40 |
41 |
42 |
43 | ### Fig 1-2
44 | 
45 |
46 |
47 |
48 | ### Fig 1-3
49 | 
50 |
51 |
52 |
53 | ### Fig 1-4
54 | 
55 |
56 |
57 |
58 | ### Fig 1-5
59 | 
60 |
61 |
62 |
63 | ### Fig 1-6
64 | 
65 |
66 |
67 |
68 | ### Fig 1-7
69 | 
70 |
71 |
72 |
73 | ### Fig 1-8
74 | 
75 |
76 |
77 |
78 | ### Fig 1-9
79 | 
80 |
81 |
82 |
83 | ### Fig 1-10
84 | 
85 |
86 |
87 |
88 | ### Fig 1-11
89 | 
90 |
91 |
92 |
93 | ### Fig 1-12
94 | 
95 |
96 | ^ contents
97 |
98 |
99 |
100 | ## Chapter 2
101 | ### Fig 2-1
102 | 
103 |
104 | ### Fig 2-2
105 | 
106 |
107 | ### Fig 2-3
108 | 
109 |
110 | ### Fig 2-4
111 | 
112 |
113 | ### Fig 2-5
114 | 
115 |
116 | ### Fig 2-6
117 | 
118 |
119 | ### Fig 2-7
120 | 
121 |
122 | ### Fig 2-8
123 | 
124 |
125 | ^ contents
126 |
127 |
128 |
129 | ## Chapter 3
130 | ### Fig 3-1
131 | 
132 |
133 | ### Fig 3-2
134 | 
135 |
136 | ### Fig 3-3
137 | 
138 |
139 | ### Fig 3-4
140 | 
141 |
142 | ### Fig 3-5
143 | 
144 |
145 | ### Fig 3-6
146 | 
147 |
148 | ### Fig 3-7
149 | 
150 |
151 | ### Fig 3-8
152 | 
153 |
154 | ^ contents
155 |
156 |
157 |
158 | ## Chapter 4
159 | ### Fig 4-1
160 | 
161 |
162 | ### Fig 4-2
163 | 
164 |
165 | ### Fig 4-3
166 | 
167 |
168 | ### Fig 4-4
169 | 
170 |
171 | ### Fig 4-5
172 | 
173 |
174 | ### Fig 4-6
175 | 
176 |
177 | ### Fig 4-7
178 | 
179 |
180 | ### Fig 4-8
181 | 
182 |
183 | ### Fig 4-9
184 | 
185 |
186 | ^ contents
187 |
188 |
189 |
190 | ## Chapter 5
191 | ### Fig 5-1
192 | 
193 |
194 | ### Fig 5-2
195 | 
196 |
197 | ### Fig 5-3
198 | 
199 |
200 | ### Fig 5-4
201 | 
202 |
203 | ### Fig 5-5
204 | 
205 |
206 | ### Fig 5-6
207 | 
208 |
209 | ### Fig 5-7
210 | 
211 |
212 | ### Fig 5-8
213 | 
214 |
215 | ### Fig 5-9
216 | 
217 |
218 | ^ contents
219 |
220 |
221 |
222 | ## Chapter 6
223 | ### Fig 6-1
224 | 
225 |
226 | ### Fig 6-2
227 | 
228 |
229 | ### Fig 6-3
230 | 
231 |
232 | ### Fig 6-4
233 | 
234 |
235 | ### Fig 6-5
236 | 
237 |
238 | ### Fig 6-6
239 | 
240 |
241 | ### Fig 6-7
242 | 
243 |
244 | ### Fig 6-8
245 | 
246 |
247 | ### Fig 6-9
248 | 
249 |
250 | ### Fig 6-10
251 | 
252 |
253 | ### Fig 6-11
254 | 
255 |
256 | ### Fig 6-12
257 | 
258 |
259 | ### Fig 6-13
260 | 
261 |
262 | ### Fig 6-14
263 | 
264 |
265 | ### Fig 6-15
266 | 
267 |
268 | ### Fig 6-16
269 | 
270 |
271 | ### Fig 6-17
272 | 
273 |
274 | ^ contents
275 |
276 |
277 |
278 | ## Chapter 7
279 | ### Fig 7-1
280 | 
281 |
282 | ^ contents
283 |
284 |
285 |
286 | ## Chapter 8
287 | ### Fig 8-1
288 | 
289 |
290 | ### Fig 8-2
291 | 
292 |
293 | ^ contents
294 |
295 |
296 |
297 | ## Chapter 9
298 | ### Fig 9-1
299 | 
300 |
301 | ^ contents
302 |
303 |
304 |
305 | ## Chapter 10
306 | ### Fig 10-1
307 | 
308 |
309 | ### Fig 10-2
310 | 
311 |
312 | ### Fig 10-3
313 | 
314 |
315 | ### Fig 10-4
316 | 
317 |
318 | ### Fig 10-5
319 | 
320 |
321 | ^ contents
322 |
323 |
324 |
325 | ## Chapter 11
326 | ### Fig 11-1
327 | 
328 |
329 | ### Fig 11-2
330 | 
331 |
332 | ^ contents
333 |
334 |
335 |
336 | ## Chapter 12
337 | ### Fig 12-1
338 | 
339 |
340 | ### Fig 12-2
341 | 
342 |
343 | ### Fig 12-3
344 | [🔍 view text version](/assets/ADR-example-decision-making.md)
345 |
346 | 
347 |
348 | ### Fig 12-4
349 | [🔍 view text version](/assets/ADR-example-decision-making.md)
350 |
351 | 
352 |
353 | ### Fig 12-5
354 | [🔍 view text version](/assets/ADR-example.md)
355 |
356 | 
357 |
358 | ### Fig 12-6
359 | 
360 |
361 | ### Fig 12-7
362 | 
363 |
364 | ^ contents
365 |
366 |
367 |
368 | ## Chapter 13
369 | ### Fig 13-1
370 | 
371 |
372 | ### Fig 13-2
373 | 
374 |
375 | ^ contents
376 |
377 |
378 |
379 | ## Chapter 14
380 | ### Fig 14-1
381 | 
382 |
383 | ^ contents
384 |
385 |
386 |
387 | ## Chapter 15
388 | ### Fig 15-1
389 | 
390 |
391 | ### Fig 15-2
392 | 
393 |
394 | ### Fig 15-3
395 | 
396 |
397 | ### Fig 15-4
398 | 
399 |
400 | ^ contents
401 |
402 | [> Home](README.md)
--------------------------------------------------------------------------------
/README.md:
--------------------------------------------------------------------------------
1 |
4 | Read the Book5 |Communication Patterns is available from many places, including: 6 |
Figures & Bonus Material24 |View figures from the book and access bonus resources. 25 | |
