatures that should 985 | not exist by natural law. 986 | 987 | 220 988 | 00:16:22.719 --> 00:16:25.549 989 | Huh. That sounds 990 | god-fucking-awful, Rust. 991 | 992 | 221 993 | 00:16:25.583 --> 00:16:28.591 994 | We are things that labor 995 | under the illusion 996 | 997 | 222 998 | 00:16:28.624 --> 00:16:30.590 999 | of having a self, 1000 | 1001 | 223 1002 | 00:16:30.623 --> 00:16:34.989 1003 | this accretion of sensory 1004 | experience and feeling, 1005 | 1006 | 224 1007 | 00:16:35.030 --> 00:16:40.334 1008 | programmed with total assurance 1009 | that we are each somebody 1010 | 1011 | 225 1012 | 00:16:40.367 --> 00:16:42.471 1013 | when, in fact, 1014 | everybody's nobody. 1015 | 1016 | 226 1017 | 00:16:42.504 --> 00:16:45.174 1018 | I wouldn't go around spouting 1019 | that shit, I was you. 1020 | 1021 | 227 1022 | 00:16:45.207 --> 00:16:47.776 1023 | People around here 1024 | don't think that way. 1025 | 1026 | 228 1027 | 00:16:47.809 --> 00:16:49.145 1028 | I don't think that way. 1029 | 1030 | 229 1031 | 00:16:49.178 --> 00:16:51.479 1032 | I think the honorable 1033 | thing for species to do 1034 | 1035 | 230 1036 | 00:16:51.512 --> 00:16:54.984 1037 | is deny our programming, 1038 | 1039 | 231 1040 | 00:16:55.017 --> 00:16:57.186 1041 | stop reproducing, 1042 | 1043 | 232 1044 | 00:16:57.219 --> 00:17:00.027 1045 | walk hand in hand 1046 | into extinction, 1047 | 1048 | 233 1049 | 00:17:00.060 --> 00:17:02.324 1050 | one last midnight, 1051 | brothers and sisters 1052 | 1053 | 234 1054 | 00:17:02.364 --> 00:17:05.498 1055 | opting out of a raw deal. 1056 | 1057 | 235 1058 | 00:17:07.835 --> 00:17:11.301 1059 | So what's the point of getting 1060 | out bed in the morning? 1061 | 1062 | 236 1063 | 00:17:11.341 --> 00:17:13.309 1064 | I tell myself I bear witness, 1065 | 1066 | 237 1067 | 00:17:13.342 --> 00:17:17.937 1068 | but the real answer is that 1069 | it's obviously my programming, 1070 | 1071 | 238 1072 | 00:17:17.978 --> 00:17:21.380 1073 | and I lack the constitution 1074 | for suicide. 1075 | 1076 | 239 1077 | 00:17:21.413 --> 00:17:25.581 1078 | My luck, I picked today 1079 | to get to know you. 1080 | 1081 | 240 1082 | 00:17:25.621 --> 00:17:28.457 1083 | 3 months, I don't hear 1084 | a word from you, and-- 1085 | 1086 | 241 1087 | 00:17:28.490 --> 00:17:29.760 1088 | - You asked. 1089 | - Yeah. 1090 | 1091 | 242 1092 | 00:17:29.793 --> 00:17:33.326 1093 | And now I'm begging you 1094 | to shut the fuck up. 1095 | 1096 | 243 1097 | 00:17:40.731 --> 00:17:44.298 1098 | I get a bad taste 1099 | in my mouth out here. 1100 | 1101 | 244 1102 | 00:17:44.339 --> 00:17:48.172 1103 | Aluminum, ash, 1104 | 1105 | 245 1106 | 00:17:48.205 --> 00:17:51.210 1107 | like you can smell 1108 | the psychosphere. 1109 | 1110 | 246 1111 | 00:17:51.242 --> 00:17:52.505 1112 | I got an idea. 1113 | 1114 | 247 1115 | 00:17:52.546 --> 00:17:56.178 1116 | Let's make the car a place 1117 | of silent reflection 1118 | 1119 | 248 1120 | 00:17:56.211 --> 00:17:59.851 1121 | from now on, okay? 1122 | 1123 | 249 1124 | 00:18:03.294 --> 00:18:06.315 1125 | _ 1126 | 1127 | 250 1128 | 00:18:09.225 --> 00:18:11.823 1129 | What should I bring for dinner? 1130 | 1131 | 251 1132 | 00:18:15.467 --> 00:18:20.337 1133 | A bottle of wine would 1134 | be nice, I guess. 1135 | 1136 | 252 1137 | 00:18:20.370 --> 00:18:23.072 1138 | I don't drink. 1139 | 1140 | 253 1141 | 00:18:23.105 --> 00:18:25.744 1142 | Well, no, of course not, Rust. 1143 | 1144 | 254 1145 | 00:18:25.777 --> 00:18:27.311 1146 | Listen. When you're 1147 | at my house, 1148 | 1149 | 255 1150 | 00:18:27.344 --> 00:18:29.246 1151 | I want you to chill 1152 | the fuck out. 1153 | 1154 | 256 1155 | 00:18:29.279 --> 00:18:32.249 1156 | Don't even mention any of that 1157 | bullshit you just said to me. 1158 | 1159 | 257 1160 | 00:18:32.282 --> 00:18:33.712 1161 | Of course not, Marty. 1162 | 1163 | 258 1164 | 00:18:33.753 --> 00:18:36.517 1165 | I'm not some kind 1166 | of maniac, all right? 1167 | 1168 | 259 1169 | 00:18:36.550 --> 00:18:38.885 1170 | I mean, for fuck's sake. 1171 | 1172 | 260 1173 | 00:18:38.918 --> 00:18:43.051 1174 | ♪ 1175 | 1176 | 261 1177 | 00:18:44.722 --> 00:18:46.121 1178 | [Sighs] 1179 | 1180 | 262 1181 | 00:18:55.334 --> 00:18:57.070 1182 | What'd you hear? 1183 | 1184 | 263 1185 | 00:18:57.103 --> 00:18:58.241 1186 | Ask Cohle. 1187 | 1188 | 264 1189 | 00:18:58.274 --> 00:18:59.777 1190 | You mean The Tax Man? 1191 | 1192 | 265 1193 | 00:18:59.810 --> 00:19:01.978 1194 | You know, he's IA. 1195 | 1196 | 266 1197 | 00:19:02.011 --> 00:19:06.783 1198 | This is State CID Homicide-- 1199 | Detective Geraci. 1200 | 1201 | 267 1202 | 00:19:06.816 --> 00:19:08.886 1203 | Yes, ma'am. 1204 | 1205 | 268 1206 | 00:19:08.919 --> 00:19:11.785 1207 | I'm calling to ask 1208 | about that night... 1209 | 1210 | 269 1211 | 00:19:11.825 --> 00:19:14.160 1212 | I mean, you never heard 1213 | any shit like this before. 1214 | 1215 | 270 1216 | 00:19:14.193 --> 00:19:16.359 1217 | She had... 1218 | 1219 | 271 1220 | 00:19:16.392 --> 00:19:19.034 1221 | antlers. Um... 1222 | 1223 | 272 1224 | 00:19:19.067 --> 00:19:20.268 1225 | Fuck. 1226 | 1227 | 273 1228 | 00:19:20.301 --> 00:19:22.770 1229 | This is-- this is 1230 | the real thing, 1231 | 1232 | 274 1233 | 00:19:22.803 --> 00:19:26.308 1234 | some "Halloween" shit. 1235 | 1236 | 275 1237 | 00:19:29.541 --> 00:19:33.811 1238 | Well, we're gonna have to 1239 | do a press conference. 1240 | 1241 | 276 1242 | 00:19:33.844 --> 00:19:36.283 1243 | What about him? 1244 | What do you think? 1245 | 1246 | 277 1247 | 00:19:41.721 --> 00:19:44.426 1248 | Smart... 1249 | 1250 | 278 1251 | 00:19:44.491 --> 00:19:46.395 1252 | aloof. 1253 | 1254 | 279 1255 | 00:19:46.428 --> 00:19:48.933 1256 | Doesn't care 1257 | about making friends, 1258 | 1259 | 280 1260 | 00:19:48.966 --> 00:19:51.166 1261 | but he's already 1262 | running with it. 1263 | 1264 | 281 1265 | 00:19:51.199 --> 00:19:56.941 1266 | He's got a real-- 1267 | real mind for it. Yeah. 1268 | 1269 | 282 1270 | 00:19:56.974 --> 00:19:59.144 1271 | So you'd keep him on then? 1272 | 1273 | 283 1274 | 00:20:04.584 --> 00:20:06.917 1275 | Both of us, yeah. 1276 | I would. 1277 | 1278 | 284 1279 | 00:20:06.950 --> 00:20:10.049 1280 | All right. 1281 | You're still lead. 1282 | 1283 | 285 1284 | 00:20:10.082 --> 00:20:12.355 1285 | The incident room is yours, 1286 | 1287 | 286 1288 | 00:20:12.388 --> 00:20:15.386 1289 | and, uh, you do 1290 | the briefing tomorrow. 1291 | 1292 | 287 1293 | 00:20:15.419 --> 00:20:17.425 1294 | Yes, sir. 1295 | Thank you. 1296 | 1297 | 288 1298 | 00:20:22.763 --> 00:20:24.265 1299 | Hello, sir. 1300 | 1301 | 289 1302 | 00:20:29.467 --> 00:20:31.175 1303 | Fuck that prick. 1304 | 1305 | 290 1306 | 00:20:34.576 --> 00:20:36.543 1307 | [Indistinct chatter] 1308 | 1309 | 291 1310 | 00:20:36.584 --> 00:20:37.680 1311 | Yeah. No. I couldn't 1312 | hear you there. 1313 | 1314 | 292 1315 | 00:20:37.713 --> 00:20:39.090 1316 | Antlers and shit. 1317 | 1318 | 293 1319 | 00:20:39.091 --> 00:20:41.351 1320 | That's my point, 1321 | I wanted you to see her. 1322 | 1323 | 294 1324 | 00:20:41.352 --> 00:20:42.752 1325 | Yeah, you don't mark 1326 | up a body like that... 1327 | 1328 | 295 1329 | 00:20:42.890 --> 00:20:45.823 1330 | LUTZ: She had antlers? 1331 | What does that mean? 1332 | 1333 | 296 1334 | 00:20:45.857 --> 00:20:49.361 1335 | It was a crown. 1336 | 1337 | 297 1338 | 00:20:49.394 --> 00:20:52.695 1339 | HART: We'll do the briefing 1340 | tomorrow, guys, early. 1341 | 1342 | 298 1343 | 00:20:52.728 --> 00:20:55.460 1344 | My guy does the AP Wire 1345 | asked about Satanism. 1346 | 1347 | 299 1348 | 00:20:55.501 --> 00:20:58.899 1349 | DEMMA: It got Speece here. You're 1350 | gonna have his nose up your ass. 1351 | 1352 | 300 1353 | 00:20:58.932 --> 00:21:01.433 1354 | Major was saying something 1355 | about a press conference. 1356 | 1357 | 301 1358 | 00:21:01.466 --> 00:21:04.064 1359 | Well, guess I can count 1360 | my blessings, fellas. 1361 | 1362 | 302 1363 | 00:21:04.105 --> 00:21:05.535 1364 | Thanks for that. 1365 | 1366 | 303 1367 | 00:21:08.974 --> 00:21:11.068 1368 | [Typewriter clacking] 1369 | 1370 | 304 1371 | 00:21:18.711 --> 00:21:21.853 1372 | Hey. You mind 1373 | if I skate? Ahem. 1374 | 1375 | 305 1376 | 00:21:21.886 --> 00:21:26.017 1377 | I got some names 1378 | from Vice, prost farms. 1379 | 1380 | 306 1381 | 00:21:26.050 --> 00:21:29.419 1382 | Check around on our DB. 1383 | 1384 | 307 1385 | 00:21:29.460 --> 00:21:31.787 1386 | You want me to go with you? 1387 | 1388 | 308 1389 | 00:21:31.827 --> 00:21:35.531 1390 | Nah. Just something to do. 1391 | 1392 | 309 1393 | 00:21:35.564 --> 00:21:39.337 1394 | Yeah. You go ahead. I'll 1395 | take care of the paperwork. 1396 | 1397 | 310 1398 | 00:21:39.370 --> 00:21:43.472 1399 | ♪ 1400 | 1401 | 311 1402 | 00:21:43.505 --> 00:21:44.976 1403 | COHLE VOICE-OVER: Like I said, 1404 | I'm feeling a lot of stuff 1405 | 1406 | 312 1407 | 00:21:45.009 --> 00:21:47.512 1408 | hit me at this time-- 1409 | 1410 | 313 1411 | 00:21:47.545 --> 00:21:51.218 1412 | my daughter's birthday, 1413 | this dead woman, 1414 | 1415 | 314 1416 | 00:21:51.251 --> 00:21:54.687 1417 | and, um... 1418 | 1419 | 315 1420 | 00:21:54.720 --> 00:21:57.552 1421 | figured I'd work 1422 | the case, you know, 1423 | 1424 | 316 1425 | 00:21:57.593 --> 00:22:02.697 1426 | till DiCillo called 1427 | or we got an ID. 1428 | 1429 | 317 1430 | 00:22:02.730 --> 00:22:06.329 1431 | State Vice gave me 1432 | some addresses to follow up on. 1433 | 1434 | 318 1435 | 00:22:06.370 --> 00:22:09.970 1436 | So far, nobody'd-- 1437 | nobody'd talked to me. 1438 | 1439 | 319 1440 | 00:22:34.096 --> 00:22:38.231 1441 | ♪ 1442 | 1443 | 320 1444 | 00:22:44.736 --> 00:22:47.173 1445 | Evening, ladies. 1446 | 1447 | 321 1448 | 00:22:47.206 --> 00:22:51.533 1449 | I was hoping to ask 1450 | y'all a few questions. 1451 | 1452 | 322 1453 | 00:22:51.566 --> 00:22:53.396 1454 | Oh, come on, man. 1455 | 1456 | 323 1457 | 00:22:53.437 --> 00:22:54.699 1458 | I'll get the next round. 1459 | 1460 | 324 1461 | 00:22:54.732 --> 00:22:57.497 1462 | Heh. You making 1463 | trouble for us then? 1464 | 1465 | 325 1466 | 00:22:57.538 --> 00:22:59.768 1467 | No. I'm just looking to 1468 | get some information 1469 | 1470 | 326 1471 | 00:22:59.801 --> 00:23:01.039 1472 | on a woman. 1473 | 1474 | 327 1475 | 00:23:01.072 --> 00:23:02.303 1476 | Might be you know her. 1477 | 1478 | 328 1479 | 00:23:02.336 --> 00:23:03.375 1480 | Who's that? 1481 | 1482 | 329 1483 | 00:23:03.408 --> 00:23:06.743 1484 | Hold on. 1485 | 1486 | 330 1487 | 00:23:06.776 --> 00:23:10.876 1488 | Mmm. We'll take two large 1489 | Long Island ice teas, please. 1490 | 1491 | 331 1492 | 00:23:13.212 --> 00:23:14.577 1493 | Ma'am. 1494 | 1495 | 332 1496 | 00:23:14.610 --> 00:23:16.711 1497 | [Car approaching] 1498 | 1499 | 333 1500 | 00:23:53.241 --> 00:23:55.440 1501 | I'm Rust, by the way. 1502 | 1503 | 334 1504 | 00:23:55.473 --> 00:23:58.112 1505 | I'm Anette, she's Lucy. 1506 | 1507 | 335 1508 | 00:23:59.788 --> 00:24:01.851 1509 | Either one of you know a woman 1510 | 1511 | 336 1512 | 00:24:01.884 --> 00:24:05.423 1513 | about your age, 1514 | works the same place, 1515 | 1516 | 337 1517 | 00:24:05.464 --> 00:24:09.731 1518 | about 5'5", blond like you? 1519 | 1520 | 338 1521 | 00:24:09.772 --> 00:24:11.633 1522 | What kind of tits she have? 1523 | 1524 | 339 1525 | 00:24:11.666 --> 00:24:15.171 1526 | ♪ 1527 | 1528 | 340 1529 | 00:24:15.204 --> 00:24:18.148 1530 | Medium, a little larger 1531 | than yours, 1532 | 1533 | 341 1534 | 00:24:18.181 --> 00:24:20.114 1535 | proportion to the body natural. 1536 | 1537 | 342 1538 | 00:24:20.147 --> 00:24:21.280 1539 | Hmm. 1540 | 1541 | 343 1542 | 00:24:21.313 --> 00:24:23.112 1543 | Gee. I don't know. We 1544 | see a lot of girls 1545 | 1546 | 344 1547 | 00:24:23.145 --> 00:24:25.879 1548 | like that around. 1549 | 1550 | 345 1551 | 00:24:25.912 --> 00:24:27.553 1552 | Any girls like that 1553 | 1554 | 346 1555 | 00:24:27.586 --> 00:24:31.248 1556 | you haven't seen around 1557 | lately, missing like? 1558 | 1559 | 347 1560 | 00:24:31.281 --> 00:24:34.449 1561 | People come and go. 1562 | 1563 | 348 1564 | 00:24:34.482 --> 00:24:38.013 1565 | What do you want them for? 1566 | 1567 | 349 1568 | 00:24:38.054 --> 00:24:41.654 1569 | I wouldn't bust 1570 | somebody for hooking 1571 | 1572 | 350 1573 | 00:24:41.687 --> 00:24:43.325 1574 | or drugs. 1575 | 1576 | 351 1577 | 00:24:46.492 --> 00:24:48.690 1578 | I'm murder police. 1579 | 1580 | 352 1581 | 00:24:48.723 --> 00:24:51.795 1582 | Somebody got killed. 1583 | 1584 | 353 1585 | 00:24:51.828 --> 00:24:53.163 1586 | There's a girl named Liza, 1587 | 1588 | 354 1589 | 00:24:53.196 --> 00:24:54.427 1590 | another called Destiny, 1591 | 1592 | 355 1593 | 00:24:54.468 --> 00:24:57.501 1594 | but I seen Destiny 1595 | yesterday at McDonald's. 1596 | 1597 | 356 1598 | 00:24:57.534 --> 00:24:58.870 1599 | What about Liza? 1600 | 1601 | 357 1602 | 00:24:58.903 --> 00:25:00.007 1603 | She's here. 1604 | 1605 | 358 1606 | 00:25:10.850 --> 00:25:12.425 1607 | Anette, go get 1608 | a couple more drinks 1609 | 1610 | 359 1611 | 00:25:12.458 --> 00:25:14.550 1612 | from the bar, will you, please? 1613 | 1614 | 360 1615 | 00:25:17.521 --> 00:25:18.855 1616 | All right. 1617 | 1618 | 361 1619 | 00:25:25.128 --> 00:25:27.158 1620 | You get pills pretty easy? 1621 | 1622 | 362 1623 | 00:25:30.830 --> 00:25:33.628 1624 | Relax. I want some. 1625 | 1626 | 363 1627 | 00:25:35.700 --> 00:25:36.730 1628 | Speed? 1629 | 1630 | 364 1631 | 00:25:36.763 --> 00:25:40.263 1632 | No. Quaaludes, 1633 | anything-barbital. 1634 | 1635 | 365 1636 | 00:25:40.296 --> 00:25:41.536 1637 | Uppers are easier to get, 1638 | 1639 | 366 1640 | 00:25:41.569 --> 00:25:43.400 1641 | and they last longer, too. 1642 | 1643 | 367 1644 | 00:25:43.433 --> 00:25:46.167 1645 | Yeah, but it's not like that. 1646 | 1647 | 368 1648 | 00:25:46.207 --> 00:25:48.670 1649 | What's it like? 1650 | 1651 | 369 1652 | 00:25:48.703 --> 00:25:51.310 1653 | I don't sleep. 1654 | 1655 | 370 1656 | 00:26:07.921 --> 00:26:09.887 1657 | [Jingle] 1658 | 1659 | 371 1660 | 00:26:12.886 --> 00:26:14.958 1661 | [Thud, jingle] 1662 | 1663 | 372 1664 | 00:26:24.475 --> 00:26:26.611 1665 | Hey. 1666 | 1667 | 373 1668 | 00:26:26.644 --> 00:26:27.875 1669 | Oh. 1670 | 1671 | 374 1672 | 00:26:27.908 --> 00:26:29.347 1673 | Hey, Lone Ranger. 1674 | 1675 | 375 1676 | 00:26:29.380 --> 00:26:34.485 1677 | Hey. Ugh. Dreaming. 1678 | 1679 | 376 1680 | 00:26:34.518 --> 00:26:37.085 1681 | Why you out here, huh? 1682 | 1683 | 377 1684 | 00:26:37.118 --> 00:26:39.759 1685 | Why didn't you come to bed? 1686 | 1687 | 378 1688 | 00:26:39.792 --> 00:26:41.223 1689 | Um... 1690 | 1691 | 379 1692 | 00:26:45.432 --> 00:26:51.272 1693 | Caught a... bad one 1694 | yesterday. 1695 | 1696 | 380 1697 | 00:26:51.305 --> 00:26:53.041 1698 | Just couldn't sleep. 1699 | 1700 | 381 1701 | 00:26:53.074 --> 00:26:55.145 1702 | You got that woman from Erath? 1703 | 1704 | 382 1705 | 00:26:55.178 --> 00:26:57.113 1706 | - Yeah. 1707 | - Yeah? 1708 | 1709 | 383 1710 | 00:26:57.146 --> 00:26:58.576 1711 | Saw it on the news. 1712 | 1713 | 384 1714 | 00:27:02.714 --> 00:27:04.322 1715 | Girls will be up soon. 1716 | 1717 | 385 1718 | 00:27:06.786 --> 00:27:09.458 1719 | Missed you the last 1720 | couple days. 1721 | 1722 | 386 1723 | 00:27:09.491 --> 00:27:13.626 1724 | Oh, shit. 1725 | I got to shower. 1726 | 1727 | 387 1728 | 00:27:13.667 --> 00:27:15.666 1729 | Got a debriefing today 1730 | 1731 | 388 1732 | 00:27:15.699 --> 00:27:18.232 1733 | and maybe 1734 | a press conference later. 1735 | 1736 | 389 1737 | 00:27:24.304 --> 00:27:25.469 1738 | QUESADA: 1739 | And if Speece calls, 1740 | 1741 | 390 1742 | 00:27:25.502 --> 00:27:27.374 1743 | tell him I'm debriefing 1744 | the squad all morning. 1745 | 1746 | 391 1747 | 00:27:27.407 --> 00:27:28.639 1748 | WOMAN: Well, Marty said 1749 | he was doing that. 1750 | 1751 | 392 1752 | 00:27:28.672 --> 00:27:30.078 1753 | He is. 1754 | 1755 | 393 1756 | 00:27:30.111 --> 00:27:31.142 1757 | Hey, beautiful. 1758 | 1759 | 394 1760 | 00:27:31.175 --> 00:27:33.681 1761 | [Laughs] 1762 | Morning, baby. 1763 | 1764 | 395 1765 | 00:27:33.714 --> 00:27:35.384 1766 | Marty, how you want 1767 | your coffee, doll? 1768 | 1769 | 396 1770 | 00:27:35.417 --> 00:27:37.585 1771 | HART: Strong and black 1772 | just like you. 1773 | 1774 | 397 1775 | 00:27:37.618 --> 00:27:40.858 1776 | Prints came back. 1777 | Dora Kelly Lange. 1778 | 1779 | 398 1780 | 00:27:40.891 --> 00:27:44.660 1781 | Priors for shoplifting, 1782 | possession, and... 1783 | 1784 | 399 1785 | 00:27:44.693 --> 00:27:46.397 1786 | solicitation. 1787 | 1788 | 400 1789 | 00:27:46.430 --> 00:27:48.195 1790 | Address outside 1791 | of St. Martinville. 1792 | 1793 | 401 1794 | 00:27:48.236 --> 00:27:50.569 1795 | Landlord says she hasn't lived 1796 | there in almost a year. 1797 | 1798 | 402 1799 | 00:27:50.602 --> 00:27:51.864 1800 | She's got an ex Charlie Lange, 1801 | 1802 | 403 1803 | 00:27:51.897 --> 00:27:54.167 1804 | who's doing 8 in Avoyelles 1805 | for bad checks, 1806 | 1807 | 404 1808 | 00:27:54.199 --> 00:27:55.870 1809 | mom's outside of Breaux Bridge, 1810 | 1811 | 405 1812 | 00:27:55.903 --> 00:27:58.037 1813 | DMV license expired, 1814 | 1815 | 406 1816 | 00:27:58.070 --> 00:27:59.868 1817 | and DiCillo called. 1818 | 1819 | 407 1820 | 00:28:03.309 --> 00:28:04.674 1821 | DiCILLO VOICE-OVER: 1822 | She was washed clean, 1823 | 1824 | 408 1825 | 00:28:04.707 --> 00:28:06.471 1826 | not a print on her. 1827 | 1828 | 409 1829 | 00:28:06.504 --> 00:28:09.909 1830 | We got ligature marks 1831 | on the wrists and ankles, 1832 | 1833 | 410 1834 | 00:28:09.942 --> 00:28:11.372 1835 | was bound 1836 | by a half-inch rope, 1837 | 1838 | 411 1839 | 00:28:11.405 --> 00:28:13.475 1840 | maybe 10, 20 hours. 1841 | 1842 | 412 1843 | 00:28:13.508 --> 00:28:16.275 1844 | Evidence 1845 | of vaginal intercourse. 1846 | 1847 | 413 1848 | 00:28:16.308 --> 00:28:17.947 1849 | Bound upright, 1850 | 1851 | 414 1852 | 00:28:17.980 --> 00:28:20.547 1853 | hadn't eaten in a 1854 | day, maybe more. 1855 | 1856 | 415 1857 | 00:28:20.580 --> 00:28:24.723 1858 | Toxicology hit for lysergic 1859 | acid and methamphetamine. 1860 | 1861 | 416 1862 | 00:28:24.756 --> 00:28:27.620 1863 | That's crystal and LSD. 1864 | 1865 | 417 1866 | 00:28:27.653 --> 00:28:29.629 1867 | How much LSD? 1868 | 1869 | 418 1870 | 00:28:29.662 --> 00:28:31.061 1871 | Hard to say. 1872 | 1873 | 419 1874 | 00:28:31.094 --> 00:28:33.965 1875 | Got to wait for a mass spec. 1876 | 1877 | 420 1878 | 00:28:33.998 --> 00:28:37.933 1879 | So she was drugged, bound, 1880 | 1881 | 421 1882 | 00:28:37.966 --> 00:28:40.670 1883 | tortured with a knife, 1884 | 1885 | 422 1886 | 00:28:40.703 --> 00:28:45.247 1887 | strangled, posed out there. 1888 | 1889 | 423 1890 | 00:28:45.280 --> 00:28:46.480 1891 | Yeah. 1892 | 1893 | 424 1894 | 00:28:46.513 --> 00:28:49.712 1895 | ♪ 1896 | 1897 | 425 1898 | 00:28:49.753 --> 00:28:51.615 1899 | What about this stuff? 1900 | 1901 | 426 1902 | 00:28:51.648 --> 00:28:54.783 1903 | Well, the crown, for 1904 | lack of a better word, 1905 | 1906 | 427 1907 | 00:28:54.823 --> 00:28:59.651 1908 | rose thorns, early 1909 | cane, switchgrass 1910 | 1911 | 428 1912 | 00:28:59.692 --> 00:29:02.490 1913 | wrapped around a bent branch, 1914 | 1915 | 429 1916 | 00:29:02.523 --> 00:29:05.992 1917 | and the horns are deer antlers. 1918 | 1919 | 430 1920 | 00:29:06.025 --> 00:29:08.556 1921 | Again, no prints on anything. 1922 | 1923 | 431 1924 | 00:29:08.589 --> 00:29:11.092 1925 | Symbols are painted 1926 | with acrylic basic blue 1927 | 1928 | 432 1929 | 00:29:11.125 --> 00:29:12.796 1930 | using a thick glove finger. 1931 | 1932 | 433 1933 | 00:29:12.829 --> 00:29:14.799 1934 | Ideas what any of this means? 1935 | 1936 | 434 1937 | 00:29:14.832 --> 00:29:17.103 1938 | [Scoffs] 1939 | I don't know. 1940 | 1941 | 435 1942 | 00:29:17.136 --> 00:29:20.604 1943 | And it's all primitive. 1944 | It's like cave paintings. 1945 | 1946 | 436 1947 | 00:29:20.637 --> 00:29:23.070 1948 | Maybe you ought to talk 1949 | to an anthropologist. 1950 | 1951 | 437 1952 | 00:29:36.054 --> 00:29:37.486 1953 | [Sighs] 1954 | 1955 | 438 1956 | 00:29:37.519 --> 00:29:40.023 1957 | Lot of trouble 1958 | this guy went to. 1959 | 1960 | 439 1961 | 00:29:40.056 --> 00:29:42.525 1962 | Seems real personal. 