├── README.md ├── .gitignore ├── document.pdf ├── pic └── example.png ├── titlepage ├── titlepages.pdf ├── ManyTitlePage.orig.sty └── ManyTitlePage.sty ├── chapter ├── version.tex ├── c1.tex ├── titlepage.tex └── c2.tex ├── document.tex ├── CJK_xe_font.sty └── linux_thesis.cls /README.md: -------------------------------------------------------------------------------- 1 | # hpcl_document_latex_template 2 | 高性能计算实验室文档模板 3 | -------------------------------------------------------------------------------- /.gitignore: -------------------------------------------------------------------------------- 1 | 2 | .texpadtmp/chapter/c3.aux 3 | *.aux 4 | *.log 5 | *.gz 6 | .DS_Store 7 | *.toc 8 | -------------------------------------------------------------------------------- /document.pdf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/xhHuang94/hpcl_document_latex_template/HEAD/document.pdf -------------------------------------------------------------------------------- /pic/example.png: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/xhHuang94/hpcl_document_latex_template/HEAD/pic/example.png -------------------------------------------------------------------------------- /titlepage/titlepages.pdf: -------------------------------------------------------------------------------- https://raw.githubusercontent.com/xhHuang94/hpcl_document_latex_template/HEAD/titlepage/titlepages.pdf -------------------------------------------------------------------------------- /chapter/version.tex: -------------------------------------------------------------------------------- 1 | \chapter*{文件修改控制} 2 | 3 | 本章记录文档修改历史。 4 | 5 | \begin{quote} 6 | \kaishu 7 | \textbf{版本号说明：}本文档采用的版本号格式为a.b.c，其中a代表重大的版本变迁，b代表在a版本下的重要内容更新，c代表关键性的bug修复。 8 | 9 | \end{quote} 10 | 11 | \begin{table}[ht] 12 | \centering 13 | 14 | \begin{tabular}{p{1cm}|p{1.5cm}|p{1.0cm}|p{1.2cm}|p{1.2cm}|p{1.2cm}|p{1.5cm}|p{3cm}} 15 | \hline\hline 16 | 17 | 编号 & 文件状态 & 版本 & 修改人 & 审核人 & 批准人 & 修改日期 & 备注 \\ 18 | \hline 19 | 1 & 新建 & 1.0 & 张三 & & & 2017.6.15 & 创建文档架构、更新文档初稿\\ 20 | 21 | 22 | \hline\hline 23 | 24 | \end{tabular} 25 | 26 | \end{table} 27 | -------------------------------------------------------------------------------- /chapter/c1.tex: -------------------------------------------------------------------------------- 1 | \chapter{文档介绍} 2 | 3 | \section{文档目的} 4 | 此处输入本文档编写目的 5 | 6 | \section{文档范围} 7 | 此处输入本文档适用的范围。 8 | 9 | \section{读者对象} 10 | 此处输入本文档的面向读者对象 11 | 12 | \section{参考文档} 13 | 此处输入在撰写本文档过程中所使用到的资源列表。 14 | 15 | \begin{itemize} 16 | \item 《xxx系统技术协议书》，2016年12月 17 | \item 《xxx系统需求说明文档》，2017年6月 18 | \item 《xxx系统详细设计文档》，2017年6月 19 | \end{itemize} 20 | 21 | 22 | \section{术语与缩写解释} 23 | 24 | 本文档中使用到的术语缩写及其解释如下表\ref{shuyu}所示。 25 | 26 | \begin{table}[htb] 27 | \centering 28 | \label{shuyu} 29 | \begin{tabular}{p{2cm}|p{8cm}} 30 | \hline\hline 31 | 32 | \textbf{术语缩写} & \textbf{解释} \\ 33 | \hline\hline 34 | 35 | 术语缩写 & 解释 \\ 36 | \hline 37 | 38 | 术语缩写 & 解释 \\ 39 | \hline 40 | 41 | 术语缩写 & 解释 \\ 42 | \hline 43 | 44 | \hline\hline 45 | \end{tabular} 46 | \caption{本文档中出现的术语缩写及解释} 47 | \end{table} 48 | -------------------------------------------------------------------------------- /document.tex: -------------------------------------------------------------------------------- 1 | % !Mode:: "TeX:UTF-8" 2 | %\documentclass[a4paper, 12pt]{article} 3 | 4 | \documentclass[twoside]{linux_thesis} 5 | \usepackage{latexsym,bm} 6 | \usepackage{amsmath} 7 | \usepackage{amsfonts} 8 | \usepackage{graphicx} 9 | 10 | \usepackage{setspace} 11 | \usepackage{fontspec} 12 | \usepackage{supertabular} 13 | \usepackage{indentfirst} 14 | \usepackage{multirow} 15 | \usepackage{ulem} 16 | 17 | %\linespread{1.3} 18 | 19 | \definecolor{VerbatimColor}{rgb}{0.9,0.9,0.9} 20 | 21 | \begin{document} 22 | 23 | \newcommand{\shell}[1]{\noindent\texttt{\$: #1}} 24 | 25 | %\begin{titlepage} 26 | %\titleLY 27 | %\end{titlepage} 28 | 29 | \include{chapter/titlepage} 30 | 31 | \include{chapter/version} 32 | 33 | \tableofcontents 34 | 35 | % 文档介绍 36 | \include{chapter/c1} 37 | 38 | % 通用样式 39 | \include{chapter/c2} 40 | 41 | \end{document} 42 | -------------------------------------------------------------------------------- /chapter/titlepage.tex: -------------------------------------------------------------------------------- 1 | \thispagestyle{empty} 2 | 3 | \vspace*{\stretch{1}} 4 | \noindent\begin{minipage}{\textwidth} 5 | \raggedleft 6 | {\huge \bfseries 此处输入文档一级标题} 7 | \noindent\rule[-1ex]{\textwidth}{5pt}\\[2.5ex] 8 | \hfill\emph{\Large 此处输入文档小标题} 9 | \end{minipage} 10 | 11 | \vspace{\stretch{1}} 12 | \noindent\rlap{% 13 | \begin{minipage}{\textwidth} 14 | \linespread{1.67}\selectfont\raggedleft 15 | {\bfseries 文件编号：} 此处输入文档编号\\ 16 | {\bfseries 当前版本：} 此处输入版本号\\ 17 | {\bfseries 编 制：} 此处输入文档作者姓名 \\ 18 | {\bfseries 审 核：} 此处输入文档审核人姓名 \\ 19 | {\bfseries 批 准：} 此处输入文档批准人姓名 \\ 20 | {\bfseries 完成日期：} \today 21 | \end{minipage}% 22 | } 23 | 24 | \vspace{\stretch{2}} 25 | 26 | %\newpage\thispagestyle{empty} 27 | \begin{quote}\footnotesize 28 | \textbf{（内部文档，未得许可，禁止外传）}\\ 29 | 本文档版权归中国地质大学（武汉）计算机学院高性能计算实验室所有。\\ 30 | Copyright \copyright{} 2017 High Performance Computing Lab, China University of Geoscience, Wuhan. \\ 31 | 文档作者联系方式：xxx（xxx@cug.edu.edu）；yyy（yyy@cug.edu.cn）. 32 | \end{quote} -------------------------------------------------------------------------------- /CJK_xe_font.sty: -------------------------------------------------------------------------------- 1 | \NeedsTeXFormat{LaTeX2e} 2 | \ProvidesPackage{CJK_xe_font} 3 | 4 | %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% 5 | %\usepackage[BoldFont, SlantFont, CJKnumber, CJKchecksingle]{xeCJK} 6 | 7 | %---------------------------- 英文字体 ----------------------------------% 8 | % 衬线字体，是文档的默认字体 9 | %\setmainfont{DejaVu Serif} 10 | % 同setmainfont，由fontspec宠包提供 11 | %\setromanfont{DejaVu Serif} 12 | % 无衬线字体，比衬线字体更醒目，常用作标题 13 | %\setsansfont{DejaVu Sans} 14 | % 等宽字体 15 | %\setmonofont{DejaVu Sans Mono} 16 | %\setmonofont{Consolas} 17 | %---------------------------- 中文字体 ----------------------------------% 18 | \setCJKmainfont[BoldFont={黑体}]{宋体} 19 | \setCJKsansfont[BoldFont={黑体}]{楷体} 20 | 21 | \setCJKfamilyfont{zhsong}{宋体} 22 | \setCJKfamilyfont{zhhei}{黑体} 23 | \setCJKfamilyfont{zhkai}{楷体} 24 | \setCJKfamilyfont{zhfs}{仿宋} 25 | \setCJKfamilyfont{zhli}{隶书} 26 | \setCJKfamilyfont{zhyou}{幼圆} 27 | \setCJKfamilyfont{yahei}{微软雅黑} 28 | 29 | \newcommand*{\yahei}{\CJKfamily{yahei}} % 微软雅黑 30 | \newcommand*{\songti}{\CJKfamily{zhsong}} % 宋体 31 | \newcommand*{\heiti}{\CJKfamily{zhhei}} % 黑体 32 | \newcommand*{\kaishu}{\CJKfamily{zhkai}} % 楷书 33 | \newcommand*{\fangsong}{\CJKfamily{zhfs}} % 仿宋 34 | \newcommand*{\lishu}{\CJKfamily{zhli}} % 隶书 35 | \newcommand*{\youyuan}{\CJKfamily{zhyou}} % 幼圆 36 | %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% 37 | -------------------------------------------------------------------------------- /chapter/c2.tex: -------------------------------------------------------------------------------- 1 | \chapter{通用样式} 2 | 3 | %%%%%% 目录结构 4 | \section{目录结构} 5 | 6 | 本文档支持到三级目录，即：章（chapter）、节（section）、子节（subsection）、子子节（subsubsection）。使用方法如下： 7 | 8 | \begin{Verbatim}[] 9 | 章： 10 | \chapter{此处输入章的标题} 11 | 12 | 节： 13 | \section{此处输入节标题} 14 | 15 | 子节： 16 | \section{此处输入子节标题} 17 | 18 | 子子节： 19 | \section{此处输入子子节标题} 20 | \end{Verbatim} 21 | 22 | %%%%%% 文字类 23 | \section{文字类} 24 | \subsection{字体} 25 | 本文档提供多种字体以供选择。使用方法如下： 26 | \begin{Verbatim}[] 27 | \kaishu{这是楷体}。\songti{这是宋体}。\yahei{这是微软雅黑}。\heiti{这是黑体}。\fangsong{这是仿宋}。\lishu{这是隶书}。\youyuan{这是幼圆}。 28 | \end{Verbatim} 29 | 30 | 所有字体在windows系统中均可用，但仅\textbf{楷体、宋体和仿宋}在mac系统和linux系统可用。 31 | 32 | \subsection{文字下划线} 33 | 通过uline命令为指定的文字添加下划线： 34 | \begin{Verbatim}[] 35 | 这是一段文字，\uline{现在这几个字要加下划线，而且这个下划线是可以跨行显示的，可以通过该命令来实现在文档中标注重要的内容}。 36 | \end{Verbatim} 37 | 38 | 效果如下： 39 | 40 | 这是一段文字，\uline{现在这几个字要加下划线，而且这个下划线是可以跨行显示的，可以通过该命令来实现在文档中标注重要的内容}。 41 | 42 | 43 | \section{注解} 44 | 可通过以下方法添加注解： 45 | 46 | \begin{Verbatim}[] 47 | \begin{quote} 48 | \kaishu 49 | \textbf{注意：}此处可以输入注解，注解可以用来进一步描述图像、图表等文档对象。 50 | \end{quote} 51 | \end{Verbatim} 52 | 53 | 该注解的效果如下所示： 54 | \begin{quote} 55 | \kaishu 56 | \textbf{注意：}此处可以输入注解，注解可以用来进一步描述图像、图表等文档对象。 57 | \end{quote} 58 | 59 | 60 | \section{图表} 61 | \subsection{插入图片} 62 | 在文档中使用到的所有的图片均放置在pic目录下，图片的插入方法如下： 63 | \begin{Verbatim}[] 64 | \begin{figure}[h] 65 | \centering 66 | \label{structure} 67 | \includegraphics[width=0.8\textwidth]{pic/example.png} 68 | \caption{此处输入插入图片的描述文字} 69 | \end{figure} 70 | \end{Verbatim} 71 | 72 | 效果如下图\ref{example}所示。 73 | 74 | \begin{figure}[h] 75 | \centering 76 | \label{example} 77 | \includegraphics[width=0.8\textwidth]{pic/example.png} 78 | \caption{此处输入插入图片的描述文} 79 | \end{figure} 80 | 81 | \begin{quote} 82 | \kaishu 83 | \textbf{注意：}h（here）表示图片的插入位置，即在当前处插入图片，可选的参数包括b（bottom）、t（top）。0.8定义了图片的宽度，即图片宽度为当前文档宽度的80\%，图片通过label定义的标签名进行引用。 