This is Birte Becker.
Please leave a message.
This is Birte Becker.
Please leave a message.
I... I got it. I got it right here.
15 |Wait, let me see your hands! Let me see--
16 |Cory, watch your back!
17 |Can't let you take the man's wheels, son.
15 |Now, get off before I put you down.
16 |That's it, God damn it.
17 |I... I got it. I got it right here.
15 |Wait, let me see your hands! Let me see--
16 |Cory, watch your back!
17 |I... I got it. I got it right here.
15 |Wait, let me see your hands! Let me see--
16 |Cory, watch your back!
17 |HOSTAGE 2:
Please! Help, help, help!
[POWERS UP]
16 |[GUNSHOT]
17 |Sorry.
18 |No i jak? Jedzie?
Już nie. Utknął!
Pa, babciu!
18 | 19 |I GUESS I THOUGHT
THAT THE DREAM SPACE
WOULD BE ALL
ABOUT THE VISUAL,
BUT IT'S MORE
ABOUT THE FEEL OF IT.
MY QUESTION IS,
18 |WHAT HAPPENS
WHEN YOU START MESSING
WITH THE PHYSICS
OF IT ALL?
Sergeant Hugo Stiglitz?
15 |Lieutenant Aldo Raine.
These are the Basterds.
Ever heard of us?
17 |We just want to say
we're a big fan of your work.
When it comes to killing Nazis...
19 |I think you show great talent.
20 |And I pride myself for having an eye
for that kind of talent.
But your status as a Nazi killer
is still amateur.
We all come here to see
if you want to go pro.
My name's Chelsea Handler,
and I am as white as they come.
I'm filming a documentary
about white privilege.
Oh-hhhh.
17 |You guys know where you come from,
you know your history. We don't know that.
[man]
You do need to learn about others,
but you also have to learn about yourself.
20 |White people have to have
the conversation with white people.
It's like talking about porn
at the dinner table.
[cackles] Lord have mercy.
23 |[cymbals crash]
24 |Aye.
15 |Your brother, Lord Melton,
was an honorable gentleman.
And my family debt to you
has been discharged.
But not yer promise.
18 |Promise?
19 |When last we parted...
20 |you vowed...
21 |I owe you my life.
22 |I should hope to discharge
that debt in the future.
And once it is discharged,
I will kill you.
Well, sir...
25 |here I am.
26 |She is priority number one
16 |-for all law enforcement agencies.
-[siren wails]
[clock ticking]
18 |Nice to see you again.
19 |I saw you die.
20 |You have to stop chasing me.
21 |I'm doing all this for a reason.
22 |[Tommy] We're all going forward.
23 |But her? She's going backward.
24 |[screams]
25 |[woman] You have no idea what's coming.
26 |[clock ticking]
27 |She is priority number one
16 |-for all law enforcement agencies.
-[siren wails]
[clock ticking]
18 |Nice to see you again.
19 |I saw you die.
20 |You have to stop chasing me.
21 |I'm doing all this for a reason.
22 |[Tommy] We're all going forward.
23 |But her? She's going backward.
24 |[screams]
25 |[woman] You have no idea what's coming.
26 |[clock ticking]
27 |She is priority number one
16 |-for all law enforcement agencies.
-[siren wails]
[clock ticking]
18 |Nice to see you again.
19 |I saw you die.
20 |You have to stop chasing me.
21 |I'm doing all this for a reason.
22 |[Tommy] We're all going forward.
23 |But her? She's going backward.
24 |[screams]
25 |[woman] You have no idea what's coming.
26 |[clock ticking]
27 |[Carole] These platforms
which were created to connect us
have now been weaponized.
18 |[Brittany] These companies are
the most powerful in the world
because they own the personal data
of people from all around the world.
[Carole] The real game changer
was Cambridge Analytica.
[Brittany] We targeted those whose minds
we thought we could change.
[David] When people see
the extent of the surveillance,
I think they're going to be shocked.
24 |You are more handsome
in your photos.
Yeah, talk to me about handsome.
17 |And you have no trace
of Cuban accent.
Yeah, it's called tradecraft, genius.
I blend.
Just shut up and get the plans.
20 |-You shut up and get the plans.
-What?
I mean, give me those plans, now.
Give me those plans.
You may have them once I confirm
the balance in my Swiss account.
-Tell them not to bother.
-What?
Wait, what are we doing?
25 |Conway!
26 |Sergeant Schumann.
15 |Yes, sir.
16 |At ease.
17 |I didn't recognize you in civvies.
18 |I don't recognize myself
sometimes either, sir.
Got out a few months back.
20 |Why'd you go and do that?
21 |The wife. I was downrange
three times with two kids.
Roger that.
23 |What's this line you're in?
24 |We're applying for
service connection, sir.
Shoe, you were my hammer out there.
26 |Don't let these young guys
see you fold like this.
It's bad for morale.
28 |Bad for Big Army.
29 |Sergeant Schumann.
15 |Yes, sir.
16 |At ease.
17 |I didn't recognize you in civvies.
18 |I don't recognize myself
sometimes either, sir.
Got out a few months back.
20 |Why'd you go and do that?
21 |The wife. I was downrange
three times with two kids.
Roger that.
23 |What's this line you're in?
24 |We're applying for
service connection, sir.
Shoe, you were my hammer out there.
26 |Don't let these young guys
see you fold like this.
It's bad for morale.
28 |Bad for Big Army.
29 |He goes, "Here, try this."
16 |He gave me one pill.
17 |"Try this." Went over to the gym,
about a half an hour,
I felt great, felt fantastic.