1963 | 1964 | 440 1965 | 00:29:42.558 --> 00:29:45.030 1966 | I don't think so. 1967 | 1968 | 441 1969 | 00:29:45.063 --> 00:29:48.504 1970 | Was iconic, planned... 1971 | 1972 | 442 1973 | 00:29:48.537 --> 00:29:51.040 1974 | and in some ways, 1975 | it was impersonal. 1976 | 1977 | 443 1978 | 00:29:51.073 --> 00:29:53.673 1979 | Think of the blindfold. 1980 | 1981 | 444 1982 | 00:29:57.546 --> 00:30:00.016 1983 | This place is 1984 | like somebody's memory 1985 | 1986 | 445 1987 | 00:30:00.049 --> 00:30:02.952 1988 | of the town, 1989 | and the memory's fading. 1990 | 1991 | 446 1992 | 00:30:02.985 --> 00:30:05.521 1993 | It's like there was never 1994 | anything here but jungle. 1995 | 1996 | 447 1997 | 00:30:07.018 --> 00:30:10.689 1998 | Stop saying shit like that. 1999 | It's unprofessional. 2000 | 2001 | 448 2002 | 00:30:10.722 --> 00:30:13.424 2003 | Oh, is that what 2004 | I'm going for here? 2005 | 2006 | 449 2007 | 00:30:13.457 --> 00:30:16.429 2008 | I just want you to stop 2009 | saying odd shit, 2010 | 2011 | 450 2012 | 00:30:16.463 --> 00:30:18.428 2013 | like you smell a psycho's fear 2014 | 2015 | 451 2016 | 00:30:18.462 --> 00:30:20.934 2017 | or you're in someone's 2018 | faded memory of a town. 2019 | 2020 | 452 2021 | 00:30:20.967 --> 00:30:21.936 2022 | Just stop. 2023 | 2024 | 453 2025 | 00:30:21.969 --> 00:30:23.936 2026 | Well, given how long 2027 | it's taken for me 2028 | 2029 | 454 2030 | 00:30:23.969 --> 00:30:25.935 2031 | to reconcile my nature, 2032 | I can't figure 2033 | 2034 | 455 2035 | 00:30:25.968 --> 00:30:28.406 2036 | I'd forgo it 2037 | on your account, Marty. 2038 | 2039 | 456 2040 | 00:30:28.439 --> 00:30:31.038 2041 | [Distant train whistle blowing] 2042 | 2043 | 457 2044 | 00:30:32.449 --> 00:30:34.049 2045 | [Sighs] 2046 | 2047 | 458 2048 | 00:30:40.454 --> 00:30:42.054 2049 | Ahem. 2050 | 2051 | 459 2052 | 00:30:44.927 --> 00:30:47.421 2053 | You get any sleep last night? 2054 | 2055 | 460 2056 | 00:30:47.454 --> 00:30:49.431 2057 | I don't sleep. 2058 | 2059 | 461 2060 | 00:30:49.464 --> 00:30:51.568 2061 | I just dream. 2062 | 2063 | 462 2064 | 00:30:53.467 --> 00:30:55.371 2065 | Occult. 2066 | 2067 | 463 2068 | 00:30:55.404 --> 00:30:58.373 2069 | Now, I don't know if this shit 2070 | is anything but crazy, 2071 | 2072 | 464 2073 | 00:30:58.414 --> 00:31:00.381 2074 | but Speece 2075 | and the Superintendent, 2076 | 2077 | 465 2078 | 00:31:00.414 --> 00:31:03.782 2079 | they're paying attention, 2080 | the newspapers are making hay, 2081 | 2082 | 466 2083 | 00:31:03.815 --> 00:31:05.783 2084 | church groups. 2085 | 2086 | 467 2087 | 00:31:05.824 --> 00:31:07.789 2088 | Detective? 2089 | 2090 | 468 2091 | 00:31:07.822 --> 00:31:09.758 2092 | Ahem. 2093 | 2094 | 469 2095 | 00:31:09.791 --> 00:31:11.760 2096 | All right, here's 2097 | what we got so far. 2098 | 2099 | 470 2100 | 00:31:11.793 --> 00:31:15.231 2101 | Deceased's name is 2102 | Dora Kelly Lange, 28... 2103 | 2104 | 471 2105 | 00:31:15.264 --> 00:31:17.968 2106 | MAN VOICE-OVER: 2107 | You stay busy now, the business? 2108 | 2109 | 472 2110 | 00:31:18.001 --> 00:31:20.429 2111 | HART VOICE-OVER: Well, yeah, 2112 | I got the security firm, 2113 | 2114 | 473 2115 | 00:31:20.470 --> 00:31:22.966 2116 | PI stuff. Routine. 2117 | 2118 | 474 2119 | 00:31:22.999 --> 00:31:25.441 2120 | Lotta guys leave the job, 2121 | 2122 | 475 2123 | 00:31:25.474 --> 00:31:28.113 2124 | cemetery within 10. 2125 | 2126 | 476 2127 | 00:31:28.146 --> 00:31:31.080 2128 | No family, idle hands. 2129 | 2130 | 477 2131 | 00:31:31.113 --> 00:31:35.119 2132 | Some advice, you make it out, 2133 | you stay busy. 2134 | 2135 | 478 2136 | 00:31:35.152 --> 00:31:37.086 2137 | HART: Hit the corners. 2138 | 2139 | 479 2140 | 00:31:37.119 --> 00:31:39.582 2141 | Ask about anybody 2142 | she was seeing... 2143 | 2144 | 480 2145 | 00:31:39.623 --> 00:31:42.728 2146 | regular customers, 2147 | meth dealers, 2148 | 2149 | 481 2150 | 00:31:42.761 --> 00:31:45.222 2151 | and rough johns, anything. 2152 | 2153 | 482 2154 | 00:31:45.263 --> 00:31:47.863 2155 | Any questions? 2156 | 2157 | 483 2158 | 00:32:14.222 --> 00:32:16.821 2159 | You believe in ghosts? 2160 | 2161 | 484 2162 | 00:32:19.694 --> 00:32:23.295 2163 | What'd we say about 2164 | silent reflection? 2165 | 2166 | 485 2167 | 00:32:27.196 --> 00:32:29.803 2168 | [Distant chatter] 2169 | 2170 | 486 2171 | 00:32:32.836 --> 00:32:35.309 2172 | COHLE: You happen to hear 2173 | anything out of the ordinary 2174 | 2175 | 487 2176 | 00:32:35.342 --> 00:32:38.581 2177 | between 10 and 1 AM, out back? 2178 | 2179 | 488 2180 | 00:32:38.614 --> 00:32:41.517 2181 | No, no, but, uh, 2182 | 2183 | 489 2184 | 00:32:41.550 --> 00:32:44.085 2185 | sometimes they, uh, 2186 | dove-hunt out there. 2187 | 2188 | 490 2189 | 00:32:44.118 --> 00:32:46.588 2190 | They found a woman? 2191 | 2192 | 491 2193 | 00:32:47.989 --> 00:32:49.723 2194 | MAN: Is it the Fontenot girl? 2195 | 2196 | 492 2197 | 00:32:49.756 --> 00:32:51.154 2198 | Who? 2199 | 2200 | 493 2201 | 00:32:51.187 --> 00:32:53.924 2202 | - And why would you ask that? 2203 | - Don't know. 2204 | 2205 | 494 2206 | 00:32:53.957 --> 00:32:56.460 2207 | Went missing 2208 | around here years back. 2209 | 2210 | 495 2211 | 00:32:56.493 --> 00:32:58.565 2212 | Last time something happened. 2213 | 2214 | 496 2215 | 00:32:58.598 --> 00:33:00.564 2216 | Just thought maybe it's her. 2217 | 2218 | 497 2219 | 00:33:00.597 --> 00:33:02.563 2220 | How old was she, this girl? 2221 | 2222 | 498 2223 | 00:33:02.604 --> 00:33:04.740 2224 | I don't know. 2225 | Little. 2226 | 2227 | 499 2228 | 00:33:06.110 --> 00:33:09.076 2229 | You know where 2230 | the family lives? 2231 | 2232 | 500 2233 | 00:33:09.109 --> 00:33:12.243 2234 | [Distant train whistle blowing] 2235 | 2236 | 501 2237 | 00:33:18.652 --> 00:33:22.249 2238 | Had a place 2239 | couple streets down. 2240 | 2241 | 502 2242 | 00:33:23.523 --> 00:33:26.628 2243 | They moved out, though. 2244 | 2245 | 503 2246 | 00:33:26.661 --> 00:33:29.194 2247 | COHLE: Do you know the Fontenot 2248 | girl, one went missing? 2249 | 2250 | 504 2251 | 00:33:29.226 --> 00:33:31.160 2252 | MAN: Her? 2253 | 2254 | 505 2255 | 00:33:31.193 --> 00:33:33.663 2256 | Her family come to our service 2257 | 2258 | 506 2259 | 00:33:33.696 --> 00:33:36.167 2260 | once or twice, 2261 | 5 or 6 years back. 2262 | 2263 | 507 2264 | 00:33:36.200 --> 00:33:39.031 2265 | Is that the girl? 2266 | Oh, Lord. 2267 | 2268 | 508 2269 | 00:33:39.064 --> 00:33:41.601 2270 | HART: No, sir, 2271 | it's not. 2272 | 2273 | 509 2274 | 00:33:41.642 --> 00:33:44.073 2275 | Excuse me. 2276 | 2277 | 510 2278 | 00:33:44.106 --> 00:33:46.946 2279 | I want to ask y'all 2280 | something. Y'all think 2281 | 2282 | 511 2283 | 00:33:46.979 --> 00:33:49.177 2284 | maybe this have something 2285 | to do with those cats? 2286 | 2287 | 512 2288 | 00:33:49.210 --> 00:33:50.650 2289 | What cats? 2290 | 2291 | 513 2292 | 00:33:50.683 --> 00:33:52.651 2293 | Two of 'em-- one, 2294 | and a couple 2295 | 2296 | 514 2297 | 00:33:52.684 --> 00:33:54.156 2298 | of weeks later, another. 2299 | 2300 | 515 2301 | 00:33:54.189 --> 00:33:55.653 2302 | Somebody cut 'em up, 2303 | 2304 | 516 2305 | 00:33:55.686 --> 00:33:57.661 2306 | turned their insides out, 2307 | then nailed them 2308 | 2309 | 517 2310 | 00:33:57.694 --> 00:33:59.360 2311 | to the front door, twice. 2312 | 2313 | 518 2314 | 00:33:59.393 --> 00:34:01.799 2315 | MINISTER: Now, I called 2316 | and told the police, 2317 | 2318 | 519 2319 | 00:34:01.832 --> 00:34:04.831 2320 | but we're predominantly African 2321 | American congregation. 2322 | 2323 | 520 2324 | 00:34:04.865 --> 00:34:07.602 2325 | I asked for it 2326 | to be investigated. 2327 | 2328 | 521 2329 | 00:34:07.643 --> 00:34:11.212 2330 | We're not those type 2331 | of police, sir. 2332 | 2333 | 522 2334 | 00:34:11.245 --> 00:34:14.116 2335 | Well, who is, then? 2336 | 2337 | 523 2338 | 00:34:17.989 --> 00:34:20.617 2339 | Can I ask you something? 2340 | 2341 | 524 2342 | 00:34:23.824 --> 00:34:26.289 2343 | Any of these look 2344 | familiar to you? 2345 | 2346 | 525 2347 | 00:34:26.322 --> 00:34:28.287 2348 | - Seen them anywheres? 2349 | - No. 2350 | 2351 | 526 2352 | 00:34:28.328 --> 00:34:30.292 2353 | No, they look like 2354 | something that might be 2355 | 2356 | 527 2357 | 00:34:30.326 --> 00:34:32.292 2358 | carved into a tree 2359 | or something. 2360 | 2361 | 528 2362 | 00:34:32.325 --> 00:34:34.365 2363 | Mm-hmm. 2364 | How about these? 2365 | 2366 | 529 2367 | 00:34:34.398 --> 00:34:37.364 2368 | Now, that look like 2369 | something my old auntie 2370 | 2371 | 530 2372 | 00:34:37.397 --> 00:34:39.531 2373 | taught us how to make 2374 | when I was a tyke. 2375 | 2376 | 531 2377 | 00:34:39.564 --> 00:34:41.698 2378 | COHLE: 2379 | What are they? 2380 | 2381 | 532 2382 | 00:34:41.731 --> 00:34:44.203 2383 | Some folks call them 2384 | bird traps. 2385 | 2386 | 533 2387 | 00:34:44.236 --> 00:34:47.003 2388 | Old Auntie told us that 2389 | they were devil nets. 2390 | 2391 | 534 2392 | 00:34:47.036 --> 00:34:50.339 2393 | You put them around the bed, catch 2394 | the devil before he get too close. 2395 | 2396 | 535 2397 | 00:34:50.380 --> 00:34:52.306 2398 | That's interesting. 2399 | 2400 | 536 2401 | 00:34:52.346 --> 00:34:54.744 2402 | - Hmm. 2403 | - She was a wonderful woman. 2404 | 2405 | 537 2406 | 00:34:54.777 --> 00:34:57.814 2407 | Loved her some Jesus, 2408 | but had a bit 2409 | 2410 | 538 2411 | 00:34:57.847 --> 00:35:00.811 2412 | of that Santeria 2413 | in her, you know? 2414 | 2415 | 539 2416 | 00:35:00.844 --> 00:35:02.809 2417 | I always just thought 2418 | it was something 2419 | 2420 | 540 2421 | 00:35:02.842 --> 00:35:05.051 2422 | for children to do, 2423 | keep 'em busy, 2424 | 2425 | 541 2426 | 00:35:05.084 --> 00:35:09.520 2427 | tell them stories why 2428 | they're tying sticks together. 2429 | 2430 | 542 2431 | 00:35:09.554 --> 00:35:12.292 2432 | SHERIFF TATE: Then that's all 2433 | we got on the Fontenot girl. 2434 | 2435 | 543 2436 | 00:35:12.325 --> 00:35:14.292 2437 | COHLE: There was 2438 | nothing in there. 2439 | 2440 | 544 2441 | 00:35:14.325 --> 00:35:16.828 2442 | Says, "Possible 2443 | report made in error." 2444 | 2445 | 545 2446 | 00:35:16.861 --> 00:35:18.230 2447 | Now, that was 5 years ago. 2448 | 2449 | 546 2450 | 00:35:18.263 --> 00:35:20.198 2451 | Ted Childress was 2452 | sheriff back then. 2453 | 2454 | 547 2455 | 00:35:20.239 --> 00:35:22.699 2456 | He's set up in Gulf Shores 2457 | now, I think. 2458 | 2459 | 548 2460 | 00:35:22.732 --> 00:35:25.169 2461 | HART: Ten-year-old girl goes missing 2462 | and that doesn't go state-wide? 2463 | 2464 | 549 2465 | 00:35:25.202 --> 00:35:27.170 2466 | TATE: Now, hold on now. 2467 | My understanding, 2468 | 2469 | 550 2470 | 00:35:27.203 --> 00:35:29.173 2471 | the little girl went off 2472 | with her birth daddy. 2473 | 2474 | 551 2475 | 00:35:29.206 --> 00:35:31.212 2476 | Now, did you check 2477 | her mom's record? 2478 | 2479 | 552 2480 | 00:35:31.245 --> 00:35:33.644 2481 | Possession, solicitation. 2482 | 2483 | 553 2484 | 00:35:33.677 --> 00:35:36.284 2485 | I believe Ted knew the family, 2486 | and the feeling was 2487 | 2488 | 554 2489 | 00:35:36.317 --> 00:35:38.284 2490 | the little girl was 2491 | better off with her daddy. 2492 | 2493 | 555 2494 | 00:35:38.317 --> 00:35:41.083 2495 | Mom seemed to agree; 2496 | she filed a complaint, 2497 | 2498 | 556 2499 | 00:35:41.116 --> 00:35:43.089 2500 | then never bothered 2501 | with it again, 2502 | 2503 | 557 2504 | 00:35:43.122 --> 00:35:44.921 2505 | took off with her boyfriend. 2506 | 2507 | 558 2508 | 00:35:44.954 --> 00:35:47.423 2509 | R&I said you had 2510 | a complaint these parts 2511 | 2512 | 559 2513 | 00:35:47.456 --> 00:35:49.424 2514 | around December-- 2515 | little girl 2516 | 2517 | 560 2518 | 00:35:49.457 --> 00:35:51.424 2519 | getting chased 2520 | through the woods. 2521 | 2522 | 561 2523 | 00:35:51.457 --> 00:35:54.598 2524 | TATE: Oh, yeah, I pulled 2525 | that one for you, too. 2526 | 2527 | 562 2528 | 00:35:56.199 --> 00:35:58.291 2529 | [Sighs] 2530 | 2531 | 563 2532 | 00:36:01.839 --> 00:36:04.305 2533 | What the hell is this? 2534 | 2535 | 564 2536 | 00:36:04.338 --> 00:36:06.808 2537 | Little girl said 2538 | a green-eared spaghetti monster 2539 | 2540 | 565 2541 | 00:36:06.842 --> 00:36:09.313 2542 | chased her through some woods. 2543 | 2544 | 566 2545 | 00:36:09.346 --> 00:36:12.185 2546 | Now, we had her work 2547 | with a sketch artist, 2548 | 2549 | 567 2550 | 00:36:12.219 --> 00:36:14.283 2551 | and she told us 2552 | that looked exactly right. 2553 | 2554 | 568 2555 | 00:36:14.316 --> 00:36:18.460 2556 | Now, you want to call an APB 2557 | on that, you go right ahead. 2558 | 2559 | 569 2560 | 00:36:18.493 --> 00:36:20.460 2561 | [Inhales deeply] 2562 | Listen, boys. 2563 | 2564 | 570 2565 | 00:36:20.493 --> 00:36:22.595 2566 | I'm gonna have to call 2567 | a timeout, make a beer run. 2568 | 2569 | 571 2570 | 00:36:22.628 --> 00:36:25.796 2571 | MAN: Well, why don't you hold 2572 | off on that for a while? 2573 | 2574 | 572 2575 | 00:36:27.671 --> 00:36:30.639 2576 | COHLE: All right, well, 2577 | why don't you get it, then? 2578 | 2579 | 573 2580 | 00:36:30.672 --> 00:36:33.141 2581 | We really don't want 2582 | to do that. 2583 | 2584 | 574 2585 | 00:36:33.174 --> 00:36:36.642 2586 | Well, is this supposed 2587 | to be admissible? Huh? 2588 | 2589 | 575 2590 | 00:36:36.675 --> 00:36:40.641 2591 | If you want to pick 2592 | my brain, work a room, 2593 | 2594 | 576 2595 | 00:36:40.682 --> 00:36:43.816 2596 | you buy me a cheeseburger 2597 | and a Coke, don't you? 2598 | 2599 | 577 2600 | 00:36:45.185 --> 00:36:47.682 2601 | I'll take a sixer 2602 | of Old Milwaukee 2603 | 2604 | 578 2605 | 00:36:47.722 --> 00:36:49.722 2606 | or Lone Star, nothing snooty. 2607 | 2608 | 579 2609 | 00:36:49.755 --> 00:36:52.089 2610 | Why is this so important 2611 | to you all of a sudden? 2612 | 2613 | 580 2614 | 00:36:52.122 --> 00:36:55.655 2615 | 'Cause it's Thursday 2616 | and it's past noon. 2617 | 2618 | 581 2619 | 00:36:55.688 --> 00:36:58.158 2620 | Thursday is one of my days off. 2621 | 2622 | 582 2623 | 00:36:58.192 --> 00:37:01.666 2624 | On my off days, I start 2625 | drinking at noon. 2626 | 2627 | 583 2628 | 00:37:01.699 --> 00:37:05.338 2629 | You don't get to 2630 | interrupt that. 2631 | 2632 | 584 2633 | 00:37:12.249 --> 00:37:13.848 2634 | [Sighs] 2635 | 2636 | 585 2637 | 00:37:19.627 --> 00:37:21.227 2638 | Ahem. 2639 | 2640 | 586 2641 | 00:37:22.596 --> 00:37:24.596 2642 | I'd appreciate a little 2643 | hustle up on that. 2644 | 2645 | 587 2646 | 00:37:24.636 --> 00:37:26.605 2647 | [Door opens] 2648 | 2649 | 588 2650 | 00:37:26.638 --> 00:37:28.573 2651 | QUESADA VOICE-OVER: Yesterday, 2652 | 2653 | 589 2654 | 00:37:28.606 --> 00:37:30.742 2655 | at approximately 6 AM, 2656 | 2657 | 590 2658 | 00:37:30.775 --> 00:37:34.247 2659 | civilians came across 2660 | the body of a female 2661 | 2662 | 591 2663 | 00:37:34.280 --> 00:37:37.748 2664 | in a sugar cane field 2665 | outside of Erath. 2666 | 2667 | 592 2668 | 00:37:37.781 --> 00:37:40.548 2669 | Now, this person, 2670 | we believe, was murdered, 2671 | 2672 | 593 2673 | 00:37:40.581 --> 00:37:43.249 2674 | and we are not yet in 2675 | a position to 2676 | 2677 | 594 2678 | 00:37:43.283 --> 00:37:46.251 2679 | release the identity 2680 | of the victim or to offer 2681 | 2682 | 595 2683 | 00:37:46.284 --> 00:37:48.459 2684 | - details of the crime. 2685 | - [Reporters murmur] 2686 | 2687 | 596 2688 | 00:37:48.492 --> 00:37:51.396 2689 | Our investigators 2690 | 2691 | 597 2692 | 00:37:51.429 --> 00:37:53.893 2693 | have several leads, 2694 | and hopefully we'll-- 2695 | 2696 | 598 2697 | 00:37:53.934 --> 00:37:57.332 2698 | we'll have a suspect 2699 | for you in custody soon. 2700 | 2701 | 599 2702 | 00:37:57.365 --> 00:37:59.836 2703 | QUESADA VOICE-OVER: 2704 | Now, this perpetrator 2705 | 2706 | 600 2707 | 00:37:59.869 --> 00:38:02.341 2708 | will be apprehended, 2709 | and he will know 2710 | 2711 | 601 2712 | 00:38:02.374 --> 00:38:05.341 2713 | - swift Louisiana justice. 2714 | - [Reporters talking all at once] 2715 | 2716 | 602 2717 | 00:38:05.374 --> 00:38:07.373 2718 | COHLE: - Charlie? 2719 | MAN: - Mm-hmm? 2720 | 2721 | 603 2722 | 00:38:07.414 --> 00:38:09.980 2723 | Let's talk about 2724 | your ex, Dora Lange. 2725 | 2726 | 604 2727 | 00:38:10.013 --> 00:38:12.441 2728 | You want to talk Dori? 2729 | 2730 | 605 2731 | 00:38:12.482 --> 00:38:14.850 2732 | What's she said I've done now? 2733 | 2734 | 606 2735 | 00:38:14.883 --> 00:38:17.355 2736 | Nothing. We're just 2737 | curious if you knew 2738 | 2739 | 607 2740 | 00:38:17.388 --> 00:38:19.891 2741 | what she's been up to and 2742 | maybe where she's living. 2743 | 2744 | 608 2745 | 00:38:19.924 --> 00:38:21.491 2746 | CHARLIE: Nope. 2747 | 2748 | 609 2749 | 00:38:21.524 --> 00:38:23.492 2750 | Got her divorce papers 2751 | pushed through 2752 | 2753 | 610 2754 | 00:38:23.525 --> 00:38:25.492 2755 | after I been here about a year. 2756 | 2757 | 611 2758 | 00:38:25.525 --> 00:38:28.026 2759 | I don't blame the bitch. 2760 | 2761 | 612 2762 | 00:38:28.059 --> 00:38:29.994 2763 | She got a habit? 2764 | 2765 | 613 2766 | 00:38:30.027 --> 00:38:32.500 2767 | [Chuckles] 2768 | Yeah, a few. 2769 | 2770 | 614 2771 | 00:38:32.533 --> 00:38:34.970 2772 | Weed, meth, juice. 2773 | 2774 | 615 2775 | 00:38:35.003 --> 00:38:36.676 2776 | Name it. 2777 | 2778 | 616 2779 | 00:38:36.709 --> 00:38:38.371 2780 | HART: Charlie, 2781 | 2782 | 617 2783 | 00:38:38.404 --> 00:38:39.842 2784 | how'd y'all meet? 2785 | 2786 | 618 2787 | 00:38:39.875 --> 00:38:42.545 2788 | Growed up together, 2789 | dropped out the same time. 2790 | 2791 | 619 2792 | 00:38:42.578 --> 00:38:45.180 2793 | Hitched up way too quick. 2794 | 2795 | 620 2796 | 00:38:45.213 --> 00:38:48.514 2797 | You know how it is-- you want 2798 | a wife, but only half the time. 2799 | 2800 | 621 2801 | 00:38:48.547 --> 00:38:49.986 2802 | Hmm. 2803 | 2804 | 622 2805 | 00:38:50.019 --> 00:38:52.493 2806 | Why are you saying 2807 | you hadn't heard from her? 2808 | 2809 | 623 2810 | 00:38:52.526 --> 00:38:55.727 2811 | She called up here 2812 | for you not too long ago. 2813 | 2814 | 624 2815 | 00:38:55.760 --> 00:38:57.800 2816 | She couldn't help me 2817 | anyway, man. 2818 | 2819 | 625 2820 | 00:38:57.833 --> 00:38:59.737 2821 | She sounded all fucked up. 2822 | 2823 | 626 2824 | 00:38:59.770 --> 00:39:01.738 2825 | You see, that's exactly 2826 | the kind of thing 2827 | 2828 | 627 2829 | 00:39:01.771 --> 00:39:03.769 2830 | that we do want to know 2831 | about, though, Charlie. 2832 | 2833 | 628 2834 | 00:39:03.802 --> 00:39:05.335 2835 | Oh. All right. 2836 | 2837 | 629 2838 | 00:39:05.368 --> 00:39:08.409 2839 | Uh... I needed 2840 | some scratch for my store, 2841 | 2842 | 630 2843 | 00:39:08.442 --> 00:39:11.542 2844 | and Dori owes me money, 2845 | she ain't got no fuckin' phone, 2846 | 2847 | 631 2848 | 00:39:11.575 --> 00:39:14.183 2849 | so got a number to 2850 | her friend Carla, got her 2851 | 2852 | 632 2853 | 00:39:14.216 --> 00:39:17.186 2854 | to call me back, and she ain't 2855 | made no fuckin' sense. 2856 | 2857 | 633 2858 | 00:39:17.219 --> 00:39:20.986 2859 | HART: Ahem. Carla's full 2860 | name and phone number. 2861 | 2862 | 634 2863 | 00:39:21.027 --> 00:39:23.922 2864 | COHLE: What you mean, 2865 | she didn't make sense? 2866 | 2867 | 635 2868 | 00:39:23.963 --> 00:39:27.025 2869 | Like she could duck-hunt 2870 | with a rake. 2871 | 2872 | 636 2873 | 00:39:27.066 --> 00:39:29.463 2874 | High, yeah. 2875 | 2876 | 637 2877 | 00:39:29.496 --> 00:39:32.798 2878 | Talkin' 'bout 2879 | she's gonna become a nun. 2880 | 2881 | 638 2882 | 00:39:32.831 --> 00:39:36.072 2883 | - Why a nun? 2884 | - I don't know, man. She was high. 2885 | 2886 | 639 2887 | 00:39:36.105 --> 00:39:38.038 2888 | Fucked up, uh, 2889 | 2890 | 640 2891 | 00:39:38.071 --> 00:39:41.407 2892 | talkin' 'bout... 2893 | she met a king. 2894 | 2895 | 641 2896 | 00:39:41.440 --> 00:39:42.910 2897 | Shit. 2898 | 2899 | 642 2900 | 00:39:42.943 --> 00:39:45.615 2901 | Anyway... 2902 | 2903 | 643 2904 | 00:39:45.648 --> 00:39:47.785 2905 | I don't need no 2906 | snitch jacket up in here. 2907 | 2908 | 644 2909 | 00:39:47.818 --> 00:39:50.323 2910 | [Scoffs] 2911 | Give me a break. 2912 | 2913 | 645 2914 | 00:39:50.356 --> 00:39:52.822 2915 | This is Avoyelles. 