26 |
27 | |
29 |
32 | Get in touch33 |
34 |
51 |
35 |
38 |
39 |
40 |
44 |
50 | Praise for Communication Patterns52 | 53 |
54 |
261 |
262 |
55 |
260 |
56 |
67 |
57 | 💬
58 |
59 |
60 |
66 | Mark Richards 61 |Software Architect, Founder of DeveloperToArchitect.com 62 |‟ 63 |Communication Patterns is a masterful guide that unlocks the complexity behind the language of human interaction. A must read! 64 |ˮ 65 |
68 |
79 |
69 | 💬
70 |
71 |
72 |
78 | Rebecca Parsons 73 |Chief Technology Officer Emerita, Thoughtworks 74 |‟ 75 |They might be called soft skills, but they're not easy to learn since they are so infrequently taught. This book remedies that gap and helps demystify successful communication approaches. 76 |ˮ 77 |
80 |
91 |
81 | 💬
82 |
83 |
84 |
90 | Neal Ford 85 |Director / Software Architect / Meme Wrangler, Thoughtworks, Inc. 86 |‟ 87 |This book covers one of the most important aspects of software development, the so-called 'soft skills', which ironically present the biggest challenges for many developers. It is chock-full of patterns and advice, some of which are obvious in hindsight, which are often the hardest to see beforehand. Highly useful and recommended for technologists at all levels. 88 |ˮ 89 |
92 |
103 |
93 | 💬
94 |
95 |
96 |
102 | Kim van Wilgen 97 |customer director, Schuberg Philis 98 |‟ 99 |Jacqui shows that the skill of communication is not black magic for the lucky few: it can be learned, practiced and polished. This complete overview full of practical insights will help anyone improve and be more successful in achieving what they want. 100 |ˮ 101 |
104 |
115 |
105 | 💬
106 |
107 |
108 |
114 | David R. Oliver 109 |Principal Architect, Actica Consulting 110 |‟ 111 |Jacqui Read's unique approach to communication is empowering, insightful, and imbued with practical wisdom. Communication Patterns is the definitive guide to enhancing communication skills in the tech industry. 112 |ˮ 113 |
116 |
127 |
117 | 💬
118 |
119 |
120 |
126 | Alistair Jones 121 |Founder, nifdi.app 122 |‟ 123 |We could all be better at communicating our technical decisions, designs, and architectures. This book covers all the aspects you need to improve your communication, all the way from the high-level concepts down to the practical details. 124 |ˮ 125 |
128 |
139 |
129 | 💬
130 |
131 |
132 |
138 | Jonah Andersson 133 |DevOps Engineer Lead, Microsoft MVP & MCT, Author of Learning Microsoft Azure 134 |‟ 135 |Communications Patterns is a great book that helps you communicate and illustrate architecture better with anybody in so many ways. The patterns described by Jacqui Read are helpful in improving communicative collaboration in your teams. 136 |ˮ 137 |
140 |
151 |
141 | 💬
142 |
143 |
144 |
150 | Diana Montalion 145 |Systems Architect, Founder, Mentrix 146 |‟ 147 |What we think and communicate is what we build. Our communication skills define, for better or worse, our software architectures. This book will improve both. 148 |ˮ 149 |
152 |
163 |
153 | 💬
154 |
155 |
156 |
162 | Stefan Hofer 157 |author of Domain Storytelling, WPS - Workplace Solutions 158 |‟ 159 |Practice alone does not make perfect. Communication Patterns covers common mistakes and guides you towards more effective visual, verbal, and written communication. 160 |ˮ 161 |
164 |
175 |
165 | 💬
166 |
167 |
168 |
174 | Sonya Natanzon 169 |Senior Director, Enterprise Software Engineering 170 |‟ 171 |Communication is a skill all possess, but very few master. Starting with simple concepts and ramping up to advanced skills, Communication Patterns is an invaluable aid for engineers to become master communicators and wow the audience with crisp visuals, engaging storytelling, and clear argumentation. 172 |ˮ 173 |
176 |
187 |
177 | 💬
178 |
179 |
180 |
186 | João Rosa 181 |Independent Consultant and Team Topologies Valued Practitioner, Impactfulness 182 |‟ 183 |Jacqui gives us a treasure map in Communication Patterns. Her book addresses the different layers, communication modes, and communication nuances in our craft, no matter the formal position. She describes and gives names to my unspoken challenges, and her experience as an architect and developer is translated to this book, where you can leverage her knowledge to create inclusive and effective communication within your team, department, and organization. 184 |ˮ 185 |