19 |And I came back and I said,
"What was that?"
And he goes, "Oh, that's what
Lance Armstrong takes."
I was like, "Oh. Oh, okay."
22 |And so I walked away thinking to myself,
23 |"Hey, I'm taking
what Lance Armstrong is taking.
Poor guy is getting ragged on in the media
for taking steroids.
He's taking something
that he's getting from a doctor.
Oh, yay, Lance."
27 |And it worked.
28 |[chatter stops]
15 |[audience gasping]
16 |Over time, she will not be able
to transform back.
[hissing]
18 |She will be forever trapped
in the body of a snake.
[Credence grunts]
20 |[creatures screeching]
21 |-[groans]
-[audience gasps]
[screeching continues]
23 |[panicked screaming]
24 |-[creature roaring]
-[screaming continues]
[man screaming]
26 |Credence!
27 |[roars]
28 |[groans]
29 |Pack it up.
30 |Paris is done for us now.
31 |[chatter stops]
15 |[audience gasping]
16 |Over time, she will not be able
to transform back.
[hissing]
18 |She will be forever trapped
in the body of a snake.
[Credence grunts]
20 |[creatures screeching]
21 |-[groans]
-[audience gasps]
[screeching continues]
23 |[panicked screaming]
24 |-[creature roaring]
-[screaming continues]
[man screaming]
26 |Credence!
27 |[roars]
28 |[groans]
29 |Pack it up.
30 |Paris is done for us now.
31 |[chatter stops]
15 |[audience gasping]
16 |Over time, she will not be able
to transform back.
[hissing]
18 |She will be forever trapped
in the body of a snake.
[Credence grunts]
20 |[creatures screeching]
21 |-[groans]
-[audience gasps]
[screeching continues]
23 |[panicked screaming]
24 |-[creature roaring]
-[screaming continues]
[man screaming]
26 |Credence!
27 |[roars]
28 |[groans]
29 |Pack it up.
30 |Paris is done for us now.
31 |[chatter stops]
15 |[audience gasping]
16 |Over time, she will not be able
to transform back.
[hissing]
18 |She will be forever trapped
in the body of a snake.
[Credence grunts]
20 |[creatures screeching]
21 |-[groans]
-[audience gasps]
[screeching continues]
23 |[panicked screaming]
24 |-[creature roaring]
-[screaming continues]
[man screaming]
26 |Credence!
27 |[roars]
28 |[groans]
29 |Pack it up.
30 |Paris is done for us now.
31 |I have a temper. So, that's the thing.
That's what kind of ruins things.
Everything else I do is fine,
but I have a... temper,
and it just ruins...
and my wife always says the same thing.
She's always just like,
[imitates wife] "I just don't understand.
Where did that come from?
19 |[audience laughing]
20 |Where is that coming from?
21 |You just go from zero to 100
in two seconds."
It's like, first of all,
I idle at 75 miles an hour.
All right? So don't give me
this "zero to 100."
I walked into this restaurant at 75.
25 |I could hear that guy talking too loud
on his cell phone
from the... parking lot!
27 |[audience laughing]
28 |I have a temper. So, that's the thing.
That's what kind of ruins things.
Everything else I do is fine,
but I have a... temper,
and it just ruins...
and my wife always says the same thing.
She's always just like,
[imitates wife] "I just don't understand.
Where did that come from?
19 |[audience laughing]
20 |Where is that coming from?
21 |You just go from zero to 100
in two seconds."
It's like, first of all,
I idle at 75 miles an hour.
All right? So don't give me
this "zero to 100."
I walked into this restaurant at 75.
25 |I could hear that guy talking too loud
on his cell phone
from the... parking lot!
27 |[audience laughing]
28 |[Bob Weir] Clive was the one suit
that we weren't distrustful of.
He had a reputation for,
you know,
having the ear, you know?
The golden ear.
♪ We used to play for acid ♪
19 |♪ Now we play for Clive ♪
20 |Clive came in there, and, I wouldn't
necessarily say it was overnight,
but, in a very, very short
period of time, all of a sudden,
Arista became
a very competitive label.
[singing] ♪ All by myself ♪
24 |Using Columbia as a model,
25 |I wanted Arista
to be in every area of music.
[singing] ♪ I said what's the word? ♪
27 |♪ Tell me brother
Have you heard ♪
♪ From Johannesburg? ♪
29 |[Bob Weir] Clive was the one suit
that we weren't distrustful of.
He had a reputation for,
you know,
having the ear, you know?
The golden ear.
♪ We used to play for acid ♪
19 |♪ Now we play for Clive ♪
20 |Clive came in there, and, I wouldn't
necessarily say it was overnight,
but, in a very, very short
period of time, all of a sudden,
Arista became
a very competitive label.
[singing] ♪ All by myself ♪
24 |Using Columbia as a model,
25 |I wanted Arista
to be in every area of music.
[singing] ♪ I said what's the word? ♪
27 |♪ Tell me brother
Have you heard ♪
♪ From Johannesburg? ♪
29 |We checked out so many details
that Bob had told us
that turned out to be true.
17 |The existence of S4. Element 115
18 |really did become an element years later,
19 |that Bob had been consulted by the lab
20 |which first synthesized
man-made element 115.
There was a whole long string
of things that he knew that checked out.
These milestones along the way,
23 |no matter how much we nitpick it apart,
24 |no matter how much
people don't want to believe it,
the evidence that he's telling the truth
outweighs the evidence that he's not.
Well, I agree with you.
And if I did not believe that,
I would not still be working on the story,
28 |I would not be publicly
defending Bob Lazar.
Varför kommer du undan med allt
men inte jag?