2916 | 2917 | 646 2918 | 00:39:52.862 --> 00:39:55.360 2919 | It's a goddamn day camp. 2920 | 2921 | 647 2922 | 00:39:55.401 --> 00:39:58.098 2923 | Spend some time in Angola. 2924 | 2925 | 648 2926 | 00:39:58.138 --> 00:40:01.029 2927 | Surprised you even got 2928 | Aryan Nation here. 2929 | 2930 | 649 2931 | 00:40:02.604 --> 00:40:05.205 2932 | What'd Dori do? 2933 | 2934 | 650 2935 | 00:40:08.513 --> 00:40:10.575 2936 | Dori's dead. 2937 | 2938 | 651 2939 | 00:40:11.983 --> 00:40:14.446 2940 | COHLE VOICE-OVER: 2941 | Thank you, boys. 2942 | 2943 | 652 2944 | 00:40:14.479 --> 00:40:17.116 2945 | We almost had a moment there. 2946 | 2947 | 653 2948 | 00:40:28.061 --> 00:40:29.995 2949 | Mmm. 2950 | 2951 | 654 2952 | 00:40:30.028 --> 00:40:33.396 2953 | So you want to talk the whole 2954 | case through or just the end? 2955 | 2956 | 655 2957 | 00:40:33.429 --> 00:40:35.332 2958 | No, whole story 2959 | 2960 | 656 2961 | 00:40:35.365 --> 00:40:36.731 2962 | from your end, you don't mind. 2963 | 2964 | 657 2965 | 00:40:36.772 --> 00:40:39.003 2966 | You know, like he said, 2967 | files got ruined. 2968 | 2969 | 658 2970 | 00:40:39.036 --> 00:40:40.636 2971 | Hurricane Rita. 2972 | 2973 | 659 2974 | 00:40:43.004 --> 00:40:47.977 2975 | What he didn't say is that this 2976 | is about something else. 2977 | 2978 | 660 2979 | 00:40:48.010 --> 00:40:52.481 2980 | Something new. That one 2981 | in Lake Charles, maybe? 2982 | 2983 | 661 2984 | 00:40:52.514 --> 00:40:54.153 2985 | Now, why you say that? 2986 | 2987 | 662 2988 | 00:40:54.186 --> 00:40:56.690 2989 | Get the details 2990 | out of the paper. 2991 | 2992 | 663 2993 | 00:40:56.723 --> 00:40:58.661 2994 | Yeah, we did. 2995 | 2996 | 664 2997 | 00:40:58.694 --> 00:41:01.523 2998 | You know anything about that, 2999 | about Lake Charles? 3000 | 3001 | 665 3002 | 00:41:01.556 --> 00:41:04.092 3003 | [Inhales deeply] 3004 | Well, let me see 3005 | 3006 | 666 3007 | 00:41:04.132 --> 00:41:06.799 3008 | what you got, jog my memory. 3009 | 3010 | 667 3011 | 00:41:06.832 --> 00:41:08.767 3012 | Well, let's hear 3013 | your story first, 3014 | 3015 | 668 3016 | 00:41:08.808 --> 00:41:11.941 3017 | see how it fit 3018 | with what we got. 3019 | 3020 | 669 3021 | 00:41:13.342 --> 00:41:16.109 3022 | Well, your dime, boss. 3023 | 3024 | 670 3025 | 00:41:16.142 --> 00:41:18.541 3026 | Talking Cohle, 3027 | what about that dinner 3028 | 3029 | 671 3030 | 00:41:18.581 --> 00:41:21.075 3031 | you mentioned, 3032 | he turn up drunk? 3033 | 3034 | 672 3035 | 00:41:21.116 --> 00:41:23.082 3036 | HART: Oh. Yeah. 3037 | 3038 | 673 3039 | 00:41:23.115 --> 00:41:25.544 3040 | Well, ahem. 3041 | 3042 | 674 3043 | 00:41:25.585 --> 00:41:27.984 3044 | That dinner, 3045 | that was a bit later. 3046 | 3047 | 675 3048 | 00:41:28.017 --> 00:41:30.585 3049 | [Chuckles] 3050 | It was kind of funny. 3051 | 3052 | 676 3053 | 00:41:30.618 --> 00:41:33.089 3054 | The flowers, you know? 3055 | 3056 | 677 3057 | 00:41:33.122 --> 00:41:36.055 3058 | Like, he read somewhere that 3059 | if you get invited to dinner, 3060 | 3061 | 678 3062 | 00:41:36.088 --> 00:41:38.559 3063 | you're supposed 3064 | to bring flowers? 3065 | 3066 | 679 3067 | 00:41:38.592 --> 00:41:40.593 3068 | HART VOICE-OVER: 3069 | The hell? 3070 | 3071 | 680 3072 | 00:41:40.633 --> 00:41:43.130 3073 | You can barely stand up. 3074 | 3075 | 681 3076 | 00:41:43.171 --> 00:41:45.095 3077 | What is it? 3078 | 3079 | 682 3080 | 00:41:45.136 --> 00:41:47.537 3081 | You don't drink 3082 | with me or the boys, 3083 | 3084 | 683 3085 | 00:41:47.570 --> 00:41:49.369 3086 | and you got to get a load on 3087 | 3088 | 684 3089 | 00:41:49.410 --> 00:41:51.209 3090 | before you visit my family? 3091 | 3092 | 685 3093 | 00:41:51.242 --> 00:41:53.776 3094 | No, Marty, it's not like that. 3095 | 3096 | 686 3097 | 00:41:53.809 --> 00:41:56.311 3098 | And I didn't mean to, 3099 | 3100 | 687 3101 | 00:41:56.344 --> 00:41:58.447 3102 | all right? 3103 | 3104 | 688 3105 | 00:41:59.816 --> 00:42:02.286 3106 | And I don't drink 3107 | 'cause I've had trouble 3108 | 3109 | 689 3110 | 00:42:02.319 --> 00:42:05.453 3111 | with it before; 3112 | I didn't mean to. 3113 | 3114 | 690 3115 | 00:42:07.855 --> 00:42:10.297 3116 | I was checking on a CI. 3117 | 3118 | 691 3119 | 00:42:10.330 --> 00:42:13.465 3120 | I ended up hanging 3121 | around a bar. 3122 | 3123 | 692 3124 | 00:42:14.867 --> 00:42:16.801 3125 | I was sitting there. 3126 | 3127 | 693 3128 | 00:42:16.834 --> 00:42:19.967 3129 | I couldn't think 3130 | of a good reason not to. 3131 | 3132 | 694 3133 | 00:42:21.367 --> 00:42:24.100 3134 | Usually I can. 3135 | 3136 | 695 3137 | 00:42:24.133 --> 00:42:27.237 3138 | [Children chattering inside] 3139 | 3140 | 696 3141 | 00:42:29.143 --> 00:42:31.510 3142 | Don't worry about it. 3143 | 3144 | 697 3145 | 00:42:31.543 --> 00:42:33.511 3146 | HART: 3147 | Have some more coffee 3148 | 3149 | 698 3150 | 00:42:33.552 --> 00:42:36.551 3151 | and just try to make 10 3152 | minutes of conversation. 3153 | 3154 | 699 3155 | 00:42:36.584 --> 00:42:38.288 3156 | You got it. 3157 | 3158 | 700 3159 | 00:42:38.321 --> 00:42:41.055 3160 | I'll call Chris or somebody, 3161 | 3162 | 701 3163 | 00:42:41.088 --> 00:42:43.190 3164 | get you out of here. 3165 | 3166 | 702 3167 | 00:42:45.063 --> 00:42:47.695 3168 | Marty. 3169 | [Coughs] 3170 | 3171 | 703 3172 | 00:42:49.999 --> 00:42:52.459 3173 | I'm sorry, man. 3174 | 3175 | 704 3176 | 00:42:52.500 --> 00:42:54.933 3177 | Forget it. 3178 | 3179 | 705 3180 | 00:42:54.966 --> 00:42:58.102 3181 | We'll try this some other time. 3182 | 3183 | 706 3184 | 00:43:08.518 --> 00:43:12.483 3185 | WOMAN: Well, uh, Rust, it is 3186 | so nice to finally meet you. 3187 | 3188 | 707 3189 | 00:43:12.516 --> 00:43:14.985 3190 | Sorry it took so long. 3191 | 3192 | 708 3193 | 00:43:15.018 --> 00:43:17.984 3194 | Well, I tried to tell her 3195 | you aren't big on socializing. 3196 | 3197 | 709 3198 | 00:43:18.017 --> 00:43:19.486 3199 | I said that your life's 3200 | 3201 | 710 3202 | 00:43:19.519 --> 00:43:21.453 3203 | in this man's hands, right? 3204 | 3205 | 711 3206 | 00:43:21.486 --> 00:43:23.925 3207 | Of course you should 3208 | meet the family. 3209 | 3210 | 712 3211 | 00:43:23.958 --> 00:43:27.927 3212 | Well, not quite 3213 | as dramatic as that, hon. 3214 | 3215 | 713 3216 | 00:43:27.960 --> 00:43:30.496 3217 | I've never fired my gun. 3218 | 3219 | 714 3220 | 00:43:30.529 --> 00:43:32.537 3221 | Have you fired your gun? 3222 | 3223 | 715 3224 | 00:43:32.570 --> 00:43:33.833 3225 | Audrey. 3226 | 3227 | 716 3228 | 00:43:37.705 --> 00:43:39.143 3229 | Yes. 3230 | 3231 | 717 3232 | 00:43:39.176 --> 00:43:41.007 3233 | You shot people? 3234 | 3235 | 718 3236 | 00:43:41.040 --> 00:43:42.345 3237 | Macie. 3238 | 3239 | 719 3240 | 00:43:42.378 --> 00:43:43.849 3241 | Ahem. 3242 | 3243 | 720 3244 | 00:43:43.883 --> 00:43:46.351 3245 | Dad's never shot anybody. 3246 | 3247 | 721 3248 | 00:43:46.384 --> 00:43:49.485 3249 | COHLE: 3250 | Well, that's good. 3251 | 3252 | 722 3253 | 00:43:49.518 --> 00:43:51.382 3254 | You don't want to shoot people. 3255 | 3256 | 723 3257 | 00:43:51.415 --> 00:43:53.150 3258 | But you have. 3259 | 3260 | 724 3261 | 00:43:54.823 --> 00:43:57.294 3262 | Marty says you're from Texas. 3263 | 3264 | 725 3265 | 00:43:57.327 --> 00:43:59.793 3266 | Yes, south Texas. 3267 | 3268 | 726 3269 | 00:43:59.834 --> 00:44:03.267 3270 | COHLE: I grew up in Alaska. 3271 | 3272 | 727 3273 | 00:44:03.300 --> 00:44:06.033 3274 | Just been working here 3275 | the last 10, 12 years. 3276 | 3277 | 728 3278 | 00:44:06.066 --> 00:44:08.041 3279 | What kind of work? 3280 | 3281 | 729 3282 | 00:44:08.074 --> 00:44:10.842 3283 | Narcotics, mostly. 3284 | 3285 | 730 3286 | 00:44:10.875 --> 00:44:12.810 3287 | Um... 3288 | 3289 | 731 3290 | 00:44:12.843 --> 00:44:16.350 3291 | was on the Robbery Squad 3292 | in Houston until '89. 3293 | 3294 | 732 3295 | 00:44:16.383 --> 00:44:20.190 3296 | [Pager buzzing] 3297 | Ahem. Oh. Be right back. 3298 | 3299 | 733 3300 | 00:44:20.223 --> 00:44:22.326 3301 | Y'all keep eating. 3302 | 3303 | 734 3304 | 00:44:26.696 --> 00:44:29.333 3305 | Do you like your job? 3306 | 3307 | 735 3308 | 00:44:32.229 --> 00:44:34.404 3309 | Not exactly, 3310 | 3311 | 736 3312 | 00:44:34.437 --> 00:44:36.605 3313 | but it's worthwhile. 3314 | 3315 | 737 3316 | 00:44:36.638 --> 00:44:38.604 3317 | I'm good at it. 3318 | 3319 | 738 3320 | 00:44:38.637 --> 00:44:40.739 3321 | You're not married? 3322 | 3323 | 739 3324 | 00:44:42.140 --> 00:44:44.076 3325 | Once. 3326 | 3327 | 740 3328 | 00:44:44.109 --> 00:44:46.582 3329 | - Uh, not anymore. 3330 | - Mm-hmm. 3331 | 3332 | 741 3333 | 00:44:46.615 --> 00:44:50.021 3334 | Did you do this 3335 | while you were married? 3336 | 3337 | 742 3338 | 00:44:50.054 --> 00:44:51.989 3339 | Hey, Chris. 3340 | 3341 | 743 3342 | 00:44:52.022 --> 00:44:54.988 3343 | Hey, thanks for the page. 3344 | 3345 | 744 3346 | 00:44:55.021 --> 00:44:58.024 3347 | Yeah, well, 3348 | he'll appreciate it. 3349 | 3350 | 745 3351 | 00:44:58.057 --> 00:45:00.518 3352 | Well-- all right, 3353 | 3354 | 746 3355 | 00:45:00.559 --> 00:45:03.254 3356 | then I appreciate it. 3357 | 3358 | 747 3359 | 00:45:03.295 --> 00:45:05.389 3360 | [Whispers] 3361 | 3362 | 748 3363 | 00:45:09.764 --> 00:45:11.699 3364 | - [Girls giggle] 3365 | - Children? 3366 | 3367 | 749 3368 | 00:45:11.732 --> 00:45:14.197 3369 | One. 3370 | 3371 | 750 3372 | 00:45:14.238 --> 00:45:16.672 3373 | She passed. 3374 | 3375 | 751 3376 | 00:45:16.705 --> 00:45:20.348 3377 | Marriage didn't last 3378 | long after that. 3379 | 3380 | 752 3381 | 00:45:22.254 --> 00:45:24.351 3382 | Sorry. 3383 | 3384 | 753 3385 | 00:45:26.225 --> 00:45:28.793 3386 | HART: Ahem. Chris Demma's 3387 | on the phone for you. 3388 | 3389 | 754 3390 | 00:45:28.826 --> 00:45:31.991 3391 | Something about a CI or... 3392 | 3393 | 755 3394 | 00:45:32.032 --> 00:45:34.465 3395 | Back there to the left. 3396 | 3397 | 756 3398 | 00:45:34.498 --> 00:45:36.466 3399 | - Excuse me. 3400 | - Of course. 3401 | 3402 | 757 3403 | 00:45:40.703 --> 00:45:42.809 3404 | Ahem. 3405 | 3406 | 758 3407 | 00:45:48.216 --> 00:45:50.143 3408 | What was that? 3409 | 3410 | 759 3411 | 00:45:50.184 --> 00:45:52.185 3412 | What were y'all talking about? 3413 | 3414 | 760 3415 | 00:45:52.218 --> 00:45:54.154 3416 | Your job. 3417 | 3418 | 761 3419 | 00:45:54.187 --> 00:45:56.921 3420 | What do you know 3421 | about him, Marty? 3422 | 3423 | 762 3424 | 00:45:59.827 --> 00:46:02.269 3425 | Um, not a lot. 3426 | 3427 | 763 3428 | 00:46:02.302 --> 00:46:04.764 3429 | He could be a good detective. 3430 | 3431 | 764 3432 | 00:46:04.805 --> 00:46:08.303 3433 | He's running on this 3434 | thing, but, uh... 3435 | 3436 | 765 3437 | 00:46:08.344 --> 00:46:09.807 3438 | uppity. 3439 | 3440 | 766 3441 | 00:46:09.840 --> 00:46:11.312 3442 | [Scoffs] 3443 | 3444 | 767 3445 | 00:46:11.345 --> 00:46:13.282 3446 | What? 3447 | 3448 | 768 3449 | 00:46:13.315 --> 00:46:17.253 3450 | Jeez. Have you ever 3451 | asked him about himself? 3452 | 3453 | 769 3454 | 00:46:18.657 --> 00:46:20.594 3455 | Baby, trust me. 3456 | 3457 | 770 3458 | 00:46:20.635 --> 00:46:23.772 3459 | You do not want to pick 3460 | this man's brain. 3461 | 3462 | 771 3463 | 00:46:27.680 --> 00:46:29.607 3464 | What was that? 3465 | 3466 | 772 3467 | 00:46:29.648 --> 00:46:33.279 3468 | Oh, some details 3469 | on the CI. Ahem. 3470 | 3471 | 773 3472 | 00:46:36.584 --> 00:46:39.225 3473 | Thank you for dinner, Maggie. 3474 | 3475 | 774 3476 | 00:46:39.258 --> 00:46:42.058 3477 | - This looks great. 3478 | - My pleasure. 3479 | 3480 | 775 3481 | 00:46:42.091 --> 00:46:44.056 3482 | AUDREY: I don't like 3483 | that broccoli. 3484 | 3485 | 776 3486 | 00:46:44.097 --> 00:46:45.591 3487 | MAGGIE: 3488 | Mind your manners. 3489 | 3490 | 777 3491 | 00:46:45.632 --> 00:46:48.662 3492 | So you, uh, need to go or what? 3493 | 3494 | 778 3495 | 00:46:50.030 --> 00:46:52.997 3496 | No, it's nothing can't 3497 | wait till tomorrow. 3498 | 3499 | 779 3500 | 00:46:54.364 --> 00:46:58.635 3501 | MAGGIE: Rust, uh, what 3502 | you were saying before? 3503 | 3504 | 780 3505 | 00:47:01.509 --> 00:47:04.708 3506 | Oh, we can find something 3507 | nicer to talk about. 3508 | 3509 | 781 3510 | 00:47:04.741 --> 00:47:08.182 3511 | Marty, I saw 3512 | your table in there. 3513 | 3514 | 782 3515 | 00:47:08.215 --> 00:47:10.014 3516 | You fly-fish? 3517 | 3518 | 783 3519 | 00:47:10.055 --> 00:47:12.153 3520 | Little bit. 3521 | 3522 | 784 3523 | 00:47:13.592 --> 00:47:17.623 3524 | MAN VOICE-OVER: So you 3525 | and Cohle went bad in '02, huh? 3526 | 3527 | 785 3528 | 00:47:17.664 --> 00:47:19.926 3529 | Heard about that. 3530 | 3531 | 786 3532 | 00:47:19.959 --> 00:47:23.265 3533 | Yeah, well... what happened 3534 | between me and him 3535 | 3536 | 787 3537 | 00:47:23.299 --> 00:47:27.273 3538 | don't have nothing to do 3539 | with Dora Lange. 3540 | 3541 | 788 3542 | 00:47:28.642 --> 00:47:31.642 3543 | I worked with Rust Cohle 3544 | for 7 years. 3545 | 3546 | 789 3547 | 00:47:31.675 --> 00:47:33.642 3548 | People change. 3549 | 3550 | 790 3551 | 00:47:33.683 --> 00:47:36.914 3552 | Relationships change. 3553 | 3554 | 791 3555 | 00:47:36.947 --> 00:47:39.420 3556 | You stay in touch? 3557 | 3558 | 792 3559 | 00:47:39.453 --> 00:47:41.891 3560 | No. 3561 | 3562 | 793 3563 | 00:47:41.924 --> 00:47:45.923 3564 | No, I haven't talked 3565 | to Rust in... 3566 | 3567 | 794 3568 | 00:47:45.957 --> 00:47:48.431 3569 | 10 years. 3570 | 3571 | 795 3572 | 00:47:48.464 --> 00:47:50.632 3573 | Yeah. 3574 | 3575 | 796 3576 | 00:47:53.105 --> 00:47:55.544 3577 | HART: Look, however we... 3578 | 3579 | 797 3580 | 00:47:55.577 --> 00:47:58.541 3581 | he was a good detective, 3582 | 3583 | 798 3584 | 00:47:58.574 --> 00:48:02.543 3585 | and it don't matter how 3586 | he ended it. I mean... 3587 | 3588 | 799 3589 | 00:48:02.584 --> 00:48:06.586 3590 | I can say that 3591 | because it's the truth, 3592 | 3593 | 800 3594 | 00:48:06.619 --> 00:48:09.258 3595 | and I don't hold grudges. 3596 | 3597 | 801 3598 | 00:48:09.292 --> 00:48:11.926 3599 | I believe that's the shit 3600 | 3601 | 802 3602 | 00:48:11.967 --> 00:48:14.735 3603 | that leads to cancer. 3604 | 3605 | 803 3606 | 00:48:17.104 --> 00:48:18.568 3607 | [Scoffs] 3608 | 3609 | 804 3610 | 00:48:18.609 --> 00:48:21.573 3611 | But why am I talking 3612 | about dinner? 3613 | 3614 | 805 3615 | 00:48:21.606 --> 00:48:26.248 3616 | Y'all want to walk through 3617 | the Lange case, fine. 3618 | 3619 | 806 3620 | 00:48:28.115 --> 00:48:31.924 3621 | This other stuff-- 3622 | well, what's going on? 3623 | 3624 | 807 3625 | 00:48:31.957 --> 00:48:34.826 3626 | Sorry. We just heard 3627 | some stories. 3628 | 3629 | 808 3630 | 00:48:34.859 --> 00:48:36.858 3631 | MAN: Well, personally, 3632 | I heard he was 3633 | 3634 | 809 3635 | 00:48:36.891 --> 00:48:39.061 3636 | an ace case man, right? 3637 | 3638 | 810 3639 | 00:48:39.102 --> 00:48:42.236 3640 | I'd like to understand 3641 | his process. 3642 | 3643 | 811 3644 | 00:48:44.866 --> 00:48:46.833 3645 | "His process." 3646 | 3647 | 812 3648 | 00:48:46.866 --> 00:48:48.474 3649 | Sure. 3650 | 3651 | 813 3652 | 00:48:49.908 --> 00:48:51.980 3653 | FAVRE: The other landlord 3654 | says she trashed the place, 3655 | 3656 | 814 3657 | 00:48:52.013 --> 00:48:53.979 3658 | so she lost her deposit. 3659 | 3660 | 815 3661 | 00:48:54.012 --> 00:48:55.979 3662 | And the neighbors check out. 3663 | 3664 | 816 3665 | 00:48:56.012 --> 00:48:58.485 3666 | Those that remember her 3667 | said that she, uh, 3668 | 3669 | 817 3670 | 00:48:58.518 --> 00:49:00.990 3671 | used to come in early 3672 | in the morning, 3673 | 3674 | 818 3675 | 00:49:01.023 --> 00:49:03.991 3676 | if she came home at all. 3677 | 3678 | 819 3679 | 00:49:04.024 --> 00:49:05.991 3680 | [Sniffs] 3681 | 3682 | 820 3683 | 00:49:06.024 --> 00:49:09.168 3684 | You guys canvass the bars 3685 | pretty good today? 3686 | 3687 | 821 3688 | 00:49:11.665 --> 00:49:14.137 3689 | GERACI: You know, 3690 | up your ass, Cohle. 3691 | 3692 | 822 3693 | 00:49:14.170 --> 00:49:16.170 3694 | Why don't you do your 3695 | own fuckin' leg work, 3696 | 3697 | 823 3698 | 00:49:16.210 --> 00:49:18.305 3699 | you rat fuck? 3700 | 3701 | 824 3702 | 00:49:22.883 --> 00:49:24.546 3703 | Say it again, rummy. 3704 | 3705 | 825 3706 | 00:49:24.579 --> 00:49:26.554 3707 | HART: Hey. 3708 | 3709 | 826 3710 | 00:49:26.587 --> 00:49:28.682 3711 | [Chuckling] 3712 | 3713 | 827 3714 | 00:49:30.052 --> 00:49:32.061 3715 | You know what, man? 3716 | 3717 | 828 3718 | 00:49:32.093 --> 00:49:34.227 3719 | Fuck you, 3720 | 3721 | 829 3722 | 00:49:34.260 --> 00:49:36.363 3723 | Tax Man. 3724 | 3725 | 830 3726 | 00:49:39.903 --> 00:49:41.837 3727 | What the fuck? 3728 | 3729 | 831 3730 | 00:49:41.870 --> 00:49:44.544 3731 | LUTZ: Ahem. 3732 | Back to point. 3733 | 3734 | 832 3735 | 00:49:44.576 --> 00:49:46.544 3736 | Got 3 hits on working girls. 3737 | 3738 | 833 3739 | 00:49:46.577 --> 00:49:49.048 3740 | No one close to her, naturally. 3741 | 3742 | 834 3743 | 00:49:49.081 --> 00:49:52.414 3744 | A few names recognized 3745 | her as occasional. 3746 | 3747 | 835 3748 | 00:49:52.448 --> 00:49:54.415 3749 | DEMMA: Like she tricked 3750 | now and then, show up 3751 | 3752 | 836 3753 | 00:49:54.448 --> 00:49:57.225 3754 | at a couple of truck stops 3755 | when she needed cash. 3756 | 3757 | 837 3758 | 00:49:57.258 --> 00:49:59.289 3759 | You got some names. 3760 | Which ones? 3761 | 3762 | 838 3763 | 00:49:59.322 --> 00:50:02.793 3764 | I heard from my AP guy, 3765 | Ray Fontenot. 3766 | 3767 | 839 3768 | 00:50:02.826 --> 00:50:05.330 3769 | Said her uncle's 3770 | Danny Fontenot-- 3771 | 3772 | 840 3773 | 00:50:05.363 --> 00:50:06.866 3774 | the pitcher, LSU. 3775 | 3776 | 841 3777 | 00:50:06.899 --> 00:50:09.834 3778 | Yeah, I watched him 3779 | play. Great player. 3780 | 3781 | 842 3782 | 00:50:09.867 --> 00:50:12.403 3783 | LUTZ: - Well, he lives close by. 3784 | - Ahem. 3785 | 3786 | 843 3787 | 00:50:12.444 --> 00:50:14.539 3788 | Well, thanks, guys. 3789 | 3790 | 844 3791 | 00:50:14.572 --> 00:50:17.042 3792 | QUESADA: What about you two? 3793 | Did you get anything today? 3794 | 3795 | 845 3796 | 00:50:17.075 --> 00:50:20.079 3797 | - Not much, sir. 3798 | - Well... 3799 | 3800 | 846 3801 | 00:50:20.112 --> 00:50:22.911 3802 | You might know 3803 | the Reverend Tuttle. 3804 | 3805 | 847 3806 | 00:50:22.944 --> 00:50:25.079 3807 | He runs our state-wide 3808 | charity drive. 3809 | 3810 | 848 3811 | 00:50:25.112 --> 00:50:27.088 3812 | This is Detective Hart, 3813 | Detective Cohle. 3814 | 3815 | 849 3816 | 00:50:27.121 --> 00:50:28.583 3817 | Pleasure to meet you, Officers. 3818 | 3819 | 850 3820 | 00:50:28.616 --> 00:50:30.086 3821 | Nice to meet you. 3822 | Cohle. 3823 | 3824 | 851 3825 | 00:50:30.119 --> 00:50:33.086 3826 | Your case has a lot 3827 | of people taking care, 3828 | 3829 | 852 3830 | 00:50:33.119 --> 00:50:36.126 3831 | doors locking where 3832 | they used to not. 3833 | 3834 | 853 3835 | 00:50:36.159 --> 00:50:38.092 3836 | Eddie's been speaking 3837 | to me about it. 3838 | 3839 | 854 3840 | 00:50:38.125 --> 00:50:39.794 3841 | Concerned, very concerned. 3842 | 3843 | 855 3844 | 00:50:39.827 --> 00:50:42.566 3845 | SPEECE: We've been discussing 3846 | the viability of a task force 3847 | 3848 | 856 3849 | 00:50:42.599 --> 00:50:45.071 3850 | to investigate crimes with 3851 | an anti-Christian connotation. 3852 | 3853 | 857 3854 | 00:50:45.104 --> 00:50:47.905 3855 | COHLE: You what? 3856 | Really? 3857 | 3858 | 858 3859 | 00:50:50.307 --> 00:50:51.914 3860 | Yes. 3861 | 3862 | 859 3863 | 00:50:54.686 --> 00:50:58.221 3864 | I don't mean to tell men 3865 | of your positions, 3866 | 3867 | 860 3868 | 00:50:58.254 --> 00:51:01.925 3869 | but there is a war 3870 | happening behind things. 3871 | 3872 | 861 3873 | 00:51:03.694 --> 00:51:05.858 3874 | Thank you for doing your part. 3875 | 3876 | 862 3877 | 00:51:05.891 --> 00:51:08.098 3878 | - Thank you, sir. 3879 | - Yeah. 3880 | 3881 | 863 3882 | 00:51:08.995 --> 00:51:11.432 3883 | Well... 3884 | 3885 | 864 3886 | 00:51:11.465 --> 00:51:14.433 3887 | Eddie's going to be 3888 | very, very pleased 3889 | 3890 | 865 3891 | 00:51:14.466 --> 00:51:17.602 3892 | to have such good men 3893 | working on this. 3894 | 3895 | 866 3896 | 00:51:20.107 --> 00:51:22.579 3897 | Are you kidding me? 3898 | 3899 | 867 3900 | 00:51:22.612 --> 00:51:25.083 3901 | Un-fuckin'-believable. 3902 | 3903 | 868 3904 | 00:51:25.116 --> 00:51:27.549 3905 | "Anti-Christian." 