188 |
199 |
189 | 💬
190 |
191 |
192 |
198 | Sander Hoogendoorn 193 |CTO at iBOOD.com, international keynote speaker, and author of Microteams, This Is Agile, and Pragmatic Modeling with UML 194 |‟ 195 |In this book author Jacqui Read has collected a set of small, surprisingly sense-making patterns, that will often leave the reader with the 'Why didn't I think of this before?' question. Communication Patterns is an excellent read for architects, modelers, and developers. While reading through the extensive set of patterns in this book, I often had a warm, deja vu feeling. Jacqui puts her finger on the right spots and adds useful details for architects, modelers, and developers. 196 |ˮ 197 |
200 |
211 |
201 | 💬
202 |
203 |
204 |
210 | Cecilia Wirén 205 |Senior Developer, Microsoft MVP 206 |‟ 207 |Finally a book about communication in the world of developers, bridging the gap between complex code and meaningful conversations. 208 |ˮ 209 |
212 |
223 |
213 | 💬
214 |
215 |
216 |
222 | Kenny Baas-Schwegler 217 |Software Consultant and Software Architect, Weave IT b.v. 218 |‟ 219 |In Communication Patterns, Jacqui Read doesn't just lay out patterns for effective communication with various stakeholders; she provides a compass for every developer and architect. Each chapter reminds me that merely designing software collaboratively with stakeholders isn't enough; the real power lies in how we present it. Every time I embark on a new software project or collaborate with teams and stakeholders, I turn to this book for guidance on the best approach and how to structure our conversations. 220 |ˮ 221 |
224 |
235 |
225 | 💬
226 |
227 |
228 |
234 | Nick Tune 229 |Principal Consultant, Empathy Software 230 |‟ 231 |Communicating ideas effectively is not a skill that many developers and architects are formally taught, so we go through our careers doing it badly and learning via trial and error. What Jacqui has put together in this book should be foundational knowledge for any aspiring software developer and will fill in many gaps for seasoned practitioners. 232 |ˮ 233 |
236 |
247 |
237 | 💬
238 |
239 |
240 |
246 | Henning Schwentner 241 |Coding Storyteller, WPS (Workplace Solutions) 242 |‟ 243 |I got into programming because of computers. Then I learned that programming is just as much about people as it is about bits and bytes. Jacqui shows in this book how we programmers can communicate with people—with each other and with domain experts—in a very programmer-friendly way: by describing the patterns that lie behind it. 244 |ˮ 245 |
248 |
259 |
249 | 💬
250 |
251 |
252 |
258 | Jessica Willis 253 |Executive Director @ The Data Science Festival 254 |‟ 255 |A thorough and insightful book which has some brilliant takeaways for developers, engineers and architects at any stage in their careers. A great resource for our community to improve communication within the technology sector. 256 |ˮ 257 |From the Back Cover263 |Having a great idea or design is not enough to achieve success. You must communicate your vision effectively to gain stakeholder support for your design and secure collaboration and contribution from your teams. In this practical book, author Jacqui Read shows you how to successfully present your architecture and gain the commitment and understanding you need from stakeholders. 264 |Discover how to effectively communicate to avoid misunderstandings that can lead to increasing costs, unmet requirements, and an architecture that is not what you intended. Through constructive examples and patterns, this book shows you how to express your message clearly to the different audiences you'll face. 265 |This book shows you how to: 266 |
|
274 | |
277 | Find Out More278 |To get the latest information please visit JacquiRead.com 279 | |
280 | |
^ marks an affiliate link from which I may earn commission at no cost to you.