Varför får du fortsätta leva ditt
perfekta liv medan du förstör mitt?
-Okej, Scotty...
-Nej, nej, nej.
Jag vill inte ligga i roddbåten.
20 |Jag vill ligga med dig.
21 |-Vad fan gör du?
-Kom hit.
-Släpp mig, för fan.
-Kom igen, Ali.
-Du har ju knullat alla andra i stan.
-Dra åt helvete! Dra åt helvete!
Skit också! Åh nej...
25 |Skit!
26 |Jag knuffade honom,
jag knuffade honom.
Det känns som om vi har varit här
hur länge som helst.
Kom och dansa med mig.
29 |-Blev det några skador på bilen?
-Inga stora.
Jag lämnade den hos en mekaniker.
31 |Your brain is an association machine.
It connects things together.
[Emma] Why are memories so unreliable?
17 |About 50% of the details of that memory
change in a year,
even though most people are convinced
they're 100% right.
[Emma] For thousands of years,
20 |humans have seen dreams as some kind
of window into our deeper selves.
The brain in REM sleep
looks uniquely different
from any other time.
23 |[Emma] We keep inventing
new reasons to be anxious.
Anxiety is the most common mental illness.
25 |[Emma] Why do so many of us feel this way?
26 |And what can we do about it?
27 |Noticing the mind is lost,
it's a moment of awakening.
[Emma] How can a brief encounter
with a psychedelic drug
have such dramatic and varied effects?
30 |And what does that tell us about the mind?
31 |[echoing] Mind, mind, mind...
32 |[man] When you look at every little detail
in The Dark Crystal...
those things are the apex
of somebody's art.
[Wendy] There's so few people that know
how we did it the first time,
and we're so old,
20 |-we don't remember how we did it.
-[all laugh]
[Lisa]
Everything is hand-sculpted, hand-painted,
just an amazing amount
of craftsmanship that you see
across the whole image.
24 |[Gavin] The first thing you're trying to
do is live up to what the film produced.
The next stage is, then,
to push it a lot further.
I think Jim Henson
would have been delighted.
Puppetry, it's an art form in itself.
And that's what you're watching.
[Lisa] I feel like Louis
is really the right person
to be standing in my father's shoes.
30 |The idea is that you watch the show
and you forget you're watching puppets.
[grunts]
32 |-[shrieks]
-Oh!
Your destiny calls to you.
34 |Why would I believe
Phones over here heard
a goddamn word you said?
You laid down
your whole play.
He ain't even listening.
Baby?
17 |The target is an armored truck
18 |at Perimeter Trust
in Dunwoody,
10:00 a.m. sharp.
We have
the details of the route
because someone at the depot
has a nasal problem.
The bank itself
is right near
the Buford Highway,
so we should be able
to hit the ramp
within 60 seconds
of getting out.
We also have a diversion crew.
25 |They're gonna blow up
a bread truck a ways away,
keep the fuzz busy.
27 |The dress code
is the Michael Myers
Halloween mask,
but don't all buy your masks
at the same time.
It looks suspicious.
The switch car is ready,
30 |but you want me to hit
the long-stay
parking structure
at Hartsfield-Jackson
32 |to get a heist vehicle
that stays colder longer.
Boost a commuter car,
a family car,
These are Indian agents.
15 |They said...
16 |that they will fight us.
17 |But can they beat the divine army?
18 |No!
19 |Our boys are in great danger.
20 |Get Adonis for me.
21 |What is the real name of Adonis?
22 |Kabir Anand.
23 |They told you my name, but not my job.
24 |I didn't think he'll ever be seen again.
25 |I broke his courage so bad...
26 |that they ruined his career.
27 |It's time that we take action together.
28 |I have a plan.
29 |Are you ready for the mission...
off the books?
It is an in-and-out job.
31 |-Sir, we should follow the protocol.
-There's no protocol in this mission.
We're supposed to be a team, right?
33 |These last-minute improvisations
is not smartness. It's cheating.
I just want to go back home.
35 |You will.
36 |Whether alive or in a body bag,
it is up to you.
It is the sound of... an upcoming storm.
38 |Kill them, Muzraf.
39 |Why dig up old graves, Kabir?
40 |To bury my past once and for all.
41 |These are Indian agents.
15 |They said...
16 |that they will fight us.
17 |But can they beat the divine army?
18 |No!
19 |Our boys are in great danger.
20 |Get Adonis for me.
21 |What is the real name of Adonis?
22 |Kabir Anand.
23 |They told you my name, but not my job.
24 |I didn't think he'll ever be seen again.
25 |I broke his courage so bad...
26 |that they ruined his career.
27 |It's time that we take action together.
28 |I have a plan.
29 |Are you ready for the mission...
off the books?
It is an in-and-out job.
31 |-Sir, we should follow the protocol.
-There's no protocol in this mission.
We're supposed to be a team, right?
33 |These last-minute improvisations
is not smartness. It's cheating.
I just want to go back home.
35 |You will.
36 |Whether alive or in a body bag,
it is up to you.
It is the sound of... an upcoming storm.
38 |Kill them, Muzraf.
39 |Why dig up old graves, Kabir?
40 |To bury my past once and for all.
41 |These are Indian agents.
15 |They said...
16 |that they will fight us.
17 |But can they beat the divine army?
18 |No!
19 |Our boys are in great danger.
20 |Get Adonis for me.
21 |What is the real name of Adonis?
22 |Kabir Anand.
23 |They told you my name, but not my job.
24 |I didn't think he'll ever be seen again.
25 |I broke his courage so bad...