84 | \end{quote} 85 | 86 | \subsection{表格} 87 | 插入表格的代码如下所示： 88 | 89 | \begin{Verbatim}[] 90 | \begin{table}[htb] 91 | \centering 92 | \label{tableExample} 93 | \begin{tabular}{p{3cm}|p{9cm}} 94 | \hline\hline 95 | 96 | \textbf{硬件} & \textbf{配置要求} \\ 97 | \hline\hline 98 | 99 | 硬盘 & 所有节点至少包含2块SATA硬盘，每块硬盘大小为1TB，单个节点硬盘之间通过RAID1组成磁盘阵列 \\ 100 | \hline 101 | 102 | 内存 & 每个节点每个CPU建议配置至少2GB内存 \\ 103 | \hline 104 | 105 | 网卡 & 每个节点至少拥有2个前兆网卡 \\ 106 | \hline 107 | 108 | \hline\hline 109 | \end{tabular} 110 | \caption{各节点硬件配置要求} 111 | \end{table} 112 | \end{Verbatim} 113 | 114 | 115 | 各节点的硬件配置如表\ref{tableExample}所示。 116 | 117 | \begin{table}[htb] 118 | \centering 119 | \label{tableExample} 120 | \begin{tabular}{p{3cm}|p{9cm}} 121 | \hline\hline 122 | 123 | \textbf{硬件} & \textbf{配置要求} \\ 124 | \hline\hline 125 | 126 | 硬盘 & 所有节点至少包含2块SATA硬盘，每块硬盘大小为1TB，单个节点硬盘之间通过RAID1组成磁盘阵列 \\ 127 | \hline 128 | 129 | 内存 & 每个节点每个CPU建议配置至少2GB内存 \\ 130 | \hline 131 | 132 | 网卡 & 每个节点至少拥有2个前兆网卡 \\ 133 | \hline 134 | 135 | \hline\hline 136 | \end{tabular} 137 | \caption{各节点硬件配置要求} 138 | \end{table} 139 | 140 | 141 | \section{源码} 142 | 在文档中输入源码、shell操作等效果如下所示： 143 | 144 | \begin{Verbatim}[] 145 | \kaishu shell操作 146 | export JAVA_HOME=/usr/java/jdk1.8.0_112 147 | export HBASE_MANAGES_ZK=false 148 | export HBASE_LOG_DIR=/home/hadoop/hbase-1.2.4/logs 149 | export HBASE_PID_DIR=/home/hadoop/hbase-1.2.4/pids 150 | 151 | \kaishu 源码 152 | #include 153 | int main(){ 154 | printf("Hello Wolrd.\n"); 155 | return 0; 156 | } 157 | \end{Verbatim} 158 | 159 | 160 | -------------------------------------------------------------------------------- /linux_thesis.cls: -------------------------------------------------------------------------------- 1 | \NeedsTeXFormat{LaTeX2e}[1999/12/01] 2 | \ProvidesClass{linux_thesis}[] 3 | 4 | 5 | 6 | \DeclareOption*{\PassOptionsToClass{\CurrentOption}{ctexbook}} 7 | \ProcessOptions 8 | 9 | %Minimum xeCJK version:3.2.10, date:2014/03/01 10 | \PassOptionsToPackage{CJKchecksingle}{xeCJK} 11 | 12 | %采用5号字体 13 | \LoadClass[c5size,a4paper,fancyhdr,fntef]{ctexbook} 14 | 15 | %Chinese font size 16 | \newcommand{\chuhao} {\fontsize{42pt} {\baselineskip}\selectfont} 17 | \newcommand{\xiaochu} {\fontsize{36pt} {\baselineskip}\selectfont} 18 | \newcommand{\xiaochuhao}{\fontsize{36pt} {\baselineskip}\selectfont} 19 | \newcommand{\yihao} {\fontsize{28pt} {\baselineskip}\selectfont} 20 | \newcommand{\erhao} {\fontsize{21pt} {\baselineskip}\selectfont} 21 | \newcommand{\xiaoer} {\fontsize{18pt} {\baselineskip}\selectfont} 22 | \newcommand{\xiaoerhao} {\fontsize{18pt} {\baselineskip}\selectfont} 23 | \newcommand{\sanhao} {\fontsize{15.75pt}{\baselineskip}\selectfont} 24 | \newcommand{\xiaosan} {\fontsize{15pt} {\baselineskip}\selectfont} 25 | \newcommand{\xiaosanhao}{\fontsize{15pt} {\baselineskip}\selectfont} 26 | \newcommand{\sihao} {\fontsize{14pt} {\baselineskip}\selectfont} 27 | \newcommand{\xiaosi} {\fontsize{12pt} {\baselineskip}\selectfont} 28 | \newcommand{\xiaosihao} {\fontsize{12pt} {\baselineskip}\selectfont} 29 | \newcommand{\wuhao} {\fontsize{10.5pt} {\baselineskip}\selectfont} 30 | \newcommand{\xiaowu} {\fontsize{9pt} {\baselineskip}\selectfont} 31 | \newcommand{\xiaowuhao} {\fontsize{9pt} {\baselineskip}\selectfont} 32 | \newcommand{\liuhao} {\fontsize{7.875pt}{\baselineskip}\selectfont} 33 | \newcommand{\qihao} {\fontsize{5.25pt} {\baselineskip}\selectfont} 34 | 35 | %=================================================================== 36 | %版面细节设置 37 | %=================================================================== 38 | \RequirePackage{geometry} %控制版面大小 39 | \geometry{left=25.4mm, right=25.4mm, top=25.4mm, bottom=25.4mm} 40 | 41 | %调整段间距 42 | %\setlength{\parskip}{1.5ex plus0.5ex minus 0.5ex} 43 | \setlength{\parskip}{0ex} 44 | 45 | %设置页眉页脚 46 | \pagestyle{fancy} 47 | \fancyhf{} 48 | \fancyhead[EL,OR]{\thepage} 49 | \fancyhead[OC]{\nouppercase{\fangsong\rightmark}} 50 | \fancyhead[EC]{\nouppercase{\fangsong\leftmark}} 51 | %=================================================================== 52 | 53 | 54 | %=================================================================== 55 | %定义章节标题格式(ps:参考ctex宏包使用) 56 | %=================================================================== 57 | \RequirePackage{titletoc} 58 | \RequirePackage{titlesec} 59 | 60 | \CTEXsetup[number={\arabic{chapter}}]{chapter} 61 | 62 | \titleformat{\chapter}[display] 63 | {\bfseries\Large} 64 | {\filleft \Huge 第 {\thechapter} 章} 65 | {4ex} 66 | {\titlerule 67 | \vspace{2ex}% 68 | \filright} 69 | [\vspace{2ex}% 70 | \titlerule] 71 | 72 | \CTEXsetup[name={\S\,,}]{section} 73 | \CTEXsetup[name={\S\,,}]{subsection}%在序号前面添加 \S 符号 74 | %\CTEXsetup[name={\S\,,}]{subsubsection}%在序号前面添加 \S 符号 75 | \CTEXsetup[format={\large\bfseries\flushleft}]{section} 76 | \CTEXsetup[format={\bfseries\flushleft}]{subsection} 77 | %=================================================================== 78 | 79 | %=================================================================== 80 | %设置目录格式 81 | %=================================================================== 82 | \CTEXoptions[contentsname={\hfill 目\rule{\ccwd}{0pt}录 \hfill}] % 设置目录格式 83 | 84 | \titlecontents{chapter}[0em] 85 | {\vspace{6bp}\sihao\bfseries}%14pt，如果希望美观一些，可以无视章节标题用宋体的规定，自行添加\bfseries 86 | {\thecontentslabel\hspace*{0.5em}} 87 | {} 88 | {\titlerule*[0.5pc]{$\cdot$}\contentspage} 89 | \titlecontents{section}[1.1\ccwd] 90 | {\vspace{1bp} \xiaosi} 91 | {\thecontentslabel\hspace*{0.5em}} 92 | {} 93 | {\titlerule*[0.5pc]{$\cdot$}\contentspage} 94 | \titlecontents{subsection}[2.5\ccwd]%原来是2.3 95 | {\vspace{1bp} \wuhao}%规定三级标题是10.5pt 96 | {\thecontentslabel\hspace*{0.5em}} 97 | {} 98 | {\titlerule*[0.5pc]{$\cdot$}\contentspage} 99 | %================================================================ 100 | 101 | 102 | 103 | %设置图片、表格标题的格式 104 | \RequirePackage[oneline]{caption2} 105 | \renewcommand{\captionlabeldelim}{\rule{\ccwd}{0pt}} %设置标题的分隔符,默认为 : 106 | \captionsetup{labelfont+={bf}} %作用和以下三句相同 107 | %\DeclareCaptionFont{cs4size}{\xiaosi} 108 | %\captionsetup{labelfont={cs4size,bf}} 109 | %\captionsetup{textfont=cs4size} 110 | \makeatletter 111 | \renewcommand{\thefigure}{\thesection-\@arabic\c@figure} 112 | \renewcommand{\thetable}{\thesection-\@arabic\c@table} 113 | \makeatother 114 | 115 | \RequirePackage{enumitem} %控制罗列环境需要的包 116 | \setitemize{topsep=0pt} %设置 itemize 罗列环境顶端距离 117 | 118 | \RequirePackage{mdwlist} %与正文等行距的罗列环境 119 | 120 | %=================================================================== 121 | %长表格环境设置 122 | %=================================================================== 123 | \RequirePackage{longtable} %长表格 124 | %\setlength{\LTpre}{0pt} %设置 longtable 与上文的距离 125 | %\setlength{\LTpost}{0pt} %设置 longtable 与下文的距离 126 | \renewcommand{\arraystretch}{1.3} %设置 longtable 行距的基本拉伸值 127 | \RequirePackage{booktabs} %制作表格粗框线 128 | %=================================================================== 129 | 130 | %\renewcommand{\thefootnote}{\fnsymbol{footnote}} 131 | 132 | \RequirePackage{fancyvrb} 133 | \fvset{listparameters=\setlength\topsep{0pt}} 134 | 135 | %=================================================================== 136 | %设置一个源码输入环境 137 | %=================================================================== 138 | \RequirePackage{fancybox} 139 | \RequirePackage{framed} 140 | \usepackage{color} 141 | % Redefine these colors to your liking in the preamble. 142 | \definecolor{TitleColor}{rgb}{0.126,0.263,0.361} 143 | \definecolor{InnerLinkColor}{rgb}{0.208,0.374,0.486} 144 | \definecolor{OuterLinkColor}{rgb}{0.216,0.439,0.388} 145 | % Redefine these colors to something if you want to have colored 146 | % background and border for code examples. 147 | \definecolor{VerbatimColor}{rgb}{0.933,0.933,0.933} 148 | \definecolor{VerbatimBorderColor}{rgb}{1,1,1} 149 | 150 | % Redefine the Verbatim environment to allow border and background colors. 151 | % The original environment is still used for verbatims within tables. 152 | \let\OriginalVerbatim=\Verbatim 153 | \let\endOriginalVerbatim=\endVerbatim 154 | 155 | \makeatletter 156 | % Play with vspace to be able to keep the indentation. 157 | \newlength\distancetoright 158 | \def\mycolorbox#1{% 159 | \setlength\distancetoright{\linewidth}% 160 | \advance\distancetoright -\@totalleftmargin % 161 | \fcolorbox{VerbatimBorderColor}{VerbatimColor}{% 162 | \begin{minipage}{\distancetoright}% 163 | #1 164 | \end{minipage}% 165 | }% 166 | } 167 | \def\FrameCommand{\mycolorbox} 168 | \makeatother 169 | 170 | \renewcommand{\Verbatim}[1][1]{% 171 | \vspace{-1ex} %引入设置，减小与上下文之间的空白 172 | % list starts new par, but we don't want it to be set apart vertically 173 | \bgroup\parskip=0pt% 174 | %\smallskip% 175 | % The list environement is needed to control perfectly the vertical 176 | % space. 