3906 | 3907 | 869 3908 | 00:51:27.582 --> 00:51:30.917 3909 | Fucks. And who 3910 | the fuck's Eddie? 3911 | 3912 | 870 3913 | 00:51:30.958 --> 00:51:32.221 3914 | Huh? 3915 | 3916 | 871 3917 | 00:51:33.624 --> 00:51:35.064 3918 | Is he serious? 3919 | 3920 | 872 3921 | 00:51:35.097 --> 00:51:37.032 3922 | HART: Well, he doesn't 3923 | have a television. 3924 | 3925 | 873 3926 | 00:51:37.065 --> 00:51:38.999 3927 | COHLE: - Who's Eddie? 3928 | - And he's from Texas. 3929 | 3930 | 874 3931 | 00:51:39.032 --> 00:51:40.965 3932 | He's the fuckin' 3933 | governor-- 3934 | 3935 | 875 3936 | 00:51:40.998 --> 00:51:42.966 3937 | - Edwin Tuttle. 3938 | - Ah. 3939 | 3940 | 876 3941 | 00:51:42.999 --> 00:51:45.009 3942 | They're first cousins. 3943 | 3944 | 877 3945 | 00:51:45.042 --> 00:51:46.474 3946 | Well, that makes sense. 3947 | 3948 | 878 3949 | 00:51:46.507 --> 00:51:48.473 3950 | DEMMA: Yeah, that's the 3951 | sound of The Big Machine, 3952 | 3953 | 879 3954 | 00:51:48.514 --> 00:51:50.840 3955 | Cohle, that's gearing up 3956 | to pound your ass. 3957 | 3958 | 880 3959 | 00:51:50.881 --> 00:51:52.080 3960 | Heh! 3961 | 3962 | 881 3963 | 00:51:52.113 --> 00:51:54.249 3964 | The sound of a gaggle of hens. 3965 | 3966 | 882 3967 | 00:51:54.282 --> 00:51:56.249 3968 | Yeah, you better 3969 | watch your mouth 3970 | 3971 | 883 3972 | 00:51:56.282 --> 00:51:58.554 3973 | or they're gonna 3974 | peck your eyes out. 3975 | 3976 | 884 3977 | 00:52:00.090 --> 00:52:01.551 3978 | - Hi. 3979 | - Hi. 3980 | 3981 | 885 3982 | 00:52:01.592 --> 00:52:03.719 3983 | I am looking for 3984 | Detective Hart. 3985 | 3986 | 886 3987 | 00:52:03.760 --> 00:52:05.929 3988 | I have a stack of 3989 | depositions for him. 3990 | 3991 | 887 3992 | 00:52:05.962 --> 00:52:07.424 3993 | Judge Sutpen told me to 3994 | make sure and give them 3995 | 3996 | 888 3997 | 00:52:07.465 --> 00:52:09.429 3998 | to Detective Hart 3999 | and no one else, so... 4000 | 4001 | 889 4002 | 00:52:09.462 --> 00:52:11.229 4003 | - Oh. 4004 | - Is that the, um-- 4005 | 4006 | 890 4007 | 00:52:11.262 --> 00:52:12.695 4008 | The, uh, depositions. 4009 | 4010 | 891 4011 | 00:52:12.736 --> 00:52:14.672 4012 | I thought I should 4013 | walk you through them. 4014 | 4015 | 892 4016 | 00:52:14.705 --> 00:52:17.937 4017 | Oh. Great, great. Let's 4018 | just find a place to talk. 4019 | 4020 | 893 4021 | 00:52:17.970 --> 00:52:19.443 4022 | HART: 4023 | Thanks, Cathleen. 4024 | 4025 | 894 4026 | 00:52:19.476 --> 00:52:20.948 4027 | WOMAN: - Thank you. 4028 | CATHLEEN: - You're welcome. 4029 | 4030 | 895 4031 | 00:52:20.981 --> 00:52:22.913 4032 | HART: Right through here. 4033 | 4034 | 896 4035 | 00:52:22.946 --> 00:52:26.588 4036 | ♪ 4037 | 4038 | 897 4039 | 00:52:49.543 --> 00:52:52.543 4040 | MAN VOICE-OVER: Your 4041 | victim was Dora Lange, 4042 | 4043 | 898 4044 | 00:52:52.584 --> 00:52:55.080 4045 | but you all checked 4046 | on Marie Fontenot. 4047 | 4048 | 899 4049 | 00:52:55.121 --> 00:52:56.551 4050 | Why? 4051 | 4052 | 900 4053 | 00:52:56.584 --> 00:52:58.552 4054 | Missing girl, 5 years gone, 4055 | 4056 | 901 4057 | 00:52:58.585 --> 00:53:00.058 4058 | report made in error? 4059 | 4060 | 902 4061 | 00:53:00.091 --> 00:53:03.594 4062 | She had an uncle 4063 | who lived nearby... 4064 | 4065 | 903 4066 | 00:53:03.627 --> 00:53:06.066 4067 | and call it intuition. 4068 | 4069 | 904 4070 | 00:53:06.099 --> 00:53:08.066 4071 | [Screen door creaks] 4072 | 4073 | 905 4074 | 00:53:08.099 --> 00:53:11.065 4075 | WOMAN: Sometimes he's 4076 | more responsive. 4077 | 4078 | 906 4079 | 00:53:11.098 --> 00:53:13.303 4080 | [Door shuts] 4081 | I'd like to help. 4082 | 4083 | 907 4084 | 00:53:19.209 --> 00:53:21.279 4085 | Mr. Fontenot all the way. 4086 | 4087 | 908 4088 | 00:53:24.213 --> 00:53:26.648 4089 | Uh, ahem. 4090 | 4091 | 909 4092 | 00:53:26.681 --> 00:53:29.723 4093 | [Claps hands together] 4094 | We met, 4095 | 4096 | 910 4097 | 00:53:29.756 --> 00:53:32.291 4098 | oh, maybe 7 years ago. 4099 | 4100 | 911 4101 | 00:53:32.324 --> 00:53:34.797 4102 | HART: I was visiting 4103 | Skip Hays. 4104 | 4105 | 912 4106 | 00:53:34.830 --> 00:53:37.301 4107 | I'd played for USL. 4108 | 4109 | 913 4110 | 00:53:37.334 --> 00:53:40.667 4111 | Thing of beauty, sir, 4112 | watching you throw. 4113 | 4114 | 914 4115 | 00:53:40.700 --> 00:53:42.170 4116 | Hmm. 4117 | 4118 | 915 4119 | 00:53:42.203 --> 00:53:44.802 4120 | Danny, this man's a detective 4121 | 4122 | 916 4123 | 00:53:44.835 --> 00:53:46.771 4124 | with the police. 4125 | 4126 | 917 4127 | 00:53:46.803 --> 00:53:50.138 4128 | [Danny speaks incoherently] 4129 | 4130 | 918 4131 | 00:53:51.547 --> 00:53:53.482 4132 | Uh... 4133 | 4134 | 919 4135 | 00:53:53.515 --> 00:53:56.977 4136 | I'm actually-- 4137 | Ahem. Sorry, uh, 4138 | 4139 | 920 4140 | 00:53:57.018 --> 00:54:00.252 4141 | we wanted to ask you 4142 | about your niece, Marie. 4143 | 4144 | 921 4145 | 00:54:00.285 --> 00:54:01.725 4146 | Hmm. 4147 | 4148 | 922 4149 | 00:54:01.758 --> 00:54:05.157 4150 | "How much could You put on 4151 | one family?" I ask the Lord. 4152 | 4153 | 923 4154 | 00:54:05.198 --> 00:54:08.027 4155 | We try to get by. 4156 | 4157 | 924 4158 | 00:54:08.060 --> 00:54:10.562 4159 | Did you know Marie's 4160 | birth father? 4161 | 4162 | 925 4163 | 00:54:10.595 --> 00:54:12.033 4164 | Len? 4165 | 4166 | 926 4167 | 00:54:12.067 --> 00:54:14.161 4168 | Len Stroghes was her daddy. 4169 | 4170 | 927 4171 | 00:54:14.202 --> 00:54:15.201 4172 | DANNY: Hmm. 4173 | 4174 | 928 4175 | 00:54:15.234 --> 00:54:16.866 4176 | [WHISPERS] 4177 | It's okay. 4178 | 4179 | 929 4180 | 00:54:16.899 --> 00:54:19.375 4181 | HART: We're asking 4182 | because, uh, 4183 | 4184 | 930 4185 | 00:54:19.408 --> 00:54:21.878 4186 | we had heard that Marie 4187 | ran off with him 4188 | 4189 | 931 4190 | 00:54:21.911 --> 00:54:25.245 4191 | and that... she wasn't 4192 | really missing. 4193 | 4194 | 932 4195 | 00:54:25.278 --> 00:54:27.751 4196 | [Whimpers quietly] 4197 | 4198 | 933 4199 | 00:54:27.784 --> 00:54:30.223 4200 | That's what Debbie said. 4201 | 4202 | 934 4203 | 00:54:30.256 --> 00:54:34.225 4204 | Oh. Well, uh... 4205 | anybody heard from Len? 4206 | 4207 | 935 4208 | 00:54:34.258 --> 00:54:37.866 4209 | Anybody maybe knows 4210 | where he's at? 4211 | 4212 | 936 4213 | 00:54:41.737 --> 00:54:44.201 4214 | HART: Uh, sorry. 4215 | The last thing. 4216 | 4217 | 937 4218 | 00:54:44.234 --> 00:54:46.367 4219 | Do you know 4220 | where Debbie is now? 4221 | 4222 | 938 4223 | 00:54:46.408 --> 00:54:48.374 4224 | WOMAN: She married 4225 | another man. 4226 | 4227 | 939 4228 | 00:54:48.407 --> 00:54:51.878 4229 | Not the one she's 4230 | with when Marie... 4231 | 4232 | 940 4233 | 00:54:51.911 --> 00:54:55.043 4234 | She was in Vegas, 4235 | last we heard. 4236 | 4237 | 941 4238 | 00:55:17.568 --> 00:55:20.070 4239 | Marie must have loved it here. 4240 | 4241 | 942 4242 | 00:55:20.103 --> 00:55:21.404 4243 | Yeah. 4244 | 4245 | 943 4246 | 00:55:21.437 --> 00:55:23.373 4247 | HART: All this for her? 4248 | 4249 | 944 4250 | 00:55:23.406 --> 00:55:25.374 4251 | WOMAN: 4252 | Danny loved her so much. 4253 | 4254 | 945 4255 | 00:55:25.407 --> 00:55:27.373 4256 | We weren't her legal guardians, 4257 | 4258 | 946 4259 | 00:55:27.414 --> 00:55:29.907 4260 | but she played here 4261 | all the time, 4262 | 4263 | 947 4264 | 00:55:29.948 --> 00:55:31.443 4265 | more than her Mama's. 4266 | 4267 | 948 4268 | 00:55:31.476 --> 00:55:33.947 4269 | HART: I can see why. 4270 | 4271 | 949 4272 | 00:55:33.980 --> 00:55:37.992 4273 | What is it Dan has, 4274 | if you don't mind my asking? 4275 | 4276 | 950 4277 | 00:55:38.025 --> 00:55:41.993 4278 | All they ever told us was 4279 | "a cerebral event." 4280 | 4281 | 951 4282 | 00:55:42.026 --> 00:55:44.631 4283 | Series of strokes, like. 4284 | 4285 | 952 4286 | 00:55:52.408 --> 00:55:54.505 4287 | COHLE: Marty? 4288 | 4289 | 953 4290 | 00:55:55.810 --> 00:55:58.450 4291 | Excuse me for one sec. 4292 | 4293 | 954 4294 | 00:56:09.389 --> 00:56:12.522 4295 | Inside on the floor 4296 | on the right. 4297 | 4298 | 955 4299 | 00:56:31.341 --> 00:56:33.373 4300 | WOMAN: I don't know 4301 | what that is. 4302 | 4303 | 956 4304 | 00:56:33.414 --> 00:56:36.478 4305 | I haven't looked in there 4306 | since the police first came. 4307 | 4308 | 957 4309 | 00:56:44.025 --> 00:56:47.162 4310 | COHLE VOICE-OVER: Bet you want 4311 | to hear the hero shot, huh? 4312 | 4313 | 958 4314 | 00:56:48.467 --> 00:56:51.532 4315 | That place we carried 4316 | the kids out? 4317 | 4318 | 959 4319 | 00:56:51.573 --> 00:56:53.668 4320 | Eventually, sure. 4321 | 4322 | 960 4323 | 00:56:55.973 --> 00:56:59.108 4324 | So what did she look like... 4325 | 4326 | 961 4327 | 00:56:59.141 --> 00:57:01.812 4328 | that one in Lake Charles? 4329 | 4330 | 962 4331 | 00:57:26.083 --> 00:57:28.751 4332 | Can you, uh, tell us 4333 | 4334 | 963 4335 | 00:57:28.784 --> 00:57:30.984 4336 | anything about that, 4337 | Mr. Cohle? 4338 | 4339 | 964 4340 | 00:57:31.025 --> 00:57:33.123 4341 | [Sighs] 4342 | 4343 | 965 4344 | 00:57:34.599 --> 00:57:37.565 4345 | COHLE: That looks a lot 4346 | like the one from '95, 4347 | 4348 | 966 4349 | 00:57:37.598 --> 00:57:40.705 4350 | but... well, 4351 | you knew that already. 4352 | 4353 | 967 4354 | 00:57:40.738 --> 00:57:45.039 4355 | Yeah, there are specifics 4356 | consistent to the '95 case, 4357 | 4358 | 968 4359 | 00:57:45.080 --> 00:57:48.544 4360 | details that weren't 4361 | public knowledge. 4362 | 4363 | 969 4364 | 00:57:48.577 --> 00:57:51.553 4365 | You were off the grid 4366 | for 8 years, right? 4367 | 4368 | 970 4369 | 00:57:51.586 --> 00:57:54.553 4370 | - Show back up here 2010. 4371 | - My question is-- 4372 | 4373 | 971 4374 | 00:57:54.586 --> 00:57:58.559 4375 | COHLE: How could it 4376 | be him... 4377 | 4378 | 972 4379 | 00:57:58.593 --> 00:58:02.222 4380 | if we already 4381 | caught him in '95? 4382 | 4383 | 973 4384 | 00:58:04.631 --> 00:58:07.694 4385 | How indeed, Detectives? 4386 | 4387 | 974 4388 | 00:58:07.735 --> 00:58:11.238 4389 | I figured you'd be 4390 | the one to know. 4391 | 4392 | 975 4393 | 00:58:19.107 --> 00:58:23.074 4394 | Then start asking 4395 | the right fuckin' questions. 4396 | 4397 | 976 4398 | 00:58:23.107 --> 00:58:26.744 4399 | ♪ 4400 | 4401 | 977 4402 | 00:58:31.481 --> 00:58:34.984 4403 | ♪ 4404 | 4405 | 978 4406 | 00:58:34.985 --> 00:58:40.522 4407 | Sync and corrections by n17t01 4408 | www.addic7ed.com -------------------------------------------------------------------------------- /tests/subtitles/big_srt.srt: -------------------------------------------------------------------------------- 1 | 1 2 | 00:01:25,648 --> 00:01:29,169 3 | Sync and corrections by n17t01 4 | www.addic7ed.com 5 | 6 | 2 7 | 00:02:12,145 --> 00:02:13,572 8 | [Beep] 9 | 10 | 3 11 | 00:02:15,442 --> 00:02:20,203 12 | What'd you think, you 13 | paired up with him? 14 | 15 | 4 16 | 00:02:20,236 --> 00:02:24,167 17 | What'd I think? 18 | 19 | 5 20 | 00:02:24,208 --> 00:02:26,302 21 | Well, you don't pick 22 | your parents, 23 | 24 | 6 25 | 00:02:26,343 --> 00:02:29,770 26 | and you don't pick 27 | your partner. 28 | 29 | 7 30 | 00:02:29,803 --> 00:02:35,439 31 | You know, they used to call 32 | him The Tax Man for a while? 33 | 34 | 8 35 | 00:02:35,472 --> 00:02:39,073 36 | He'd come out of Texas, 37 | so nobody knew him. 38 | 39 | 9 40 | 00:02:39,106 --> 00:02:41,407 41 | Seemed a bit... 42 | 43 | 10 44 | 00:02:41,440 --> 00:02:45,004 45 | raw-boned to me, edgy. 46 | 47 | 11 48 | 00:02:45,037 --> 00:02:46,476 49 | Took 3 months till we got him 50 | 51 | 12 52 | 00:02:46,509 --> 00:02:49,380 53 | over to the house for dinner. 54 | 55 | 13 56 | 00:02:49,413 --> 00:02:51,211 57 | Around our big 419. 58 | 59 | 14 60 | 00:02:51,244 --> 00:02:53,683 61 | That's what y'all want 62 | to hear about, right, 63 | 64 | 15 65 | 00:02:53,716 --> 00:02:56,484 66 | Dora Lange, kids in the woods? 67 | 68 | 16 69 | 00:02:56,517 --> 00:03:00,215 70 | Yeah, sure, 71 | but, uh, talk about Cohle. 72 | 73 | 17 74 | 00:03:00,248 --> 00:03:01,886 75 | We heard some stories. 76 | 77 | 18 78 | 00:03:01,919 --> 00:03:05,320 79 | Kind of a strange guy, huh? 80 | 81 | 19 82 | 00:03:05,353 --> 00:03:09,220 83 | Strange. Uh-- heh, heh, heh. 84 | 85 | 20 86 | 00:03:09,253 --> 00:03:11,061 87 | Yeah. 88 | 89 | 21 90 | 00:03:11,394 --> 00:03:14,592 91 | Rust would pick a fight 92 | with the sky 93 | 94 | 22 95 | 00:03:14,625 --> 00:03:19,396 96 | if he didn't like 97 | its shade of blue, 98 | 99 | 23 100 | 00:03:19,429 --> 00:03:22,333 101 | but when we finally got 102 | him over to the house-- 103 | 104 | 24 105 | 00:03:22,366 --> 00:03:24,467 106 | this is when that case 107 | was hot-- 108 | 109 | 25 110 | 00:03:24,500 --> 00:03:26,664 111 | poor bastard looked like 112 | he was on his way 113 | 114 | 26 115 | 00:03:26,697 --> 00:03:30,202 116 | to the firing squad. 117 | 118 | 27 119 | 00:03:30,235 --> 00:03:32,737 120 | COHLE VOICE-OVER: 121 | Dora Lange. 122 | 123 | 28 124 | 00:03:32,770 --> 00:03:36,344 125 | Yeah. Occult ritual murder. 126 | 127 | 29 128 | 00:03:36,377 --> 00:03:39,710 129 | You can thank 130 | the "Advertiser" for that. 131 | 132 | 30 133 | 00:03:39,743 --> 00:03:41,015 134 | Could you, uh, 135 | hold off on that? 136 | 137 | 31 138 | 00:03:41,048 --> 00:03:43,216 139 | All right. Yeah. You can't 140 | do that here no more. 141 | 142 | 32 143 | 00:03:43,249 --> 00:03:46,249 144 | - Huh? 145 | - Uh-uh. 146 | 147 | 33 148 | 00:03:46,290 --> 00:03:47,688 149 | Don't be assholes. 150 | 151 | 34 152 | 00:03:47,721 --> 00:03:49,793 153 | You want to hear this or not? 154 | 155 | 35 156 | 00:03:52,792 --> 00:03:54,222 157 | [Grunts] 158 | 159 | 36 160 | 00:04:07,166 --> 00:04:10,765 161 | Vermillion sheriff requested 162 | assistance with a 419, 163 | 164 | 37 165 | 00:04:10,798 --> 00:04:14,869 166 | cane fields outside of Erath. 167 | 168 | 38 169 | 00:04:14,902 --> 00:04:16,870 170 | I'd been on the job 171 | about 3 months till then. 172 | 173 | 39 174 | 00:04:16,910 --> 00:04:22,676 175 | Two previous cases 176 | were open and shut. 177 | 178 | 40 179 | 00:04:22,709 --> 00:04:28,258 180 | It was January 3, 1995, 181 | my daughter's birthday. 182 | 183 | 41 184 | 00:04:28,291 --> 00:04:29,555 185 | I remember. 186 | 187 | 42 188 | 00:04:29,588 --> 00:04:33,732 189 | ♪ 190 | 191 | 43 192 | 00:04:54,359 --> 00:04:58,231 193 | Hart and Cohle, State CID. 194 | 195 | 44 196 | 00:04:58,264 --> 00:05:00,272 197 | Who found her? 198 | 199 | 45 200 | 00:05:00,305 --> 00:05:01,432 201 | Farmer and his son. 202 | 203 | 46 204 | 00:05:01,473 --> 00:05:03,471 205 | This spread wasn't 206 | scheduled for a burn. 207 | 208 | 47 209 | 00:05:03,504 --> 00:05:06,836 210 | Let's keep them here, and 211 | let's tape off this road, 212 | 213 | 48 214 | 00:05:06,869 --> 00:05:10,845 215 | and give me your log. 216 | 217 | 49 218 | 00:05:10,878 --> 00:05:14,277 219 | [Police radio chatter] 220 | 221 | 50 222 | 00:05:14,310 --> 00:05:15,275 223 | You take the log. 224 | 225 | 51 226 | 00:05:15,316 --> 00:05:16,513 227 | Yes, sir. 228 | 229 | 52 230 | 00:05:16,546 --> 00:05:18,879 231 | Make sure you get 232 | everything down. 233 | 234 | 53 235 | 00:05:32,531 --> 00:05:34,097 236 | Go ahead. 237 | 238 | 54 239 | 00:05:57,497 --> 00:05:59,263 240 | MAN: You ever see 241 | something like this? 242 | 243 | 55 244 | 00:05:59,296 --> 00:06:03,769 245 | HART: No, sir, 246 | in 8 years of CID. 247 | 248 | 56 249 | 00:06:03,802 --> 00:06:07,399 250 | Them symbols, they's Satanic. 251 | 252 | 57 253 | 00:06:07,440 --> 00:06:11,070 254 | They had a "20/20" 255 | on it a few years back. 256 | 257 | 58 258 | 00:06:11,103 --> 00:06:12,506 259 | ID? 260 | 261 | 59 262 | 00:06:12,539 --> 00:06:15,372 263 | No, sir. 264 | 265 | 60 266 | 00:06:15,405 --> 00:06:19,679 267 | We're gonna need 268 | more men for a grid search, 269 | 270 | 61 271 | 00:06:19,712 --> 00:06:23,520 272 | set up a perimeter wide as 273 | possible on those 3 roads, 274 | 275 | 62 276 | 00:06:23,553 --> 00:06:25,424 277 | post up, take license plates 278 | 279 | 63 280 | 00:06:25,457 --> 00:06:28,392 281 | of anything that passes. 282 | 283 | 64 284 | 00:06:28,425 --> 00:06:29,527 285 | I-23. 286 | 287 | 65 288 | 00:06:29,560 --> 00:06:31,959 289 | DISPATCHER: Go ahead, 290 | I-23. 291 | 292 | 66 293 | 00:06:31,992 --> 00:06:36,125 294 | We're gonna need investigator 295 | assist on that 419, 296 | 297 | 67 298 | 00:06:36,167 --> 00:06:38,368 299 | all you can spare 300 | for a canvass. 301 | 302 | 68 303 | 00:06:38,401 --> 00:06:39,768 304 | Roger that, Detective. 305 | 306 | 69 307 | 00:06:39,801 --> 00:06:42,474 308 | CID is taking over. Get 309 | anybody who's free up here. 310 | 311 | 70 312 | 00:06:42,507 --> 00:06:45,547 313 | HART: Okay. Tell me 314 | what you see. 315 | 316 | 71 317 | 00:06:45,580 --> 00:06:49,820 318 | COHLE: Ligature marks on her 319 | wrists, ankles, and knees. 320 | 321 | 72 322 | 00:06:49,853 --> 00:06:53,115 323 | Multiple shallow 324 | stab wounds to the abdomen. 325 | 326 | 73 327 | 00:06:53,155 --> 00:06:55,250 328 | Hemorrhaging around throat, 329 | 330 | 74 331 | 00:06:55,291 --> 00:06:59,861 332 | lividity at the shoulders, 333 | thighs, and torso. 334 | 335 | 75 336 | 00:06:59,894 --> 00:07:03,764 337 | She'd been on her back a while 338 | 339 | 76 340 | 00:07:03,797 --> 00:07:06,066 341 | before he moved her. 342 | 343 | 77 344 | 00:07:09,771 --> 00:07:13,139 345 | [Camera clicks] 346 | 347 | 78 348 | 00:07:13,172 --> 00:07:16,108 349 | HART VOICE-OVER: That's why 350 | they called him The Tax Man. 351 | 352 | 79 353 | 00:07:16,141 --> 00:07:19,348 354 | The rest of us had these 355 | little note pads or something. 356 | 357 | 80 358 | 00:07:19,381 --> 00:07:22,012 359 | He had this big ledger. 360 | 361 | 81 362 | 00:07:22,052 --> 00:07:26,956 363 | Looked funny walking door to 364 | door with it like the tax man, 365 | 366 | 82 367 | 00:07:26,989 --> 00:07:31,626 368 | which ain't bad 369 | as far as nicknames go. 370 | 371 | 83 372 | 00:07:31,659 --> 00:07:35,160 373 | COHLE VOICE-OVER: Yeah. Of course 374 | I've always taken a lot of notes. 375 | 376 | 84 377 | 00:07:35,193 --> 00:07:38,930 378 | I mean, you never know what 379 | the thing's gonna be, do you? 380 | 381 | 85 382 | 00:07:38,963 --> 00:07:41,697 383 | A little detail 384 | somewhere way down the line 385 | 386 | 86 387 | 00:07:41,730 --> 00:07:47,101 388 | makes you say, "Ohh!" 389 | breaks the case. 390 | 391 | 87 392 | 00:07:47,134 --> 00:07:49,470 393 | HART: You know, I've seen 394 | all the different types. 395 | 396 | 88 397 | 00:07:49,503 --> 00:07:52,911 398 | We all fit 399 | a certain category-- 400 | 401 | 89 402 | 00:07:52,944 --> 00:08:00,418 403 | the bully, the charmer, 404 | the, uh, surrogate dad, 405 | 406 | 90 407 | 00:08:00,451 --> 00:08:04,893 408 | the man possessed 409 | by ungovernable rage, 410 | 411 | 91 412 | 00:08:04,926 --> 00:08:06,430 413 | the brain-- 414 | 415 | 92 416 | 00:08:06,463 --> 00:08:12,236 417 | and any of those types 418 | could be a good detective, 419 | 420 | 93 421 | 00:08:12,269 --> 00:08:16,972 422 | and any of those types could be 423 | an incompetent shitheel. 424 | 425 | 94 426 | 00:08:17,005 --> 00:08:19,243 427 | Which type were you? 428 | 429 | 95 430 | 00:08:19,276 --> 00:08:24,716 431 | Oh, I was just 432 | a regular type dude 433 | 434 | 96 435 | 00:08:24,749 --> 00:08:27,451 436 | with a big-ass dick. 437 | 438 | 97 439 | 00:08:27,484 --> 00:08:29,515 440 | [Sips] 441 | 442 | 98 443 | 00:08:29,548 --> 00:08:32,618 444 | A lot of it had to do 445 | with how they manage authority. 446 | 447 | 99 448 | 00:08:32,651 --> 00:08:34,921 449 | ♪ 450 | 451 | 100 452 | 00:08:34,954 --> 00:08:40,825 453 | There can be a burden 454 | in authority, in vigilance, 455 | 456 | 101 457 | 00:08:40,858 --> 00:08:44,833 458 | like a father's burden. 459 | 460 | 102 461 | 00:08:44,866 --> 00:08:47,402 462 | It was too much for some men. 463 | 464 | 103 465 | 00:08:47,435 --> 00:08:51,803 466 | A smart guy who's steady 467 | is hard to find. 468 | 469 | 104 470 | 00:08:51,843 --> 00:08:54,274 471 | I was all right, 472 | better than some, 473 | 474 | 105 475 | 00:08:54,307 --> 00:09:01,346 476 | but, you know, I knew how to talk 477 | to people, and I was steady. 478 | 479 | 106 480 | 00:09:01,379 --> 00:09:05,956 481 | Rust-- now his 482 | Texas files were classified 483 | 484 | 107 485 | 00:09:05,989 --> 00:09:10,559 486 | or redacted, 487 | and he wasn't big on talking 488 | 489 | 108 490 | 00:09:10,600 --> 00:09:14,169 491 | except when you wanted 492 | him to shut up, 493 | 494 | 109 495 | 00:09:14,202 --> 00:09:16,842 496 | but he was smart. 