26 |that they ruined his career.
27 |It's time that we take action together.
28 |I have a plan.
29 |Are you ready for the mission...
off the books?
It is an in-and-out job.
31 |-Sir, we should follow the protocol.
-There's no protocol in this mission.
We're supposed to be a team, right?
33 |These last-minute improvisations
is not smartness. It's cheating.
I just want to go back home.
35 |You will.
36 |Whether alive or in a body bag,
it is up to you.
It is the sound of... an upcoming storm.
38 |Kill them, Muzraf.
39 |Why dig up old graves, Kabir?
40 |To bury my past once and for all.
41 |These are Indian agents.
15 |They said...
16 |that they will fight us.
17 |But can they beat the divine army?
18 |No!
19 |Our boys are in great danger.
20 |Get Adonis for me.
21 |What is the real name of Adonis?
22 |Kabir Anand.
23 |They told you my name, but not my job.
24 |I didn't think he'll ever be seen again.
25 |I broke his courage so bad...
26 |that they ruined his career.
27 |It's time that we take action together.
28 |I have a plan.
29 |Are you ready for the mission...
off the books?
It is an in-and-out job.
31 |-Sir, we should follow the protocol.
-There's no protocol in this mission.
We're supposed to be a team, right?
33 |These last-minute improvisations
is not smartness. It's cheating.
I just want to go back home.
35 |You will.
36 |Whether alive or in a body bag,
it is up to you.
It is the sound of... an upcoming storm.
38 |Kill them, Muzraf.
39 |Why dig up old graves, Kabir?
40 |To bury my past once and for all.
41 |These are Indian agents.
15 |They said...
16 |that they will fight us.
17 |But can they beat the divine army?
18 |No!
19 |Our boys are in great danger.
20 |Get Adonis for me.
21 |What is the real name of Adonis?
22 |Kabir Anand.
23 |They told you my name, but not my job.
24 |I didn't think he'll ever be seen again.
25 |I broke his courage so bad...
26 |that they ruined his career.
27 |It's time that we take action together.
28 |I have a plan.
29 |Are you ready for the mission...
off the books?
It is an in-and-out job.
31 |-Sir, we should follow the protocol.
-There's no protocol in this mission.
We're supposed to be a team, right?
33 |These last-minute improvisations
is not smartness. It's cheating.
I just want to go back home.
35 |You will.
36 |Whether alive or in a body bag,
it is up to you.
It is the sound of... an upcoming storm.
38 |Kill them, Muzraf.
39 |Why dig up old graves, Kabir?
40 |To bury my past once and for all.
41 |These are Indian agents.
15 |They said...
16 |that they will fight us.
17 |But can they beat the divine army?
18 |No!
19 |Our boys are in great danger.
20 |Get Adonis for me.
21 |What is the real name of Adonis?
22 |Kabir Anand.
23 |They told you my name, but not my job.
24 |I didn't think he'll ever be seen again.
25 |I broke his courage so bad...
26 |that they ruined his career.
27 |It's time that we take action together.
28 |I have a plan.
29 |Are you ready for the mission...
off the books?
It is an in-and-out job.
31 |-Sir, we should follow the protocol.
-There's no protocol in this mission.
We're supposed to be a team, right?
33 |These last-minute improvisations
is not smartness. It's cheating.
I just want to go back home.
35 |You will.
36 |Whether alive or in a body bag,
it is up to you.
It is the sound of... an upcoming storm.
38 |Kill them, Muzraf.
39 |Why dig up old graves, Kabir?
40 |To bury my past once and for all.
41 |These are Indian agents.
15 |They said...
16 |that they will fight us.
17 |But can they beat the divine army?
18 |No!
19 |Our boys are in great danger.
20 |Get Adonis for me.
21 |What is the real name of Adonis?
22 |Kabir Anand.
23 |They told you my name, but not my job.
24 |I didn't think he'll ever be seen again.
25 |I broke his courage so bad...
26 |that they ruined his career.
27 |It's time that we take action together.
28 |I have a plan.
29 |Are you ready for the mission...
off the books?
It is an in-and-out job.
31 |-Sir, we should follow the protocol.
-There's no protocol in this mission.
We're supposed to be a team, right?
33 |These last-minute improvisations
is not smartness. It's cheating.
I just want to go back home.
35 |You will.
36 |Whether alive or in a body bag,
it is up to you.
It is the sound of... an upcoming storm.
38 |Kill them, Muzraf.
39 |Why dig up old graves, Kabir?
40 |To bury my past once and for all.
41 |These are Indian agents.
15 |They said...
16 |that they will fight us.
17 |But can they beat the divine army?
18 |No!
19 |Our boys are in great danger.
20 |Get Adonis for me.
21 |What is the real name of Adonis?
22 |Kabir Anand.
23 |They told you my name, but not my job.
24 |I didn't think he'll ever be seen again.
25 |I broke his courage so bad...
26 |that they ruined his career.
27 |It's time that we take action together.
28 |I have a plan.
29 |Are you ready for the mission...
off the books?
It is an in-and-out job.
31 |-Sir, we should follow the protocol.
-There's no protocol in this mission.
We're supposed to be a team, right?
33 |These last-minute improvisations
is not smartness. It's cheating.
I just want to go back home.
35 |You will.
36 |Whether alive or in a body bag,
it is up to you.
It is the sound of... an upcoming storm.
38 |Kill them, Muzraf.
39 |Why dig up old graves, Kabir?
40 |To bury my past once and for all.
41 |These are Indian agents.
15 |They said...
16 |that they will fight us.
17 |But can they beat the divine army?
18 |No!