177 | \list{}{% 178 | \setlength\parskip{0pt}% 179 | \setlength\itemsep{0ex}% 180 | \setlength\topsep{0ex}% 181 | \setlength\partopsep{0pt}% 182 | \setlength\leftmargin{0pt}% 183 | }% 184 | \item\MakeFramed {\FrameRestore}% 185 | \small% 186 | \OriginalVerbatim[#1]% 187 | } 188 | \renewcommand{\endVerbatim}{% 189 | \endOriginalVerbatim% 190 | \endMakeFramed% 191 | \endlist% 192 | % close group to restore \parskip 193 | \egroup% 194 | } 195 | %=================================================================== 196 | 197 | 198 | \RequirePackage{wrapfig} 199 | \RequirePackage{makecell} 200 | 201 | %表格中插入图片居中 202 | \newcommand\mgape[1]{\gape{$\vcenter{\hbox{#1}}$}} 203 | %表格中换行 204 | %\tabincell{c}{haha// heihei//zeze} 205 | %\newcommand{\tabincell}[2]{\begin{tabular}{@{}#1@{}}#2\end{tabular}} 206 | %\makecell[c]{haha \\ hehe} 207 | \renewcommand\cellalign{tc} 208 | 209 | %加载各种预设值的封面 210 | \RequirePackage{titlepage/ManyTitlePage} 211 | 212 | \RequirePackage{metalogo} 213 | 214 | \endinput 215 | -------------------------------------------------------------------------------- /titlepage/ManyTitlePage.orig.sty: -------------------------------------------------------------------------------- 1 | 2 | 3 | %\usepackage{pst-text} 4 | 5 | %%%% Additional font macros 6 | \makeatletter 7 | %%%% light series 8 | %% e.g., s:12 9 | \DeclareRobustCommand\ltseries 10 | {\not@math@alphabet\ltseries\relax 11 | \fontseries\ltdefault\selectfont} 12 | %% e.g., t:32 13 | \newcommand{\ltdefault}{l} 14 | %% e.g., v:19 15 | \DeclareTextFontCommand{\textlt}{\ltseries} 16 | 17 | % heavy(bold) series 18 | \DeclareRobustCommand\hbseries 19 | {\not@math@alphabet\hbseries\relax 20 | \fontseries\hbdefault\selectfont} 21 | %% e.g., t:32 22 | \newcommand{\hbdefault}{hb} 23 | %% e.g., v:19 24 | \DeclareTextFontCommand{\texthb}{\hbseries} 25 | \makeatother 26 | 27 | \newcommand*{\isbn}{{\small\textsc{ISBN}}} 28 | 29 | %%% for the Web-O-Mints fonts 30 | \newcommand*{\wb}[2]{\fontsize{#1}{#2}\usefont{U}{webo}{xl}{n}} 31 | %\renewcommand*{\wb}[2]{}% probably kills Web-O-Mints (and some layouts?) 32 | %%% for the Fontsite 500 fonts 33 | \newcommand*{\FSfont}[1]{% 34 | \fontencoding{T1}\fontfamily{#1}\selectfont} 35 | %\renewcommand*{\FSfont}[1]{}% kills special font selections 36 | 37 | \newcommand*{\labelit}[1]{\phantomsection\label{#1}} 38 | \newcommand*{\refit}[1]{(graphic on page~\pageref{#1})} 39 | 40 | \newcommand*{\plogo}{GNU} 41 | 42 | \makeatother 43 | 44 | \DeclareRobustCommand{\cs}[1]{\texttt{\char`\\#1}} 45 | \newlength{\tpheight}\setlength{\tpheight}{0.9\textheight} 46 | \newlength{\txtheight}\setlength{\txtheight}{0.9\tpheight} 47 | \newlength{\tpwidth}\setlength{\tpwidth}{0.9\textwidth} 48 | \newlength{\txtwidth}\setlength{\txtwidth}{0.9\tpwidth} 49 | \newlength{\drop} 50 | 51 | \newenvironment{showtitle}{% 52 | \begin{boxminipage}[c][\tpheight]{\tpwidth} 53 | \centering\begin{vplace}\begin{minipage}[c][\txtheight]{\txtwidth}}% 54 | {\end{minipage}\end{vplace}\end{boxminipage}} 55 | 56 | \definecolor{Dark}{gray}{.2} 57 | \definecolor{MedDark}{gray}{.4} 58 | \definecolor{Medium}{gray}{.6} 59 | \definecolor{Light}{gray}{.8} 60 | 61 | \newcommand*{\titleJT}{\begingroup% Jan Tschichold: typographer 62 | \FSfont{5gm}% Garamond 63 | \drop = 0.08\txtheight 64 | \vspace*{\drop} 65 | \hspace*{0.3\txtwidth} 66 | {\Large The Author}\\[2\drop] 67 | \hspace*{0.3\txtwidth}{\Huge\itshape The Big Book of}\par 68 | {\raggedleft\Huge\itshape Conundrums\par} 69 | \vfill 70 | \hspace*{0.3\txtwidth}{\Large \plogo} \\[0.5\baselineskip] 71 | \hspace*{0.3\txtwidth}{\Large The Publisher} 72 | \vspace*{\drop} 73 | \endgroup} 74 | 75 | \newcommand*{\titleTH}{\begingroup% T&H Typography 76 | \raggedleft 77 | \vspace*{\baselineskip} 78 | {\Large The Author}\\[0.167\txtheight] 79 | {\bfseries The Big Book of}\\[\baselineskip] 80 | {\textcolor{Red}{\Huge CONUNDRUMS}}\\[\baselineskip] 81 | {\small With 123 illustrations}\par 82 | \vfill 83 | {\Large The Publisher \plogo}\par 84 | \vspace*{3\baselineskip} 85 | \endgroup} 86 | 87 | \newcommand*{\titleM}{\begingroup% Misericords, T&H p 153 88 | \drop = 0.08\txtheight 89 | \centering 90 | \vspace*{\drop} 91 | {\Huge\bfseries Conundrums}\\[\baselineskip] 92 | {\scshape puzzles for the mind}\\[\baselineskip] 93 | {\scshape by}\\[\baselineskip] 94 | {\large\scshape the author}\par 95 | \vfill 96 | {\plogo}\\[0.5\baselineskip] 97 | {\scshape the publisher}\par 98 | \vspace*{2\drop}\endgroup} 99 | 100 | \newcommand*{\titleS}{\begingroup% Scripts, T&H p 151 101 | \drop = 0.1\txtheight 102 | \centering 103 | \vspace*{\drop} 104 | {\Huge Conundrums}\\[\baselineskip] 105 | {\large\itshape by The Author}\\[\baselineskip] 106 | \vfill 107 | \rule{0.4\txtwidth}{0.4pt}\\[\baselineskip] 108 | {\large\itshape The Publisher}\par 109 | \vspace*{\drop} 110 | \endgroup} 111 | 112 | \newcommand*{\titleHGP}{\begingroup% Handy Guide to Papermaking 113 | \drop=0.1\txtheight 114 | \begin{minipage}[t]{0.05\txtwidth} 115 | \color{Red} 116 | \rule{6pt}{\txtheight} 117 | \end{minipage} 118 | \hspace{0.05\txtwidth} 119 | \begin{minipage}[t]{0.6\txtwidth} 120 | \vspace*{\drop} 121 | {\Large THE AUTHOR} \\ 122 | \rule{0.9\txtwidth}{1pt} \par 123 | \vspace{3\baselineskip} 124 | {\noindent\Huge\bfseries CONUNDRUMS} \par 125 | \vspace{2\baselineskip} 126 | {\Large\itshape A Handy Guide to Puzzles and Enigmas} \par 127 | \vspace{6.5\baselineskip} 128 | {\scshape after the foreign edition of year \\ 129 | translated by} \par 130 | \vspace{0.1\baselineskip} 131 | {\Large THE TRANSLATOR} \par 132 | \vspace{\baselineskip} 133 | \rule{0.9\txtwidth}{1pt} \par 134 | \vspace{\baselineskip} 135 | {\Large THE PUBLISHER} 136 | \end{minipage} 137 | \hfill 138 | \begin{minipage}[t]{0.15\txtwidth} 139 | {\color{Red} 140 | \FSfont{5fh}% FontSite Fette Gotisch 141 | \HUGE 142 | \vspace{3.3\baselineskip} 143 | H \\[1.15\baselineskip] 144 | G \\[1.15\baselineskip] 145 | P \\[1.15\baselineskip] 146 | E 147 | }\par 148 | \vspace{4\baselineskip} 149 | {\Large YEAR} 150 | \end{minipage} 151 | \endgroup} 152 | 153 | 154 | \newcommand*{\titleRF}{\begingroup% Robert Frost, T&H p 149 155 | \FSfont{5bo}% Bembo/Bergamo 156 | \drop = 0.2\txtheight 157 | \centering 158 | \vfill 159 | {\Huge The Big Book of}\\[\baselineskip] 160 | {\Huge CONUNDRUMS}\\[\baselineskip] 161 | {\large Edited by The Editor}\\[0.5\drop] 162 | {\Large \plogo}\\[0.5\baselineskip] 163 | {\Large The Publisher}\par 164 | {\large\scshape year}\par 165 | \vfill\null 166 | \endgroup} 167 | 168 | \newcommand*{\titleDB}{\begingroup% Design of Books, by Adrian Wilson 169 | \FSfont{5pl}% Palatino/Palladio 170 | \drop = 0.14\txtheight 171 | \centering 172 | \vspace*{\drop} 173 | {\Large THE}\\[\baselineskip] 174 | {\Huge BIG BOOK}\\[\baselineskip] 175 | {\Huge OF}\\[\baselineskip] 176 | {\Huge CONUNDRUMS}\\[1.5\baselineskip] 177 | {\LARGE BY}\\[\baselineskip] 178 | {\LARGE THE AUTHOR}\par 179 | %\begin{vplace} 180 | \vfill 181 | {FOREWORD BY AN OTHER}\\[8\baselineskip] 182 | %\end{vplace} 183 | \vfill 184 | {\small\sffamily THE PUBLISHER}\par 185 | \endgroup} 186 | 187 | \newcommand*{\titleAM}{\begingroup% Ancient Mariner, AW fig 11-20, p. 151 188 | \FSfont{5bo}% Bembo/Bergamo 189 | \drop = 0.12\txtheight 190 | \centering 191 | \vspace*{\drop} 192 | {\large The Author}\\[\baselineskip] 193 | {\Huge THE BIG BOOK}\\[\baselineskip] 194 | {\Large OF}\\[\baselineskip] 195 | {\Huge CONUNDRUMS}\\[\baselineskip] 196 | {\scshape with ten engravings}\\ 197 | {\scshape and with a foreword by}\\ 198 | {\large\scshape an other}\\[\drop] 199 | {\plogo}\\[0.5\baselineskip] 200 | {\small\scshape the publisher}\par 201 | {\small\scshape year}\par 202 | \vfill\null 203 | \endgroup} 204 | 205 | \newcommand*{\titleP}{\begingroup% The Pyramids, AW fig 6-15, p. 81 206 | \FSfont{5bo}% Bembo/Bergamo 207 | \drop = 0.12\txtheight 208 | \vspace*{\drop} 209 | \hspace*{0.3\txtwidth} 210 | {\Huge SOME}\\[\baselineskip] 211 | \hspace*{0.3\txtwidth} 212 | {\Huge CONUNDRUMS}\par 213 | \vspace*{3\drop} 214 | {\large By THE AUTHOR} 215 | \vfill 216 | {\scshape the publisher} 217 | \vspace*{0.5\drop} 218 | \endgroup} 219 | 220 | \newcommand*{\titleHL}{\begingroup% Horizontal Line 221 | \drop = 0.4\txtheight 222 | \vspace*{\drop} 223 | \hfill{\large The Author} \\ 224 | \rule{\txtwidth}{0.4pt} 225 | 226 | \vspace*{\baselineskip} 227 | {\Huge CONUNDRUMS}\par 228 | \vfill 229 | {\centering The Publisher\par} 230 | \vspace*{\baselineskip} 231 | \endgroup} 232 | 233 | \newcommand*{\titleVL}{\begingroup% Vertical Line 234 | \drop = 0.1\txtheight 235 | \vspace*{\drop} 236 | \hbox{% 237 | \hspace*{0.2\txtwidth}% 238 | \vrule depth 0.6\txtheight% 239 | \hspace*{2em}% 240 | \vbox{% 241 | \vspace{\drop} 242 | {\noindent\large The Author}\\[3\baselineskip] 243 | {\Huge Conundrums}\par 244 | \vfil 245 | }% end of vbox 246 | }% end of hbox 247 | \begin{center} 248 | The Publisher 249 | \end{center} 250 | \null 251 | \endgroup} 252 | 253 | \newcommand*{\titleGM}{\begingroup% Gentle Madness 254 | \drop = 0.1\txtheight 255 | \vspace*{\baselineskip} 256 | \vfill 257 | \hbox{% 258 | \hspace*{0.2\txtwidth}% 259 | \rule{1pt}{\txtheight} 260 | \hspace*{0.05\txtwidth}% 261 | %\fbox{% 262 | \parbox[b]{0.75\txtwidth}{ 263 | \vbox{% 264 | \vspace{\drop} 265 | {\noindent\HUGE\bfseries Some\\[0.5\baselineskip] Conundrums}\\[2\baselineskip] 266 | {\Large\itshape Puzzles for the Mind}\\[4\baselineskip] 267 | {\Large THE AUTHOR}\par 268 | \vspace{0.5\txtheight} 269 | {\noindent The Publisher}\\[\baselineskip] 270 | }% end of vbox 271 | }% end of parbox 272 | %}% end of fbox 273 | }% end of hbox 274 | \vfill 275 | \null 276 | \endgroup} 277 | 278 | \newcommand*{\titlePM}{\begingroup% Gentle Madness with Printers' Ornaments 279 | \drop = 0.1\txtheight 280 | \vspace*{\baselineskip} 281 | \vfill 282 | \hbox{% 283 | \hspace*{0.1\txtwidth}% 284 | {\wb{18pt}{18pt} 285 | \begin{picture}(0,0) 286 | \multiput(0,0)(0,20){22}{\textcolor{Medium}{Q}} 287 | \end{picture} 288 | } 289 | % \rule{1pt}{\txtheight} 290 | \hspace*{0.15\txtwidth}% 291 | \parbox[b]{0.75\txtwidth}{ 292 | \vbox{% 293 | \vspace{\drop} 294 | {\noindent\HUGE\bfseries Some\\[0.5\baselineskip] Conundrums}\\[2\baselineskip] 295 | {\Large\itshape Puzzles for the Mind}\\[4\baselineskip] 296 | {\Large THE AUTHOR}\par 297 | \vspace{0.5\txtheight} 298 | {\noindent The Publisher}\\[\baselineskip] 299 | }% end of vbox 300 | }% end of parbox 301 | }% end of hbox 302 | \vfill 303 | \null 304 | \endgroup} 305 | 306 | \newcommand*{\titleAT}{\begingroup% Anatomy of a Typeface 307 | %\FSfont{5gr}% Galliard/Gareth 308 | \FSfont{5bo}% Bergamo/Bembo 309 | \drop=0.1\txtheight 310 | \vspace*{\drop} 311 | \rule{\txtwidth}{1pt}\par 312 | \vspace{2pt}\vspace{-\baselineskip} 313 | \rule{\txtwidth}{0.4pt}\par 314 | \vspace{0.5\drop} 315 | \centering 316 | \textcolor{Red}{%\FSfont{5cz}% Chisel 317 | {\FSfont{5ml}\Huge THE BOOK}\\[0.5\baselineskip] 318 | {\FSfont{5ml}\Large OF}\\[0.75\baselineskip]% Delphian (5dp) 319 | {\FSfont{5ml}\Huge CONUNDRUMS}}% Mona Lisa 320 | \par 321 | \vspace{0.25\drop} 322 | \rule{0.3\txtwidth}{0.4pt}\par 323 | \vspace{\drop} 324 | {\Large \scshape The Author}\par 325 | \vfill 326 | {\large \textcolor{Red}{\plogo}}\\[0.5\baselineskip] 327 | {\large\scshape the publisher}\par 328 | \vspace*{\drop} 329 | \endgroup} 330 | 331 | \newcommand*{\titleLL}{\begingroup% Lost Languages 332 | \drop=0.1\txtheight 333 | \fboxsep 0.5\baselineskip 334 | \sffamily 335 | \vspace*{\drop} 336 | \centering 337 | {\textcolor{SkyBlue}{\HUGE CONUNDRUMS}}\par 338 | \vspace{0.5\drop} 339 | \colorbox{Dark}{\textcolor{white}{\normalfont\itshape\Large Puzzles for the Mind}}\par 340 | \vspace{\drop} 341 | {\Large The Author}\par 342 | \vfill 343 | {\footnotesize THE PUBLISHER}\par 344 | \vspace*{\drop} 345 | \endgroup} 346 | 347 | \newcommand*{\titleCC}{\begingroup% City of Cambridge 348 | \drop=0.1\txtheight 349 | \vspace*{\drop} 350 | \centering 351 | {\Large\itshape THE BIG BOOK OF}\\[0.5\drop] 352 | {\textcolor{Red}{\HUGE\bfseries CONUNDRUMS}}\par 353 | \vspace{\drop} 354 | {\LARGE\itshape VOLUME 1: SOCIAL AND MORAL}\par 355 | \vfill 356 | {\Large THE AUTHOR}\par 357 | \vfill 358 | {\plogo}\\[0.5\baselineskip] 359 | {\itshape THE PUBLISHER}\par 360 | {\scshape year}\par 361 | %\vfill 362 | \vspace*{\drop} 363 | \endgroup} 364 | 365 | 366 | \newcommand*{\titleDS}{\begingroup% DS Thesis 367 | \drop=0.1\txtheight 368 | %\vspace*{\drop} 369 | \centering 370 | {\Large\bfseries CONUNDRUMS CONSIDERED AS PUZZLES FOR THE MIND}\par 371 | \vspace{0.6\baselineskip} 372 | {By}\\[0.6\baselineskip] 373 | {The Candidate\\[0.6\baselineskip] 374 | A Thesis Submitted to the Graduate\\[0.5\baselineskip] 375 | Faculty of The University\\[0.5\baselineskip] 376 | in Partial Fulfillment of the\\[0.5\baselineskip] 377 | Requirements for the Degree of\\[0.5\baselineskip] 378 | DEGREE\\[0.5\baselineskip] 379 | Major Subject: Logic}\par 380 | 381 | \flushleft 382 | {Approved by the \\ 383 | Examining Committee:}\par 384 | \vspace{1.5\baselineskip} 385 | \rule{15em}{0.4pt}\\ 386 | A Professor, Thesis Advisor \\[1\baselineskip] 387 | \rule{15em}{0.4pt}\\ 388 | Another Professor, Thesis Advisor \\[1\baselineskip] 389 | \rule{15em}{0.4pt}\\ 390 | A Faculty, Member \\[1\baselineskip] 391 | \rule{15em}{0.4pt}\\ 392 | Another Faculty, Member \\[1\baselineskip] 393 | \rule{15em}{0.4pt}\\ 394 | A Third Faculty, Member\par 395 | \centering 396 | \vspace{1\baselineskip} 397 | The University \\ 398 | The Address \\[\baselineskip] 399 | The Date\par 400 | \vfill 401 | \endgroup} 402 | 403 | \newcommand*{\titleMS}{\begingroup% MS Thesis 404 | \drop=0.1\txtheight 405 | \vspace*{\drop} 406 | \centering 407 | {\LARGE THE UNIVERSITY}\\[2\baselineskip] 408 | {\LARGE\sffamily Conundrums: \\ puzzles for the mind\par} 409 | \vfill 410 | {\LARGE THESIS}\par 411 | \vspace{\drop} 412 | {\large some remarks concerning the supervisor \\ 413 | and the time and place of the examination \\ 414 | and other administrative details\par} 415 | \vfill 416 | {\large\bfseries The Candidate}\par 417 | \vspace*{\drop} 418 | \endgroup} 419 | 420 | \newcommand*{\titlePW}{\begingroup% PW Thesis 421 | \ttfamily 422 | \drop=0.1\txtheight 423 | \vspace*{\drop} 424 | \centering 425 | {\Large%\bfseries 426 | SOME REMARKS \\ ON CONUNDRUMS \\ AS PUZZLES FOR THE MIND\par} 427 | \vspace*{\drop} 428 | {\large by}\par 429 | \vspace*{\drop} 430 | {\Large THE CANDIDATE}\par 431 | \vfill 432 | \raggedright 433 | {\Large 434 | Thesis submitted to The University for the degree of 435 | DEGREE, Month year.\par} 436 | \vfill 437 | \null 438 | \endgroup} 439 | 440 | \newcommand*{\titleUL}{\begingroup% University of Liege 441 | \drop=0.1\txtheight 442 | \vspace*{\drop} 443 | \begin{center} 444 | {\LARGE\textsc{THE UNIVERSITY}}\\[\drop] 445 | % University logo 446 | {\LARGE \plogo}\\[\drop] 447 | 448 | \rule{\txtwidth}{1pt}\par 449 | \vspace{0.5\baselineskip} 450 | {\huge\bfseries Conundrums: An Investigation of Mind Puzzles\\ 451 | \large --- in N pages, with T tables ---}\\[0.5\baselineskip] 452 | \rule{\txtwidth}{1pt}\par 453 | 454 | \vfill 455 | 456 | % fake a footnote reference here 457 | {\Large\textsc{The\textsuperscript{1} Candidate}} 458 | 459 | \vfill 460 | 461 | City, Country 462 | 463 | \vfill 464 | 465 | {\large The Date} 466 | \end{center} 467 | 468 | % faked footnote 469 | \vspace{-0.5\baselineskip} 470 | \noindent\rule{0.4\txtwidth}{0.4pt} \\ 471 | \textsuperscript{1} \url{email.address} 472 | \endgroup} 473 | 474 | 475 | \newcommand*{\titleASU}{% 476 | \begingroup 477 | \FSfont{ptm}% Times 478 | \begin{center} 479 | CONTINUING CONONDRUMS IN THE TYPOGRAPHIC REQUIREMENTS FOR THESIS \\ 480 | by \\ 481 | Im A. Student 482 | 483 | \vfill 484 | 485 | A Polemic Presented in Partial Fulfillment \\ 486 | of the Requirements for the Degree \\ 487 | Name of Degree 488 | 489 | \vfill 490 | 491 | THE UNIVERSITY 492 | 493 | The Date 494 | \end{center} 495 | \endgroup} 496 | 497 | \newcommand*{\titleSW}{\begingroup% Story of Writing 498 | \raggedleft 499 | \vspace*{\baselineskip} 500 | {\Huge\itshape The Book \\ of Conundrums}\\[\baselineskip] 501 | {\large\itshape With over 120 illustrations, 50 in color}\\[0.2\textheight] 502 | {\Large The Author}\par 503 | \vfill 504 | {\Large \plogo{} \sffamily The Publisher} 505 | \vspace*{\baselineskip} 506 | \endgroup} 507 | 508 | \newcommand*{\titleTMB}{\begingroup% Three Men in a Boat 509 | \drop=0.1\txtheight 510 | \centering 511 | \settowidth{\unitlength}{\LARGE THE BOOK OF CONUNDRUMS} 512 | \vspace*{\baselineskip} 513 | {\large\scshape the author}\\[\baselineskip] 514 | \rule{\unitlength}{1.6pt}\vspace*{-\baselineskip}\vspace*{2pt} 515 | \rule{\unitlength}{0.4pt}\\[\baselineskip] 516 | {\LARGE THE BOOK OF CONUNDRUMS}\\[\baselineskip] 517 | {\itshape puzzles for the mind}\\[0.2\baselineskip] 518 | \rule{\unitlength}{0.4pt}\vspace*{-\baselineskip}\vspace{3.2pt} 519 | \rule{\unitlength}{1.6pt}\\[\baselineskip] 520 | {\large\scshape drawings by the artist}\par 521 | \vfill 522 | {\large\scshape the publisher}\\[\baselineskip] 523 | {\small\scshape year}\par 524 | \vspace*{\drop} 525 | \endgroup} 526 | 527 | \newcommand*{\titleFT}{\begingroup% John Fell Types 528 | \ifxetex 529 | \fontspec[Alternate=0]{IM_FELL_Double_Pica_PRO_Roman} 530 | \else 531 | \FSfont{fxlj}% Libertine 532 | \fi 533 | \begin{center} 534 | \vfill 535 | {\HUGE \textcolor{Red}{JOHN FELL} \\} 536 | \vfill 537 | {\Huge THE UNIVERSITY PRESS AND 538 | THE `FELL TYPES' \\} 539 | \vfill 540 | {\Large THE PUNCHES AND MATRICES DESIGNED FOR PRINTING 541 | IN THE GREEK, LATIN, ENGLISH, AND ORIENTAL LANGUAGES 542 | BEQUETHED IN 1686 TO \\} 543 | \vfill 544 | {\LARGE THE UNIVERSITY OF OXFORD 545 | BY JOHN FELL, D.D.