497 | 498 | 110 499 | 00:09:20,746 --> 00:09:24,213 500 | Yeah. Second week 501 | we were together, 502 | 503 | 111 504 | 00:09:24,246 --> 00:09:26,948 505 | I saw where he was living. 506 | 507 | 112 508 | 00:09:26,982 --> 00:09:29,316 509 | Kind of made me feel 510 | for the guy. 511 | 512 | 113 513 | 00:09:29,356 --> 00:09:33,492 514 | ♪ 515 | 516 | 114 517 | 00:09:42,334 --> 00:09:43,637 518 | I'd offer you a seat, 519 | 520 | 115 521 | 00:09:43,670 --> 00:09:46,342 522 | but, uh... 523 | 524 | 116 525 | 00:09:46,375 --> 00:09:50,246 526 | Don't mention it. 527 | I, uh-- I can't stay. 528 | 529 | 117 530 | 00:09:54,215 --> 00:09:55,349 531 | HART VOICE-OVER: 532 | Yeah, I'll tell you guys-- 533 | 534 | 118 535 | 00:09:55,382 --> 00:09:57,952 536 | and believe me, 537 | past a certain age, 538 | 539 | 119 540 | 00:09:57,985 --> 00:10:02,655 541 | a man without a family 542 | can be a bad thing. 543 | 544 | 120 545 | 00:10:04,498 --> 00:10:06,593 546 | [Police radio chatter] 547 | 548 | 121 549 | 00:10:30,954 --> 00:10:36,294 550 | COHLE VOICE-OVER: We'd 551 | encountered a meta-psychotic, 552 | 553 | 122 554 | 00:10:36,335 --> 00:10:38,995 555 | which I had to 556 | explain to Marty, 557 | 558 | 123 559 | 00:10:39,028 --> 00:10:42,468 560 | what meta-psychotic was. 561 | 562 | 124 563 | 00:10:42,501 --> 00:10:46,199 564 | ♪ 565 | 566 | 125 567 | 00:10:46,232 --> 00:10:48,735 568 | This is gonna happen again, 569 | 570 | 126 571 | 00:10:48,768 --> 00:10:54,744 572 | or it's happened before, both. 573 | 574 | 127 575 | 00:10:54,809 --> 00:10:57,847 576 | Go on. 577 | 578 | 128 579 | 00:10:57,880 --> 00:11:01,849 580 | It's fantasy enactment, ritual, 581 | 582 | 129 583 | 00:11:01,882 --> 00:11:05,189 584 | fetishization, iconography. 585 | 586 | 130 587 | 00:11:05,230 --> 00:11:06,998 588 | This is his vision. 589 | 590 | 131 591 | 00:11:07,032 --> 00:11:10,902 592 | Her body is 593 | a paraphilic love map. 594 | 595 | 132 596 | 00:11:10,935 --> 00:11:12,569 597 | How's that? 598 | 599 | 133 600 | 00:11:12,602 --> 00:11:14,811 601 | An attachment of physical lust 602 | 603 | 134 604 | 00:11:14,844 --> 00:11:18,514 605 | to fantasies and practices 606 | forbidden by society. 607 | 608 | 135 609 | 00:11:20,884 --> 00:11:23,487 610 | You get that from one 611 | of your books? 612 | 613 | 136 614 | 00:11:23,520 --> 00:11:27,128 615 | I did. 616 | 617 | 137 618 | 00:11:27,161 --> 00:11:30,865 619 | Her knees are abraded, 620 | rug burns on her back. 621 | 622 | 138 623 | 00:11:30,898 --> 00:11:32,663 624 | Cold sores, gum line recession, 625 | 626 | 139 627 | 00:11:32,696 --> 00:11:33,895 628 | bad teeth. 629 | 630 | 140 631 | 00:11:33,935 --> 00:11:36,998 632 | There's decent odds 633 | she was a prost. 634 | 635 | 141 636 | 00:11:37,031 --> 00:11:40,301 637 | He might not have 638 | known her, but... 639 | 640 | 142 641 | 00:11:40,334 --> 00:11:46,406 642 | this idea goes 643 | way back with him. 644 | 645 | 143 646 | 00:11:46,447 --> 00:11:48,940 647 | You-- you got a chapter 648 | in one of those books 649 | 650 | 144 651 | 00:11:48,981 --> 00:11:52,346 652 | on jumping to conclusions? 653 | 654 | 145 655 | 00:11:52,379 --> 00:11:55,051 656 | You attach an assumption 657 | to a piece of evidence, 658 | 659 | 146 660 | 00:11:55,084 --> 00:11:59,680 661 | you start to bend the 662 | narrative to support it, 663 | 664 | 147 665 | 00:11:59,721 --> 00:12:02,017 666 | prejudice yourself. 667 | 668 | 148 669 | 00:12:05,090 --> 00:12:07,391 670 | Wait and see on the ID. 671 | 672 | 149 673 | 00:12:10,929 --> 00:12:12,558 674 | All right. 675 | 676 | 150 677 | 00:12:12,599 --> 00:12:17,301 678 | This kind of thing does 679 | not happen in a vacuum. 680 | 681 | 151 682 | 00:12:17,334 --> 00:12:21,038 683 | I guarantee this 684 | wasn't his first. 685 | 686 | 152 687 | 00:12:21,071 --> 00:12:22,701 688 | It's too specific. 689 | 690 | 153 691 | 00:12:30,512 --> 00:12:31,951 692 | Uh... 693 | 694 | 154 695 | 00:12:35,853 --> 00:12:38,956 696 | listen, uh-- ahem, 697 | this is 698 | 699 | 155 700 | 00:12:38,989 --> 00:12:41,158 701 | a... 702 | 703 | 156 704 | 00:12:41,190 --> 00:12:44,724 705 | stupid time to mention this, 706 | 707 | 157 708 | 00:12:44,757 --> 00:12:47,061 709 | but... 710 | 711 | 158 712 | 00:12:47,094 --> 00:12:50,499 713 | you've got to come to dinner. 714 | 715 | 159 716 | 00:12:50,532 --> 00:12:52,163 717 | Can't put Maggie off anymore, 718 | 719 | 160 720 | 00:12:52,197 --> 00:12:55,133 721 | so you just got to. 722 | 723 | 161 724 | 00:13:01,877 --> 00:13:03,382 725 | All right. 726 | 727 | 162 728 | 00:13:03,415 --> 00:13:07,549 729 | ♪ 730 | 731 | 163 732 | 00:13:10,551 --> 00:13:12,589 733 | Gordon, thanks for coming. 734 | 735 | 164 736 | 00:13:12,622 --> 00:13:14,092 737 | Marty. 738 | 739 | 165 740 | 00:13:14,125 --> 00:13:16,155 741 | Yeah. So... 742 | 743 | 166 744 | 00:13:16,188 --> 00:13:18,493 745 | COHLE VOICE-OVER: Anyway, that 746 | evening, wasn't even sundown, 747 | 748 | 167 749 | 00:13:18,526 --> 00:13:22,059 750 | he decided it was a good time 751 | to invite me over for dinner, 752 | 753 | 168 754 | 00:13:22,100 --> 00:13:24,026 755 | which I got a problem with, 756 | 757 | 169 758 | 00:13:24,066 --> 00:13:25,731 759 | all right, because I'm 760 | thinking about Marty's wife 761 | 762 | 170 763 | 00:13:25,764 --> 00:13:30,468 764 | and this two kids and how 765 | it's my daughter's birthday, 766 | 767 | 171 768 | 00:13:30,509 --> 00:13:31,972 769 | and I know... 770 | 771 | 172 772 | 00:13:34,676 --> 00:13:36,474 773 | there's nothing I can 774 | do about it, 775 | 776 | 173 777 | 00:13:36,507 --> 00:13:41,012 778 | maybe not today, 779 | maybe not tomorrow, but... 780 | 781 | 174 782 | 00:13:41,053 --> 00:13:43,717 783 | I'm gonna have a drink. 784 | 785 | 175 786 | 00:13:43,750 --> 00:13:44,917 787 | [Knock on door] 788 | 789 | 176 790 | 00:13:44,958 --> 00:13:45,957 791 | HART: Let me get up! 792 | Heh, heh! 793 | 794 | 177 795 | 00:13:45,990 --> 00:13:47,451 796 | Daddy! 797 | 798 | 178 799 | 00:13:47,492 --> 00:13:49,723 800 | You're gonna meet him. 801 | I got to get the door. 802 | 803 | 179 804 | 00:13:49,756 --> 00:13:53,660 805 | [Children laughing] 806 | 807 | 180 808 | 00:13:53,693 --> 00:13:55,627 809 | Hey. 810 | 811 | 181 812 | 00:13:55,660 --> 00:13:59,002 813 | GIRL: Santa Claus is coming! 814 | 815 | 182 816 | 00:13:59,035 --> 00:14:02,535 817 | SECOND GIRL: Aah! Jump! 818 | Ha, ha, ha! 819 | 820 | 183 821 | 00:14:11,472 --> 00:14:13,278 822 | COHLE: People out here, 823 | 824 | 184 825 | 00:14:13,311 --> 00:14:19,281 826 | it's like they don't even know 827 | the outside world exists. 828 | 829 | 185 830 | 00:14:19,322 --> 00:14:22,152 831 | Might as well be living 832 | on the fucking Moon. 833 | 834 | 186 835 | 00:14:24,286 --> 00:14:27,526 836 | There's all kinds 837 | of ghettos in the world. 838 | 839 | 187 840 | 00:14:27,559 --> 00:14:31,094 841 | It's all one ghetto, man, 842 | 843 | 188 844 | 00:14:31,127 --> 00:14:34,060 845 | giant gutter in outer space. 846 | 847 | 189 848 | 00:14:38,105 --> 00:14:42,008 849 | Today, that scene, 850 | 851 | 190 852 | 00:14:42,041 --> 00:14:45,782 853 | that is the most fucked 854 | up thing I ever caught. 855 | 856 | 191 857 | 00:14:47,887 --> 00:14:50,148 858 | Ask you something? 859 | 860 | 192 861 | 00:14:50,189 --> 00:14:53,990 862 | You're a Christian, yeah? 863 | 864 | 193 865 | 00:14:54,023 --> 00:14:56,559 866 | No. 867 | 868 | 194 869 | 00:14:56,600 --> 00:15:01,060 870 | Well, then what do you got the 871 | cross for in your apartment? 872 | 873 | 195 874 | 00:15:01,101 --> 00:15:05,265 875 | That's a form of meditation. 876 | 877 | 196 878 | 00:15:05,298 --> 00:15:06,666 879 | How's that? 880 | 881 | 197 882 | 00:15:09,669 --> 00:15:13,470 883 | I contemplate 884 | the moment in the garden, 885 | 886 | 198 887 | 00:15:13,503 --> 00:15:18,040 888 | the idea of allowing 889 | your own crucifixion. 890 | 891 | 199 892 | 00:15:22,878 --> 00:15:24,182 893 | But you're not a Christian. 894 | 895 | 200 896 | 00:15:24,216 --> 00:15:26,750 897 | So what do you believe? 898 | 899 | 201 900 | 00:15:26,783 --> 00:15:27,885 901 | I believe that people 902 | shouldn't talk 903 | 904 | 202 905 | 00:15:27,918 --> 00:15:29,852 906 | about this type of shit 907 | at work. 908 | 909 | 203 910 | 00:15:29,885 --> 00:15:32,622 911 | Hold on, hold on. 912 | 913 | 204 914 | 00:15:32,655 --> 00:15:35,391 915 | Uh... 3 months 916 | we been together, 917 | 918 | 205 919 | 00:15:35,424 --> 00:15:37,526 920 | I get nothing from you. 921 | 922 | 206 923 | 00:15:37,559 --> 00:15:41,339 924 | Today, what we're into now, 925 | 926 | 207 927 | 00:15:41,372 --> 00:15:42,539 928 | do me a courtesy, okay? 929 | 930 | 208 931 | 00:15:42,572 --> 00:15:44,401 932 | I'm not trying to convert you. 933 | 934 | 209 935 | 00:15:44,442 --> 00:15:46,672 936 | Look. I consider myself 937 | a realist, all right, 938 | 939 | 210 940 | 00:15:46,705 --> 00:15:50,209 941 | but in philosophical terms, 942 | I'm what's called a pessimist. 943 | 944 | 211 945 | 00:15:50,242 --> 00:15:53,080 946 | Um, okay. 947 | What's that mean? 948 | 949 | 212 950 | 00:15:53,113 --> 00:15:55,649 951 | Means I'm bad at parties. 952 | 953 | 213 954 | 00:15:55,682 --> 00:15:58,019 955 | Heh. Let me tell you. 956 | 957 | 214 958 | 00:15:58,052 --> 00:16:01,224 959 | You ain't great outside 960 | of parties either. 961 | 962 | 215 963 | 00:16:07,331 --> 00:16:09,699 964 | I think human consciousness 965 | 966 | 216 967 | 00:16:09,732 --> 00:16:12,204 968 | was a tragic misstep 969 | in evolution. 970 | 971 | 217 972 | 00:16:12,237 --> 00:16:14,742 973 | We became too self-aware. 974 | 975 | 218 976 | 00:16:14,775 --> 00:16:18,279 977 | Nature created an aspect of 978 | nature separate from itself. 979 | 980 | 219 981 | 00:16:18,312 --> 00:16:22,678 982 | We are creatures that should 983 | not exist by natural law. 984 | 985 | 220 986 | 00:16:22,719 --> 00:16:25,549 987 | Huh. That sounds 988 | god-fucking-awful, Rust. 989 | 990 | 221 991 | 00:16:25,583 --> 00:16:28,591 992 | We are things that labor 993 | under the illusion 994 | 995 | 222 996 | 00:16:28,624 --> 00:16:30,590 997 | of having a self, 998 | 999 | 223 1000 | 00:16:30,623 --> 00:16:34,989 1001 | this accretion of sensory 1002 | experience and feeling, 1003 | 1004 | 224 1005 | 00:16:35,030 --> 00:16:40,334 1006 | programmed with total assurance 1007 | that we are each somebody 1008 | 1009 | 225 1010 | 00:16:40,367 --> 00:16:42,471 1011 | when, in fact, 1012 | everybody's nobody. 1013 | 1014 | 226 1015 | 00:16:42,504 --> 00:16:45,174 1016 | I wouldn't go around spouting 1017 | that shit, I was you. 1018 | 1019 | 227 1020 | 00:16:45,207 --> 00:16:47,776 1021 | People around here 1022 | don't think that way. 1023 | 1024 | 228 1025 | 00:16:47,809 --> 00:16:49,145 1026 | I don't think that way. 1027 | 1028 | 229 1029 | 00:16:49,178 --> 00:16:51,479 1030 | I think the honorable 1031 | thing for species to do 1032 | 1033 | 230 1034 | 00:16:51,512 --> 00:16:54,984 1035 | is deny our programming, 1036 | 1037 | 231 1038 | 00:16:55,017 --> 00:16:57,186 1039 | stop reproducing, 1040 | 1041 | 232 1042 | 00:16:57,219 --> 00:17:00,027 1043 | walk hand in hand 1044 | into extinction, 1045 | 1046 | 233 1047 | 00:17:00,060 --> 00:17:02,324 1048 | one last midnight, 1049 | brothers and sisters 1050 | 1051 | 234 1052 | 00:17:02,364 --> 00:17:05,498 1053 | opting out of a raw deal. 1054 | 1055 | 235 1056 | 00:17:07,835 --> 00:17:11,301 1057 | So what's the point of getting 1058 | out bed in the morning? 1059 | 1060 | 236 1061 | 00:17:11,341 --> 00:17:13,309 1062 | I tell myself I bear witness, 1063 | 1064 | 237 1065 | 00:17:13,342 --> 00:17:17,937 1066 | but the real answer is that 1067 | it's obviously my programming, 1068 | 1069 | 238 1070 | 00:17:17,978 --> 00:17:21,380 1071 | and I lack the constitution 1072 | for suicide. 1073 | 1074 | 239 1075 | 00:17:21,413 --> 00:17:25,581 1076 | My luck, I picked today 1077 | to get to know you. 1078 | 1079 | 240 1080 | 00:17:25,621 --> 00:17:28,457 1081 | 3 months, I don't hear 1082 | a word from you, and-- 1083 | 1084 | 241 1085 | 00:17:28,490 --> 00:17:29,760 1086 | - You asked. 1087 | - Yeah. 1088 | 1089 | 242 1090 | 00:17:29,793 --> 00:17:33,326 1091 | And now I'm begging you 1092 | to shut the fuck up. 1093 | 1094 | 243 1095 | 00:17:40,731 --> 00:17:44,298 1096 | I get a bad taste 1097 | in my mouth out here. 1098 | 1099 | 244 1100 | 00:17:44,339 --> 00:17:48,172 1101 | Aluminum, ash, 1102 | 1103 | 245 1104 | 00:17:48,205 --> 00:17:51,210 1105 | like you can smell 1106 | the psychosphere. 1107 | 1108 | 246 1109 | 00:17:51,242 --> 00:17:52,505 1110 | I got an idea. 1111 | 1112 | 247 1113 | 00:17:52,546 --> 00:17:56,178 1114 | Let's make the car a place 1115 | of silent reflection 1116 | 1117 | 248 1118 | 00:17:56,211 --> 00:17:59,851 1119 | from now on, okay? 1120 | 1121 | 249 1122 | 00:18:03,294 --> 00:18:06,315 1123 | _ 1124 | 1125 | 250 1126 | 00:18:09,225 --> 00:18:11,823 1127 | What should I bring for dinner? 1128 | 1129 | 251 1130 | 00:18:15,467 --> 00:18:20,337 1131 | A bottle of wine would 1132 | be nice, I guess. 1133 | 1134 | 252 1135 | 00:18:20,370 --> 00:18:23,072 1136 | I don't drink. 1137 | 1138 | 253 1139 | 00:18:23,105 --> 00:18:25,744 1140 | Well, no, of course not, Rust. 1141 | 1142 | 254 1143 | 00:18:25,777 --> 00:18:27,311 1144 | Listen. When you're 1145 | at my house, 1146 | 1147 | 255 1148 | 00:18:27,344 --> 00:18:29,246 1149 | I want you to chill 1150 | the fuck out. 1151 | 1152 | 256 1153 | 00:18:29,279 --> 00:18:32,249 1154 | Don't even mention any of that 1155 | bullshit you just said to me. 1156 | 1157 | 257 1158 | 00:18:32,282 --> 00:18:33,712 1159 | Of course not, Marty. 1160 | 1161 | 258 1162 | 00:18:33,753 --> 00:18:36,517 1163 | I'm not some kind 1164 | of maniac, all right? 1165 | 1166 | 259 1167 | 00:18:36,550 --> 00:18:38,885 1168 | I mean, for fuck's sake. 1169 | 1170 | 260 1171 | 00:18:38,918 --> 00:18:43,051 1172 | ♪ 1173 | 1174 | 261 1175 | 00:18:44,722 --> 00:18:46,121 1176 | [Sighs] 1177 | 1178 | 262 1179 | 00:18:55,334 --> 00:18:57,070 1180 | What'd you hear? 1181 | 1182 | 263 1183 | 00:18:57,103 --> 00:18:58,241 1184 | Ask Cohle. 1185 | 1186 | 264 1187 | 00:18:58,274 --> 00:18:59,777 1188 | You mean The Tax Man? 1189 | 1190 | 265 1191 | 00:18:59,810 --> 00:19:01,978 1192 | You know, he's IA. 1193 | 1194 | 266 1195 | 00:19:02,011 --> 00:19:06,783 1196 | This is State CID Homicide-- 1197 | Detective Geraci. 1198 | 1199 | 267 1200 | 00:19:06,816 --> 00:19:08,886 1201 | Yes, ma'am. 1202 | 1203 | 268 1204 | 00:19:08,919 --> 00:19:11,785 1205 | I'm calling to ask 1206 | about that night... 1207 | 1208 | 269 1209 | 00:19:11,825 --> 00:19:14,160 1210 | I mean, you never heard 1211 | any shit like this before. 1212 | 1213 | 270 1214 | 00:19:14,193 --> 00:19:16,359 1215 | She had... 1216 | 1217 | 271 1218 | 00:19:16,392 --> 00:19:19,034 1219 | antlers. Um... 1220 | 1221 | 272 1222 | 00:19:19,067 --> 00:19:20,268 1223 | Fuck. 1224 | 1225 | 273 1226 | 00:19:20,301 --> 00:19:22,770 1227 | This is-- this is 1228 | the real thing, 1229 | 1230 | 274 1231 | 00:19:22,803 --> 00:19:26,308 1232 | some "Halloween" shit. 1233 | 1234 | 275 1235 | 00:19:29,541 --> 00:19:33,811 1236 | Well, we're gonna have to 1237 | do a press conference. 1238 | 1239 | 276 1240 | 00:19:33,844 --> 00:19:36,283 1241 | What about him? 1242 | What do you think? 1243 | 1244 | 277 1245 | 00:19:41,721 --> 00:19:44,426 1246 | Smart... 1247 | 1248 | 278 1249 | 00:19:44,491 --> 00:19:46,395 1250 | aloof. 1251 | 1252 | 279 1253 | 00:19:46,428 --> 00:19:48,933 1254 | Doesn't care 1255 | about making friends, 1256 | 1257 | 280 1258 | 00:19:48,966 --> 00:19:51,166 1259 | but he's already 1260 | running with it. 1261 | 1262 | 281 1263 | 00:19:51,199 --> 00:19:56,941 1264 | He's got a real-- 1265 | real mind for it. Yeah. 1266 | 1267 | 282 1268 | 00:19:56,974 --> 00:19:59,144 1269 | So you'd keep him on then? 1270 | 1271 | 283 1272 | 00:20:04,584 --> 00:20:06,917 1273 | Both of us, yeah. 1274 | I would. 1275 | 1276 | 284 1277 | 00:20:06,950 --> 00:20:10,049 1278 | All right. 1279 | You're still lead. 1280 | 1281 | 285 1282 | 00:20:10,082 --> 00:20:12,355 1283 | The incident room is yours, 1284 | 1285 | 286 1286 | 00:20:12,388 --> 00:20:15,386 1287 | and, uh, you do 1288 | the briefing tomorrow. 1289 | 1290 | 287 1291 | 00:20:15,419 --> 00:20:17,425 1292 | Yes, sir. 1293 | Thank you. 1294 | 1295 | 288 1296 | 00:20:22,763 --> 00:20:24,265 1297 | Hello, sir. 1298 | 1299 | 289 1300 | 00:20:29,467 --> 00:20:31,175 1301 | Fuck that prick. 1302 | 1303 | 290 1304 | 00:20:34,576 --> 00:20:36,543 1305 | [Indistinct chatter] 1306 | 1307 | 291 1308 | 00:20:36,584 --> 00:20:37,680 1309 | Yeah. No. I couldn't 1310 | hear you there. 1311 | 1312 | 292 1313 | 00:20:37,713 --> 00:20:39,090 1314 | Antlers and shit. 1315 | 1316 | 293 1317 | 00:20:39,091 --> 00:20:41,351 1318 | That's my point, 1319 | I wanted you to see her. 1320 | 1321 | 294 1322 | 00:20:41,352 --> 00:20:42,752 1323 | Yeah, you don't mark 1324 | up a body like that... 1325 | 1326 | 295 1327 | 00:20:42,890 --> 00:20:45,823 1328 | LUTZ: She had antlers? 1329 | What does that mean? 1330 | 1331 | 296 1332 | 00:20:45,857 --> 00:20:49,361 1333 | It was a crown. 1334 | 1335 | 297 1336 | 00:20:49,394 --> 00:20:52,695 1337 | HART: We'll do the briefing 1338 | tomorrow, guys, early. 1339 | 1340 | 298 1341 | 00:20:52,728 --> 00:20:55,460 1342 | My guy does the AP Wire 1343 | asked about Satanism. 1344 | 1345 | 299 1346 | 00:20:55,501 --> 00:20:58,899 1347 | DEMMA: It got Speece here. You're 1348 | gonna have his nose up your ass. 1349 | 1350 | 300 1351 | 00:20:58,932 --> 00:21:01,433 1352 | Major was saying something 1353 | about a press conference. 1354 | 1355 | 301 1356 | 00:21:01,466 --> 00:21:04,064 1357 | Well, guess I can count 1358 | my blessings, fellas. 1359 | 1360 | 302 1361 | 00:21:04,105 --> 00:21:05,535 1362 | Thanks for that. 1363 | 1364 | 303 1365 | 00:21:08,974 --> 00:21:11,068 1366 | [Typewriter clacking] 1367 | 1368 | 304 1369 | 00:21:18,711 --> 00:21:21,853 1370 | Hey. You mind 1371 | if I skate? Ahem. 1372 | 1373 | 305 1374 | 00:21:21,886 --> 00:21:26,017 1375 | I got some names 1376 | from Vice, prost farms. 1377 | 1378 | 306 1379 | 00:21:26,050 --> 00:21:29,419 1380 | Check around on our DB. 1381 | 1382 | 307 1383 | 00:21:29,460 --> 00:21:31,787 1384 | You want me to go with you? 1385 | 1386 | 308 1387 | 00:21:31,827 --> 00:21:35,531 1388 | Nah. Just something to do. 1389 | 1390 | 309 1391 | 00:21:35,564 --> 00:21:39,337 1392 | Yeah. You go ahead. I'll 1393 | take care of the paperwork. 1394 | 1395 | 310 1396 | 00:21:39,370 --> 00:21:43,472 1397 | ♪ 1398 | 1399 | 311 1400 | 00:21:43,505 --> 00:21:44,976 1401 | COHLE VOICE-OVER: Like I said, 1402 | I'm feeling a lot of stuff 1403 | 1404 | 312 1405 | 00:21:45,009 --> 00:21:47,512 1406 | hit me at this time-- 1407 | 1408 | 313 1409 | 00:21:47,545 --> 00:21:51,218 1410 | my daughter's birthday, 1411 | this dead woman, 1412 | 1413 | 314 1414 | 00:21:51,251 --> 00:21:54,687 1415 | and, um... 1416 | 1417 | 315 1418 | 00:21:54,720 --> 00:21:57,552 1419 | figured I'd work 1420 | the case, you know, 1421 | 1422 | 316 1423 | 00:21:57,593 --> 00:22:02,697 1424 | till DiCillo called 1425 | or we got an ID. 1426 | 1427 | 317 1428 | 00:22:02,730 --> 00:22:06,329 1429 | State Vice gave me 1430 | some addresses to follow up on. 1431 | 1432 | 318 1433 | 00:22:06,370 --> 00:22:09,970 1434 | So far, nobody'd-- 1435 | nobody'd talked to me. 1436 | 1437 | 319 1438 | 00:22:34,096 --> 00:22:38,231 1439 | ♪ 1440 | 1441 | 320 1442 | 00:22:44,736 --> 00:22:47,173 1443 | Evening, ladies. 1444 | 1445 | 321 1446 | 00:22:47,206 --> 00:22:51,533 1447 | I was hoping to ask 1448 | y'all a few questions. 1449 | 1450 | 322 1451 | 00:22:51,566 --> 00:22:53,396 1452 | Oh, come on, man. 1453 | 1454 | 323 1455 | 00:22:53,437 --> 00:22:54,699 1456 | I'll get the next round. 1457 | 1458 | 324 1459 | 00:22:54,732 --> 00:22:57,497 1460 | Heh. You making 1461 | trouble for us then? 1462 | 1463 | 325 1464 | 00:22:57,538 --> 00:22:59,768 1465 | No. I'm just looking to 1466 | get some information 1467 | 1468 | 326 1469 | 00:22:59,801 --> 00:23:01,039 1470 | on a woman. 1471 | 1472 | 327 1473 | 00:23:01,072 --> 00:23:02,303 1474 | Might be you know her. 1475 | 1476 | 328 1477 | 00:23:02,336 --> 00:23:03,375 1478 | Who's that? 1479 | 1480 | 329 1481 | 00:23:03,408 --> 00:23:06,743 1482 | Hold on. 1483 | 1484 | 330 1485 | 00:23:06,776 --> 00:23:10,876 1486 | Mmm. We'll take two large 1487 | Long Island ice teas, please. 