19 |Our boys are in great danger.
20 |Get Adonis for me.
21 |What is the real name of Adonis?
22 |Kabir Anand.
23 |They told you my name, but not my job.
24 |I didn't think he'll ever be seen again.
25 |I broke his courage so bad...
26 |that they ruined his career.
27 |It's time that we take action together.
28 |I have a plan.
29 |Are you ready for the mission...
off the books?
It is an in-and-out job.
31 |-Sir, we should follow the protocol.
-There's no protocol in this mission.
We're supposed to be a team, right?
33 |These last-minute improvisations
is not smartness. It's cheating.
I just want to go back home.
35 |You will.
36 |Whether alive or in a body bag,
it is up to you.
It is the sound of... an upcoming storm.
38 |Kill them, Muzraf.
39 |Why dig up old graves, Kabir?
40 |To bury my past once and for all.
41 |These are Indian agents.
15 |They said...
16 |that they will fight us.
17 |But can they beat the divine army?
18 |No!
19 |Our boys are in great danger.
20 |Get Adonis for me.
21 |What is the real name of Adonis?
22 |Kabir Anand.
23 |They told you my name, but not my job.
24 |I didn't think he'll ever be seen again.
25 |I broke his courage so bad...
26 |that they ruined his career.
27 |It's time that we take action together.
28 |I have a plan.
29 |Are you ready for the mission...
off the books?
It is an in-and-out job.
31 |-Sir, we should follow the protocol.
-There's no protocol in this mission.
We're supposed to be a team, right?
33 |These last-minute improvisations
is not smartness. It's cheating.
I just want to go back home.
35 |You will.
36 |Whether alive or in a body bag,
it is up to you.
It is the sound of... an upcoming storm.
38 |Kill them, Muzraf.
39 |Why dig up old graves, Kabir?
40 |To bury my past once and for all.
41 |These are Indian agents.
15 |They said...
16 |that they will fight us.
17 |But can they beat the divine army?
18 |No!
19 |Our boys are in great danger.
20 |Get Adonis for me.
21 |What is the real name of Adonis?
22 |Kabir Anand.
23 |They told you my name, but not my job.
24 |I didn't think he'll ever be seen again.
25 |I broke his courage so bad...
26 |that they ruined his career.
27 |It's time that we take action together.
28 |I have a plan.
29 |Are you ready for the mission...
off the books?
It is an in-and-out job.
31 |-Sir, we should follow the protocol.
-There's no protocol in this mission.
We're supposed to be a team, right?
33 |These last-minute improvisations
is not smartness. It's cheating.
I just want to go back home.
35 |You will.
36 |Whether alive or in a body bag,
it is up to you.
It is the sound of... an upcoming storm.
38 |Kill them, Muzraf.
39 |Why dig up old graves, Kabir?
40 |To bury my past once and for all.
41 |...prior to the Revolutionary War,
the economic modalities,
especially in the southern colonies,
17 |could most aptly be characterized as...
18 |-agrarian precapitalist--
-Let me tell you something.
Of course that's your contention.
You're a first-year grad student.
You got finished reading
some Marxian historian.
Pete Garrison, probably.
22 |You're gonna be convinced till next month
23 |when you get to James Lemon.
You're gonna be talkin'
about how the economies
of Virginia and Pennsylvania
were entrepreneurial
and capitalist way back in 1740.
That's gonna last until next year.
You're gonna be regurgitating Gordon Wood,
talking about, you know,
the prerevolutionary utopia...
and the capital-forming effects
of military mobilization.
As a matter of fact, I won't,
30 |because Wood drastically underestimates
the impact of--
Wood drastically underestimates
the impact of social distinctions
predicated upon wealth,
especially inherited wealth?
You got that from Vickers,
Work in Essex County.
Page 98, right? Yeah, I read that, too.
Were you gonna plagiarize the whole thing?
Do you have any thoughts
of your own on this matter?
...prior to the Revolutionary War,
the economic modalities,
especially in the southern colonies,
17 |could most aptly be characterized as...
18 |-agrarian precapitalist--
-Let me tell you something.
Of course that's your contention.
You're a first-year grad student.
You got finished reading
some Marxian historian.
Pete Garrison, probably.
22 |You're gonna be convinced till next month
23 |when you get to James Lemon.
You're gonna be talkin'
about how the economies
of Virginia and Pennsylvania
were entrepreneurial
and capitalist way back in 1740.
That's gonna last until next year.
You're gonna be regurgitating Gordon Wood,
talking about, you know,
the prerevolutionary utopia...
and the capital-forming effects
of military mobilization.
As a matter of fact, I won't,
30 |because Wood drastically underestimates
the impact of--
Wood drastically underestimates
the impact of social distinctions
predicated upon wealth,
especially inherited wealth?
You got that from Vickers,
Work in Essex County.
Page 98, right? Yeah, I read that, too.
Were you gonna plagiarize the whole thing?
Do you have any thoughts
of your own on this matter?
[man] Migration is on.
16 |The border wall is no barrier to birds.
17 |I think birds bring people together
from both sides of the Rio Grande.
[man, in Spanish]
Because of the geography,
they cross the river from North to South.
20 |[man 2] Animals don't know anything
about borders.
[birdcalling]
22 |[woman]
There's always danger for the birds,
but sometimes it's man-made
and we can do something about it.
Vegetation means wild life.
25 |If that's destroyed,
then their habitat is gone.
[man, in Spanish] They flee from
the inclemency of the weather, the snow.
[man] One of the reasons that we band
28 |is to put a value on areas
birds use every year.
And try to conserve them.
30 |He's just wanting to bite me again.