\\} 546 | \vfill 547 | {DELEGATE OF THE PRESS, DEAN OF CHRISTCHURCH 548 | VICE-CHANCELLOR OF THE UNIVERSITY 549 | AND BISHOP OF OXFORD \\} 550 | \vfill 551 | {\Large BY\\} 552 | {\LARGE STANLEY MORISON \\} 553 | {WITH THE ASSISTANCE OF\\} 554 | {\large HARRY CARTER\\} 555 | \vfill 556 | \plogo 557 | \vfill 558 | {\LARGE THE PUBLISHER \\} 559 | {\large YEAR} 560 | \vfill 561 | \end{center} 562 | \endgroup} 563 | 564 | \renewcommand*{\titleFT}{\begingroup% John Fell Types 565 | \ifxetex 566 | \fontspec[Alternate=0]{IM_FELL_Double_Pica_PRO_Roman} 567 | \else 568 | \FSfont{fxlj}% Libertine 569 | \fi 570 | \begin{center} 571 | \vfill 572 | {\HUGE \textcolor{Red}{THE DONOR} \\} 573 | \vfill 574 | {\Huge THE UNIVERSITY AND 575 | THE `DONOR' CONUNDRUMS \\} 576 | \vfill 577 | {\Large THE PUZZLES \& ENIGMAS \\ PRESENTED IN 1768 TO \\} 578 | %\vfill 579 | {\LARGE THE UNIVERSITY OF CITY \\ 580 | BY THE DONOR\\} 581 | %\vfill 582 | {\footnotesize WHO HAS ACHIEVED A VARIETY OF ACADEMIC \\ 583 | AND OTHER DISTINCTIONS \\} 584 | \vfill 585 | {\large BY\\} 586 | {\LARGE THE AUTHOR \\} 587 | {\footnotesize WITH THE ASSISTANCE OF\\} 588 | {\large THE ASSISTANT\\} 589 | \vfill 590 | \plogo 591 | \vfill 592 | {\LARGE THE PUBLISHER \\} 593 | {\large YEAR} 594 | \vfill 595 | \end{center} 596 | \endgroup} 597 | 598 | \newcommand*{\titleJE}{\begingroup% Jane Eyre 599 | %\FSfont{5cd}% Clarendon 600 | \FSfont{5cu}% Century Old Style 601 | \vspace*{2\baselineskip} 602 | {\Large\bfseries The Author}\\[2\baselineskip] 603 | \begin{center} 604 | {\Huge\bfseries CONUNDRUMS} 605 | \end{center} 606 | \vspace*{4\baselineskip} 607 | {\Large\bfseries Illustrations by The Artist}\par 608 | \vfill 609 | \begin{center} 610 | {\Large{\bfseries The Publisher $\bullet$} \scshape year} 611 | \end{center} 612 | \vspace*{2\baselineskip} 613 | \endgroup} 614 | 615 | \newcommand*{\cdiam}{\prec\kern-2pt\succ} 616 | \newcommand*{\titleZD}{\begingroup% Zuleika Dobson 617 | \vspace*{2\baselineskip} 618 | \centering 619 | \begin{picture}(240,0) 620 | \multiput(0,0)(24,0){10}{{\wb{10}{12}4}} 621 | \multiput(-5,-21)(0,-24){15}{\rotatebox{90}{{\wb{10}{12}4}}} 622 | \multiput(0,-360)(24,0){10}{{\wb{10}{12}4}} 623 | \multiput(235,-21)(0,-24){15}{\rotatebox{90}{{\wb{10}{12}4}}} 624 | \put(0,0){\begin{minipage}[t]{240pt} 625 | \centering 626 | \vspace*{2\baselineskip} 627 | {\Huge Selected Conundrums}\\ 628 | {\large\itshape --- puzzles for the mind ---} \\[0.5\baselineskip] 629 | {\large WITH ILLUSTRATIONS BY} \\[0.5\baselineskip] 630 | {\large THE AUTHOR } \\[0.5\baselineskip] 631 | {\LARGE T. H. E. AUTHOR} \par 632 | \vspace*{5\baselineskip} 633 | $\cdiam$\\[0.25\baselineskip] 634 | $\cdiam\cdiam\cdiam$\\[0.25\baselineskip] 635 | $\cdiam\cdiam\cdiam\cdiam\cdiam$\\[0.25\baselineskip] 636 | $\cdiam\cdiam\cdiam$\\[0.25\baselineskip] 637 | $\cdiam$\par 638 | \vspace*{5\baselineskip} 639 | {\Large THE PUBLISHER}\\ 640 | {\Large\scshape year}\par 641 | \vspace*{2\baselineskip} 642 | \end{minipage}} 643 | \end{picture} 644 | \vfill 645 | \null 646 | \endgroup} 647 | 648 | \newcommand*{\titleWH}{\begingroup% Words in their Hands 649 | \drop = 2\baselineskip 650 | \centering 651 | \vspace*{\drop} 652 | {\Huge SOME CONUNDRUMS}\\[\drop] 653 | \scalebox{8}[1]{{\wb{10}{12}4}}\\[\drop] 654 | {\Large\itshape A Collection of Puzzles by}\\[\baselineskip] 655 | {\Large THE AUTHOR}\\[\baselineskip] 656 | {\wb{10}{12}4}\\[\baselineskip] 657 | {\Large\itshape with a Commentary by}\\[\baselineskip] 658 | {\Large A N OTHER}\par 659 | \vfill 660 | \scalebox{8}[1]{{\wb{10}{12}4}}\\[\drop] 661 | {\Large THE PUBLISHER}\\ 662 | {\scshape year}\par 663 | \vspace*{\drop} 664 | \endgroup} 665 | 666 | \newcommand*{\titleBWF}{\begingroup% Beowulf 667 | \drop = 0.1\txtheight 668 | \parindent=0pt 669 | \vspace*{\drop} 670 | {\Huge\bfseries Conundrums}\\[\baselineskip] 671 | {\Large {\itshape Translated by} {\scshape the translator}}\par 672 | \vfill 673 | \plogo\\[0.2\baselineskip] 674 | {\Large\itshape The Publisher} 675 | \vspace*{\drop} 676 | \endgroup} 677 | 678 | 679 | \newcommand*{\titleSI}{\begingroup% Sagas 680 | \drop = 0.13\txtheight 681 | \centering 682 | \vspace*{\drop} 683 | {\Huge CONUNDRUMS FOR}\\[\baselineskip] 684 | {\Huge THE MIND}\\[\baselineskip] 685 | {\Huge\itshape A Selection}\\[3\baselineskip] 686 | {\Large \textit{Preface by} \textsc{famous person}}\\ 687 | {\Large \textit{Introduction by} \textsc{an other}}\par 688 | \vfill 689 | {\Large THE PUBLISHER}\par 690 | \vspace*{\drop} 691 | \endgroup} 692 | 693 | 694 | 695 | \newcommand*{\titleGP}{\begingroup% Geometric Modeling 696 | \drop=0.1\txtheight 697 | \centering 698 | \vspace*{\baselineskip} 699 | \rule{\txtwidth}{1.6pt}\vspace*{-\baselineskip}\vspace*{2pt} 700 | \rule{\txtwidth}{0.4pt}\\[\baselineskip] 701 | {\LARGE CONUNDRUMS\\ AND \\[0.3\baselineskip] PUZZLES}\\[0.2\baselineskip] 702 | \rule{\txtwidth}{0.4pt}\vspace*{-\baselineskip}\vspace{3.2pt} 703 | \rule{\txtwidth}{1.6pt}\\[\baselineskip] 704 | \scshape 705 | Selected and Expanded Papers from the Organisation Working Conference 706 | on \\ Enigmas \\ 707 | Location, date from--to\par 708 | \vspace*{2\baselineskip} 709 | Edited by \\[\baselineskip] 710 | {\Large FIRST EDITOR \\ SECOND EDITOR \\ THIRD EDITOR\par} 711 | {\itshape Organisation \\ Address\par} 712 | \vfill 713 | \plogo\\ 714 | {\scshape year} \\ 715 | {\large THE PUBLISHER}\par 716 | \endgroup} 717 | 718 | \newcommand*{\rotrt}[1]{\rotatebox{90}{#1}} 719 | \newcommand*{\rotlft}[1]{\rotatebox{-90}{#1}} 720 | \newcommand*{\topb}{% 721 | \resizebox*{\unitlength}{\baselineskip}{\rotrt{$\}$}}} 722 | \newcommand*{\botb}{% 723 | \resizebox*{\unitlength}{\baselineskip}{\rotlft{$\}$}}} 724 | \newcommand*{\titleBC}{\begingroup% Bookbinding & Conservation 725 | \FSfont{5jr}% Jenson Recut (Centaur) 726 | \begin{center} 727 | \def\CP{\textit{\HUGE Conundrums \& Puzzles}} 728 | \settowidth{\unitlength}{\CP} 729 | %{\color{LightGoldenrod}\( \overbrace{\hspace{\unitlength}} \)} \\[\baselineskip] 730 | {\color{LightGoldenrod}\topb} \\[\baselineskip] 731 | \textcolor{Sienna}{\CP} \\[\baselineskip] 732 | {\color{RosyBrown}\LARGE A SIXTY-YEAR STUDY} \\ 733 | %{\color{LightGoldenrod}\( \underbrace{\hspace{\unitlength}} \)} 734 | {\color{LightGoldenrod}\botb} 735 | \end{center} 736 | \vfill 737 | \begin{center} 738 | {\LARGE\textbf{The Author}}\\ 739 | \vfill 740 | \plogo\\[0.5\baselineskip] 741 | YEAR 742 | \end{center} 743 | \endgroup} 744 | 745 | \newcommand*{\titleHC}{\begingroup% Harry Carter 746 | \FSfont{fxlj}% Libertine 747 | \setlength{\drop}{0.1\txtheight} 748 | \vspace*{\drop} 749 | \begin{flushleft} 750 | {\FSfont{5eb}% Erbar Deco 751 | \HUGE 752 | {C\,O\,N\,U\,N\,D\,R\,U\,M\,S\,,}\\ 753 | {P\,U\,Z\,Z\,L\,E\,S\,, \&} \\ 754 | {E\,N\,I\,G\,M\,A\,S}\\ 755 | } 756 | \vfill 757 | \Large 758 | A. N. AUTHOR \\ 759 | A. N. OTHER \\ 760 | Y. E. TANOTHER 761 | \vfill 762 | THE PUBLISHER {\normalsize YEAR} 763 | \end{flushleft} 764 | \endgroup} 765 | 766 | %%%%%%%%%%%%%%%% 767 | 768 | %% draw an oval using tikz 769 | \newcommand*{\anoval}[2]{% 770 | \begin{tikzpicture} 771 | \draw[very thick] (0,0) ellipse (#1 and #2); 772 | \end{tikzpicture}} 773 | 774 | %% a zero-sized picture of an oval 775 | \newcommand*{\putoval}{\begingroup 776 | \setlength{\unitlength}{1in} 777 | \begin{picture}(0,0) 778 | \put(-1.25,0){\anoval{1.25in}{1.75in}} 779 | \end{picture} 780 | \endgroup} 781 | 782 | %% rectangular frame 783 | \newcommand*{\fframe}{\begingroup 784 | \wb{10pt}{10pt} 785 | \setlength{\unitlength}{1pt} 786 | \begin{picture}(0,0) 787 | \multiput(11,0)(24,0){11}{e}% bottom 788 | \multiput(23,0)(24,0){10}{f}% bottom 789 | \multiput(11,384)(24,0){11}{e}% top 790 | \multiput(23,384)(24,0){10}{f}% top 791 | \put(0,0){O}% bl 792 | \put(0,382){R}% tl 793 | \put(262,0){M}% br 794 | \put(262,382){P}% tr 795 | \multiput(0,11)(0,24){16}{i}% left 796 | \multiput(0,23)(0,24){15}{j}% left 797 | \multiput(264,11)(0,24){16}{i}% right 798 | \multiput(264,23)(0,24){15}{j}% right 799 | \end{picture} 800 | \endgroup} 801 | 802 | \newcommand*{\titleRMMH}{\begingroup 803 | \FSfont{5ve}% Vendome 804 | \Large 805 | \begin{center} 806 | The \\ 807 | Puzzle \\ 808 | of \\ 809 | Conundrums\\[2\baselineskip] 810 | by \\ 811 | The Authoress\\[3\baselineskip] 812 | \plogo\\[2\baselineskip] 813 | \putoval 814 | 815 | \vspace{2\baselineskip} 816 | The Publisher \\ 817 | {\normalsize YEAR} 818 | \end{center} 819 | \vspace{\baselineskip} 820 | \fframe 821 | \endgroup} 822 | 823 | %%%%%%%%%%%%%%%%%%%%%% 824 | 825 | \newcommand*{\leaf}{{\wb{8pt}{8pt}K}} 826 | \newcommand*{\titleWM}{\begingroup% William Morris 827 | \FSfont{5bo}% Bergamo (Bembo) 828 | \huge 829 | \scshape 830 | \noindent 831 | {\color{Red} 832 | conundrum \leaf\ 833 | essays on puzzles, enigmas and the mind by the author \leaf\ 834 | edited by the editor 835 | } 836 | \vfill 837 | \begin{center} 838 | {\normalfont\fontsize{256pt}{256pt}\selectfont ?