1488 | 1489 | 331 1490 | 00:23:13,212 --> 00:23:14,577 1491 | Ma'am. 1492 | 1493 | 332 1494 | 00:23:14,610 --> 00:23:16,711 1495 | [Car approaching] 1496 | 1497 | 333 1498 | 00:23:53,241 --> 00:23:55,440 1499 | I'm Rust, by the way. 1500 | 1501 | 334 1502 | 00:23:55,473 --> 00:23:58,112 1503 | I'm Anette, she's Lucy. 1504 | 1505 | 335 1506 | 00:23:59,788 --> 00:24:01,851 1507 | Either one of you know a woman 1508 | 1509 | 336 1510 | 00:24:01,884 --> 00:24:05,423 1511 | about your age, 1512 | works the same place, 1513 | 1514 | 337 1515 | 00:24:05,464 --> 00:24:09,731 1516 | about 5'5", blond like you? 1517 | 1518 | 338 1519 | 00:24:09,772 --> 00:24:11,633 1520 | What kind of tits she have? 1521 | 1522 | 339 1523 | 00:24:11,666 --> 00:24:15,171 1524 | ♪ 1525 | 1526 | 340 1527 | 00:24:15,204 --> 00:24:18,148 1528 | Medium, a little larger 1529 | than yours, 1530 | 1531 | 341 1532 | 00:24:18,181 --> 00:24:20,114 1533 | proportion to the body natural. 1534 | 1535 | 342 1536 | 00:24:20,147 --> 00:24:21,280 1537 | Hmm. 1538 | 1539 | 343 1540 | 00:24:21,313 --> 00:24:23,112 1541 | Gee. I don't know. We 1542 | see a lot of girls 1543 | 1544 | 344 1545 | 00:24:23,145 --> 00:24:25,879 1546 | like that around. 1547 | 1548 | 345 1549 | 00:24:25,912 --> 00:24:27,553 1550 | Any girls like that 1551 | 1552 | 346 1553 | 00:24:27,586 --> 00:24:31,248 1554 | you haven't seen around 1555 | lately, missing like? 1556 | 1557 | 347 1558 | 00:24:31,281 --> 00:24:34,449 1559 | People come and go. 1560 | 1561 | 348 1562 | 00:24:34,482 --> 00:24:38,013 1563 | What do you want them for? 1564 | 1565 | 349 1566 | 00:24:38,054 --> 00:24:41,654 1567 | I wouldn't bust 1568 | somebody for hooking 1569 | 1570 | 350 1571 | 00:24:41,687 --> 00:24:43,325 1572 | or drugs. 1573 | 1574 | 351 1575 | 00:24:46,492 --> 00:24:48,690 1576 | I'm murder police. 1577 | 1578 | 352 1579 | 00:24:48,723 --> 00:24:51,795 1580 | Somebody got killed. 1581 | 1582 | 353 1583 | 00:24:51,828 --> 00:24:53,163 1584 | There's a girl named Liza, 1585 | 1586 | 354 1587 | 00:24:53,196 --> 00:24:54,427 1588 | another called Destiny, 1589 | 1590 | 355 1591 | 00:24:54,468 --> 00:24:57,501 1592 | but I seen Destiny 1593 | yesterday at McDonald's. 1594 | 1595 | 356 1596 | 00:24:57,534 --> 00:24:58,870 1597 | What about Liza? 1598 | 1599 | 357 1600 | 00:24:58,903 --> 00:25:00,007 1601 | She's here. 1602 | 1603 | 358 1604 | 00:25:10,850 --> 00:25:12,425 1605 | Anette, go get 1606 | a couple more drinks 1607 | 1608 | 359 1609 | 00:25:12,458 --> 00:25:14,550 1610 | from the bar, will you, please? 1611 | 1612 | 360 1613 | 00:25:17,521 --> 00:25:18,855 1614 | All right. 1615 | 1616 | 361 1617 | 00:25:25,128 --> 00:25:27,158 1618 | You get pills pretty easy? 1619 | 1620 | 362 1621 | 00:25:30,830 --> 00:25:33,628 1622 | Relax. I want some. 1623 | 1624 | 363 1625 | 00:25:35,700 --> 00:25:36,730 1626 | Speed? 1627 | 1628 | 364 1629 | 00:25:36,763 --> 00:25:40,263 1630 | No. Quaaludes, 1631 | anything-barbital. 1632 | 1633 | 365 1634 | 00:25:40,296 --> 00:25:41,536 1635 | Uppers are easier to get, 1636 | 1637 | 366 1638 | 00:25:41,569 --> 00:25:43,400 1639 | and they last longer, too. 1640 | 1641 | 367 1642 | 00:25:43,433 --> 00:25:46,167 1643 | Yeah, but it's not like that. 1644 | 1645 | 368 1646 | 00:25:46,207 --> 00:25:48,670 1647 | What's it like? 1648 | 1649 | 369 1650 | 00:25:48,703 --> 00:25:51,310 1651 | I don't sleep. 1652 | 1653 | 370 1654 | 00:26:07,921 --> 00:26:09,887 1655 | [Jingle] 1656 | 1657 | 371 1658 | 00:26:12,886 --> 00:26:14,958 1659 | [Thud, jingle] 1660 | 1661 | 372 1662 | 00:26:24,475 --> 00:26:26,611 1663 | Hey. 1664 | 1665 | 373 1666 | 00:26:26,644 --> 00:26:27,875 1667 | Oh. 1668 | 1669 | 374 1670 | 00:26:27,908 --> 00:26:29,347 1671 | Hey, Lone Ranger. 1672 | 1673 | 375 1674 | 00:26:29,380 --> 00:26:34,485 1675 | Hey. Ugh. Dreaming. 1676 | 1677 | 376 1678 | 00:26:34,518 --> 00:26:37,085 1679 | Why you out here, huh? 1680 | 1681 | 377 1682 | 00:26:37,118 --> 00:26:39,759 1683 | Why didn't you come to bed? 1684 | 1685 | 378 1686 | 00:26:39,792 --> 00:26:41,223 1687 | Um... 1688 | 1689 | 379 1690 | 00:26:45,432 --> 00:26:51,272 1691 | Caught a... bad one 1692 | yesterday. 1693 | 1694 | 380 1695 | 00:26:51,305 --> 00:26:53,041 1696 | Just couldn't sleep. 1697 | 1698 | 381 1699 | 00:26:53,074 --> 00:26:55,145 1700 | You got that woman from Erath? 1701 | 1702 | 382 1703 | 00:26:55,178 --> 00:26:57,113 1704 | - Yeah. 1705 | - Yeah? 1706 | 1707 | 383 1708 | 00:26:57,146 --> 00:26:58,576 1709 | Saw it on the news. 1710 | 1711 | 384 1712 | 00:27:02,714 --> 00:27:04,322 1713 | Girls will be up soon. 1714 | 1715 | 385 1716 | 00:27:06,786 --> 00:27:09,458 1717 | Missed you the last 1718 | couple days. 1719 | 1720 | 386 1721 | 00:27:09,491 --> 00:27:13,626 1722 | Oh, shit. 1723 | I got to shower. 1724 | 1725 | 387 1726 | 00:27:13,667 --> 00:27:15,666 1727 | Got a debriefing today 1728 | 1729 | 388 1730 | 00:27:15,699 --> 00:27:18,232 1731 | and maybe 1732 | a press conference later. 1733 | 1734 | 389 1735 | 00:27:24,304 --> 00:27:25,469 1736 | QUESADA: 1737 | And if Speece calls, 1738 | 1739 | 390 1740 | 00:27:25,502 --> 00:27:27,374 1741 | tell him I'm debriefing 1742 | the squad all morning. 1743 | 1744 | 391 1745 | 00:27:27,407 --> 00:27:28,639 1746 | WOMAN: Well, Marty said 1747 | he was doing that. 1748 | 1749 | 392 1750 | 00:27:28,672 --> 00:27:30,078 1751 | He is. 1752 | 1753 | 393 1754 | 00:27:30,111 --> 00:27:31,142 1755 | Hey, beautiful. 1756 | 1757 | 394 1758 | 00:27:31,175 --> 00:27:33,681 1759 | [Laughs] 1760 | Morning, baby. 1761 | 1762 | 395 1763 | 00:27:33,714 --> 00:27:35,384 1764 | Marty, how you want 1765 | your coffee, doll? 1766 | 1767 | 396 1768 | 00:27:35,417 --> 00:27:37,585 1769 | HART: Strong and black 1770 | just like you. 1771 | 1772 | 397 1773 | 00:27:37,618 --> 00:27:40,858 1774 | Prints came back. 1775 | Dora Kelly Lange. 1776 | 1777 | 398 1778 | 00:27:40,891 --> 00:27:44,660 1779 | Priors for shoplifting, 1780 | possession, and... 1781 | 1782 | 399 1783 | 00:27:44,693 --> 00:27:46,397 1784 | solicitation. 1785 | 1786 | 400 1787 | 00:27:46,430 --> 00:27:48,195 1788 | Address outside 1789 | of St. Martinville. 1790 | 1791 | 401 1792 | 00:27:48,236 --> 00:27:50,569 1793 | Landlord says she hasn't lived 1794 | there in almost a year. 1795 | 1796 | 402 1797 | 00:27:50,602 --> 00:27:51,864 1798 | She's got an ex Charlie Lange, 1799 | 1800 | 403 1801 | 00:27:51,897 --> 00:27:54,167 1802 | who's doing 8 in Avoyelles 1803 | for bad checks, 1804 | 1805 | 404 1806 | 00:27:54,199 --> 00:27:55,870 1807 | mom's outside of Breaux Bridge, 1808 | 1809 | 405 1810 | 00:27:55,903 --> 00:27:58,037 1811 | DMV license expired, 1812 | 1813 | 406 1814 | 00:27:58,070 --> 00:27:59,868 1815 | and DiCillo called. 1816 | 1817 | 407 1818 | 00:28:03,309 --> 00:28:04,674 1819 | DiCILLO VOICE-OVER: 1820 | She was washed clean, 1821 | 1822 | 408 1823 | 00:28:04,707 --> 00:28:06,471 1824 | not a print on her. 1825 | 1826 | 409 1827 | 00:28:06,504 --> 00:28:09,909 1828 | We got ligature marks 1829 | on the wrists and ankles, 1830 | 1831 | 410 1832 | 00:28:09,942 --> 00:28:11,372 1833 | was bound 1834 | by a half-inch rope, 1835 | 1836 | 411 1837 | 00:28:11,405 --> 00:28:13,475 1838 | maybe 10, 20 hours. 1839 | 1840 | 412 1841 | 00:28:13,508 --> 00:28:16,275 1842 | Evidence 1843 | of vaginal intercourse. 1844 | 1845 | 413 1846 | 00:28:16,308 --> 00:28:17,947 1847 | Bound upright, 1848 | 1849 | 414 1850 | 00:28:17,980 --> 00:28:20,547 1851 | hadn't eaten in a 1852 | day, maybe more. 1853 | 1854 | 415 1855 | 00:28:20,580 --> 00:28:24,723 1856 | Toxicology hit for lysergic 1857 | acid and methamphetamine. 1858 | 1859 | 416 1860 | 00:28:24,756 --> 00:28:27,620 1861 | That's crystal and LSD. 1862 | 1863 | 417 1864 | 00:28:27,653 --> 00:28:29,629 1865 | How much LSD? 1866 | 1867 | 418 1868 | 00:28:29,662 --> 00:28:31,061 1869 | Hard to say. 1870 | 1871 | 419 1872 | 00:28:31,094 --> 00:28:33,965 1873 | Got to wait for a mass spec. 1874 | 1875 | 420 1876 | 00:28:33,998 --> 00:28:37,933 1877 | So she was drugged, bound, 1878 | 1879 | 421 1880 | 00:28:37,966 --> 00:28:40,670 1881 | tortured with a knife, 1882 | 1883 | 422 1884 | 00:28:40,703 --> 00:28:45,247 1885 | strangled, posed out there. 1886 | 1887 | 423 1888 | 00:28:45,280 --> 00:28:46,480 1889 | Yeah. 1890 | 1891 | 424 1892 | 00:28:46,513 --> 00:28:49,712 1893 | ♪ 1894 | 1895 | 425 1896 | 00:28:49,753 --> 00:28:51,615 1897 | What about this stuff? 1898 | 1899 | 426 1900 | 00:28:51,648 --> 00:28:54,783 1901 | Well, the crown, for 1902 | lack of a better word, 1903 | 1904 | 427 1905 | 00:28:54,823 --> 00:28:59,651 1906 | rose thorns, early 1907 | cane, switchgrass 1908 | 1909 | 428 1910 | 00:28:59,692 --> 00:29:02,490 1911 | wrapped around a bent branch, 1912 | 1913 | 429 1914 | 00:29:02,523 --> 00:29:05,992 1915 | and the horns are deer antlers. 1916 | 1917 | 430 1918 | 00:29:06,025 --> 00:29:08,556 1919 | Again, no prints on anything. 1920 | 1921 | 431 1922 | 00:29:08,589 --> 00:29:11,092 1923 | Symbols are painted 1924 | with acrylic basic blue 1925 | 1926 | 432 1927 | 00:29:11,125 --> 00:29:12,796 1928 | using a thick glove finger. 1929 | 1930 | 433 1931 | 00:29:12,829 --> 00:29:14,799 1932 | Ideas what any of this means? 1933 | 1934 | 434 1935 | 00:29:14,832 --> 00:29:17,103 1936 | [Scoffs] 1937 | I don't know. 1938 | 1939 | 435 1940 | 00:29:17,136 --> 00:29:20,604 1941 | And it's all primitive. 1942 | It's like cave paintings. 1943 | 1944 | 436 1945 | 00:29:20,637 --> 00:29:23,070 1946 | Maybe you ought to talk 1947 | to an anthropologist. 1948 | 1949 | 437 1950 | 00:29:36,054 --> 00:29:37,486 1951 | [Sighs] 1952 | 1953 | 438 1954 | 00:29:37,519 --> 00:29:40,023 1955 | Lot of trouble 1956 | this guy went to. 1957 | 1958 | 439 1959 | 00:29:40,056 --> 00:29:42,525 1960 | Seems real personal. 1961 | 1962 | 440 1963 | 00:29:42,558 --> 00:29:45,030 1964 | I don't think so. 1965 | 1966 | 441 1967 | 00:29:45,063 --> 00:29:48,504 1968 | Was iconic, planned... 1969 | 1970 | 442 1971 | 00:29:48,537 --> 00:29:51,040 1972 | and in some ways, 1973 | it was impersonal. 1974 | 1975 | 443 1976 | 00:29:51,073 --> 00:29:53,673 1977 | Think of the blindfold. 1978 | 1979 | 444 1980 | 00:29:57,546 --> 00:30:00,016 1981 | This place is 1982 | like somebody's memory 1983 | 1984 | 445 1985 | 00:30:00,049 --> 00:30:02,952 1986 | of the town, 1987 | and the memory's fading. 1988 | 1989 | 446 1990 | 00:30:02,985 --> 00:30:05,521 1991 | It's like there was never 1992 | anything here but jungle. 1993 | 1994 | 447 1995 | 00:30:07,018 --> 00:30:10,689 1996 | Stop saying shit like that. 1997 | It's unprofessional. 1998 | 1999 | 448 2000 | 00:30:10,722 --> 00:30:13,424 2001 | Oh, is that what 2002 | I'm going for here? 2003 | 2004 | 449 2005 | 00:30:13,457 --> 00:30:16,429 2006 | I just want you to stop 2007 | saying odd shit, 2008 | 2009 | 450 2010 | 00:30:16,463 --> 00:30:18,428 2011 | like you smell a psycho's fear 2012 | 2013 | 451 2014 | 00:30:18,462 --> 00:30:20,934 2015 | or you're in someone's 2016 | faded memory of a town. 2017 | 2018 | 452 2019 | 00:30:20,967 --> 00:30:21,936 2020 | Just stop. 2021 | 2022 | 453 2023 | 00:30:21,969 --> 00:30:23,936 2024 | Well, given how long 2025 | it's taken for me 2026 | 2027 | 454 2028 | 00:30:23,969 --> 00:30:25,935 2029 | to reconcile my nature, 2030 | I can't figure 2031 | 2032 | 455 2033 | 00:30:25,968 --> 00:30:28,406 2034 | I'd forgo it 2035 | on your account, Marty. 2036 | 2037 | 456 2038 | 00:30:28,439 --> 00:30:31,038 2039 | [Distant train whistle blowing] 2040 | 2041 | 457 2042 | 00:30:32,449 --> 00:30:34,049 2043 | [Sighs] 2044 | 2045 | 458 2046 | 00:30:40,454 --> 00:30:42,054 2047 | Ahem. 2048 | 2049 | 459 2050 | 00:30:44,927 --> 00:30:47,421 2051 | You get any sleep last night? 2052 | 2053 | 460 2054 | 00:30:47,454 --> 00:30:49,431 2055 | I don't sleep. 2056 | 2057 | 461 2058 | 00:30:49,464 --> 00:30:51,568 2059 | I just dream. 2060 | 2061 | 462 2062 | 00:30:53,467 --> 00:30:55,371 2063 | Occult. 2064 | 2065 | 463 2066 | 00:30:55,404 --> 00:30:58,373 2067 | Now, I don't know if this shit 2068 | is anything but crazy, 2069 | 2070 | 464 2071 | 00:30:58,414 --> 00:31:00,381 2072 | but Speece 2073 | and the Superintendent, 2074 | 2075 | 465 2076 | 00:31:00,414 --> 00:31:03,782 2077 | they're paying attention, 2078 | the newspapers are making hay, 2079 | 2080 | 466 2081 | 00:31:03,815 --> 00:31:05,783 2082 | church groups. 2083 | 2084 | 467 2085 | 00:31:05,824 --> 00:31:07,789 2086 | Detective? 2087 | 2088 | 468 2089 | 00:31:07,822 --> 00:31:09,758 2090 | Ahem. 2091 | 2092 | 469 2093 | 00:31:09,791 --> 00:31:11,760 2094 | All right, here's 2095 | what we got so far. 2096 | 2097 | 470 2098 | 00:31:11,793 --> 00:31:15,231 2099 | Deceased's name is 2100 | Dora Kelly Lange, 28... 2101 | 2102 | 471 2103 | 00:31:15,264 --> 00:31:17,968 2104 | MAN VOICE-OVER: 2105 | You stay busy now, the business? 2106 | 2107 | 472 2108 | 00:31:18,001 --> 00:31:20,429 2109 | HART VOICE-OVER: Well, yeah, 2110 | I got the security firm, 2111 | 2112 | 473 2113 | 00:31:20,470 --> 00:31:22,966 2114 | PI stuff. Routine. 2115 | 2116 | 474 2117 | 00:31:22,999 --> 00:31:25,441 2118 | Lotta guys leave the job, 2119 | 2120 | 475 2121 | 00:31:25,474 --> 00:31:28,113 2122 | cemetery within 10. 2123 | 2124 | 476 2125 | 00:31:28,146 --> 00:31:31,080 2126 | No family, idle hands. 2127 | 2128 | 477 2129 | 00:31:31,113 --> 00:31:35,119 2130 | Some advice, you make it out, 2131 | you stay busy. 2132 | 2133 | 478 2134 | 00:31:35,152 --> 00:31:37,086 2135 | HART: Hit the corners. 2136 | 2137 | 479 2138 | 00:31:37,119 --> 00:31:39,582 2139 | Ask about anybody 2140 | she was seeing... 2141 | 2142 | 480 2143 | 00:31:39,623 --> 00:31:42,728 2144 | regular customers, 2145 | meth dealers, 2146 | 2147 | 481 2148 | 00:31:42,761 --> 00:31:45,222 2149 | and rough johns, anything. 2150 | 2151 | 482 2152 | 00:31:45,263 --> 00:31:47,863 2153 | Any questions? 2154 | 2155 | 483 2156 | 00:32:14,222 --> 00:32:16,821 2157 | You believe in ghosts? 2158 | 2159 | 484 2160 | 00:32:19,694 --> 00:32:23,295 2161 | What'd we say about 2162 | silent reflection? 2163 | 2164 | 485 2165 | 00:32:27,196 --> 00:32:29,803 2166 | [Distant chatter] 2167 | 2168 | 486 2169 | 00:32:32,836 --> 00:32:35,309 2170 | COHLE: You happen to hear 2171 | anything out of the ordinary 2172 | 2173 | 487 2174 | 00:32:35,342 --> 00:32:38,581 2175 | between 10 and 1 AM, out back? 2176 | 2177 | 488 2178 | 00:32:38,614 --> 00:32:41,517 2179 | No, no, but, uh, 2180 | 2181 | 489 2182 | 00:32:41,550 --> 00:32:44,085 2183 | sometimes they, uh, 2184 | dove-hunt out there. 2185 | 2186 | 490 2187 | 00:32:44,118 --> 00:32:46,588 2188 | They found a woman? 2189 | 2190 | 491 2191 | 00:32:47,989 --> 00:32:49,723 2192 | MAN: Is it the Fontenot girl? 2193 | 2194 | 492 2195 | 00:32:49,756 --> 00:32:51,154 2196 | Who? 2197 | 2198 | 493 2199 | 00:32:51,187 --> 00:32:53,924 2200 | - And why would you ask that? 2201 | - Don't know. 2202 | 2203 | 494 2204 | 00:32:53,957 --> 00:32:56,460 2205 | Went missing 2206 | around here years back. 2207 | 2208 | 495 2209 | 00:32:56,493 --> 00:32:58,565 2210 | Last time something happened. 2211 | 2212 | 496 2213 | 00:32:58,598 --> 00:33:00,564 2214 | Just thought maybe it's her. 2215 | 2216 | 497 2217 | 00:33:00,597 --> 00:33:02,563 2218 | How old was she, this girl? 2219 | 2220 | 498 2221 | 00:33:02,604 --> 00:33:04,740 2222 | I don't know. 2223 | Little. 2224 | 2225 | 499 2226 | 00:33:06,110 --> 00:33:09,076 2227 | You know where 2228 | the family lives? 2229 | 2230 | 500 2231 | 00:33:09,109 --> 00:33:12,243 2232 | [Distant train whistle blowing] 2233 | 2234 | 501 2235 | 00:33:18,652 --> 00:33:22,249 2236 | Had a place 2237 | couple streets down. 2238 | 2239 | 502 2240 | 00:33:23,523 --> 00:33:26,628 2241 | They moved out, though. 2242 | 2243 | 503 2244 | 00:33:26,661 --> 00:33:29,194 2245 | COHLE: Do you know the Fontenot 2246 | girl, one went missing? 2247 | 2248 | 504 2249 | 00:33:29,226 --> 00:33:31,160 2250 | MAN: Her? 2251 | 2252 | 505 2253 | 00:33:31,193 --> 00:33:33,663 2254 | Her family come to our service 2255 | 2256 | 506 2257 | 00:33:33,696 --> 00:33:36,167 2258 | once or twice, 2259 | 5 or 6 years back. 2260 | 2261 | 507 2262 | 00:33:36,200 --> 00:33:39,031 2263 | Is that the girl? 2264 | Oh, Lord. 2265 | 2266 | 508 2267 | 00:33:39,064 --> 00:33:41,601 2268 | HART: No, sir, 2269 | it's not. 2270 | 2271 | 509 2272 | 00:33:41,642 --> 00:33:44,073 2273 | Excuse me. 2274 | 2275 | 510 2276 | 00:33:44,106 --> 00:33:46,946 2277 | I want to ask y'all 2278 | something. Y'all think 2279 | 2280 | 511 2281 | 00:33:46,979 --> 00:33:49,177 2282 | maybe this have something 2283 | to do with those cats? 2284 | 2285 | 512 2286 | 00:33:49,210 --> 00:33:50,650 2287 | What cats? 2288 | 2289 | 513 2290 | 00:33:50,683 --> 00:33:52,651 2291 | Two of 'em-- one, 2292 | and a couple 2293 | 2294 | 514 2295 | 00:33:52,684 --> 00:33:54,156 2296 | of weeks later, another. 2297 | 2298 | 515 2299 | 00:33:54,189 --> 00:33:55,653 2300 | Somebody cut 'em up, 2301 | 2302 | 516 2303 | 00:33:55,686 --> 00:33:57,661 2304 | turned their insides out, 2305 | then nailed them 2306 | 2307 | 517 2308 | 00:33:57,694 --> 00:33:59,360 2309 | to the front door, twice. 2310 | 2311 | 518 2312 | 00:33:59,393 --> 00:34:01,799 2313 | MINISTER: Now, I called 2314 | and told the police, 2315 | 2316 | 519 2317 | 00:34:01,832 --> 00:34:04,831 2318 | but we're predominantly African 2319 | American congregation. 2320 | 2321 | 520 2322 | 00:34:04,865 --> 00:34:07,602 2323 | I asked for it 2324 | to be investigated. 2325 | 2326 | 521 2327 | 00:34:07,643 --> 00:34:11,212 2328 | We're not those type 2329 | of police, sir. 2330 | 2331 | 522 2332 | 00:34:11,245 --> 00:34:14,116 2333 | Well, who is, then? 2334 | 2335 | 523 2336 | 00:34:17,989 --> 00:34:20,617 2337 | Can I ask you something? 2338 | 2339 | 524 2340 | 00:34:23,824 --> 00:34:26,289 2341 | Any of these look 2342 | familiar to you? 2343 | 2344 | 525 2345 | 00:34:26,322 --> 00:34:28,287 2346 | - Seen them anywheres? 2347 | - No. 2348 | 2349 | 526 2350 | 00:34:28,328 --> 00:34:30,292 2351 | No, they look like 2352 | something that might be 2353 | 2354 | 527 2355 | 00:34:30,326 --> 00:34:32,292 2356 | carved into a tree 2357 | or something. 2358 | 2359 | 528 2360 | 00:34:32,325 --> 00:34:34,365 2361 | Mm-hmm. 2362 | How about these? 2363 | 2364 | 529 2365 | 00:34:34,398 --> 00:34:37,364 2366 | Now, that look like 2367 | something my old auntie 2368 | 2369 | 530 2370 | 00:34:37,397 --> 00:34:39,531 2371 | taught us how to make 2372 | when I was a tyke. 2373 | 2374 | 531 2375 | 00:34:39,564 --> 00:34:41,698 2376 | COHLE: 2377 | What are they? 2378 | 2379 | 532 2380 | 00:34:41,731 --> 00:34:44,203 2381 | Some folks call them 2382 | bird traps. 2383 | 2384 | 533 2385 | 00:34:44,236 --> 00:34:47,003 2386 | Old Auntie told us that 2387 | they were devil nets. 2388 | 2389 | 534 2390 | 00:34:47,036 --> 00:34:50,339 2391 | You put them around the bed, catch 2392 | the devil before he get too close. 2393 | 2394 | 535 2395 | 00:34:50,380 --> 00:34:52,306 2396 | That's interesting. 2397 | 2398 | 536 2399 | 00:34:52,346 --> 00:34:54,744 2400 | - Hmm. 2401 | - She was a wonderful woman. 2402 | 2403 | 537 2404 | 00:34:54,777 --> 00:34:57,814 2405 | Loved her some Jesus, 2406 | but had a bit 2407 | 2408 | 538 2409 | 00:34:57,847 --> 00:35:00,811 2410 | of that Santeria 2411 | in her, you know? 2412 | 2413 | 539 2414 | 00:35:00,844 --> 00:35:02,809 2415 | I always just thought 2416 | it was something 2417 | 2418 | 540 2419 | 00:35:02,842 --> 00:35:05,051 2420 | for children to do, 2421 | keep 'em busy, 2422 | 2423 | 541 2424 | 00:35:05,084 --> 00:35:09,520 2425 | tell them stories why 2426 | they're tying sticks together. 2427 | 2428 | 542 2429 | 00:35:09,554 --> 00:35:12,292 2430 | SHERIFF TATE: Then that's all 2431 | we got on the Fontenot girl. 2432 | 2433 | 543 2434 | 00:35:12,325 --> 00:35:14,292 2435 | COHLE: There was 2436 | nothing in there. 2437 | 2438 | 544 2439 | 00:35:14,325 --> 00:35:16,828 2440 | Says, "Possible 2441 | report made in error." 2442 | 2443 | 545 2444 | 00:35:16,861 --> 00:35:18,230 2445 | Now, that was 5 years ago. 2446 | 2447 | 546 2448 | 00:35:18,263 --> 00:35:20,198 2449 | Ted Childress was 2450 | sheriff back then. 2451 | 2452 | 547 2453 | 00:35:20,239 --> 00:35:22,699 2454 | He's set up in Gulf Shores 2455 | now, I think. 