-------------------------------------------------------------------------------- /LICENSE: -------------------------------------------------------------------------------- 1 | https://creativecommons.org/licenses/by-sa/4.0/ 2 | 3 | Attribution-ShareAlike 4.0 International 4 | 5 | ======================================================================= 6 | 7 | Creative Commons Corporation ("Creative Commons") is not a law firm and 8 | does not provide legal services or legal advice. Distribution of 9 | Creative Commons public licenses does not create a lawyer-client or 10 | other relationship. Creative Commons makes its licenses and related 11 | information available on an "as-is" basis. Creative Commons gives no 12 | warranties regarding its licenses, any material licensed under their 13 | terms and conditions, or any related information. Creative Commons 14 | disclaims all liability for damages resulting from their use to the 15 | fullest extent possible. 16 | 17 | Using Creative Commons Public Licenses 18 | 19 | Creative Commons public licenses provide a standard set of terms and 20 | conditions that creators and other rights holders may use to share 21 | original works of authorship and other material subject to copyright 22 | and certain other rights specified in the public license below. The 23 | following considerations are for informational purposes only, are not 24 | exhaustive, and do not form part of our licenses. 25 | 26 | Considerations for licensors: Our public licenses are 27 | intended for use by those authorized to give the public 28 | permission to use material in ways otherwise restricted by 29 | copyright and certain other rights. Our licenses are 30 | irrevocable. Licensors should read and understand the terms 31 | and conditions of the license they choose before applying it. 32 | Licensors should also secure all rights necessary before 33 | applying our licenses so that the public can reuse the 34 | material as expected. Licensors should clearly mark any 35 | material not subject to the license. This includes other CC- 36 | licensed material, or material used under an exception or 37 | limitation to copyright. More considerations for licensors: 38 | wiki.creativecommons.org/Considerations_for_licensors 39 | 40 | Considerations for the public: By using one of our public 41 | licenses, a licensor grants the public permission to use the 42 | licensed material under specified terms and conditions. If 43 | the licensor's permission is not necessary for any reason--for 44 | example, because of any applicable exception or limitation to 45 | copyright--then that use is not regulated by the license. Our 46 | licenses grant only permissions under copyright and certain 47 | other rights that a licensor has authority to grant. Use of 48 | the licensed material may still be restricted for other 49 | reasons, including because others have copyright or other 50 | rights in the material. A licensor may make special requests, 51 | such as asking that all changes be marked or described. 52 | Although not required by our licenses, you are encouraged to 53 | respect those requests where reasonable. More considerations 54 | for the public: 55 | wiki.creativecommons.org/Considerations_for_licensees 56 | 57 | ======================================================================= 58 | 59 | Creative Commons Attribution-ShareAlike 4.0 International Public 60 | License 61 | 62 | By exercising the Licensed Rights (defined below), You accept and agree 63 | to be bound by the terms and conditions of this Creative Commons 64 | Attribution-ShareAlike 4.0 International Public License ("Public 65 | License"). To the extent this Public License may be interpreted as a 66 | contract, You are granted the Licensed Rights in consideration of Your 67 | acceptance of these terms and conditions, and the Licensor grants You 68 | such rights in consideration of benefits the Licensor receives from 69 | making the Licensed Material available under these terms and 70 | conditions. 71 | 72 | 73 | Section 1 -- Definitions. 