31 |[woman, in Spanish]
The birds are beautiful,
but they are also markers
of the state of an ecosystem.
[woman]
Those birds use both our countries.
They need to migrate back and forth.
35 |[woman, in Spanish]
If they give us so much,
why not protect and preserve them?
37 |[tweeting]
38 |[Thomas] 1922.
16 |A man's pride was a man's land.
17 |And so was his son.
18 |My wife...
19 |...she wanted us to leave all this behind.
20 |We can move.
21 |The cities are for fools.
22 |We divorce.
We both know that's what you want.
Life is rarely fair.
24 |Especially out here.
25 |[Thomas] I believe that
there's another man...
...inside every man.
27 |A conniving man.
28 |I'm gonna sell.
You, my son, are coming with me.
This is our house.
30 |[Thomas] In 1922...
31 |...I murdered my wife.
32 |-[knife slicing]
-[woman taking breath]
Want a glass of lemonade Sheriff?
34 |Can I look in the house?
35 |[Thomas] She only took the one suitcase.
36 |[Sheriff] Woman had to be crazy
to leave a nice house like this one.
[The Very Thought Of You
by Nat King Cole playing]
[rat squeeking]
39 |[Henry] Don't touch me!
40 |[gunshot]
41 |You cursed it all!
42 |[Henry] I hope there is no God.
43 |Because if there's no Heaven...
44 |...there's no Hell.
45 |So, your wife has
no friends here.
Is she kinda standoffish?
16 |Ivy League?
Rubs people the wrong way?
She's from New York.
Oh.
She's complicated.
She's got
very high standards.
Type A?
20 |That can make you crazy
if you're not like that.
You seem pretty laid-back.
22 |Type B.
23 |Speaking of which,
Amy's blood type?
God, I don't know.
I'd have to look it
up at the house.
You don't know
if she has friends...
you don't know what
she does all day...
and you don't know
your wife's blood type.
Sure you all are married?
29 |Uh... Maybe it's type O.
30 |Where are her folks?
New York?
Yeah.
Can they get here time
for this press
conference tomorrow?
Tomorrow? I have no idea.
I haven't talked to them.
You haven't called
your wife's parents yet?
You can't get a signal
in this building.
I've been in here
talking to you.
Call them,
please, Nick. Now.
Fine.
38 |(INDISTINCT CONVERSATIONS)
39 |Should I know
my wife's blood type?
(WHISPERING) No.
41 |[man 1] Is a normal, boring shift
too much to ask?
Looks like a puncture wound.
17 |Boys across town
just caught two more bodies.
Said both had some kind of mark
on their neck.
Got three random victims
with times of death minutes apart.
Bodies are miles apart.
How does that work?
[man 2] Suspect heading west
across Liberty.
[woman] Hello, Thomas.
23 |What did you say?
24 |Is this where it happens?
25 |[dramatic music swells]
26 |[reporter] Today marks the nine-year
anniversary of the Market Street murders,
and a still-unidentified suspect.
28 |[cell phone rings]
29 |Detective Lockhart. Yes, hello.
30 |[man 3] What do you mean,
it's happening again?
[man 4] You guys gotta see this.
32 |Philly PD. Have you seen this woman?
33 |Nice to see you again.
34 |[man 5] She gets torn apart by a train,
and nine years later she's back?
She is priority number one
for all law enforcement agencies.
[woman] You have to stop chasing me.
37 |I'm doing all this for a reason.
38 |[man 5] We're all going forward but her.
39 |[man 5] She's going backward.
40 |You have no idea what's coming.
41 |[woman] If you kill me now,
42 |the world as you know it will end.
43 |[man 1] Is a normal, boring shift
too much to ask?
Looks like a puncture wound.
17 |Boys across town
just caught two more bodies.
Said both had some kind of mark
on their neck.
Got three random victims
with times of death minutes apart.
Bodies are miles apart.
How does that work?
[man 2] Suspect heading west
across Liberty.
[woman] Hello, Thomas.
23 |What did you say?
24 |Is this where it happens?
25 |[dramatic music swells]
26 |[reporter] Today marks the nine-year
anniversary of the Market Street murders,
and a still-unidentified suspect.
28 |[cell phone rings]
29 |Detective Lockhart. Yes, hello.
30 |[man 3] What do you mean,
it's happening again?
[man 4] You guys gotta see this.
32 |Philly PD. Have you seen this woman?
33 |Nice to see you again.
34 |[man 5] She gets torn apart by a train,
and nine years later she's back?
She is priority number one
for all law enforcement agencies.
[woman] You have to stop chasing me.
37 |I'm doing all this for a reason.
38 |[man 5] We're all going forward but her.
39 |[man 5] She's going backward.
40 |You have no idea what's coming.
41 |[woman] If you kill me now,
42 |the world as you know it will end.
43 |[man 1] Is a normal, boring shift
too much to ask?
Looks like a puncture wound.
17 |Boys across town
just caught two more bodies.
Said both had some kind of mark
on their neck.
Got three random victims
with times of death minutes apart.
Bodies are miles apart.
How does that work?
[man 2] Suspect heading west
across Liberty.
[woman] Hello, Thomas.
23 |What did you say?
24 |Is this where it happens?
25 |[dramatic music swells]
26 |[reporter] Today marks the nine-year
anniversary of the Market Street murders,
and a still-unidentified suspect.
28 |[cell phone rings]
29 |Detective Lockhart. Yes, hello.
30 |[man 3] What do you mean,
it's happening again?
[man 4] You guys gotta see this.
32 |Philly PD. Have you seen this woman?