2456 | 2457 | 548 2458 | 00:35:22,732 --> 00:35:25,169 2459 | HART: Ten-year-old girl goes missing 2460 | and that doesn't go state-wide? 2461 | 2462 | 549 2463 | 00:35:25,202 --> 00:35:27,170 2464 | TATE: Now, hold on now. 2465 | My understanding, 2466 | 2467 | 550 2468 | 00:35:27,203 --> 00:35:29,173 2469 | the little girl went off 2470 | with her birth daddy. 2471 | 2472 | 551 2473 | 00:35:29,206 --> 00:35:31,212 2474 | Now, did you check 2475 | her mom's record? 2476 | 2477 | 552 2478 | 00:35:31,245 --> 00:35:33,644 2479 | Possession, solicitation. 2480 | 2481 | 553 2482 | 00:35:33,677 --> 00:35:36,284 2483 | I believe Ted knew the family, 2484 | and the feeling was 2485 | 2486 | 554 2487 | 00:35:36,317 --> 00:35:38,284 2488 | the little girl was 2489 | better off with her daddy. 2490 | 2491 | 555 2492 | 00:35:38,317 --> 00:35:41,083 2493 | Mom seemed to agree; 2494 | she filed a complaint, 2495 | 2496 | 556 2497 | 00:35:41,116 --> 00:35:43,089 2498 | then never bothered 2499 | with it again, 2500 | 2501 | 557 2502 | 00:35:43,122 --> 00:35:44,921 2503 | took off with her boyfriend. 2504 | 2505 | 558 2506 | 00:35:44,954 --> 00:35:47,423 2507 | R&I said you had 2508 | a complaint these parts 2509 | 2510 | 559 2511 | 00:35:47,456 --> 00:35:49,424 2512 | around December-- 2513 | little girl 2514 | 2515 | 560 2516 | 00:35:49,457 --> 00:35:51,424 2517 | getting chased 2518 | through the woods. 2519 | 2520 | 561 2521 | 00:35:51,457 --> 00:35:54,598 2522 | TATE: Oh, yeah, I pulled 2523 | that one for you, too. 2524 | 2525 | 562 2526 | 00:35:56,199 --> 00:35:58,291 2527 | [Sighs] 2528 | 2529 | 563 2530 | 00:36:01,839 --> 00:36:04,305 2531 | What the hell is this? 2532 | 2533 | 564 2534 | 00:36:04,338 --> 00:36:06,808 2535 | Little girl said 2536 | a green-eared spaghetti monster 2537 | 2538 | 565 2539 | 00:36:06,842 --> 00:36:09,313 2540 | chased her through some woods. 2541 | 2542 | 566 2543 | 00:36:09,346 --> 00:36:12,185 2544 | Now, we had her work 2545 | with a sketch artist, 2546 | 2547 | 567 2548 | 00:36:12,219 --> 00:36:14,283 2549 | and she told us 2550 | that looked exactly right. 2551 | 2552 | 568 2553 | 00:36:14,316 --> 00:36:18,460 2554 | Now, you want to call an APB 2555 | on that, you go right ahead. 2556 | 2557 | 569 2558 | 00:36:18,493 --> 00:36:20,460 2559 | [Inhales deeply] 2560 | Listen, boys. 2561 | 2562 | 570 2563 | 00:36:20,493 --> 00:36:22,595 2564 | I'm gonna have to call 2565 | a timeout, make a beer run. 2566 | 2567 | 571 2568 | 00:36:22,628 --> 00:36:25,796 2569 | MAN: Well, why don't you hold 2570 | off on that for a while? 2571 | 2572 | 572 2573 | 00:36:27,671 --> 00:36:30,639 2574 | COHLE: All right, well, 2575 | why don't you get it, then? 2576 | 2577 | 573 2578 | 00:36:30,672 --> 00:36:33,141 2579 | We really don't want 2580 | to do that. 2581 | 2582 | 574 2583 | 00:36:33,174 --> 00:36:36,642 2584 | Well, is this supposed 2585 | to be admissible? Huh? 2586 | 2587 | 575 2588 | 00:36:36,675 --> 00:36:40,641 2589 | If you want to pick 2590 | my brain, work a room, 2591 | 2592 | 576 2593 | 00:36:40,682 --> 00:36:43,816 2594 | you buy me a cheeseburger 2595 | and a Coke, don't you? 2596 | 2597 | 577 2598 | 00:36:45,185 --> 00:36:47,682 2599 | I'll take a sixer 2600 | of Old Milwaukee 2601 | 2602 | 578 2603 | 00:36:47,722 --> 00:36:49,722 2604 | or Lone Star, nothing snooty. 2605 | 2606 | 579 2607 | 00:36:49,755 --> 00:36:52,089 2608 | Why is this so important 2609 | to you all of a sudden? 2610 | 2611 | 580 2612 | 00:36:52,122 --> 00:36:55,655 2613 | 'Cause it's Thursday 2614 | and it's past noon. 2615 | 2616 | 581 2617 | 00:36:55,688 --> 00:36:58,158 2618 | Thursday is one of my days off. 2619 | 2620 | 582 2621 | 00:36:58,192 --> 00:37:01,666 2622 | On my off days, I start 2623 | drinking at noon. 2624 | 2625 | 583 2626 | 00:37:01,699 --> 00:37:05,338 2627 | You don't get to 2628 | interrupt that. 2629 | 2630 | 584 2631 | 00:37:12,249 --> 00:37:13,848 2632 | [Sighs] 2633 | 2634 | 585 2635 | 00:37:19,627 --> 00:37:21,227 2636 | Ahem. 2637 | 2638 | 586 2639 | 00:37:22,596 --> 00:37:24,596 2640 | I'd appreciate a little 2641 | hustle up on that. 2642 | 2643 | 587 2644 | 00:37:24,636 --> 00:37:26,605 2645 | [Door opens] 2646 | 2647 | 588 2648 | 00:37:26,638 --> 00:37:28,573 2649 | QUESADA VOICE-OVER: Yesterday, 2650 | 2651 | 589 2652 | 00:37:28,606 --> 00:37:30,742 2653 | at approximately 6 AM, 2654 | 2655 | 590 2656 | 00:37:30,775 --> 00:37:34,247 2657 | civilians came across 2658 | the body of a female 2659 | 2660 | 591 2661 | 00:37:34,280 --> 00:37:37,748 2662 | in a sugar cane field 2663 | outside of Erath. 2664 | 2665 | 592 2666 | 00:37:37,781 --> 00:37:40,548 2667 | Now, this person, 2668 | we believe, was murdered, 2669 | 2670 | 593 2671 | 00:37:40,581 --> 00:37:43,249 2672 | and we are not yet in 2673 | a position to 2674 | 2675 | 594 2676 | 00:37:43,283 --> 00:37:46,251 2677 | release the identity 2678 | of the victim or to offer 2679 | 2680 | 595 2681 | 00:37:46,284 --> 00:37:48,459 2682 | - details of the crime. 2683 | - [Reporters murmur] 2684 | 2685 | 596 2686 | 00:37:48,492 --> 00:37:51,396 2687 | Our investigators 2688 | 2689 | 597 2690 | 00:37:51,429 --> 00:37:53,893 2691 | have several leads, 2692 | and hopefully we'll-- 2693 | 2694 | 598 2695 | 00:37:53,934 --> 00:37:57,332 2696 | we'll have a suspect 2697 | for you in custody soon. 2698 | 2699 | 599 2700 | 00:37:57,365 --> 00:37:59,836 2701 | QUESADA VOICE-OVER: 2702 | Now, this perpetrator 2703 | 2704 | 600 2705 | 00:37:59,869 --> 00:38:02,341 2706 | will be apprehended, 2707 | and he will know 2708 | 2709 | 601 2710 | 00:38:02,374 --> 00:38:05,341 2711 | - swift Louisiana justice. 2712 | - [Reporters talking all at once] 2713 | 2714 | 602 2715 | 00:38:05,374 --> 00:38:07,373 2716 | COHLE: - Charlie? 2717 | MAN: - Mm-hmm? 2718 | 2719 | 603 2720 | 00:38:07,414 --> 00:38:09,980 2721 | Let's talk about 2722 | your ex, Dora Lange. 2723 | 2724 | 604 2725 | 00:38:10,013 --> 00:38:12,441 2726 | You want to talk Dori? 2727 | 2728 | 605 2729 | 00:38:12,482 --> 00:38:14,850 2730 | What's she said I've done now? 2731 | 2732 | 606 2733 | 00:38:14,883 --> 00:38:17,355 2734 | Nothing. We're just 2735 | curious if you knew 2736 | 2737 | 607 2738 | 00:38:17,388 --> 00:38:19,891 2739 | what she's been up to and 2740 | maybe where she's living. 2741 | 2742 | 608 2743 | 00:38:19,924 --> 00:38:21,491 2744 | CHARLIE: Nope. 2745 | 2746 | 609 2747 | 00:38:21,524 --> 00:38:23,492 2748 | Got her divorce papers 2749 | pushed through 2750 | 2751 | 610 2752 | 00:38:23,525 --> 00:38:25,492 2753 | after I been here about a year. 2754 | 2755 | 611 2756 | 00:38:25,525 --> 00:38:28,026 2757 | I don't blame the bitch. 2758 | 2759 | 612 2760 | 00:38:28,059 --> 00:38:29,994 2761 | She got a habit? 2762 | 2763 | 613 2764 | 00:38:30,027 --> 00:38:32,500 2765 | [Chuckles] 2766 | Yeah, a few. 2767 | 2768 | 614 2769 | 00:38:32,533 --> 00:38:34,970 2770 | Weed, meth, juice. 2771 | 2772 | 615 2773 | 00:38:35,003 --> 00:38:36,676 2774 | Name it. 2775 | 2776 | 616 2777 | 00:38:36,709 --> 00:38:38,371 2778 | HART: Charlie, 2779 | 2780 | 617 2781 | 00:38:38,404 --> 00:38:39,842 2782 | how'd y'all meet? 2783 | 2784 | 618 2785 | 00:38:39,875 --> 00:38:42,545 2786 | Growed up together, 2787 | dropped out the same time. 2788 | 2789 | 619 2790 | 00:38:42,578 --> 00:38:45,180 2791 | Hitched up way too quick. 2792 | 2793 | 620 2794 | 00:38:45,213 --> 00:38:48,514 2795 | You know how it is-- you want 2796 | a wife, but only half the time. 2797 | 2798 | 621 2799 | 00:38:48,547 --> 00:38:49,986 2800 | Hmm. 2801 | 2802 | 622 2803 | 00:38:50,019 --> 00:38:52,493 2804 | Why are you saying 2805 | you hadn't heard from her? 2806 | 2807 | 623 2808 | 00:38:52,526 --> 00:38:55,727 2809 | She called up here 2810 | for you not too long ago. 2811 | 2812 | 624 2813 | 00:38:55,760 --> 00:38:57,800 2814 | She couldn't help me 2815 | anyway, man. 2816 | 2817 | 625 2818 | 00:38:57,833 --> 00:38:59,737 2819 | She sounded all fucked up. 2820 | 2821 | 626 2822 | 00:38:59,770 --> 00:39:01,738 2823 | You see, that's exactly 2824 | the kind of thing 2825 | 2826 | 627 2827 | 00:39:01,771 --> 00:39:03,769 2828 | that we do want to know 2829 | about, though, Charlie. 2830 | 2831 | 628 2832 | 00:39:03,802 --> 00:39:05,335 2833 | Oh. All right. 2834 | 2835 | 629 2836 | 00:39:05,368 --> 00:39:08,409 2837 | Uh... I needed 2838 | some scratch for my store, 2839 | 2840 | 630 2841 | 00:39:08,442 --> 00:39:11,542 2842 | and Dori owes me money, 2843 | she ain't got no fuckin' phone, 2844 | 2845 | 631 2846 | 00:39:11,575 --> 00:39:14,183 2847 | so got a number to 2848 | her friend Carla, got her 2849 | 2850 | 632 2851 | 00:39:14,216 --> 00:39:17,186 2852 | to call me back, and she ain't 2853 | made no fuckin' sense. 2854 | 2855 | 633 2856 | 00:39:17,219 --> 00:39:20,986 2857 | HART: Ahem. Carla's full 2858 | name and phone number. 2859 | 2860 | 634 2861 | 00:39:21,027 --> 00:39:23,922 2862 | COHLE: What you mean, 2863 | she didn't make sense? 2864 | 2865 | 635 2866 | 00:39:23,963 --> 00:39:27,025 2867 | Like she could duck-hunt 2868 | with a rake. 2869 | 2870 | 636 2871 | 00:39:27,066 --> 00:39:29,463 2872 | High, yeah. 2873 | 2874 | 637 2875 | 00:39:29,496 --> 00:39:32,798 2876 | Talkin' 'bout 2877 | she's gonna become a nun. 2878 | 2879 | 638 2880 | 00:39:32,831 --> 00:39:36,072 2881 | - Why a nun? 2882 | - I don't know, man. She was high. 2883 | 2884 | 639 2885 | 00:39:36,105 --> 00:39:38,038 2886 | Fucked up, uh, 2887 | 2888 | 640 2889 | 00:39:38,071 --> 00:39:41,407 2890 | talkin' 'bout... 2891 | she met a king. 2892 | 2893 | 641 2894 | 00:39:41,440 --> 00:39:42,910 2895 | Shit. 2896 | 2897 | 642 2898 | 00:39:42,943 --> 00:39:45,615 2899 | Anyway... 2900 | 2901 | 643 2902 | 00:39:45,648 --> 00:39:47,785 2903 | I don't need no 2904 | snitch jacket up in here. 2905 | 2906 | 644 2907 | 00:39:47,818 --> 00:39:50,323 2908 | [Scoffs] 2909 | Give me a break. 2910 | 2911 | 645 2912 | 00:39:50,356 --> 00:39:52,822 2913 | This is Avoyelles. 2914 | 2915 | 646 2916 | 00:39:52,862 --> 00:39:55,360 2917 | It's a goddamn day camp. 2918 | 2919 | 647 2920 | 00:39:55,401 --> 00:39:58,098 2921 | Spend some time in Angola. 2922 | 2923 | 648 2924 | 00:39:58,138 --> 00:40:01,029 2925 | Surprised you even got 2926 | Aryan Nation here. 2927 | 2928 | 649 2929 | 00:40:02,604 --> 00:40:05,205 2930 | What'd Dori do? 2931 | 2932 | 650 2933 | 00:40:08,513 --> 00:40:10,575 2934 | Dori's dead. 2935 | 2936 | 651 2937 | 00:40:11,983 --> 00:40:14,446 2938 | COHLE VOICE-OVER: 2939 | Thank you, boys. 2940 | 2941 | 652 2942 | 00:40:14,479 --> 00:40:17,116 2943 | We almost had a moment there. 2944 | 2945 | 653 2946 | 00:40:28,061 --> 00:40:29,995 2947 | Mmm. 2948 | 2949 | 654 2950 | 00:40:30,028 --> 00:40:33,396 2951 | So you want to talk the whole 2952 | case through or just the end? 2953 | 2954 | 655 2955 | 00:40:33,429 --> 00:40:35,332 2956 | No, whole story 2957 | 2958 | 656 2959 | 00:40:35,365 --> 00:40:36,731 2960 | from your end, you don't mind. 2961 | 2962 | 657 2963 | 00:40:36,772 --> 00:40:39,003 2964 | You know, like he said, 2965 | files got ruined. 2966 | 2967 | 658 2968 | 00:40:39,036 --> 00:40:40,636 2969 | Hurricane Rita. 2970 | 2971 | 659 2972 | 00:40:43,004 --> 00:40:47,977 2973 | What he didn't say is that this 2974 | is about something else. 2975 | 2976 | 660 2977 | 00:40:48,010 --> 00:40:52,481 2978 | Something new. That one 2979 | in Lake Charles, maybe? 2980 | 2981 | 661 2982 | 00:40:52,514 --> 00:40:54,153 2983 | Now, why you say that? 2984 | 2985 | 662 2986 | 00:40:54,186 --> 00:40:56,690 2987 | Get the details 2988 | out of the paper. 2989 | 2990 | 663 2991 | 00:40:56,723 --> 00:40:58,661 2992 | Yeah, we did. 2993 | 2994 | 664 2995 | 00:40:58,694 --> 00:41:01,523 2996 | You know anything about that, 2997 | about Lake Charles? 2998 | 2999 | 665 3000 | 00:41:01,556 --> 00:41:04,092 3001 | [Inhales deeply] 3002 | Well, let me see 3003 | 3004 | 666 3005 | 00:41:04,132 --> 00:41:06,799 3006 | what you got, jog my memory. 3007 | 3008 | 667 3009 | 00:41:06,832 --> 00:41:08,767 3010 | Well, let's hear 3011 | your story first, 3012 | 3013 | 668 3014 | 00:41:08,808 --> 00:41:11,941 3015 | see how it fit 3016 | with what we got. 3017 | 3018 | 669 3019 | 00:41:13,342 --> 00:41:16,109 3020 | Well, your dime, boss. 3021 | 3022 | 670 3023 | 00:41:16,142 --> 00:41:18,541 3024 | Talking Cohle, 3025 | what about that dinner 3026 | 3027 | 671 3028 | 00:41:18,581 --> 00:41:21,075 3029 | you mentioned, 3030 | he turn up drunk? 3031 | 3032 | 672 3033 | 00:41:21,116 --> 00:41:23,082 3034 | HART: Oh. Yeah. 3035 | 3036 | 673 3037 | 00:41:23,115 --> 00:41:25,544 3038 | Well, ahem. 3039 | 3040 | 674 3041 | 00:41:25,585 --> 00:41:27,984 3042 | That dinner, 3043 | that was a bit later. 3044 | 3045 | 675 3046 | 00:41:28,017 --> 00:41:30,585 3047 | [Chuckles] 3048 | It was kind of funny. 3049 | 3050 | 676 3051 | 00:41:30,618 --> 00:41:33,089 3052 | The flowers, you know? 3053 | 3054 | 677 3055 | 00:41:33,122 --> 00:41:36,055 3056 | Like, he read somewhere that 3057 | if you get invited to dinner, 3058 | 3059 | 678 3060 | 00:41:36,088 --> 00:41:38,559 3061 | you're supposed 3062 | to bring flowers? 3063 | 3064 | 679 3065 | 00:41:38,592 --> 00:41:40,593 3066 | HART VOICE-OVER: 3067 | The hell? 3068 | 3069 | 680 3070 | 00:41:40,633 --> 00:41:43,130 3071 | You can barely stand up. 3072 | 3073 | 681 3074 | 00:41:43,171 --> 00:41:45,095 3075 | What is it? 3076 | 3077 | 682 3078 | 00:41:45,136 --> 00:41:47,537 3079 | You don't drink 3080 | with me or the boys, 3081 | 3082 | 683 3083 | 00:41:47,570 --> 00:41:49,369 3084 | and you got to get a load on 3085 | 3086 | 684 3087 | 00:41:49,410 --> 00:41:51,209 3088 | before you visit my family? 3089 | 3090 | 685 3091 | 00:41:51,242 --> 00:41:53,776 3092 | No, Marty, it's not like that. 3093 | 3094 | 686 3095 | 00:41:53,809 --> 00:41:56,311 3096 | And I didn't mean to, 3097 | 3098 | 687 3099 | 00:41:56,344 --> 00:41:58,447 3100 | all right? 3101 | 3102 | 688 3103 | 00:41:59,816 --> 00:42:02,286 3104 | And I don't drink 3105 | 'cause I've had trouble 3106 | 3107 | 689 3108 | 00:42:02,319 --> 00:42:05,453 3109 | with it before; 3110 | I didn't mean to. 3111 | 3112 | 690 3113 | 00:42:07,855 --> 00:42:10,297 3114 | I was checking on a CI. 3115 | 3116 | 691 3117 | 00:42:10,330 --> 00:42:13,465 3118 | I ended up hanging 3119 | around a bar. 3120 | 3121 | 692 3122 | 00:42:14,867 --> 00:42:16,801 3123 | I was sitting there. 3124 | 3125 | 693 3126 | 00:42:16,834 --> 00:42:19,967 3127 | I couldn't think 3128 | of a good reason not to. 3129 | 3130 | 694 3131 | 00:42:21,367 --> 00:42:24,100 3132 | Usually I can. 3133 | 3134 | 695 3135 | 00:42:24,133 --> 00:42:27,237 3136 | [Children chattering inside] 3137 | 3138 | 696 3139 | 00:42:29,143 --> 00:42:31,510 3140 | Don't worry about it. 3141 | 3142 | 697 3143 | 00:42:31,543 --> 00:42:33,511 3144 | HART: 3145 | Have some more coffee 3146 | 3147 | 698 3148 | 00:42:33,552 --> 00:42:36,551 3149 | and just try to make 10 3150 | minutes of conversation. 3151 | 3152 | 699 3153 | 00:42:36,584 --> 00:42:38,288 3154 | You got it. 3155 | 3156 | 700 3157 | 00:42:38,321 --> 00:42:41,055 3158 | I'll call Chris or somebody, 3159 | 3160 | 701 3161 | 00:42:41,088 --> 00:42:43,190 3162 | get you out of here. 3163 | 3164 | 702 3165 | 00:42:45,063 --> 00:42:47,695 3166 | Marty. 3167 | [Coughs] 3168 | 3169 | 703 3170 | 00:42:49,999 --> 00:42:52,459 3171 | I'm sorry, man. 3172 | 3173 | 704 3174 | 00:42:52,500 --> 00:42:54,933 3175 | Forget it. 3176 | 3177 | 705 3178 | 00:42:54,966 --> 00:42:58,102 3179 | We'll try this some other time. 3180 | 3181 | 706 3182 | 00:43:08,518 --> 00:43:12,483 3183 | WOMAN: Well, uh, Rust, it is 3184 | so nice to finally meet you. 3185 | 3186 | 707 3187 | 00:43:12,516 --> 00:43:14,985 3188 | Sorry it took so long. 3189 | 3190 | 708 3191 | 00:43:15,018 --> 00:43:17,984 3192 | Well, I tried to tell her 3193 | you aren't big on socializing. 3194 | 3195 | 709 3196 | 00:43:18,017 --> 00:43:19,486 3197 | I said that your life's 3198 | 3199 | 710 3200 | 00:43:19,519 --> 00:43:21,453 3201 | in this man's hands, right? 3202 | 3203 | 711 3204 | 00:43:21,486 --> 00:43:23,925 3205 | Of course you should 3206 | meet the family. 3207 | 3208 | 712 3209 | 00:43:23,958 --> 00:43:27,927 3210 | Well, not quite 3211 | as dramatic as that, hon. 3212 | 3213 | 713 3214 | 00:43:27,960 --> 00:43:30,496 3215 | I've never fired my gun. 3216 | 3217 | 714 3218 | 00:43:30,529 --> 00:43:32,537 3219 | Have you fired your gun? 3220 | 3221 | 715 3222 | 00:43:32,570 --> 00:43:33,833 3223 | Audrey. 3224 | 3225 | 716 3226 | 00:43:37,705 --> 00:43:39,143 3227 | Yes. 3228 | 3229 | 717 3230 | 00:43:39,176 --> 00:43:41,007 3231 | You shot people? 3232 | 3233 | 718 3234 | 00:43:41,040 --> 00:43:42,345 3235 | Macie. 3236 | 3237 | 719 3238 | 00:43:42,378 --> 00:43:43,849 3239 | Ahem. 3240 | 3241 | 720 3242 | 00:43:43,883 --> 00:43:46,351 3243 | Dad's never shot anybody. 3244 | 3245 | 721 3246 | 00:43:46,384 --> 00:43:49,485 3247 | COHLE: 3248 | Well, that's good. 3249 | 3250 | 722 3251 | 00:43:49,518 --> 00:43:51,382 3252 | You don't want to shoot people. 3253 | 3254 | 723 3255 | 00:43:51,415 --> 00:43:53,150 3256 | But you have. 3257 | 3258 | 724 3259 | 00:43:54,823 --> 00:43:57,294 3260 | Marty says you're from Texas. 3261 | 3262 | 725 3263 | 00:43:57,327 --> 00:43:59,793 3264 | Yes, south Texas. 3265 | 3266 | 726 3267 | 00:43:59,834 --> 00:44:03,267 3268 | COHLE: I grew up in Alaska. 3269 | 3270 | 727 3271 | 00:44:03,300 --> 00:44:06,033 3272 | Just been working here 3273 | the last 10, 12 years. 3274 | 3275 | 728 3276 | 00:44:06,066 --> 00:44:08,041 3277 | What kind of work? 3278 | 3279 | 729 3280 | 00:44:08,074 --> 00:44:10,842 3281 | Narcotics, mostly. 3282 | 3283 | 730 3284 | 00:44:10,875 --> 00:44:12,810 3285 | Um... 3286 | 3287 | 731 3288 | 00:44:12,843 --> 00:44:16,350 3289 | was on the Robbery Squad 3290 | in Houston until '89. 3291 | 3292 | 732 3293 | 00:44:16,383 --> 00:44:20,190 3294 | [Pager buzzing] 3295 | Ahem. Oh. Be right back. 3296 | 3297 | 733 3298 | 00:44:20,223 --> 00:44:22,326 3299 | Y'all keep eating. 3300 | 3301 | 734 3302 | 00:44:26,696 --> 00:44:29,333 3303 | Do you like your job? 3304 | 3305 | 735 3306 | 00:44:32,229 --> 00:44:34,404 3307 | Not exactly, 3308 | 3309 | 736 3310 | 00:44:34,437 --> 00:44:36,605 3311 | but it's worthwhile. 3312 | 3313 | 737 3314 | 00:44:36,638 --> 00:44:38,604 3315 | I'm good at it. 3316 | 3317 | 738 3318 | 00:44:38,637 --> 00:44:40,739 3319 | You're not married? 3320 | 3321 | 739 3322 | 00:44:42,140 --> 00:44:44,076 3323 | Once. 3324 | 3325 | 740 3326 | 00:44:44,109 --> 00:44:46,582 3327 | - Uh, not anymore. 3328 | - Mm-hmm. 3329 | 3330 | 741 3331 | 00:44:46,615 --> 00:44:50,021 3332 | Did you do this 3333 | while you were married? 3334 | 3335 | 742 3336 | 00:44:50,054 --> 00:44:51,989 3337 | Hey, Chris. 3338 | 3339 | 743 3340 | 00:44:52,022 --> 00:44:54,988 3341 | Hey, thanks for the page. 3342 | 3343 | 744 3344 | 00:44:55,021 --> 00:44:58,024 3345 | Yeah, well, 3346 | he'll appreciate it. 3347 | 3348 | 745 3349 | 00:44:58,057 --> 00:45:00,518 3350 | Well-- all right, 3351 | 3352 | 746 3353 | 00:45:00,559 --> 00:45:03,254 3354 | then I appreciate it. 3355 | 3356 | 747 3357 | 00:45:03,295 --> 00:45:05,389 3358 | [Whispers] 3359 | 3360 | 748 3361 | 00:45:09,764 --> 00:45:11,699 3362 | - [Girls giggle] 3363 | - Children? 3364 | 3365 | 749 3366 | 00:45:11,732 --> 00:45:14,197 3367 | One. 3368 | 3369 | 750 3370 | 00:45:14,238 --> 00:45:16,672 3371 | She passed. 3372 | 3373 | 751 3374 | 00:45:16,705 --> 00:45:20,348 3375 | Marriage didn't last 3376 | long after that. 3377 | 3378 | 752 3379 | 00:45:22,254 --> 00:45:24,351 3380 | Sorry. 3381 | 3382 | 753 3383 | 00:45:26,225 --> 00:45:28,793 3384 | HART: Ahem. Chris Demma's 3385 | on the phone for you. 3386 | 3387 | 754 3388 | 00:45:28,826 --> 00:45:31,991 3389 | Something about a CI or... 3390 | 3391 | 755 3392 | 00:45:32,032 --> 00:45:34,465 3393 | Back there to the left. 3394 | 3395 | 756 3396 | 00:45:34,498 --> 00:45:36,466 3397 | - Excuse me. 3398 | - Of course. 3399 | 3400 | 757 3401 | 00:45:40,703 --> 00:45:42,809 3402 | Ahem. 3403 | 3404 | 758 3405 | 00:45:48,216 --> 00:45:50,143 3406 | What was that? 3407 | 3408 | 759 3409 | 00:45:50,184 --> 00:45:52,185 3410 | What were y'all talking about? 3411 | 3412 | 760 3413 | 00:45:52,218 --> 00:45:54,154 3414 | Your job. 3415 | 3416 | 761 3417 | 00:45:54,187 --> 00:45:56,921 3418 | What do you know 3419 | about him, Marty? 3420 | 3421 | 762 3422 | 00:45:59,827 --> 00:46:02,269 3423 | Um, not a lot. 3424 | 3425 | 763 3426 | 00:46:02,302 --> 00:46:04,764 3427 | He could be a good detective. 