74 | 75 | a. Adapted Material means material subject to Copyright and Similar 76 | Rights that is derived from or based upon the Licensed Material 77 | and in which the Licensed Material is translated, altered, 78 | arranged, transformed, or otherwise modified in a manner requiring 79 | permission under the Copyright and Similar Rights held by the 80 | Licensor. For purposes of this Public License, where the Licensed 81 | Material is a musical work, performance, or sound recording, 82 | Adapted Material is always produced where the Licensed Material is 83 | synched in timed relation with a moving image. 84 | 85 | b. Adapter's License means the license You apply to Your Copyright 86 | and Similar Rights in Your contributions to Adapted Material in 87 | accordance with the terms and conditions of this Public License. 88 | 89 | c. BY-SA Compatible License means a license listed at 90 | creativecommons.org/compatiblelicenses, approved by Creative 91 | Commons as essentially the equivalent of this Public License. 92 | 93 | d. Copyright and Similar Rights means copyright and/or similar rights 94 | closely related to copyright including, without limitation, 95 | performance, broadcast, sound recording, and Sui Generis Database 96 | Rights, without regard to how the rights are labeled or 97 | categorized. For purposes of this Public License, the rights 98 | specified in Section 2(b)(1)-(2) are not Copyright and Similar 99 | Rights. 100 | 101 | e. Effective Technological Measures means those measures that, in the 102 | absence of proper authority, may not be circumvented under laws 103 | fulfilling obligations under Article 11 of the WIPO Copyright 104 | Treaty adopted on December 20, 1996, and/or similar international 105 | agreements. 106 | 107 | f. Exceptions and Limitations means fair use, fair dealing, and/or 108 | any other exception or limitation to Copyright and Similar Rights 109 | that applies to Your use of the Licensed Material. 110 | 111 | g. License Elements means the license attributes listed in the name 112 | of a Creative Commons Public License. The License Elements of this 113 | Public License are Attribution and ShareAlike. 114 | 115 | h. Licensed Material means the artistic or literary work, database, 116 | or other material to which the Licensor applied this Public 117 | License. 118 | 119 | i. Licensed Rights means the rights granted to You subject to the 120 | terms and conditions of this Public License, which are limited to 121 | all Copyright and Similar Rights that apply to Your use of the 122 | Licensed Material and that the Licensor has authority to license. 123 | 124 | j. Licensor means the individual(s) or entity(ies) granting rights 125 | under this Public License. 126 | 127 | k. Share means to provide material to the public by any means or 128 | process that requires permission under the Licensed Rights, such 129 | as reproduction, public display, public performance, distribution, 130 | dissemination, communication, or importation, and to make material 131 | available to the public including in ways that members of the 132 | public may access the material from a place and at a time 133 | individually chosen by them. 134 | 135 | l. Sui Generis Database Rights means rights other than copyright 136 | resulting from Directive 96/9/EC of the European Parliament and of 137 | the Council of 11 March 1996 on the legal protection of databases, 138 | as amended and/or succeeded, as well as other essentially 139 | equivalent rights anywhere in the world. 140 | 141 | m. You means the individual or entity exercising the Licensed Rights 142 | under this Public License. Your has a corresponding meaning. 143 | 144 | 145 | Section 2 -- Scope. 146 | 147 | a. License grant. 148 | 149 | 1. Subject to the terms and conditions of this Public License, 150 | the Licensor hereby grants You a worldwide, royalty-free, 151 | non-sublicensable, non-exclusive, irrevocable license to 152 | exercise the Licensed Rights in the Licensed Material to: 153 | 154 | a. reproduce and Share the Licensed Material, in whole or 155 | in part; and 156 | 157 | b. produce, reproduce, and Share Adapted Material. 158 | 159 | 2. Exceptions and Limitations. For the avoidance of doubt, where 160 | Exceptions and Limitations apply to Your use, this Public 161 | License does not apply, and You do not need to comply with 162 | its terms and conditions. 