33 |Nice to see you again.
34 |[man 5] She gets torn apart by a train,
and nine years later she's back?
She is priority number one
for all law enforcement agencies.
[woman] You have to stop chasing me.
37 |I'm doing all this for a reason.
38 |[man 5] We're all going forward but her.
39 |[man 5] She's going backward.
40 |You have no idea what's coming.
41 |[woman] If you kill me now,
42 |the world as you know it will end.
43 |[man 1] Is a normal, boring shift
too much to ask?
Looks like a puncture wound.
17 |Boys across town
just caught two more bodies.
Said both had some kind of mark
on their neck.
Got three random victims
with times of death minutes apart.
Bodies are miles apart.
How does that work?
[man 2] Suspect heading west
across Liberty.
[woman] Hello, Thomas.
23 |What did you say?
24 |Is this where it happens?
25 |[dramatic music swells]
26 |[reporter] Today marks the nine-year
anniversary of the Market Street murders,
and a still-unidentified suspect.
28 |[cell phone rings]
29 |Detective Lockhart. Yes, hello.
30 |[man 3] What do you mean,
it's happening again?
[man 4] You guys gotta see this.
32 |Philly PD. Have you seen this woman?
33 |Nice to see you again.
34 |[man 5] She gets torn apart by a train,
and nine years later she's back?
She is priority number one
for all law enforcement agencies.
[woman] You have to stop chasing me.
37 |I'm doing all this for a reason.
38 |[man 5] We're all going forward but her.
39 |[man 5] She's going backward.
40 |You have no idea what's coming.
41 |[woman] If you kill me now,
42 |the world as you know it will end.
43 |[man 1] Is a normal, boring shift
too much to ask?
Looks like a puncture wound.
17 |Boys across town
just caught two more bodies.
Said both had some kind of mark
on their neck.
Got three random victims
with times of death minutes apart.
Bodies are miles apart.
How does that work?
[man 2] Suspect heading west
across Liberty.
[woman] Hello, Thomas.
23 |What did you say?
24 |Is this where it happens?
25 |[dramatic music swells]
26 |[reporter] Today marks the nine-year
anniversary of the Market Street murders,
and a still-unidentified suspect.
28 |[cell phone rings]
29 |Detective Lockhart. Yes, hello.
30 |[man 3] What do you mean,
it's happening again?
[man 4] You guys gotta see this.
32 |Philly PD. Have you seen this woman?
33 |Nice to see you again.
34 |[man 5] She gets torn apart by a train,
and nine years later she's back?
She is priority number one
for all law enforcement agencies.
[woman] You have to stop chasing me.
37 |I'm doing all this for a reason.
38 |[man 5] We're all going forward but her.
39 |[man 5] She's going backward.
40 |You have no idea what's coming.
41 |[woman] If you kill me now,
42 |the world as you know it will end.
43 |[man 1] Is a normal, boring shift
too much to ask?
Looks like a puncture wound.
17 |Boys across town
just caught two more bodies.
Said both had some kind of mark
on their neck.
Got three random victims
with times of death minutes apart.
Bodies are miles apart.
How does that work?
[man 2] Suspect heading west
across Liberty.
[woman] Hello, Thomas.
23 |What did you say?
24 |Is this where it happens?
25 |[dramatic music swells]
26 |[reporter] Today marks the nine-year
anniversary of the Market Street murders,
and a still-unidentified suspect.
28 |[cell phone rings]
29 |Detective Lockhart. Yes, hello.
30 |[man 3] What do you mean,
it's happening again?
[man 4] You guys gotta see this.
32 |Philly PD. Have you seen this woman?
33 |Nice to see you again.
34 |[man 5] She gets torn apart by a train,
and nine years later she's back?
She is priority number one
for all law enforcement agencies.
[woman] You have to stop chasing me.
37 |I'm doing all this for a reason.
38 |[man 5] We're all going forward but her.
39 |[man 5] She's going backward.
40 |You have no idea what's coming.
41 |[woman] If you kill me now,
42 |the world as you know it will end.
43 |[man 1] Is a normal, boring shift
too much to ask?
Looks like a puncture wound.
17 |Boys across town
just caught two more bodies.
Said both had some kind of mark
on their neck.
Got three random victims
with times of death minutes apart.
Bodies are miles apart.
How does that work?
[man 2] Suspect heading west
across Liberty.
[woman] Hello, Thomas.
23 |What did you say?
24 |Is this where it happens?
25 |[dramatic music swells]
26 |[reporter] Today marks the nine-year
anniversary of the Market Street murders,
and a still-unidentified suspect.
28 |[cell phone rings]
29 |Detective Lockhart. Yes, hello.
30 |[man 3] What do you mean,
it's happening again?
[man 4] You guys gotta see this.
32 |Philly PD. Have you seen this woman?
33 |Nice to see you again.
34 |[man 5] She gets torn apart by a train,
and nine years later she's back?
She is priority number one
for all law enforcement agencies.
[woman] You have to stop chasing me.
37 |I'm doing all this for a reason.
38 |[man 5] We're all going forward but her.
39 |[man 5] She's going backward.
40 |You have no idea what's coming.
41 |[woman] If you kill me now,
42 |the world as you know it will end.
43 |[man 1] Is a normal, boring shift
too much to ask?
Looks like a puncture wound.
17 |Boys across town
just caught two more bodies.
Said both had some kind of mark
on their neck.
Got three random victims
with times of death minutes apart.
Bodies are miles apart.
How does that work?
[man 2] Suspect heading west
across Liberty.
[woman] Hello, Thomas.
23 |What did you say?
24 |Is this where it happens?