3428 | 3429 | 764 3430 | 00:46:04,805 --> 00:46:08,303 3431 | He's running on this 3432 | thing, but, uh... 3433 | 3434 | 765 3435 | 00:46:08,344 --> 00:46:09,807 3436 | uppity. 3437 | 3438 | 766 3439 | 00:46:09,840 --> 00:46:11,312 3440 | [Scoffs] 3441 | 3442 | 767 3443 | 00:46:11,345 --> 00:46:13,282 3444 | What? 3445 | 3446 | 768 3447 | 00:46:13,315 --> 00:46:17,253 3448 | Jeez. Have you ever 3449 | asked him about himself? 3450 | 3451 | 769 3452 | 00:46:18,657 --> 00:46:20,594 3453 | Baby, trust me. 3454 | 3455 | 770 3456 | 00:46:20,635 --> 00:46:23,772 3457 | You do not want to pick 3458 | this man's brain. 3459 | 3460 | 771 3461 | 00:46:27,680 --> 00:46:29,607 3462 | What was that? 3463 | 3464 | 772 3465 | 00:46:29,648 --> 00:46:33,279 3466 | Oh, some details 3467 | on the CI. Ahem. 3468 | 3469 | 773 3470 | 00:46:36,584 --> 00:46:39,225 3471 | Thank you for dinner, Maggie. 3472 | 3473 | 774 3474 | 00:46:39,258 --> 00:46:42,058 3475 | - This looks great. 3476 | - My pleasure. 3477 | 3478 | 775 3479 | 00:46:42,091 --> 00:46:44,056 3480 | AUDREY: I don't like 3481 | that broccoli. 3482 | 3483 | 776 3484 | 00:46:44,097 --> 00:46:45,591 3485 | MAGGIE: 3486 | Mind your manners. 3487 | 3488 | 777 3489 | 00:46:45,632 --> 00:46:48,662 3490 | So you, uh, need to go or what? 3491 | 3492 | 778 3493 | 00:46:50,030 --> 00:46:52,997 3494 | No, it's nothing can't 3495 | wait till tomorrow. 3496 | 3497 | 779 3498 | 00:46:54,364 --> 00:46:58,635 3499 | MAGGIE: Rust, uh, what 3500 | you were saying before? 3501 | 3502 | 780 3503 | 00:47:01,509 --> 00:47:04,708 3504 | Oh, we can find something 3505 | nicer to talk about. 3506 | 3507 | 781 3508 | 00:47:04,741 --> 00:47:08,182 3509 | Marty, I saw 3510 | your table in there. 3511 | 3512 | 782 3513 | 00:47:08,215 --> 00:47:10,014 3514 | You fly-fish? 3515 | 3516 | 783 3517 | 00:47:10,055 --> 00:47:12,153 3518 | Little bit. 3519 | 3520 | 784 3521 | 00:47:13,592 --> 00:47:17,623 3522 | MAN VOICE-OVER: So you 3523 | and Cohle went bad in '02, huh? 3524 | 3525 | 785 3526 | 00:47:17,664 --> 00:47:19,926 3527 | Heard about that. 3528 | 3529 | 786 3530 | 00:47:19,959 --> 00:47:23,265 3531 | Yeah, well... what happened 3532 | between me and him 3533 | 3534 | 787 3535 | 00:47:23,299 --> 00:47:27,273 3536 | don't have nothing to do 3537 | with Dora Lange. 3538 | 3539 | 788 3540 | 00:47:28,642 --> 00:47:31,642 3541 | I worked with Rust Cohle 3542 | for 7 years. 3543 | 3544 | 789 3545 | 00:47:31,675 --> 00:47:33,642 3546 | People change. 3547 | 3548 | 790 3549 | 00:47:33,683 --> 00:47:36,914 3550 | Relationships change. 3551 | 3552 | 791 3553 | 00:47:36,947 --> 00:47:39,420 3554 | You stay in touch? 3555 | 3556 | 792 3557 | 00:47:39,453 --> 00:47:41,891 3558 | No. 3559 | 3560 | 793 3561 | 00:47:41,924 --> 00:47:45,923 3562 | No, I haven't talked 3563 | to Rust in... 3564 | 3565 | 794 3566 | 00:47:45,957 --> 00:47:48,431 3567 | 10 years. 3568 | 3569 | 795 3570 | 00:47:48,464 --> 00:47:50,632 3571 | Yeah. 3572 | 3573 | 796 3574 | 00:47:53,105 --> 00:47:55,544 3575 | HART: Look, however we... 3576 | 3577 | 797 3578 | 00:47:55,577 --> 00:47:58,541 3579 | he was a good detective, 3580 | 3581 | 798 3582 | 00:47:58,574 --> 00:48:02,543 3583 | and it don't matter how 3584 | he ended it. I mean... 3585 | 3586 | 799 3587 | 00:48:02,584 --> 00:48:06,586 3588 | I can say that 3589 | because it's the truth, 3590 | 3591 | 800 3592 | 00:48:06,619 --> 00:48:09,258 3593 | and I don't hold grudges. 3594 | 3595 | 801 3596 | 00:48:09,292 --> 00:48:11,926 3597 | I believe that's the shit 3598 | 3599 | 802 3600 | 00:48:11,967 --> 00:48:14,735 3601 | that leads to cancer. 3602 | 3603 | 803 3604 | 00:48:17,104 --> 00:48:18,568 3605 | [Scoffs] 3606 | 3607 | 804 3608 | 00:48:18,609 --> 00:48:21,573 3609 | But why am I talking 3610 | about dinner? 3611 | 3612 | 805 3613 | 00:48:21,606 --> 00:48:26,248 3614 | Y'all want to walk through 3615 | the Lange case, fine. 3616 | 3617 | 806 3618 | 00:48:28,115 --> 00:48:31,924 3619 | This other stuff-- 3620 | well, what's going on? 3621 | 3622 | 807 3623 | 00:48:31,957 --> 00:48:34,826 3624 | Sorry. We just heard 3625 | some stories. 3626 | 3627 | 808 3628 | 00:48:34,859 --> 00:48:36,858 3629 | MAN: Well, personally, 3630 | I heard he was 3631 | 3632 | 809 3633 | 00:48:36,891 --> 00:48:39,061 3634 | an ace case man, right? 3635 | 3636 | 810 3637 | 00:48:39,102 --> 00:48:42,236 3638 | I'd like to understand 3639 | his process. 3640 | 3641 | 811 3642 | 00:48:44,866 --> 00:48:46,833 3643 | "His process." 3644 | 3645 | 812 3646 | 00:48:46,866 --> 00:48:48,474 3647 | Sure. 3648 | 3649 | 813 3650 | 00:48:49,908 --> 00:48:51,980 3651 | FAVRE: The other landlord 3652 | says she trashed the place, 3653 | 3654 | 814 3655 | 00:48:52,013 --> 00:48:53,979 3656 | so she lost her deposit. 3657 | 3658 | 815 3659 | 00:48:54,012 --> 00:48:55,979 3660 | And the neighbors check out. 3661 | 3662 | 816 3663 | 00:48:56,012 --> 00:48:58,485 3664 | Those that remember her 3665 | said that she, uh, 3666 | 3667 | 817 3668 | 00:48:58,518 --> 00:49:00,990 3669 | used to come in early 3670 | in the morning, 3671 | 3672 | 818 3673 | 00:49:01,023 --> 00:49:03,991 3674 | if she came home at all. 3675 | 3676 | 819 3677 | 00:49:04,024 --> 00:49:05,991 3678 | [Sniffs] 3679 | 3680 | 820 3681 | 00:49:06,024 --> 00:49:09,168 3682 | You guys canvass the bars 3683 | pretty good today? 3684 | 3685 | 821 3686 | 00:49:11,665 --> 00:49:14,137 3687 | GERACI: You know, 3688 | up your ass, Cohle. 3689 | 3690 | 822 3691 | 00:49:14,170 --> 00:49:16,170 3692 | Why don't you do your 3693 | own fuckin' leg work, 3694 | 3695 | 823 3696 | 00:49:16,210 --> 00:49:18,305 3697 | you rat fuck? 3698 | 3699 | 824 3700 | 00:49:22,883 --> 00:49:24,546 3701 | Say it again, rummy. 3702 | 3703 | 825 3704 | 00:49:24,579 --> 00:49:26,554 3705 | HART: Hey. 3706 | 3707 | 826 3708 | 00:49:26,587 --> 00:49:28,682 3709 | [Chuckling] 3710 | 3711 | 827 3712 | 00:49:30,052 --> 00:49:32,061 3713 | You know what, man? 3714 | 3715 | 828 3716 | 00:49:32,093 --> 00:49:34,227 3717 | Fuck you, 3718 | 3719 | 829 3720 | 00:49:34,260 --> 00:49:36,363 3721 | Tax Man. 3722 | 3723 | 830 3724 | 00:49:39,903 --> 00:49:41,837 3725 | What the fuck? 3726 | 3727 | 831 3728 | 00:49:41,870 --> 00:49:44,544 3729 | LUTZ: Ahem. 3730 | Back to point. 3731 | 3732 | 832 3733 | 00:49:44,576 --> 00:49:46,544 3734 | Got 3 hits on working girls. 3735 | 3736 | 833 3737 | 00:49:46,577 --> 00:49:49,048 3738 | No one close to her, naturally. 3739 | 3740 | 834 3741 | 00:49:49,081 --> 00:49:52,414 3742 | A few names recognized 3743 | her as occasional. 3744 | 3745 | 835 3746 | 00:49:52,448 --> 00:49:54,415 3747 | DEMMA: Like she tricked 3748 | now and then, show up 3749 | 3750 | 836 3751 | 00:49:54,448 --> 00:49:57,225 3752 | at a couple of truck stops 3753 | when she needed cash. 3754 | 3755 | 837 3756 | 00:49:57,258 --> 00:49:59,289 3757 | You got some names. 3758 | Which ones? 3759 | 3760 | 838 3761 | 00:49:59,322 --> 00:50:02,793 3762 | I heard from my AP guy, 3763 | Ray Fontenot. 3764 | 3765 | 839 3766 | 00:50:02,826 --> 00:50:05,330 3767 | Said her uncle's 3768 | Danny Fontenot-- 3769 | 3770 | 840 3771 | 00:50:05,363 --> 00:50:06,866 3772 | the pitcher, LSU. 3773 | 3774 | 841 3775 | 00:50:06,899 --> 00:50:09,834 3776 | Yeah, I watched him 3777 | play. Great player. 3778 | 3779 | 842 3780 | 00:50:09,867 --> 00:50:12,403 3781 | LUTZ: - Well, he lives close by. 3782 | - Ahem. 3783 | 3784 | 843 3785 | 00:50:12,444 --> 00:50:14,539 3786 | Well, thanks, guys. 3787 | 3788 | 844 3789 | 00:50:14,572 --> 00:50:17,042 3790 | QUESADA: What about you two? 3791 | Did you get anything today? 3792 | 3793 | 845 3794 | 00:50:17,075 --> 00:50:20,079 3795 | - Not much, sir. 3796 | - Well... 3797 | 3798 | 846 3799 | 00:50:20,112 --> 00:50:22,911 3800 | You might know 3801 | the Reverend Tuttle. 3802 | 3803 | 847 3804 | 00:50:22,944 --> 00:50:25,079 3805 | He runs our state-wide 3806 | charity drive. 3807 | 3808 | 848 3809 | 00:50:25,112 --> 00:50:27,088 3810 | This is Detective Hart, 3811 | Detective Cohle. 3812 | 3813 | 849 3814 | 00:50:27,121 --> 00:50:28,583 3815 | Pleasure to meet you, Officers. 3816 | 3817 | 850 3818 | 00:50:28,616 --> 00:50:30,086 3819 | Nice to meet you. 3820 | Cohle. 3821 | 3822 | 851 3823 | 00:50:30,119 --> 00:50:33,086 3824 | Your case has a lot 3825 | of people taking care, 3826 | 3827 | 852 3828 | 00:50:33,119 --> 00:50:36,126 3829 | doors locking where 3830 | they used to not. 3831 | 3832 | 853 3833 | 00:50:36,159 --> 00:50:38,092 3834 | Eddie's been speaking 3835 | to me about it. 3836 | 3837 | 854 3838 | 00:50:38,125 --> 00:50:39,794 3839 | Concerned, very concerned. 3840 | 3841 | 855 3842 | 00:50:39,827 --> 00:50:42,566 3843 | SPEECE: We've been discussing 3844 | the viability of a task force 3845 | 3846 | 856 3847 | 00:50:42,599 --> 00:50:45,071 3848 | to investigate crimes with 3849 | an anti-Christian connotation. 3850 | 3851 | 857 3852 | 00:50:45,104 --> 00:50:47,905 3853 | COHLE: You what? 3854 | Really? 3855 | 3856 | 858 3857 | 00:50:50,307 --> 00:50:51,914 3858 | Yes. 3859 | 3860 | 859 3861 | 00:50:54,686 --> 00:50:58,221 3862 | I don't mean to tell men 3863 | of your positions, 3864 | 3865 | 860 3866 | 00:50:58,254 --> 00:51:01,925 3867 | but there is a war 3868 | happening behind things. 3869 | 3870 | 861 3871 | 00:51:03,694 --> 00:51:05,858 3872 | Thank you for doing your part. 3873 | 3874 | 862 3875 | 00:51:05,891 --> 00:51:08,098 3876 | - Thank you, sir. 3877 | - Yeah. 3878 | 3879 | 863 3880 | 00:51:08,995 --> 00:51:11,432 3881 | Well... 3882 | 3883 | 864 3884 | 00:51:11,465 --> 00:51:14,433 3885 | Eddie's going to be 3886 | very, very pleased 3887 | 3888 | 865 3889 | 00:51:14,466 --> 00:51:17,602 3890 | to have such good men 3891 | working on this. 3892 | 3893 | 866 3894 | 00:51:20,107 --> 00:51:22,579 3895 | Are you kidding me? 3896 | 3897 | 867 3898 | 00:51:22,612 --> 00:51:25,083 3899 | Un-fuckin'-believable. 3900 | 3901 | 868 3902 | 00:51:25,116 --> 00:51:27,549 3903 | "Anti-Christian." 3904 | 3905 | 869 3906 | 00:51:27,582 --> 00:51:30,917 3907 | Fucks. And who 3908 | the fuck's Eddie? 3909 | 3910 | 870 3911 | 00:51:30,958 --> 00:51:32,221 3912 | Huh? 3913 | 3914 | 871 3915 | 00:51:33,624 --> 00:51:35,064 3916 | Is he serious? 3917 | 3918 | 872 3919 | 00:51:35,097 --> 00:51:37,032 3920 | HART: Well, he doesn't 3921 | have a television. 3922 | 3923 | 873 3924 | 00:51:37,065 --> 00:51:38,999 3925 | COHLE: - Who's Eddie? 3926 | - And he's from Texas. 3927 | 3928 | 874 3929 | 00:51:39,032 --> 00:51:40,965 3930 | He's the fuckin' 3931 | governor-- 3932 | 3933 | 875 3934 | 00:51:40,998 --> 00:51:42,966 3935 | - Edwin Tuttle. 3936 | - Ah. 3937 | 3938 | 876 3939 | 00:51:42,999 --> 00:51:45,009 3940 | They're first cousins. 3941 | 3942 | 877 3943 | 00:51:45,042 --> 00:51:46,474 3944 | Well, that makes sense. 3945 | 3946 | 878 3947 | 00:51:46,507 --> 00:51:48,473 3948 | DEMMA: Yeah, that's the 3949 | sound of The Big Machine, 3950 | 3951 | 879 3952 | 00:51:48,514 --> 00:51:50,840 3953 | Cohle, that's gearing up 3954 | to pound your ass. 3955 | 3956 | 880 3957 | 00:51:50,881 --> 00:51:52,080 3958 | Heh! 3959 | 3960 | 881 3961 | 00:51:52,113 --> 00:51:54,249 3962 | The sound of a gaggle of hens. 3963 | 3964 | 882 3965 | 00:51:54,282 --> 00:51:56,249 3966 | Yeah, you better 3967 | watch your mouth 3968 | 3969 | 883 3970 | 00:51:56,282 --> 00:51:58,554 3971 | or they're gonna 3972 | peck your eyes out. 3973 | 3974 | 884 3975 | 00:52:00,090 --> 00:52:01,551 3976 | - Hi. 3977 | - Hi. 3978 | 3979 | 885 3980 | 00:52:01,592 --> 00:52:03,719 3981 | I am looking for 3982 | Detective Hart. 3983 | 3984 | 886 3985 | 00:52:03,760 --> 00:52:05,929 3986 | I have a stack of 3987 | depositions for him. 3988 | 3989 | 887 3990 | 00:52:05,962 --> 00:52:07,424 3991 | Judge Sutpen told me to 3992 | make sure and give them 3993 | 3994 | 888 3995 | 00:52:07,465 --> 00:52:09,429 3996 | to Detective Hart 3997 | and no one else, so... 3998 | 3999 | 889 4000 | 00:52:09,462 --> 00:52:11,229 4001 | - Oh. 4002 | - Is that the, um-- 4003 | 4004 | 890 4005 | 00:52:11,262 --> 00:52:12,695 4006 | The, uh, depositions. 4007 | 4008 | 891 4009 | 00:52:12,736 --> 00:52:14,672 4010 | I thought I should 4011 | walk you through them. 4012 | 4013 | 892 4014 | 00:52:14,705 --> 00:52:17,937 4015 | Oh. Great, great. Let's 4016 | just find a place to talk. 4017 | 4018 | 893 4019 | 00:52:17,970 --> 00:52:19,443 4020 | HART: 4021 | Thanks, Cathleen. 4022 | 4023 | 894 4024 | 00:52:19,476 --> 00:52:20,948 4025 | WOMAN: - Thank you. 4026 | CATHLEEN: - You're welcome. 4027 | 4028 | 895 4029 | 00:52:20,981 --> 00:52:22,913 4030 | HART: Right through here. 4031 | 4032 | 896 4033 | 00:52:22,946 --> 00:52:26,588 4034 | ♪ 4035 | 4036 | 897 4037 | 00:52:49,543 --> 00:52:52,543 4038 | MAN VOICE-OVER: Your 4039 | victim was Dora Lange, 4040 | 4041 | 898 4042 | 00:52:52,584 --> 00:52:55,080 4043 | but you all checked 4044 | on Marie Fontenot. 4045 | 4046 | 899 4047 | 00:52:55,121 --> 00:52:56,551 4048 | Why? 4049 | 4050 | 900 4051 | 00:52:56,584 --> 00:52:58,552 4052 | Missing girl, 5 years gone, 4053 | 4054 | 901 4055 | 00:52:58,585 --> 00:53:00,058 4056 | report made in error? 4057 | 4058 | 902 4059 | 00:53:00,091 --> 00:53:03,594 4060 | She had an uncle 4061 | who lived nearby... 4062 | 4063 | 903 4064 | 00:53:03,627 --> 00:53:06,066 4065 | and call it intuition. 4066 | 4067 | 904 4068 | 00:53:06,099 --> 00:53:08,066 4069 | [Screen door creaks] 4070 | 4071 | 905 4072 | 00:53:08,099 --> 00:53:11,065 4073 | WOMAN: Sometimes he's 4074 | more responsive. 4075 | 4076 | 906 4077 | 00:53:11,098 --> 00:53:13,303 4078 | [Door shuts] 4079 | I'd like to help. 4080 | 4081 | 907 4082 | 00:53:19,209 --> 00:53:21,279 4083 | Mr. Fontenot all the way. 4084 | 4085 | 908 4086 | 00:53:24,213 --> 00:53:26,648 4087 | Uh, ahem. 4088 | 4089 | 909 4090 | 00:53:26,681 --> 00:53:29,723 4091 | [Claps hands together] 4092 | We met, 4093 | 4094 | 910 4095 | 00:53:29,756 --> 00:53:32,291 4096 | oh, maybe 7 years ago. 4097 | 4098 | 911 4099 | 00:53:32,324 --> 00:53:34,797 4100 | HART: I was visiting 4101 | Skip Hays. 4102 | 4103 | 912 4104 | 00:53:34,830 --> 00:53:37,301 4105 | I'd played for USL. 4106 | 4107 | 913 4108 | 00:53:37,334 --> 00:53:40,667 4109 | Thing of beauty, sir, 4110 | watching you throw. 4111 | 4112 | 914 4113 | 00:53:40,700 --> 00:53:42,170 4114 | Hmm. 4115 | 4116 | 915 4117 | 00:53:42,203 --> 00:53:44,802 4118 | Danny, this man's a detective 4119 | 4120 | 916 4121 | 00:53:44,835 --> 00:53:46,771 4122 | with the police. 4123 | 4124 | 917 4125 | 00:53:46,803 --> 00:53:50,138 4126 | [Danny speaks incoherently] 4127 | 4128 | 918 4129 | 00:53:51,547 --> 00:53:53,482 4130 | Uh... 4131 | 4132 | 919 4133 | 00:53:53,515 --> 00:53:56,977 4134 | I'm actually-- 4135 | Ahem. Sorry, uh, 4136 | 4137 | 920 4138 | 00:53:57,018 --> 00:54:00,252 4139 | we wanted to ask you 4140 | about your niece, Marie. 4141 | 4142 | 921 4143 | 00:54:00,285 --> 00:54:01,725 4144 | Hmm. 4145 | 4146 | 922 4147 | 00:54:01,758 --> 00:54:05,157 4148 | "How much could You put on 4149 | one family?" I ask the Lord. 4150 | 4151 | 923 4152 | 00:54:05,198 --> 00:54:08,027 4153 | We try to get by. 4154 | 4155 | 924 4156 | 00:54:08,060 --> 00:54:10,562 4157 | Did you know Marie's 4158 | birth father? 4159 | 4160 | 925 4161 | 00:54:10,595 --> 00:54:12,033 4162 | Len? 4163 | 4164 | 926 4165 | 00:54:12,067 --> 00:54:14,161 4166 | Len Stroghes was her daddy. 4167 | 4168 | 927 4169 | 00:54:14,202 --> 00:54:15,201 4170 | DANNY: Hmm. 4171 | 4172 | 928 4173 | 00:54:15,234 --> 00:54:16,866 4174 | [WHISPERS] 4175 | It's okay. 4176 | 4177 | 929 4178 | 00:54:16,899 --> 00:54:19,375 4179 | HART: We're asking 4180 | because, uh, 4181 | 4182 | 930 4183 | 00:54:19,408 --> 00:54:21,878 4184 | we had heard that Marie 4185 | ran off with him 4186 | 4187 | 931 4188 | 00:54:21,911 --> 00:54:25,245 4189 | and that... she wasn't 4190 | really missing. 4191 | 4192 | 932 4193 | 00:54:25,278 --> 00:54:27,751 4194 | [Whimpers quietly] 4195 | 4196 | 933 4197 | 00:54:27,784 --> 00:54:30,223 4198 | That's what Debbie said. 4199 | 4200 | 934 4201 | 00:54:30,256 --> 00:54:34,225 4202 | Oh. Well, uh... 4203 | anybody heard from Len? 4204 | 4205 | 935 4206 | 00:54:34,258 --> 00:54:37,866 4207 | Anybody maybe knows 4208 | where he's at? 4209 | 4210 | 936 4211 | 00:54:41,737 --> 00:54:44,201 4212 | HART: Uh, sorry. 4213 | The last thing. 4214 | 4215 | 937 4216 | 00:54:44,234 --> 00:54:46,367 4217 | Do you know 4218 | where Debbie is now? 4219 | 4220 | 938 4221 | 00:54:46,408 --> 00:54:48,374 4222 | WOMAN: She married 4223 | another man. 4224 | 4225 | 939 4226 | 00:54:48,407 --> 00:54:51,878 4227 | Not the one she's 4228 | with when Marie... 4229 | 4230 | 940 4231 | 00:54:51,911 --> 00:54:55,043 4232 | She was in Vegas, 4233 | last we heard. 4234 | 4235 | 941 4236 | 00:55:17,568 --> 00:55:20,070 4237 | Marie must have loved it here. 4238 | 4239 | 942 4240 | 00:55:20,103 --> 00:55:21,404 4241 | Yeah. 4242 | 4243 | 943 4244 | 00:55:21,437 --> 00:55:23,373 4245 | HART: All this for her? 4246 | 4247 | 944 4248 | 00:55:23,406 --> 00:55:25,374 4249 | WOMAN: 4250 | Danny loved her so much. 4251 | 4252 | 945 4253 | 00:55:25,407 --> 00:55:27,373 4254 | We weren't her legal guardians, 4255 | 4256 | 946 4257 | 00:55:27,414 --> 00:55:29,907 4258 | but she played here 4259 | all the time, 4260 | 4261 | 947 4262 | 00:55:29,948 --> 00:55:31,443 4263 | more than her Mama's. 4264 | 4265 | 948 4266 | 00:55:31,476 --> 00:55:33,947 4267 | HART: I can see why. 4268 | 4269 | 949 4270 | 00:55:33,980 --> 00:55:37,992 4271 | What is it Dan has, 4272 | if you don't mind my asking? 4273 | 4274 | 950 4275 | 00:55:38,025 --> 00:55:41,993 4276 | All they ever told us was 4277 | "a cerebral event." 4278 | 4279 | 951 4280 | 00:55:42,026 --> 00:55:44,631 4281 | Series of strokes, like. 4282 | 4283 | 952 4284 | 00:55:52,408 --> 00:55:54,505 4285 | COHLE: Marty? 4286 | 4287 | 953 4288 | 00:55:55,810 --> 00:55:58,450 4289 | Excuse me for one sec. 4290 | 4291 | 954 4292 | 00:56:09,389 --> 00:56:12,522 4293 | Inside on the floor 4294 | on the right. 4295 | 4296 | 955 4297 | 00:56:31,341 --> 00:56:33,373 4298 | WOMAN: I don't know 4299 | what that is. 4300 | 4301 | 956 4302 | 00:56:33,414 --> 00:56:36,478 4303 | I haven't looked in there 4304 | since the police first came. 4305 | 4306 | 957 4307 | 00:56:44,025 --> 00:56:47,162 4308 | COHLE VOICE-OVER: Bet you want 4309 | to hear the hero shot, huh? 4310 | 4311 | 958 4312 | 00:56:48,467 --> 00:56:51,532 4313 | That place we carried 4314 | the kids out? 4315 | 4316 | 959 4317 | 00:56:51,573 --> 00:56:53,668 4318 | Eventually, sure. 4319 | 4320 | 960 4321 | 00:56:55,973 --> 00:56:59,108 4322 | So what did she look like... 4323 | 4324 | 961 4325 | 00:56:59,141 --> 00:57:01,812 4326 | that one in Lake Charles? 4327 | 4328 | 962 4329 | 00:57:26,083 --> 00:57:28,751 4330 | Can you, uh, tell us 4331 | 4332 | 963 4333 | 00:57:28,784 --> 00:57:30,984 4334 | anything about that, 4335 | Mr. Cohle? 4336 | 4337 | 964 4338 | 00:57:31,025 --> 00:57:33,123 4339 | [Sighs] 4340 | 4341 | 965 4342 | 00:57:34,599 --> 00:57:37,565 4343 | COHLE: That looks a lot 4344 | like the one from '95, 4345 | 4346 | 966 4347 | 00:57:37,598 --> 00:57:40,705 4348 | but... well, 4349 | you knew that already. 4350 | 4351 | 967 4352 | 00:57:40,738 --> 00:57:45,039 4353 | Yeah, there are specifics 4354 | consistent to the '95 case, 4355 | 4356 | 968 4357 | 00:57:45,080 --> 00:57:48,544 4358 | details that weren't 4359 | public knowledge. 4360 | 4361 | 969 4362 | 00:57:48,577 --> 00:57:51,553 4363 | You were off the grid 4364 | for 8 years, right? 4365 | 4366 | 970 4367 | 00:57:51,586 --> 00:57:54,553 4368 | - Show back up here 2010. 4369 | - My question is-- 4370 | 4371 | 971 4372 | 00:57:54,586 --> 00:57:58,559 4373 | COHLE: How could it 4374 | be him... 4375 | 4376 | 972 4377 | 00:57:58,593 --> 00:58:02,222 4378 | if we already 4379 | caught him in '95? 4380 | 4381 | 973 4382 | 00:58:04,631 --> 00:58:07,694 4383 | How indeed, Detectives? 4384 | 4385 | 974 4386 | 00:58:07,735 --> 00:58:11,238 4387 | I figured you'd be 4388 | the one to know. 4389 | 4390 | 975 4391 | 00:58:19,107 --> 00:58:23,074 4392 | Then start asking 4393 | the right fuckin' questions. 4394 | 4395 | 976 4396 | 00:58:23,107 --> 00:58:26,744 4397 | ♪ 4398 | 4399 | 977 4400 | 00:58:31,481 --> 00:58:34,984 4401 | ♪ 4402 | 4403 | 978 4404 | 00:58:34,985 --> 00:58:40,522 4405 | Sync and corrections by n17t01 4406 | www.addic7ed.com --------------------------------------------------------------------------------