163 | 164 | 3. Term. The term of this Public License is specified in Section 165 | 6(a). 166 | 167 | 4. Media and formats; technical modifications allowed. The 168 | Licensor authorizes You to exercise the Licensed Rights in 169 | all media and formats whether now known or hereafter created, 170 | and to make technical modifications necessary to do so. The 171 | Licensor waives and/or agrees not to assert any right or 172 | authority to forbid You from making technical modifications 173 | necessary to exercise the Licensed Rights, including 174 | technical modifications necessary to circumvent Effective 175 | Technological Measures. For purposes of this Public License, 176 | simply making modifications authorized by this Section 2(a) 177 | (4) never produces Adapted Material. 178 | 179 | 5. Downstream recipients. 180 | 181 | a. Offer from the Licensor -- Licensed Material. Every 182 | recipient of the Licensed Material automatically 183 | receives an offer from the Licensor to exercise the 184 | Licensed Rights under the terms and conditions of this 185 | Public License. 186 | 187 | b. Additional offer from the Licensor -- Adapted Material. 188 | Every recipient of Adapted Material from You 189 | automatically receives an offer from the Licensor to 190 | exercise the Licensed Rights in the Adapted Material 191 | under the conditions of the Adapter's License You apply. 192 | 193 | c. No downstream restrictions. You may not offer or impose 194 | any additional or different terms or conditions on, or 195 | apply any Effective Technological Measures to, the 196 | Licensed Material if doing so restricts exercise of the 197 | Licensed Rights by any recipient of the Licensed 198 | Material. 199 | 200 | 6. No endorsement. Nothing in this Public License constitutes or 201 | may be construed as permission to assert or imply that You 202 | are, or that Your use of the Licensed Material is, connected 203 | with, or sponsored, endorsed, or granted official status by, 204 | the Licensor or others designated to receive attribution as 205 | provided in Section 3(a)(1)(A)(i). 206 | 207 | b. Other rights. 208 | 209 | 1. Moral rights, such as the right of integrity, are not 210 | licensed under this Public License, nor are publicity, 211 | privacy, and/or other similar personality rights; however, to 212 | the extent possible, the Licensor waives and/or agrees not to 213 | assert any such rights held by the Licensor to the limited 214 | extent necessary to allow You to exercise the Licensed 215 | Rights, but not otherwise. 216 | 217 | 2. Patent and trademark rights are not licensed under this 218 | Public License. 219 | 220 | 3. To the extent possible, the Licensor waives any right to 221 | collect royalties from You for the exercise of the Licensed 222 | Rights, whether directly or through a collecting society 223 | under any voluntary or waivable statutory or compulsory 224 | licensing scheme. In all other cases the Licensor expressly 225 | reserves any right to collect such royalties. 226 | 227 | 228 | Section 3 -- License Conditions. 229 | 230 | Your exercise of the Licensed Rights is expressly made subject to the 231 | following conditions. 232 | 233 | a. Attribution. 234 | 235 | 1. If You Share the Licensed Material (including in modified 236 | form), You must: 237 | 238 | a. retain the following if it is supplied by the Licensor 239 | with the Licensed Material: 240 | 241 | i. identification of the creator(s) of the Licensed 242 | Material and any others designated to receive 243 | attribution, in any reasonable manner requested by 244 | the Licensor (including by pseudonym if 245 | designated); 246 | 247 | ii. a copyright notice; 248 | 249 | iii. a notice that refers to this Public License; 250 | 251 | iv. a notice that refers to the disclaimer of 252 | warranties; 253 | 254 | v. a URI or hyperlink to the Licensed Material to the 255 | extent reasonably practicable; 256 | 257 | b. indicate if You modified the Licensed Material and 258 | retain an indication of any previous modifications; and 259 | 260 | c. indicate the Licensed Material is licensed under this 261 | Public License, and include the text of, or the URI or 262 | hyperlink to, this Public License. 