25 |[dramatic music swells]
26 |[reporter] Today marks the nine-year
anniversary of the Market Street murders,
and a still-unidentified suspect.
28 |[cell phone rings]
29 |Detective Lockhart. Yes, hello.
30 |[man 3] What do you mean,
it's happening again?
[man 4] You guys gotta see this.
32 |Philly PD. Have you seen this woman?
33 |Nice to see you again.
34 |[man 5] She gets torn apart by a train,
and nine years later she's back?
She is priority number one
for all law enforcement agencies.
[woman] You have to stop chasing me.
37 |I'm doing all this for a reason.
38 |[man 5] We're all going forward but her.
39 |[man 5] She's going backward.
40 |You have no idea what's coming.
41 |[woman] If you kill me now,
42 |the world as you know it will end.
43 |[man 1] Is a normal, boring shift
too much to ask?
Looks like a puncture wound.
17 |Boys across town
just caught two more bodies.
Said both had some kind of mark
on their neck.
Got three random victims
with times of death minutes apart.
Bodies are miles apart.
How does that work?
[man 2] Suspect heading west
across Liberty.
[woman] Hello, Thomas.
23 |What did you say?
24 |Is this where it happens?
25 |[dramatic music swells]
26 |[reporter] Today marks the nine-year
anniversary of the Market Street murders,
and a still-unidentified suspect.
28 |[cell phone rings]
29 |Detective Lockhart. Yes, hello.
30 |[man 3] What do you mean,
it's happening again?
[man 4] You guys gotta see this.
32 |Philly PD. Have you seen this woman?
33 |Nice to see you again.
34 |[man 5] She gets torn apart by a train,
and nine years later she's back?
She is priority number one
for all law enforcement agencies.
[woman] You have to stop chasing me.
37 |I'm doing all this for a reason.
38 |[man 5] We're all going forward but her.
39 |[man 5] She's going backward.
40 |You have no idea what's coming.
41 |[woman] If you kill me now,
42 |the world as you know it will end.
43 |[man 1] Is a normal, boring shift
too much to ask?
Looks like a puncture wound.
17 |Boys across town
just caught two more bodies.
Said both had some kind of mark
on their neck.
Got three random victims
with times of death minutes apart.
Bodies are miles apart.
How does that work?
[man 2] Suspect heading west
across Liberty.
[woman] Hello, Thomas.
23 |What did you say?
24 |Is this where it happens?
25 |[dramatic music swells]
26 |[reporter] Today marks the nine-year
anniversary of the Market Street murders,
and a still-unidentified suspect.
28 |[cell phone rings]
29 |Detective Lockhart. Yes, hello.
30 |[man 3] What do you mean,
it's happening again?
[man 4] You guys gotta see this.
32 |Philly PD. Have you seen this woman?
33 |Nice to see you again.
34 |[man 5] She gets torn apart by a train,
and nine years later she's back?
She is priority number one
for all law enforcement agencies.
[woman] You have to stop chasing me.
37 |I'm doing all this for a reason.
38 |[man 5] We're all going forward but her.
39 |[man 5] She's going backward.
40 |You have no idea what's coming.
41 |[woman] If you kill me now,
42 |the world as you know it will end.
43 |[man 1] Is a normal, boring shift
too much to ask?
Looks like a puncture wound.
17 |Boys across town
just caught two more bodies.
Said both had some kind of mark
on their neck.
Got three random victims
with times of death minutes apart.
Bodies are miles apart.
How does that work?
[man 2] Suspect heading west
across Liberty.
[woman] Hello, Thomas.
23 |What did you say?
24 |Is this where it happens?
25 |[dramatic music swells]
26 |[reporter] Today marks the nine-year
anniversary of the Market Street murders,
and a still-unidentified suspect.
28 |[cell phone rings]
29 |Detective Lockhart. Yes, hello.
30 |[man 3] What do you mean,
it's happening again?
[man 4] You guys gotta see this.
32 |Philly PD. Have you seen this woman?
33 |Nice to see you again.
34 |[man 5] She gets torn apart by a train,
and nine years later she's back?
She is priority number one
for all law enforcement agencies.
[woman] You have to stop chasing me.
37 |I'm doing all this for a reason.
38 |[man 5] We're all going forward but her.
39 |[man 5] She's going backward.
40 |You have no idea what's coming.
41 |[woman] If you kill me now,
42 |the world as you know it will end.
43 |[man 1] Is a normal, boring shift
too much to ask?
Looks like a puncture wound.
17 |Boys across town
just caught two more bodies.
Said both had some kind of mark
on their neck.
Got three random victims
with times of death minutes apart.
Bodies are miles apart.
How does that work?
[man 2] Suspect heading west
across Liberty.
[woman] Hello, Thomas.
23 |What did you say?
24 |Is this where it happens?
25 |[dramatic music swells]
26 |[reporter] Today marks the nine-year
anniversary of the Market Street murders,
and a still-unidentified suspect.
28 |[cell phone rings]
29 |Detective Lockhart. Yes, hello.
30 |[man 3] What do you mean,
it's happening again?
[man 4] You guys gotta see this.
32 |Philly PD. Have you seen this woman?
33 |Nice to see you again.
34 |[man 5] She gets torn apart by a train,
and nine years later she's back?
She is priority number one
for all law enforcement agencies.
[woman] You have to stop chasing me.
37 |I'm doing all this for a reason.
38 |[man 5] We're all going forward but her.
39 |[man 5] She's going backward.
40 |You have no idea what's coming.
41 |[woman] If you kill me now,
42 |the world as you know it will end.
43 |