} 839 | \end{center} 840 | \vfill 841 | \noindent 842 | the publisher \\ 843 | \hspace*{1pt}% 844 | \leaf\ year 845 | \vspace*{3\baselineskip} 846 | \endgroup} 847 | 848 | 849 | \newcommand*{\titleEI}{\begingroup% Editions & Impressions 850 | \FSfont{5gl}% Glytus (Glypha) 851 | \drop = 0.3\txtheight 852 | \vspace*{\drop} 853 | \raggedright 854 | {\LARGE {\huge C}ONUNDRUMS \textit{and} \\ 855 | \hspace*{30pt} {\huge E}NIGMAS\par} 856 | \vspace{2\baselineskip} 857 | {\large\ltseries\hspace*{15pt} {\LARGE T}WENTY {\LARGE Y}EARS \\[.1\baselineskip] 858 | \hspace*{15pt} OF {\LARGE P}UZZLEMENTS}\par 859 | \vspace{2\baselineskip} 860 | \hspace*{15pt}{\ltseries \textit{\large {\footnotesize BY} The Author}}\par 861 | \vfill 862 | The Publisher {\footnotesize YEAR} 863 | \endgroup} 864 | 865 | 866 | \newcommand*{\titleJA}{\begingroup% Jost Amman 867 | \FSfont{5bl}% FontSite Belwe 868 | \begin{center} 869 | \drop=0.2\txtheight 870 | \vspace*{0.5\drop} 871 | \Large THE AUTHOR'S \\[\baselineskip] 872 | {\FSfont{5at}% FontSite Abbot Old Style 873 | \huge\textcolor{Red}{Some Conundrums}}\\[2\baselineskip] 874 | \large \textit{with an intruction by} \\ 875 | SOMEONE ELSE\par 876 | \vfill 877 | YEAR \\ 878 | {\color{Red} \rule{\txtwidth}{0.4pt}\vspace*{-\baselineskip}\vspace{3pt} 879 | \rule{\txtwidth}{0.4pt}} \\[\baselineskip] 880 | \Large THE PUBLISHER 881 | \end{center} 882 | \vspace*{\drop} 883 | \mbox{} 884 | \endgroup} 885 | 886 | \newcommand*{\titlePP}{\begingroup% Printing Poetry 887 | \FSfont{5jr}% FontSite Jenson Recut (Centaur) 888 | \drop=0.1\txtheight 889 | \vspace*{\drop} 890 | \begin{raggedleft} 891 | %{\HUGE\color{Navy} PUZZLING}\\[\baselineskip] 892 | {\HUGE\color{MidnightBlue} PUZZLING}\\[\baselineskip] 893 | {A WORKBOOK FOR RESOLUTIONS}\\[1.1\baselineskip] 894 | {\HUGE\color{MidnightBlue} CONUNDRUMS} \\[\baselineskip] 895 | {\Large BY THE AUTHOR}\par 896 | \end{raggedleft} 897 | \vfill 898 | 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Author}\\[0.167\txtheight] 79 | {\bfseries The Big Book of}\\[\baselineskip] 80 | {\textcolor{Red}{\Huge CONUNDRUMS}}\\[\baselineskip] 81 | {\small With 123 illustrations}\par 82 | \vfill 83 | {\Large The Publisher \plogo}\par 84 | \vspace*{3\baselineskip} 85 | \endgroup} 86 | 87 | \newcommand*{\titleLY}{\begingroup% Words in their Hands 88 | \drop = 2\baselineskip 89 | \centering 90 | \vspace*{\drop} 91 | %{\Huge \hspace{-13em}鸟哥的}\\[1em] 92 | {\zihao{0}{\bfseries Wonderful Server}}\\[4em] 93 | %{\huge \hfill——Verion 3.8}\\[2em] 94 | %\scalebox{18}[1]{{\wb{10}{12}4}}\\[\drop] 95 | %{\Large\itshape From}\\[\baselineskip] 96 | %{ http://linux.vbird.org/}\\[\baselineskip] 97 | %{\wb{10}{12}4}\\[\baselineskip] 98 | %{\Large 徐海兵\hspace{1em}译}\\[\baselineskip] 99 | 100 | 101 | {\includegraphics[width=0.4\textwidth]{pic/FengMian.png}}\\[2em] 102 | 103 | {\Large \kaishu \textbf{L.Y.}\hspace{1em}编 } 104 | 105 | %{\Large L.Y.}\par 106 | \vfill 107 | %\scalebox{6}[1]{{\wb{10}{12}4}}\\[1em] 108 | {\Large Created by \XeLaTeX}\\[0.5em] 109 | { \today}\par 110 | \vspace*{\drop} 111 | \endgroup} 112 | 113 | \newcommand*{\titleM}{\begingroup% Misericords, T&H p 153 114 | \drop = 0.08\txtheight 115 | \centering 116 | \vspace*{\drop} 117 | {\Huge\bfseries Conundrums}\\[\baselineskip] 118 | {\scshape puzzles for the mind}\\[\baselineskip] 119 | {\scshape by}\\[\baselineskip] 120 | {\large\scshape the author}\par 121 | \vfill 122 | {\plogo}\\[0.5\baselineskip] 123 | {\scshape the publisher}\par 124 | \vspace*{2\drop}\endgroup} 125 | 126 | \newcommand*{\titleS}{\begingroup% Scripts, T&H p 151 127 | \drop = 0.1\txtheight 128 | \centering 129 | \vspace*{\drop} 130 | {\Huge Conundrums}\\[\baselineskip] 131 | {\large\itshape by The Author}\\[\baselineskip] 132 | \vfill 133 | \rule{0.4\txtwidth}{0.4pt}\\[\baselineskip] 134 | {\large\itshape The Publisher}\par 135 | \vspace*{\drop} 136 | \endgroup} 137 | 138 | \newcommand*{\titleHGP}{\begingroup% Handy Guide to Papermaking 139 | \drop=0.1\txtheight 140 | \begin{minipage}[t]{0.05\txtwidth} 141 | \color{Red} 142 | \rule{6pt}{\txtheight} 143 | \end{minipage} 144 | \hspace{0.05\txtwidth} 145 | \begin{minipage}[t]{0.6\txtwidth} 146 | \vspace*{\drop} 147 | {\Large THE AUTHOR} \\ 148 | \rule{0.9\txtwidth}{1pt} \par 149 | \vspace{3\baselineskip} 150 | {\noindent\Huge\bfseries CONUNDRUMS} \par 151 | \vspace{2\baselineskip} 152 | {\Large\itshape A Handy Guide to Puzzles and Enigmas} \par 153 | \vspace{6.5\baselineskip} 154 | {\scshape after the foreign edition of year \\ 155 | translated by} \par 156 | \vspace{0.1\baselineskip} 157 | {\Large THE TRANSLATOR} \par 158 | \vspace{\baselineskip} 159 | \rule{0.9\txtwidth}{1pt} \par 160 | \vspace{\baselineskip} 161 | {\Large THE PUBLISHER} 162 | \end{minipage} 163 | \hfill 164 | \begin{minipage}[t]{0.15\txtwidth} 165 | {\color{Red} 166 | \FSfont{5fh}% FontSite Fette Gotisch 167 | \HUGE 168 | \vspace{3.3\baselineskip} 169 | H \\[1.15\baselineskip] 170 | G \\[1.15\baselineskip] 171 | P \\[1.15\baselineskip] 172 | E 173 | }\par 174 | \vspace{4\baselineskip} 175 | {\Large YEAR} 176 | \end{minipage} 177 | \endgroup} 178 | 179 | 180 | \newcommand*{\titleRF}{\begingroup% Robert Frost, T&H p 149 181 | \FSfont{5bo}% Bembo/Bergamo 182 | \drop = 0.2\txtheight 183 | \centering 184 | \vfill 185 | {\Huge The Big Book of}\\[\baselineskip] 186 | {\Huge CONUNDRUMS}\\[\baselineskip] 187 | {\large Edited by The Editor}\\[0.5\drop] 188 | {\Large \plogo}\\[0.5\baselineskip] 189 | {\Large The Publisher}\par 190 | {\large\scshape year}\par 191 | \vfill\null 192 | \endgroup} 193 | 194 | \newcommand*{\titleDB}{\begingroup% Design of Books, by Adrian Wilson 195 | \FSfont{5pl}% Palatino/Palladio 196 | \drop = 0.14\txtheight 197 | \centering 198 | \vspace*{\drop} 199 | {\Large THE}\\[\baselineskip] 200 | {\Huge BIG BOOK}\\[\baselineskip] 201 | {\Huge OF}\\[\baselineskip] 202 | {\Huge CONUNDRUMS}\\[1.5\baselineskip] 203 | {\LARGE BY}\\[\baselineskip] 204 | {\LARGE THE AUTHOR}\par 205 | %\begin{vplace} 206 | \vfill 207 | {FOREWORD BY AN OTHER}\\[8\baselineskip] 208 | %\end{vplace} 209 | \vfill 210 | {\small\sffamily THE PUBLISHER}\par 211 | \endgroup} 212 | 213 | \newcommand*{\titleAM}{\begingroup% Ancient Mariner, AW fig 11-20, p. 151 214 | \FSfont{5bo}% Bembo/Bergamo 215 | \drop = 0.12\txtheight 216 | \centering 217 | \vspace*{\drop} 218 | {\large The Author}\\[\baselineskip] 219 | {\Huge THE BIG BOOK}\\[\baselineskip] 220 | {\Large OF}\\[\baselineskip] 221 | {\Huge CONUNDRUMS}\\[\baselineskip] 222 | {\scshape with ten engravings}\\ 223 | {\scshape and with a foreword by}\\ 224 | {\large\scshape an other}\\[\drop] 225 | {\plogo}\\[0.5\baselineskip] 226 | {\small\scshape the publisher}\par 227 | {\small\scshape year}\par 228 | \vfill\null 229 | \endgroup} 230 | 231 | \newcommand*{\titleP}{\begingroup% The Pyramids, AW fig 6-15, p. 81 232 | \FSfont{5bo}% Bembo/Bergamo 233 | \drop = 0.12\txtheight 234 | \vspace*{\drop} 235 | \hspace*{0.3\txtwidth} 236 | {\Huge SOME}\\[\baselineskip] 237 | \hspace*{0.3\txtwidth} 238 | {\Huge CONUNDRUMS}\par 239 | \vspace*{3\drop} 240 | {\large By THE AUTHOR} 241 | \vfill 242 | {\scshape the publisher} 243 | \vspace*{0.5\drop} 244 | \endgroup} 245 | 246 | \newcommand*{\titleHL}{\begingroup% Horizontal Line 247 | \drop = 0.4\txtheight 248 | \vspace*{\drop} 249 | \hfill{\large The Author} \\ 250 | \rule{\txtwidth}{0.4pt} 251 | 252 | \vspace*{\baselineskip} 253 | {\Huge CONUNDRUMS}\par 254 | \vfill 255 | {\centering The Publisher\par} 256 | \vspace*{\baselineskip} 257 | \endgroup} 258 | 259 | \newcommand*{\titleVL}{\begingroup% Vertical Line 260 | \drop = 0.1\txtheight 261 | \vspace*{\drop} 262 | \hbox{% 263 | \hspace*{0.2\txtwidth}% 264 | \vrule depth 0.6\txtheight% 265 | \hspace*{2em}% 266 | \vbox{% 267 | \vspace{\drop} 268 | {\noindent\large The Author}\\[3\baselineskip] 269 | {\Huge Conundrums}\par 270 | \vfil 271 | }% end of vbox 272 | }% end of hbox 273 | \begin{center} 274 | The Publisher 275 | \end{center} 276 | \null 277 | \endgroup} 278 | 279 | \newcommand*{\titleGM}{\begingroup% Gentle Madness 280 | \drop = 0.1\txtheight 281 | \vspace*{\baselineskip} 282 | \vfill 283 | \hbox{% 284 | \hspace*{0.2\txtwidth}% 285 | \rule{1pt}{\txtheight} 286 | \hspace*{0.05\txtwidth}% 287 | %\fbox{% 288 | \parbox[b]{0.75\txtwidth}{ 289 | \vbox{% 290 | \vspace{\drop} 291 | {\noindent\HUGE\bfseries Some\\[0.5\baselineskip] Conundrums}\\[2\baselineskip] 292 | {\Large\itshape Puzzles for the Mind}\\[4\baselineskip] 293 | {\Large THE AUTHOR}\par 294 | \vspace{0.5\txtheight} 295 | {\noindent The Publisher}\\[\baselineskip] 296 | }% end of vbox 297 | }% end of parbox 298 | %}% end of fbox 299 | }% end of hbox 300 | \vfill 301 | \null 302 | \endgroup} 303 | 304 | \newcommand*{\titlePM}{\begingroup% Gentle Madness with Printers' Ornaments 305 | \drop = 0.1\txtheight 306 | \vspace*{\baselineskip} 307 | \vfill 308 | \hbox{% 309 | \hspace*{0.1\txtwidth}% 310 | {\wb{18pt}{18pt} 311 | \begin{picture}(0,0) 312 | \multiput(0,0)(0,20){22}{\textcolor{Medium}{Q}} 313 | \end{picture} 314 | } 315 | % \rule{1pt}{\txtheight} 316 | \hspace*{0.15\txtwidth}% 317 | \parbox[b]{0.75\txtwidth}{ 318 | \vbox{% 319 | \vspace{\drop} 320 | {\noindent\HUGE\bfseries Some\\[0.5\baselineskip] Conundrums}\\[2\baselineskip] 321 | {\Large\itshape Puzzles for the Mind}\\[4\baselineskip] 322 | {\Large THE AUTHOR}\par 323 | \vspace{0.5\txtheight} 324 | {\noindent The Publisher}\\[\baselineskip] 325 | }% end of vbox 326 | }% end of parbox 327 | }% end of hbox 328 | \vfill 329 | \null 330 | \endgroup} 331 | 332 | \newcommand*{\titleAT}{\begingroup% Anatomy of a Typeface 333 | %\FSfont{5gr}% Galliard/Gareth 334 | \FSfont{5bo}% Bergamo/Bembo 335 | \drop=0.1\txtheight 336 | \vspace*{\drop} 337 | \rule{\txtwidth}{1pt}\par 338 | \vspace{2pt}\vspace{-\baselineskip} 339 | \rule{\txtwidth}{0.4pt}\par 340 | \vspace{0.5\drop} 341 | \centering 342 | \textcolor{Red}{%\FSfont{5cz}% Chisel 343 | {\FSfont{5ml}\Huge THE BOOK}\\[0.5\baselineskip] 344 | {\FSfont{5ml}\Large OF}\\[0.75\baselineskip]% Delphian (5dp) 345 | {\FSfont{5ml}\Huge CONUNDRUMS}}% Mona Lisa 346 | \par 347 | \vspace{0.25\drop} 348 | \rule{0.3\txtwidth}{0.4pt}\par 349 | \vspace{\drop} 350 | {\Large \scshape The Author}\par 351 | \vfill 352 | {\large \textcolor{Red}{\plogo}}\\[0.5\baselineskip] 353 | {\large\scshape the publisher}\par 354 | \vspace*{\drop} 355 | \endgroup} 356 | 357 | \newcommand*{\titleLL}{\begingroup% Lost Languages 358 | \drop=0.1\txtheight 359 | \fboxsep 0.5\baselineskip 360 | \sffamily 361 | \vspace*{\drop} 362 | \centering 363 | {\textcolor{SkyBlue}{\HUGE CONUNDRUMS}}\par 364 | \vspace{0.5\drop} 365 | \colorbox{Dark}{\textcolor{white}{\normalfont\itshape\Large Puzzles for the Mind}}\par 366 | \vspace{\drop} 367 | {\Large The Author}\par 368 | \vfill 369 | {\footnotesize THE PUBLISHER}\par 370 | \vspace*{\drop} 371 | \endgroup} 372 | 373 | \newcommand*{\titleCC}{\begingroup% City of Cambridge 374 | \drop=0.1\txtheight 375 | \vspace*{\drop} 376 | \centering 377 | {\Large\itshape THE BIG BOOK OF}\\[0.5\drop] 378 | {\textcolor{Red}{\HUGE\bfseries CONUNDRUMS}}\par 379 | \vspace{\drop} 380 | {\LARGE\itshape VOLUME 1: SOCIAL AND MORAL}\par 381 | \vfill 382 | {\Large THE AUTHOR}\par 383 | \vfill 384 | {\plogo}\\[0.5\baselineskip] 385 | {\itshape THE PUBLISHER}\par 386 | {\scshape year}\par 387 | %\vfill 388 | \vspace*{\drop} 389 | \endgroup} 390 | 391 | 392 | \newcommand*{\titleDS}{\begingroup% DS Thesis 393 | \drop=0.1\txtheight 394 | %\vspace*{\drop} 395 | \centering 396 | {\Large\bfseries CONUNDRUMS CONSIDERED AS PUZZLES FOR THE MIND}\par 397 | \vspace{0.6\baselineskip} 398 | {By}\\[0.6\baselineskip] 399 | {The Candidate\\[0.6\baselineskip] 400 | A Thesis Submitted to the Graduate\\[0.5\baselineskip] 401 | Faculty of The University\\[0.5\baselineskip] 402 | in Partial Fulfillment of the\\[0.5\baselineskip] 403 | Requirements for the Degree of\\[0.5\baselineskip] 404 | DEGREE\\[0.5\baselineskip] 405 | Major Subject: Logic}\par 406 | 407 | \flushleft 408 | {Approved by the \\ 409 | Examining Committee:}\par 410 | \vspace{1.5\baselineskip} 411 | \rule{15em}{0.4pt}\\ 412 | A Professor, Thesis Advisor \\[1\baselineskip] 413 | \rule{15em}{0.4pt}\\ 414 | Another Professor, Thesis Advisor \\[1\baselineskip] 415 | \rule{15em}{0.4pt}\\ 416 | A Faculty, Member \\[1\baselineskip] 417 | \rule{15em}{0.4pt}\\ 418 | Another Faculty, Member \\[1\baselineskip] 419 | \rule{15em}{0.4pt}\\ 420 | A Third Faculty, Member\par 421 | \centering 422 | \vspace{1\baselineskip} 423 | The University \\ 424 | The Address \\[\baselineskip] 425 | The Date\par 426 | \vfill 427 | \endgroup} 428 | 429 | \newcommand*{\titleMS}{\begingroup% MS Thesis 430 | \drop=0.1\txtheight 431 | \vspace*{\drop} 432 | \centering 433 | {\LARGE THE UNIVERSITY}\\[2\baselineskip] 434 | {\LARGE\sffamily Conundrums: \\ puzzles for the mind\par} 435 | \vfill 436 | {\LARGE THESIS}\par 437 | \vspace{\drop} 438 | {\large some remarks concerning the supervisor \\ 439 | and the time and place of the examination \\ 440 | and other administrative details\par} 441 | \vfill 442 | {\large\bfseries The Candidate}\par 443 | \vspace*{\drop} 444 | \endgroup} 445 | 446 | \newcommand*{\titlePW}{\begingroup% PW Thesis 447 | \ttfamily 448 | \drop=0.1\txtheight 449 | \vspace*{\drop} 450 | \centering 451 | {\Large%\bfseries 452 | SOME REMARKS \\ ON CONUNDRUMS \\ AS PUZZLES FOR THE MIND\par} 453 | \vspace*{\drop} 454 | {\large by}\par 455 | \vspace*{\drop} 456 | {\Large THE CANDIDATE}\par 457 | \vfill 458 | \raggedright 459 | {\Large 460 | Thesis submitted to The University for the degree of 461 | DEGREE, Month year.\par} 462 | \vfill 463 | \null 464 | \endgroup} 465 | 466 | \newcommand*{\titleUL}{\begingroup% University of Liege 467 | \drop=0.1\txtheight 468 | \vspace*{\drop} 469 | \begin{center} 470 | {\LARGE\textsc{THE UNIVERSITY}}\\[\drop] 471 | % University logo 472 | {\LARGE \plogo}\\[\drop] 473 | 474 | \rule{\txtwidth}{1pt}\par 475 | \vspace{0.5\baselineskip} 476 | {\huge\bfseries Conundrums: An Investigation of Mind Puzzles\\ 477 | \large --- in N pages, with T tables ---}\\[0.5\baselineskip] 478 | \rule{\txtwidth}{1pt}\par 479 | 480 | \vfill 481 | 482 | % fake a footnote reference here 483 | {\Large\textsc{The\textsuperscript{1} Candidate}} 484 | 485 | \vfill 486 | 487 | City, Country 488 | 489 | \vfill 490 | 491 | {\large The Date} 492 | \end{center} 493 | 494 | % faked footnote 495 | \vspace{-0.5\baselineskip} 496 | \noindent\rule{0.4\txtwidth}{0.4pt} \\ 497 | \textsuperscript{1} \url{email.address} 498 | \endgroup} 499 | 500 | 501 | \newcommand*{\titleASU}{% 502 | \begingroup 503 | \FSfont{ptm}% Times 504 | \begin{center} 505 | CONTINUING CONONDRUMS IN THE TYPOGRAPHIC REQUIREMENTS FOR THESIS \\ 506 | by \\ 507 | Im A. Student 508 | 509 | \vfill 510 | 511 | A Polemic Presented in Partial Fulfillment \\ 512 | of the Requirements for the Degree \\ 513 | Name of Degree 514 | 515 | \vfill 516 | 517 | THE UNIVERSITY 518 | 519 | The Date 520 | \end{center} 521 | \endgroup} 522 | 523 | \newcommand*{\titleSW}{\begingroup% Story of Writing 524 | \raggedleft 525 | \vspace*{\baselineskip} 526 | {\Huge\itshape The Book \\ of Conundrums}\\[\baselineskip] 527 | {\large\itshape With over 120 illustrations, 50 in color}\\[0.2\textheight] 528 | {\Large The Author}\par 529 | \vfill 530 | {\Large \plogo{} \sffamily The Publisher} 531 | \vspace*{\baselineskip} 532 | \endgroup} 533 | 534 | \newcommand*{\titleTMB}{\begingroup% Three Men in a Boat 535 | \drop=0.1\txtheight 536 | \centering 537 | \settowidth{\unitlength}{\LARGE THE BOOK OF CONUNDRUMS} 538 | \vspace*{\baselineskip} 539 | {\large\scshape the author}\\[\baselineskip] 540 | \rule{\unitlength}{1.6pt}\vspace*{-\baselineskip}\vspace*{2pt} 541 | \rule{\unitlength}{0.4pt}\\[\baselineskip] 542 | {\LARGE THE BOOK OF CONUNDRUMS}\\[\baselineskip] 543 | {\itshape puzzles for the mind}\\[0.2\baselineskip] 544 | \rule{\unitlength}{0.4pt}\vspace*{-\baselineskip}\vspace{3.2pt} 545 | \rule{\unitlength}{1.6pt}\\[\baselineskip] 546 | {\large\scshape drawings by the artist}\par 547 | \vfill 548 | {\large\scshape the publisher}\\[\baselineskip] 549 | {\small\scshape year}\par 550 | \vspace*{\drop} 551 | \endgroup} 552 | 553 | \newcommand*{\titleFT}{\begingroup% John Fell Types 554 | \ifxetex 555 | \fontspec[Alternate=0]{IM_FELL_Double_Pica_PRO_Roman} 556 | \else 557 | \FSfont{fxlj}% Libertine 558 | \fi 559 | \begin{center} 560 | \vfill 561 | {\HUGE \textcolor{Red}{JOHN FELL} \\} 562 | \vfill 563 | {\Huge THE UNIVERSITY PRESS AND 564 | THE `FELL TYPES' \\} 565 | \vfill 566 | {\Large THE PUNCHES AND MATRICES DESIGNED FOR PRINTING 567 | IN THE GREEK, LATIN, ENGLISH, AND ORIENTAL LANGUAGES 568 | BEQUETHED IN 1686 TO \\} 569 | \vfill 570 | {\LARGE THE UNIVERSITY OF OXFORD 571 | BY JOHN FELL, D.D.\\} 572 | \vfill 573 | {DELEGATE OF THE PRESS, DEAN OF CHRISTCHURCH 574 | VICE-CHANCELLOR OF THE UNIVERSITY 575 | AND BISHOP OF OXFORD \\} 576 | \vfill 577 | {\Large BY\\} 578 | {\LARGE STANLEY MORISON \\} 579 | {WITH THE ASSISTANCE OF\\} 580 | {\large HARRY CARTER\\} 581 | \vfill 582 | \plogo 583 | \vfill 584 | {\LARGE THE PUBLISHER \\} 585 | {\large YEAR} 586 | \vfill 587 | \end{center} 588 | \endgroup} 589 | 590 | \renewcommand*{\titleFT}{\begingroup% John Fell Types 591 | \ifxetex 592 | \fontspec[Alternate=0]{IM_FELL_Double_Pica_PRO_Roman} 593 | \else 594 | \FSfont{fxlj}% Libertine 595 | \fi 596 | \begin{center} 597 | \vfill 598 | {\HUGE \textcolor{Red}{THE DONOR} \\} 599 | \vfill 600 | {\Huge THE UNIVERSITY AND 601 | THE `DONOR' CONUNDRUMS \\} 602 | \vfill 603 | {\Large THE PUZZLES \& ENIGMAS \\ PRESENTED IN 1768 TO \\} 604 | %\vfill 605 | {\LARGE THE UNIVERSITY OF CITY \\ 606 | BY THE DONOR\\} 607 | %\vfill 608 | {\footnotesize WHO HAS ACHIEVED A VARIETY OF ACADEMIC \\ 609 | AND OTHER DISTINCTIONS \\} 610 | \vfill 611 | {\large BY\\} 612 | {\LARGE THE AUTHOR \\} 613 | {\footnotesize WITH THE ASSISTANCE OF\\} 614 | {\large THE ASSISTANT\\} 615 | \vfill 616 | \plogo 617 | \vfill 618 | {\LARGE THE PUBLISHER \\} 619 | {\large YEAR} 620 | \vfill 621 | \end{center} 622 | \endgroup} 623 | 624 | \newcommand*{\titleJE}{\begingroup% Jane Eyre 625 | %\FSfont{5cd}% Clarendon 626 | \FSfont{5cu}% Century Old Style 627 | \vspace*{2\baselineskip} 628 | {\Large\bfseries The Author}\\[2\baselineskip] 629 | \begin{center} 630 | {\Huge\bfseries CONUNDRUMS} 631 | \end{center} 632 | \vspace*{4\baselineskip} 633 | {\Large\bfseries Illustrations by The Artist}\par 634 | \vfill 635 | \begin{center} 636 | {\Large{\bfseries The Publisher $\bullet$} \scshape year} 637 | \end{center} 638 | \vspace*{2\baselineskip} 639 | \endgroup} 640 | 641 | \newcommand*{\cdiam}{\prec\kern-2pt\succ} 642 | \newcommand*{\titleZD}{\begingroup% Zuleika Dobson 643 | \vspace*{2\baselineskip} 644 | \centering 645 | \begin{picture}(240,0) 646 | \multiput(0,0)(24,0){10}{{\wb{10}{12}4}} 647 | \multiput(-5,-21)(0,-24){15}{\rotatebox{90}{{\wb{10}{12}4}}} 648 | \multiput(0,-360)(24,0){10}{{\wb{10}{12}4}} 649 | \multiput(235,-21)(0,-24){15}{\rotatebox{90}{{\wb{10}{12}4}}} 650 | \put(0,0){\begin{minipage}[t]{240pt} 651 | \centering 652 | \vspace*{2\baselineskip} 653 | {\Huge Selected Conundrums}\\ 654 | {\large\itshape --- puzzles for the mind ---} \\[0.5\baselineskip] 655 | {\large WITH ILLUSTRATIONS BY} \\[0.5\baselineskip] 656 | {\large THE AUTHOR } \\[0.5\baselineskip] 657 | {\LARGE T. H. E. AUTHOR} \par 658 | \vspace*{5\baselineskip} 659 | $\cdiam$\\[0.25\baselineskip] 660 | $\cdiam\cdiam\cdiam$\\[0.25\baselineskip] 661 | $\cdiam\cdiam\cdiam\cdiam\cdiam$\\[0.25\baselineskip] 662 | $\cdiam\cdiam\cdiam$\\[0.25\baselineskip] 663 | $\cdiam$\par 664 | \vspace*{5\baselineskip} 665 | {\Large THE PUBLISHER}\\ 666 | {\Large\scshape year}\par 667 | \vspace*{2\baselineskip} 668 | \end{minipage}} 669 | \end{picture} 670 | \vfill 671 | \null 672 | \endgroup} 673 | 674 | \newcommand*{\titleWH}{\begingroup% Words in their Hands 675 | \drop = 2\baselineskip 676 | \centering 677 | \vspace*{\drop} 678 | {\Huge \hspace{-13em}鸟哥的}\\[1em] 679 | {\zihao{0}{\bfseries Linux私房菜}}\\[1em] 680 | {\Huge \hspace{13em}基础篇}\\[2em] 681 | %\scalebox{18}[1]{{}}\\[\drop] 682 | {\Large\itshape From}\\[\baselineskip] 683 | { http://linux.vbird.org/}\\[\baselineskip] 684 | {\wb{10}{12}4}\\[\baselineskip] 685 | {\Large\itshape 搜集、整理、排版 by}\\[\baselineskip] 686 | {\Large L.Y.}\par 687 | \vfill 688 | %\scalebox{6}[1]{{\wb{10}{12}4}}\\[1em] 689 | {\Large Created by \XeLaTeX}\\[0.5em] 690 | { \today}\par 691 | \vspace*{\drop} 692 | \endgroup} 693 | 694 | \newcommand*{\titleBWF}{\begingroup% Beowulf 695 | \drop = 0.1\txtheight 696 | \parindent=0pt 697 | \vspace*{\drop} 698 | {\Huge\bfseries Conundrums}\\[\baselineskip] 699 | {\Large {\itshape Translated by} {\scshape the translator}}\par 700 | \vfill 701 | \plogo\\[0.2\baselineskip] 702 | {\Large\itshape The Publisher} 703 | \vspace*{\drop} 704 | \endgroup} 705 | 706 | 707 | \newcommand*{\titleSI}{\begingroup% Sagas 708 | \drop = 0.13\txtheight 709 | \centering 710 | \vspace*{\drop} 711 | {\Huge CONUNDRUMS FOR}\\[\baselineskip] 712 | {\Huge THE MIND}\\[\baselineskip] 713 | {\Huge\itshape A Selection}\\[3\baselineskip] 714 | {\Large \textit{Preface by} \textsc{famous person}}\\ 715 | {\Large \textit{Introduction by} \textsc{an other}}\par 716 | \vfill 717 | {\Large THE PUBLISHER}\par 718 | \vspace*{\drop} 719 | \endgroup} 720 | 721 | 722 | 723 | \newcommand*{\titleGP}{\begingroup% Geometric Modeling 724 | \drop=0.1\txtheight 725 | \centering 726 | \vspace*{\baselineskip} 727 | \rule{\txtwidth}{1.6pt}\vspace*{-\baselineskip}\vspace*{2pt} 728 | \rule{\txtwidth}{0.4pt}\\[\baselineskip] 729 | {\LARGE CONUNDRUMS\\ AND \\[0.3\baselineskip] PUZZLES}\\[0.2\baselineskip] 730 | \rule{\txtwidth}{0.4pt}\vspace*{-\baselineskip}\vspace{3.2pt} 731 | \rule{\txtwidth}{1.6pt}\\[\baselineskip] 732 | \scshape 733 | Selected and Expanded Papers from the Organisation Working Conference 734 | on \\ Enigmas \\ 735 | Location, date from--to\par 736 | \vspace*{2\baselineskip} 737 | Edited by \\[\baselineskip] 738 | {\Large FIRST EDITOR \\ SECOND EDITOR \\ THIRD EDITOR\par} 739 | {\itshape Organisation \\ Address\par} 740 | \vfill 741 | \plogo\\ 742 | {\scshape year} \\ 743 | {\large THE PUBLISHER}\par 744 | \endgroup} 745 | 746 | \newcommand*{\rotrt}[1]{\rotatebox{90}{#1}} 747 | \newcommand*{\rotlft}[1]{\rotatebox{-90}{#1}} 748 | \newcommand*{\topb}{% 749 | \resizebox*{\unitlength}{\baselineskip}{\rotrt{$\}$}}} 750 | \newcommand*{\botb}{% 751 | \resizebox*{\unitlength}{\baselineskip}{\rotlft{$\}$}}} 752 | \newcommand*{\titleBC}{\begingroup% Bookbinding & Conservation 753 | \FSfont{5jr}% Jenson Recut (Centaur) 754 | \begin{center} 755 | \def\CP{\textit{\HUGE Conundrums \& Puzzles}} 756 | \settowidth{\unitlength}{\CP} 757 | %{\color{LightGoldenrod}\( \overbrace{\hspace{\unitlength}} \)} \\[\baselineskip] 758 | {\color{LightGoldenrod}\topb} \\[\baselineskip] 759 | \textcolor{Sienna}{\CP} \\[\baselineskip] 760 | {\color{RosyBrown}\LARGE A SIXTY-YEAR STUDY} \\ 761 | %{\color{LightGoldenrod}\( \underbrace{\hspace{\unitlength}} \)} 762 | {\color{LightGoldenrod}\botb} 763 | \end{center} 764 | \vfill 765 | \begin{center} 766 | {\LARGE\textbf{The Author}}\\ 767 | \vfill 768 | \plogo\\[0.5\baselineskip] 769 | YEAR 770 | \end{center} 771 | \endgroup} 772 | 773 | \newcommand*{\titleHC}{\begingroup% Harry Carter 774 | \FSfont{fxlj}% Libertine 775 | \setlength{\drop}{0.1\txtheight} 776 | \vspace*{\drop} 777 | \begin{flushleft} 778 | {\FSfont{5eb}% Erbar Deco 779 | \HUGE 780 | {C\,O\,N\,U\,N\,D\,R\,U\,M\,S\,,}\\ 781 | {P\,U\,Z\,Z\,L\,E\,S\,, \&} \\ 782 | {E\,N\,I\,G\,M\,A\,S}\\ 783 | } 784 | \vfill 785 | \Large 786 | A. N. AUTHOR \\ 787 | A. N. OTHER \\ 788 | Y. E. TANOTHER 789 | \vfill 790 | THE PUBLISHER {\normalsize YEAR} 791 | \end{flushleft} 792 | \endgroup} 793 | 794 | %%%%%%%%%%%%%%%% 795 | 796 | %% draw an oval using tikz 797 | \newcommand*{\anoval}[2]{% 798 | \begin{tikzpicture} 799 | \draw[very thick] (0,0) ellipse (#1 and #2); 800 | \end{tikzpicture}} 801 | 802 | %% a zero-sized picture of an oval 803 | \newcommand*{\putoval}{\begingroup 804 | \setlength{\unitlength}{1in} 805 | \begin{picture}(0,0) 806 | \put(-1.25,0){\anoval{1.25in}{1.75in}} 807 | \end{picture} 808 | \endgroup} 809 | 810 | %% rectangular frame 811 | \newcommand*{\fframe}{\begingroup 812 | \wb{10pt}{10pt} 813 | \setlength{\unitlength}{1pt} 814 | \begin{picture}(0,0) 815 | \multiput(11,0)(24,0){11}{e}% bottom 816 | \multiput(23,0)(24,0){10}{f}% bottom 817 | \multiput(11,384)(24,0){11}{e}% top 818 | \multiput(23,384)(24,0){10}{f}% top 819 | \put(0,0){O}% bl 820 | \put(0,382){R}% tl 821 | \put(262,0){M}% br 822 | \put(262,382){P}% tr 823 | \multiput(0,11)(0,24){16}{i}% left 824 | \multiput(0,23)(0,24){15}{j}% left 825 | \multiput(264,11)(0,24){16}{i}% right 826 | \multiput(264,23)(0,24){15}{j}% right 827 | \end{picture} 828 | \endgroup} 829 | 830 | \newcommand*{\titleRMMH}{\begingroup 831 | \FSfont{5ve}% Vendome 832 | \Large 833 | \begin{center} 834 | The \\ 835 | Puzzle \\ 836 | of \\ 837 | Conundrums\\[2\baselineskip] 838 | by \\ 839 | The Authoress\\[3\baselineskip] 840 | \plogo\\[2\baselineskip] 841 | \putoval 842 | 843 | \vspace{2\baselineskip} 844 | The Publisher \\ 845 | {\normalsize YEAR} 846 | \end{center} 847 | \vspace{\baselineskip} 848 | \fframe 849 | \endgroup} 850 | 851 | %%%%%%%%%%%%%%%%%%%%%% 852 | 853 | \newcommand*{\leaf}{{\wb{8pt}{8pt}K}} 854 | \newcommand*{\titleWM}{\begingroup% William Morris 855 | \FSfont{5bo}% Bergamo (Bembo) 856 | \huge 857 | \scshape 858 | \noindent 859 | {\color{Red} 860 | conundrum \leaf\ 861 | essays on puzzles, enigmas and the mind by the author \leaf\ 862 | edited by the editor 863 | } 864 | \vfill 865 | \begin{center} 866 | {\normalfont\fontsize{256pt}{256pt}\selectfont ?} 867 | \end{center} 868 | \vfill 869 | \noindent 870 | the publisher \\ 871 | \hspace*{1pt}% 872 | \leaf\ year 873 | \vspace*{3\baselineskip} 874 | \endgroup} 875 | 876 | 877 | \newcommand*{\titleEI}{\begingroup% Editions & Impressions 878 | \FSfont{5gl}% Glytus (Glypha) 879 | \drop = 0.3\txtheight 880 | \vspace*{\drop} 881 | \raggedright 882 | {\LARGE {\huge C}ONUNDRUMS \textit{and} \\ 883 | \hspace*{30pt} {\huge E}NIGMAS\par} 884 | \vspace{2\baselineskip} 885 | {\large\ltseries\hspace*{15pt} {\LARGE T}WENTY {\LARGE Y}EARS \\[.1\baselineskip] 886 | \hspace*{15pt} OF {\LARGE P}UZZLEMENTS}\par 887 | \vspace{2\baselineskip} 888 | \hspace*{15pt}{\ltseries \textit{\large {\footnotesize BY} The Author}}\par 889 | \vfill 890 | The Publisher {\footnotesize YEAR} 891 | \endgroup} 892 | 893 | 894 | \newcommand*{\titleJA}{\begingroup% Jost Amman 895 | \FSfont{5bl}% FontSite Belwe 896 | \begin{center} 897 | \drop=0.2\txtheight 898 | \vspace*{0.5\drop} 899 | \Large THE AUTHOR'S \\[\baselineskip] 900 | {\FSfont{5at}% FontSite Abbot Old Style 901 | \huge\textcolor{Red}{Some Conundrums}}\\[2\baselineskip] 902 | \large \textit{with an intruction by} \\ 903 | SOMEONE ELSE\par 904 | \vfill 905 | YEAR \\ 906 | {\color{Red} \rule{\txtwidth}{0.4pt}\vspace*{-\baselineskip}\vspace{3pt} 907 | \rule{\txtwidth}{0.4pt}} \\[\baselineskip] 908 | \Large THE PUBLISHER 909 | \end{center} 910 | \vspace*{\drop} 911 | \mbox{} 912 | \endgroup} 913 | 914 | \newcommand*{\titlePP}{\begingroup% Printing Poetry 915 | \FSfont{5jr}% FontSite Jenson Recut (Centaur) 916 | \drop=0.1\txtheight 917 | \vspace*{\drop} 918 | \begin{raggedleft} 919 | %{\HUGE\color{Navy} PUZZLING}\\[\baselineskip] 920 | {\HUGE\color{MidnightBlue} PUZZLING}\\[\baselineskip] 921 | {A WORKBOOK FOR RESOLUTIONS}\\[1.1\baselineskip] 922 | {\HUGE\color{MidnightBlue} CONUNDRUMS} \\[\baselineskip] 923 | {\Large BY THE AUTHOR}\par 924 | \end{raggedleft} 925 | \vfill 926 | 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