263 | 264 | 2. You may satisfy the conditions in Section 3(a)(1) in any 265 | reasonable manner based on the medium, means, and context in 266 | which You Share the Licensed Material. For example, it may be 267 | reasonable to satisfy the conditions by providing a URI or 268 | hyperlink to a resource that includes the required 269 | information. 270 | 271 | 3. If requested by the Licensor, You must remove any of the 272 | information required by Section 3(a)(1)(A) to the extent 273 | reasonably practicable. 274 | 275 | b. ShareAlike. 276 | 277 | In addition to the conditions in Section 3(a), if You Share 278 | Adapted Material You produce, the following conditions also apply. 279 | 280 | 1. The Adapter's License You apply must be a Creative Commons 281 | license with the same License Elements, this version or 282 | later, or a BY-SA Compatible License. 283 | 284 | 2. You must include the text of, or the URI or hyperlink to, the 285 | Adapter's License You apply. You may satisfy this condition 286 | in any reasonable manner based on the medium, means, and 287 | context in which You Share Adapted Material. 288 | 289 | 3. You may not offer or impose any additional or different terms 290 | or conditions on, or apply any Effective Technological 291 | Measures to, Adapted Material that restrict exercise of the 292 | rights granted under the Adapter's License You apply. 293 | 294 | 295 | Section 4 -- Sui Generis Database Rights. 296 | 297 | Where the Licensed Rights include Sui Generis Database Rights that 298 | apply to Your use of the Licensed Material: 299 | 300 | a. for the avoidance of doubt, Section 2(a)(1) grants You the right 301 | to extract, reuse, reproduce, and Share all or a substantial 302 | portion of the contents of the database; 303 | 304 | b. if You include all or a substantial portion of the database 305 | contents in a database in which You have Sui Generis Database 306 | Rights, then the database in which You have Sui Generis Database 307 | Rights (but not its individual contents) is Adapted Material, 308 | including for purposes of Section 3(b); and 309 | 310 | c. You must comply with the conditions in Section 3(a) if You Share 311 | all or a substantial portion of the contents of the database. 312 | 313 | For the avoidance of doubt, this Section 4 supplements and does not 314 | replace Your obligations under this Public License where the Licensed 315 | Rights include other Copyright and Similar Rights. 316 | 317 | 318 | Section 5 -- Disclaimer of Warranties and Limitation of Liability. 319 | 320 | a. UNLESS OTHERWISE SEPARATELY UNDERTAKEN BY THE LICENSOR, TO THE 321 | EXTENT POSSIBLE, THE LICENSOR OFFERS THE LICENSED MATERIAL AS-IS 322 | AND AS-AVAILABLE, AND MAKES NO REPRESENTATIONS OR WARRANTIES OF 323 | ANY KIND CONCERNING THE LICENSED MATERIAL, WHETHER EXPRESS, 324 | IMPLIED, STATUTORY, OR OTHER. THIS INCLUDES, WITHOUT LIMITATION, 325 | WARRANTIES OF TITLE, MERCHANTABILITY, FITNESS FOR A PARTICULAR 326 | PURPOSE, NON-INFRINGEMENT, ABSENCE OF LATENT OR OTHER DEFECTS, 327 | ACCURACY, OR THE PRESENCE OR ABSENCE OF ERRORS, WHETHER OR NOT 328 | KNOWN OR DISCOVERABLE. WHERE DISCLAIMERS OF WARRANTIES ARE NOT 329 | ALLOWED IN FULL OR IN PART, THIS DISCLAIMER MAY NOT APPLY TO YOU. 330 | 331 | b. TO THE EXTENT POSSIBLE, IN NO EVENT WILL THE LICENSOR BE LIABLE 332 | TO YOU ON ANY LEGAL THEORY (INCLUDING, WITHOUT LIMITATION, 333 | NEGLIGENCE) OR OTHERWISE FOR ANY DIRECT, SPECIAL, INDIRECT, 334 | INCIDENTAL, CONSEQUENTIAL, PUNITIVE, EXEMPLARY, OR OTHER LOSSES, 335 | COSTS, EXPENSES, OR DAMAGES ARISING OUT OF THIS PUBLIC LICENSE OR 336 | USE OF THE LICENSED MATERIAL, EVEN IF THE LICENSOR HAS BEEN 337 | ADVISED OF THE POSSIBILITY OF SUCH LOSSES, COSTS, EXPENSES, OR 338 | DAMAGES. WHERE A LIMITATION OF LIABILITY IS NOT ALLOWED IN FULL OR 339 | IN PART, THIS LIMITATION MAY NOT APPLY TO YOU. 340 | 341 | c. The disclaimer of warranties and limitation of liability provided 342 | above shall be interpreted in a manner that, to the extent 343 | possible, most closely approximates an absolute disclaimer and 344 | waiver of all liability. 345 | 346 | 347 | Section 6 -- Term and Termination. 348 | 349 | a. This Public License applies for the term of the Copyright and 350 | Similar Rights licensed here. However, if You fail to comply with 351 | this Public License, then Your rights under this Public License 352 | terminate automatically. 353 | 354 | b. Where Your right to use the Licensed Material has terminated under 355 | Section 6(a), it reinstates: 356 | 357 | 1. automatically as of the date the violation is cured, provided 358 | it is cured within 30 days of Your discovery of the 359 | violation; or 360 | 361 | 2. upon express reinstatement by the Licensor. 362 | 363 | For the avoidance of doubt, this Section 6(b) does not affect any 364 | right the Licensor may have to seek remedies for Your violations 365 | of this Public License. 366 | 367 | c. For the avoidance of doubt, the Licensor may also offer the 368 | Licensed Material under separate terms or conditions or stop 369 | distributing the Licensed Material at any time; however, doing so 370 | will not terminate this Public License. 371 | 372 | d. Sections 1, 5, 6, 7, and 8 survive termination of this Public 373 | License. 374 | 375 | 376 | Section 7 -- Other Terms and Conditions. 377 | 378 | a. The Licensor shall not be bound by any additional or different 379 | terms or conditions communicated by You unless expressly agreed. 380 | 381 | b. Any arrangements, understandings, or agreements regarding the 382 | Licensed Material not stated herein are separate from and 383 | independent of the terms and conditions of this Public License. 384 | 385 | 386 | Section 8 -- Interpretation. 387 | 388 | a. For the avoidance of doubt, this Public License does not, and 389 | shall not be interpreted to, reduce, limit, restrict, or impose 390 | conditions on any use of the Licensed Material that could lawfully 391 | be made without permission under this Public License. 392 | 393 | b. To the extent possible, if any provision of this Public License is 394 | deemed unenforceable, it shall be automatically reformed to the 395 | minimum extent necessary to make it enforceable. If the provision 396 | cannot be reformed, it shall be severed from this Public License 397 | without affecting the enforceability of the remaining terms and 398 | conditions. 399 | 400 | c. No term or condition of this Public License will be waived and no 401 | failure to comply consented to unless expressly agreed to by the 402 | Licensor. 403 | 404 | d. Nothing in this Public License constitutes or may be interpreted 405 | as a limitation upon, or waiver of, any privileges and immunities 406 | that apply to the Licensor or You, including from the legal 407 | processes of any jurisdiction or authority. 408 | 409 | 410 | ======================================================================= 411 | 412 | Creative Commons is not a party to its public licenses. 413 | Notwithstanding, Creative Commons may elect to apply one of its public 414 | licenses to material it publishes and in those instances will be 415 | considered the “Licensor.” The text of the Creative Commons public 416 | licenses is dedicated to the public domain under the CC0 Public Domain 417 | Dedication. Except for the limited purpose of indicating that material 418 | is shared under a Creative Commons public license or as otherwise 419 | permitted by the Creative Commons policies published at 420 | creativecommons.org/policies, Creative Commons does not authorize the 421 | use of the trademark "Creative Commons" or any other trademark or logo 422 | of Creative Commons without its prior written consent including, 423 | without limitation, in connection with any unauthorized modifications 424 | to any of its public licenses or any other arrangements, 425 | understandings, or agreements concerning use of licensed material. For 426 | the avoidance of doubt, this paragraph does not form part of the public 427 | licenses. 428 | 429 | Creative Commons may be contacted at creativecommons.org. 430 | --------------------------------------------------------------------------------